- 4 months ago
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Short filmTranscript
00:00Welcome to Deepavali Subhaka!
00:03Happy Deepavali!
00:05Yes!
00:06So, Deepavali Sari Nishanga Chalakranga is here.
00:08We are here to go to Bison Cinema.
00:11Why are you here to go to Bison Cinema?
00:14It's Drew Vikram and Tamil.
00:18I've already said that this is the first debut.
00:21So, clearly, this is the first cinema.
00:24Now, I've used a fan base.
00:27So, I'm a fan base.
00:30He's my favorite and super talented.
00:33He's also a great fan base.
00:36I don't know what that is.
00:38And Raji Shaviju, I'm also a fan base.
00:41I'm also a fan base.
00:43I'm also a fan base.
00:45And I'm also a fan base.
00:48I'm a fan base.
00:50I'm a fan base.
00:52Happy Deepavali.
00:54Happy Deepavali.
00:56I'm also a fan base.
00:58I'm also a fan base.
00:59I'm also a fan base.
01:00I'm also a fan base.
01:01Thank you so much.
01:02And Dhruv, you're super excited.
01:05You're very happy.
01:07As a fan girl, you're very happy.
01:09You're a fan base.
01:10So, what are your expectations?
01:12So, it's your first film in Telugu.
01:14My first release in Telugu.
01:17I wish I could have dropped for this film.
01:20But unfortunately, I didn't have time.
01:22And it's extremely exciting.
01:24Thank you so much, sir.
01:26Welcome, welcome, welcome.
01:27Always.
01:29I'm very happy.
01:30I will be happy.
01:31You're a fan base.
01:32And thank you.
01:33You are a fan base.
01:34I'm so happy.
01:35I'm a fan base.
01:36And I'm very grateful.
01:37Yes.
01:38So, I'm already seen your work.
01:39I will be happy.
01:40And of course, that look.
01:41You're also a fan base.
01:42and we are also training. So we could have made a big screen look to see you like that complete
01:46film throughout the film. Our three hours go churning, watching you on screen. So how excited
01:50are you even pissed on me before the release? I mentioned in a lot of Tamil interviews that
01:55I'm not able to understand that this is a movie and we're doing promotions for it.
02:01Because we treated it like a life when we shot it and when I prepared for it. So that's because
02:09I trained like a Kabdi player for this film. I didn't act as a Kabdi player. I became a Kabdi player
02:17and I had to act a little bit for the film. That's very true. You know, Kuroshi,
02:23there's a question. So when you came to the location, you were talking about the experience
02:30of how was the interview. You're saying, actually, you're an actor, I'm going to go to the
02:35and you're talking about the lights, the chair, and you're talking about what you're talking about.
02:41You're talking about what you're talking about. You're talking about a player?
02:44Yes. And actually, what I'm talking about, they were not acting. Like,
02:49they were choreographed, dupe shots, bed pet, etc. That's not the setup. So,
02:57you're talking about what you're talking about. You're talking about what you're talking about.
03:01Like, Bison is going to release or shoot or shoot or shoot or shoot or shoot.
03:04And that's why we're talking about shooting. So,
03:10a actor, I think your last release was five years back?
03:15My last theatrical release, Aditya Varma, was six years back. Six years back.
03:20Six years back. A actor, he's like a very young actor.
03:24How many years of cinema? And one, one and a half years. How many years? Like one and a half years?
03:31Yeah, one and a half to two years preparing.
03:34That's right. That's right. That's right. That's right.
03:47No, that's right.
03:49And like, it's like, it is like a cinema shooting, that experience.
03:56It's like, you're going to a...
03:58Every Kabadi players are going to practice chess.
04:00I know, I know. There are times where we make fun of him.
04:03What are you going to do?
04:04You're actually going for Asian games or what?
04:06No, okay.
04:07Like, a shot came on, like,
04:09Game, Gurunchi, worried.
04:12It's like, not about the shot.
04:13Minima, a shot allowed.
04:14It's not about the game.
04:15It's not about the game.
04:17It's not about the feeling.
04:19And definitely, it's something, it was a magic to watch,
04:22both Rov and Mari sir.
04:24Mari sir, equally like,
04:26even a shot,
04:28he'll, he, they have a chemistry and how Mari sir
04:31tells him, explains him the scene,
04:33and how he does that is a magic to watch.
04:36And viewers ga, Neenu, Rajisha,
04:38both of us,
04:39were standing there and watching all of these things,
04:42chilling.
04:42So, it was nice.
04:44I'm also going to go to the team,
04:45and I'm going to go to the team.
