everyone-should-see-this-crime-action-movie-their-talent-made-them-a-target-for-the-mafia

Video.4337

#movies #Film #holywood #bollywood #pakistan #India #USA #Dubai #DailyMotyon #Motivation #Inspiration #Success #GoalSetting #PersonalGrowth #SelfImprovement #PositiveVibes #Uplifting #MotivationalQuotes #DailyQuotes #MotivationMonday #TuesdayTips #WednesdayWisdom #ThursdayThoughts #FridayFeeling #SaturdaySpotlight #SundayFunday Welcome to DailyMotyon Movies!  Your daily dose of inspirational and motivational movies to help you achieve your goals and live your best life.  At DailyMotyon Movies, we believe that movies have the power to inspire, motivate, and transform lives. Our mission is to provide you with a curated selection of movies that will motivate and inspire you to take action, pursue your passions, and live a more fulfilling life.  Why Inspirational Movies Matter  Inspirational movies have the power to:  - Motivate and inspire you to take action and pursue your goals - Provide a fresh perspective and new insights on life - Uplift and energize you, helping you to overcome challenges and setbacks - Inspire creativity, innovation, and progress  What to Expect from DailyMotyon Movies  - A curated selection of inspirational and motivational movies from around the world - Movies that cover a wide range of topics, including success, motivation, inspiration, personal growth, and self-improvement - Regular updates with new movies added daily - A supportive community of like-minded individuals who share your passions and interests  Movie Categories  - Motivational Movies: Movies that inspire and motivate you to take action and pursue your goals. - Inspirational Movies: Movies that uplift and energize you, helping you to overcome challenges and setbacks. - Self-Improvement Movies: Movies that provide practical tips and advice on how to improve your life and achieve your goals. - Success Stories: Movies that tell the stories of successful people and how they achieved their goals.  Join the DailyMotyon Movies Community  At DailyMotyon Movies, we're building a community of like-minded individuals who are passionate about inspirational and motivational movies. Join us today and become a part of our supportive and uplifting community.  Follow Us  Stay up-to-date with the latest inspirational and motivational movies by following us on social media:  Facebook: @DailyMotyonMovies Instagram: @DailyMotyonMovies Twitter: @DailyMotyonMovies Pinterest: @DailyMotyonMovies

Transcript

00:00:00Transcription by CastingWords

00:00:30CastingWords

00:01:00CastingWords

00:01:29CastingWords

00:01:59move it come on

00:02:01three up three up

00:02:03come on move it

00:02:05go

00:02:07hurry up

00:02:09come on

00:02:11come on

00:02:13come on

00:02:15hurry up

00:02:17go

00:02:19come on

00:02:21let's move it

00:02:23come on

00:02:25hurry up

00:02:27come on

00:02:29hurry up

00:02:31come on

00:02:33let's go

00:02:35come on move it

00:02:37ah

00:02:39ah

00:02:41ah

00:02:43ah

00:02:45ah

00:02:47ah

00:02:49ah

00:02:51ah

00:02:53ah

00:02:57a

00:02:59ah

00:03:01ah

00:03:03ah

00:03:05ah

00:03:07ah

00:03:09ah

00:03:11ah

00:03:13ah

00:03:15ah

00:03:17Ken, come on.

00:03:26Just let it go.

00:03:30Let's go, let's go.

00:03:47Hey, we made it.

00:04:17Tell me again.

00:04:24I need to hear you say it.

00:04:26Is it all gone?

00:04:28Yep.

00:04:29All 92 American dollars.

00:04:31You sure?

00:04:33We could go back and find a tux.

00:04:37How many pancakes can we get with 92 dollars?

00:04:4292 at least.

00:04:45Alice.

00:04:46Come on.

00:04:46You want to get fat like them?

00:04:48Maybe you can apply for a job here.

00:04:51Oh.

00:04:51We told you about coming in here.

00:04:54Alice, where are we going?

00:05:08Alice, we're in America.

00:05:10The police here don't know anything about what happened to Fujian.

00:05:12Wait.

00:05:17Sir.

00:05:20Sir.

00:05:21Ken, no.

00:05:22Are you throwing us away?

00:05:29Alice.

00:05:30Come on.

00:05:31Eat Alice.

00:05:40It's free.

00:06:11Where do you think dad is now?

00:06:14Alice, cheer up.

00:06:17Soon we'll be swimming in hot tubs and eating strawberry pancakes for breakfast.

00:06:23Before we know it, we'll have the money to bring dad here.

00:06:41Can, it's the market, like at home.

00:06:50All right.

00:06:50Excuse me.

00:07:05Do you think we can set up here?

00:07:08Yeah, sure.

00:07:10Just took it right there.

00:07:12Come on.

00:07:23Bye.

00:07:29There are no more appointments, Mr. Sullivan.

00:07:59Do you need anything else?

00:08:00No, thank you.

00:08:01Do you want me to bring you some lunch before I go?

00:08:03Oh, no, no. That won't be necessary. I only have a few calls to make.

00:08:06Thanks. Such a lovely day.

00:08:10I'll see you on Monday, Mr. Sullivan.

00:08:12Monday. Have a good weekend.

00:08:26Anything?

00:08:29Good.

00:08:29My sister's a real famous painter from Asia.

00:08:44Anyone want to buy her paintings?

00:08:58Want to buy some paintings, sir?

00:09:00Okay.

00:09:02Under the leg.

00:09:04Want to buy my sister's paintings?

00:09:06We're from Asia.

00:09:09Want to buy her paintings, ma'am?

00:09:13Hey, ma'am. Want to buy some paintings?

00:09:14Don't touch me.

00:09:15Ken, what are you doing?

00:09:23Come on.

00:09:27Stop it.

00:09:28I told you I don't want to fight anymore.

00:09:48I told you I don't want to fight anymore.

00:09:48I don't want to fight anymore.

00:09:48I told you I don't want to fight anymore.

00:09:49Run.

00:10:07What?

00:10:08What?

00:10:09Good job.

00:10:35I'm sorry.

