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00:00:00Hey, what are you doing with my stuff? How'd you get in here?
00:00:11I gave him the keys.
00:00:12Carl? I mean, what are you doing here so late? And what's that guy doing with my stuff?
00:00:17Tasha, Tasha, Tasha. You're always asking the wrong questions.
00:00:24What the hell is going on?
00:00:26Do you really think you're death thick, Tasha?
00:00:29Your husband and I decided that you're no longer needed here anymore.
00:00:33Reyna's gonna take over your role at the company.
00:00:35She's already proven she can do everything you can, but better.
00:00:39I'll have a letter of termination and divorce papers sent over to your new address,
00:00:43wherever that ends up being.
00:00:45What should I do with this, boss?
00:00:47Give me that new plebe. I know exactly what to do with it.
00:00:53Is that clear enough for you, Tasha?
00:00:55Tasha, your company and your husband both belong to me now.
00:01:03No, you can't just fire me. I'm a shareholder at this company.
00:01:07Are you still a shareholder at this company? Are you?
00:01:10You know, actually, your debt is mortgaged with your shares.
00:01:14So you actually owe this company about 200 million.
00:01:16I never took out any loans that large.
00:01:18Oh, Tasha, you were always so gallible.
00:01:22A word of advice for the future?
00:01:24Don't give the keys to the kingdom to your assistant,
00:01:28no matter how trustworthy your feeble brain think they might be.
00:01:33Security!
00:01:35Security! We have a vagrant in the lobby and she might become hostile.
00:01:38Stop acting. I'll just leave on my own.
00:01:42Look. There's no glamour. There's no glory.
00:01:52It's just blood, guts, fear, and misery.
00:01:55Come on, man. You think I'm some kind of moron that doesn't know anything?
00:01:59I know that the type of money you make in just a few days,
00:02:02I can't make that in 10 years working as a stick.
00:02:05But at least you're guaranteed to be alive in 10 years.
00:02:07In my world, you're not guaranteed to be alive in 10 days, let alone 10 minutes sometimes.
00:02:12Yo, yo, man. Stop lecturing me.
00:02:14Are you gonna give me the gun or not?
00:02:18I'm sorry, but no.
00:02:20I'm not gonna let you get killed.
00:02:23Man, what the fuck you got me here for then?
00:02:26Shit.
00:02:29Oh, I guess you didn't hear.
00:02:43The repo guy, he came and towed your car away.
00:02:49Said it was like collateral for a loan.
00:02:52Of course, I made the call and arranged everything.
00:02:57My pleasure.
00:02:59You despicable trash.
00:03:01You know, I was gonna give you a ride, you know,
00:03:05seeming that we were married for so long,
00:03:07but walking the streets at night kind of suits you.
00:03:10So, enjoy.
00:03:13Go to hell.
00:03:15I could do.
00:03:16I could do that.
00:03:17I could do it.
00:03:18I could do that.
00:03:19And, yeah, yeah.
00:03:20You can do that.
00:03:21Like, when you are from there, you could do it.
00:03:22You cannot do it.
00:03:23You have to take a discount.
00:03:24You don't have to.
00:03:25I could do that.
00:03:26You're lucky to be the similes.
00:03:27Bye, no.
00:03:28Yeah.
00:03:29You should take care of yourself.
00:03:30be the captain.
00:03:31You're lucky to go.
00:03:32I'm lucky to do it.
00:03:33I'm lucky to see you, too.
00:03:34You're lucky to be the captain.
00:03:35You're lucky to be the captain.
00:03:36miss just go away all right i don't need your cheap sympathy right now
00:03:52miss your friend's gone i just want to offer my cab services
00:03:58yeah i'm i'm sorry a a cab is just what i need right now all right great come on board
00:04:06sorry i i don't have any cash right now um give me a minute i'll go grab some from inside here
00:04:35just proof i'm not trying to skip out on the fair
00:04:48you have some nerve coming back here i never wanted my son to marry you in the first place
00:04:53and now that he's finally come to his senses and kicked you to the curb you think that you can just
00:04:58waltz right back into his house his house my father left me this house and i know you're senile but i'm
00:05:08sure you remember when you practically begged me to let you and carl live here
00:05:14i always knew you were a nasty little hussy
00:05:22who the hell are you this is a personal matter so you should really mind your own business and stay
00:05:27outside actually this is my boyfriend so if it's a personal matter for me it's a personal matter for
00:05:36him okay what you think your son's the only one capable of having secrets
00:05:44okay thanks again for today i know that's a weird position to put you in sorry it is really nice to
00:06:06know that there is still good people out there that would help with huddle strangers
00:06:13have a good night all right you too
00:06:27have a good night all right
00:06:36have a good night all right
00:06:40Where's my necklace?
00:06:59Here.
00:07:01Just proof I'm not trying to skip out on the fair.
00:07:10There's a fancy broad like you find yourself in a place like this.
00:07:34Who the hell are you?
00:07:36Get out now!
00:07:36All I'm trying to do is introduce myself and you're treating me like some dog shit you found stuck to your shoes.
00:07:45I'm calling the police!
00:07:48How about I give you a better idea?
00:07:59You and I are going to have some good old-fashioned fun tonight.
00:08:02If I ever see you around here again, you're dead!
00:08:13Get out of here!
00:08:17Hey.
00:08:19Oh, I'm so glad you're here.
00:08:22Where did you get this necklace?
00:08:28My father gave that to me.
00:08:34You better not be lying to me.
00:08:36I'm not lying.
00:08:39He made that with his own hands.
00:08:41It has my name on the back.
00:08:46It's really you?
00:08:47No.
00:08:47No.
00:08:47No.
00:08:47No.
00:08:47No.
00:08:47No.
00:08:48No.
00:08:48No.
00:08:48No.
00:08:49No.
00:08:49No.
00:08:50No.
00:08:50No.
00:08:51No.
00:08:51No.
00:08:52No.
00:08:52No.
00:08:58Hey.
00:09:01How you feeling?
00:09:05How did...
00:09:06How did you...
00:09:07Lift your bag in my car.
00:09:10How did you know where to find me?
00:09:14I have my ways.
00:09:17Hey, listen.
00:09:19I know it's none of my business, but it's not safe for you here.
00:09:22With everything that's happened in the last 24 hours, this is all I can afford.
00:09:30Listen, I have an extra room at my place. Maybe you can just come stay with me.
00:09:52Welcome home.
00:10:02I really feel like my luck's starting to change. I mean, you've literally rescued me over and over today.
00:10:09I know what it's like. I've been rescued before.
00:10:12Um, I'm sorry. I don't think I can make rent right away, but we could sell this ring and then it should cover me for a few months.
00:10:23At least until I'm back on my feet.
00:10:26I thought he was a really rich guy. Why did he get you such a small diamond?
00:10:32It's not a very good cut either.
00:10:35Okay, never mind. I can just...
00:10:39No, it's fine. I'm just saying.
00:10:42You deserve a better ring than this.
00:11:10No, babe. Stop. It's late. Okay?
00:11:14You're still thinking about her.
00:11:16Who? Tasha?
00:11:18Are you kidding me?
00:11:20Then why are you wearing the wedding ring?
00:11:22Did you forget what she and her father did to you?
00:11:24I will never forget what she and her father did to me.
00:11:28But that has nothing to do with you.
00:11:30So why don't you stop mouthing off about shit that you know nothing about and let me handle my own affairs.
00:12:00Mary?
00:12:10What?
00:12:17Hey, what's going on?
00:12:19My daughter's missing.
