House of Usher (1960) | Horror movie - video Dailymotion

Retro420

A man discovers a savage family curse and fears that his future brother-in-law has entombed his bride-to-be prematurely. #movies #horror

Transcript

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00:04:04I'M SURE MR. RODERICK

00:04:05WILL EXPLAIN IT TO YOU, SIR.

00:04:17A STRANGE REQUEST!

00:04:19THIS IS THE FIRST TIME

00:04:20I'VE EVER BEEN-

00:04:32Sir, if you'd care to put these on, sir, thank you.

00:05:02Well, if we may go now, this way, sir.

00:05:32What is the meaning of this?

00:05:51I... this is Mr. Winthrop, sir.

00:05:56How dare you admit anyone into this house?

00:05:58I insisted, sir. I felt I had the right.

00:06:02Well, we can't talk out here. Please come in.

00:06:07I gather you know who I am, sir.

00:06:18If you please, Mr. Winthrop. Softly. An affliction of the hearing. Sounds of any exaggerated degree. Cut into my brain like knives.

00:06:32My apologies.

00:06:39I'm afraid you're going to have to leave, Mr. Winthrop.

00:06:44I've come to see Madeline.

00:06:46That is quite impossible. She is confined to her bed.

00:06:51Mr. Usher, your sister and I are betrothed.

00:06:56It was a mistake.

00:06:57I don't believe that.

00:06:58Please don't argue with me, sir.

00:07:01You must leave this house now. It is not a healthy place for you to be.

00:07:09Mr. Usher, I...

00:07:14I have ridden all the way from Boston to see Madeline, and I do not intend to leave without seeing her. Now if...

00:07:20Philip.

00:07:21Madeline.

00:07:25Madeline.

00:07:28Madeline, in heaven's name, you must return to your bed.

00:07:33Madeline.

00:07:35You came all the way just to see me.

00:07:38Yes, to see you.

00:07:40Madeline, I must insist.

00:07:43We shall talk later, Philip.

00:07:44Mr. Winthrop is leaving.

00:07:47Leaving?

00:07:48I'm not leaving.

00:07:51He must stay, Roderick.

00:07:54Please let him stay, Roderick.

00:07:58Very well, he will stay.

00:08:00Now, for pity's sake, return to your bed.

00:08:18What happened?

00:08:19I think your fireplace needs a screen.

00:08:32Does it?

00:08:33I was just admiring this painting here. Is it your own work?

00:08:49It is.

00:08:50And you also play this lute?

00:08:56I do.

00:08:59Mr. Winthrop, are you actually planning to marry my sister?

00:09:04Mr. Usher, during the time that we spent together in Boston, it never occurred to me that, and I dare say to Madeline either, that we were not destined for each other.

00:09:21When she left me, she said to me, I will love you forever.

00:09:26Does it seem so incredible, then, that I would want to marry her?

00:09:30If you only knew how incredible.

00:09:34And I suppose this, this vision includes children?

00:09:39God willing.

00:09:41God willing.

00:09:43If you knew the nightmare you were picturing for me, sir.

00:09:46Nightmare?

00:09:47That is what I said.

00:09:50Why shouldn't Madeline marry and have children?

00:09:54Because the Usher line is tainted, Mr. Winthrop.

00:09:58Tainted, sir?

00:09:59You saw Madeline and you see me.

00:10:02We are dying, Mr. Winthrop.

00:10:05As you saw her today, she is and will remain.

00:10:10Believe me, sir, I bear you no malice.

00:10:16Were things otherwise, I should welcome you into our family joyously.

00:10:21But under the circumstances, it is quite impossible.

00:10:25Why do you assume that you are dying?

00:10:30There are many reasons.

00:10:32Pray give me one, then.

00:10:33Madeline and I are like figures of fine glass, the slightest touch and we may shatter.

00:10:46Both of us suffer from a morbid acuteness of the senses.

00:10:51Mine is the worse for having existed the longer, but both of us are afflicted with it.

00:10:55Any sort of food more exotic than the most pallid mash is unendurable to my taste buds.