00:10:36We're open by appointment only.

00:10:37You're Justice Sullivan.

00:10:39Yes, Marcus Jelani.

00:10:43Mr. Jelani, I am surprised we have never met before.

00:10:49Of course, I've heard a great deal about you.

00:10:51And, of course, your magnificent collection.

00:10:56I hear you're the type of guy who can give me something special.

00:11:00Special.

00:11:02I can help with that.

00:11:03Look at this, Alice.

00:11:14We're filthy rich.

00:11:16Come on.

00:11:28Let's celebrate with strawberry pancakes.

00:11:30Hey!

00:11:31Give me the bag!

00:11:34No!

00:11:35Oh, thank God, Asians!

00:11:39Are you okay?

00:11:40No, get him.

00:11:41Give her first up.

00:11:42Let me take care of him.

00:11:52You just let him go.

00:11:54Come on.

00:11:57Oh, my God.

00:12:27Oh, my God.

00:12:57So much, officers.

00:12:58So you'll be sure to...

00:12:59Come to the station tomorrow morning, first thing, and look at mug shots.

00:13:03Right.

00:13:04Oh, I'll be there with bells on.

00:13:07Oh, my God.

00:13:13Don't worry.

00:13:15They won't be back.

00:13:17You heard me tell them that some kids chased away the thug.

00:13:22Hispanic kids.

00:13:24Go sit down.

00:13:25I'm gonna go get the food.

00:13:26Okay, let's go.

00:13:31Not a chance.

00:13:33If the police find me...

00:13:34No, wait.

00:13:35I'm staying right here.

00:13:36I'm staying right here.

00:13:43Alice, stop worrying.

00:13:47Ta-da!

00:13:49I don't mess around in the kitchen.

00:13:52This is the biggest burger I've seen in my life.

00:13:55It's like a cow died on a plate.

00:13:57Alice, you are in for a treat.

00:14:00Shove over you.

00:14:01Oh, are you a vegetarian?

00:14:07What the heck are you waiting for?

00:14:08Dig in.

00:14:17Wow.

00:14:19This is the best hamburger in America.

00:14:24Huh.

00:14:26You guys were sure hungry.

00:14:29I bet you two came in on that container ship.

00:14:34Am I right?

00:14:35Jeez, you saved my life.

00:14:37You can trust me.

00:14:39Can we help you clean up the dishes?

00:14:50Do you kids have a place to stay?

00:14:55Yes, with some relatives.

00:14:57My ass.

00:14:58But never mind.

00:15:00We probably should go.

00:15:03Thank you so much for dinner.

00:15:04Should I call you a cab?

00:15:07No, we like to walk.

00:15:08Me too.

00:15:09I was on my way home.

00:15:11We'll walk with you.

00:15:12Oh, that would be swell.

00:15:14I guess I'm starting to feel a little...

00:15:18Oh, I don't know.

00:15:19That was really something, wasn't it?

00:15:22The way you two just slammed him.

00:15:27Do you think you could meet me here every night until they catch that guy?

00:15:32Sure.

00:15:33What time?

00:15:344.30.

00:15:353.30 if you want a burger.

00:15:38Oh, great.

00:15:39Come on, it's just down this way.

00:15:41Oh, you have no idea.

00:15:44What happened?

00:15:46I don't know.

00:15:46What happened?

00:17:16Hey, you want to see my sister's painting?

00:17:24Eh, I'm okay.

00:17:25They're good.

00:17:27Wanna buy my sister's painting?

00:17:31Wanna buy my sister's painting?

00:17:32Nah, man, none of that.

00:17:34Woo-hoo!

00:17:59Ken, stop it.

00:18:03We don't need the attention.

00:18:06Anyone?

00:18:07No, thank you.

00:18:08Wanna see my sister's painting?

00:18:10Ah!

00:18:17Ah!

00:18:19Ah!

00:18:21Woo!

00:18:54There you go, man.

00:18:58Thank you so much.

00:19:02Thanks.

00:19:04Thank you so much.

00:19:06Thanks.

00:19:08All right.

00:19:10All right.

00:19:14Thank you so much.

00:19:16Thanks.

00:19:18All right.

00:19:36Good for you, madam.

00:19:38Thank you, young man.

00:19:40Woo.

00:19:42More, everyone.

00:19:44Come on, Alice.

00:19:46Let's give him a show.

00:19:48Come on.

00:19:50Alice, come on.

00:19:52They want to see you do something.

00:19:54Ken, no.

00:19:56Ken.

00:19:58Come on.

00:20:00They want to see you do something.

00:20:02Yeah.

00:20:04That's what I'm talking about.

00:20:08Alice Chung, ladies and gentlemen.

00:20:12Woo.

00:20:14Good job.

00:20:16Thanks.

00:20:18Good job, Alice.

00:20:20I saw her the other day, too.

00:20:22She's awesome.

00:20:24What's her name?

00:20:26Her name is Alice.

00:20:28And she is awesome.

00:20:30Good job.

00:20:32Thanks.

00:20:34More money.

00:20:37More money, please.

00:20:39More money, please.

00:20:41More money, please.

00:20:42Yeah.

00:20:43We're rich.

00:20:44You're so crazy.

00:20:45Do you like the acrobatics?