00:12:20What?
00:12:31Tasha, you shouldn't have barged in like this. If Carl finds out-
00:12:36No, I don't care about Carl right now, okay?
00:12:39Where's my daughter? Where's Anna?
00:12:42I sent her away.
00:12:44No.
00:12:46You have no right.
00:12:48Actually, as Carl's new wife and Anna's legal guardian, I have all the rights to do whatever I want with my stepdaughter.
00:12:58What?
00:13:01We never settled custody, so just skip the theatrics and tell me where my daughter is.
00:13:07You think you're getting custody?
00:13:10Stai sognando.
00:13:12On one hand, we have a mother drowning in debt with no place to live.
00:13:18On the other hand, we have a wealthy and well-respected father
00:13:24who happens to be the CEO of the world-renowned pro group.
00:13:29Who do you think the court will side with?
00:13:39Oh, what's going on?
00:13:40Oh, Carl.
00:13:42Carl, it's okay.
00:13:43Tasha was understandably upset about the situation.
00:13:45You know, I don't blame her for what happened.
00:13:48You trespass on my property? Assault my wife in her own home?
00:13:53Tasha, I have put up with your outrageous behavior for years, but don't you dare subject Raina to that kind of abuse.
00:13:59You don't understand. Raina sent Anna away.
00:14:02She did what any good mother would.
00:14:04I want to know where my daughter is right now.
00:14:07New Zealand.
00:14:08Getting medical care from one of the best cardiology departments in the world.
00:14:13And remind me, what have you done for your daughter lately?
00:14:16Abandon her?
00:14:18To go shack up with some cab driver boyfriend?
00:14:21You idiot!
00:14:23I found those cardiologists in New Zealand.
00:14:25Scheduling those appointments was the last thing I had Raina do when she was still my assistant!
00:14:30Tasha, Tasha, you disgust me.
00:14:32Trying to take credit for this wonderful woman's kind gesture to your own sick daughter.
00:14:36I'm gonna make sure Anna stays far, far away from you so there's no possibility of her ever becoming anything like you.
00:14:48You...
00:14:50Backstabbing.
00:14:52Homewrecking.
00:14:54Bitch!
00:14:56I advise you stay far away from my daughter and I.
00:15:01Hey!
00:15:02By the way, the deed still lists me as the rightful owner to this house.
00:15:08So the two of you have no right to keep me from coming back here. Do you understand?
00:15:12Calm down.
00:15:14You can forge my signature, you can take my money, take my house, but you will never have a shred of the intelligence that I have.
00:15:22Tasha, you have made your point. I think it would be...
00:15:23You deserve that too! You should have told me about Anna a long time ago!
00:15:32Oh, don't stop at my account. Please. Continue.
00:15:36Miss Big Shot, don't you forget that you still owe 200 million dollars.
00:15:43And 20 millions of that is owned to me, personally.
00:15:47In fact, I'm going to call my lawyer and see to it that if you don't pay right away, you'll never going to see your daughter ever again and you'll end up in debtor's prison.
00:15:56Ciao.
00:16:01Go ahead and check it out.
00:16:02But after your accountant, make sure this is all legit.
00:16:04I don't want you two jackasses hunting my girl for money ever again.
00:16:07Got it?
00:16:13Oh!
00:16:15By the way, we're going to go ahead and take Anna in the future too.
00:16:19Don't worry, Carl. I'll be a better father to her than you ever can be.
00:16:22Tasha.
00:16:25You'll regret this.
00:16:30Thanks again, sir.
00:16:32Today.
00:16:34For pretending to be my boyfriend.
00:16:42Was all that money real?
00:16:44As real as it comes.
00:16:46Where'd you get all that money?
00:16:48I robbed a couple of jewelry stores before I came to find you.
00:16:50Are you serious?
00:16:53No, I'm just joking.
00:16:55It was my dad's.
00:16:57Don't worry, it wasn't stolen or robbed or anything.
00:16:59But hey, listen.
00:17:01From now on, I want you to think of me as your creditor.
00:17:03Okay?
00:17:05I don't want you to worry about owing money to those scumbags.
00:17:08From now on, you'll just throw money to me.
00:17:10As long as you're okay with that.
00:17:12I could be okay with it.
00:17:13As long as you can satisfy one small request.
00:17:17What kind of request?
00:17:20My only request is that you just relax.
00:17:33Okay?
00:17:35Take a load off.
00:17:37Why don't you start by telling me a story, you know, about the last time it was when you were happy.
00:17:50You know, I just, I never in a million years could imagine that Carl would betray me like this.
00:18:01Now I have nothing.
00:18:04Well, I mean, you always have me and, you know, other things.
00:18:17I can't hear you. You're whispering.
00:18:34You're whispering.
00:18:58Carl.
00:18:59God. You know, Tasha's probably screwing around with that new boyfriend of hers.
00:19:04That bitch.
00:19:07Honey, you know, you promised to put me in touch with the curator at the Fitz Gallery.
00:19:11I'm telling you, forget about the Fitz Gallery, okay? The people who are running it are crooks.
00:19:17But I want my paintings to be showcased in the most prestigious venue possible.
00:19:21I know, I know. And I said I would help you find other galleries. Remember? Just stop nagging me about it.
00:19:29Okay?
00:19:30Okay.
00:19:33You're a little angel.
00:19:54It's okay. Just sleep in.
00:19:59Okay.
00:20:02Well, this is certainly going to make things more complicated.
00:20:08So you want to pretend last night never happened?
00:20:14I thought we had a good thing going on between us.
00:20:16I mean, you've been going around the last couple of days telling everybody I was your boyfriend.
00:20:22Yeah, but that was just something I said to make my husband jealous.
00:20:28You mean your ex-husband?
00:20:30Yeah. Ex.
00:20:32Yeah.
00:20:33But I mean, you and I, I, I, you know I can't start a new relationship right now.
00:20:43So everything you said last night?
00:20:46We were just caught up in the heat of the moment.
00:20:49Heat of the moment.
00:20:51So it was all just bullshit?
00:20:52Why?
00:20:53To get me into bed with you?
00:20:56Just to have a one night stand?
00:20:59Because you miss being with your damn husband?
00:21:02So everything you said last night?
00:21:04Get older yourself.
00:21:07You just got divorced.
00:21:09You're not going to play mind games with men anymore.
00:21:11Hey!
00:21:13I wasn't sure what you like so..
00:21:14So everything you said last night?
00:21:21Get older yourself.
00:21:25You just got divorced.
00:21:28You're not gonna play mind games with men anymore.
00:21:31Hey.
00:21:35I wasn't sure what you like, so...
00:21:37I just made a little bit of everything.
00:21:41You made all this?
00:21:42Yeah.
00:21:50So what do you think?
00:21:54It's delicious.
00:22:00I mean, you deserve to have some of your awesome breakfast too.
00:22:04Hey, you're not gonna maybe sit here and eat this alone, are you?
00:22:12You've got some sauce right here.
00:22:21All that for some sauce, huh?
00:22:23Are you kidding me?
00:22:30Hello?
00:22:31Mommy, I miss you so much.
00:22:33Anna.
00:22:34Mommy, I miss you so much.
00:22:36Anna, honey, what?
00:22:37What's going on?
00:22:38Anna?
00:22:42Okay.
00:22:43Both of your resumes look excellent.
00:22:46I have a question.
00:22:47If you spilled a glass of milk in the ocean, how would you get it back?
00:22:54What does that question have to do with our work?
00:22:57Well, I suppose you could contain the section of the ocean with the spilled milk and then collect that sample, add a centrifugal force and there's probably a good chance of separation.