04:47For two years,
04:48in Fairboot,
04:49the people,
04:52you have to go to the family.
04:53You have to go to the family.
04:54Yes, you have to go to the family.
04:55You have to go to the family.
04:56In 18 hours,
04:5824 hours,
04:59I've been doing training and practice,
05:03and I've been doing cycle practices.
05:05and because of the family you have to go to the family,
05:10they have to go to the family.
05:11They are very individuals,
05:13and they talk many.
05:15They might talk about it,
05:17that's funny sir.
05:19I will talk about it,
05:22because their dad is feeling like this,
05:24they are working on the screen.
05:26They are experiencing a hidden screen,
05:28and the family is going to go.
05:29You are,
05:30they are listening to them.
05:31So,
05:32The same thing is that the good cinema is 100% good and the effects of Telugu are great.
05:39This is a direct cinema.
05:40Next time, we will be a direct hero.
05:44He will speak in Telugu also.
05:46Yes.
05:48I think definitely he would have dubbed in Telugu if we had time.
05:50I also wanted to dub, but it was like cut to cut.
05:54That's not true.
05:55There is a lot of time, but we can't do it.
06:00We have seen the film in Telugu also.
06:05We are also looking at the film in Tamil and Malyana.
06:09It's a lot of rustic and rustic.
06:11We are all in complete efforts to do the film.
06:16We have a great film in Telugu.
06:19In this film, we have a lot of characterisation.
06:24It's a company based film.
06:26All of us have very special characters to play.
06:29And it's mostly about bison.
06:32Okay, so what do you think about this film?
06:36Actually, you are looking for a film.
06:40You are looking for a story.
06:42You are looking for a character.
06:44But I chose this because of the director.
06:48It's a lot of the film.
06:50It's a lot of people.
06:51Now, we are looking for a film.
06:54He's a very good director.
06:56It's a lot of people.
06:57You are saying it's raw, rooted.
06:59Yes.
07:00There's a lot of effect.
07:01In Atlantis, we are looking for a cinema.
07:03This is the best film.
07:05It's a good film.
07:06It's a good film.
07:07It's a good film.
07:07It's a good film.
07:08It feels like it's a feel for me.
07:11So, in Atlantis cinema, it's a place for me.
07:15So, I didn't work for Atlantis director now.
07:20So, I was surprised.
07:24I didn't have dates here.
07:29So, I was very sad.
07:33Finally, when he called...
07:35All actors have a lot of cinema experience.
07:42Is what I feel.
07:44Also, you learn a lot from this kind of thing.
07:47Yes, as an actor, you have to transform yourself completely.
07:52I feel very happy that I'm a part of it.
07:58And I'm really glad that I could be a part of it with these people.
08:02It's a beautiful casting.
08:04It's beautiful.
08:05It's beautiful.
08:06If you don't have a lot of passion for this cinema, you can't do it.
08:11You can't do it.
08:13So, this is pure passion.
08:15So, it comes from Mari sir.
08:17What Dhruva has done is pure passion.
08:19And Rajisha, it's her second film with Mari sir again.
08:22So, I don't know.
08:23I don't know.
08:24I don't know.
08:25I don't know.
08:26I don't know.
08:27But lucky.
08:29So, as she mentioned, you've already worked with the director.
08:33Previously worked with him.
08:34Yeah.
08:35Yeah.
08:36So, this is the characterisation.
08:38I'm going to tell you a little bit.
08:39Character, I can't really talk much about.
08:43And there are many beautiful films.
08:45Okay.
08:46See, what I'm trying to find is that it's a film that's going to transcend boundaries.
08:53Okay.
08:54There will be films that will work in that particular language.
08:57Right.
08:58Malayalam, we don't know what to say in Kerala audience.
09:02But in Tamil, we don't know what to say in Tamil.
09:04Hey, Tamil.
09:05Tamil.
09:06That's why I have done so many promotions today in Tamil.
09:09Okay.
09:10But, Telugu film.
09:11You'll think there are films that we should work for.
09:14You're saying that it's a subject as universal.
09:16Yes, exactly my point.
09:17Because, not just because it's a sports film.
09:20We all play Kappati.
09:22That's not the reason.
09:23In the sense, the school, we all know about Kappati.
09:26All Indians know about the game called Kappati.
09:29But it's not just because it's a Kappati film.
09:31It's also because of the socio-political angle and the message the film is trying to give.
09:36And music, everything is something that's going to work universally.
09:41Okay.
09:42So, and I'm very grateful to Sir.
09:46You're releasing it so soon.
09:49Trusting the film so much and waiting.
