- 3 months ago
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- #nanapatekar
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#katrinakaif #nanapatekar #sunielshetty
उदय शेट्टी KA SWAG (नाना पाटेकर) | Best Scenes Of Nana Patekar | Uday Shetty Comedy | Welcome Movie
Movie - Welcome (2007)
Cast: Feroz Khan, Anil Kapoor, Nana Patekar, Akshay Kumar, Katrina Kaif, Paresh Rawal, Mallika Sherawat & Suniel Shetty
उदय शेट्टी KA SWAG (नाना पाटेकर) | Best Scenes Of Nana Patekar | Uday Shetty Comedy | Welcome Movie
Movie - Welcome (2007)
Cast: Feroz Khan, Anil Kapoor, Nana Patekar, Akshay Kumar, Katrina Kaif, Paresh Rawal, Mallika Sherawat & Suniel Shetty
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00:00Subscribe to 1x1 comedy videos for watching.
00:30This is the actor, the actor, who wanted to be actor, but today, when we see the actor, the actor is in the middle of the actor.
00:43BOS INKA EK HIE SAPNA HAY
00:49INKI BEHUN SANJANA KI SHARADE KISI SHARIF KHANGANA MAIN HOJAYE
00:53LICKIN BHALEK KOI BHU SHARIF LADKA
00:56DAON KI BEHUN SE KYO SHARADE KEREGA
00:58ISLIKE SHARIFON KESAATH RISHTAY KI BAT KARNESKA
01:02INKA APNA STYLE HAYE
01:03DEEKHEY BAGWAN KA DIAWAZ SAB KUCHAAYE
01:05DOLAT HAYE SHORET HAYE
01:08IZET HAYE
01:08It's so bad that if I want to make a relationship with someone else, I don't want to make a relationship with someone else.
01:17It's just a good friend and a good friend.
01:20But Pandit Ji can't tell us about your business.
01:24You didn't tell us about your business.
01:27What did you tell us?
01:29Sanjana Airways.
01:31Yes, yes. Sanjana Airlines.
01:34Sanjana Textiles.
01:36Yes, Sanjana Textiles.
01:38It's a lot of business.
01:40It's very established.
01:42Now, all cars are on the phone.
01:44Sir!
01:46There's a lot of good news for you, sir.
01:49One or two or two.
01:51Listen, you'll be happy.
01:52This is not a party.
01:54Sir, there's a lot of good news for you, sir.
01:56You've worked on one phone, sir.
01:58That's the madder case.
02:01It's gone, sir.
02:03It's gone.
02:05If it's due to your business,
02:07you'll be able to buy the whole business.
02:09And the builder also took a police complaint back.
02:12I want to work with a settlement, sir.
02:14Sir, we've given you 2 crore.
02:17The rest of the trade is going to be 3 crore.
02:20Who are they, sir?
02:29Who are they going to?
02:30I'm going to ask you.
02:32You've got a relationship with Sanjana baby.
02:38Where did you come from?
02:40He was talking to Mumbai.
02:42He was talking to you.
02:44Yes.
02:46How much is it?
02:48How much is it?
02:50I'm going to ask you.
02:52Sorry, sir.
02:54I'm going to go to excitement.
02:56What do you mean?
02:58Where are you?
03:00Who are you talking about?
03:02Control.
03:04Control.
03:06Tell me.
03:08Tell me.
03:10What do you mean?
03:12What do you mean?
03:14What do you mean?
03:16What do you mean?
03:18What do you mean?
03:20But, I think it's good.
03:21Precisely.
03:22It's good.
03:24But I've just been told that we were in hospital.
03:26I've already done a little job.
03:28I'm thinking, I'll give you two guns, then I'll give you two guns, then you'll give me my gun.
03:34Let's go.
03:35Sir, sir, sir, give me the gun.
03:38Control.
03:39Control.
03:40In every situation, there's one thing, sir.
03:43The most wrong thing is that it's called a week.
03:46A week?
03:47It's a month, a year, and a month.
03:50Please, please, take this gun.
03:53I'm very sorry.
03:55Get up, get up.
03:56Get up.
03:57Yes.
03:58Don't cry.
03:59Yes, sir.
04:00Yes, sir.
04:01Have you called me?
04:02Yes.
04:03What are you doing?