00:23:12So at our company, we are always trying to make the impossible possible and for that we need people who can think on their feet, derive solutions, no matter how outlandish the task at hand may seem.
00:23:28I see.
00:23:33Hello?
00:23:39Uh-huh.
00:23:41Okay.
00:23:49Congratulations, Miss Michaels.
00:23:51Welcome to the Eastwood Corporation.
00:23:52If you don't mind me asking, why didn't I get the job?
00:24:10Mrs. Roberts, maybe you should focus on fixing your own family problems first, before you start to look for work again.
00:24:20We don't want to make enemies with the Crow Group.
00:24:35So I guess you didn't get it.
00:24:39I just don't understand why Carl hates me so much.
00:24:42I mean, he doesn't want me to work for his company, but he doesn't want me to work for any other company either.
00:24:46Look, you don't need that corporate job anyways.
00:24:50Yeah?
00:24:52What else can I do?
00:24:54I mean, I thought you were an artist, you know, a painter.
00:24:57How'd you know about that?
00:24:59You brought an easel.
00:25:03It's just a hobby.
00:25:06I gave it up.
00:25:08I don't paint anymore.
00:25:10Okay, well, if you don't love to paint anymore, then why bring an easel with you?
00:25:20I haven't painted in years.
00:25:23I'm sure it'll be just like riding a bike.
00:25:26Once you start, it'll all come back to you.
00:25:28That's my account. Why are they assigning it to someone else?
00:25:36Fine, fine. Just get me some damn answers and give me a call back soon, okay?
00:25:41Carl, this took me three months.
00:25:45I'm sorry, I just got some bad news at work.
00:25:50It's ruined now.
00:25:52Why?
00:25:53Start over.
00:25:55You know, it kills me to see you squander your intelligence and talent on these useless paintings.
00:26:02You're a remarkable woman, Tasha.
00:26:05Okay? And if the charlatan snobs in the art world can't see that, then screw them, okay?
00:26:10If you put your focus elsewhere, we could be rich enough to buy ten art galleries.
00:26:17And then you could put whatever paintings you want in them, right?
00:26:20Painting's my passion.
00:26:24What if we put painting on the side, just for a little while, and you could come join me at the company?
00:26:32Just together, we'd be unstoppable.
00:26:36And right now, I am drowning.
00:26:40Your dad and his partners have no faith in me.
00:26:45I need you.
00:26:47Look.
00:26:51You love me, don't you?
00:26:55Of course I do.
00:26:57Okay, that doesn't matter.
00:26:59Do this one thing for me.
00:27:01This one little thing.
00:27:03Please.
00:27:07You fly away with me.
00:27:14Take you high.
00:27:15Sorry.
00:27:18Too bad to smile.
00:27:22It's my only dream.
00:27:27Staring out into the sea.
00:27:31Finished.
00:27:32Yeah.
00:27:33That is amazing.
00:27:40Thank you. I honestly never thought I'd paint again.
00:27:44Well, that would have been a shame.
00:27:45You're easily one of the most talented artists I've ever met.
00:28:03We're honored that you chose our gallery to showcase your work.
00:28:10I am curious about one thing, if you don't mind me asking.
00:28:14The subject in your paintings, your muse, is he your lover?
00:28:18Oh. No. He's just a friend of mine.
00:28:25But his gaze, the way he looks out to you in these paintings,
00:28:29there's so much tenderness and affection in his eyes.
00:28:38Is Ken really in love with me?
00:28:40He's so young, though.
00:28:42At his age, he probably doesn't even know what love is.
00:28:46Oh, sorry. You're in the way.
00:28:50Actually, you're in my way.
00:28:54Actually, you're in my way.
00:28:56I'm trying to get into my home.
00:28:59Is this your new girlfriend?
00:29:01I've never seen you with anyone like this before.
00:29:04Ken's my roommate.
00:29:06Now, if you'll please step aside so I can get in.
00:29:12Call me again if you need anything, okay?
00:29:15Bye.
00:29:19Hey, what are you doing home so early?
00:29:21Are they going to showcase your work?
00:29:22Sorry if I interrupted something,
00:29:25but as your roommate,
00:29:26I don't really think I need to tell you
00:29:28if I'm coming or going.
00:29:29So, if you have something private to do,
00:29:30just do it in your room.
00:29:31I never said you need to tell me
00:29:32when you're coming or going.
00:29:33I'm just saying.
00:29:34Fine. You don't need to explain.
00:29:36Just, I just want to be alone.
00:29:43What?
00:29:43I'm so sorry, sir.
00:29:49She just barged in without permission.
00:29:51It's okay.
00:29:53Miss Roberts, please.
00:29:54Grab a seat.
00:29:56We signed a contract.
00:29:58Why can't you show my paintings now?
00:30:00I'm afraid I don't have the answers you're looking for.
00:30:02If you want to know what happened,
00:30:03ask Karl Kroh.
00:30:04I want my paintings back.
00:30:09Right now.
00:30:10Well, they're probably somewhere in the warehouse.
00:30:15They haven't been thrown away yet.
00:30:40You've already searched the entire warehouse ten times.
00:30:44If you haven't found what you're looking for,
00:30:45it's not here.
00:30:46You better hope I find what I'm looking for,
00:30:48or I'm going to make this entire gallery compensate me,
00:30:51and then I'm going to sue you,
00:30:52and you'll be the first to lose your job.
00:30:55Yeah, that's great, lady.
00:30:56Go ahead and sue.
00:30:57I'm sure things will go exactly the way you described it.
00:30:59I'm sure things will go exactly the way you described it.
00:31:29You really care about her.
00:31:48Shh, keep your voice down.
00:31:50She's had a long day.
00:31:52Also, you can't just come over here so casually in the future.
00:31:55Casually?
00:31:56Are you kicking me out?
00:31:59You didn't mind my coming over so casually
00:32:01when you had me digging through your body for bullets.
00:32:04You men are cold as hell.
00:32:05I think my lucky star is on the lesbian.
00:32:07Look, I just can't have her finding out about the work that we do, okay?
00:32:11Are you serious about her?
00:32:14Yeah.
00:32:15Have you thought about the consequences if your dad finds out?
00:32:18Look, now, you and I have been best friends for over 20 years, okay?
00:32:25And my dad has taught me everything that I know.
00:32:28I think maybe it's time I just figure things out on my own.
00:32:31And you know exactly what I went through last time.
00:32:35I'm not going to lose her again.
00:32:40Don't worry, Anna.
00:32:42Mommy's going to find a way to bring you home soon.
00:32:43All the evidence is here.
00:32:53It's exactly what you thought.
00:32:56Let me know if you want me to find out more.
00:32:57All the evidence is here.
00:33:01Carl, let's meet.
00:33:22Oh, wow.
00:33:23It's not every day a famous painter comes to visit.
00:33:28To what do I owe the pleasure?
00:33:30The company.
00:33:31The company I supposedly borrowed money from.
00:33:36It's a shell company owned by you.
00:33:40So what?
00:33:41All our operations are legal.
00:33:43You signed the documents.
00:33:45You borrowed the money.
00:33:46All you can do now is pay it back.
00:33:51You know, I don't think you actually want me to pay back the loans.
00:33:57You were just looking for an excuse to have me back in your life.
00:34:03You're obsessed with me.
00:34:04This is just your sick way to dominate me and make me surrender to you.
00:34:10I'm just getting even for the years I spent in your father's shadow, the years of belittlement and him treating me like a clown.