09:51So much.
09:52Yes, yes, yes.
09:55Both Rajusha and Anupama, they talk in places about my effort.
10:03But they both, Rajusha also, she did a lot of workshops to get into the character.
10:08Okay.
10:09She put a lot of effort.
10:10She's extremely hard working, dedicated to the point where she gets emotional if she doesn't get a scene right.
10:14So that's how much she loves it.
10:17And being a Malayali, she made a very honest attempt to speak in Tamil and be true to this character.
10:24Her characters come out very well.
10:26Very important.
10:27She's somebody who is a very established actor in Telugu cinema.
10:31Yeah.
10:32She is an established actor on Malayalam as well.
10:35But coming into Tamil, you would think that somebody who has worked as much as her and she had already finished Parda when she started shooting Vaisen.
10:45But in this film, each time she forgets all the movies she's done and she treats it like her first movie.
10:51She puts in a lot of effort.
10:52She's extremely versatile.
10:53And it was very inspiring to work with an actor like her.
10:58Thank you Dhru.
10:59Thank you so much.
11:00So thank you sir for believing in all of us.
11:02Welcome, welcome, welcome, welcome.
11:04This is not just my preparation.
11:06It's all of their efforts that have made Vaisen.
11:08As well there is Pasupati sir.
11:10So very good.
11:11Lal sir.
11:12Pasupati sir.
11:13And most importantly, the person we believed in and did so much effort for, which is our director.
11:17Director Mari sir.
11:18And Marivari in the film, there is a character in the film.
11:23There is a character in the film.
11:25That's all that was a character.
11:27So that's the movie.
11:29This movie was the one that did.
11:30As well as a village or a drama or a sports player?
11:34Life choose.
11:35I'm telling you it.
11:36Life.
11:37A true life choose.
11:38That's what I've said.
11:39I mean, you should choose the truth.
11:40You shouldn't do the truth before the truth.
11:42You should know that.
11:43I didn't see my cinema in the moment.
11:46I didn't see every movie.
11:48But as I did dubbing and shoot,
11:51I don't know what I'm seeing.
11:53We have an actor and a template.
11:56The template breaks the first version of our version.
12:04It is very subtle, but it is very subtle changes,
12:10but it is very magical to be an actor.
12:13If you capture it with him,
12:16I am telling you an interesting fact.
12:18Now, there are a lot of junior artists in the cinema.
12:26Both of them are in the film.
12:31In the beginning of the film,
12:35I also know that Karnan is in the film.
12:39So, he is in the film.
12:42I am not sure about Karnan.
12:45I am not sure about Karnan.
12:48From that to that.
12:49And only almost just...
12:51Few people.
12:52He is an artist.
12:53I am not sure about Karnan.
12:54I am not sure about Karnan.
12:56So, if you are a director,
12:59a responsibility and challenge,
13:01and if you are a real actor,
13:04you will be afraid of actors as a actor.
13:07They are pure emotions.
13:09They are pure, no?
13:10So,
13:11only a director like Mari Sir can just transform actors into that.
13:18So,
13:19I think...
13:20And transform non-actors into actors.
13:23To a point where after 4th months,
13:25they know about cinema.
13:26They know continuity.
13:27They know where the field is.
13:29They have learnt cinema.
13:30So,
13:31you are the only one.
13:33You are the only one.
13:34You are the only one.
13:35And,
13:35when there is Karnan,
13:37when there is Karnan,
13:38there are professional Karnan players.
13:41I can't even imagine.
13:43To him, it is very difficult then.
13:45It is very difficult for him,
13:47but he makes it very effortless.
13:48As in,
13:49like he will play Kabaddi like for 25-30 minutes.
13:52One time he was playing Kabaddi,
13:53I was just staring at him for like 5 minutes.
13:55And I went to him and told him personally,
13:57like,
13:58right now you look like an actual professional Kabaddi player
14:01and not just like a,
14:03what a school level,
14:04not like that,
14:05like a proper national stage level player.
14:08And the guy from the local area.
14:11Yeah,
14:12see,
14:13all of the rest of the people,
14:14they have trained since their childhood.
14:16Right.
14:17Dhruv has trained just for like a year,
14:19or one and a half years,
14:20if he is able to mimic or,
14:22you know, perform.
14:23It's not mimicking,
14:24he's like their life.
14:25Perform to the same level of the rest of the people,
14:28then that is commendable.
14:29Yeah.
14:30Dhruv,
14:31how do you feel?
14:32I mean,
14:33to look like them,
14:34to look like them,
14:35to look like them,
14:36to look like them,
14:37to look like them,
14:38to look like them,
14:39to look like them,
14:40to look like them.