00:11:04Any sort of garment other than the softest is agony to my flesh.

00:11:08My eyes are tormented by all but the faintest illumination.

00:11:14Olders assail me constantly.

00:11:18And as I've said, sounds of any degree whatsoever inspire me with terror.

00:11:25That's why your servant asked me to remove my boots.

00:11:28Yes.

00:11:30And even so, I could hear you coming.

00:11:33Every footstep, every rustle of your clothes.

00:11:37I could hear your horse approaching.

00:11:39Hear the clatter of its hooves across the courtyard, your knock.

00:11:43The grating of the door bolt was like a sword stroke to my ears.

00:11:47I can hear the scratch of rat claws within the stone wall.

00:11:56Mr. Winthrop, three-quarters of my family have fallen into madness.

00:12:03And in their madness have acquired a superhuman strength,

00:12:08so that it took the power of many to subdue them.

00:12:12Do you not exaggerate, sir?

00:12:17Perhaps there have been in your family certain peculiarities of temperament.

00:12:24Peculiarities of temperament?

00:12:28How diplomatically you put it.

00:12:32Peculiarities of temperament.

00:12:41Would you permit me to light a candle so that...

00:12:44I think you had better leave, Mr. Winthrop.

00:12:45I think you need some light in this house, Mr. Usher.

00:12:48I think you need some light in this house, Mr. Usher.

00:12:50Please let them dry as it says, that...

00:12:53Of the

00:13:07mind...

00:13:09Two pale drops of fire...

00:13:12...guttering in the vast, consuming darkness.

00:13:15My sister and myself, shortly they will burn no more.

00:13:26She cannot leave this house, Mr. Winthrop. Believe that or not, as you will, but she cannot leave it.

00:13:32For her own sake, as well as yours, will you leave now, please?

00:13:37No, I will not.

00:13:42Very well.

00:13:45Bristol will show you to her room.

00:13:53I have warned you, sir.

00:13:56Whatever consequences may follow your refusal to leave, are upon you alone.

00:14:15I have to say to you.

00:14:20I am with you all in the middle of the änders.

00:14:22I can't believe that it had to be done.

00:14:25Can you see her in the distance?

00:14:27Please, like, come back and turn this way to the end.

00:14:30I will not be afraid to change that you know.

00:14:32But I have no idea.

00:14:33Actually, I don't want to say anything.

00:14:34Yes?

00:14:47Supper, Mr. Winthrop.

00:14:49I'll be down directly.

00:14:51Very good, sir.

00:15:04I'll be right back.

00:15:34I'll be right back.

00:16:03What's that noise?

00:16:04What happened?

00:16:07Is it Mr. Winthrop?

00:16:09Philip!

00:16:14I'm all right, Madeline.

00:16:15What happened?

00:16:17I'm not sure.

00:16:18Philip, you'd better leave this place.

00:16:20Please leave.

00:16:21It isn't safe for you.

00:16:23Darling, I'm all right.

00:16:32I'm not leaving you, Madeline.

00:16:34Mr. Winthrop?

00:16:45No, thank you.

00:16:48My dear.

00:16:48You haven't touched a thing, Madeline.

00:17:02Don't you think that crack in the wall should be repaired?

00:17:07For future generations of ushers.

00:17:13For Madeline's safety.

00:17:18It was probably the trembling of the house which caused that chandelier to fall.

00:17:25Do you really think so?

00:17:26Have you a better explanation?

00:17:36While I was riding here, I noticed a singular lack of vegetation in the area.

00:17:42Is there something wrong with the soil?

00:17:44Well, the soil.

00:17:47Yes, of course.

00:17:49Roderick, please.

00:17:51As you will.

00:17:56How do things go in Boston, Philip?

00:17:58Everyone asks for you.

00:18:00Oh, do they?

00:18:02They miss you, Madeline.

00:18:05We all miss you.

00:18:14We all miss you.

00:18:44We all miss you.

00:19:00Remarkable.

00:19:02And you composed it yourself?

00:19:06Yes.

00:19:08May we have another?

00:19:10I'm afraid Madeline must retire now.