04:07You can call anyone.
04:09You can ask anything.
04:10Guruji?
04:11Yes.
04:12Don't say anything.
04:13Please.
04:14How are you?
04:15Today we're talking about biscuits.
04:17You're a doctor.
04:18You're such a good job.
04:19I know.
04:20I'm sick, sir.
04:21That's why I go to the hospital.
04:23Look.
04:24You're a doctor.
04:25And you're the one.
04:26Shethi, sir.
04:27I didn't know you.
04:28You're a person.
04:29You're a person.
04:30You're a friend.
04:31You're a friend.
04:33My friend.
04:34You're a friend.
04:35Yes, sir.
04:36You're a friend.
04:37You're a friend.
04:38You're a friend.
04:39You're a mistake.
04:40What?
04:41What's wrong?
04:42I don't understand.
04:43You're a friend.
04:44You go.
04:45You're a friend.
04:46You're a friend.
04:47You're a friend.
04:48You're a friend.
04:49You're a friend.
04:50You're a friend.
04:51You're a friend.
04:52You're a friend.
04:53You're a friend.
04:54You're a friend.
04:55No.
04:56You're a friend.
04:57You're a friend.
04:58You're a friend.
05:00Why?
05:04Why?
05:05My little girl is very beautiful.
05:07You're married.
05:09Okay.
05:10That's it.
05:11The God has given everything.
05:13There is a week of marriage, marriage, a secret.
05:16There's no relaties, some respect that she is among ourselves.
05:17There's no love with her.
05:29Mr. Shetty, it's like something like a kid in the slurs and the city is a man.
05:33I have a friend.
05:36Yes, it's a great, good, good food.
05:40Yes, the truth is that we are not together with you, but we are doing this.
05:44This man will think about it, so we are going to get it.
05:47No, it's my fault.
05:49Your fault?
05:50Yes, my fault.
05:51Look, I won't give a gift, I won't give a gift.
05:55Mr. Shetty, one hand, I will give a gift to everyone.
05:58You are going to die, you are going to die!
06:28So soon you will be ready
06:30What do you think?
06:32What do you think?
06:34Four cards, four people call them
06:36And two things need to be ready
06:38I think that you are too soon
06:40No, no problem
06:42No problem
06:44No problem
06:46No problem
06:48No problem
06:50I will not have a problem today
06:52I will not have one, two, three, three
06:54First of all, meet them
06:56What are you asking?
06:58Hello
07:00First of all, meet me
07:02Do you understand?
07:04I understand
07:08What happened, brother?
07:10What happened?
07:12It's a strange thing
07:14In our time, we were talking about the family
07:16But there was no problem
07:18When you say, I will get to meet your family
07:20After two days
07:22After two days
07:24My new hotel opening is
07:25A small party
07:26I will take it
07:27Yes, of course
07:28I will take it
07:31Brother, this is all
07:35It's because of the business
07:36Security
07:37Security
07:38Yes, security
07:42If
07:43If
07:44You have any help
07:45These people
07:46They will know
07:47They will also
07:48Why are you asking?
07:50Why?
07:51No, it's actually
07:52No, no
07:53I'm not
07:54Actually
07:55One
07:56Two
08:01Who, me
08:03Excuse me
08:04Which
08:05That at that point
08:06No
08:07Prash
08:11There
08:12I
08:13wanted to
08:14talk to them
08:15Cool
08:16IGH
08:20Oh
08:27Oh
08:29Do second
08:30First time I met a girl
08:33Who is she?
08:34She loves her
08:36She has made her
08:38She has also made her
08:39What will she do with my painting?
08:42She will take her from the painting
08:43She will make her
08:44What are you talking about?
08:46She will make her so much
08:47She will make her
08:49Oh, I've worked hard. I mean, this doesn't mean that I'm going to get married to my daughter.
08:53You can understand that he doesn't want to get married quickly.
08:57Look, Sanjana loves this girl. She also loves Sanjana's house.
09:02You're a good fit.
09:04Don't let your girl get upset.
09:06Sir, I'm not able to control my excitement.
09:09Oh, man.
09:10I don't want to ask, but I can't stay without asking.
09:12That's okay.
09:13I don't understand that you're selecting a girl and cancel a girl.
09:16Come on, tell us.
09:17What's that, sir?