00:21:02do you like the acrobatics because we can do more i like this this is beautiful did you do this

00:21:20i'm interested in meeting the painter you like my work very much east asian am i right

00:21:32what's happening the usual the police are checking for market permits but sometimes

00:21:40that's just their way of finding illegals but of course you have a market permit right

00:21:45come my gallery's right up the street you're what my art gallery

00:22:02do this all belong to you well these are all my painters people whose work i love and try to sell

00:22:23is this your first time in a gallery i've seen them on tv before

00:22:28our dad has a shop where we sell paintings copies of paintings not like these

00:22:35originals wait a minute do you mind i'd like to see all of them if that's okay

00:22:41oh this one and this one you want to buy them how much

00:22:52four six zero zero ken us dollars really i think that's a little high i think i would try for a

00:23:04thousand maybe a little more you mean one thousand us dollars what is your name alice and this is my

00:23:15brother ken alice i would like to try to sell your work what do you think

00:23:21i i'll take three wait a minute what's this oh no that's just a coffee yes i know

00:23:32cezanne not the same size of course

00:23:35originals you did this in my country people only want european art no one wants originals

00:23:43hmm the light here and here you got it exactly right

00:23:53well from now on only originals come sit my name is justice sullivan i invest in people i think have

00:24:09potential like you alice here's what we can do you loan me those three paintings to hang here in the

00:24:16gallery and in exchange i give you a small fee for the privilege of selling your work now should we get

00:24:22lucky the gallery's commission is fifty percent

00:24:25how much fee um five hundred dollars a deducted of course from the proceeds of the sale

00:24:34whether they sell or not the five hundred is yours to keep

00:24:38what about this oh you can keep that as well alice and ken your last name chung spell that

00:24:51is q i a and g alice what it's in your paintings anyways now you'll be famous well if that's all

00:25:01settled i'll have my secretary draw up a contract tomorrow where can i reach you

00:25:06well we'll figure that out later in the meantime how about joining me for dinner

00:25:15well let's celebrate no it's okay thank you you've done so much for us don't be silly i'll tell you

00:25:23what my house is not very far from here and i have a wonderful housekeeper who cooks for me

00:25:28what would you like steak pasta what about a hamburger we probably can manage that come on

00:25:37wait my paintings of course

00:25:44welcome to my home

00:25:56welcome to my home

00:26:25There are so many.

00:26:36Where did you get all of this?

00:26:38Some I bought.

00:26:39Some more gifts.

00:26:40In one day, I've seen more original painting than in my whole life.

00:26:43I have quite a few I think you would appreciate.

00:26:48Right this way.

00:26:50One of my favorites.

00:26:53This one.

00:26:54Oh, this one.

00:26:55I got it in Paris.

00:26:58That was about five, six years ago.

00:27:00And this one I picked up in Moscow.

00:27:06And here's the TV room.

00:27:11It's like a movie theater.

00:27:14Look at these.

00:27:15Can we watch one?

00:27:17Again, not now.

00:27:19Sure, why not?

00:27:20You can come over and watch movies anytime you want.

00:27:23Now, Alice, here is the piece de resistance.

00:27:34I used to paint myself.

00:27:40I don't much anymore.

00:27:42But this is my favorite part of the house.

00:27:46I admit to having a bit of a love affair with art.

00:27:48I guess I discovered that my talent was more about finding original artists than making original paintings.

00:27:55All this and no one?

00:27:57All this and no one?

00:27:57No.

00:27:58A bit of a waste, really.

00:28:00Sort of like the TV room.

00:28:02Use it whenever you want.

00:28:05Why?

00:28:06Why me?

00:28:07I mean...

00:28:09Why us?

00:28:14Like I said, my talent is for finding artists.

00:28:17Helping to bring new work into the world.

00:28:20When I find someone I believe in.

00:28:23Come on.

00:28:24Let's eat.

00:28:24So, why did you come to the United States?

00:28:40Because I want to be a painter.

00:28:43You don't sound very convinced.

00:28:47Do you have family here?

00:28:48No, it's just us.

00:28:53What?

00:28:53Might as well tell the truth.

00:28:56So, where are you staying?

00:29:00Just as I thought.

00:29:01Let me guess.

00:29:03Maybe a park?

00:29:05You're very lucky, you know.

00:29:07Many people don't even survive the journey.

00:29:09You must have wanted to come here very badly.

00:29:12All right, then.

00:29:14You need a place to stay.

00:29:16And as you see, I have a lot of spare rooms.

00:29:19Can we, Alice?

00:29:20Can we?

00:29:21We appreciate that.

00:29:23But we will be fine.

00:29:25Look, I have been very lucky in my life.

00:29:27And I like to give back when I can.

00:29:29I like to give back when I can.

00:31:17Alice!

00:31:19We're living the dream.

00:31:21Shh.

00:31:22You wake Mr. Sullivan up.

00:31:23Good morning.

00:31:24Strawberry pancakes are on the table.

00:31:27Did you ask for them?

00:31:29I told him they were your favorite.

00:31:30Oh, good.

00:31:32You found the paints already.

00:31:34Sorry, I should have asked.

00:31:36No, I'm glad you feel comfortable.

00:31:37That is what I wanted.

00:31:42Breakfast?

00:31:43You better eat.

00:31:45You need great strength to be a great painter, you know.

00:31:48How can we ever thank you?

00:31:49You can't.

00:31:50If I don't hurry, I will be late for my first appointment at the gallery.

00:32:05You two are absolutely my family.

00:32:08I am-

00:32:26I am-

00:32:28I am-

00:32:31Bravo.

00:33:01Wow, impressive.

00:33:07Where did you learn how to do that?

00:33:09Her grandpa taught me every day after school.

00:33:12Alice, too.

00:33:13But she won't help me out anymore.

00:33:15What do you mean?

00:33:17She's too busy learning how to paint.

00:33:19It's all she thinks about.

00:33:20Maybe you should be learning things, too.

00:33:22You're 16.

00:33:23You're going to have to finish high school sometime.

00:33:25I don't like to study.

00:33:26What do you like?

00:33:28This.

00:33:28But I just can't get it right.

00:33:34You know, I have a friend I would like you to meet.

00:33:38A fellow who happens to own a boxing gym.

00:33:42Really?

00:33:42Mm-hmm.

00:33:43What are you doing tomorrow afternoon?

00:33:45Nothing.

00:33:46We're on.

00:33:48Mr. Sullivan.

00:33:49Yeah?

00:33:50Alice doesn't really like for me to find.

00:33:52I guess we don't have to tell her then, do we?

00:33:58All right, good.

00:34:11Take these gloves.

00:34:11Go, we'll have to attack you.

00:34:15So what do you think?

00:34:17Can you find something to do here?

00:34:20Awesome.

00:34:21Justice.