00:34:19My father hired you when no one else would.
00:34:24Not my fault that your insecure petty took his support as belittling.
00:34:30I wouldn't upset me if I were you.
00:34:34Remember, I'm your creditor now.
00:34:37Two months.
00:34:40That's all I can give you to pay me back the remainder of $180 million.
00:34:44What are you doing here?
00:34:55I was just in the neighborhood.
00:34:57Thought I'd give you a ride home.
00:35:01Hi.
00:35:03Um, hey.
00:35:05Who is this?
00:35:08Uh, this is Ken's roommate.
00:35:11We're going to be dropping them off before we head home.
00:35:13Yeah, hey listen, I didn't introduce you last time, but this is my best friend, Nell, and her girlfriend, Maria.
00:35:25Nell and I have been nothing more than friends since we were kids.
00:35:28She's not into men, and she never has been, and her and I are nothing more than just platonic friends.
00:35:34Alright?
00:35:36I'm sorry, I jumped to conclusions the other day.
00:35:39It's okay.
00:35:41I just didn't want you to get the wrong idea.
00:35:43Look, I appreciate it.
00:35:50I really do.
00:35:51I just, I still think you and I are better off just as friends.
00:35:57Just friends.
00:36:00Why?
00:36:00Maybe because I'm just getting over a failed marriage.
00:36:13Because I owe an unthinkable amount of money and I have no idea how I'm going to pay it back.
00:36:19I also have no idea how I'm going to get my daughter back.
00:36:23And getting into a relationship with you, that's just something I can't do right now.
00:36:30Love has brought me nothing but pain, okay?
00:36:32So just, please, just leave it.
00:36:35Do you have any other paintings?
00:36:57Yeah, I have several.
00:37:06What are you looking for?
00:37:10I would like to buy them all.
00:37:12I love your painting style.
00:37:13It is so unique.
00:37:14I own a large gallery and I would like to establish a long-term collaboration with you.
00:37:21Thank you for your kind words about my paintings, but I've been in some trouble lately and it's probably best if I don't involve your gallery.
00:37:29None of this matters to me.
00:37:36If someone wishes to cause me trouble, well, just let me try.
00:37:46I mean, it has to be a mistake.
00:37:51Or a prank, or a cruel practical joke.
00:37:55I mean, it seems pretty authentic to me.
00:37:57It has their seal and your name and address are, like, clearly written on it, so.
00:38:06It looks authentic.
00:38:09But how would they have seen my paintings?
00:38:12I don't know, maybe one of those auction sites that you've been posting your work on?
00:38:16I mean, you're incredibly talented, so anybody who's seen your work would automatically recognize it.
00:38:21I own a large gallery and I would love to establish a long-term collaboration.
00:38:32It's him.
00:38:34It's him.
00:38:35The guy who's been on my paintings.
00:38:36He must be the owner of the Fitz Gallery.
00:38:39Well, in that case, we better get going.
00:38:41Where?
00:38:42I've got to go get you a dress.
00:38:44I can't have you showing up to the Fitz Gallery in rags.
00:38:46Babe, which one do you like more?
00:38:53This one, or this one?
00:38:56I need to be the hottest girl at the Fitz Gala.
00:39:00Everything just, uh, looks so good on you, honey.
00:39:04So, um, just pick whichever one you want.
00:39:07I've got to take a call, okay?
00:39:10Wrap this up, you twitch.
00:39:11I'll take them both.
00:39:12Wow.
00:39:20I used to buy dresses like this all the time without even thinking about the money, but
00:39:24I can't afford something like this now.
00:39:29You know what?
00:39:31Consider it a congratulatory gift for me.
00:39:34Alright?
00:39:34And when you make it big in the art world, you can just hand me back.
00:39:37Oh, hi.
00:39:40Excuse me.
00:39:41Yeah, my, uh, friend would like to try on this dress.
00:39:43Oh, your friend has amazing tastes.
00:39:45This dress is actually a limited edition, each one handcrafted by hand and therefore entirely
00:39:50unique.
00:39:51Truly a work of art.
00:39:52Well, how fitting that's going to be worn by a very talented artist.
00:39:55I'll have someone on the team bring it out to you.
00:39:59Veronica, please bring the limited edition.
00:40:05What limited edition?
00:40:06Tasha, do you really think you can afford this dress?
00:40:15You can afford this dress?
00:40:19Please.
00:40:20Reyna, I don't think you need to worry about Tasha's finances, okay?
00:40:25We established that last time.
00:40:28Hey, you.
00:40:29Get over here.
00:40:31I'm going to pay twice what it's worth, but I want this dress.
00:40:34Ma'am, this dress is $4,000.
00:40:36Did I ask you how much it cost, you pluritarian scum?
00:40:39Just shut your mouth and add it to my bill.
00:40:42She's willing to pay double.
00:40:44I'll double her offer and I'll pay $16.
00:40:46Okay, sir.
00:40:48Sold.
00:40:48$32,000.
00:40:50You know what?
00:40:53She wants to dress so bad, let her have it.
00:40:56You can put all the jewels you want on a pigeon, but it'll never be a peacock.
00:40:59I'll show you who's a pigeon, you little bitch.
00:41:01How dare you assault me?
00:41:04Tasha, are you okay?
00:41:08What is going on here?
00:41:09What's going on is that your crazy bitch wife pushed Tasha to the ground.
00:41:13I swear to God, they're all lying.
00:41:16I never touched her.
00:41:17I saw everything.
00:41:18This gentleman and his girlfriend were very nice and politely inquired about a dress,
00:41:21and suddenly your wife appears and attacks her for no reason.
00:41:25Shut your mouth, you little lying asshole.
00:41:27You know what?
00:41:27Why don't you just call security before this crazy maniac hits somebody else?
00:41:30Wait a second, Reyna.
00:41:31What actually happened here?
00:41:33What's going on?
00:41:34Why don't you believe me?
00:41:35I told you.
00:41:36Don't just call 911.
00:41:39Are you blind?
00:41:40Oh, Tasha, can you stop this bullshit?
00:41:41You know what, Reyna?
00:41:42Can you just stay away?
00:41:44Can I get someone down here?
00:41:45Room A122?
00:41:46No, no.
00:41:47That's not necessary.
00:41:47We are leaving right now.
00:41:49Let's go.
00:41:49Okay, you've embarrassed us both enough for one day, okay?
00:41:53Let's go.
00:42:02Wherever Reyna goes, trouble's sure to follow.
00:42:06It is nice to see a better taste of her own medicine, though.
00:42:09Yeah.
00:42:10It's a shame, though.
00:42:11You would have looked really great on that dress.
00:42:16Don't worry about that.
00:42:18I have a solution.
00:42:19What are you going to do with all this stuff?
00:42:29I'm going to design my own dress and wear it to the gala.
00:42:32Are you sure there's enough time?
00:42:34Have some faith in me.
00:42:35I graduated with honors in design and fine art.
00:42:39I got this.
00:42:41All right.
00:42:42How do I look?
00:43:01How do I look?
00:43:05What?
00:43:06Is something wrong?
00:43:14Is it too much?
00:43:16Should I change something?
00:43:17No.
00:43:18No.
00:43:18No.
00:43:18No.
00:43:19You look.
00:43:21The dress.
00:43:22Like, that is one of the most beautiful dresses I've ever seen.
00:43:29But there's something missing.
00:43:33Should I resell the beads?
00:43:36No.
00:43:38I have a gift for you.
00:43:39Something to complete the whole look.
00:43:49Just try harder, you idiot.