00:19:12But I'm not tired.

00:19:20Very well.

00:19:24Good night, brother.

00:19:27Good night, my dear.

00:19:35Good night, Philip.

00:19:36Good night.

00:19:38Good night.

00:19:42Good night.

00:19:43Good night.

00:19:44Good night.

00:19:45Good night.

00:19:46Good night.

00:19:47Good night.

00:19:48Good night.

00:19:49Good night.

00:19:50Good night.

00:19:51Good night.

00:19:52Good night.

00:19:53Good night.

00:19:54Good night.

00:19:55Good night.

00:19:56Good night.

00:19:57Good night.

00:19:58Good night.

00:19:59Good night.

00:20:00Good night.

00:20:01Good night.

00:20:02Good night.

00:20:03Good night.

00:20:04Good night.

00:20:05Good night.

00:20:06Good night.

00:20:07Good night.

00:20:08Oh, Philip.

00:20:36Oh, darling, darling.

00:20:43I'm sorry I frightened you.

00:20:46I didn't want to knock for fear your brother would hear.

00:20:57Philip, I missed you.

00:21:04Oh, I love you.

00:21:06Madeleine, I swear to you, tomorrow you leave this place with me.

00:21:13If only I could.

00:21:14You will. You will.

00:21:17I don't understand.

00:21:20You never see into the heart of this horrible house.

00:21:25Darling, once you're with me, you'll wake up from this nightmare.

00:21:28I don't know.

00:21:31Good night, sir.

00:21:32Mr. Usher, perhaps you fail to understand.

00:21:39Good night, sir.

00:21:40You cannot order my life, Roderick.

00:21:43Is it so easy for you to forget, Madeleine?

00:21:46My life is my own.

00:21:48Is it?

00:21:50Yes.

00:21:51Is it, Madeleine?

00:21:54Do you hate me so much you want to keep me a prisoner here?

00:21:58Madeleine?

00:21:59I hate you.

00:22:03Oh, my dear, hate you.

00:22:07Don't you know that I love you more than anything in the world?

00:22:12Can't you see it's my love for you makes me act as I do?

00:22:15You cannot leave here, Madeleine.

00:22:19You know what would happen if you did.

00:22:21You know that.

00:22:22I only know what you told me.

00:22:24Oh, my dear.

00:22:26Do not delude yourself.

00:22:28I beg of you.

00:22:29Do not delude yourself.

00:22:33Sir.

00:22:36I shall stay with her.

00:22:37In the name of God, sir, would you not understand?

00:22:40Leave my sister be here.

00:22:42Mr. Usher, I mean to take her from this house tomorrow.

00:22:46I will not argue with you.

00:22:47Would you leave, please?

00:22:52It will be all right, Madeleine.

00:23:12We'll be all right.

00:23:37Madeleine?

00:24:07I don't know what the hell is going to be, but I don't know what the hell is going to be.

00:27:37Don't touch her.

00:27:42You mustn't wake her, sir.

00:27:45The shop could be very harmful.

00:27:52How did she get here?

00:27:56She walks in her sleep, sir.

00:27:58And then she comes here?

00:28:02She's obsessed by thoughts of death.

00:28:06Poor child.

00:28:07How long has she been doing this?

00:28:10Ever since her return from Boston, sir.

00:28:13I'll just take her to her room.

00:28:17I'll just take her to her room.

00:28:17No, I'll...

00:28:18No, no.

00:28:19You might awaken her, sir.

00:28:22Better let be.

00:28:23I've done it before.

00:28:28I've done it before.

00:28:29I've done it before.

00:28:31And it's been important.

00:28:34I'll do it before.

00:28:39Is it later?

00:28:40No.

00:28:41I'm here.

00:28:42I'm here.

00:28:43Good morning, Bristol.

00:29:04Good morning, sir.

00:29:06Has Miss Madeline had her breakfast yet?

00:29:08Oh, no, sir.

00:29:10Good, then I'd like to take a breakfast tray to her.

00:29:13Very well, sir.

00:29:14Of course, she doesn't eat much, usually.

00:29:18Well, then we'll see to it that she does eat.