00:34:22Good to see you.

00:34:23Mm-hmm.

00:34:24Who do we have here?

00:34:25Half of my latest project.

00:34:27His name is Ken Chiang.

00:34:28Ken, this is Lee.

00:34:30New in town.

00:34:31He's got some great moves.

00:34:32See what you think.

00:34:35Hey, uh, Freddy?

00:34:38Let's get this kid some gloves.

00:34:40Come with me, kid.

00:34:40And the other half?

00:34:50His sister, a painter.

00:34:53Asking for trouble.

00:34:55We'll see.

00:34:57Keep the kid busy, will you?

00:34:58I don't want her worrying about it.

00:35:00Sure.

00:35:01Yeah.

00:35:02What about May?

00:35:05No news.

00:35:07So, good news.

00:35:08It's even better, because I believe we may have a new client.

00:35:19Hey, kid.

00:35:21Is that the best you can do?

00:35:24Okay.

00:35:32Bags are one thing, yes.

00:35:34Let's see how he does in the ring.

00:35:35Okay.

00:35:37Hey, not bad.

00:35:38Not bad.

00:35:40You want to try sparring?

00:35:43Sure.

00:35:44Hey, Rob.

00:35:49All right.

00:35:51Take him for a couple rounds.

00:35:52Take him for a couple rounds.

00:35:52Don't worry.

00:36:09Don't hurt you too much, kid.

00:36:11Don't worry, old man.

00:36:12I won't make you look too bad.

00:36:14All right.

00:36:15Say hi to her.

00:36:38Bye.

00:36:39Have you seen him?

00:36:39Oh.

00:36:40Bye.

00:36:40Okay, okay.

00:36:59Ken?

00:37:01Give me a hand here with this guy.

00:37:04Ken?

00:37:05Let's get him out of here.

00:37:06I don't want somebody seeing this.

00:37:08That's not bad.

00:37:10It's not bad at all.

00:37:13Listen, we're having a competition here tomorrow night.

00:37:16You should come.

00:37:18Maybe make a few bucks.

00:37:20Bucks?

00:37:20As in American money?

00:37:22How?

00:37:23I'm in.

00:37:24I like your attitude.

00:37:26Sure, fighters can make a little cash.

00:37:28But of course, it's the winners who make the most.

00:37:34Land of opportunity.

00:37:36I love it!

00:37:40Come on, Marty.

00:37:46Something, anything, because the bosses are all over me on this one.

00:37:49Well, you were right about the paint.

00:37:51There was something funny.

00:37:53We missed it the first time.

00:37:56Now we're talking.

00:37:56So, oil paint.

00:38:00On our hands and on our jeans.

00:38:03Lead-based.

00:38:04That's odd.

00:38:05That's what I thought.

00:38:07Lead was banned in most paints years ago.

00:38:09Well, most, but not all.

00:38:11Meaning?

00:38:12I'm not sure yet, but I have a hunch.

00:38:15Such a great investigator.

00:38:17Got a hunch about a man for me?

00:38:18Thanks for this.

00:38:20Yeah, but please.

00:38:21Good morning.

00:38:47Good morning.

00:38:48How are you?

00:38:49I've never had so much canvas paint time before.

00:38:53If I'm not good now, I can only blame myself.

00:38:57Alice, I have a favor to ask.

00:39:01Yes?

00:39:02Look here.

00:39:07Van Gogh.

00:39:08Yes, the painter who once said he had no technique.

00:39:12I've never seen a real Van Gogh before.

00:39:14Is there one in Seattle?

00:39:16This particular painting disappeared during World War II and hasn't been seen since.

00:39:21But yes, there are a couple at the Seattle Art Museum.

00:39:24Have you never been to a museum?

00:39:26No.

00:39:27Well, we must get you there pronto.

00:39:30Well, I remember that copy that you did.

00:39:33And I know it's not what you want to do.

00:39:35But I was hoping that you would consider copying this for me.

00:39:41Why?

00:39:41It's for a friend.

00:39:44Also an immigrant from Croatia.

00:39:47He's been very ill.

00:39:49Doesn't have much time.

00:39:50Maybe a year.

00:39:51Maybe less.

00:39:52And that is his favorite painting.

00:39:57Oh, I owe him a lot.

00:39:58I know it sounds rather grandiose.

00:40:00But I just want to give it to him.

00:40:03Of course, he'll know that I didn't find it.

00:40:06And we'll have a good laugh other than that.

00:40:10Mm-hmm.

00:40:12Mr. Sullivan.

00:40:13Justice, please.

00:40:15Call me Justice.

00:40:17Justice.

00:40:19Ken and I are so much in your doubt.

00:40:21But I don't think I can get this right.

00:40:25I can't even see the brushstrokes.

00:40:27I have a better version.

00:40:29About the same size as the original.

00:40:32Well, excuse me.

00:40:34Why don't you give him that?

00:40:36I just feel that you can do it better.

00:40:41In my country, when we did copy,

00:40:44we sent our name in the back of the painting.

00:40:47Could I do that?

00:40:48No.

00:40:51I'm really not that good.

00:40:54I don't know how to paint like Van Gogh.

00:40:58I don't want you to paint like Van Gogh.

00:41:02I want you to paint like you are Van Gogh.

00:41:09Could I think about it?

00:41:10Of course.

00:41:12And Alice, whatever you decide, it's okay.

00:41:17Oh, I've been thinking.

00:41:20Eventually, you're going to need some visas.

00:41:22For you, Ken, and your father.

00:41:25We are not going to have him coming over in a container ship.

00:41:27I'll work on it.

00:41:28Have you seen this girl?

00:41:36No.

00:41:38Sir, have you seen this girl?

00:41:39Take a good look.

00:41:42Nothing at all?

00:41:43I'm sorry.

00:41:44Miss, have you seen this girl?

00:41:47Has she ever bought anything from you here?

00:41:49Anything at all?

00:41:50Nothing?

00:41:53How about you, miss?

00:41:54Have you ever seen her around the marketplace?

