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Drama Verse
  • 2 days ago
Shelter In The Mafia
Transcript
00:00:00Hey, what are you doing with my stuff? How'd you get in here?
00:00:11I gave him the keys.
00:00:12Carl?
00:00:13I mean, what are you doing here so late? And what's that guy doing with my stuff?
00:00:17Tasha, Tasha, Misha, you're always asking the wrong question.
00:00:23What the hell is going on?
00:00:26Do you really think you're that sick, Tasha?
00:00:30Your husband and I decided that you're no longer needed here anymore.
00:00:33Reyna's going to take over your role at the company.
00:00:36She's already proven she can do everything you can, but better.
00:00:40I'll have a letter of termination and divorce paper sent over to your new address,
00:00:44wherever that ends up being.
00:00:45What should I do with this, boss?
00:00:47Give me that new plebe. I know exactly what to do with it.
00:00:54Is that clear enough for you, Tasha?
00:00:56Your company and your husband both belong to me now.
00:01:04No, you can't just fire me. I'm a shareholder at this company.
00:01:08Are you still a shareholder at this company, are you?
00:01:11You know, actually, your debt is mortgaged with your shares, so you actually owe this company about 200 million.
00:01:17I never took out any loans that large.
00:01:20Oh, Tasha, you were always so gallible.
00:01:23A word of advice for the future?
00:01:25Don't give the keys to the kingdom to your assistance, no matter how trustworthy your feeble brain think they might be.
00:01:33Security! Security! We have a vagrant in the lobby and she might become hostile.
00:01:39Stop, stop acting. I'll just leave on my own.
00:01:48Look, there's no glamour. There's no glory. It's just blood, guts, fear, and misery.
00:01:56Come on, man. You think I'm some kind of moron that doesn't know anything?
00:02:00I know that the type of money you make in just a few days, I can't make that in 10 years working as a stick.
00:02:06But at least you're guaranteed to be alive in 10 years. In my world, you're not guaranteed to be alive in 10 days, let alone 10 minutes sometimes.
00:02:13Yo, yo, man. Stop lecturing me. Are you gonna give me the gun or not?
00:02:20I'm sorry, but no. I'm not gonna let you get killed.
00:02:24Man, what the fuck you got me here for then?
00:02:28Shit.
00:02:43Oh, I guess you didn't hear. The repo guy. He came and towed your car away. Oh, said it was, like, collateral for a loan.
00:02:55Of course, I made the call and arranged everything. My pleasure.
00:03:01You're despicable trash.
00:03:03You know, I was gonna give you a ride, you know, seeming that we were married for so long, but walking the streets at night kind of suits you. So, enjoy.
00:03:16Go to hell.
00:03:33Miss?
00:03:51Just go away, alright? I don't need your cheap sympathy right now.
00:03:55Miss, your friend's gone. I just want to offer my cab services.
00:03:59Yeah, I'm sorry. A cab is just what I need right now.
00:04:08Alright, great. Come on board.
00:04:29Sorry, I... I don't have any cash right now. Um...
00:04:35Give me a minute. I'll go grab some from inside.
00:04:38Here.
00:04:39Just proof I'm not trying to skip out on the fare.
00:04:42You have some nerve coming back here.
00:04:54I never wanted my son to marry you in the first place.
00:04:57And now that he's finally come to his senses and kicked you to the curb,
00:05:01you think that you can just waltz right back into his house?
00:05:05His house. My father left me this house.
00:05:11And I know you're senile, but I'm sure you remember when you practically begged me to let you and Carl live here.
00:05:18I always knew you were a nasty little hussy.
00:05:27Who the hell are you?
00:05:28This is a personal matter, so you should really mind your own business and stay outside.
00:05:33Actually, this is my boyfriend.
00:05:37So if it's a personal matter for me, it's a personal matter for him.
00:05:41Okay.
00:05:43What?
00:05:44You think your son's the only one capable of having secrets?
00:06:01Hey, thanks again for today.
00:06:04I know that's a weird position to put you in.
00:06:08It's alright.
00:06:09It is really nice to know that there are still good people out there that would help a total stranger.
00:06:18Have a good night.
00:06:19Alright, you too.
00:06:39Where's my necklace?
00:06:50Where's my necklace?
00:07:05Here. Just proof I'm not trying to keep out on the fare.
00:07:20There's a fancy broad like you find yourself in a place like this.
00:07:40Who the hell are you? Get out now!
00:07:43All I'm trying to do is introduce myself and you're treating me like some dog shit you found stuck to your shoes.
00:07:50I'm calling the police!
00:07:55How about I give you a better idea?
00:08:06You and I are going to have some good old fashioned fun tonight.
00:08:10If I ever see you around here again you're dead! Get out of here!
00:08:23Hey.
00:08:25I'm so glad you're here.
00:08:31Where did you get this necklace?
00:08:34My father gave that to me.
00:08:40You better not be lying to me.
00:08:42I'm not lying.
00:08:46He made that with his own hands.
00:08:48How do I name on the back?
00:08:53It's really you?
00:08:54It's really you.
00:09:05Hey.
00:09:08How are you feeling?
00:09:12How did... how did you...
00:09:15You left your bag in my car.
00:09:16How did you know where to find me?
00:09:21I have my ways.
00:09:25Hey listen.
00:09:26I know it's none of my business.
00:09:28But it's not safe for you here.
00:09:30Everything that's happened in the last 24 hours.
00:09:32This is...
00:09:34All I can afford.
00:09:38Listen, I have an extra room at my place.
00:09:39Maybe...
00:09:41You can just come stay with me.
00:10:03Welcome home.
00:10:10I really feel like my luck is starting to change.
00:10:13I mean, you've literally rescued me over and over today.
00:10:18I know what it's like.
00:10:19I've been rescued before.
00:10:21Um, I'm sorry.
00:10:23I...
00:10:24I don't think I can make rent right away.
00:10:26But, um...
00:10:28You can tell this ring and then...
00:10:30It should cover me for a few months.
00:10:32At least until I'm back on my feet.
00:10:34I thought he was a really rich guy.
00:10:37Why did he introduce us a small diamond?
00:10:40It's not a very good cut either.
00:10:43Okay.
00:10:45Never mind.
00:10:46I...
00:10:47Can just...
00:10:48No, it's fine.
00:10:49I'm just saying.
00:10:51You deserve a better ring than this.
00:11:09No, babe.
00:11:20Stop.
00:11:21It's late.
00:11:22Okay?
00:11:24You're still thinking about her.
00:11:26Who?
00:11:27Tasha?
00:11:29Are you kidding me?
00:11:30You're wearing the wedding ring.
00:11:31Did you forget what she and her father did to you?
00:11:33I will never forget what she and her father did to me.
00:11:37But that has nothing to do with you.
00:11:40So why don't you stop mouthing off about shit you know nothing about and let me handle my own affairs.
00:12:00Mary?
00:12:01What?
00:12:02Hey, what's going on?
00:12:03My daughter's missing.
00:12:04What?
00:12:05Hey, what's going on?
00:12:06My daughter's missing.
00:12:07What?
00:12:08What?
00:12:09Hey, what's going on?
00:12:10My daughter's missing.
00:12:11What?
00:12:12Hey, what's going on?
00:12:13My daughter's missing.
00:12:14What?
00:12:15Tasha, you're sitting a barged in like this.
00:12:22Tasha, you didn't have just barged in like this or whatever.
00:12:25I was leaving right now.
00:12:26I'm not gonna lose my heart.
00:12:27I don't miss this.
00:12:28I don't know what she's doing.
00:12:29Hey, what's going on?
00:12:30My daughter is missing.
00:12:31What?
00:12:32Tasha, you never barged in like that.
00:12:33I'm not sure.
00:12:35Me please.
00:12:38I'm not.
00:12:39I'm not good enough.
