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  • 3 hours ago
Shelter In The Mafia
Transcript
00:00:00Hey, what are you doing with my stuff? How'd you get in here?
00:00:11I gave him the keys.
00:00:12Carl? I mean, what are you doing here so late? And what's that guy doing with my stuff?
00:00:17Tasha, Tasha, Tasha. You're always asking the wrong questions.
00:00:24What the hell is going on?
00:00:26Do you really think you're that thick, Tasha?
00:00:29Your husband and I decided that you're no longer needed here anymore.
00:00:33Reyna's gonna take over your role at the company.
00:00:35She's already proven she can do everything you can, but better.
00:00:39I'll have a letter of termination and divorce papers sent over to your new address,
00:00:43wherever that ends up being.
00:00:45What should I do with this, boss?
00:00:47Give me that new plebe. I know exactly what to do with it.
00:00:53Is that clear enough for you, Tasha?
00:00:55Tasha, your company and your husband both belong to me now.
00:00:59No, you can't just fire me. I'm a shareholder at this company.
00:01:07Are you still a shareholder at this company? Are you?
00:01:11You know, actually, your debt is mortgaged with your shares, so you actually owe this company about 200 million.
00:01:17I never took out any loans that large.
00:01:19Oh, Tasha, you were always so gallible.
00:01:23A word of advice for the future?
00:01:25Don't give the keys to the kingdom to your assistant, no matter how trustworthy your feeble brain think they might be.
00:01:33Security! Security! We have a vagrant in the lobby and she might become hostile.
00:01:39Stop acting. I'll just leave on my own.
00:01:47Look, there's no glamour. There's no glory. It's just blood, guts, fear and misery.
00:01:55Come on, man. You think I'm some kind of moron that doesn't know anything?
00:01:59I know that the type of money you make in just a few days, I can't make that in 10 years working as a stick.
00:02:05But at least you're guaranteed to be alive in 10 years. In my world, you're not guaranteed to be alive in 10 days, let alone 10 minutes sometimes.
00:02:12Yo, yo, man. Stop lecturing me. Are you gonna give me the gun or not?
00:02:18I'm sorry, but no. I'm not gonna let you get killed.
00:02:23Man, what the fuck you got me here for then? Shit.
00:02:27Oh, I guess you didn't hear. The repo guy. He came and towed your car away.
00:02:48Ugh. Said it was like collateral for a loan.
00:02:52Of course, I made the call and arranged everything. My pleasure.
00:02:59You despicable trash.
00:03:02You know, I was gonna give you a ride, you know, seeming that we were married for so long.
00:03:07But walking the streets at night kinda suits you. So, enjoy.
00:03:14Go to hell.
00:03:22Get over the streets at night.
00:03:23get over the streets at night.
00:03:24Get over the streets at night.
00:03:25Get over the streets.
00:03:26Get away to the park.
00:03:27Get over the streets at night.
00:03:28Okay, you're not gonna go.
00:03:29Get over the streets at night.
00:03:30Miss?
00:03:31Just go away, alright?
00:03:34I don't need your cheap sympathy for me, isn't it?
00:03:35Just go away, alright?
00:03:37miss just go away all right i don't need your cheap sympathy right now miss your friend's gone
00:03:53i just want to offer my cab services
00:03:56yeah i'm i'm sorry a a cab is just what i need right now all right great come on board
00:04:07sorry i i don't have any cash right now um give me a minute i'll go grab some from inside
00:04:34here just proof i'm not trying to skip out on the fair
00:04:39you have some nerve coming back here i never wanted my son to marry you in the first place
00:04:54and now that he's finally come to his senses and kicked you to the curb
00:04:58you think that you can just waltz right back into his house his house
00:05:03my father left me this house and i know you're senile but i'm sure you remember when you
00:05:11practically begged me to let you and carl live here
00:05:14i always knew you were a nasty little hussy
00:05:18who the hell are you this is a personal matter so you should really mind your own business
00:05:28and stay outside actually this is my boyfriend so if it's a personal matter for me it's a personal
00:05:36matter for him okay what you think your son's the only one capable of having secrets
00:05:43hey thanks again for today i know that's a weird position to put you in
00:06:03sorry it is really nice to know that there is still good people out there that would help a total
00:06:11stranger have a good night all right you too
00:06:41where's my necklace
00:06:59here just proof i'm not trying to skip out on the fair
00:07:05there's a fancy broad like you find yourself in a place like
00:07:35this. Who the hell are you? Get out now! All I'm trying to do is introduce myself and you're treating
00:07:41me like some dog shit you found stuck to your shoes. I'm calling the police! How about I give
00:07:51you a better idea? You and I are going to have some good old-fashioned fun tonight. If I ever see you around here again you're dead! Get out of here!
00:08:21Oh, I'm so glad you're here. Where did you get this necklace? My father gave that to me. You better not be lying to me. I'm not lying. He made that with his own hands. It has my name on the back.
00:08:44It's really you?
00:08:49Hey. How are you feeling?
00:09:03How did...how did you...
00:09:08Lift your bag in my car.
00:09:10How did you know where to find me?
00:09:13I have my ways.
00:09:16Hey, listen. I know it's none of my business, but it's not safe for you here.
00:09:22With everything that's happened in the last 24 hours, this is...all I can afford.
00:09:28Listen, I have an extra room in my place. Maybe you can just come stay with me.
00:09:35You can just come stay with me.
00:09:56Welcome home.
00:09:57I really feel like my luck is starting to change. I mean, you've literally rescued me over and over today.
00:10:09I know what it's like. I've been rescued before.
00:10:13Um, I'm sorry. I...I don't think I can make rent right away, but, um...
00:10:20You could sell this ring and then...should cover me for a few months. At least until I'm back on my feet.
00:10:26I thought he was a really rich guy. Why did he choose such a small diamond?
00:10:32It's not a very good cut, either.
00:10:36Okay. Never mind. I...can just...
00:10:40No, it's fine. I'm just saying. You deserve a better ring than this.
00:11:06No, babe. Stop. It's late. Okay?
00:11:16You're still thinking about her.
00:11:18Who? Tasha? Are you kidding me?
00:11:21Then why are you wearing the wedding ring? Did you forget what she and her father did to you?
00:11:26I will never forget what she and her father did to me.
00:11:30But that has nothing to do with you.
00:11:32So why don't you stop mouthing off about shit that you know nothing about and let me handle my own affairs.
00:12:02Mary?
00:12:14What?
00:12:19Hey, what's going on?
00:12:20My daughter's missing.
00:12:22What?
00:12:32Tasha, you shouldn't have barged in like this. If Carl finds out...
00:12:38No, I don't care about Carl right now, okay? Where's my daughter? Where's Anna?
00:12:43I sent her away.
00:12:45Oh.
00:12:47You have no right.
00:12:49Actually, as Carl's new wife and Anna's legal guardian, I have all the rights to do whatever I want with my stepdaughter.
00:12:59What?
00:13:04We never settled custody, so just skip the theatrics and tell me where my daughter is.
00:13:10You think you're getting custody?
00:13:12You're dreaming.
00:13:13You're dreaming.
00:13:15On one hand, we have a mother drowning in death with no place to live.
00:13:21On the other hand, we have a wealthy and well-respected father who happens to be the CEO of the world-renowned pro group.
00:13:31Carl, who do you think the court will side with?
00:13:42Oh, what's going on?
00:13:43Oh, Carl!
00:13:45Carl, it's okay.
