- 3 hours ago
Shelter In The Mafia - Full
Category
🎥
Short filmTranscript
00:00:00Hey, what are you doing with my stuff? How'd you get in here?
00:00:11I gave him the keys.
00:00:12Carl? I mean, what are you doing here so late? And what's that guy doing with my stuff?
00:00:17Tasha, Tasha, Tasha. You're always asking the wrong questions.
00:00:24What the hell is going on?
00:00:26Do you really think you're that thick, Tasha?
00:00:29Your husband and I decided that you're no longer needed here anymore.
00:00:33Reyna's gonna take over your role at the company.
00:00:35She's already proven she can do everything you can, but better.
00:00:39I'll have a letter of termination and divorce papers sent over to your new address,
00:00:43wherever that ends up being.
00:00:45What should I do with this, boss?
00:00:47Give me that new plebe. I know exactly what to do with it.
00:00:53Is that clear enough for you, Tasha?
00:00:55Tasha, your company and your husband both belong to me now.
00:01:03No, you can't just fire me. I'm a shareholder at this company.
00:01:07Are you still a shareholder at this company? Are you?
00:01:10You know, actually, your debt is mortgaged with your shares.
00:01:14So you actually owe this company about 200 million.
00:01:16I never took out any loans that large.
00:01:18Oh, Tasha. You were always so gallible.
00:01:22A word of advice for the future?
00:01:24Don't give the keys to the kingdom to your assistant,
00:01:28no matter how trustworthy your feeble brain think they might be.
00:01:33Security! Security! We have a vagrant in the lobby and she might become hostile.
00:01:38Stop acting. I'll just leave on my own.
00:01:42Look. There's no glamour. There's no glory.
00:01:52It's just blood, guts, fear, and misery.
00:01:55Come on, man. You think I'm some kind of moron that doesn't know anything?
00:01:59I know that the type of money you make in just a few days,
00:02:02I can't make that in 10 years working as a stick.
00:02:05But at least you're guaranteed to be alive in 10 years.
00:02:07In my world, you're not guaranteed to be alive in 10 days, let alone 10 minutes sometimes.
00:02:12Yo, yo, man. Stop lecturing me.
00:02:14Are you gonna give me the gun or not?
00:02:18I'm sorry, but no. I'm not gonna let you get killed.
00:02:23Man, what the fuck you got me here for then?
00:02:26Shit.
00:02:29Oh, I guess you didn't hear. The repo guy, he came and towed your car away.
00:02:49Said it was like collateral for a loan.
00:02:52Of course, I made the call and arranged everything.
00:02:57My pleasure.
00:02:59You despicable trash.
00:03:01You know, I was gonna give you a ride, you know,
00:03:05seeming that we were married for so long.
00:03:07But walking the streets at night kind of suits you.
00:03:10So, enjoy.
00:03:13Go to hell.
00:03:15I love you.
00:03:16Just a little soul.
00:03:19I jump right.
00:03:32I don't know, do you keep going!
00:03:33miss just go away all right i don't need your cheap sympathy right now
00:03:52miss your friend's gone i just want to offer my cab services
00:03:56yeah i'm i'm sorry a a cab is just what i need right now all right great come on board
00:04:26sorry i i don't have any cash right now um give me a minute i'll go grab some from inside
00:04:33here just proof i'm not trying to skip out on the fair
00:04:38you have some nerve coming back here i never wanted my son to marry you in the first place
00:04:53and now that he's finally come to his senses and kicked you to the curb you think that
00:04:58you can just waltz right back into his house his house my father left me this house and
00:05:07i know you're senile but i'm sure you remember when you practically begged me to let you and
00:05:13carl live here i always knew you were a nasty little hussy
00:05:17who the hell are you this is a personal matter so you should really mind your own business
00:05:27and stay outside actually this is my boyfriend so if it's a personal matter for me it's a personal
00:05:35matter for him okay what you think your son's the only one capable of having secrets
00:05:42hey thanks again for today i know that's a weird position to put you in
00:06:02sorry it is really nice to know that there is still good people out there that would help a total
00:06:10stranger have a good night all right you too
00:06:14so
00:06:19so
00:06:23so
00:06:33Where's my necklace?
00:06:59Here.
00:07:00Just proof I'm not trying to skip out on the fair.
00:07:30How does a fancy broad like you find yourself in a place like this?
00:07:34Who the hell are you?
00:07:36Get out now!
00:07:37All I'm trying to do is introduce myself and you treat me like some dog shit you found stuck
00:07:42to your shoes.
00:07:44I'm calling the police!
00:07:48How about I give you a better idea?
