- 2 days ago
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00:00Oh
00:09Balab Ji, Angad sir is not in his cabin.
00:11He was not here, he was working.
00:13Yes, he had to talk to me with Angad sir.
00:15If I could do something, tell me.
00:17He is here with my relatives.
00:20I had to go home soon, but I had to give him permission.
00:23No, no, you go.
00:25I will tell him.
00:27Thank you, Balab Ji.
00:29Pooja, Angad sir will also mark me in the mail.
00:32I will call you for dress.
00:34What happened now?
00:36Mitali, why are you doing my mind?
00:38I'm not doing my mind.
00:39I'm also doing this outside of the office.
00:41Get out.
00:42What?
00:43One minute.
00:44Mitali, what have I done?
00:46What have I done?
00:48You are trying to do a lot of things.
00:50You know that my engagement is going to be with Angad,
00:52and you are engaged.
00:54I don't understand what you are saying.
00:56Don't try to act extra smart with me, okay?
00:58I don't know if that matters or not.
01:01But for me, Angad matters a lot.
01:04Angad is my husband and his wife.
01:07And I am going to become his wife.
01:09And technically, I am your boss.
01:11So, I will take you out of this office.
01:14Get out.
01:15Get out right now.
01:16Now, first, tell me what I have done and what I have done.
01:19I can't believe it.
01:21Vrat.
01:22Vrat, you keep your hands on your hands.
01:24And the water is my husband's hands.
01:26Huh?
01:27You don't even know how to do it,
01:29so that my husband will help you.
01:30You don't have to do it.
01:31You don't have to do it.
01:32So, that he will come and help you.
01:34You don't have to do it.
01:35I will be able to do it.
01:36I know you like girls.
01:37You are the same as the young man.
01:38You are the same as the young man.
01:39Tell me about the young man.
01:40You are the same as the young man.
01:41I am the same as the young man.
01:42You are the same as the young man.
01:43Look.
01:44Look who is talking.
01:45Look.
01:46Look who is talking.
01:47You don't have to do it.
01:48You don't have to do it.
01:49You don't have to do it.
01:50Great.
01:51Amazing.
01:52You don't have to do it, right?
01:53Great.
01:54So, put your hands on your hands.
01:55And get out.
01:56And listen.
01:57You don't have to pay your child for 15 days.
02:00I will give you a house.
02:02Because you will pay your salary.
02:04I know you like the young man.
02:08This is the same as the young man.
02:10So, keep your hands on your hands.
02:11And what did you say?
02:12The young man?
02:13The young man.
02:14Yes.
02:15I am a small house.
02:16But I don't think you are the young man.
02:17So, if there is a young man, then you are.
02:22You!
02:23Now, if I am not an employee, then you are my boss.
02:26You are my boss.
02:27One more time.
02:31Oh, Dusty.
02:36Go to work.
02:37Go!
02:39Stop.
02:43Let's go.
02:47Let's go.
02:48You are the real man.
02:49Pandit Ji.
02:50You have the most great man.
02:52Best.
02:53Exactly Pandit Ji.
02:54And this pair is going to be the best.
02:55What?
02:56Angad?
02:57Tight.
02:58I'm going to get some food.
03:05What is this?
03:07What is this?
03:08What is this?
03:09I know.
03:10But, do you want to eat it?
03:13Panditji, you are a good man.
03:16I'm going to see.
03:17Panditji, what are you thinking?
03:19I feel you will have the next best man.
03:21Now, let's finalize.
03:23Mitali, you are going to be a little mature.
03:26You are going to be married.
03:27No, no.
03:28You are just like me.
03:29You are just like me.
03:30You are just like me.
03:31I am just so happy to be a part of this family.
03:36Look, Tulsi.
03:37You are always happy to become a family.
03:41I mean, to become a family family.
03:46Why, Noyana?
03:48I will not be happy.
03:50Even though, Noyana was a good friend,
03:53Noyana has become a family family.
03:56Now, the relationship has become formal.
03:58I am a woman, a woman, a woman, a woman, a woman, a wife, and a man.
04:08I will take it.
04:09Come, come.
04:10Come on.
04:11What? You left her from the job?
04:18But our plan is something else.
04:20I know.
04:21And I will do that.
04:23But I can't tolerate that girl in the office.
04:27Especially Angad.
04:28Because she means that the office means Angad.
04:31That's why I left her.