09:18Dr. Gungro, Prishtak Cancer.
09:23Okay, that's just a matter of time.
09:24Pardon? That is really cool.
09:26Hey, brother, Rajiv's house is here.
09:29Okay.
09:30Hi, brother.
09:32Brother, this is my uncle.
09:38Yes, uncle, this is my brother.
09:40Uncle, are you okay?
09:41Uncle, I am okay.
09:42Hey, doctor, come on.
09:43Ambulance.
09:44Ambulance.
09:45Ha, ha, ha, ha.
09:47So if we get 100 Adolf and Majinu, we will be born in one girl.
09:51of course,
09:52then we will die.
09:53Are you okay?
09:54Hey, here's a doctor.
09:55Let's go.
09:56I am reliant.
09:57Ha ha!
09:58So, if you're going to die and you're going to die,
10:00you'll have one ghost.
10:02If you're going to die,
10:03then you'll have to put a ghost on your feet,
10:05and you'll have to beat us.
10:06Oh, that's not bad.
10:08You know,
10:09that day when I called the list for canceling the list,
10:11what did he say?
10:12If I die,
10:14then I don't do this.
10:17If I'm like this,
10:19how will the daughter be like this?
10:21How will the mother be like this?
10:23That's why we were dead.
10:25You'll have to think that
10:27you'll have to get a ghost like this.
10:29He was running away from the criminal family.
10:33I'll give her a ghost.
10:35Hey, come on.
10:36Come on.
10:37Come on.
10:38Come on.
10:39Come on.
10:40Come on.
10:41Come on.
10:42Come on.
10:43Don't say that.
10:44Our brother's life is a problem.
10:45What do you love about that?
10:47If you have killed his mother,
10:49then it won't be married.
10:50What do you want to get married?
10:51What are you talking about?
10:52I don't understand.
10:53You're a good friend.
10:54You're a good friend.
10:55You're a good friend.
10:56You're a good friend.
10:57Who are you?
10:58Who are you?
10:59No.
11:00I can do anything.
11:01You can do anything.
11:03Go do anything.
11:05But understand.
11:06Who is your daughter?
11:07Who is her?
11:08What is her?
11:09What is her?
11:10If she's broken,
11:11what is she's broken?
11:12Come on.
11:13Come on.
11:14Come on.
11:15My brother.
11:16Your daughter.
11:17You're a god.
11:18I'm a ghost.
11:19I'll leave her.
11:20Be right,
11:22and sit back in trucks.
11:23Don't be like, control.
11:24Control.
11:26Control.
11:27Control?
11:28Control.
11:29Control.
11:30Control.
11:31Control.
11:32Control.
11:33Control.
11:34Control.
11:35Control.
11:36Control.
11:37Control.
11:38Control.
11:39Control.
11:40Control.
11:41What are you going to do, brother?
11:43I'm going to call him a boy.
11:46I'm going to call him a boy.
11:48I'm going to call him a boy.
11:50You're going to call him a boy?
11:52A boy?
11:53Don't forget that that boy is my best friend.
11:56I'm going to ask you, what is necessary to play a boy?
11:58I thought I would sing a boy.
12:00I'm going to go.
12:01If you're going to play a boy?
12:03You're going to play a boy?
12:04I'm going to play a boy. Sorry.
12:06I'm going to play a boy.
12:08I'm going to play a boy.
12:11I said, go and play a boy.
12:13I said, no.
12:14Why did I play a boy?
12:16And brother, that's the thing.
12:17I was going to call him a boy.
12:19He was going to call him a boy.
12:21How does he call him a boy?
12:23How do you call him a boy?
12:25He's got a boy.
12:28He's got a boy.
12:30He's got a boy.
12:32Kill me!
12:33But if you're going to call him,
12:35I'll leave him.
12:37What?
12:39What should I do?
12:40What can I do?
12:41What can I do?
12:43I can not kill him.
12:44I can't even kill him.
12:46He's going to kill me.
12:47Tell him what he did.
12:48Tell him.
12:49My body was lost.
12:50I had a big
13:07Oh can I get the control?
13:08Just like the mangani, it's your own story.
13:10You're a very smart guy.
13:13You might not have a feeling of your uncle.
13:15You might not have a feeling of your uncle.
13:17So you don't ask yourself,
13:18do you think I'm going to take this mangani or do you?