00:41:56Just trying to ID her, please.

00:41:57What are you doing?

00:42:27What are you doing, Picasso?

00:42:31Leaving.

00:42:32What?

00:42:33You want to run away again?

00:42:35I'm not running away.

00:42:36I'm leaving.

00:42:37There's a difference.

00:42:39And you will be going where?

00:42:42It doesn't matter.

00:42:43We'll be fine wherever we go.

00:42:45We are not leaving.

00:42:47You are leaving.

00:42:48Ken, listen to me.

00:42:50Something is not right.

00:42:52What?

00:42:53I don't know.

00:42:55Is it...

00:42:56Did he...

00:42:58No.

00:43:01Then...

00:43:02He wants me to paint a Van Gogh.

00:43:05So what?

00:43:06You did it at home all the time.

00:43:09It's different here.

00:43:10I just...

00:43:11Don't feel it right.

00:43:13I don't get it.

00:43:14What does it matter if you paint flowers or Picasso?

00:43:18Nothing.

00:43:19You want to run away?

00:43:21Just because you don't feel right?

00:43:23Just trust me.

00:43:26I'm not going anywhere.

00:43:28Ken, you're coming with me.

00:43:30Dad put me in charge of you.

00:43:31Get your things together.

00:43:32Dad is not here.

00:43:35And I'm not leaving.

00:43:37Do you want to go back to the streets?

00:43:39Are you crazy?

00:43:43Alice.

00:43:45This is everything you ever wanted.

00:43:48A place to paint.

00:43:49To be an artist.

00:43:51This is your dream come true.

00:43:53But Ken, it's still just a dream.

00:43:59None of this is ours.

00:44:01But it can be ours.

00:44:03Listen to me.

00:44:04Just listen, Alice.

00:44:06He's giving you, me, the chance of a lifetime.

00:44:09I don't know why he's doing it.

00:44:12And I don't care.

00:44:14I just know he likes us.

00:44:16He's nice to us.

00:44:17And he wants to help.

00:44:19Besides, how else will we ever get that here?

00:44:32So he doesn't want to get into your pants?

00:44:34No.

00:44:35Is he gay?

00:44:37No.

00:44:38Well, then he wants to get into your pants.

00:44:39No, he doesn't.

00:44:41Look, my dear.

00:44:42If he doesn't want to get in your pants, he's gay.

00:44:45And if he isn't gay, he wants to get into your pants.

00:44:49That's the way it's always been since the beginning of time.

00:44:52Men are pigs.

00:44:54No, he's not.

00:44:55Then...

00:44:55He's just nice.

00:44:57Nice.

00:44:58Maybe then he's a eunuch.

00:44:59He doesn't want anything from me.

00:45:01Except that painting.

00:45:03A Van Gogh.

00:45:04Off with his ear.

00:45:05Like the one we saw in the museum.

00:45:07That I had to drag you away from.

00:45:08I've never seen a real one before.

00:45:11Sure, but...

00:45:12It was so alive.

00:45:13The brush strokes.

00:45:15The colors.

00:45:16The mix of colors.

00:45:18And you know what?

00:45:18The branches seem to be breathing.

00:45:22It was a swell branch.

00:45:23Which I agree.

00:45:24If only I could ever be that good.

00:45:27What's wrong?

00:45:29Maybe it would help to train you.

00:45:32He's been so generous.

00:45:34But I don't feel right copying other people's work.

00:45:38Look, every artist in that great big museum had to start somewhere.

00:45:43A lot of them had to paint shit that they didn't like.

00:45:50You have here what we call a patron.

00:45:54Someone who wants to support you.

00:45:56So?

00:45:57So, take what life offers you.

00:45:59Life gives you lemons.

00:46:00Make lemonade.

00:46:02But add a shitload of vodka, it helps.

00:46:04Look, Alice.

00:46:05It could be worse.

00:46:25You alright?

00:46:26Hit him!

00:46:28Watch out.

00:46:29Come on!

00:46:31Get out of here, kid.

00:46:32Are you scaring me now?

00:46:33Yeah!

00:46:34Get him!

00:47:04Well, that's two down.

00:47:32All right, you got the door?

00:47:45Thanks.

00:47:47Yeah, with your agility and your low center of gravity, Ken, you got a chance to be something

00:47:51real special, okay?

00:47:52Take this, huh?

00:47:57You deserve it.

00:47:59See you on Thursday?

00:48:01You mean I get to do it again?

00:48:07Yeah, sure.

00:48:08You bet!

00:48:09Where have you been?

00:48:27Where did you get this from?

00:48:28I found it on the street.

00:48:30It fell from a big tree.

00:48:31I told you money grows on trees.

00:48:33Ken, seriously, tell me, where did you get this from?

00:48:37Well, I'm working for the simit.

00:48:40At the diner.

00:48:41Doing what?

00:48:43Oh, you know, washing dishes, taking orders, cooking food, stuff like that.

00:48:50Cooking food?

00:48:51Sure, sis.

00:48:52This is America.

00:48:54Anybody can do anything they want.

00:48:55And you get this much for one night?

00:48:59Sure, sis.

00:49:01Everybody likes me.

00:49:02I make them laugh.

00:49:03They give me a good tip.

00:49:06And since you haven't sold any paintings yet, I should bring it in the books.

00:49:10Don't you think, Alice?

00:49:12You're sweaty.

00:49:14What?

00:49:15Call us working really hard.

00:49:17Besides, I went to Sullivan's gym today.

00:49:19I mean, Mr. Sullivan.

00:49:22I heard you were at the gym today, Ken, and that everyone was very impressed with you.

00:49:27Have you been fighting?

00:49:28No, no, there's no fighting there.

00:49:29It's just a gym, a couple of punching bags, that sort of thing, huh?

00:49:34We should all get some sleep, because tomorrow I will start a new painting.

00:49:39Not anything titanium.

00:49:49The paint I'm looking for has lead in it.

00:49:51It's becoming more she-she.

00:49:53Organic paint is what I call it.

00:49:55No additives.