04:32And that's why I left her.
04:33I left her like a knife.
04:36Now she won't take her name.
04:38Wow!
04:39Now it's a good time.
04:41This is the story of you being a baby.
04:43A baby?
04:44Yeah.
04:45I like it.
04:50Can I take a photo?
04:51Yes.
04:52I have to put it on the charging.
04:55Okay.
05:02Pandi ji, what happened?
05:03If Moghra is still there, then it will go.
05:05But Murat should be the best.
05:07Hey, Papa.
05:08That's all right.
05:09But there will be a little time.
05:10Give your thoughts to live with freedom, Papa.
05:12Look.
05:13Hey, little girl.
05:14You're doing great, brother.
05:15What are you doing?
05:16Hey, hey, man.
05:17You're totally wrong, brother.
05:18You're totally wrong.
05:19You're totally wrong.
05:20You're totally wrong.
05:21You're totally wrong.
05:22Hey, come here.
05:23Come here.
05:25Mama.
05:26You don't have to talk about anything.
05:28What?
05:29Matei.
05:31Hi.
05:35Hello, my auntie.
05:37My auntie.
05:38Have you been left with Grinda now?
05:39Yes, yes.
05:40What?
05:41Did you get out of my life from the night?
05:50What?
05:53You were serving the notice period, right?
05:55What is the problem that notice period didn't give you the notice period?
06:01Yes, that...
06:04Actually...
06:05Why are you so scared?
06:07Tell the truth to the truth.
06:08No matter what, I will tell you.
06:11I will tell you why Mithali left your favorite brinda from the office.
06:18He left her because your brinda is a black girl.
06:24He wants to get out of her, trying to put her on top.
06:28That's why he left her from the office.
06:31I know, I know that you have a trust in my story.
06:34But guess what?
06:35I have proof of this.
06:37I have a video.
06:38Mithali is a video on my phone.
06:39Where is your phone?
06:41No.
06:41Charging.
06:41Charging.
06:42One minute.
06:42One minute.
06:44I will show you now.
06:47Let's open it.
06:51Look at this.
06:52This is your brinda's truth.
06:55Look at this.
06:56Abhi, a girl...
06:57This is your brother.
07:12You will see...
07:13I don't know who the water is going to blow away from her hands.
07:17From the hand of Angad.
07:19Now you will say that Vrinda is not a girl.
07:22Vinda is not able to do such things.
07:24So you have seen it.
07:25In the video, she is showing who the girl is and what she is doing.
07:28I have seen the video.
07:30I don't think that there is no girl to your brother.
07:34This is also possible.
07:36Sometimes I am wrong with Vrinda.
07:38It is so wrong that she can't drink water from herself.
07:41I don't want to drink water from her.
07:43Really, Mom?
07:45Now this is a little more.
07:47In fact, leave me.
07:48Let me ask you to Mitali.
07:49How long did she have seen her?
07:51She has put her on the door.
07:52She is lying around her.
07:53Tell her.
07:54Mitali, tell her.
07:55Tell her.
07:56That's...
07:58Aunty, we were making a sample for the engagement.
08:03Vrinda asked her and wrote her name.
08:08Imagine.
08:09Who is the girl?
08:10She is lying around and is lying around.
08:13She is lying around and is lying around.
08:14In fact, you have seen herself.
08:16The day when she came to the house of Dandia,
08:18she was lying around and is lying around.
08:20In fact, when her fiance came to her,
08:22what kind of thing did she look like?
08:24Do you remember?
08:27I think that you did well.
08:29You did well.
08:30You did well.
08:31You did well.
08:32You did well.
08:33You did well.
08:34You did well.
08:35The industry has not been closed.
08:36The work has not been lost.
08:37Everything is fine.
08:38So, please, don't do the same thing.
08:41You have already been mass-create in my life.
08:43You have already been mass-create in my life.
08:44At all, in this life...
08:45Padi.
08:47Please.
08:48You have also come.
08:49I have not seen you.
08:51I have not seen you.
08:54Auntie, if you are wrong, I am really sorry.
08:57I am not wrong.
08:58I am not wrong.
08:59I am not wrong.
09:00But, no.
09:01I am not wrong.
09:02I am not wrong.
09:03I am not wrong.
09:04I am wrong.
09:05I am wrong.
09:06Don't worry.
09:07I am right.
09:08I am right.
09:09I am right.