13:22Now take it on your uncle.
13:26We'll take my uncle like my mother and my mother.
13:32I love your daughter and I always love her.
13:34I love you, and I will always do it.
13:37But I won't get married with these bullets.
13:42Excuse me, my sir.
13:44I'm going.
13:45If you don't have to stop,
13:47then you have to hit my bullets.
13:56Rajiv.
14:02Rajiv.
14:03I want to forgive him.
14:07Rajiv.
14:08What are you doing?
14:10Today, a brother has asked his feelings of happiness.
14:13When I was a bad man,
14:15I want to forgive you.
14:17I want to forgive you.
14:19I can't believe in this wrong place.
14:21I can't understand people's eyes.
14:24I'm going.
14:26I'm going.
14:28I'm going.
14:30I'm going.
14:32I'm going.
14:33I'm going.
14:34I'm going.
14:35I'm going.
14:36I'm going.
14:37I'm going.
14:38I'm going.
14:39I'm going.
14:40I would forgive you
14:42and forgive me.
14:43You have to forgive me
14:44and pardon me.
14:45I will forgive you
14:52and take it through.
14:56Yeah!
15:15Hey, why are you talking to this bitch?
15:18I'm going to put all my balls in the head of RDX.
15:22But what's the benefit from that?
15:25three-three times six-six
15:28guliai khané ke baad bhi
15:29hoosh mein aajate
15:30or urte sahar bolte
15:31abhi am jinda hai
15:33was sali chokri
15:37ne zillel ahi kya bol diya
15:38aapne aapko seriously
15:40aakbar ayazam sabadde laghe
15:41or humari bain ko bana diya anaarkali
15:43majnu bachpan mein meinra baap
15:46meire ungli pukhda ke mandir leke jata tha
15:48mandir ki diwara par
15:50eek bata likei thi
15:51insaan ko aapne bure karmo ki saza
15:54isi zimbegi mei bhogarni pardti hai
15:56bachpan ki sabhi yaadye dhundi hoogayi
16:01lekin wo diwara ki baad
16:02abhi tak yaaha chipkei padi hai
16:04mujhe lagta hai
16:07mire paap hi mire
16:07behen ke kushyok ke aad yaar
16:09aadhi hai bhai
16:16aadhi hai bhai
16:16welcome
16:17aadhi
16:17aadhi
16:22sunil shetti bhi haa woi toh hero ya
16:24rajiv
16:25tumhaare ڈirekter dhoste kekkar
16:26bhaiya ko sunil shetti se milvao na
16:28aris me kya bade baat haa na
16:30aadhi
16:30aadhi sir
16:30maynay aapse pahli bhi kaha ta ki
16:32baun script ke pagaer
16:33nahiye film nahi karonga
16:35aadhi skript taiyar hai bhai
16:36kaha haa script
16:37yaan hai
16:37aachha aachha aachha
16:39sunil shetti sahab
16:40budhay shetti
16:41shetti shetti shetti
16:42mouskara anna
16:43nambuskara anna
16:44yanna budhay shetti
16:45aachha aachha
16:46ek-karkar
16:46nene aap kya kehna jára hai
16:48kya kehna jára hai
16:49aapko shakh hai mire kabuli pe
16:50ari nai nai sir
16:51aap toh great director
16:52hore genius o aap
16:53But I'm not scripting.
16:55You're shooting with me tomorrow.
16:57Or you're out of the film.
16:59That's it.
17:00Okay sir, what's your name sir?
17:02Huh?
17:03What do you think?
17:05What do you think?
17:06If you don't want to work with me, then I'll leave.
17:08Go!
17:09Go!
17:10You'll become a film without you.
17:12What did you do?
17:13If there's no star, then how will the film become?
17:15Where will it come from?
17:16Where will it come from?
17:17I'll take a star and make a star.
17:23What?
17:24Hey!
17:25Come here.
17:26Hey, you.
17:27Yeah.
17:28Look here.
17:30Look here.
17:31Look here.
17:32Look here.
17:34Look.
17:35Good.
17:36Now you are my hero.
17:39You got it sir.
17:41Sir.
17:42What are you doing?
17:43You can't do this work.
17:44Why?
17:45Why can't you do this?
17:46Where is acting?
17:47This is a business shooting.