00:29:20Yes.

00:29:22All right, let's see what we have here.

00:29:23Bread, that's good.

00:29:25Um, milk, a little fruit.

00:29:27Oh, I'll take it to her, sir.

00:29:29No, I'll do it.

00:29:30Yes.

00:29:31Oh, how about some eggs?

00:29:33Oh, sir, I think perhaps a little gruel.

00:29:36It's the most that she's ever eaten in the morning.

00:29:39Gruel?

00:29:41Yes, sir.

00:29:41Oh, yes, sir, her sense of taste.

00:29:47Well, all right, then, a hot gruel for both of us.

00:29:51Yes, sir.

00:29:57How long have you been with the ushers, Bristol?

00:29:59Sixty years, sir.

00:30:04Sixty years?

00:30:05Ever since I was a boy.

00:30:09Why, then, this is as much your house as it is Mr. Roderick's.

00:30:13And Miss Madeline, sir.

00:30:17Not after today.

00:30:19I'm taking her to Boston with me.

00:30:21How long has that been going on?

00:30:40So long, I'm hardly aware of it anymore.

00:30:44It's just the settling of the house.

00:30:46That settling can cause this entire structure to collapse.

00:30:49And that doesn't worry you?

00:30:51Oh, no, sir.

00:30:52If the house dies, I shall die with it.

00:30:55Oh, be careful, sir.

00:30:57It's about to hit you.

00:30:58It could cause a nasty burn.

00:31:02It's that fissure that causes the entire house to shake.

00:31:07Yes, sir.

00:31:08Who is it?

00:31:26Your breakfast, Miss Usher.

00:31:29Hot gruel and...

00:31:31Hot gruel.

00:31:32It's so dark in here, I can barely see you.

00:31:42There.

00:31:44No sunlight.

00:31:47There'll be sunlight where we live.

00:31:51Oh.

00:31:55Good morning.

00:32:00Good morning.

00:32:02If he comes in now, don't be afraid.

00:32:05He won't come in.

00:32:06He has to take drugs to sleep.

00:32:09Oh, I'm sorry.

00:32:12Well, now.

00:32:15To fill you with hot gruel and good cheer.

00:32:20You're so sweet to me.

00:32:21I have nothing too good for the future Mrs. Winthrop.

00:32:24Mrs. Winthrop.

00:32:27Open your mouth.

00:32:31I'm not hungry.

00:32:32Madeline, I'll have no scrawny woman in my home.

00:32:35Now, open your mouth.

00:32:36Come on.

00:32:44Madeline, get ready to leave.

00:32:45I want to, Philip.

00:32:47Then you will.

00:32:49I can't.

00:32:51Why?

00:32:51Because very soon I shall be dead.

00:32:56I forbid you to say that ever again.

00:32:59It's true, Philip.

00:33:00It is not true, Madeline.

00:33:01You're full of life.

00:33:04Look at me, Philip.

00:33:06Do I look full of life?

00:33:07I remember you as you were in Boston.

00:33:13Do you remember?

00:33:14You were exuberant.

00:33:16You were filled with the joy of living.

00:33:18That's how you'll be again when you leave here and become my wife.

00:33:24I wish you could understand.

00:33:27Then let me understand, Madeline.

00:33:29Let me so that I can help you.

00:33:33Perhaps you'll feel differently after you've seen.

00:33:36Where are we going?

00:34:03You'll see.

00:34:06Careful, Dom.

00:34:36You don't want to go in there.

00:34:38I want you to see.

00:34:54Put your weight against it.

00:34:56Here they all are.

00:35:16The Ushers.

00:35:17It's the lack of air in here.

00:35:30It's the air itself.

00:35:34Nothing can survive it long.

00:35:36My great-grandfather.

00:35:48His wife.

00:35:51My grandfather.

00:36:04My grandfather.

00:36:04My grandmother.

00:36:22My father.

00:36:25My mother.

00:36:28My mother.

00:36:31My mother.

00:36:35My mother.

00:36:37This is monstrous.

00:36:56Whose idea was this, your dear brothers?