09:10I am right.
09:11I am right.
09:12I am right.
09:13Happy?
09:14Hey.
09:15Mama, this girl is a good girl.
09:16I don't feel right.
09:17I have nothing to do.
09:18She is a good girl.
09:19She is a good girl.
09:21She is from a small house.
09:22But, I hope that her family is in a good house.
09:24She deserves that happiness.
09:26In fact, I also think that...
09:28She is a good girl in our house.
09:31But...
09:32But...
09:33How many times do you understand?
09:35The relationship has been changed.
09:37It has been changed.
09:39It has been changed.
09:40And after that,
09:41I like your brother.
09:42We can do it right now.
09:43Now, your father is so angry.
09:45So, let's do it again.
09:47Leave it alone.
09:48Let's leave it alone.
09:49That's the same.
09:50I have to believe that the relationship is made by Thakurji.
09:53The relationship is made by Thakurji.
09:55Wherever you want,
09:56the relationship will be my son.
09:57But...
09:58Now, let's leave it alone.
10:07Congratulations.
10:09Congratulations.
10:11Congratulations.
10:13Congratulations.
10:14Congratulations.
10:15Congratulations.
10:16Congratulations.
10:17Now, we are officially married.
10:19Yes.
10:20We have an engagement with Mitali and Angad.
10:22So, do it.
10:23Oh, yeah.
10:25You do.
10:26Oh.
10:27I will leave it alone.
10:28Okay.
10:29Mm-hmm.
10:30Okay.
10:31When you are,
10:32when we are,
10:34when we are,
10:35when you are,
10:36when we are,
10:38when we are,
10:40when we are.
10:41Andhgad.
10:42Come on.
10:43Come on.
10:44Why are you standing here?
10:45Come on.
10:46Come on.
10:47Come on.
10:48Come on.
10:49Come on.
10:50Come on.
10:51Come on.
10:52Come on.
10:53Come on.
10:54Come on.
10:55Come on.
10:56Come on.
10:57Come on.
10:58Yes, Mitali.
10:59That's more like.
11:00Yes.
11:01Come on.
11:02Come on.
11:03One couple photo.
11:04Okay.
11:05Couple photo.
11:06Couple photo.
11:07Couple?
11:08No.
11:09Okay.
11:10Smile.
11:11Smile.
11:12Shumara Hashtag
11:13Hashtag Antali.
11:14Angad and Mitali.
11:15Antali.
11:16Good.
11:17Good.
11:18Such a cute picture.
11:19Very cute.
11:20Show me.
11:21Very cute pictures.
11:22Angad.
11:23Where are you?
11:24I'm coming.
11:25I'm calling you.
11:26Yes, Ma.
11:28Why is your face up?
11:32You're happy from your family.
11:33Why do you feel like, Ma?
11:34I'm not happy.
11:35I'm really happy.
11:36You're not happy.
11:37You're not happy.
11:38What happened to you both?
11:40Ma.
11:41Didi.
11:42I'm really happy.
11:43I'm very happy.
11:44And come on.
11:45I'm going to get married.
11:46You're not happy, Ma.
11:47Who's happy with my wife?
11:48No.
11:49I'm really happy.
11:50Okay?
11:51I'll come, Ma.
11:57Smilings of cats.
11:59Yes.
12:00Congratulations.
12:01You're not going to do the engagement.
12:05But now, what do we have to do next?
12:07That's the plan, right?
12:08That's my main plan.
12:10That's my main plan.
12:12After that chapter of Vrinda will be later.
12:16From Angad and my life.
12:18For always.
12:20The end.
12:26Vrinda, what happened?
12:28She's done.
12:29She's done the work of office.
12:30Yes.
12:31Now that I'm getting married,
12:32they're going to prepare for the wedding.
12:34Shopping.
12:35She's not good at the office.
12:37In this case,
12:38you get a $90,000 of salary.
12:39You want.
12:40And now you're going to Dubai.
12:41After coming from Dubai,
12:44you'll take a big car.
12:45Yes.
12:46You'll find such a guy.
12:47In the entire village,
12:48you'll find such a guy.
12:49Hira, Hira.
12:51You're going to be fair.
12:52You're going to be fair.
12:53Hira, Hira, Hira.
12:54Why?
12:55You're going to be fair.
12:56Oh, my brother.
12:57Let's go, let's give Ghanpati Bapakun Mantra.