17:49There's no camera here.
17:51There's no camera here.
17:53Can I tell you?
17:54Actually.
17:55I'll tell you.
17:57Actually.
17:58I was shocked to work with my brother in my childhood.
18:00I know it.
18:01I know it.
18:02One minute.
18:03Excuse me.
18:04What are you doing?
18:05You can't kill this man.
18:06Why?
18:07You're crazy.
18:08What are you talking about?
18:09I'm talking about Sune Chaiti.
18:10But I'll give you a little bit.
18:12What is that?
18:14You have time for this job.
18:16For this job, it's time for this job.
18:18Yeah.
18:19I know, that's enough time.
18:20I have time for that job.
18:28All right, sir.
18:29This is a plan for today.
18:30Yes, sir.
18:31Yes, sir.
18:32Good boy.
18:33Look at your eyes.
18:34Start early.
18:35Move to the stage, come on.
18:36Yes, sir.
18:37Who are you from that?
18:38Hello, Mr. Odai?
18:41I'm Purushwattam, Papu.
18:43Pappu.
18:46He's a municipal officer of this area.
18:49Naya.
18:51Do you know that this house is illegal?
18:55I don't know who it is.
18:57It's RDX.
18:58And who it is? I know this too.
19:03Is there anything that's called the law?
19:07No, no, don't worry.
19:08I'm just a very dangerous person.
19:10But I'm a man who's very good.
19:11I work in the law of the law.
19:15If you have any good advice, take it away.
19:18I'm going to go to the house.
19:19Come on, brother.
19:20I'll help you.
19:24Come on, guys.
19:25I'll help you.
19:26Come on, guys.
19:27Come on, come on.
19:28What a joke, brother.
19:31The hero of the film's complex has given you.
19:34Tell me.
19:35Tell me.
19:37I have a big tank.
19:39I have a big tank.
19:40Don't tell me what happened to Murat.
19:42Oh, Murat?
19:44That's a great thing.
19:46Listen, I took the dog and took the hero to the boy.
19:51I'm taking the money for someone.
19:54No, no, no.
19:54I'm taking the money for someone.
19:56I'm taking a big actor.
19:59He's a great director.
20:01And, Majnu, brother, look.
20:02There's a photo in the paper.
20:04Come on, brother.
20:05Look.
20:06Look.
20:06But what's the news about you?
20:11Now, we'll throw the dogs in the race.
20:14Come on.
20:15Come on.
20:15Come on.
20:16Come on.
20:17Come on.
20:18Come on.
20:19Come on.
20:19Come on.
20:19Come on.
20:20Come on.
20:21Come on.
20:21Come on.
20:22Come on.
20:22Come on.
20:23Come on.
20:23Let me go.
20:24I'm eating.
20:26Hey, Majnu, brother.
20:27Come on.
20:28Look.
20:29Come on.
20:30Get out of his face.
20:38Come on.
20:40What about you?
20:41My mother told you that this house is gone.
20:43No.
20:44I'm not.
20:45Why did I break my phone?
20:47Come on.
20:48Action!
20:53HALO!
20:55LELO!
20:57KANDE!
20:59LELO!
21:02HALO!
21:05LELO!
21:07KAMAL!
21:08KAMAL!
21:09KAMAL!
21:10KAMAL!
21:11EK BAT NOTE KER LO MERE!
21:12IS DUNIYA COO BAHUT BADA ACCHAR DE RAH HOMEH AANCH!
21:14KEEP IT UP!
21:15SHAMASH!
21:16HALO!
21:17SHOT TELEAR KIRKUTHAY?
21:18UNIT, GO!
21:19HALO!
21:20HALO!
21:21HAHA!
21:22BABAHI, SAB!
21:24KAMAL KARTI AAP NE!
21:26KITNA TALENTHERED AAP!
21:28AMAISZE!
21:30SANJANA, TUM KUCH NAHINKA HOGI!
21:32BAILLA!
21:33MUJHE THO LAGRAH THA, AAPKE SAATH BAHUT MUSKIL HOGI!
21:35LELAKIN KITNA AASANI SE SAB KUCH HOGIYA NA!
21:37KAMAL KARTI AAP KITNA AASANI SE SAB KUCH HOGIYA NA!
21:39CHENALA RAJIM!