00:13:46Tasha was understandably upset about the situation. You know, I don't blame her for what happened.
00:13:51You trespass on my property? Assault my wife in her own home?
00:13:55Tasha, I have put up with your outrageous behavior for years, but don't you dare subject Raina to that kind of abuse.
00:14:01You don't understand. Raina sent Anna away.
00:14:04She did what any good mother would.
00:14:06I want to know where my daughter is right now.
00:14:08New Zealand.
00:14:10Getting medical care from one of the best cardiology departments in the world.
00:14:15And remind me, what have you done for your daughter lately?
00:14:18Hmm?
00:14:19Abandon her?
00:14:20To go shack up with some cab driver boyfriend?
00:14:23You idiot!
00:14:24I found those cardiologists in New Zealand.
00:14:27Scheduling those appointments was the last thing I had Raina do when she was still my assistant!
00:14:32Tasha, Tasha, you disgust me.
00:14:34Trying to take credit for this wonderful woman's kind gesture to your own sick daughter.
00:14:39I'm gonna make sure Anna stays far, far away from you so there's no possibility of her ever becoming anything like you.
00:14:51You backstabbing, homewrecking bitch!
00:14:58I advise you stay far away from my daughter and I.
00:15:03By the way, the deed still lists me as the rightful owner to this house.
00:15:10So the two of you have no right to keep me from coming back here. Do you understand?
00:15:14Calm down.
00:15:15You can forge my signature. You can take my money. Take my house.
00:15:20But you will never have a shred of the intelligence that I have.
00:15:24Tasha, you have made your point. I think it would be-
00:15:26You deserve that too! You should have told me about Anna a long time ago!
00:15:35Oh, don't stop at my account. Please. Continue.
00:15:40Miss Big Shot, don't you forget that you still owe 200 million dollars.
00:15:46And 20 millions of that is owned to me, personally.
00:15:49In fact, I'm going to call my lawyer and see to it that if you don't pay right away,
00:15:53you'll never going to see your daughter ever again and you'll end up in debtor's prison.
00:15:59Ciao.
00:16:00Go ahead and check it out.
00:16:05But after your accountant, make sure this is all legit.
00:16:07I don't want you two jackasses hunting my girl for money ever again.
00:16:10Got it?
00:16:16Oh!
00:16:17By the way, we're going to go ahead and take Anna in the future too.
00:16:21Don't worry, Carl. I'll be a better father to her than you ever can be.
00:16:25Tasha, you'll regret this.
00:16:33Thanks again, Kerr, today.
00:16:37For pretending to be my boyfriend.
00:16:42Mm-hmm.
00:16:45Was all that money real?
00:16:47As real as it comes.
00:16:49Where'd you get all that money?
00:16:51I robbed a couple jewelry stores before I came to find you.
00:16:55Are you serious?
00:16:57No, I'm just joking.
00:16:59It was my dad's.
00:17:00Don't worry, it wasn't stolen or robbed or anything.
00:17:03But hey, listen.
00:17:05From now on, I want you to think of me as your creditor.
00:17:07Okay?
00:17:08I don't want you to worry about owing money to those scumbags.
00:17:11From now on, you'll just throw money to me.
00:17:14As long as you're okay with that.
00:17:16I could be okay with it.
00:17:18As long as you can satisfy one small request.
00:17:20What kind of request?
00:17:23My only request is that you just relax.
00:17:36Okay?
00:17:37Why don't you just take a load off.
00:17:39Why don't you start by telling me a story, you know, about the last time it was when you were happy.
00:17:44You were happy.
00:17:58You know, I just, I never in a million years could imagine that Carl would betray me like this.
00:18:04I have nothing.
00:18:07Well, I mean, you always have me and, you know, other things.
00:18:18I can't hear you. You're whispering.
00:18:22You're whispering.
00:18:23You're whispering.
00:18:30You're whispering.
00:18:35Oh, Carl.
00:19:03You know, Tasha's probably screwing around with that new boyfriend of hers.
00:19:08That bitch.
00:19:10Honey, you know, you promised to put me in touch with the curator at the Fitz Gallery.
00:19:15I'm telling you, forget about the Fitz Gallery, okay?
00:19:18The people who are running it are crooks.
00:19:20But I want my paintings to be showcased in the most prestigious venue possible.
00:19:25I know, I know. And I said I would help you find other galleries. Remember?
00:19:30Just stop nagging me about it, okay?
00:19:34Okay.
00:19:37You're a little angel.
00:19:39It's okay. Just sleep in.
00:19:46It's okay. Just sleep in.
00:20:06Well, it's certainly going to make things more complicated.
00:20:10So you want to pretend last night never happened?
00:20:18I thought we had a good thing going on between us.
00:20:21I mean, you've been going around the last couple of days telling everybody I was your boyfriend.
00:20:25Yeah, but that was just something I said to make my husband jealous.
00:20:31You mean your ex-husband?
00:20:34Yeah. Ex.
00:20:36Yeah.
00:20:39But I mean, you and I...
00:20:42You know I can't start a new relationship right now.
00:20:47So everything you said last night?
00:20:50We were just caught up in the heat of the moment.
00:20:54Heat of the moment.
00:20:55So it was all just bullshit.
00:20:58Why? To get me into bed with you?
00:21:01Just have a one night stand?
00:21:04Because you miss being with your damn husband?
00:21:06Your damn husband?
00:21:20So everything you said last night?
00:21:25Get older yourself.
00:21:27You just got divorced.
00:21:30You're not going to play mind games with men anymore.
00:21:35Hey.
00:21:39I wasn't sure what you liked, so...
00:21:42I just made a little bit of everything.
00:21:45You made all this?
00:21:47Yeah.
00:21:55So what do you think?
00:21:56It's delicious.
00:21:58It's delicious.
00:22:04I mean, you deserve to have some of your awesome breakfast too.
00:22:08But hey.
00:22:10You're not going to maybe sit here and eat this alone, are you?
00:22:17You've got some sauce right here.
00:22:18All that for some sauce right here.
00:22:26All that for some sauce, huh?
00:22:28Frink-shittingly?
00:22:35Hello?
00:22:37Mommy, I miss you so much.
00:22:39Anna.
00:22:41Mommy, I miss you so much.
00:22:43What's going on?
00:22:44Okay.
00:22:48Both of your resumes look excellent.
00:22:51I have a question.
00:22:55If you spilled a glass of milk in the ocean, how would you get it back?
00:22:59What does that question have to do with our work?
00:23:01Well, I suppose you could contain the section of the ocean with the spilled milk, and then collect that sample, add a centrifugal force, and there's probably a good chance of separation.
00:23:18So, at our company, we are always trying to make the impossible possible.
00:23:23And for that, we need people who can think on their feet.
00:23:27Derive solutions.
00:23:29No matter how outlandish the task at hand may seem.
00:23:38Hello?
00:23:39Uh-huh.
00:23:43Okay.
00:23:54Congratulations, Miss Michaels.
00:23:56Welcome to the Eastwood Corporation.
00:24:09If you don't mind me asking, why didn't I get the job?
00:24:15Mrs. Roberts, maybe you should focus on fixing your own family problems first, before you start to look for work again.
00:24:26We don't want to make enemies with the Crow Group.
00:24:39So, I guess you didn't get it?
00:24:44I just don't understand why Carl hates me so much.
00:24:47I mean, he doesn't want me to work for his company, but he doesn't want me to work for any other company either.
00:24:53Look, you don't need that corporate job anyways.