13:02Come on, let's go!
13:05Come on!
13:08Come on, Ghanpati Bapakun!
13:10Come on, Ghanpati Bapakun!
13:14Oh, yeah!
13:18There's a card!
13:20There's a card!
13:22This is Bapakun's opinion.
13:23The first card is, right?
13:24Yes.
13:25Come on, Ghanpati Bapakun!
13:46What did you do?
13:47People are trying to get a knife.
13:49Please don't do that, friend.
13:55Please don't do that.
13:57Don't do that.
14:07Please don't do that.
14:09You get this?
14:11You came to your house, right?
14:13What was your office?
14:15You called the people of your office?
14:17No, I didn't call her here.
14:19What are you doing here?
14:21What are you doing here?
14:23What are you doing here?
14:25What are you doing here?
14:27Hey girl, what are you doing here?
14:29Why are you doing here?
14:31I'm here to ask you to ask your life.
14:33What? What?
14:35Please, I have a bag of you.
14:37Don't leave Angath.
14:39Please, don't leave our engagement.
14:41Linda, what are you doing here?
14:43I'm not doing this.
14:45I'm telling you to ask her.
14:47I'm talking to Angath.
14:49No, I don't know what you're saying.
14:51I haven't done anything like that.
14:53You don't know anything like that.
14:55Don't say anything like that.
14:57You don't know anything like that.
14:59Angath is my husband.
15:01And this?
15:03Don't blame me.
15:05You don't blame me.
15:07There's nothing like that.
15:08Hey girl, what are you doing here?
15:09What are you talking about your sister?
15:11I'm not talking about it.
15:13I'm not talking about it.
15:15I'm talking about it.
15:17I'm talking about it.
15:19Name the difference.
15:21locally.
15:23Send me and press your hand,
15:24oh, please.
15:25What do you say?
15:26I love your PTSD.
15:27nuc.
15:28Okay, honey,
15:29you do all of this kind of evidence before I goes out and the city.
15:31Enjoy your love.
15:33Enjoy your England,
15:35pull on drama.
15:36How does I the rape go?
15:37You know, this lady is the first lady right?
15:39But if she served you,
15:41So why did he put his hands on his hands?
15:45Wow!
15:46That's what he meant.
15:48He's married here.
15:50And he's married to me with his wife.
15:53I can't believe anything.
15:55Dad.
15:56If you're going to do this, Riddha,
15:58I can't believe that you're going to do this with my wife.
16:01I'm going to do this with you.
16:03Hey!
16:04Hey, girl!
16:05What are you saying?
16:06Why will he do this?
16:07And that's it.
16:08In our Maharashtian, he doesn't have a karmacat.
16:11No, he doesn't.
16:12No, he doesn't.
16:13So it doesn't happen to us, right?
16:15I mean, it's happening in pictures.
16:17People are watching in pictures,
16:19and keep the karmacat.
16:20Now, you ask if he had a karmacat or not.
16:21Then you ask.
16:22He has a karmacat.
16:23He has a karmacat or not.
16:24Yes, he had a karmacat.
16:26He had a karmacat.
16:27He had a karmacat.
16:28Yes.
16:29He had a karmacat.
16:30He had a karmacat.
16:32I don't know.
16:34Vrinda, why did you drink his karmacat?
16:36He had a karmacat.
16:37He had a karmacat.
16:38I had a karmacat.
16:39But my body was broken.
16:40He had a karmacat.
16:41He was broken.
16:42What did you do?
16:43He was talking about my sister.
16:45What?
16:46What?
16:47My sister has to show you my head.
16:48No!
16:49No!
16:50No!
16:51No!
16:52No!
16:53No!
16:54No!
16:55No!
16:56No!
16:57No, no!
16:58No!
16:59No!
17:00No!
17:01I don't want her will Diem!
17:03No!
17:04No!
17:05No!
17:06Do you sleep yeah?
17:07Please, let me leave my Angad.
17:09Hey!
17:10Just listen to me.
17:12Who is your Angad?
17:13Take her and put her in the house.
17:15Why would she do this?
17:16She left her in the house.
17:18She won't be in the house.
17:20Stop! Stop!
17:23Look.
17:24I don't know.
17:25Where is this girl coming from?
17:27It's not like that.
17:28Look.
17:29She has two books.
17:30She has to keep her first book.
17:31She has to keep her in the house.