00:12:40Yeah, I don't know.
00:12:42All right.
00:12:43I'm sorry.
00:12:44You shouldn't have barged in like this.
00:12:45If Carl finds out-
00:12:46No, I don't care about Carl right now, okay?
00:12:49Where's my daughter?
00:12:50Where's Anna?
00:12:51I sent her away.
00:12:56You have no right.
00:12:58Actually, as Carl's new wife and Anna's legal guardian,
00:13:02I have all the right to do whatever I want
00:13:05with my stepdaughter.
00:13:09What?
00:13:09We never settled custody,
00:13:13so just skip the theatrics and tell me where my daughter is.
00:13:18You think you're getting custody?
00:13:19Oh, I'm so sorry.
00:13:23On one hand, we have a mother drowning in death
00:13:26with no place to live.
00:13:30On the other hand, we have a wealthy and well-respected father
00:13:35who happens to be the CEO of the world-renowned Probe.
00:13:39Who do you think the court is inside me?
00:13:49Oh, what's going on?
00:13:51Oh, Carl!
00:13:53Carl, it's okay.
00:13:54Tasha was understandably upset about the situation.
00:13:56You know, I don't blame her for what happened.
00:13:59You trespass on my property?
00:14:01Assault my wife in her own home?
00:14:04Tasha, I have put up with your outrageous behavior for years,
00:14:06but don't you dare subject Raina to that kind of abuse.
00:14:09You don't understand.
00:14:10Raina sent Anna away.
00:14:12She did what any good mother would.
00:14:14I want to know where my daughter is right now.
00:14:17New Zealand.
00:14:18Getting medical care from one of the best cardiology departments in the world.
00:14:23And remind me, what have you done for your daughter lately, hmm?
00:14:27Abandon her?
00:14:28To go shack up with some cab driver boyfriend?
00:14:31You idiot!
00:14:32I found this cardiologist amazing.
00:14:34Scheduling my appointments was the last thing I had Raina do when she would fill my assistance-
00:14:39Tasha, Tasha, you disgust me.
00:14:41Trying to take credit for this wonderful woman's kind gesture to your own sick daughter.
00:14:46I'm gonna make sure Anna stays far, far away from you so there's no possibility of her ever becoming anything like you.
00:14:59You backstabbing, homewrecking bitch.
00:15:06I advise you stay far away from my daughter and I.
00:15:11By the way, the deed still lists me as a rightful owner to this house.
00:15:18So the two of you have no right to keep me from coming back here.
00:15:22Do you understand?
00:15:23Okay.
00:15:24You can forge my signature.
00:15:26You can take my money.
00:15:27Take my house.
00:15:28But you will never have a shred of the intelligence that I have.
00:15:32So you have made your point.
00:15:34I think it would be-
00:15:36You deserve that too!
00:15:38You should have told me about Anna a long time ago.
00:15:44Oh, don't stop at my account.
00:15:47Please.
00:15:48Continue.
00:15:49Miss Big Shot.
00:15:51Don't you forget that you still owe 200 million dollars.
00:15:55And 20 millions of that is owned to me, personally.
00:15:58In fact, I'm going to call my lawyer and see to it that if you don't pay right away, you're never going to see your daughter ever again.
00:16:05And you'll end up in debtor's prison.
00:16:09Check it out.
00:16:13Go ahead and check it out.
00:16:14But after your accountant, make sure this is all legit.
00:16:16I don't want you two jackasses counting my girl for money ever again.
00:16:19Got it?
00:16:25Oh!
00:16:27By the way, we're going to go ahead and take Anna in the future too.
00:16:31Don't worry, Carl.
00:16:32I'll be a better father to her than you ever can be.
00:16:35Tasha.
00:16:37You'll regret this.
00:16:38Thanks again, Kerr.
00:16:44Today.
00:16:46For pretending to be my boyfriend.
00:16:51Mhm.
00:16:54Was all that money real?
00:16:56As real as it comes.
00:16:58Where'd you get all that money?
00:17:00I robbed a couple jewelry stores before I came to find you.
00:17:04Are you serious?
00:17:06No, I'm just joking.
00:17:08It was my dad.
00:17:10Don't worry, it wasn't stolen or robbed or anything.
00:17:13But hey, listen.
00:17:14From now on, I want you to think of me as your creditor.
00:17:17Okay?
00:17:18I don't want you to worry about owing money to those scumbags.
00:17:21From now on, you'll just...
00:17:22You owe money to me.
00:17:24As long as you're okay with that?
00:17:26I could be okay with it.
00:17:28As long as you can satisfy one small request.
00:17:33What kind of request?
00:17:38My only request is that you just relax.
00:17:46Okay?
00:17:48Take a load off.
00:17:50Why don't you start by telling me a story, you know, about the last time it was when you were happy.
00:17:54You know, I just...
00:18:09I never in a million years could imagine that Carl would betray me like this.
00:18:13I have nothing.
00:18:14Well...
00:18:15I mean...
00:18:16You always have me.
00:18:17And...
00:18:18I can't hear you.
00:18:19You're whispering.
00:18:20You're whispering.
00:18:29I can't hear you.
00:18:30You're whispering.
00:18:32I can't hear you.
00:18:33You're whispering.
00:18:46Oh, Carl.
00:19:13You know, Tasha's probably screwing around with that new boyfriend of hers.
00:19:18That bitch.
00:19:20Honey, you know, you promised to put me in touch with the curator at the Fitz Gallery.
00:19:25I'm telling you, forget about the Fitz Gallery, okay?
00:19:28The people who are running it are crooks.
00:19:30But I want my paintings to be showcased in the most prestigious venue possible.
00:19:35I know, I know.
00:19:37And I said I would help you find other galleries, remember?
00:19:41Just stop nagging me about it, okay?
00:19:48You're a little angel.
00:19:50You're a little baby.
00:20:11Well, it's certainly going to make things more complicated.
00:20:23So you want to pretend last night never happened?
00:20:30I thought we had a good thing going on between us.
00:20:33I mean, you've been going around the last couple of days telling everybody I was your boyfriend.
00:20:36Yeah, but that was just something I said to make my husband jealous.
00:20:43You mean your ex-husband?
00:20:45Yeah, ex.
00:20:48Yeah.
00:20:50But I mean, you and I, you know I can't start a new relationship right now.
00:20:58So everything you said last night?
00:21:02We were just caught up in the heat of the moment.
00:21:04Heat of the moment.
00:21:07So it was all just bullshit.
00:21:09Why?
00:21:10To get me into bed with you?
00:21:12Just to have a one-night stand?
00:21:16Because you miss being with your damn husband?
00:21:18So everything you said last night?
00:21:37Get older yourself.
00:21:41You just got divorced.
00:21:42You're not going to play bond games with men anymore.
00:21:48Hey.
00:21:51I wasn't sure what you liked, so I just made a little bit of everything.
00:21:57You made all this?
00:21:59Yeah.
00:21:59So what do you think?
00:22:10It's delicious.
00:22:16I mean, you deserve to have some of your awesome breakfast, too.
00:22:20You're not going to be able to sit here and eat this alone, are you?
00:22:29You've got some sauce right here.
00:22:38All that for some sauce, huh?
00:22:40Are you kidding me?
00:22:41Hello?
00:22:48Mommy, I miss you so much.
00:22:51Anna.
00:22:51Mommy, I miss you so much.
00:22:53Anna, honey, what's going on?
00:22:55Anna?
00:22:59Okay.
00:23:00Both of your resumes look excellent.
00:23:03I have a question.
00:23:04If you spilled a glass of milk in the ocean, how would you get it back?
00:23:11What does that question have to do with our work?
00:23:15Well, I suppose you could contain the section of the ocean with the spilled milk,
00:23:23and then collect that sample at a centrifugal force,
00:23:27and there's probably a good chance of separation.