21:40DECK DECK DECK DECK!
21:41Yes, say it.
22:11There is no one apple or pork.
22:14Half?
22:15Yes, half.
22:17Okay, please give me this shot.
22:18You want to meet Madam?
22:20Who is Madam?
22:21Your heroines of the film.
22:23Come here.
22:34Come here sir.
22:35You are Miss Isha.
22:37Hello.
22:38Superb.
22:39Mind blowing, fantastic.
22:40I can't even think that this is your first film
22:43And the first day of shooting
22:45I'm glad to meet you there
22:47Same, same here
22:49I hope you don't mind me calling you there
22:52No, not at all
22:54I'm going to have a short radio
22:55Hurry
22:55Hurry
22:57Yes
22:58Look there, don't mind me, please
23:00I had to leave this film
23:02Why?
23:03Because when I realized that the director has removed the hero
23:06I wasn't very comfortable, you know
23:08I know
23:09But when I saw your acting
23:11Oh my god
23:12I mean
23:13The way you said that dialogue
23:15I'm going to take a bite
23:16I'm going to be your fan
23:19No, just
23:20I'm going to try to see a small actor
23:21I want your autograph
23:25Oh yes
23:26Yes
23:28Welcome, welcome, welcome
23:35Welcome
23:36Thanks
23:39Welcome
23:41Now we're going to have fun working with you
23:42Very
23:43Welcome
23:44Bye
23:45Bye
23:45Bye
23:46Welcome, welcome, welcome
23:48Bye
23:51Bye
23:52Huh
23:52Looks like this heroine dropped into your love
23:57하지
23:58den
24:01come
24:02który
24:02pay
24:03Daddy, I am very proud of you.
24:07Now, the world is no one who wants us.
24:15What are you doing, brother?
24:17You are good.
24:19What are you doing on shooting?
24:21Uday,
24:23today we have a meeting fixed from Disloa.
24:26Simon Gomi, I have called to Singapore.
24:28Today we have to go.
24:30Yes, we will be back up.
24:32We will go and meet them.
24:34They will be fine.
24:38Who came here?
24:40The director changed the shot.
24:42You were going to go to the girl's hand.
24:45Now, you are going to go to the girl's hand.
24:47But, how do you ask her?
24:49They are not going to go to the girl's hand.
24:51No, we are going to go to the girl's hand.
24:53This is not going to go to the girl's hand.
24:55No problem, brother.
24:56Just sit on the girl's hand.
24:57You will go to the girl's hand.
24:58No, but the first shot was good.
25:00I am going to go to the girl's hand.
25:02Just understand her.
25:03You know,
25:04I am going to go to the director's hand.
25:05Sir,
25:06then the man will close the picture.
25:07Do you want to close the picture?
25:08No, no, no.
25:09Then?
25:10Do you know which car you are going to go?
25:12Do you know?
25:13Not even if you are going to close the picture.
25:14Maybe there's a word over here.
25:15If you are going to go for the girl's hand.
25:16Or that ain't going to close the picture.
25:17Many people are going to close the picture.
25:18If you are going to close the picture.
25:20Fire!
25:21Fire!
25:22Fire!
25:23Fire!
25:24Fire!
25:25Fire!
25:26Fire!
25:27Fire!
25:28Fire!
25:30Any opponent?
25:31Fire!
25:32Oh, no.
25:34Do you do not worry about it?
25:35The wildfire.
25:36Not even if you are not going to prohibit one man.
25:37Here are those .
25:38This is his name.
25:40What is it?
25:42What is it?
25:42Bro, the son is here.
25:44You can't show them so big, man.
25:47See, here the scales have to stop.
25:48Let us go.
25:49Let us take her hand over the baby.
25:50Simple.
25:51This is not what it stops.
25:53How do you do?
25:54I have to stop you.
25:56We have to stop.
25:56It is not, let's stop.
25:57Time is to stop.
25:58Let's go here.
26:00The sound is ready.
26:01Sound.
26:02Take 32.
26:05Action!
26:05Come on, come on!
26:10Where are you from?
26:17Where are you from? Cut it!
26:20Where are you from?
26:23I'm here, I'm here.
26:26What are you doing there? The girl's father is here.
26:29This father doesn't believe me. What do I do?
26:32What do we do? Let's close the shooting?