14:43What was your reports behind it?
14:48I trained for,
14:49two and a half to three years.
14:52Andi.
14:53Andi.
14:54All the boys that I played with,
14:59and all the people,
15:00that Uru,
15:02they have all played Kapadi from a very young age.
15:04Okay.
15:05So,
15:06it's in their blood,
15:07and they know the sport very well.
15:08So,
15:09for me to be able to learn it,
15:10like them,
15:11not only did I have to learn the sport,
15:13but I also had to learn a lot about them,
15:15as people,
15:16their life,
15:17their background,
15:18what they go through,
15:19their journeys,
15:21all of which helped me in the sport.
15:24Also,
15:25I was there for a very long time,
15:27and I was there alone.
15:28Okay.
15:29I created very special bonds with these people.
15:31At no point,
15:32did I try to imitate or act like them.
15:36Rather,
15:37I believe that,
15:38I became a new part of me,
15:41for this role.
15:42So,
15:43it's possible that,
15:44that is the real me,
15:45and this is not.
15:46No,
15:47that's actually,
15:48yeah, true.
15:49That's what it feels like.
15:50I found completely,
15:51me,
15:52local hood,
15:53from inside.
15:54Yeah.
15:55Yes.
15:56Not consciously,
15:57like I'm transforming for a movie.
15:58Initially,
15:59I knew I was preparing for a movie.
16:00After that became,
16:01because it became my lifestyle.
16:02Cinema changed you.
16:03I've told this in places before also.
16:06I didn't want to act like a comedy player.
16:09I wanted to be a comedy player,
16:10who needed to learn how to act,
16:11for this movie.
16:12Yeah.
16:13And I tried to do whatever,
16:14if there was a comedy player in my situation,
16:16who got an opportunity to work with Mari Silvrat sir,
16:19whatever he would have done,
16:21I wanted to.
16:22Okay.
16:23Nice.
16:24It came out very naturally.
16:26It came out very naturally.
16:28It came out very naturally.
16:30And you,
16:31in the cinema,
16:32songs are very different.
16:34There's a transformation in the movie also.
16:36It's all.
16:37It's all.
16:38Drew's character in the movie.
16:39So,
16:40I don't know you,
16:41but you,
16:43I must mention,
16:46that Mari sir gave me the time,
16:48to prepare for this role.
16:50Okay.
16:51And also,
16:52more than just preparing,
16:53once you learn to love that life,
16:55and love that place,
16:57and you develop bonds with those people,
17:00you find no need to imitate them.
17:03Rather, you want to be like that.
17:05Okay.
17:06And forget your role itself.
17:07Yes.
17:08Sir,
17:09you are the first film.
17:10Yes.
17:11Yes.
17:12Yes.
17:13Yes.
17:14Yes.
17:15Yes.
17:16Yes.
17:17Yes.
17:17First interview,
17:18Yes.
17:20Now,
17:21first interview.
17:22First interview.
17:24Yes,
17:25Yes.
17:26First interview.
17:27First interview.
17:28You can't find it, but you should be able to tell a good cinema.
17:33I don't have to follow the film.
17:35The film is completely followed by a good audience.
17:39If you do it, you don't want to tell a good cinema.
17:43If you don't like it, and you don't want to tell a good cinema.
17:48You don't have to tell a good cinema in the banner.
17:52You don't have to tell a good cinema in the banner.
17:56Next to Jagadambay Films Center, there is a great film.
17:59There is a lot of brand.
18:02There is a lot of time waiting for them.
18:05Marisiluray, sir.
18:08There is a lot of director.
18:11There is a banner too.
18:13Paranjit Garu, Aplos Garu.
18:16To you, me, working with other directors,
18:19working with Marigaru like Valatho Cheda,
18:23definitely it will be tough home, right, to actors.
18:27I know, mindloaded with Jayali and Ante, as I mentioned before.
18:31He demands a lot from an actor.
18:34And his intention behind making a movie,
18:36because he uses cinema as a very important medium
18:40to convey very necessary information messages to the people.
18:45So, he doesn't take cinema lightly.
18:48His cinema is very commercial, but also extremely artistic.
18:52And because of the person that he is,
18:58and the way that he has come into this industry,
19:01he is very particular that people,
19:06including the people on the set,
19:08take his cinematic process very seriously.
19:11So, in order to give him what he wants,
19:14we have to work extremely hard.
19:16But at the end of the day, we know that our work and effort
19:19is in very safe hands.
19:21Which is a very nice feeling for an artist.