00:23:29So at our company, we are always trying to make the impossible possible.
00:23:36And for that, we need people who can think on their feet,
00:23:40derive solutions,
00:23:42no matter how outlandish the task at hand they seem.
00:23:51Hello?
00:23:56Uh-huh.
00:23:59Okay.
00:23:59Congratulations, Ms. Michaels.
00:24:09Welcome to the Eastwood Corporation.
00:24:22If you don't mind me asking,
00:24:24why didn't I get the job?
00:24:28This is Robert.
00:24:29Maybe you should focus on fixing your own family problems first,
00:24:35before you start to look for work again.
00:24:39We don't want to make enemies with the Crow Group.
00:24:42So I guess you didn't get it.
00:24:55I just don't understand why Carl hates me so much.
00:25:00I mean, he doesn't want me to work for his company, but he doesn't want me to work for any other company either.
00:25:05Look, you don't want me to work for him.
00:25:06Look, you don't need that corporate job anyways.
00:25:09Yeah?
00:25:10What else can I do?
00:25:11I mean, I thought you were an artist, now a painter.
00:25:15How did you know about that?
00:25:16How did you know about that?
00:25:17How did you know about that?
00:25:18You brought an easel.
00:25:19It's just a hobby.
00:25:24I gave it up.
00:25:26I don't paint anymore.
00:25:28Okay, well, if you don't love to paint anymore, then why bring an easel with you?
00:25:36I haven't painted in years.
00:25:37I'm sure it'll be just like riding a bike.
00:25:38Once you start, it'll all come back to you.
00:25:43That's my account!
00:25:44Why are they assigning it to someone else?
00:25:45Fine, fine!
00:25:46Just get me some damn answers and give me a call back soon, okay?
00:25:59Carl, this took me three months!
00:26:04I'm sorry, I just got some bad news at work.
00:26:09It's ruined now.
00:26:10Fine.
00:26:11Start over.
00:26:12You know, it kills me to see you squander your intelligence and talent on these useless paintings.
00:26:21You're a remarkable woman, Tasha.
00:26:24Okay?
00:26:25And if the charlatan snobs in the art world can't see that, then screw them, okay?
00:26:30If you put your focus elsewhere, we could be rich enough to buy ten art galleries.
00:26:36And then you could put whatever paintings you want in them, right?
00:26:39Painting's my passion.
00:26:43What if we put painting on the side, just for a little while, and you could come join me at the company?
00:26:51If it was together, we'd be unstoppable.
00:26:57And right now, I am drowning.
00:27:00Your dad and his partners have no faith in me.
00:27:04I need you.
00:27:05Look.
00:27:06You love me.
00:27:07Don't you?
00:27:08Of course I do.
00:27:09Okay.
00:27:10Do this one thing for me.
00:27:11This one little thing.
00:27:12Please.
00:27:13Fly away with me.
00:27:33Take you high, you're soaring.
00:27:36Take you high, your story
00:27:40To the smile, my own dream
00:27:45To bring out you to the dream
00:27:51Finished!
00:27:53Yeah.
00:27:53That is amazing.
00:28:02I honestly never thought I'd paint again.
00:28:05Well, that would have been a shame.
00:28:07You're easily one of the most talented artists I've ever met.
00:28:28We're honored that you chose our gallery to showcase your work.
00:28:31I am curious about one thing, if you don't mind me asking.
00:28:35The subject in your paintings, your muse, is he your lover?
00:28:40Oh, no, uh, he's just a friend of mine.
00:28:47But his gaze, the way he looks out to you in these paintings,
00:28:51there's so much tenderness and affection in his eyes.
00:28:55Is Ken really in love with me?
00:29:02He's so young, though.
00:29:04At his age, he probably doesn't even know what love is.
00:29:08Oh, uh, sorry, you're in the way.
00:29:12Actually, you're in my way.
00:29:16Actually, you're in my way.
00:29:18I'm trying to get into my home.
00:29:21Is this your new girlfriend?
00:29:24I've never seen you with anyone like this before.
00:29:27Ken's my roommate.
00:29:28Now, if you'll please step aside so I can get in.
00:29:35Call me again if you need anything.
00:29:37Okay?
00:29:38Bye.
00:29:38Hey, what are you doing home so early?
00:29:43Are they going to showcase your work?
00:29:46Sorry if I interrupted something,
00:29:48but as your roommate,
00:29:49I don't really think I need to tell you
00:29:50if I'm coming or going.
00:29:51So, if you have something private to do,
00:29:53just do it in your room.
00:29:54I never said you need to tell me
00:29:55when you're coming or going.
00:29:56I'm just saying.
00:29:57Fine, you don't need to explain.
00:29:58Just, I just want to be alone.
00:30:06What?
00:30:08I'm so sorry, sir.
00:30:12She just barged in without permission.
00:30:14Okay.
00:30:16Miss Roberts, please.
00:30:17Grab a seat.
00:30:19We signed a contract.
00:30:20Why can't you show my paintings now?
00:30:23I'm afraid I don't have the answers you're looking for.
00:30:25You want to know what happened?
00:30:26Ask Carl Crow.
00:30:30I want my paintings back.
00:30:33Right now.
00:30:35Well,
00:30:36they're probably somewhere in the warehouse.
00:30:38They haven't been thrown away yet.
00:30:39You've already searched the entire warehouse ten times.
00:31:07If you haven't found what you're looking for,
00:31:08it's not here.
00:31:09You better hope I find what I'm looking for
00:31:11or I'm going to make this entire gallery compensate me
00:31:14and then I'm going to sue you
00:31:15and you'll be the first to lose your job.
00:31:18Yeah, that's great, lady.
00:31:19Go ahead and sue.
00:31:20I'm sure things will go exactly the way you described it.
00:31:23Bye-bye.
00:31:41Bye-bye.
00:31:44Bye-bye.
00:31:47You really care about her?
00:32:12Shh, keep your voice down.
00:32:14She's had a long day.
00:32:15Oh, so you can't just come over here so casually in the future.
00:32:20Casually?
00:32:21Are you kicking me out?
00:32:23You didn't mind my coming over so casually when you had me digging through your body for bullets.
00:32:28You men are cold as hell.
00:32:30I think my lucky star is on the last band.
00:32:32Look, I just can't have her finding out about the work that we do, okay?
00:32:36Are you serious about her?
00:32:39Yeah.
00:32:40Have you thought about the consequences if your dad finds out?
00:32:43Look, now, you and I have been best friends for over 20 years, okay?
00:32:49And my dad has taught me everything that I know.
00:32:53I think maybe it's time I just figure things out on my own.
00:32:56And you know exactly what I went through last time.
00:33:00I'm not going to lose her again.
00:33:05Don't worry, Anna.
00:33:07Mommy's going to find a way to bring you home soon.
00:33:08All the evidence is here.
00:33:18It's exactly what you thought.
00:33:21Let me know if you want me to find out more.
00:33:22Carl, let's meet.
00:33:39Oh, wow.
00:33:49It's not every day a famous painter comes to visit.
00:33:54To what do I owe the pleasure?
00:33:56The company I supposedly borrowed money from.
00:34:01It's a shell company owned by you.
00:34:04So what?
00:34:07All our operations are legal.
00:34:09You signed the documents.
00:34:10You borrowed the money.
00:34:12All you can do now is pay it back.
00:34:17You know, I don't think you actually want me to pay back the loans.
00:34:23You were just looking for an excuse to have me back in your life.
00:34:29You're obsessed with me.
00:34:32This is just your sick way to dominate me and make me surrender to you.
00:34:36I'm just getting even.
00:34:38For the years I spent in your father's shadow.
00:34:41The years of belittlement.
00:34:43And him treating me like a clown.
00:34:45My father hired you when no one else would.
00:34:51Not my fault, but your insecure petty took his support of belittling.