00:43:50Mrs. Crowe, I am doing everything I can.
00:43:53I don't know what more I can do.
00:43:56You're calling me fat?
00:43:57Of course not.
00:43:58You're not fat at all.
00:44:01It's the dress.
00:44:02It's not made for a woman's body.
00:44:05Just shut up and do it!
00:44:07Babe.
00:44:09Just put on another dress.
00:44:10You're going to be late.
00:44:12I spent so much money on this dress.
00:44:15I am wearing this dress!
00:44:17I am wearing this dress!
00:44:28I can't.
00:44:36It's...
00:44:37It's too much.
00:44:40No.
00:44:41It was made for you.
00:44:51I can't wait to see what you brought to the auction.
00:44:54Can we have a little hint?
00:44:55Well, actually, I brought some of my very own paintings to auction tonight.
00:45:04What's wrong?
00:45:06Just Tasha Roberts.
00:45:08My husband's dreadful ex-wife.
00:45:12I'm tired of seeing her sorry face everywhere.
00:45:16You know, she's also a horrible person.
00:45:19If it isn't everyone's favorite wide-collar criminal turned homeless vagrant, Tasha Roberts.
00:45:28So, the other day, when you were trying to buy this dress, with that, um, working-class thug boyfriend of yours,
00:45:35you were trying to come here?
00:45:37Are you sure you were even invited?
00:45:39I'm sorry, are you working with the security detail?
00:45:45Do I need to show you my invitation?
00:45:47Honey, I'm just trying to look out for you.
00:45:50Okay?
00:45:50I want to spare you the embarrassment of being kicked out when everybody finds out that you are not invited.
00:45:57You mean, like, how you were kicked out of the mall?
00:45:59I see.
00:46:00You still quite don't understand your place in the world.
00:46:04You think you're fucking Cinderella or something, and life is a fairy tale.
00:46:09But don't worry.
00:46:11I'll help you figure it all out.
00:46:15What's wrong with you?
00:46:17You can't just see people are walking through.
00:46:19Rina, this time you've gone too far!
00:46:21Stop shouting, you dreadful oaf.
00:46:23These were supposed to be auctioned tonight!
00:46:25Well, if it is of any consolation, I don't think the wine has reduced their value of very much at all.
00:46:32Now you can go and cry to your fairy godmother.
00:46:36What is her?
00:46:38Oh, I think the auction's starting.
00:46:41Well, I'll see you there.
00:46:43Toodles!
00:46:43For our first auction item, I'd like to welcome Ms. Raina Crowe to the stage with her collection of original paintings.
00:46:58As you can see, Ms. Raina Crowe's style is very unconventional.
00:47:18Certainly, these works defy easy categorization, and yet there are touches of whimsy and an almost playful quality about them,
00:47:28as depicted here through the bold use of a duck as a central figure.
00:47:33It's a dog.
00:47:34What?
00:47:35It's a dog, not a duck, you buffoon!
00:47:37Oh, yes, of course, a dog, seen through a very unique prism, portrayed as only an artist of Raina's caliber could possibly portray it.
00:47:49Now that we have familiarized ourselves with the art and the artist, let's start the bidding.
00:47:55The starting price will be $50,000.
00:47:57Do I hear $50,000?
00:47:59No.
00:48:00Anyone?
00:48:00No.
00:48:02$50,000.
00:48:04Do I hear $60,000?
00:48:05$50,000 going once, $50,000 going twice.
00:48:13Sold!
00:48:14Sold for $50,000.
00:48:21And now we'll invite our second artist for the evening, Ms. Tasha Roberts, who will also be presenting a series of paintings.
00:48:35Ms. Tasha Roberts, where are your paintings?
00:48:40I don't have my paintings tonight, but I will be auctioning off this dress.
00:48:46Oh, wow.
00:48:59It's beautiful.
00:49:03Stupendous.
00:49:03I've never seen a dress so beautiful.
00:49:05Oh, stupendous.
00:49:10I've never seen a dress so beautiful.
00:49:13A stunning work of art, indeed.
00:49:16There's no need for me to say another word about this masterpiece.
00:49:18Everyone in the audience can clearly see the extraordinary talent and extraordinary artistry.
00:49:23Let's start the bidding at $50,000.
00:49:26$55,000.
00:49:27$75,000.
00:49:28$90,000.
00:49:30$100,000.
00:49:32$150,000.
00:49:34$250,000.
00:49:38$250,000 going once.
00:49:41$250,000 going twice.
00:49:43Sold!
00:49:44This beautiful dress is sold for $250,000.
00:49:47Is that the heart of some necklace that sold for $200,000 a few months ago in a bid now?
00:50:00Impossible.
00:50:02How can that lowly peasant possibly afford it?
00:50:04It must be a fake.
00:50:09Thank you so much for your bid, Ms. Wenslow.
00:50:12I'm going to design a few custom pieces in your size
00:50:15and design them to your elegance and style.
00:50:18Have you ever considered creating your own clothing brand?
00:50:23Your creations are so extraordinary.
00:50:27You should really share your talent with the rest of the world.
00:50:30I never considered it, but I certainly will now.
00:50:34Hi.
00:50:36I'd be careful if I were you.
00:50:37I personally wouldn't put any faith into someone
00:50:40that wears cheap replicas of famous pieces of jewelry.
00:50:43What are you talking about right now?
00:50:47This woman is a phony and a con artist.
00:50:49For as long as I worked with her,
00:50:51she's done nothing but the fraud and cheat the people she's done business with.
00:50:56And let me make it clear.
00:50:57For everybody that wants to do business with this woman,
00:51:01they won't be allowed to do business with the Crow Group.
00:51:04Is that so?
00:51:05Well, let it be known that if anybody refuses to work with Ms. Tasha Roberts
00:51:12because of the baseless rumors and lies being spread by Ms. Raina Crow,
00:51:17you will no longer be welcomed back to the Fitz Gallery.
00:51:20That's the curator of the Fitz Gallery.
00:51:24Not just the curator.
00:51:25He's also the director of the Fitz Foundation.
00:51:30The curator?
00:51:32Is he the man who bought my paintings?
00:51:34Why does he seem so familiar?
00:51:39Ms. Tasha Roberts is my guest of honor tonight.
00:51:42I invited her personally.
00:51:44So if anybody treats her with the slightest bit of disrespect,
00:51:47they'll be asked to leave and never again invite her back to the Fitz Gallery.
00:51:50As the director of this esteemed organization,
00:51:54am I interested to know that your guest of honor
00:51:56is wearing a cheap replica of a priceless work of art.
00:52:01She is not to be trusted.
00:52:04I'm assuming you mean her diamonds.
00:52:06What evidence do you have to prove that it's not real?
00:52:09Well, the real Heart of the Sun has the initials of the Craftman
00:52:13engraved in the joint between the gemstone and the pendant.
00:52:16So Tasha, would you indulge us all
00:52:19and show us if what you're wearing is a genuine article
00:52:22or a cheap knockoff?
00:52:26This was just given to me by a friend.
00:52:28I never claimed it was the real Heart of the Sun.
00:52:31I don't want to embarrass him by having people pour over it for imperfections.
00:52:37So it's a forgery.
00:52:39You were so happy to have everyone believe it was the real thing
00:52:42until I challenged you and called your bluff.
00:52:46Ms. Roberts, you have nothing to fear from this woman.
00:52:59Just show her the necklace.
00:53:01And I'll personally see to it that there are no despairing comments
00:53:03about its craftsmanship or quality.
00:53:06And the question has to be asked whether it is the true Heart of the Sun.