00:24:56Yeah? What else can I do?
00:24:59I mean, I thought you were an artist, now a painter.
00:25:03How'd you know about that?
00:25:05You brought an easel.
00:25:09It's just a hobby.
00:25:12I gave it up.
00:25:14I don't paint anymore.
00:25:18Okay, well, if you don't love to paint anymore, then why bring an easel with you?
00:25:26I haven't painted in years.
00:25:28I'm sure it'll be just like riding a bike.
00:25:31Once you start, it'll all come back to you.
00:25:33I'll come back to you.
00:25:38That's my account. Why are they assigning it to someone else?
00:25:42Fine, fine. Just get me some damn answers and give me a call back soon, okay?
00:25:49Carl, this took me three months.
00:25:51I'm sorry, I just got some bad news at work.
00:25:55It's ruined now.
00:25:57Fine.
00:25:58Start over.
00:26:00You know, it kills me to see you squander your intelligence and talent on these useless paintings.
00:26:05You're a remarkable woman, Tasha.
00:26:10Okay, and if the charlatan snobs in the art world can't see that, then screw them, okay?
00:26:16If you put your focus elsewhere, we could be rich enough to buy ten art galleries.
00:26:21And then you could put whatever paintings you want in them, right?
00:26:26Painting's my passion.
00:26:29What if we put painting on the side, just for a little while, and you could come join me at the company?
00:26:37Just together, we'd be unstoppable.
00:26:42And right now, I am drowning.
00:26:45Your dad and his partners have no faith in me.
00:26:48I need you.
00:26:52Look.
00:26:56You love me.
00:26:57Don't you?
00:27:01Of course I do.
00:27:03Okay, then just do this one thing for me.
00:27:07This one little thing.
00:27:08Please.
00:27:18Fly away with me.
00:27:22Take you high.
00:27:24Sorry.
00:27:26To smile.
00:27:28It's my only dream.
00:27:33Steering out into the sea.
00:27:36Finished.
00:27:38Yep.
00:27:40That is amazing.
00:27:45Thank you. I honestly never thought I'd paint again.
00:27:50Well, that would have been a shame. You're easily one of the most talented artists I've ever met.
00:27:53We're honored that you chose our gallery to showcase your work. I am curious about one thing, if you don't mind me asking.
00:28:05The subject in your paintings, your muse, is he your lover?
00:28:09Oh. No. He's just a friend of mine.
00:28:10But his gaze, the way he looks out to you in these paintings, there's so much tenderness and affection in his eyes.
00:28:12Hmm.
00:28:13I don't know he's got a friend.
00:28:14He's got a mate, huh?
00:28:15So, we're honored that you chose our gallery to showcase your work. I am curious about one thing, if you don't mind me asking.
00:28:18The subject in your paintings, your muse, is he your lover?
00:28:24Oh, no. Uh. He's just a friend of mine.
00:28:32But his gaze, the way he looks out to you in these paintings there's so much tenderness and affection in his eyes.
00:28:39Is Ken really in love with me?
00:28:46He's so young, though.
00:28:48At his age, he probably doesn't even know what love is.
00:28:52Oh, sorry, you're in the way.
00:28:56Actually, you're in my way.
00:29:00Actually, you're in my way.
00:29:02I'm trying to get into my home.
00:29:05Is this your new girlfriend?
00:29:06I've never seen you with anyone like this before.
00:29:11Ken's my roommate.
00:29:12Now, if you'll please step aside so I can get in.
00:29:19Call me again if you need anything, okay?
00:29:21Bye.
00:29:25Hey, what are you doing home so early?
00:29:27Are they going to showcase your work?
00:29:29Sorry if I interrupted something, but as your roommate,
00:29:33I don't really think I need to tell you if I'm coming or going.
00:29:35So, if you have something private to do, just do it in your room.
00:29:37I never said you need to tell me when you're coming or going.
00:29:40I'm just saying.
00:29:41Fine, you don't need to explain.
00:29:42Just, I just want to be alone.
00:29:49What?
00:29:50I'm so sorry, sir.
00:29:56She just barged in without permission.
00:29:58It's okay.
00:30:00Miss Roberts, please.
00:30:01Grab a seat.
00:30:03We signed a contract.
00:30:05Why can't you show my paintings now?
00:30:07I'm afraid I don't have the answers you're looking for.
00:30:09You want to know what happened?
00:30:10Ask Carl Crow.
00:30:11I want my paintings back, right now.
00:30:19Well, they're probably somewhere in the warehouse.
00:30:22They haven't been thrown away yet.
00:30:23You've already searched the entire warehouse ten times.
00:30:51If you haven't found what you're looking for, it's not here.
00:30:52You better hope I find what I'm looking for,
00:30:55or I'm going to make this entire gallery compensate me,
00:30:58and then I'm going to sue you,
00:30:59and you'll be the first to lose your job.
00:31:02Yeah, that's great, lady.
00:31:03Go ahead and sue.
00:31:04I'm sure things will go exactly the way you described it.
00:31:06I'm sure it's fine.
00:31:39You really care about her.
00:31:55Shh, keep your voice down.
00:31:57She's had a long day.
00:31:59Also, you can't just come over here so casually in the future.
00:32:02Casually?
00:32:04Are you kicking me out?
00:32:06You didn't mind my coming over so casually when you had me digging through your body for bullets.
00:32:11You men are cold as hell.
00:32:13I think my lucky star is on the last band.
00:32:15Look, I just can't have her finding out about the work that we do, okay?
00:32:18Are you serious about her?
00:32:22Yeah.
00:32:22Have you thought about the consequences if your dad finds out?
00:32:25Look, no.
00:32:28You and I have been best friends for over 20 years, okay?
00:32:32And my dad has taught me everything that I know.
00:32:35I think maybe it's time I just figure things out on my own.
00:32:38And you know exactly what I went through last time.
00:32:42I'm not gonna lose her again.
00:32:43Don't worry, Anna.
00:32:49Mommy's gonna find a way to bring you home soon.
00:32:59All the evidence is here.
00:33:00It's exactly what you thought.
00:33:03Let me know if you want me to find out more.
00:33:05Carl, let's meet.
00:33:21Oh, wow.
00:33:31It's not every day a famous painter comes to visit.
00:33:36To what do I owe the pleasure?
00:33:38The company I supposedly borrowed money from.
00:33:43It's a shell company owned by you.
00:33:47So what?
00:33:48All our operations are legal.
00:33:50You signed the documents.
00:33:52You borrowed the money.
00:33:54All you can do now
00:33:55is pay it back.
00:33:59You know,
00:34:00I don't think you actually want me to pay back the loans.
00:34:06You were just looking for an excuse
00:34:08to have me back in your life.
00:34:11You're obsessed with me.
00:34:13This is just your sick way to dominate me
00:34:16and make me surrender to you.
00:34:17I'm just getting even
00:34:19for the years I spent in your father's shadow.
00:34:23The years of belittlement
00:34:24and him treating me like a clown.
00:34:27My father hired you
00:34:28when no one else would.
00:34:32Not my fault that
00:34:33your insecure petty
00:34:36took his support as belittling.
00:34:38I wouldn't upset me
00:34:41if I were you.
00:34:43Remember,
00:34:44I'm your creditor now.
00:34:47Two months.
00:34:48That's all I can give you
00:34:49to pay me back the remainder
00:34:50$180 million.
00:34:51What are you doing here?
00:35:03I was just in the neighborhood.