00:34:58I wouldn't upset me if I were you.
00:35:02Remember, I'm your creditor now.
00:35:05Two months.
00:35:07That's all I can give you to pay me back the remainder.
00:35:09$180 million.
00:35:10What are you doing here?
00:35:22I was just in the neighborhood.
00:35:24Thought I'd give you a ride home.
00:35:28Hi.
00:35:29Um, hey.
00:35:31Who is this?
00:35:35Uh, this is Ken's roommate.
00:35:38We're going to be dropping them off before we head home.
00:35:40Yeah, hey, listen.
00:35:43I didn't introduce you last time, but this is my best friend, Nell, and her girlfriend,
00:35:46Maria.
00:35:52Nell and I have been nothing more than friends since we were kids.
00:35:55She's not into men, and she never has been, and her and I are nothing more than just platonic
00:36:00friends.
00:36:01Alright?
00:36:03I'm sorry.
00:36:04I jumped to conclusions the other day.
00:36:07It's okay.
00:36:07I just didn't want you to get the wrong idea.
00:36:14Look, I...
00:36:15I appreciate it.
00:36:17I really do.
00:36:18I just...
00:36:19I still think you and I are better off just as friends.
00:36:25Just friends.
00:36:26Why?
00:36:32Why?
00:36:35Maybe because I'm just getting over a failed marriage.
00:36:40Because I owe an unthinkable amount of money and I have no idea how I'm going to pay it
00:36:45back.
00:36:45I also have no idea how I'm going to get my daughter back.
00:36:52And getting into a relationship with you?
00:36:55That's just something I can't do right now.
00:36:58Liv has brought me nothing but pain, okay?
00:37:00So just please, just leave it.
00:37:02Do you have any other painting?
00:37:25Yeah, I have several.
00:37:35What are you looking for?
00:37:38I would like to buy them all.
00:37:40I love your painting style.
00:37:42It is so unique.
00:37:43I own a large gallery and I would like to establish a long-term collaboration with you.
00:37:47Thank you for your kind words about my paintings, but I've been in some trouble lately and it's
00:37:56probably best if I don't involve your gallery.
00:38:02No, it doesn't matter to me.
00:38:05If someone wishes to cause me trouble, well, just let me try.
00:38:08I mean, it has to be a mistake or a prank or a cruel practical joke.
00:38:24I mean, it seems pretty authentic to me.
00:38:27It has their seal and your name and address are like clearly written on it, so...
00:38:33It looks authentic.
00:38:36But how would they have seen my paintings?
00:38:41I don't know, maybe one of those auction sites that you've been posting your work on?
00:38:45I mean, you're incredibly talented, so anybody who's seen your work would automatically recognize
00:38:50it.
00:38:56I own a large gallery and I would love to establish a long-term collaboration.
00:39:01It's him.
00:39:03It's him.
00:39:04The guy who's been on my paintings.
00:39:06He must be the owner of the Fitts Gallery.
00:39:08Well, in that case, we better get going.
00:39:11Where?
00:39:12Gotta go get you a dress.
00:39:14Can't have you showing up to the Fitts Gala and brag.
00:39:21Babe, which one do you like more?
00:39:23This one or this one?
00:39:25Um, I need to be the hottest girl at the Fitts Gala.
00:39:28Everything just looks so good on you, honey.
00:39:34So just pick whichever one you want.
00:39:37I gotta take a call, okay?
00:39:39Wrap this up, you twitch.
00:39:41I'll take them both.
00:39:42I need to buy dresses like this all the time without even thinking about the money, but
00:39:54I can't afford something like this now.
00:39:57You know what?
00:40:01Consider it a congratulatory gift for me.
00:40:04Alright?
00:40:05And when you make it big in the art world, you can just pay me back.
00:40:10Oh, hi.
00:40:10Excuse me.
00:40:11Yeah, my friend would like to try on this dress.
00:40:14Oh, your friend has amazing taste.
00:40:16This dress is actually a limited edition.
00:40:18Each one handcrafted by hand and therefore entirely unique.
00:40:21Truly a work of art.
00:40:22Well, how fitting is it going to be worn by a very talented artist?
00:40:26I'll have someone on the team bring it out to you.
00:40:29Veronica, please bring the limited edition.
00:40:36Why limited edition?
00:40:39Tasha, do you really think you can afford this dress?
00:40:46You can afford this dress?
00:40:50Please.
00:40:50Raina, I don't think you need to worry about Tasha's finances, okay?
00:40:55We established that last time.
00:40:59Hey, you.
00:41:00Get over here.
00:41:02I'm going to pay twice what it's worth, but I want this dress.
00:41:05Ma'am, this dress is $4,000.
00:41:07Did I ask you how much it costs, you libertarian scum?
00:41:10Just shut your mouth and add it to my bill.
00:41:13She's willing to pay double.
00:41:15I'll double her offer and I'll pay $16,000.
00:41:18Okay, sir.
00:41:19Both.
00:41:19$32,000.
00:41:21You know what?
00:41:24She wants to dress so bad, let her have it.
00:41:27You can put all the jewels you want on a pigeon, but it'll never be a peacock.
00:41:31I'll show you who's a pigeon, you'll be a bitch.
00:41:33How dare you assault me?
00:41:35Tasha, are you okay?
00:41:37What is going on here?
00:41:41What's going on is that your crazy bitch wife pushed Tasha to the ground.
00:41:44I swear to God, they're all lying.
00:41:47I never touched her.
00:41:48I saw everything.
00:41:49This gentleman and his girlfriend were very nice and politely inquired about a dress and
00:41:53suddenly your wife appears and attacks her for no reason.
00:41:56Shut your mouth, you little lying asshole.
00:41:59You know what?
00:41:59Why don't you just call security before this crazy maniac hits somebody else?
00:42:02Wait a second, Reyna.
00:42:03What actually happens here?
00:42:05What's going on?
00:42:06Why don't you believe me?
00:42:07I told you.
00:42:08Don't you just call 911?
00:42:09Are you blind?
00:42:11Oh, Tasha, can you stop this bullshit?
00:42:13Well, you know what, Reyna, can you just stay away?
00:42:16Can I get someone down here?
00:42:17Room A, one, two, two.
00:42:18No, no, that's not necessary.
00:42:19We are leaving right now.
00:42:21Let's go, okay?
00:42:21Oh, but...
00:42:22Okay, you've embarrassed us both enough for one day, okay?
00:42:25Let's go!
00:42:34Wherever Reyna goes, trouble's sure to follow.
00:42:38It is nice to see her get her taste of her own medicine, though.
00:42:41Yeah.
00:42:42Just saying, though, you would have looked really great on that dress.
00:42:48Don't worry about that.
00:42:50That was a solution.
00:42:59What are you going to do with all this stuff?
00:43:01I'm going to design my own dress and wear it to the gala.
00:43:05Are you sure there's enough time?
00:43:06Have some faith in me.
00:43:07I graduated with honors in design and fine art.
00:43:11I got this.
00:43:14All right.
00:43:14How do I look?
00:43:34How do I look?
00:43:37How do I look?
00:43:38What, is something wrong?
00:43:47Is it too much?
00:43:48Should I change something?
00:43:50No.
00:43:51No.
00:43:52You look...
00:43:54That dress, like...
00:43:56That is one of the most beautiful dresses I've ever seen.
00:44:02But there's something missing.
00:44:06Should I refill the beads?
00:44:08No.
00:44:10I have a gift for you.
00:44:13Something to...
00:44:14Complete the whole look.
00:44:22Just try harder, you idiot!
00:44:23Mrs. Crowe.
00:44:25I am doing everything I can, and I don't know what more I can do.
00:44:30You're calling me fat?
00:44:31Of course not.
00:44:32You're not fat at all.
00:44:34It's the dress.
00:44:35It's not made for a woman's body.