00:49:56Kind of like the way the old masters used to do it.

00:49:59It's very expensive.

00:50:00Do you remember anyone buying it?

00:50:02Well, it's not the students for sure.

00:50:04They can't afford it.

00:50:05And who wants lead poisoning?

00:50:07Wait here.

00:50:09I got something back.

00:50:27Why are sizzly colors different?

00:50:31We use genuine historical pigments like the ones used by the old masters.

00:50:35Blah, blah, blah.

00:50:37No modern additives.

00:50:39The character found in each tube of our oil colors is unique, giving the artist new choices

00:50:44of texture, opacity, consistency, tone, and hue.

00:50:50You experience the transparencies of yellow ochre.

00:50:53That's what I want.

00:50:54The coolness of...

00:50:55Huh?

00:50:55I mean...

00:50:57Excuse me?

00:50:59I need that kind of paint.

00:51:01That's what I was looking for.

00:51:03No, please.

00:51:04I'd like to look around somewhere.

00:51:05That young lady knows what she wants.

00:51:08Ah, any particular color?

00:51:09All of them.

00:51:11Young lady?

00:51:12Do you know what these costs?

00:51:13No, but it doesn't matter.

00:51:15I'll take them.

00:51:21Can I ask you a question?

00:51:25Yeah, sure.

00:51:26Do you want to get into my pants?

00:51:30Excuse me?

00:51:31I, uh...

00:51:32No.

00:51:33Are you gay?

00:51:35Uh, no.

00:51:36Then you must be a eunuch.

00:51:46Goodbye.

00:51:52So much for discretion, detective.

00:51:55I did my part perfectly.

00:51:57Never mind.

00:51:58Her.

00:51:59Was she ever in here?

00:52:01Did she ever...

00:52:02Good God.

00:52:03She looks dead.

00:52:04She is.

00:52:05She was.

00:52:06She did.

00:52:08Same thing as a girl that was just here.

00:52:10An Asian thing.

00:52:11If she comes back, you call me.

00:52:30Alice?

00:52:35Mr. Jelani, it's Justice Sullivan.

00:52:48Mr. Jelani, it's Justice Sullivan.

00:53:03Fine.

00:53:05Good news.

00:53:07Yes.

00:53:09The Van Gogh.

00:53:10A couple of weeks, perhaps.

00:53:13Oh, you will not be disappointed.

00:53:19Good.

00:53:22Thanks.

00:53:23Come again.

00:53:25Oh, wow.

00:53:26My favorite Asian painter.

00:53:28This is for you.

00:53:30Huh?

00:53:30Wow.

00:53:31Thank you for the good advice.

00:53:33Really?

00:53:34For me?

00:53:36Huh.

00:53:36Just what I always wanted.

00:53:38What is it?

00:53:40Kidding.

00:53:41Kidding.

00:53:42Oh.

00:53:44It's lovely.

00:53:49We're going to put it right over there with a big sign.

00:53:52Painted by Alice Cheung.

00:53:55Alice, but there's another unit.

00:53:57Huh?

00:53:59The guy that just came in.

00:54:00You are following me.

00:54:03No, I'm not.

00:54:04Kick his lying ass, Asian girl.

00:54:08Stop.

00:54:09Stop.

00:54:10Stop.

00:54:11Okay, please stop.

00:54:13I am following you.

00:54:14I'm interested in an Asian girl.

00:54:16Pervert.

00:54:17No, no, not like that.

00:54:20Let me explain.

00:54:23Are we supposed to believe that this is legitimate?

00:54:27I'm a homicide detective investigating the murder of a female Asian painter.

00:54:42Why are you following me?

00:54:44Because you're a painter.

00:54:45How do you know?

00:54:47Because you run the arts store buying oil paints.

00:54:49He's good.

00:54:51The other girl that was murdered, also a painter.

00:54:53So she was Asian and she painted.

00:54:56What does that have to do with me?

00:54:59Perhaps you're in danger of the same fate.

00:55:01Why don't you come down to the station with me?

00:55:04I'd rather not.

00:55:05And I'd like you to leave now.

00:55:07You heard what she said.

00:55:09Get out of my restaurant.

00:55:10What if you're already in danger and don't know it yet?

00:55:13Well, I guess I'll find out soon.

00:55:17Well, when you do, let me know about it.

00:55:21You may need my help.

00:55:22Why did you call him a eunuch?

00:55:28Well, he isn't gay and he doesn't want to get into my pants.

00:55:32Let me know about it.

00:55:32Let's do this.

00:55:49Let's do it.

00:55:50Impressive.

00:56:18Impressive.

00:56:20You scared me.

00:56:30You're very good at this, you know.

00:56:32Painting?

00:56:34Or copying?

00:56:36Well...

00:56:38I would say both.

00:56:40It teaches me to do this.

00:56:42I'm not as bold in my own work.

00:56:46So when do you think?

00:56:48This?

00:56:50Yes.

00:56:52Three days.

00:56:54Maybe two.

00:56:56Okay, just like before, okay?

00:57:08You got this.

00:57:10Just make sure it's through.

00:57:12Right.

00:57:14I think this kid is the real thing.

00:57:18All right.

00:57:20We do things a little different after hours here, folks.

00:57:22No rounds, no judges.

00:57:24The fight will continue until one man can't stand.

00:57:26And to my right, standing six foot four, 260 pounds from Chicago, the infamous Hannibal.

00:57:32And to my left, standing five foot six, a slight 160 pounds.

00:57:38Ken Jeong.

00:57:39Ken Jeong.

00:57:40Fighters.

00:57:41This is your last chance to place bets, people.

00:57:42One to one odds.

00:57:44Fighters to the center.

00:57:45Let's touch hands.

00:57:46All right.

00:57:47All right.

00:57:48All right.

00:57:49All right.

00:57:50Let's see some blood.

00:57:51Boom.

00:57:52Yeah!

00:57:54So how do you do that?

00:58:07roz.

00:58:10Oh, wow!

00:58:13On three.

00:58:18Oh, my God.