00:35:05Thought I'd give you a ride home.
00:35:06What are you doing here?
00:35:09Hi.
00:35:11Um, hey, who is this?
00:35:16Uh, this is Ken's roommate.
00:35:19We're going to be driving them off
00:35:20before we head home.
00:35:22Hey, listen,
00:35:24I didn't introduce you last time,
00:35:25but this is my best friend, Nell, and her girlfriend, Maria.
00:35:33Nell and I have been nothing more than friends
00:35:34since we were kids.
00:35:36She's not into men, and she never has been,
00:35:39and her and I are nothing more than just platonic friends.
00:35:42All right?
00:35:44I'm sorry I jumped to conclusions the other day.
00:35:47It's okay.
00:35:49I just didn't want you to get the wrong idea.
00:35:51Oh, look, I appreciate it, I really do, I just...
00:35:59I still think you and I are better off just as friends.
00:36:04Just...
00:36:06Why?
00:36:12Why?
00:36:14Maybe because I'm just getting over a failed marriage?
00:36:19Because I owe an unthinkable amount of money,
00:36:23and I have no idea how I'm gonna pay it back.
00:36:27I also have no idea how I'm gonna get my daughter back.
00:36:32And getting into a relationship with you,
00:36:34that's just something I can't do right now.
00:36:37Love has brought me nothing but pain, okay?
00:36:39So just, please, just leave it.
00:36:42Leave it.
00:37:04Do you have any other paintings?
00:37:06Yeah.
00:37:07I have several.
00:37:08What are you looking for?
00:37:09I would like to buy them all.
00:37:10I love your painting style.
00:37:11It is so unique.
00:37:12I own a large gallery,
00:37:13and I would like to establish a long-term collaboration with you.
00:37:14Thank you for your kind words about my paintings,
00:37:15but...
00:37:16I have been in some trouble lately,
00:37:17and it's probably best if I don't involve your gallery.
00:37:20None of this matters to me.
00:37:21If someone wishes to cause me trouble,
00:37:22well...
00:37:23just let me try.
00:37:24I love you.
00:37:25I love your painting style.
00:37:26I love your painting style.
00:37:27I love your painting style.
00:37:28It is so unique.
00:37:29I own a large gallery,
00:37:30and I would like to establish a long-term collaboration with you.
00:37:32Thank you for your kind words about my paintings,
00:37:33but...
00:37:34I've been in some trouble lately,
00:37:35and it's probably best if I don't involve your gallery.
00:37:38None of this matters to me.
00:37:43If someone wishes to cause me trouble,
00:37:46well...
00:37:47just let me try.
00:37:54I mean...
00:37:56It has to be a mistake.
00:37:59Or a prank,
00:38:00or...
00:38:01a cruel practical joke.
00:38:03I mean, it seems pretty authentic to me.
00:38:05It has their seal,
00:38:07and...
00:38:08your name and address are, like, clearly written on it, so...
00:38:14It looks authentic.
00:38:17But how would they have seen my paintings?
00:38:20I don't know.
00:38:21Maybe one of those auction sites
00:38:22that you've been posting your work on?
00:38:24I mean, you're incredibly talented,
00:38:26so...
00:38:27anybody who's seen your work
00:38:28would automatically recognize it.
00:38:35I own a large gallery,
00:38:36and I would love to establish a long-term collaboration.
00:38:40It's him.
00:38:42It's him.
00:38:43The guy who's been on my paintings.
00:38:44He must be the owner of the Fitz Gallery.
00:38:46Well, in that case, we better get going.
00:38:49Where?
00:38:51Gotta go get you a dress.
00:38:52Can't have you showing up to the Fitz Gallery in rags.
00:38:54Babe?
00:38:55Which one do you like more?
00:38:56This one?
00:38:57Or this one?
00:38:58I need to be the hottest girl at the Fitz Gala.
00:39:00Everything just, uh...
00:39:01looks so good on you, honey.
00:39:02So, um...
00:39:03just pick whichever one you want.
00:39:04I gotta take a call, okay?
00:39:05Wrap this up, you twitch.
00:39:06I'll take them both.
00:39:07Wow.
00:39:08I used to buy dresses like this all the time
00:39:09without even thinking about the money.
00:39:10But...
00:39:11I can't afford something like this now.
00:39:13You know what?
00:39:14Consider it a congratulatory gift for me.
00:39:16Alright?
00:39:17I'll do it for you, honey.
00:39:18I'll do it for you.
00:39:19You're welcome.
00:39:20You're welcome.
00:39:21So, um...
00:39:22just pick whichever one you want.
00:39:23I gotta...
00:39:24take a call, okay?
00:39:25Wrap this up, you twitch.
00:39:26I'll take them both.
00:39:28Wow.
00:39:29I used to buy dresses like this all the time
00:39:30without even thinking about the money.
00:39:31But...
00:39:33I can't afford something like this now.
00:39:35You know what?
00:39:40Consider it a congratulatory gift for me.
00:39:41good for me all right and when you make it big in the art world you can just
00:39:45pay me back oh hi excuse me yeah my friend would like to try on this dress
00:39:52oh your friend has amazing taste this dress is actually a limited edition each
00:39:57one handcrafted by hand and therefore entirely unique truly a work of art well
00:40:01how fitting it's gonna be worn by a very talented artist I'll have someone on the
00:40:05team bring it out to you Veronica please bring the limited edition thank
00:40:11you well limited edition Tasha do you really think you can afford this dress
00:40:22you can afford this dress please Reina I don't think you need to worry about Tasha's finances
00:40:33okay we established that last time hey you get over here I'm gonna pay
00:40:41twice what it's worth but I want this dress ma'am this dress is four thousand
00:40:45dollars did I ask you how much it cost you pluritarian scum just shut your mouth and
00:40:50add it to my bill she's willing to pay double I'll double her offer and I'll pay
00:40:5416 okay sir sold 32,000 you know what if she wants to dress so bad let her have it you can
00:41:05put all the jewels you want on a pigeon but it'll never be a peacock I'll show you who's a pigeon you
00:41:10little bitch how dare you assault me Tasha are you okay what is going on here what's going on is
00:41:19that your crazy bitch why push Tasha to the ground I swear to God they're all lying I never touched her I
00:41:26saw everything this gentleman and his girlfriend were very nice and politely inquired about a dress
00:41:31and suddenly your wife appears and attacks her for no reason shut your mouth you little lying
00:41:36asshole you know what why don't you just call security before this crazy maniac hit somebody
00:41:39else wait a second right now what actually happened here what's going on why don't you believe me
00:41:44don't you just call 911 are you blind oh Tasha can you stop this bullshit you know what Raina can you
00:41:52just stay away can I get someone down here room A122 no no that's not necessary we are leaving right
00:41:58now let's go okay you've embarrassed us both enough for one day okay let's go
00:42:09wherever Raina goes trouble sure to follow it is nice to see a good taste of her own medicine
00:42:18though yeah it's a shame though you would have looked really great in that dress
00:42:23don't worry about that I have a solution
00:42:28what are you gonna do with all this stuff I'm gonna design my own dress and wear it to the gala
00:42:41are you sure there's enough time have some faith in me I graduated with honors in design and fine art
00:42:48I got this all right
00:42:52how do I look how do I look
00:43:22what is is something wrong is it is it too much should I change something no no you look
00:43:30that dress like that is one of the most beautiful dresses I've ever seen
00:43:36but there's something missing
00:43:41should I resell the beads no I have a gift for you something to complete the whole look
00:43:52destroy harder you idiots mrs crow I am doing everything I can I I don't know what more I can do
00:44:05you're calling me fat of course not you're not fat at all it's the dress