00:44:38Just shut up and do it!
00:44:41Babe.
00:44:42Just put on another dress.
00:44:44You're going to be late.
00:44:45I spent so much money on this dress.
00:44:49I am wearing this dress!
00:45:09I can't.
00:45:10It's...
00:45:11It's too much.
00:45:13No.
00:45:15It was made for you.
00:45:25I can't wait to see what you've brought to the auction.
00:45:28Can we have a little hint?
00:45:30Well, actually,
00:45:32I brought some of my very own paintings
00:45:34to auction tonight.
00:45:38What's wrong?
00:45:40Tasha Roberts.
00:45:42My husband's dreadful ex-wife.
00:45:44I'm tired of seeing her sorry face everywhere.
00:45:50You know, she's also a horrible person.
00:45:54If it isn't everyone's favorite white-collar criminal
00:45:58turned homeless vagrant,
00:46:01Tasha Roberts.
00:46:01So, the other day when you were trying to buy this dress
00:46:06with that, um, working-class thug boyfriend of yours,
00:46:10you were trying to come here?
00:46:12Are you sure you were even invited?
00:46:17I'm sorry, are you working for security these days?
00:46:20Do we need to show you my invitation?
00:46:22Honey, I'm just trying to look out for you, okay?
00:46:25I want to spare you the embarrassment of being kicked out
00:46:29when everybody finds out that you were not invited.
00:46:31You mean, like, how you were kicked out of the mall?
00:46:34I see.
00:46:35You still quite don't understand your place in the world.
00:46:39You think you're fucking Cinderella or something,
00:46:42and life is a fairy tale.
00:46:44But don't worry.
00:46:46I'll help you figure it all out.
00:46:49What's wrong with you?
00:46:52You can't just see if you've been walking through.
00:46:54Rina, this time you've gone too far!
00:46:57Stop shouting, you dreadful O.
00:46:59These were supposed to be auctioned tonight!
00:47:00Well, if it is of any consolation,
00:47:03I don't think the wine has reduced their value
00:47:05of very much at all.
00:47:07Now you can go and cry to your fairy gut mother.
00:47:12What is your...
00:47:13Oh, I think the auction's starting.
00:47:16Well, I'll see you there.
00:47:19Toodle!
00:47:19For our first auction item,
00:47:28I'd like to welcome Ms. Raina Crowe to the stage
00:47:31with her collection of original paintings.
00:47:34As you can see, Ms. Raina Crowe's style is very unconventional.
00:47:54Certainly, these works defy easy categorization,
00:47:59and yet there are touches of whimsy
00:48:02and an almost playful quality about them,
00:48:04as depicted here through the bold use of a duck
00:48:07as a central figure.
00:48:08It's a dog.
00:48:10What?
00:48:11It's a dog, not a duck, you buffoon!
00:48:13Oh, yes, of course!
00:48:15A dog!
00:48:17Seen through a very unique prism,
00:48:20portrayed as only an artist of Raina's caliber
00:48:23could possibly portray it.
00:48:25Now that we have familiarized ourselves with the art
00:48:29and the artist, let's start the bidding.
00:48:31The starting price will be $50,000.
00:48:34Do I hear $50,000?
00:48:35No.
00:48:37Anyone?
00:48:37$50,000 going once, $50,000 going twice.
00:48:50Sold!
00:48:50Sold for $50,000.
00:48:58And now we'll invite our second artist for the evening,
00:49:01Ms. Tasha Roberts,
00:49:03who will also be presenting a series of paintings.
00:49:07And Ms. Tasha Roberts, where are your paintings?
00:49:16I don't have my paintings tonight,
00:49:19but I will be auctioning off this dress.
00:49:34Hello!
00:49:35Hello!
00:49:36Wow!
00:49:36It's beautiful!
00:49:40Stupendous!
00:49:41I've never seen a dress so beautiful!
00:49:46Oh, stupendous!
00:49:48I've never seen a dress so beautiful!
00:49:51A stunning work of art, indeed!
00:49:53There's no need for me to say another word about this masterpiece.
00:49:56Everyone in the audience can clearly see
00:49:58the extraordinary talent and extraordinary artistry.
00:50:01Let's start the bidding at $50,000.
00:50:04$55,000!
00:50:05$75,000!
00:50:06$90,000!
00:50:07$100,000!
00:50:09$150,000!
00:50:11$250,000!
00:50:16$250,000 going once, $250,000 going twice!
00:50:21Is that the heart of Sun Memphis that sold for $200,000,000 a few months ago in a bit now?
00:50:38Impossible!
00:50:39How can that low-leaf peasant possibly afford it?
00:50:43Unless be a fake.
00:50:44Thank you so much for your bid, Ms. Munsell.
00:50:50I'm going to design a few custom pieces in your size
00:50:53and design them to your elegance and style.
00:50:57Have you ever considered creating your own clothing brand?
00:51:01Your creations are so extraordinary.
00:51:05You should really share your talent with the rest of the world.
00:51:07Thank you, I never considered it, but I certainly will now.
00:51:13Hi.
00:51:14I'd be careful if I were you.
00:51:16I personally wouldn't put any faith into someone that wears cheap replicas of famous pieces of jewelry.
00:51:23What are you talking about right now?
00:51:25This woman is a phony and a con artist.
00:51:28For as long as I worked with her, she's done nothing but defraud and cheat the people she's done business with.
00:51:35And let me make it clear.
00:51:36For everybody that wants to do business with this woman,
00:51:39they won't be allowed to do business with the Crow Group.
00:51:43Is that so?
00:51:44Well, let it be known that if anybody refuses to work with Ms. Tasha Roberts
00:51:51because of the basis of rumors and lies being spread by Ms. Raina Crow,
00:51:56you will no longer be welcomed back to the Fitz Gallery.
00:52:00That's the curator of the Fitz Gallery.
00:52:03Not just the curator, he's also the director of the Fitz Foundation.
00:52:09The curator?
00:52:11Is he the man who bought my paintings?
00:52:14Why does he seem so familiar?
00:52:19Ms. Tasha Roberts is my guest of honor tonight.
00:52:21I invited her personally.
00:52:23So if anybody treats her with the slightest bit of disrespect,
00:52:26they'll be asked to leave and never again invite her back to the Fitz Gallery.
00:52:30As the director of this esteemed organization,
00:52:33am I interested to know that your guest of honor is wearing a cheap replica of a priceless work art.
00:52:41She is not to be trusted.
00:52:43I'm assuming you mean her diamond.
00:52:46What evidence do you have to prove that it's not real?
00:52:49Well, the real heart of the sun has the initials of the craft man
00:52:52engraved in the joint between the gemstone and the pendant.
00:52:56So, Tasha, would you indulge us all and show us if what you're wearing is a genuine article or a cheap knockoff?
00:53:06This was just given to me by a friend.
00:53:08I never claimed it was the real heart of the sun.
00:53:11I don't want to embarrass him by having people pour over it for an infection.
00:53:16So, it's a forgery.
00:53:19You were so happy to have everyone believe it was the real thing until I challenged you and called your bluff.
00:53:27Ms. Roberts.
00:53:27You have nothing to fear from this woman.
00:53:40Just show her the necklace.
00:53:41And I'll personally see to it that there are no despairing comments about its craftsmanship or quality.
00:53:46And the question has to be asked whether it is the true heart of the sun.
00:53:58See?
00:53:58Just like...
00:54:01What?
00:54:02How is this possible?
00:54:04I do say, this engraving looks entirely authentic to me.
00:54:14This is indeed the one and only heart of the sun.
00:54:17Well, that settles us in.
00:54:18This necklace is authentic.
00:54:20From now on, no one will be permitted to question or harass my guest of honor.
00:54:25Now, if everyone is satisfied, can we please get back to tonight's festivities?