00:58:48Oh, my God.

00:59:18Oh, my God.

00:59:48Oh, my God.

01:00:18He's way too big, way too slow.

01:00:21I see a promising career ahead of you, Ken.

01:00:23Don't tell Alice, though.

01:00:24She's going to know something from the look of you.

01:00:36Where were you?

01:00:38I'm going to sleep in my room.

01:00:39It's late.

01:00:40Don't want to keep you up.

01:00:42Good night.

01:00:42You're not going anywhere.

01:00:44Get in here.

01:00:47You've been fighting.

01:00:49Alice, I swear.

01:00:51You're lying.

01:00:52Working out, not fighting.

01:00:54And you get bruises like this from working out?

01:00:56No.

01:00:56I got this.

01:00:59And this.

01:01:00And this.

01:01:05You aren't the only one who can work, Alice.

01:01:08I have something I can do, and I'm going to do it.

01:01:11But you promised me.

01:01:14I know.

01:01:16But I take it back.

01:01:18It was not a good reason to make a promise.

01:01:21Those guys would have hurt you.

01:01:23If you didn't know how to fight, you wouldn't be here.

01:01:33Alice.

01:01:34This is who we are.

01:01:36This is what we learned from our grandfather.

01:01:40This is what I have.

01:01:42All I have.

01:01:44I'm not smart like you.

01:01:46I don't want to go to college and...

01:01:49I can't talk about art.

01:01:50I want everything to be different here.

01:01:57I see you painting, Alice.

01:02:00Doing what you were born to do.

01:02:03Let me do what I was born to do.

01:02:15So, you aren't working for Elizabeth?

01:02:19Nah.

01:02:20She's my cover.

01:02:20We're by appointment only.

01:02:41I have a 1.30 appointment.

01:02:42Oh, let me check.

01:02:50It doesn't seem to be here.

01:02:52My mistake.

01:02:53I'm sorry.

01:02:55My friend will be most pleased.

01:03:15My friend will be most pleased.

01:03:15My parents.

01:03:26I'm sorry.

01:03:28My goodness.

01:03:28My uncle.

01:03:29My father.

01:03:29My mommy.

01:03:29My son.

01:03:59It's good.

01:04:29It's good.

01:04:59Mr. Johnson.

01:05:29Oh, I wasn't expecting you till later.

01:05:40I'll make you something.

01:05:40Thank you, Mr.

01:05:42Alice, I have some very good news.

01:05:45Here.

01:05:47What is this?

01:05:47This afternoon, we sold one of your paintings.

01:05:51I know you don't have a bank account yet, so I brought you your share in cash, $1,900, minus the gallery's commission.

01:05:58Oh, so that's close to $1,000, Alice.

01:06:05Which painting?

01:06:05Who bought it?

01:06:06The one showing the young Chinese girl playing the flute.

01:06:09All right.

01:06:12Who's the buyer?

01:06:13Do you know their name?

01:06:14Well, it was bought by a nice young woman who was, uh...

01:06:17I want to meet her.

01:06:18Why?

01:06:19Ken, sit down.

01:06:20To thank her.

01:06:21Besides, if somebody have something I made, it means we're connected in some way.

01:06:26Well...

01:06:26Thank you, Mr. Sullivan.

01:06:28Mr. Sullivan Justice.

01:06:29That's very nice, Alice, but...

01:06:30Can I meet her tomorrow?

01:06:31You...

01:06:32That's not how the professional world works.

01:06:34What can I come to?

01:06:35You don't need to thank her.

01:06:37She's been rewarded by your painting.

01:06:39Besides...

01:06:39We can buy her flowers.

01:06:40No, I'm sorry.

01:06:41Justice!

01:06:42Can we please, please meet her?

01:06:44This is the first painting I've ever sold.

01:06:46No!

01:06:52People who buy art value their privacy, Alice.

01:06:56My job is to take care of the client as well as the artist.

01:07:00Please, don't make that difficult for me.

01:07:03I'm sorry.

01:07:04I didn't mean to.

01:07:06Thank you, Mrs. Sullivan.

01:07:07We're very sorry.

01:07:11Excuse me, Mrs. Ryan.

01:07:12I won't be eating after all.

01:07:14I just remembered I have a conference call in a couple of minutes.

01:07:26You're looking at a paid artist.

01:07:35What on earth?

01:07:36I sold my first painting.

01:07:38Oh, that's wonderful.

01:07:41Elizabeth, I'll come back another time.

01:07:47No, Alice, stay right here.

01:07:49I asked him to be here when you came.

01:07:51Why?

01:07:53Because I'm worried about you.

01:07:55Alice, listen to me.

01:07:56That girl who was murdered,

01:07:57I believe she was painting for someone.

01:08:00Someone that was paying her to paint forgeries.

01:08:02So what does that have to do with me?

01:08:04That girl seems she had a patron.

01:08:07They found her bag yesterday about a mile out of port with $18,000 cash.

01:08:13So what?

01:08:13Alice, don't pretend with him.

01:08:15He's okay.

01:08:16He's just trying to help.

01:08:19Everyone here is just trying to help.

01:08:22No, he's a eunuch.

01:08:24What is it with you two and eunuchs?

01:08:26It's our secret code.

01:08:27It means...

01:08:29You're okay.

01:08:34Thanks for coming with me.

01:08:40Did I have a choice?

01:08:42There's a lot of money in art forgeries, Alice,

01:08:44and they need people like you.

01:08:46You mean stupid people?

01:08:48No, talented people.

01:08:49You don't know I'm talented.

01:08:51I do.

01:08:52I saw your paintings at the gallery.

01:08:54I know.

01:08:55You saw my paintings?

01:08:57Yes.

01:08:58It was a babbling brook,

01:09:00a field of flowers,

01:09:02and the third one was, what?

01:09:04A young Asian girl playing the flute

01:09:07and very colorful.

01:09:10What?

01:09:12Nothing.

01:09:13Has he asked you to copy someone else's work?

01:09:16He knows many Asian painters are skilled at copying.