00:53:09See, just like...
00:53:19What?
00:53:22How is this possible?
00:53:27I do say,
00:53:28this engraving looks entirely authentic to me.
00:53:31This is indeed the one and only Heart of the Sun.
00:53:36Well, that settles it then.
00:53:37This necklace is authentic.
00:53:39From now on,
00:53:40no one will be permitted to question or harass my guest of honor.
00:53:44Now, if everyone is satisfied,
00:53:46can we please get back to tonight's festivities?
00:53:49Cheers.
00:53:49Ken, you have a lot of explaining to do.
00:54:01Okay, what's wrong?
00:54:03I can't accept this necklace.
00:54:06And I can't give you what you want.
00:54:09Do you even know what I want?
00:54:11I don't want to know.
00:54:13We can just be friends, nothing more.
00:54:16Tasha, you're just afraid.
00:54:18You're just afraid of going after what your heart truly desires.
00:54:23And I just think you're afraid of just being true to yourself.
00:54:27You're the last person that should be lecturing anybody on the truth.
00:54:32Who are you?
00:54:34What do you do?
00:54:35Is this even your house?
00:54:36I mean,
00:54:38how do you own a necklace that's $200 million?
00:54:44I just...
00:54:45See,
00:54:46you...
00:54:46You don't even respect me enough to tell me the truth.
00:54:50What, you...
00:54:51You expect me to jump into a relationship with you?
00:54:55You could be a total stranger.
00:54:58I have no idea who you are.
00:55:02Tasha, I want to tell you.
00:55:03I do.
00:55:04But...
00:55:05I just can't right now.
00:55:07Alright?
00:55:08Like, maybe in the future,
00:55:09when we can sit down and...
00:55:10No, Ken, there is no future for us.
00:55:12Not if you can't tell me one thing about yourself that isn't a lie.
00:55:17When you find someone that you really love and trust,
00:55:21you let them in.
00:55:23But that person won't be me.
00:55:30Are you okay?
00:55:42Are you okay?
00:55:46Director Fitz,
00:55:50I had a wonderful time at the gala.
00:55:53Thank you for supporting me and standing up for me.
00:55:57I wasn't bothered by the way the other guests treated me.
00:56:00I've endured far worse.
00:56:06Lovely.
00:56:07I'm glad to hear it.
00:56:09I would like to exclusively showcase your work at the Fitz Gallery for the foreseeable future.
00:56:14Think of it as a sort of artist's residency.
00:56:17Would you be interested in such an opportunity?
00:56:19This dress is every bit as exquisite as I expected it to be.
00:56:32Thank you, my dear.
00:56:34You're very welcome.
00:56:36Have you given any more thought to my proposal?
00:56:39If you wish to start a clothing brand,
00:56:42I would be more than happy to invest whatever you require to get started.
00:56:47It's a very gracious offer,
00:56:49but I just, I have to ask.
00:56:51I mean, there are so many other talented designers.
00:56:54Why do you have such faith in my abilities?
00:56:57It's not just me, you know.
00:56:59The curator of the Fitz Gallery
00:57:01has never been seen in public before the gala last night.
00:57:05And everyone in attendance was certain
00:57:08that the only reason he chose to make an appearance
00:57:11was because of you,
00:57:12his guest of honor.
00:57:13That was his first appearance ever?
00:57:18Indeed.
00:57:19His very first and only time to appear in the flesh.
00:57:23Before this, he was a figure of myth and mystery.
00:57:27Many people doubted he existed at all.
00:57:30But all because of you,
00:57:32he chose to grace us with his presence last night.
00:57:36Seems like a marvelous young man, don't you think?
00:57:39He certainly had a charm about him.
00:57:41Oh, undoubtedly.
00:57:43You know, many people flock to the Fitz Gallery
00:57:46for more than just the art.
00:57:48They want to learn all about the enigmatic young curator.
00:57:53Really? I mean, what's so interesting about him?
00:57:57Have you ever wondered
00:57:58how the Fitz Gallery has managed to surpass
00:58:01all of the established art collections
00:58:04to become the top venue for fine art
00:58:07in just two years?
00:58:09I mean, I heard rumors.
00:58:11Something about foul play,
00:58:13but I always just assumed they were baseless.
00:58:16Those rumors have quite a bit of truth to them.
00:58:19Seems like the Miller crime family
00:58:22is actually behind the Fitz Foundation.
00:58:25The one and the same Miller crime family
00:58:29that monopolizes all the underground trade
00:58:32in all of North America.
00:58:34He seems like such a gentleman.
00:58:36I just...
00:58:36I find it hard to believe
00:58:38that he ever was involved in something so sordid.
00:58:40You must never judge a Brooklyn's cover, my dear girl.
00:58:45Even people close to us may be harboring many secrets.
00:58:49We never really know what's going on inside.
00:58:52You got that right.
00:58:54I learned that lesson the hard way.
00:58:56Let me be frank.
00:58:58I have tremendous faith in you.
00:59:01Thank you, Mr. Wendlow, but I...
00:59:03Oh, my dear.
00:59:04All my friends call me Laura.
00:59:09This is a check.
00:59:11For five million dollars.
00:59:13She'd help you get your clothing brand started.
00:59:15Shall we become business partners
00:59:19in addition to being friends?
00:59:34Director Fitz, I'd like to work with you.
00:59:38It would be my honor, Miss Tasha Roberts.
00:59:40Fly away with me
00:59:46Take you high, I'm sorry
00:59:50To smile, it's my only dream
00:59:56Staring out into the sea
01:00:02Waves come crashing up to me
01:00:05My toes slip into the sand
01:00:10Dream that I'm with you
01:00:14Staring out into the sea
01:00:18Waves come crashing up to me
01:00:22My toes slip into the sand
01:00:26Dream that I'm with you
01:00:31Congratulations, Miss Roberts.
01:00:44We expect a huge success
01:00:45from your art exhibition.
01:01:01You're looking at her
01:01:02You're obsessed with her
01:01:05Didn't she humiliate me enough
01:01:07the other night at the gala?
01:01:09But no, now I have to watch my husband
01:01:11stare at her picture
01:01:12Well, maybe if you didn't give her
01:01:15the opportunity to humiliate you
01:01:17So it's my fault now?
01:01:19Oh, wait, let me guess
01:01:20Maybe it's my fault too
01:01:20when the two of you broke up
01:01:22Okay
01:01:22Raina
01:01:25I've been thinking
01:01:26I don't think this is working
01:01:28I want a divorce
01:01:30You used me to push Tash out of your company
01:01:37take her property
01:01:38and now you cast me aside
01:01:40like what, a used piece of garbage?
01:01:43I won't allow this
01:01:44Mark my words, Carl Crow
01:01:47You will regret this
01:01:58I'm spending too much time around Ken
01:02:04He's dominating all my thoughts
01:02:06I have to distance myself from him
01:02:09for my own sanity
01:02:10Is there nothing I can do
01:02:24to get you to stay?