00:54:34Ken, you have a lot of explaining to do.
00:54:43Okay, what's wrong?
00:54:45I can't accept this necklace.
00:54:48And I can't give you what you want.
00:54:51Do you even know what I want?
00:54:52I don't want to know.
00:54:55We can just be friends, nothing more.
00:54:58Tasha, you're just afraid.
00:55:00You're just afraid of going after what your heart truly desires.
00:55:04And I just think you're afraid of just being true to yourself.
00:55:09You're the last person that should be lecturing anybody on the truth.
00:55:14Who are you?
00:55:15What do you do?
00:55:17Is this even your house?
00:55:18I mean...
00:55:19How do you own a necklace that's $200 million?
00:55:22A million dollars.
00:55:27See, you...
00:55:28You don't even respect me enough to tell me the truth.
00:55:32You expect me to jump into a relationship with you?
00:55:38You could be a total stranger.
00:55:40I have no idea who you are.
00:55:42Tasha, I want to tell you.
00:55:45I do.
00:55:46But...
00:55:47I just can't right now.
00:55:50Alright?
00:55:50Like, maybe in the future...
00:55:52No, Ken, there is no future for us.
00:55:55Not if you can't tell me one thing about yourself that isn't a lie.
00:55:58When you find someone that you really love and trust...
00:56:04You let them in.
00:56:11But that person won't be me.
00:56:13Are you okay?
00:56:32Director Fitz, I had a wonderful time at the gala.
00:56:36Thank you for supporting me and standing up for me.
00:56:40I wasn't bothered by the way the other guests treated me.
00:56:43I've endured far worse.
00:56:49Lovely.
00:56:50I'm glad to hear it.
00:56:52I would like to exclusively showcase your work at the Fitz Gallery for the foreseeable future.
00:56:58Think of it as a sort of artist's residency.
00:57:00Would you be interested in such an opportunity?
00:57:02This dress is every bit as exquisite as I expected it to be.
00:57:15Thank you, my dear.
00:57:17You're very welcome.
00:57:18Have you given any more thought to my proposal?
00:57:22If you wish to start a clothing brand, I would be more than happy to invest whatever you require to get started.
00:57:30It's a very gracious offer, but I just...
00:57:33I have to ask.
00:57:35I mean, there are so many other talented designers.
00:57:37Why do you have such faith in my ability?
00:57:40I mean, it's not just me, you know.
00:57:42The curator of the Fitz Gallery has never been seen in public before the gala last night.
00:57:48And everyone in attendance was certain that the only reason he chose to make an appearance was because of you, his guest of honor.
00:58:00That was his first appearance ever?
00:58:02Indeed.
00:58:03His very first and only time to appear in the flesh.
00:58:06Before this, he was a figure of myth and mystery.
00:58:11Many people doubted he existed at all.
00:58:14But all because of you, he chose to grace us with his presence last night.
00:58:20Seems like a marvelous young man, don't you think?
00:58:24He certainly had a charm about him.
00:58:26Oh, undoubtedly.
00:58:27You know, many people flock to the Fitz Gallery for more than just the art.
00:58:32And they want to learn all about the enigmatic young curator.
00:58:38Really? I mean, what's so interesting about him?
00:58:41Have you ever wondered how the Fitz Gallery has managed to surpass all of the established art collections to become the top venue for fine art in just two years?
00:58:53I mean, I heard rumors.
00:58:56Something about foul play, but I always assumed they were baseless.
00:59:00Well, those rumors have quite a bit of truth to them.
00:59:04Seems like the Miller crime family is actually behind the Fitz Foundation.
00:59:10The one and the same Miller crime family that monopolizes all the underground trade in all of North America.
00:59:19He seems like such a gentleman.
00:59:21I just, I find it hard to believe that he ever was involved in something so sordid.
00:59:25You must never judge a Brooklyn's cover, my dear girl.
00:59:30Even people close to us may be harboring many secrets.
00:59:34We never really know what's going on inside.
00:59:37You got that right.
00:59:39I learned that lesson the hard way.
00:59:41Let me be frank.
00:59:42I have tremendous faith in you.
00:59:47I'm a sweet one, but I need a beard.
00:59:50All my friends call me Laura.
00:59:54Let's go get a check.
00:59:56For five million dollars.
00:59:58She'd help you get your clothing brand started.
01:00:01Shall we become business partners in addition to being friends?
01:00:20Director Fitz, I'd like to work with you.
01:00:24It would be my honor, Miss Dr. Robert.
01:00:26Fly away with me.
01:00:33Take you high.
01:00:35Sorry.
01:00:38Smile.
01:00:39Smile.
01:00:40Open dream.
01:00:44Tearing out into the sea.
01:00:48Waves come crashing up to me.
01:00:52My toes slip into the sand.
01:00:56Dream that I'm with you.
01:01:01Staring out into the sea.
01:01:05Waves come crashing up to me.
01:01:09My toes slip into the sand.
01:01:14Dream that I'm with you.
01:01:17Congratulations, Miss Roberts.
01:01:30We expect a huge success from your art exhibition.
01:01:35You're looking at her.
01:01:50You're obsessed with her.
01:01:52Didn't she humiliate me enough the other night at the gala?
01:01:56I don't know.
01:01:56Now I have to watch my husband stare at her picture.
01:02:00Well, maybe if you didn't give her the opportunity to humiliate you.
01:02:04So it's my fault now?
01:02:06Oh, wait.
01:02:06Let me guess.
01:02:07Maybe it's my fault too when the two of you broke up.
01:02:09Okay.
01:02:11Raina, I've been thinking.
01:02:14I don't think this is working.
01:02:16I want a divorce.
01:02:19Bruta Filho de Putana.
01:02:22You used me to push Tash out of your company.
01:02:25Take her property.
01:02:26And now you cast me aside like what?
01:02:28A used piece of garbage?
01:02:29I won't allow this.
01:02:33Mark my words, Karl Kroh.
01:02:35You will regret this.
01:02:49I'm spending too much time around Ken.
01:02:52He's dominating all my thoughts.
01:02:55I have to distance myself from him.
01:02:57For my own sanity.
01:02:59I know you're lonely, but it's all I know.
01:03:10As if nothing can do to get you to stay.
01:03:16I'm sorry.
01:03:18But no.
01:03:21You and I, our relationship, we'll just keep going in circles.
01:03:26But thank you for everything you've done for me.
01:03:32I have a little bit of money now, so you should be able to pay off your loan soon.
01:03:36Good morning.
01:03:44I'm joking.
01:03:46Walking through the garden.
01:03:48Running.
01:03:50With your hand in mind.
01:03:53This is what happens when you steal from the millers.
01:04:11Please, let me go.
01:04:16I promise you'll never see me again.
01:04:23What do you got here?
01:04:28Boss!
01:04:30I found this one peeking around the corner.
01:04:32Not sure how long this little bitch has been watching, but I'm pretty sure she tried to call a cop.
01:04:41Don't worry boss, I got a knife with her name on it.
01:04:44We can dump her body with the other guy.
01:04:51No, let her go.
01:04:53What? Didn't you hear what I said? She's seen everything.
01:04:56Let her go before I rip off your fucking arms and throw them in the river.
01:05:08Walk away. This doesn't mean anything to you.
01:05:11Is this what you couldn't tell me about?
01:05:14Boss, you know this woman?
01:05:18I'm gonna kill him.
01:05:20Call the police then. See if they can save his life.
01:05:22No! Don't call the police, you stupid bitch!
01:05:27My world is more cruel than you can possibly imagine.
01:05:30Since you didn't want to get involved, just walk away.
01:05:32Just walk away.
01:05:33Hey, babe. What do you want for breakfast?
01:05:35Hey, babe. What do you want for breakfast?
01:05:36What do you want for breakfast?
01:05:40Hey, babe. What do you want for breakfast?