00:36:59There's one for him too.

00:37:02Does that absolve him?

00:37:05It waits for me.

00:37:08No, it does not.

00:37:13They all wait for me.

00:37:17Oh, Madeline, Madeline, you must stop this.

00:37:22Can't you see what you're doing to yourself?

00:37:25You don't understand.

00:37:27I understand, but you must leave the dead to themselves.

00:37:30Oh, Madeline, come away with me now.

00:37:35What have you done?

00:37:48Give her to me.

00:37:50Shoo.

00:37:51Shoo.

00:37:52Shoo.

00:37:53Shoo.

00:37:55Shoo.

00:37:56Shoo.

00:37:57Shoo.

00:37:58Shoo.

00:37:59Shoo.

00:38:00Shoo.

00:38:01Shoo.

00:38:02Shoo.

00:38:03Shoo.

00:38:04Shoo.

00:38:05Shoo.

00:38:06Shoo.

00:38:07Shoo.

00:38:08Shoo.

00:38:09Shoo.

00:38:10Shoo.

00:38:11Shoo.

00:38:12Shoo.

00:38:13Shoo.

00:38:14Shoo.

00:38:15Shoo.

00:38:16Shoo.

00:38:17Shoo.

00:38:18Shoo.

00:38:19Shoo.

00:38:20Shoo.

00:38:31See to the crypt, will you?

00:38:33Yes, sir.

00:38:44Well, are you content now, Mr. Winthrop?

00:38:48It is not I who force her to live in a cemetery.

00:38:51Do you think that I wish her harm?

00:38:55I think you still do not understand.

00:38:59And I think it's time that you did.

00:39:06The tarn is very deep.

00:39:09One of the Usher women drowned herself in it.

00:39:12She was never found.

00:39:15I dare say it's deep enough to swallow this house entire.

00:39:19I'm waiting, Mr. Usher.

00:39:21Last night you asked me about the singular aridity of the land around this house.

00:39:27Once this land was fertile, farms abounded, earth yielded her riches at harvest time.

00:39:37There were trees and plant life, flowers, fields of grain.

00:39:43There was great beauty here.

00:39:46At that time, this water was clear and fresh.

00:39:49Swans glided upon its crystal surface.

00:39:52Animals came to its bank, trustingly, to drink.

00:39:58But this was long before my time.

00:40:05Why do you tell me these things?

00:40:08And then something crept across the land and blighted it.

00:40:13The trees lost their foliage.

00:40:17The flowers languished and died.

00:40:20The shrubs grew brown and shriveled.

00:40:24The grain fields perished.

00:40:28And the lakes and ponds became black and stagnant.

00:40:34And the land withered as before a plague.

00:40:39Plague?

00:40:40Yes, Mr. Wiltshire.

00:40:45A plague of evil.

00:40:48Anthony Usher.

00:40:50Thief.

00:40:51Usurer.

00:40:55Merchant of flesh.

00:40:59Bernard Usher.

00:41:02Swindler.

00:41:04Forger.

00:41:06Jewel thief.

00:41:08Drug addict.

00:41:08Francis Usher.

00:41:15Professional assassin.

00:41:20Vivian Usher.

00:41:22Blackmailer.

00:41:24Harlot.

00:41:26Murderess.

00:41:28She died in the madhouse.

00:41:33Captain David Usher.

00:41:35Smuttler.

00:41:36Slave trader.

00:41:37Mass murderer.

00:41:41Mr. Usher.

00:41:43I don't see that this has anything to do with Madeline and myself.

00:41:47I don't believe in the sins of the fathers being visited upon the children.

00:41:56You do not, sir?

00:41:57The house of Usher seems to you then normal.

00:42:03The house, sir, is neither normal nor abnormal.

00:42:07It is only a house.

00:42:08You are very wrong, Mr. Withereep.

00:42:10You are very wrong, Mr. Withereep.

00:42:12This house is centuries old.

00:42:13It was brought here from England.

00:42:15And with it, every evil rooted in its stones.

00:42:19You really believe this?

00:42:23Evil is not just a word.

00:42:26It is a reality.