00:44:12it's not made for a woman's body just shut up and do it babe just put on another
00:44:20dress you're gonna be late I spent so much money on this dress I am wearing this
00:44:26I can't it's it's too much no it was made for you
00:44:52I can't wait to see what you brought to the auction can we have a little hint well actually
00:45:07I brought some of my very own paintings to auction tonight
00:45:12what's wrong Tasha Roberts my husband's dreadful ex-wife I'm tired of seeing her sorry face
00:45:25everywhere you know she's also a horrible person if it isn't everyone's favorite white collar criminal
00:45:34turned homeless vagrant Tasha Roberts so the other day when you were trying to buy this dress
00:45:42with that working-class thug boyfriend of yours you were trying to come here are you sure you were
00:45:48even invited I'm sorry are you working the security detail do I need to show you my invitation honey I'm
00:45:59just trying to look out for you okay I want to spare you the embarrassment of being kicked out when
00:46:04everybody finds out that you are not invited you mean like how you were kicked out of the mall
00:46:09I see you still quite don't understand your place in the world you think you're fucking
00:46:16Cinderella or something and life is a fairy tale but don't worry I'll help you figure it all out
00:46:24what's wrong with you can't you see people are walking through Rina this time you've gone too far
00:46:32stop shouting you dreadful oh these were supposed to be auctioned tonight well if it is of any
00:46:37consolation I don't think the wine has reduced their value of very much at all now you can go
00:46:44and cry to your fairy godmother oh I think the auction is starting well I'll see you there toodles
00:46:54for our first auction item I'd like to welcome Ms. Rina Crow to the stage with her collection of
00:47:08original paintings
00:47:13as you can see Ms. Rina Crow's style is very unconventional certainly these works defy easy
00:47:33categorization and yet there are touches of whimsy and an almost playful quality about them as depicted
00:47:40here through the bold use of a duck as a central figure it's a dog it's a dog not a duck you buffoon
00:47:48oh yes of course a dog seen through a very unique prism portrayed as only an artist of Rina's caliber
00:47:57could possibly portray it now that we have familiarized ourselves with the art and the artist
00:48:04let's start the bidding the starting price will be fifty thousand dollars do I hear fifty thousand dollars
00:48:09dollars anyone fifty thousand dollars do I hear sixty thousand dollars anyone fifty thousand dollars going
00:48:21once fifty thousand going twice sold sold for fifty thousand dollars
00:48:32and now we'll invite our second artist for the evening Ms. Tasha Roberts who will also be presenting a
00:48:38series of paintings
00:48:48Ms. Tasha Roberts where are your paintings I don't have my paintings tonight um but
00:48:55I will be auctioning off this dress
00:49:08Ms. Tasha Roberts I've never seen a dress so beautiful
00:49:23Ms. Tasha Roberts. Oh stupendous I've never seen a dress so beautiful
00:49:25Ms. Tasha Roberts a stunning work of art indeed there's no need for me to say another word about this masterpiece
00:49:29everyone in the audience can clearly see the extraordinary talent and extraordinary artistry
00:49:34artistry. Let's start the bidding at $50,000. $55,000. $75,000. $90,000. $100,000. $150,000. $250,000. $250,000 going once, $250,000 going twice. Gold! This beautiful dress is gold for $250,000.
00:50:04Is that the heart of some necklace that sold for $200,000,000 a few months ago in a bid now?
00:50:12Impossible. How can that lowly peasant possibly afford it? It must be a fake.
00:50:20Thank you so much for your bid, Ms. Munzo. I'm going to design a few custom pieces in your
00:50:26size and design them to your elegance and style. Have you ever considered creating your own
00:50:33clothing brand? Your creations are so extraordinary. You should really share your talent with the
00:50:40rest of the world. Thank you. I never considered it, but I certainly will now.
00:50:46Hi. I'd be careful if I were you. I personally wouldn't put any faith into someone that wears
00:50:52cheap replicas of famous pieces of jewelry. What are you talking about right now?
00:50:58This woman is a phony and a con artist. For as long as I worked with her, she's done nothing
00:51:03but defraud and cheat the people she's done business with. And let me make it clear. For
00:51:09everybody that wants to do business with this woman, they won't be allowed to do business
00:51:14with the Crow Group. Is that so?
00:51:20Well, let it be known that if anybody refuses to work with Ms. Tasha Roberts because of the
00:51:24baseless rumors and lies being spread by Ms. Raina Crowe, you will no longer be welcomed
00:51:30back to the Fitz Gallery.
00:51:31That's the curator of the Fitz Gallery.
00:51:33Not just the curator, he's also the director of the Fitz Foundation.
00:51:39The curator? Is he the man who bought my paintings? Why does he seem so familiar?
00:51:47Ms. Tasha Roberts is my guest of honor tonight, all right? I invited her personally. So if
00:51:54anybody treats her with the slightest bit of disrespect, they'll be asked to leave and never
00:51:58again invite her back to the Fitz Gallery.
00:52:00As the director of this esteemed organization, am I interested to know that your guest of honor
00:52:05is wearing a cheap replica of a priceless work of art. She is not to be trusted.
00:52:15I'm assuming you mean her diamonds. What evidence do you have to prove that it's not real?
00:52:20Well, the real Heart of the Sun has the initials of the Craftman engraved in the joint between
00:52:24the gemstone and the pendant. So Tasha, would you indulge us all and show us if what you're
00:52:27wearing is a genuine article or a cheap knockoff?
00:52:36This was just given to me by a friend. I never claimed it was the real Heart of the Sun.
00:52:43I don't want to embarrass him by having people pour over it for imperfections.
00:52:48So it's a forgery. You were so happy to have everyone believe it was the real thing until
00:52:54I challenged you and called your bluff.
00:52:57Ms. Roberts.
00:53:00You're so happy to have everyone believe it was the real thing until I challenged you and
00:53:06called your bluff.
00:53:07Ms. Roberts, you have nothing to fear from this woman. Just show her the necklace.
00:53:12And I'll personally see to it that there are no despairing comments about its craftsmanship
00:53:16or quality. And the question has to be asked whether it is the true Heart of the Sun.
00:53:21Ms. Roberts, what? How is this possible?
00:53:26Ms. Roberts, I do say this engraving looks entirely authentic to me.
00:53:42Ms. Roberts, this is indeed the one and only Heart of the Sun!
00:53:44Ms. Roberts, well that settles it then. This necklace is authentic.
00:53:49This necklace is authentic.
00:53:51From now on, no one will be permitted to question or harass my guest of honor.
00:53:56Now, if everyone is satisfied, can we please get back to tonight's festivities?
00:54:10Ken, you have a lot of explaining to do.
00:54:14Okay, what's wrong?
00:54:16I can't accept this necklace.
00:54:17And I can't give you what you want.
00:54:21Do you even know what I want?
00:54:23I don't want to know.
00:54:26We can just be friends, nothing more.
00:54:29Tasha, you're just afraid.
00:54:31You're just afraid of going after what your heart truly desires.
00:54:35And I just think you're afraid of just being true to yourself.
00:54:39You're the last person that should be lecturing anybody on the truth.
00:54:44Who are you?
00:54:46What do you do?
00:54:47Is this even your house?
00:54:49I mean, how do you own a necklace that's 200 million dollars?