17:32She has to keep her in the house.
17:33She has to keep her in the house.
17:34She has to keep her in the house.
17:37to keep her with the house.
17:39What do you mean?
17:40How if it is right for her?
17:41Because it's a girl.
17:42I should keep her and put her in the house with a house.
17:43She said she was aա.
17:44She wouldn't ask her even to tell her if it was a earthly village.
17:45Please look it up.
17:46Please look.
17:47You that mean you are all right?
17:48Hello everyone.
17:49She found her for my name.
17:50She was teaching the house with her.
17:52And in the office, she에도 juice the
18:05How do you get married with this guy?
18:08I'm not happy.
18:09You wait for two minutes.
18:10I'm going to tell you about this.
18:12I'll explain it to him.
18:14I'll tell you about it.
18:15I'll stop her at home.
18:16I'll stop her at home.
18:17I don't want to stop her at home.
18:19I don't know what she's going to do with her.
18:21I don't know what she's going to do with this girl.
18:23I don't want to be a girl.
18:27I'm going to break this relationship.
18:29Don't do that.
18:32I'm going to break this relationship.
18:33See, my brother came from where to.
18:34If you're broke, my soul will fall.
18:35I'm going to break this relationship.
18:36Don't do that, baby.
18:37Don't do that.
18:38I'm going to break this relationship.
18:39Look, my brother came from where?
18:41If they're gone, they'll be like me.
18:43I'll break this relationship.
18:44I want to give him a minute to her.
18:46Please, please, please.
18:47Don't break this relationship.
18:48I'm very proud of you.
18:50But you have a girl.
18:51She won't be proud of me.
18:53After marriage, I'll be able to get married.
18:55I'll be able to marry you.
18:57I'll be able to marry you.
18:58I'll tell you.
18:59I won't do my marriage.
19:00I won't do my marriage.
19:01Soha!
19:02Soha!
19:03Soha!
19:08Why are you doing this girl?
19:18And my work here, ladies and gentlemen, is done.
19:22You've been doing this for a while.
19:24And from Angat's life, Virenda…
19:52Oh
19:54Oh
19:56I
19:58Don't
20:00Don't
20:02I
20:04Don't
20:06I
20:08Don't
20:10I
20:12Don't
20:14Don't
20:16I
20:18Don't
20:20I
20:22I
20:24Don't
20:26Don't
20:30Don't
20:32Don't
20:36Don't
20:39Then
20:41Don't
20:42If you have a child's house, then you will go home all the time?
20:45You will tell me.
20:47What has happened?
20:49Today, the child is broken in your chest.
20:52Today, the child is sitting in the house.
20:55They are all the people.
20:57Now, the child will not be married.
20:59Why are you all your children?
21:01Angad has done everything.
21:03I know.
21:05I am a poor.
21:07I am a rich man.
21:09I am not a rich man.
21:11My children were small.
21:13I have worked for my home.
21:16I have taken care of.
21:18They have studied, wrote,
21:20made it so that my life is a great man.
21:23How much trouble is getting a girl who was a good girl.
21:27But today, the marriage is broken.
21:29It's just your son.
21:32Tulsi, you are true, right?
21:34You are fighting with everyone.
21:37You are wrong.
21:39I think I am wrong.
21:40I think I am wrong.
21:42Why do you want me to show you?
21:45I mean, I know I am the only child.
21:47This woman is an angel of Tulsi.
21:49See, don't turn out my house.
21:52Or else I will die.
21:57Now I will die with my daughter.
21:59I will not be an adult.
22:01I will leave my child.
22:02Malte ji, Malte ji, listen to me.
22:12What has happened to you?
22:32Congratulations.
22:37Congratulations.
22:38Congratulations.
22:39Now we are officially becoming a leader.
22:41Yes.
22:42We have an engagement with Mitali and Angat.
22:44So, let me do it.
22:45Oh, yeah. Thank you.
22:50Hey, Dhakur Jai.
22:51This crime is not going to happen to anyone.
22:55When the father was given to Tulsi's house,
23:06he had to come to Parvati.
23:08At the house of Tulsi's hand was given to Parvati's house.
23:12I don't know anything about that.
23:14The story wants anyone's house.
23:16But when the situation comes to its own,
23:18they come to their own Sahara Day.
23:21In this winter,
23:23we are all coming together.
23:25Because it is a relationship.
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