00:42:28Like any living thing, it can be created and was created by these people.

00:42:32The history of the Usher's is a history of savage degradations.

00:42:41First in England, then then in New England.

00:42:45And always in this house.

00:42:49Always in this house.

00:42:52The pall of evil which fills it is no illusion.

00:42:55For hundreds of years, foul thoughts and foul deeds have been committed within its walls.

00:43:01The house itself is evil now.

00:43:06Now, I cannot believe this.

00:43:09But you must.

00:43:11For Madeline's sake, you must.

00:43:14Most of all, does this evil reside in her.

00:43:18And this is your dreadful secret?

00:43:21Mr. Winthrop,

00:43:23do you think those coals jumping from the fire onto you were an accident?

00:43:28Do you think that chandelier falling was an accident?

00:43:32Do you think that falling casket was an accident?

00:43:35Are you trying to tell me that the house made those things happen?

00:43:38Yes.

00:43:40Oh, no, sir. That's ridiculous.

00:43:45But even if it were true,

00:43:47even if this house were full of evil,

00:43:49Madeline is not.

00:43:51Nor for all of your talk are you.

00:43:54You cannot take my sister out of this house.

00:43:58If she were to wed and bear children,

00:44:00the usher evil would spread in you, malignant cancers.

00:44:03You are mad. I will not listen to you.

00:44:05She will.

00:44:06No, I will not.

00:44:08I'll tell you what's evil in this house, sir.

00:44:10You!

00:44:11I will not let your sickened fancies destroy Madeline's life.

00:44:19She leaves with me today.

00:44:21Okay.

00:44:27Who is it?

00:44:34We're leaving.

00:44:36Now.

00:44:37Philip.

00:44:38Madeline, you have no other choice.

00:44:40If you remain here,

00:44:41this house will destroy you.

00:44:44Then you know.

00:44:46I know that your brother has poisoned you with his absurdities.

00:44:49This entire atmosphere of sickness and dissolution is his doing.

00:44:58Oh, Madeline, believe me,

00:44:59there's nothing wrong with you

00:45:00that leaving this house won't cure.

00:45:03Do you love me?

00:45:08No, I do.

00:45:09Then leave with me now.

00:45:13I will.

00:45:14I will.

00:45:19All right, pack just a few belongings.

00:45:24I'll get my things ready.

00:45:25How will we go?

00:45:26You'll ride with me.

00:45:28Later on, we'll get a coach to Boston.

00:45:31Oh, Philip, can it truly be?

00:45:33Darling, within an hour,

00:45:35within an hour,

00:45:35we'll be away from here.

00:45:39I love you.

00:45:42I love you.

00:45:44Pack quickly.

00:45:49No, Roderick.

00:46:06No, I will not listen.

00:46:07I've been here long enough.

00:46:08Now, please let me go.

00:46:10I don't care what you say.

00:46:11You can't keep me here.

00:46:14No, no, Roderick.

00:46:17No, I will not listen.

00:46:18Please let me go.

00:46:20There may be no hope for you,

00:46:21but there is for me.

00:46:23I say I will.

00:46:25I must leave, Roderick.

00:46:27Please let me go.

00:46:28Madeline!

00:46:29I don't care what you say.

00:46:31There's nothing you can say to me, Roderick.

00:46:33I will leave.

00:46:33Madeline, open the door.

00:46:35Madeline!

00:46:36What have you done to her?

00:46:55Madeline?

00:46:58Madeline?

00:47:03Madeline?

00:47:04Madeline?

00:47:26Madeline?

00:47:31Madeline?

00:47:31Yes, she's dead.

00:47:44I told you she could never leave this house.

00:47:48What did you do to her?

00:47:49I didn't touch her.

00:47:51You killed her!

00:47:53There is no mark on her.

00:47:56You are the one who killed her.

00:48:01I told you she was not well, and yet you persisted.

00:48:06Her heart could not withstand the strain you put upon it.

00:48:09No.

00:48:13It's no matter now.

00:48:17At least she has been spared the agony of trying to escape.

00:48:31One candle left to burn now.