01:02:25I'm sorry
01:02:29But no
01:02:31You and I
01:02:34our relationship
01:02:35will just
01:02:36keep going in circles
01:02:38But thank you
01:02:41for everything you've done for me
01:02:43I have a little bit of money now
01:02:46so
01:02:46you should be able to pay off
01:02:48your loan soon
01:02:48and long talks
01:02:53and awkward silence
01:02:55wait nights
01:02:57walking through the garden
01:02:59running
01:03:01with your hand in mine
01:03:05cause some
01:03:09this is what happens
01:03:21when you steal from the millers
01:03:23please
01:03:23let me go
01:03:25promise you'll never see me again
01:03:29what you got here
01:03:36right this way
01:03:38boss
01:03:40I found this one
01:03:42peeking around the corner
01:03:43not sure how long
01:03:45this little bitch
01:03:45has been watching
01:03:46but I'm pretty sure
01:03:47she tried to call the cops
01:03:48don't worry boss
01:03:53I got a knife
01:03:54with her name on it
01:03:55we can dump her body
01:03:56with the other guy
01:03:57no
01:04:02let her go
01:04:03what
01:04:04didn't you hear what I said
01:04:05she's seen everything
01:04:06let her go
01:04:07before I rip off your fucking arms
01:04:09and throw them in the river
01:04:10walk away
01:04:19this doesn't mean anything to you
01:04:21is this what you couldn't tell me about
01:04:23boss
01:04:25you know this woman
01:04:26you're gonna kill him
01:04:29call the police then
01:04:31see if they can save his life
01:04:32no
01:04:33don't call the police
01:04:34you stupid bitch
01:04:36my world is more cruel
01:04:39than you can possibly imagine
01:04:40since you didn't want to get involved
01:04:42just walk away
01:04:43hey babe
01:05:05what do you want for breakfast?
01:05:07my world is more cruel than you can possibly imagine
01:05:21my world is more cruel than you can possibly imagine
01:05:33since you didn't want to get involved
01:05:35just walk away
01:05:36I never imagined that Ken could be such a dangerous and violent man
01:05:41there must be something or someone forcing him to do all of this
01:05:45even people close to us may be harboring many secrets
01:05:50we never really know what's going on inside
01:05:54forget it
01:05:56this has nothing to do with me
01:05:57I decided to leave Ken
01:05:59so I have to do my best
01:06:00not to look back
01:06:01you're a pro-magnet boyfriend
01:06:22you're a pro-magnet boyfriend
01:06:26is he not joining us?
01:06:29it's all over
01:06:29I'm not with him anymore
01:06:30where's Reyna?
01:06:33Reyna was a mistake
01:06:36that's all over too
01:06:38Tasha
01:06:39I want you back
01:06:44I can't stop thinking about us
01:06:47you were right
01:06:49you belong in my life
01:06:50so if you just
01:06:53sign those documents
01:06:55then you can come back to me
01:06:58come back to the house
01:06:59we can carry on like none of this ever happened
01:07:02I can give you your old job back
01:07:04that'll be fun
01:07:05working together again
01:07:06and then all that debt you owe me will be wiped clean
01:07:09you uh, need a pet?
01:07:16you think I'd get back with you after everything you put me through?
01:07:20here is
01:07:25a hundred million dollars
01:07:27I'll pay the rest on time
01:07:30and
01:07:30for your agreement
01:07:32take these documents
01:07:39and
01:07:39shove them right up your ass
01:07:43you disgust me Carl
01:07:45you should think about Anna
01:07:47do you really want her growing up without a mother?
01:07:51with all her health problems
01:07:52she could really use your support?
01:07:54don't you dare talk about Anna
01:07:55she'll be with me soon
01:07:57then I'll never let her out of my sight again
01:08:00she needs her mother and her father
01:08:01not a father like you she doesn't
01:08:03she'd be better off with no father at all
01:08:06I'm sorry am I interrupting?
01:08:19are you texting a new boyfriend already?
01:08:22can it wait?
01:08:24I'm not done talking here
01:08:25you're pathetic Carl
01:08:27hey Tasha
01:08:29ta
01:08:30Tasha
01:08:32hey Tasha
01:08:36Tasha come back
01:08:38where are you going?
01:08:39this place is disgusting
01:08:40come on Tasha
01:08:42don't you remember the happy times?
01:08:45come on we can have that again
01:08:46think of Anna
01:08:47think of me
01:08:48please
01:08:49sorry folks
01:09:10it's the end of the line for you
01:09:13no hard feelings
01:09:16but
01:09:19we got to do what the people who pay us tell us to do
01:09:21who's paying you?
01:09:24I'll give you a hint
01:09:25a very beautiful woman paid us a small fortune to make sure you two would
01:09:30make sure you two don't make it
01:09:33Raina
01:09:35that fucking bitch
01:09:36do you know who I am?
01:09:39I'm Carl Crow
01:09:41the CEO of the Crow Group
01:09:43what if she's paying you?
01:09:45I'll pay double
01:09:46okay?
01:09:46yeah yeah
01:09:47you pay me double
01:09:47I guess you haven't heard the news buddy
01:09:49see I don't think you have the means to outbid your pretty little friend
01:09:54please pick up the phone
01:10:03you trying to phone a friend?
01:10:05that's a big no no sweetheart
01:10:07that's breaking the rules
01:10:09sweetie
01:10:12don't waste the little time you have left trying to call for help
01:10:16it won't do you any good
01:10:18no one
01:10:20they can help you now
01:10:23three hours where is Tasha?
01:10:30hey Nell
01:10:31hey listen I need you to do me a favor
01:10:33yeah I need you to pull out the city surveillance system in the area
01:10:37and find all the footage
01:10:38yeah no something's wrong
01:10:41what are you doing
01:10:52we have to get out of here
01:10:55you should just go
01:11:08save yourself
01:11:10leave me
01:11:10it's what I deserve
01:11:13I'm not gonna leave you
01:11:16I'm not that type of person
01:11:19come on let's go
01:11:26come down here
01:11:30wait until they come in
01:11:31hey Tasha
01:11:37I'm so sorry
01:11:42now's not the time for that
01:11:46all in
01:12:12looks like we got ourselves a suicidal prick here fellas
01:12:15I can't think of any other reason why somebody would kick in the door
01:12:18that's got Vincent Santorelli on the other side of it
01:12:21oh shit
01:12:25boss
01:12:26I didn't realize it was you
01:12:29these your guys?
01:12:34where the fuck are they?
01:12:37you better find them
01:12:37quick
01:12:38now it's your turn
01:12:55now it's your turn
01:13:15pretty little thing like you I was gonna make it painless
01:13:18but I guess you didn't want that
01:13:19all the same
01:13:21hey who's this fucking monkey?
01:13:24lower your fucking gun
01:13:25Vinny what the fuck is going on?
01:13:27you're fucking deaf
01:13:28yeah lower your fucking gun
01:13:30are you
01:13:32are you Ken Miller?
01:13:34how can that be?
01:13:34what the fuck is going on?
01:13:36Ken Miller
01:13:38the one and the same
01:13:40Miller crime family that
01:13:42monopolizes all the underground trade in all of North America
01:13:49it's you
01:13:54you know what you have to do
01:13:57boss
01:14:00please
01:14:01he's my brother
01:14:04rules are rules
01:14:06I was pushing you away as Ken and growing closer to you as Fitz
01:14:17I'm sorry Tasha but there's just nothing I can do that will make you happy
01:14:24and I just can't win over your heart
01:14:38is Ken Miller always this loving with the hostages he rescues or is this just special treatment reserved for his lovers?
01:14:49Tasha I love you my heart has belonged to you and only you for the past 15 years
01:14:5615 years
01:15:0315 years?
01:15:06no we just met a few months ago
01:15:09we met 15 years ago
01:15:15you went to Marr middle school
01:15:17yeah
01:15:19and you saved my life
01:15:21and you saved my life
01:15:26stand up chicken and hit us back
01:15:31isn't that what your dad does for a living?
01:15:33beat people up?