26:35Who?
26:36Let's go!
26:42Action!
26:56I'll give you the girl's hand, please.
26:59Cut it! Cut it! What are you doing?
27:02I've got the girl's hand.
27:03I'm just asking for the girl's hand.
27:04Why are you asking me?
27:05You're asking me to give the girl's hand.
27:06I'm asking for the girl's hand.
27:07She'll give the girl's hand.
27:08Why don't we just keep the girl's hand on her hand.
27:11Please, please, just a shot.
27:13Please.
27:14Hey!
27:15The girl's hand.
27:17I'm going to take care of you.
27:21Wait, wait, wait, wait, wait.
27:22What's the girl's name?
27:23Stop it, please.
27:24Look!
27:25I need to give the girl's hand.
27:27I've got the girl's hand.
27:28Move the girl's hand.
27:29How did you do that?
27:31My client asked me to kill the girl.
27:33Yes, you go.
27:34Do my friend.
27:35原因.
27:36This is the person who's kidnapped.
27:37This person who's kidnapped.
27:39This person who's kidnapped.
27:40Yes, go ahead.
27:41It's under the person who's kidnapped.
27:42It's under the person who's kidnapped.
27:43For instance,
27:53A picture?
27:55Backup!
27:56Backup!
27:56You!
27:57Backup!
27:58Backup!
27:59The next time is, Mr. Majnub Hägy!
28:05Hey!
28:10I'm coming, I'm going to get all this.
28:12Parti, where are you?
28:13Don't give attention.
28:14I'll get all this.
28:17It's the party.
28:22Sorry!
28:23I'm sorry.
28:32Sorry.
28:34Hello?
28:35Sorry.
28:35Sorry.
28:38Did you hit the ball?
28:39Huh?
28:40Brother.
28:41I understand. Sanjana.
28:42I understand.
28:43I understand.
28:44I understand.
28:45Stop.
28:46You're wrong.
28:47Stop.
28:48You're wrong.
28:49You're wrong.
28:50Control.
28:51Control.
28:51You're wrong.
28:52Control.
28:53Control.
28:54You're wrong.
28:55You're wrong.
28:56How will you tell RDX Sir?
28:58Sir, don't worry about RDX Sir's tension.
29:00That's the problem I've solved.
29:02They told me.
29:03That his son hit the ball and he's here in the hospital.
29:06Stop.
29:07Rito.
29:08What's the need to tell them?
29:10What's the need?
29:12Tell me.
29:13You bastard.
29:14You bastard.
29:15Kill you.
29:16You bastard and kill you.
29:17No, no.
29:18You bastard.
29:19You bastard.
29:19You bastard.
29:20You bastard.
29:21You bastard.
29:22So, what do you mean?
29:23You bastard.
29:24You bastard.
29:25You bastard.
29:26And you bastard.
29:28No, no.
29:29So, that you're wrong with RDX Sir's.
29:30You bastard.
29:31Get away from your son.
29:32So, that means that neither of you can talk to him.
29:34Do you say anything?
29:36Boy.
29:37Is the girl very intelligent.
29:41But Dr. Sir,
29:44you will die with this.
29:46You'll die with the guarantee.
29:47So, let me call it in the middle of this place.
29:54Let my dad come.
29:55You've got your hands.
29:56Let's do our kanyadan too.
29:58My love isn't our own, sir.
30:01That's okay.
30:02But first, you'll get your own money.
30:08Buy one, get one free?
30:11Hey, Bhajno.
30:13What are you doing here?
30:15What are you doing here?
30:17I don't like that.
30:19What are you doing here?
30:20Leave your hands on your baby.
30:21I'm doing it.
30:22I'm doing it.
30:23This is my Isha.
30:24This is my Isha.
30:25Isha, tell her.
30:26Isha, tell her.
30:27Tell her.
30:28Tell her.
30:29Rajiv, tell her.
30:31Actually, what happened, sir.
30:32One minute.
30:33These two, sir.
30:35Run from here.
30:37Run!
30:38Why are they running?
30:39I'm asking.
30:42Why are they running?
30:44HORSUS
31:00They're running.
31:01If you did not call her,
31:02then I have to manage you with God.
31:03Those are all the things.
31:04You are so� and Latin
31:05and as a woman, Rajiv!
31:06Adios!
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