00:54:57I just...
00:54:57See, you don't even respect me enough to tell me the truth.
00:55:03What, you expect me to jump into a relationship with you?
00:55:06You could be a total stranger.
00:55:11I have no idea who you are.
00:55:14Tasha, I want to tell you.
00:55:15I do.
00:55:16But...
00:55:16I just can't right now.
00:55:20Alright?
00:55:20Like, maybe in the future, when we can sit down and...
00:55:22No, Ken, there is no future for us.
00:55:25Not if you can't tell me one thing about yourself that isn't a lie.
00:55:29When you find someone that you really love and trust, you let them in.
00:55:41But that person won't be me.
00:55:43Are you okay?
00:55:59Director Fitz, I had a wonderful time at the gala.
00:56:06Thank you for supporting me and standing up for me.
00:56:10I wasn't bothered by the way the other guests treated me.
00:56:14I've endured far worse.
00:56:19Lovely.
00:56:20I'm glad to hear it.
00:56:22I would like to exclusively showcase your work at the Fitz Gallery for the foreseeable future.
00:56:27Think of it as a sort of artist residency.
00:56:30Would you be interested in such an opportunity?
00:56:39This dress is every bit as exquisite as I expected it to be.
00:56:45Thank you, my dear.
00:56:47You're very welcome.
00:56:48Have you given any more thought to my proposal?
00:56:52If you wish to start a clothing brand, I would be more than happy to invest whatever you require to get started.
00:57:00It's a very gracious offer, but I just...
00:57:03I have to ask.
00:57:04I mean, there are so many other talented designers.
00:57:07Why do you have such faith in my abilities?
00:57:09It's not just me, you know.
00:57:11The curator of the Fitz Gallery has never been seen in public before the gala last night.
00:57:18And everyone in attendance was certain that the only reason he chose to make an appearance was because of you, his guest of honor.
00:57:29That was his first appearance ever?
00:57:31Indeed.
00:57:32His very first and only time to appear in the flesh.
00:57:36Before this, he was a figure of myth and mystery.
00:57:39Many people doubted he existed at all.
00:57:43But all because of you, he chose to grace us with his presence last night.
00:57:49Seems like a marvelous young man, don't you think?
00:57:52He certainly had a charm about him.
00:57:55Oh, undoubtedly.
00:57:56You know, many people flock to the Fitz Gallery for more than just the art.
00:58:02They want to learn all about the enigmatic young curator.
00:58:07Really?
00:58:07I mean, what's so interesting about him?
00:58:10Have you ever wondered how the Fitz Gallery has managed to surpass all of the established art collections
00:58:17to become the top venue for fine art in just two years?
00:58:21I mean, I heard rumors, something about foul play, but I always just assumed they were baseless.
00:58:29Those rumors have quite a bit of truth to them.
00:58:32Seems like the Miller crime family is actually behind the Fitz Foundation.
00:58:38The one and the same Miller crime family that monopolizes all the underground trade in all of North America.
00:58:47He seems like such a gentleman.
00:58:49I just, I find it hard to believe that he ever was involved in something so sordid.
00:58:53You must never judge a Brooklyn's cover, my dear girl.
00:58:58Even people close to us may be harboring many secrets.
00:59:02We never really know what's going on inside.
00:59:05You got that right.
00:59:07I learned that lesson the hard way.
00:59:09Let me be frank.
00:59:11I have tremendous faith in you.
00:59:14Thank you, Mr. Gwendo, but I think it's dear.
00:59:17Dear, all my friends call me Laura.
00:59:19This is a check for $5 million.
00:59:26It should help you get your clothing brand started.
00:59:31Shall we become business partners in addition to being friends?
00:59:48Director Fitz.
00:59:49I'd like to work with you.
00:59:51It would be my honor, Miss Tasha Roberts.
00:59:54Fly away with me.
01:00:00Take you high, soaring.
01:00:05To your smile, it's my only dream.
01:00:12Stearing out into the sea.
01:00:15Waves come crashing up to me.
01:00:19My toes slip into the sand.
01:00:24Dream that I'm with you.
01:00:27I'm waiting with me.
01:00:32Waves come crashing up to me.
01:00:37My toes slip into the sand.
01:00:40Dream that I'm with you.
01:00:42Dream that I'm with you.
01:00:55Congratulations, Miss Roberts.
01:00:57We expect a huge success from your art exhibition.
01:01:01You're looking at her.
01:01:17You're obsessed with her.
01:01:18Didn't she humiliate me enough the other night at the gala?
01:01:23But no, now I have to watch my husband stare at her picture.
01:01:27Well, maybe if you didn't give her the opportunity to humiliate you.
01:01:31So it's my fault now?
01:01:32Oh, wait, let me guess.
01:01:33Maybe it's my fault too when the two of you broke up.
01:01:35Okay.
01:01:37Raina, I've been thinking.
01:01:40I don't think this is working.
01:01:43I want a divorce.
01:01:46Brutal filla di putana.
01:01:48You used me to push Tasha out of your company, take her property, and now you cast me aside
01:01:54like what, a used piece of garbage?
01:01:56I won't allow this.
01:01:59Mark my words, Karl Kroh.
01:02:01You will regret this.
01:02:05I'm spending too much time around Ken.
01:02:18He's dominating all my thoughts.
01:02:21I have to distance myself from him.
01:02:23From my own sanity.
01:02:28I know you're lonely, but this song will have to tell.
01:02:34As if nothing I can do to get you to stay.
01:02:42I'm sorry, but no.
01:02:47You and I, our relationship, we'll just keep going in circles.
01:02:54But thank you for everything you've done for me.
01:02:57I have a little bit of money now, so you should be able to pay off your loan soon.
01:03:02And long talks, and awkward silence, wait nights, walking through the garden, running, with your hand in mine.
01:03:18This is what happens when you steal from the billers.
01:03:37Please, let me go.
01:03:39I promise you'll never see me again.
01:03:49What do you got here?
01:03:51Right this way.
01:03:54Boss!
01:03:55I found this one peeking around the corner.
01:03:58Not sure how long this little bitch has been watching, but I'm pretty sure she tried to call the cops.
01:04:02Don't worry, boss, I got a knife with her name on it.
01:04:09We can dump her body with the other guy.
01:04:16No, let her go.
01:04:18What?
01:04:19Didn't you hear what I said?
01:04:19She's seen everything.
01:04:21Let her go before I rip off your fucking arms and throw them in the river.
01:04:24Walk away.
01:04:34This doesn't mean anything to you.
01:04:36Is this what you couldn't tell me about?
01:04:39Boss, you know this woman?
01:04:43You're gonna kill him.
01:04:44Call the police then.
01:04:46See if they can save his life.
01:04:47No!
01:04:47Don't call the police, you stupid bitch!
01:04:52My world is more cruel than you can possibly imagine.
01:04:55So since you didn't want to get involved, just walk away.
01:04:57Okay.
01:05:19Hey, babe.
01:05:21What do you want for breakfast?
01:05:24My world is more cruel than you can possibly imagine.
01:05:48So since you didn't want to get involved, just walk away.
01:05:52I never imagined that Ken could be such a dangerous and violent man.
01:05:56There must be something or someone forcing him to do all of this.
01:06:02Even people close to us may be harboring many secrets.
01:06:06We never really know what's going on inside.
01:06:10Forget it.
01:06:11This has nothing to do with me.
01:06:12I decided to leave Ken, so I have to do my best not to look back.
01:06:16Tasha, let's talk.