00:07:51You and I are going to have some good old fashioned fun tonight.
00:08:03If I ever see you around here again you're dead!
00:08:13Get out of here!
00:08:15Hey.
00:08:17I'm so glad you're here.
00:08:22Where did you get this necklace?
00:08:26My father gave that to me.
00:08:29You better not be lying to me.
00:08:35I'm not lying.
00:08:39He made that with his own hands.
00:08:41It has my name on the back.
00:08:46It's really you?
00:08:49Hey?
00:08:56How you feeling?
00:09:02How did... how did you...
00:09:06How did you...
00:09:07You left your bag in my car.
00:09:10How did you know where to find me?
00:09:14I have my ways.
00:09:17Hey, listen.
00:09:19I know it's none of my business,
00:09:20but it's not safe for you here.
00:09:22With everything that's happened in the last 24 hours,
00:09:25this is...
00:09:26all I can afford.
00:09:30Listen, I have an extra room at my place.
00:09:32Maybe you can just come stay with me.
00:09:36Welcome home.
00:10:01I really feel like my luck's starting to change.
00:10:04I mean, you've literally rescued me
00:10:06over and over today.
00:10:09I know what it's like.
00:10:11I've been rescued before.
00:10:13I'm sorry, I...
00:10:14I don't think I can make rent right away,
00:10:17but you could sell this ring
00:10:20and then you should cover me for a few months,
00:10:23at least until I'm back on my feet.
00:10:25I thought he was a really rich guy.
00:10:27Why did he get you set such a small diamond?
00:10:32It's not a very good cut, either.
00:10:35Okay.
00:10:36Never mind.
00:10:37I can just...
00:10:39No, it's fine.
00:10:40I'm just saying.
00:10:42You deserve a better reign than this.
00:10:43No, babe.
00:11:11Stop.
00:11:12It's late, okay?
00:11:14You're still thinking about her.
00:11:16Who, Tasha?
00:11:18Are you kidding me?
00:11:20Then why are you wearing the wedding ring?
00:11:22Did you forget what she and her father did to you?
00:11:24I will never forget what she and her father did to me.
00:11:28But that has nothing to do with you.
00:11:30So why don't you stop mouthing off about shit
00:11:32that you know nothing about
00:11:33and let me handle my own affairs.
00:11:35Let me handle my own affairs.
00:12:03Hey, what's going on?
00:12:18My daughter's missing.
00:12:19What?
00:12:20Tasha, you shouldn't have barged in like this.
00:12:35If Carl finds out...
00:12:36No, I don't care about Carl right now, okay?
00:12:39Where's my daughter?
00:12:40Where's Anna?
00:12:40I sent her away.
00:12:44No.
00:12:46You have no right.
00:12:48Actually, as Carl's new wife
00:12:50and Anna's legal guardian,
00:12:52I have all the rights to do whatever I want
00:12:55with my stepdaughter.
00:12:58What?
00:13:01We never settled custody,
00:13:03so just skip the theatrics
00:13:05and tell me where my daughter is.
00:13:06You think you're getting custody?
00:13:10Stai sognando.
00:13:12On one hand,
00:13:14we have a mother drowning in debt
00:13:16with no place to live.
00:13:19On the other hand,
00:13:21we have a wealthy
00:13:22and well-respected father
00:13:24who happens to be the CEO
00:13:26of the world-renowned pro group.
00:13:29Who do you think the court
00:13:30will side with?
00:13:36Oh, what's going on?
00:13:40Oh, Carl.
00:13:42Carl, it's okay.
00:13:43Tasha was understandably upset
00:13:44about the situation.
00:13:45You know, I don't blame her
00:13:47for what happened.
00:13:48You trespass on my property,
00:13:50assault my wife
00:13:52in her own home?
00:13:53Tasha, I have put up
00:13:54with your outrageous behavior
00:13:55for years,
00:13:55but don't you dare subject
00:13:57Reyna to that kind of abuse.
00:13:59You don't understand.
00:14:00Reyna sent Anna away.
00:14:02She did what any good mother would.
00:14:04I want to know
00:14:04where my daughter is right now.
00:14:07New Zealand.
00:14:08Getting medical care
00:14:09from one of the best
00:14:10cardiology departments
00:14:11in the world.
00:14:12And remind me,
00:14:14what have you done
00:14:15for your daughter lately?
00:14:16Hmm?
00:14:17Abandon her?
00:14:18To go shack up
00:14:19with some cab driver boyfriend?
00:14:20You idiot!
00:14:22I found those cardiologists
00:14:23in New Zealand.