01:15:35I'm not my dad
01:15:37you and your father are both scum
01:15:39let's teach this little and thug a lesson
01:15:41yeah idiot
01:15:42get out and show us what you got
01:15:44hey
01:15:47hey
01:15:49hey
01:15:50hey hey hey stop
01:15:51that's enough
01:15:52that's enough
01:15:53it's none of your business Robert
01:15:54get out of here Robert
01:15:55hey stop
01:15:56go home I'll call your parents go
01:15:57oh crap
01:15:58go home
01:15:59go home
01:16:00go home
01:16:01go home
01:16:02go home
01:16:03go home
01:16:04go home
01:16:05go home
01:16:06go home
01:16:07go home
01:16:08go home
01:16:09go home
01:16:10go home
01:16:11ever since I saw you that night in the cab
01:16:13with that necklace on
01:16:14I just I knew I found you
01:16:17look this isn't just some feeling
01:16:21for me
01:16:22okay
01:16:23this is
01:16:24this is everything to me
01:16:25like you
01:16:26you
01:16:27are everything to me
01:16:28no matter what happens between us
01:16:30I'll always care about you
01:16:33and maybe
01:16:35one day we can
01:16:36make it work in a different way
01:16:51I just
01:16:53need some time to
01:16:55process this
01:16:58okay
01:16:59and after that
01:17:01maybe we can pick up where we left off
01:17:04that first night you spent here
01:17:06maybe
01:17:09play your cards right
01:17:12there's no
01:17:13we're short
01:17:27does everything look good to you my artist?
01:17:29yeah
01:17:30thanks for everything
01:17:32it doesn't sound very convincing is
01:17:35is there anything you want to change?
01:17:37want to change? No. I just, I never got around to asking why you wanted to start an art gallery
01:17:42in the first place. Honestly, it's to get to you. See, I thought if I own the world's greatest art
01:17:48museum that one day you might find your way in here and I don't know, that I might find you.
01:18:07I want to see what kind of woman this is that has ensnared my son. I doubt she's worthy of
01:18:36joining the Miller family. As you wish, sir, I will make the arrangements.
01:18:44Honestly, it's to get to you. See, I thought if I own the world's greatest art museum that
01:18:49one day you might find your way in here and I don't know, that I might find you.
01:18:55Okay, okay. Just concentrate on painting. Don't think about him.
01:19:06Who are you?
01:19:20Miss Tasha Roberts? Mortimer Miller would like to speak with you privately at his home.
01:19:26Come here. Take a look.
01:19:34She's an heiress to the largest chain of luxury hotels in the Western Hemisphere.
01:19:40She's young, beautiful, well-educated. I think she'll make a fine wife for my son, Ken.
01:19:48With all due respect, sir. I believe that it's up to Ken to decide who he wants to spend
01:19:56the rest of his life with.
01:20:01Choose you? Not a chance. You're no match for my son.
01:20:06Now, you owe money to the Crow Group.
01:20:18I'm going to pay your debt.
01:20:23And in return, you will agree to never see my son again.
01:20:29It's our decision whether we want to be together or not.
01:20:35Your son and I love each other.
01:20:38There's nothing in this world that can keep us apart.
01:20:41Tasha, you want us to be together?
01:20:45It's impossible.
01:20:47Father.
01:20:48I forbid it.
01:20:49Father, this is the love of my life.
01:20:51I can't lose her again.
01:20:54I'd rather leave the family business.
01:20:55Then leave if you wish.
01:20:58But she will never have my approval, ever.
01:21:01And she'll never be a part of the Miller family as long as I live.
01:21:05You'll come running back.
01:21:07Without the Miller family power, money,
01:21:12you'll accomplish nothing.
01:21:15You're making a big mistake.
01:21:18Choosing this old hag instead of family.
01:21:25Ken, where are you?
01:21:34Why aren't you back yet?
01:21:39Oh, you're still awake?
01:21:40Mm-hmm.
01:21:41Who did this to you?
01:21:59Don't worry about me.
01:22:00I'm fine.
01:22:01It's nothing out of the ordinary.
01:22:02Hey, babe.
01:22:16Yeah, no, I'm just right outside.
01:22:21You son of a bitch.
01:22:22You're making me cut my own brother's hand.
01:22:26Now you think you can betray the Miller family?
01:22:29Walk away scot-free?
01:22:31Not a fucking chance.
01:22:34This guy means nothing to the Miller family now.
01:22:37He's worthless.
01:22:39Helpless.
01:22:41You're absolutely nothing now.
01:22:43Let's make him feel the pain
01:22:44that my brother felt.
01:22:46Come on, boys.
01:22:48Stop.
01:23:12Stop hurting him!
01:23:13You stupid bitch.
01:23:16Stop!
01:23:18Stop!
01:23:20Stop at once, you insolent fools!
01:23:50Son, you know how hard it is for me to admit that I made a mistake?
01:24:01But today the two of you have proved me wrong beyond a shadow of a doubt.
01:24:07Tasha, you are the perfect woman for my son.
01:24:14Oh, be together.
01:24:20You approve?
01:24:21You have my blessing.
01:24:25From this day onward, you have nothing more to do with the legal activities of the family.
01:24:33But, you'll always be a miller.
01:24:39You guys will shape.
01:25:03Get off me!
01:25:06Stop!
01:25:07You useless, impotent man-child!
01:25:10The crowd group is bankrupt!
01:25:12I hurt!
01:25:13Getting involved with you is the worst decision I could have made in my life!
01:25:16Get off!
01:25:17This is all your fault!
01:25:18You spent every single thing that we had!
01:25:21Now we have nothing left!
01:25:22No company, no house, no money, not even a dime!
01:25:26And it's all because of you, you greedy cow!
01:25:28Don't you?
01:25:29Don't!
01:25:30Don't you?
01:25:31Don't you?
01:25:32Don't you?
01:25:33Don't you?
01:25:34Don't you?
01:25:35Don't you?
01:25:36Don't you?
01:25:37Don't you?
01:25:38The late Mrs. Miller was a beautiful woman sir.
01:25:40Yes...
01:25:46Back then my wife protected me from every danger that befell our family.
01:25:53And today,
01:25:55My son found the perfect woman that I said I'd do the same for him.
01:26:01He's a lucky man.
01:26:15Wow, you look so beautiful.
01:26:18No, you can't be here right now.
01:26:21Babe, I don't want to rush you, but everybody's waiting to see you.
01:26:25Ken, can you promise me one thing?
01:26:28I can promise you two if you like.
01:26:30I'm serious.
01:26:34I want you to walk away from the family business.
01:26:39There's a city called Ostia.
01:26:41It's on the southwest side of Rome by the ocean.
01:26:45What?
01:26:46You know what I found over there?
01:26:49Found you an art teaching job at a public school.
01:26:53I would do tickets maybe in the morning.
01:26:56You're sending me away?
01:26:58No.
01:26:59I opened my own restaurant.
01:27:01It's just down the street.
01:27:04I'll add one more thing.
01:27:06I enrolled Anna at the school they're going to be teaching at.
01:27:09I think she's going to really love it over there.
01:27:11So you really are walking away?
01:27:16Yeah.
01:27:17Yeah.
01:27:22You got some socks.
01:27:23That's not the most.
01:27:24No?
01:27:25No.
01:27:26No.
01:27:28No.
01:27:29No.
01:27:30No.
01:27:31No.
01:27:32No.
01:27:33No.
01:27:34No.
01:27:35No.
01:27:36No.
01:27:37No.
01:27:38No.
01:27:39Transcription by CastingWords
01:28:09CastingWords
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