00:48:48Before the darkness comes.

00:48:50At least...

00:48:52At least she has found

00:49:22peace now.

00:49:24Has she?

00:49:27Why do you say that?

00:49:30Because I do not believe

00:49:31that for the ushers

00:49:32there is peace hereafter.

00:49:36Is there no end

00:49:37to your horrors?

00:49:40No.

00:49:42None whatever.

00:49:44For they are not mine alone.

00:49:47Mere passage from the flesh

00:49:48cannot undo centuries of evil.

00:49:50There can be no peace

00:49:53without penalty.

00:49:55That you wanted her to die?

00:49:58Wanted!

00:49:59Yes!

00:50:02I did not wish her death.

00:50:05I only knew it was inevitable

00:50:07as my death is inevitable.

00:50:11Our blight must be removed

00:50:12from this earth.

00:50:13What lies beyond

00:50:17is something else again.

00:50:34Must you close it now?

00:50:36She must take her place

00:50:38below with the rest

00:50:39of the ushers.

00:50:46One last look.

00:50:49I cannot bear to look at her.

00:50:51I'll carry her with you.

00:51:02Bristol and I can manage.

00:51:05I would rather

00:51:05if you don't mind.

00:51:09I'll carry her.

00:51:10I'll carry her.

00:51:25I'll carry my hand.

00:51:28I'll carry her.

00:51:29I'll carry her.

00:53:29I just wanted to say goodbye.

00:53:51Shall I prepare some breakfast before you leave, sir?

00:53:55No, thank you.

00:53:57Some coffee, then?

00:53:59Yes, a little bit.

00:54:00Very good, sir.

00:54:01Shall I serve it in the...

00:54:03No, no, I'll take it here.

00:54:04No, no, I'll take it here.

00:54:06You look tired, sir.

00:54:21I don't suppose any of us slept much last night?

00:54:27No, sir.

00:54:29Bristol?

00:54:31Yes, sir?

00:54:32Do you think it was my coming that caused Miss Madeline to...

00:54:37Oh, no, sir.

00:54:38Not at all.

00:54:39Miss Madeline was not well.

00:54:41Her brother thinks I killed her.

00:54:43It's just that he's highly overwrought, sir.

00:54:48Yes.

00:54:51Thank you for the coffee.

00:54:53You're welcome, sir.

00:54:54Don't recriminate yourself, Mr. Winthrop.

00:54:57Miss Madeline's passing was not your fault.

00:55:01She was very weak.

00:55:03Poor child.

00:55:04It was the usher of blood.

00:55:12There's been such a history of illness in the family,

00:55:15but with heart ailments, nervous diseases, catalep...

00:55:20and the like, sir.

00:55:25Miss Madeline was...

00:55:26What did you say?

00:55:28Sir?

00:55:29You said catalepsies?

00:55:30Did I, sir?

00:55:31Was Madeline subject to cataleptic trances?

00:55:36Oh, no, sir.

00:55:37Not Miss Madeline.

00:55:37The truth.

00:55:38No, sir.

00:55:39Why is she...

00:55:39No, sir.

00:55:41That's why Miss Druscher wanted her put in the crypt so soon.

00:55:45Oh, no, Mr. Winthrop.

00:55:49Oh, my God.

00:55:53No, you're wrong, sir.

00:55:55You're wrong.

00:56:01Sir!

00:56:01Mr. Winthrop.

00:56:11Mr. Winthrop.

00:56:17Leave her in peace, sir.

00:56:19Peace!

00:56:20Leave her in peace, sir.

00:56:31I don't, sir.

00:56:51I beg you.

00:56:52Where is she?

00:57:08I don't know, sir.

00:57:11Tell me!

00:57:12I don't know, I swear, I don't know.

00:57:14I thought she was here.

00:57:17You knew she was alive.

00:57:19I wasn't sure, sir.

00:57:22You weren't sure.

00:57:24Oh, my God.

00:57:26I'll go.

00:57:27Oh, my God.

00:57:33Uh-oh.

00:57:38Sir!

00:57:39Sir!

00:57:40Sir!