00:14:25Scheduling those appointments
00:14:26was the last thing
00:14:27I had Reyna do
00:14:28when she was still my assistant.
00:14:29Tasha, Tasha,
00:14:30you disgust me.
00:14:31Trying to take credit
00:14:32for this wonderful woman's
00:14:34kind gesture
00:14:35to your own sick daughter.
00:14:36I'm going to make sure
00:14:37Anna stays far,
00:14:38far away from you
00:14:39so there's no possibility
00:14:40of her ever
00:14:41becoming anything like you.
00:14:48You backstabbing,
00:14:52homewrecking bitch.
00:14:55I advise you stay
00:14:57far away
00:14:58from my daughter and I.
00:14:59By the way,
00:15:04the deed still lists me
00:15:06as the rightful owner
00:15:06to this house.
00:15:07So the two of you
00:15:08have no right
00:15:10to keep me from coming back here.
00:15:11Do you understand?
00:15:12Calm down.
00:15:13You can forge my signature,
00:15:15you can take my money,
00:15:16take my house,
00:15:17but you will never have
00:15:19a shred
00:15:20of the intelligence
00:15:21that I have.
00:15:21Tasha, you have made your point.
00:15:23I think it would be...
00:15:24You deserve that too.
00:15:27You should have told me
00:15:28about Anna a long time ago.
00:15:32Oh, don't stop at my account.
00:15:35Please, continue.
00:15:37Miss Big Shot,
00:15:39don't you forget
00:15:40that you still owe
00:15:41200 million dollars.
00:15:43And 20 millions of that
00:15:44is owned to me personally.
00:15:47In fact,
00:15:47I'm going to call my lawyer
00:15:48and see to it
00:15:49that if you don't pay
00:15:50right away,
00:15:51you're never
00:15:51going to see your daughter
00:15:52ever again
00:15:53and you'll end up
00:15:54in debtor's prison.
00:15:57Ciao.
00:16:01Go ahead and check it out.
00:16:02But after your accountant,
00:16:03make sure this is all legit.
00:16:05I don't want you two jackasses
00:16:06hunting my girlfriend money
00:16:07ever again.
00:16:08Got it?
00:16:13Oh,
00:16:14by the way,
00:16:15we're going to go ahead
00:16:17and take Anna
00:16:17in the future too.
00:16:19Don't worry, Carl.
00:16:20I'll be a better father
00:16:21to her than you ever can be.
00:16:23Tasha,
00:16:24you'll regret this.
00:16:30Thanks again,
00:16:31Kerr,
00:16:32today.
00:16:34For
00:16:34pretending to be
00:16:36my boyfriend.
00:16:39Mm-hmm.
00:16:41Was all that money real?
00:16:44As real as it comes.
00:16:45Where'd you get
00:16:46all that money?
00:16:48I robbed a couple
00:16:49jewelry stores
00:16:49before I came to find you.
00:16:51Are you serious?
00:16:54No,
00:16:54I'm just joking.
00:16:55It was my dad's.
00:16:57Don't worry,
00:16:57it wasn't stolen
00:16:58or robbed or anything.
00:17:00But hey, listen.
00:17:01From now on,
00:17:02I want you to think of me
00:17:03as your creditor.
00:17:04Okay?
00:17:05I don't want you
00:17:05worrying about
00:17:06owing money
00:17:06to those scumbags.
00:17:08From now on,
00:17:08you'll just
00:17:08owe money to me.
00:17:10As long as
00:17:11you're okay with that.
00:17:13I could be okay with it.
00:17:15As long as you can
00:17:15satisfy one small request.
00:17:20What kind of request?
00:17:21My only request
00:17:30is that you just
00:17:31relax.
00:17:33Okay?
00:17:34I want you to take
00:17:35a load off.
00:17:37I want you to start
00:17:37by telling me a story
00:17:38about the last time
00:17:40it was
00:17:40when you were happy.
00:17:41Okay.
00:17:41You know,
00:17:55I just,
00:17:55I never in a million years
00:17:57could imagine
00:17:59that Carl
00:17:59would betray me
00:18:00like this.
00:18:03I have nothing.
00:18:07Well,
00:18:08I mean,
00:18:09you always have me.
00:18:11and
00:18:12you know,
00:18:14other things.
00:18:17I can't hear you.
00:18:18You're whispering.
00:18:41Carl.
00:18:46You know,
00:18:47Tasha's probably
00:19:01screwing around
00:19:02with that new
00:19:03boyfriend of hers.
00:19:04That bitch.
00:19:07Honey,
00:19:08you know,
00:19:08you promised
00:19:08to put me in touch
00:19:09with the curator
00:19:10of the Fitz Gallery.