01:09:20Have you ever copied a famous painting, Alice?

01:09:22Yes, at my father's shop.

01:09:25I thought so.

01:09:26I need to go now.

01:09:28Wake up, Alice.

01:09:29Just because you're innocent doesn't mean everyone is.

01:09:31These are dangerous people who'll do anything for money.

01:09:34I think you're just out to get us.

01:09:36Finally, something good happened to me and my brother,

01:09:38and you're trying to ruin it.

01:09:40You don't know how hard it is

01:09:42and how hungry we are.

01:09:44That's what they're counting on.

01:09:46Your hunger to make it

01:09:47and your belief that you deserve this.

01:09:49But...

01:09:50But don't I?

01:09:53You really believe that's how it works?

01:09:55It's America.

01:09:57Anyone can make it.

01:09:59Bullshit.

01:10:00It's not real, Alice,

01:10:02and I think you know that.

01:10:03I know you're illegal.

01:10:05I could bring you in for that right now,

01:10:07but I need you to help me get Sullivan

01:10:09because that other girl,

01:10:10she didn't deserve to die.

01:10:12And besides, it could have been you.

01:10:20Instead, they propose using the ratio of employed people

01:10:23to the total population as a more meaningful metric.

01:10:27Today, in news from the art world,

01:10:29a noted antiquities and oil painting expert

01:10:31was arrested and charged with criminal fraud.

01:10:34The expert, Brad Johnson of Seattle,

01:10:36is accused of falsely authenticating scores

01:10:39of paintings and sculptures.

01:10:40One of the counterfeited paintings

01:10:42currently hangs in London's Tate Museum.

01:10:45Another was discovered at the...

01:10:47Get everyone.

01:10:51Everyone?

01:10:52Everyone!

01:10:53Yes, sir.

01:10:53Can I have some?

01:11:14Hey!

01:11:14Oh, fine.

01:11:22Oh, fine.

01:11:52And the shit has hit the fans.

01:12:02I'll get it.

01:12:22Shh, shh, shh.

01:12:32Justice Sullivan, where is he?

01:12:52What do you think you're doing? I don't understand.

01:13:06Let's talk about this. Let's sit down and talk about this.

01:13:10How can I help you now? What seems to be the problem?

01:13:14You neglected to tell me something about the painting

01:13:16I paid you $22 million for like it isn't real.

01:13:19If it is not, I was fooled as well.

01:13:22Who painted it? Him?

01:13:25I don't like being cheated.

01:13:27More than that, I don't like being played for a fool.

01:13:29I want my money now!

01:13:31It is not here.

01:13:38421. Shots fired at my location.

01:13:40Send backup, I'm going in.

01:13:44Where's my money? Where's my fucking money?

01:13:46Kill the kid, kill the kid!

01:13:48Kill the kid!

01:13:52Ah!

01:13:53Ah!

01:13:55Ah!

01:14:03Ah!

01:14:05Ah!

01:14:06Ah!

01:14:07Ah!

01:14:08Ah!

01:14:09Oh

01:14:39Alice, he lied to us.

01:14:59Alice, I didn't.

01:15:04It wasn't real, was it?

01:15:07Alice, please.

01:15:09Help me.

01:15:11Ken.

01:15:13Let's go.

01:15:20Alice.

01:15:22Alice!

01:15:24Alice.

01:15:25Alice.

01:15:26Alice.

01:15:27Alice.

01:15:28Alice.

01:15:29Alice.

01:15:30Alice.

01:15:31Alice.

01:15:32Alice.

01:15:33Alice.

01:15:34Alice.

01:15:35Alice.

01:15:36Alice.

01:15:37Alice.

01:15:38Alice.

01:15:39Alice.

01:15:40Alice.

01:15:41Alice.

01:15:42Alice.

01:15:43Alice.

01:15:44Alice.

01:15:45Alice.

01:15:46Alice.

01:15:47Alice.

01:15:48Oh

01:16:18Get going that if they find you here you'll be deported go to the restaurant now

01:16:48Oh

01:17:05Well here he is mr. Nick Thompson himself

01:17:11Well, Nick Alice you better come on over here

01:17:18Are you here to arrest me? Well, I don't see what good that would do. You didn't know what Sullivan planned to do with your painting. Did you Alice I?

01:17:27Might have I don't know Alice

01:17:32He told me not to sign my name in the back of the painting, but you did sign so that means you're innocent well

01:17:40Here's what I'm thinking

01:17:42Not sure I'm right about this or not

01:17:44You tell me because I believe you kids were in on this thing the entire time what?

01:17:50You were working with me starting from a few days after you arrived. I've got Elizabeth to back me up on that

01:17:57The night she was robbed

01:17:59We met that night and you two went undercover for the city of Seattle Police Department. Isn't that right?

01:18:05Oh, I was right here when it happened in fact, I made a point of noting it the first time you were here in the restaurant, Alice

01:18:14It was good thinking Elizabeth

01:18:16What now Alice did Sullivan say anything about sponsoring you and can yes

01:18:22well I

01:18:24Just so happened to be the first one to go through all of his mail

01:18:29but I

01:18:31I don't think these belong to him. I think they belong to you

01:18:37You saved her life

01:18:39You even saved my life that night. This is the least the United States of America can do for you

01:18:48Welcome to America

01:18:50In the meantime, you two can go on staying with me. It's going great so far and besides I don't have children of my own and someday

01:19:05Someone's gonna have to run this place

01:19:07Excuse me. Who can we talk to about these paintings?

01:19:19We love this one

01:19:21That's my favorite. Thank you

01:19:23Thank you

01:19:25What was your inspiration?

01:19:27I'm looking at the guy that tried to grab my purse

01:19:40Hey, Mushu's looking at the guy that tried to grab my purse.

01:19:55Get him.

01:20:10Get him.

01:20:40Get him.

01:21:10Get him.

01:21:40Get him.

01:22:10Get him.

01:22:40Get him.

01:23:10Get him.

01:23:40Get him.

01:24:10Get him.

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