01:05:41Hey, babe. What do you want for breakfast?
01:05:43Hey, babe. What do you want for breakfast?
01:05:45Hey, babe. What do you want for breakfast?
01:05:46Hey, babe. What do you want for breakfast?
01:05:57I'll be going for breakfast.
01:06:21My world is more cruel than you can possibly imagine.
01:06:23Since you didn't want to get involved,
01:06:25just walk away.
01:06:27I never imagined that Ken could be such a dangerous and violent man.
01:06:31There must be something or someone forcing him to do all of this.
01:06:37Even people close to us may be harboring many secrets.
01:06:41We never really know what's going on inside.
01:06:45Forget it. This has nothing to do with me.
01:06:47I decided to leave Ken,
01:06:49so I have to do my best not to look back.
01:06:55Tasha, let's talk.
01:07:07Tasha, let's talk.
01:07:09You're a pro-magnet boyfriend.
01:07:17Is he not joining us?
01:07:19It's all over. I'm not with him anymore.
01:07:21Where's Reyna?
01:07:23Reyna was a mistake.
01:07:27That's all over, too.
01:07:29Tasha,
01:07:31I want you back.
01:07:35I can't stop thinking about us.
01:07:39You were right. You belong in my life.
01:07:43So, if you just sign those documents,
01:07:47then you can come back to me.
01:07:49Come back to the house.
01:07:51We can carry on like none of this ever happened.
01:07:53I can give you your old job back.
01:07:55That'll be fun, working together again.
01:07:57And then all that debt you owe me will be wiped clean.
01:08:01Do you think I'd get back with you after everything you put me through?
01:08:15Here is...
01:08:17100 million dollars.
01:08:19I'll pay the rest on time and...
01:08:23for your agreement...
01:08:29Take these documents and...
01:08:33shove them right up your ass.
01:08:35You disgust me, Carl.
01:08:37You should think about Anna.
01:08:39Do you really want her growing up without a mother?
01:08:43With all her health problems, she could really use your support.
01:08:45Don't you dare talk about Anna.
01:08:47She'll be with me soon.
01:08:49Then I'll never let her out of my sight again.
01:08:51She needs her mother and her father.
01:08:53Not a father like you, she doesn't.
01:08:55She'd be better off with no father at all.
01:09:09I'm sorry, am I interrupting?
01:09:11Are you texting a new boyfriend already?
01:09:15Can it wait?
01:09:17I'm not done talking here.
01:09:19Pathetic, Carl.
01:09:21Okay, Tasha.
01:09:23Ta...
01:09:25Tasha.
01:09:27Hey, Tasha.
01:09:29Tasha, come back.
01:09:31Where are you going?
01:09:33This place is disgusting.
01:09:35Come on, Tasha.
01:09:37How many times?
01:09:38Come on, we can have that again!
01:09:39Think of Anna!
01:09:40It's me!
01:09:41Please!
01:09:42I love...
01:09:43Hey!
01:09:44Hey!
01:09:45Hey!
01:09:46Hey!
01:09:47Hey!
01:09:48Hey!
01:09:49Hey!
01:09:50Hey!
01:09:51Hey!
01:09:52Hey!
01:09:53Hey!
01:09:54Hey!
01:09:55Hey!
01:09:56Hey!
01:09:57Hey!
01:09:58Hey!
01:09:59Hey!
01:10:00Hey!
01:10:01Hey!
01:10:02Hey!
01:10:03Hey!
01:10:04Hey!
01:10:05Hey!
01:10:06Hey!
01:10:07Hey!
01:10:08Hey!
01:10:09But, we gotta do what the people who pay us tell us to do.
01:10:14Who's paying you?
01:10:16I'll give you a hint.
01:10:19A very beautiful woman paid us a small fortune to make sure you two...
01:10:24Make sure you two don't make it.
01:10:27Reyna.
01:10:28That fucking bitch.
01:10:30Do you know who I am?
01:10:32I'm Karl Crow.
01:10:34The CEO of the Crow Group.
01:10:37What if she's paying you?
01:10:39I'll pay double, okay?
01:10:40Yeah, yeah.
01:10:41I guess you haven't heard the news, buddy.
01:10:44See, I don't think you'd have the news to outbid your pretty little friend.
01:10:51Oh, that backstabbing slut!
01:10:54Please, pick up the phone.
01:10:57You trying to phone a friend?
01:10:59That's a big no-no, sweetheart.
01:11:01That's breaking the rules.
01:11:05Sweetie.
01:11:07Don't waste the little time you have left trying to call for help.
01:11:10It won't do you any good.
01:11:13No one.
01:11:16They can help you now.
01:11:21Three hours, where is Tasha?
01:11:24Hey, Nell.
01:11:25Hey, listen.
01:11:26I need you to do me a favor.
01:11:28Yeah, I need you to pull out the city surveillance system in the area.
01:11:31And find all the footage.
01:11:32Yeah, no.
01:11:33Something's wrong.
01:11:34What are you doing?
01:11:35We have to get out of here.
01:11:37What are you doing?
01:11:38We have to get out of here.
01:11:50You should just go.
01:11:51Save yourself.
01:11:52Leave me.
01:11:53It's what I deserve.
01:11:54I'm not going to leave you.
01:11:55I'm not going to leave you.
01:11:56I'm not that type of person.
01:11:57Come on.
01:11:58Let's go.
01:11:59Come on.
01:12:00Let's go.
01:12:01I'm not going to leave you.
01:12:02I'm not that type of person.
01:12:03Come on.
01:12:04Let's go.
01:12:05Come down here.
01:12:06Wait until they come in.
01:12:07Hey Tasha.
01:12:08I'm not going to leave you.
01:12:09I'm not that type of person.
01:12:12I'm not going to leave you.
01:12:14I'm not going to leave you.
01:12:16I'm not that type of person.
01:12:19Come on.
01:12:20Let's go.
01:12:21Come down here.
01:12:24Wait until they come in.
01:12:33I'm so sorry.
01:12:39Now's not the time for that.
01:12:57All in.
01:13:03Looks like we got ourselves a suicidal prick here, fellas.
01:13:11I can't think of any other reason why somebody would kick in a door that's got Vincent Santorelli on the other side of it.
01:13:19Oh, shit.
01:13:21Boss.
01:13:24I didn't realize it was you.
01:13:27These your guys?
01:13:30Where the fuck are they?
01:13:31You better find him.
01:13:33Quick.
01:13:47Now it's your turn.
01:13:50Now it's your turn.
01:14:11A pretty little thing like you, I was going to make it painless.
01:14:14But I guess she didn't want that.
01:14:16All the same.
01:14:19Hey, who's this fucking monkey?
01:14:20Lower your fucking gun.
01:14:22Vinny, what the fuck is going on?
01:14:23You fucking downfield?
01:14:24Lower your fucking gun!
01:14:27Are you...
01:14:27Are you Ken Miller?
01:14:30How can that be?
01:14:31What the fuck is going on?
01:14:32Ken Miller.
01:14:33Ken Miller.
01:14:35The one and the same Miller crime family that monopolizes all the underground trade in all of North America.
01:14:45To you.
01:14:52You know what you have to do.
01:14:54I was pushing you away as can and growing closer to you as fits.
01:15:23I'm sorry, Tasha, but there's just nothing I can do that will make you happy.
01:15:32And I just can't win over your heart.
01:15:41Ken Miller always disloving with the hostages he rescues?
01:15:45Or is it just special treatment reserved for his lovers?
01:15:48Tasha, I love you.
01:15:52My heart has belonged to you and only you for the past 15 years.
01:16:0115 years?
01:16:03And we just met a few months ago.
01:16:07We met 15 years ago.
01:16:09You went to Marr Middle School.
01:16:15Yeah.
01:16:16And you saved my life there.
01:16:26Stand up, chicken!