01:06:18Tasha, let's talk.
01:06:19Let's talk.
01:06:32Your, uh, pro-magnet boyfriend.
01:06:42Is he not joining us?
01:06:43It's all over.
01:06:44I'm not with him anymore.
01:06:46Where's Reyna?
01:06:48Reyna was a mistake.
01:06:51That's all over, too.
01:06:53Tasha, um...
01:06:57I want you back.
01:07:00I can't stop thinking about us.
01:07:03You were right.
01:07:04You belong in my life.
01:07:06So, if you just sign those documents,
01:07:10then you can come back to me.
01:07:13Come back to the house.
01:07:14We can carry on like none of this ever happened.
01:07:17I can give you your old job back.
01:07:19That'll be fun, working together again.
01:07:21And then all that debt you owe me will be wiped clean.
01:07:25You, uh, need a pet?
01:07:26You think I'd get back with you after everything you put me through?
01:07:35Here is a hundred million dollars.
01:07:43I'll pay the rest on time, and for your agreement,
01:07:47take these documents and shove them right up your ass.
01:07:59You disgust me, Carl.
01:08:01You should think about Anna.
01:08:03Do you really want her growing up without a mother?
01:08:06With all her health problems, she could really use your support.
01:08:09Don't even dare talk about Anna.
01:08:11She'll be with me soon.
01:08:13Then I'll never let her out of my sight again.
01:08:15She needs her mother and her father.
01:08:17Not a father like you, she doesn't.
01:08:19She'd be better off with no father at all.
01:08:21I'm sorry, am I interrupting?
01:08:34Are you texting a new boyfriend already?
01:08:37Can it wait?
01:08:39I'm not done talking here.
01:08:41You're pathetic, Carl.
01:08:43Okay, Tasha.
01:08:45Ta-
01:08:45Tasha!
01:08:47Hey, Tasha.
01:08:52Tasha, come back.
01:08:54Where are you going?
01:08:54This place is disgusting.
01:08:56Ta-
01:08:57Come on, Tasha.
01:08:58Don't you remember the happy times?
01:09:00Come on, we can have that again.
01:09:02Think of Anna.
01:09:02Think of me.
01:09:03Please.
01:09:04I love-
01:09:04Hey!
01:09:05Hey!
01:09:06Hey!
01:09:06Hey!
01:09:17Hey!
01:09:24Sorry, folks.
01:09:27It's the end of the line for you.
01:09:30No hard feelings.
01:09:33But, we gotta do what the people who pay us tell us to do.
01:09:37Who's paying you?
01:09:40I'll give you a hint.
01:09:42A very beautiful woman paid us a small fortune to make sure you two would...
01:09:46Make sure you two don't make it.
01:09:50Reina.
01:09:50That fucking bitch.
01:09:53Do you know who I am?
01:09:55I'm Carl Crow.
01:09:56The CEO of the Crow Group.
01:09:59What if she's paying you?
01:10:00I'll pay double, okay?
01:10:02Yeah, yeah.
01:10:02You pay me double.
01:10:03I guess you haven't heard the news, buddy.
01:10:05See, I don't think you have the means to outbid your pretty little friend.
01:10:13Oh, that back-stepping slut!
01:10:17Please, pack up the phone.
01:10:19You trying to phone a friend?
01:10:21That's a big no-no, sweetheart.
01:10:23That's breaking the rules.
01:10:27Sweetie.
01:10:29Don't waste the little time you have left trying to call for help.
01:10:32It won't do you any good.
01:10:35No one.
01:10:37They can help you now.
01:10:43Three hours, where's Tasha?
01:10:46Hey, Nell.
01:10:47Hey, listen.
01:10:48I need you to do me a favor.
01:10:50Yeah, I need you to pull up the city surveillance system in the area
01:10:52and find all the footage.
01:10:55Yeah, no.
01:10:56Something's wrong.
01:10:57What are you doing?
01:11:09We have to get out of here.
01:11:11You should just go.
01:11:25Save yourself.
01:11:26Leave me.
01:11:27It's what I deserve.
01:11:31I'm not going to leave you.
01:11:33I'm not that type of person.
01:11:35Come on, let's go.
01:11:45Come down here.
01:11:45Wait until they come in.
01:11:52Hey, Tasha.
01:11:53I'm so sorry.
01:12:00Now's not the time for that.
01:12:01All in.
01:12:20Looks like we got ourselves a suicidal prick here, fellas.
01:12:32I can't think of any other reason why somebody would kick in a door
01:12:35that's got Vincent Santorelli on the other side of it.
01:12:37Oh, shit.
01:12:42Boss.
01:12:44I didn't realize it was you.
01:12:48These your guys?
01:12:51Where the fuck are they?
01:12:53You better find them.
01:12:54Quick.
01:12:54Now it's your turn.
01:13:11Pretty little thing like you, I was going to make it painless.
01:13:35But I guess you didn't want that.
01:13:37All the same.
01:13:40Hey, who's this fucking monkey?
01:13:41Lower your fucking gun.
01:13:42Vinny, what the fuck is going on?
01:13:44You fucking down?
01:13:45Yo, lower your fucking gun.
01:13:47Are you...
01:13:48Are you Ken Miller?
01:13:50How can that be?
01:13:51What the fuck is going on?
01:13:53Ken Miller.
01:13:55The one and the same Miller crime family
01:13:59that monopolizes all the underground trade
01:14:02in all of North America.
01:14:05It's you.
01:14:06You know what you have to do.
01:14:17Boss.
01:14:18Please.
01:14:20He's my brother.
01:14:22Rules are rules.
01:14:24I was pushing you away as Ken and growing closer to you as Fitz.
01:14:43I'm sorry, Tasha, but there's just nothing I can do that will make you happy.
01:14:52And I just can't win over your heart.
01:14:55Is Ken Miller always this loving with the hostages he rescues,
01:15:05or is this just special treatment reserved for his lovers?
01:15:08Tasha, I love you.
01:15:12My heart has belonged to you and only you for the past 15 years.
01:15:2115 years?
01:15:23No, we just met a few months ago.
01:15:26We met 15 years ago.
01:15:29You went to Marr Middle School.
01:15:35Yeah.
01:15:36And you saved my life, eh?
01:15:46Stand up, chicken, and hit us back!
01:15:49Isn't that what your dad does for a living?
01:15:51Beat people up?
01:15:53I'm not my dad!
01:15:54You and your father are both scum.
01:15:57Let's teach this little and thug a lesson.
01:15:59Yeah, idiot!
01:16:00Get up and show us what you've got!
01:16:04Hey!
01:16:06Hey!
01:16:06Hey!
01:16:07Hey, hey, hey, hey!
01:16:08Stop!
01:16:08That's enough!
01:16:09That's enough!
01:16:09It's none of your business, Robert!
01:16:11Get out of here, Robert!
01:16:12Hey!
01:16:13Stop!
01:16:13Go home!
01:16:13I'll call your parents!
01:16:14Go!
01:16:14Oh, crap!
01:16:15Crap!
01:16:15Crap!
01:16:15Crap!
01:16:21Crap!
01:16:22Crap!
01:16:22Crap!
01:16:22Crap!
01:16:22Crap!
01:16:22Crap!
01:16:22Crap!
01:16:22Crap!
01:16:23Crap!
01:16:23Crap!
01:16:23Crap!
01:16:23Crap!
01:16:24Ever since I saw you that night in the cab, with that necklace on, I just, I knew I found
01:16:34you.