19:23Okay.
19:24Because then you are willing to do everything,
19:26and you know that this person really wants to make a good movie.
19:31So,
19:32yeah.
19:33So,
19:34you have one experience definitely,
19:37and at that time,
19:38and at that time,
19:39and at that time,
19:40you have experienced this experience.
19:42And,
19:43what do you say?
19:44I think,
19:45I think,
19:46when I was 16 or 17 years old,
19:52I was the first time of a theatre workshop.
19:55Okay.
19:56So,
19:57we used to have nice workshops.
19:59I think,
20:00we are acting in the middle of a full circle.
20:03Global impact.
20:04They all feel different emotions.
20:09and the whole workshop has been a experience in each other.
20:12So,
20:13when I am working in a theatre,
20:14and cooking in the middle of a theatre,
20:17we put together with the dialogue,
20:19and the whole thing.
20:20They want to have everything that works.
20:23It's not like a shortcut.
20:25If you see a scene in a cinema,
20:26a scene, an action cut, and then we can do a retake.
20:30So, it is that easy.
20:32But, even in a cinema,
20:36it is a lot of raw and honest.
20:41So, as an actor, I have a lot of feeling that I have done.
20:47After 10 years, I have never been there.
20:50And then it happened for Bison.
20:52When I was shooting, after the last day,
20:57I was parallelly shooting other films.
21:00I actually lost interest in shooting the other films.
21:03You wanted to work here.
21:05Because I had a lot of fun in the custom,
21:11and a thrill in the custom.
21:13I didn't actually think about it.
21:15The custom.
21:16Very nice.
21:20And I'm really, really sure.
21:23I don't even know what Ruv is going to do next.
21:28In the long period, investing in this film.
21:32It's going to be a very emotional thing.
21:35I think it's going to be a very emotional thing.
21:40Because we will have to detach ourselves from Bison now.
21:43All these days, we were talking about Bison.
21:45We were thinking about Bison.
21:47We were holding on to the memories.
21:49That suddenly, oh, Bison is released.
21:52I think it's going to be something unbelievable and very surreal to all of us.
21:56All of us.
21:57Yeah, yeah.
21:58What is Bison, Dhruv?
21:59It's your character name in the film.
22:02What do you say?
22:03What is Bison?
22:04Bison.
22:05It's a very artistic and spiritual meaning for this title.
22:08Yeah.
22:09It's very apt for the story character.
22:12Just tell us a few highlights of the film.
22:14The film will definitely be the way the company has been shot.
22:25Not just because of my preparation.
22:27But also because of the efforts of the cameraman.
22:30And his team, the art department.
22:32And the live audience as well.
22:35So that would be one.
22:38Two.
22:39This movie will be very emotional.
22:43And it will have a very strong connection with the audience.
22:48Three.
22:49We have great performances.
22:52Ahma Garu.
22:54Ahma Garu.
22:55Ahma Garu.
22:56Ahma Garu.
22:57Ahma Garu.
22:58Ahma Garu.
22:59Ahma Garu.
23:00Ahma Garu.
23:01Ahma Garu.
23:02Ahma Garu.
23:03But I can tell you.
23:04That I believe.
23:06That this movie will be very unique.
23:09And I don't think there will ever be a movie like this.
23:12Before this film.
23:13Or after this film.
23:15Ahma Garu.
23:16Super.
23:17If I may say that.
23:18Ahma Garu.
23:19Ahma Garu.
23:20Ahma Garu.
23:21Ahma Garu.
23:22Nice.
23:24Super super super super.
23:25It's like a lot of time, retakes, tough pitch, part of the cinema.
23:32Yeah.
23:34Because that came in the acting actually.
23:36Kabadi we were able to do very easily, surprisingly.
23:40In Tamil they say, left-hand a deal for Rohrish.
23:44Adam and Chittho judges Tava, right?
23:46No, it means that.
23:47Adam and Chittho judges Tava.
23:49So because of the preparation that Mahari sir gave us,
23:52we were able to do the Kabadi quite efficiently, easily.
23:56Shoot night, shoot 24 hours and still be great.
24:00The acting for me this time was tough.
24:04Okay.
24:05And I would like to thank you sir again because I just realized this is my first ever Telugu interview.
24:10Yes.
24:11So I've never had this experience in my life.
24:13Okay.
24:14To have such a good host and someone who translated things beautifully and sir for distributing this.
24:20I've become a translator now.
24:22Thank you so much.
24:23Yes.
24:25Thank you sir.
24:26You're welcome.
24:27Thank you for that also.
24:29All the best.
24:31Thank you so much.
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