01:16:27And hit us back!
01:16:29Isn't that what your dad does for a living?
01:16:31Beat people up?
01:16:32I'm not my dad!
01:16:35You and your father are both scum.
01:16:37Let's teach the fill and slug a lesson.
01:16:39Yeah, idiot!
01:16:40Get up and show us what you've got!
01:16:44Hey!
01:16:46Hey!
01:16:47Hey!
01:16:47Hey!
01:16:47Hey!
01:16:48Hey!
01:16:48Hey!
01:16:48Stop!
01:16:49That's enough!
01:16:49That's enough!
01:16:50It's none of your business, Robert!
01:16:51Get out of here, Robert!
01:16:53Hey!
01:16:53Stop!
01:16:54Go home!
01:16:54I'll call your parents!
01:16:55Go!
01:16:55Oh, crap!
01:17:09Ever since I saw you that night in the cab, with that necklace on, I just, I knew I found
01:17:15you.
01:17:17Look, this isn't just some feeling for me, okay?
01:17:20This is, this is everything to me.
01:17:23Like, you, are everything to me.
01:17:26No matter what happens between us, I'll always care about you.
01:17:32And maybe, one day, we can make it work in a different way.
01:17:38I just need some time to process this.
01:17:57Okay.
01:17:58And after that, maybe we can pick up where we left off the first night you spent here?
01:18:04Maybe.
01:18:06Maybe.
01:18:07Maybe.
01:18:07I could play your cards, right?
01:18:25Does everything look good to you, Myronis?
01:18:27Yeah.
01:18:28Yeah.
01:18:29Thanks for everything.
01:18:31That doesn't sound very convincing.
01:18:34Is there anything you want to change?
01:18:36No.
01:18:37I just, I never got around to asking why you wanted to start an art gallery in the first
01:18:42life.
01:18:43Honestly?
01:18:44Just to get to you.
01:18:45See, I thought if I owned the world's greatest art museum that one day you might find your way
01:18:50in here and, I don't know, I thought I might find you.
01:19:20There's no wrong way in here and then, let's find out.
01:19:22I WANT to ask, thank you, my pastor.
01:19:23I got an honor to ask you, knock me out or take me out of your way.
01:19:24I want to see what kind of woman this is that hasn't ensnared my son.
01:19:30I doubt she's worthy of joining a Miller family.
01:19:36As a wish, sir.
01:19:39I will make the arrangement.
01:19:44Honestly, just to get to you.
01:19:47See if I thought if I own the world's greatest art museum that one day you might find your way in here and I don't know that I might find you.
01:19:55Okay, okay. Just concentrate on painting. Don't think about him.
01:20:09Who are you?
01:20:21Miss Tasha Roberts, Mortimer Miller would like to speak with you privately at his home.
01:20:28Come here. Take a look.
01:20:31She's an heiress to the largest chain of luxury hotels in the Western Hemisphere.
01:20:41She's young, beautiful, well-educated.
01:20:46I think she'll make a fine wife for my son, Ken.
01:20:50With all due respect, sir, I believe that it's up to Ken to decide who he wants to spend the rest of his life with.
01:21:01I'll choose you. Not a chance.
01:21:06You're no match for my son.
01:21:13Now you owe money to the Crow Group.
01:21:19I'm going to pay your debt.
01:21:22And in return you will agree to never see my son again.
01:21:33It's our decision whether we want to be together or not.
01:21:36Your son and I love each other.
01:21:39There's nothing in this world that can keep us apart.
01:21:43Tasha, you want us to be together?
01:21:45Father?
01:21:47It's impossible.
01:21:49Father.
01:21:50I forbid it.
01:21:51Father, this is the love of my life.
01:21:53I can't lose her again.
01:21:55I'd rather leave the family business.
01:21:58Then leave if you wish.
01:22:00But she will never have my approval, ever.
01:22:03And she'll never be a part of the Miller family as long as I live.
01:22:07You'll come running back.
01:22:09Without the Miller family power.
01:22:12And money.
01:22:14You'll accomplish nothing.
01:22:17You're making a big mistake.
01:22:20Choosing this.
01:22:22Old hand.
01:22:25Instead of family.
01:22:26Ken, where are you?
01:22:36Why aren't you back yet?
01:22:41Oh, you're still awake?
01:22:57Who did this to you?
01:23:01Don't worry about me.
01:23:02I'm fine.
01:23:04Nothing out of the ordinary.
01:23:18Hey, babe.
01:23:19Yeah, no, I'm just right outside.
01:23:24You son of a bitch.
01:23:26You make me cut my own brother's hand.
01:23:29Now you think you can betray the Miller family?
01:23:32Walk away scot-free?
01:23:34Not a fucking chance.
01:23:37This guy means nothing to the Miller family now.
01:23:40It's worthless.
01:23:42Helpless.
01:23:44You're absolutely nothing now.
01:23:46Let's make him feel the pain
01:23:48that my brother felt.
01:23:50Come on, boy.
01:23:56Stop.
01:23:57Stop hitting him.
01:24:17Stupid bitch.
01:24:18Stupid bitch.
01:24:44Stop at once you insolent fools!
01:24:48Stop at once.
01:24:55Son.
01:24:59You know how hard it is for me to admit that I made a mistake?
01:25:05But today the two of you have proved me wrong beyond a shadow of a doubt.
01:25:11Tasha.
01:25:13You are the perfect woman for my son.
01:25:16Oh.
01:25:21Be together.
01:25:24You approved?
01:25:26You have my blessing.
01:25:27From this day onward, you have nothing more to do with the legal activities of the family.
01:25:36But...
01:25:38You'll always be a Miller.
01:25:42There's no shame.
01:25:44No shame.
01:25:45No shame.
01:25:46Go!
01:25:47Go!
01:25:48Go!
01:25:49Go!
01:25:51Go!
01:25:52Get off me!
01:26:11You useless, impotent man-child!
01:26:14The choreography is bankrupt!
01:26:17I hurt!
01:26:18Getting involved with you is the worst decision I could have made in my life!
01:26:21Get off!
01:26:22This is all your fault!
01:26:23You spent every single thing that we have.
01:26:26Now we have nothing left.
01:26:27No company.
01:26:28No house.
01:26:29No money.
01:26:30Not even a dime.
01:26:31And it's all because of you, you greedy cow.
01:26:33Don't you-Don't think-
01:26:35Hey!
01:26:36Hey!
01:26:37Hey!
01:26:38Hey!
01:26:39Hey!
01:26:40Hey!
01:26:41Hey!
01:26:42Hey!
01:26:43The late Mrs. Miller was a beautiful volunteer.
01:26:48Yes.
01:26:49Back then, my wife protected me from every danger that befell our family.
01:26:56And today, my son found the perfect woman unless I did the same for him.
01:27:03He's a lucky man.
01:27:19Wow, you look so beautiful.
01:27:23No, you can't be here right now.
01:27:26Babe, I don't want to rush you, but everybody's waiting to see you.
01:27:30Ken, can you promise me one thing?
01:27:33I can promise you two if you like.
01:27:36I'm serious.
01:27:39I want you to walk away from the family business.
01:27:44There's a city called Ostia.
01:27:47It's on the southwest side of Rome by the ocean.
01:27:50What?
01:27:51You know what I found over there?
01:27:54I found doing an art teaching job at a public school.
01:27:58I already took a little bit in the morning.
01:28:01You're sending me away?
01:28:03No.
01:28:04I opened my own restaurant.
01:28:06It's just down the street.
01:28:09Oh, and one more thing.
01:28:12I enrolled Anna at the school they're going to be teaching at.
01:28:15I think she's going to really love it over there.
01:28:19So you really are walking away?
01:28:22Yeah.
01:28:23You got some songs.
01:28:29Evans.
01:28:30Are you...
01:28:31¿Qué pasó?
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