01:16:36Look, this isn't just some feeling for me, okay?
01:16:40This is, this is everything to me.
01:16:43Like, you are everything to me.
01:16:45No matter what happens between us, I will always care about you.
01:16:50And maybe one day, we can make it work in a different way, we can make it work in a different way.
01:16:58Well, I'm lucky to find what we're both looking for, that's right.
01:17:02Yeah.
01:17:03I...
01:17:03I...
01:17:04I...
01:17:04I...
01:17:05I just need some time to process this.
01:17:14Okay, and after that, maybe we can pick up where we left off, that first night you spent here?
01:17:25Maybe.
01:17:26Maybe.
01:17:27Maybe.
01:17:27Maybe.
01:17:28Maybe.
01:17:29Play your cards, right?
01:17:30Maybe.
01:17:31Maybe.
01:17:32Maybe.
01:17:33Maybe.
01:17:34Maybe.
01:17:35Maybe.
01:17:36Maybe.
01:17:37Maybe.
01:17:38Maybe.
01:17:39Maybe.
01:17:40Maybe.
01:17:41Maybe.
01:17:42Maybe.
01:17:43Maybe.
01:17:44Maybe.
01:17:45Maybe.
01:17:46Maybe.
01:17:47Maybe.
01:17:48Maybe.
01:17:49Maybe.
01:17:50Maybe.
01:17:51Maybe.
01:17:52Maybe.
01:17:53Maybe.
01:17:54Maybe.
01:17:55Maybe.
01:17:56Maybe.
01:17:57Maybe.
01:17:58Maybe.
01:17:59Maybe.
01:18:00Maybe.
01:18:01Maybe.
01:18:02Maybe.
01:18:03just to get to you.
01:18:05See, I thought if I own the world's greatest art museum
01:18:07that one day you might find your way in here,
01:18:09and I don't know, that I might find you.
01:18:33I want to see what kind of woman this is that has ensnared my son.
01:18:50I doubt she's worthy of joining the Miller family.
01:18:55As you wish, sir, I will make the arrangements.
01:18:59Honestly, just to get to you.
01:19:05See, I thought if I own the world's greatest art museum
01:19:07that one day you might find your way in here,
01:19:10and I don't know, that I might find you.
01:19:13Okay, okay.
01:19:15Just concentrate on painting.
01:19:17Don't think about him.
01:19:29Who are you?
01:19:37Ms. Tasha Roberts.
01:19:40Mulder & Miller would like to speak with you privately at his home.
01:19:45Come here.
01:19:47Take a look.
01:19:50She's an heiress to the largest chain of luxury hotels in the Western Hemisphere.
01:19:59She's young, beautiful, well-educated.
01:20:04I think she'll make a fine wife for my son, Ken.
01:20:07With all due respect, sir,
01:20:11I believe that it's up to Ken to decide who he wants to spend the rest of his life with.
01:20:20Choose you.
01:20:21Not a chance.
01:20:23You're no match for my son.
01:20:26Now, you owe money to the Crow Group.
01:20:37I'm going to pay your debt.
01:20:42And in return, you will agree to never see my son again.
01:20:49It's our decision whether we want to be together or not.
01:20:54Your son and I love each other.
01:20:56There's nothing in this world that can keep us apart.
01:21:00Tasha, do you want us to be together?
01:21:04It's impossible.
01:21:06Father.
01:21:07I forbid it.
01:21:08Father, this is the love of my life.
01:21:10I can't lose her again.
01:21:12I'd rather leave the family business.
01:21:14Then leave if you wish.
01:21:16But she will never have my approval, ever.
01:21:19And she'll never be a part of the Miller family as long as I live.
01:21:23You'll come running back without the Miller family power and money.
01:21:30You'll accomplish nothing.
01:21:33You're making a big mistake.
01:21:36Choosing this old hand instead of family.
01:21:42Ken, where are you?
01:21:52Why aren't you back yet?
01:21:54Oh, you're still awake?
01:21:58Who did this to you?
01:22:17Don't worry about me, I'm fine.
01:22:20It's nothing out of the ordinary.
01:22:22Hey, babe.
01:22:35Yeah, no, I'm just right outside.
01:22:37You son of a bitch.
01:22:42You make me cut my own brother's hand.
01:22:45Now you think you can betray the Miller family?
01:22:48Walk away scot-free?
01:22:50Not a fucking chance.
01:22:52This guy means nothing to the Miller family now.
01:22:55It's worthless.
01:22:57Helpless.
01:22:58You're absolutely nothing now.
01:23:01Let's make him feel the pain that my brother felt.
01:23:05Come on, boys.
01:23:07Stop.
01:23:14Stop hurting him!
01:23:30Stupid bitch.
01:23:35Stop!
01:23:38Stop at once, you insolent fools!
01:24:04Stop!
01:24:06Stop.
01:24:07Stop.
01:24:08Stop.
01:24:09Stop.
01:24:11Son.
01:24:12You know how hard it is for me to admit that I made a mistake.
01:24:15But today the two of you have proved me wrong beyond the shadow of a doubt.
01:24:26Tasha...
01:24:29You are the perfect woman for my son.
01:24:32Go. Be together.
01:24:39You approve?
01:24:41You have my blessing.
01:24:45From this day onward, you have nothing more to do with the legal activities of the family.
01:24:52But, you'll always be a miller.
01:24:58As will she.
01:25:01Get off me! Stop!
01:25:27You useless, impotent man-child!
01:25:30The crowd group is bankrupt!
01:25:33Getting involved with you is the worst decision I could have made in my life!
01:25:36Get off! This is all your fault!
01:25:38You spent every single thing that we had.
01:25:41Now we have nothing left.
01:25:42No company, no house, no money, not even a dime.
01:25:46And it's all because of you, you greedy cow!
01:25:48Don't you-
01:25:49Don't-
01:25:58The late Mrs. Miller was a beautiful woman, sir.
01:26:01Yes.
01:26:02Back then, my wife protected me from every danger that befell our family.
01:26:11And today, my son found the perfect woman that I said I'd do the same for him.
01:26:18He's a lucky man.
01:26:22Wow, you look so beautiful.
01:26:37No, you can't be here right now.
01:26:40Babe, I don't want to rush you, but everybody's waiting to see you.
01:26:45Ken, can you promise me one thing?
01:26:47I can promise you two if you like.
01:26:49I'm serious.
01:26:51I want you to walk away from the family business.
01:26:56There's a city called Ostia.
01:27:00It's on the southwest side of Rome by the ocean.
01:27:03What?
01:27:04You know what I found over there?
01:27:07Found you an art teaching job at a public school.
01:27:11I would do tickets, maybe in the morning.
01:27:14You're sending me away?
01:27:16No.
01:27:17I opened my own restaurant.
01:27:20It's just down the street.
01:27:22Oh, one more thing.
01:27:25I enrolled Anna at the school they're going to be teaching at.
01:27:29I think she's going to really love it over there.
01:27:32So you really are walking away?
01:27:36Yeah.
01:27:41You got some socks.
01:27:47Yeah.
01:27:48Yeah.
01:27:49I think she calls you lunch from where to fill.
01:27:50I could see it until inglés and some earrings.
01:27:52I thought to it.
01:27:53Not again.
01:27:54It looked at me.
01:27:55Maybe I'm eating at all right.
01:27:57In the middle of the school.
01:27:58And we have
01:28:04anotheragi store.
01:28:07Transcription by CastingWords
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