00:57:43Sir!

00:57:48Sir!

00:57:48what do you wish where is she so you know

00:57:58well you cannot find her

00:58:03tell me where she is in a secret place

00:58:08for the last time go on you would be doing me a very great favor go on

00:58:18where is she don't touch me where is she it's me

00:58:25where is she dead you lied you buried her alive i did but she's dead now

00:58:37i swear it you swear it you buried your own sister alive

00:58:43but i had to do it can't you understand that she was doomed

00:58:48where is she where is she where is she

00:58:54where is the secret place bristol you must know i know nothing sir nothing

00:59:01i'll find her

00:59:07sir

00:59:10was it necessary to you know that it was

00:59:15bastard

00:59:32please try to get some rest sir

00:59:57i have to find her but it's too late sir

01:00:02no please sir please she's alive try to get some rest

01:00:07i know she's she's alive

01:00:11he's alive

01:06:04That I heard her breathing in her casket.

01:06:08Heard her first gasp as she awoke.

01:06:12Her first scream of terror.

01:06:16Did you know that I could hear the scratching of her fingernails on the casket lid?

01:06:21You are mad.

01:06:25Be done!

01:06:27What?

01:06:28Nothing, I rave.

01:06:30You said be done.

01:06:32What did you mean?

01:06:33Nothing.

01:06:37Is she still alive?

01:06:38No.

01:06:40Is she?

01:06:41Is she?

01:06:42Yes!

01:06:44Yes, even now I hear her.

01:06:47Yes.

01:06:49Alive.

01:06:51Deranged.

01:06:52Infuriate.

01:06:54Can you not hear her voice?

01:06:57Where?

01:06:58In the name of God, where?

01:07:00Below.

01:07:02Twisting.

01:07:04Turning.

01:07:05Scratching at the lid with bloody fingernails.

01:07:08Staring.

01:07:09Screaming.

01:07:10Wild with fury.

01:07:11The strength of madness in her.

01:07:13Can you not hear her voice?

01:07:16She calls my name.

01:07:18Roderick.

01:07:20Roderick.

01:07:21Roderick.

01:07:22Roderick.

01:07:23Roderick.

01:07:24Roderick.

01:07:34Where is she?

01:07:35Must be nouutyMerci Me.

01:07:40No.

01:07:50Give me this.

01:07:51Wait.

01:07:54Don´t go down there.

01:07:56Let her die.

01:07:58Oh, my God.

01:08:28She has the madness.

01:08:58Oh, my God.

01:09:28Mr. Whitton, please.

01:09:33Leave her, sir.

01:09:35Leave her?

01:09:36But you may never find her.

01:09:38The house is honeycombed with secret passages.

01:09:41She could be anywhere, sir.

01:09:42I'll find her.

01:09:43But she's mad, sir.

01:09:45But she's mad, sir.

01:09:45I'll find her.

01:09:46I'll find her.

01:09:50Oh, my God.

01:10:20Oh, my God.

01:10:50Oh, my God.

01:11:20Oh, my God.

01:11:50Oh, my God.

01:12:20Oh, my God.

01:12:50Oh, my God.

01:13:20Oh, my God.

01:13:50The wall has begun to crack.

01:13:51How is she gone?

01:13:52I don't know.

01:13:53Please.

01:13:54I beg of you, please.

01:13:55The whole house may at any moment...

01:13:57Adeline.

01:14:04Adeline.

01:14:06Adeline.

01:14:07Adeline.

01:14:14Adeline.

01:14:15Adeline.

01:14:16Adeline.

01:14:24Adeline.

01:14:25Adeline.

01:14:26Adeline.

01:14:55There was no other way.

01:15:02There was no other way.

01:15:04There was no other way.

01:15:10There was no other way.

01:15:13No other way.

01:15:17There was no other way.

01:15:20There was no other way.

01:15:23Let's go.

01:15:53Let's go.

01:16:23Let's go.

01:16:53Let's go.

01:17:23Let's go.

01:17:53Let's go.

01:18:23Let's go.

01:18:53Let's go.

House of Usher (1960) | Horror movie

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