00:19:11I'm telling you,
00:19:12forget about
00:19:13the Fitz Gallery,
00:19:14okay?
00:19:14The people who are
00:19:15running it are crooks.
00:19:17But I want my paintings
00:19:18to be showcased
00:19:19in the most prestigious
00:19:20venue possible.
00:19:22I know,
00:19:22I know.
00:19:23And I said
00:19:24I would help you
00:19:24find other galleries.
00:19:26Remember?
00:19:27Just stop
00:19:27nagging me about it.
00:19:29Okay?
00:19:30Okay.
00:19:34You're a little angel.
00:19:36It's okay.
00:19:55to sleep in.
00:20:02Well,
00:20:03it's certainly
00:20:04going to make
00:20:05things more complicated.
00:20:08So you want to
00:20:09pretend last night
00:20:09never happened?
00:20:14I thought we had
00:20:15a good thing
00:20:15going on between us.
00:20:17I mean,
00:20:18you've been going around
00:20:19the last couple of days
00:20:20telling everybody
00:20:20I was your boyfriend.
00:20:22Yeah, but
00:20:22that was just
00:20:25something I said
00:20:25to make my husband
00:20:26jealous.
00:20:28You mean your
00:20:28ex-husband?
00:20:30Yeah.
00:20:31Ex.
00:20:32Yeah.
00:20:35But I mean,
00:20:35you and I,
00:20:36you know I can't
00:20:39start a new
00:20:40relationship right now.
00:20:43So everything
00:20:44you said last night?
00:20:46We were just
00:20:47caught up in the
00:20:48heat of the moment.
00:20:50Heat of the moment.
00:20:51So it was all
00:20:52just bullshit.
00:20:52Why?
00:20:54To get me
00:20:55into bed with you?
00:20:57Just to have
00:20:57a one-night stand?
00:21:00Because you
00:21:00miss being
00:21:01with your damn
00:21:02husband?
00:21:16So everything
00:21:17you said
00:21:17last night?
00:21:21Get a hold
00:21:21through yourself.
00:21:25You just got
00:21:25divorced.
00:21:28You're not going to
00:21:29play mind games
00:21:29with men anymore.
00:21:31Hey.
00:21:35I wasn't sure what you
00:21:35like, so
00:21:36I just made a little bit
00:21:38of everything.
00:21:41You made all this?
00:21:42Yeah.
00:21:43what do you think?
00:21:51So what do you think?
00:21:54It's delicious.
00:22:00I mean,
00:22:00you deserve to have
00:22:02some of your
00:22:02awesome breakfast, too.
00:22:04Hey,
00:22:06you're not going to
00:22:06maybe sit here
00:22:07and eat this alone,
00:22:08are you?
00:22:08all that for some sauce,
00:22:22huh?
00:22:23Are you kidding me?
00:22:24Hello?
00:22:31Mommy, I miss you
00:22:33so much.
00:22:34Anna.
00:22:34Mommy, I miss you
00:22:36so much.
00:22:36Anna, honey, what?
00:22:38What's going on?
00:22:38Anna?
00:22:42Okay.
00:22:43Both of your
00:22:44resumes look
00:22:45excellent.
00:22:46I have a question.
00:22:47If you spilled
00:22:51a glass of milk
00:22:51in the ocean,
00:22:52how would you
00:22:53get it back?
00:22:54What does that
00:22:55question have to do
00:22:56with our work?
00:22:57Well,
00:22:58I suppose you
00:23:00could contain
00:23:02the section
00:23:03of the ocean
00:23:04with the spilled
00:23:05milk and then
00:23:06collect that sample,
00:23:08add a centrifugal force
00:23:09and there's probably
00:23:11a good chance
00:23:11of separation.
00:23:14So at our company,
00:23:15we are always trying
00:23:16to make the impossible
00:23:18possible and for that
00:23:19we need people
00:23:20who can think
00:23:21on their feet,
00:23:22derive solutions,
00:23:24no matter how
00:23:25outlandish the task
00:23:28at hand they seem.
00:23:33Hello?
00:23:39Uh-huh.
00:23:41Okay.
00:23:46Congratulations,
00:23:50Miss Michaels.
00:23:51Welcome to the
00:23:51Eastwood Corporation.
00:24:04If you don't mind
00:24:05me asking,
00:24:07why didn't I
00:24:08get the job?
00:24:10Mrs. Roberts,
00:24:11maybe you should
00:24:14focus on fixing
00:24:15your own family
00:24:15problems first
00:24:16before you start
00:24:18to look for work
00:24:18again.
00:24:21We don't want
00:24:22to make enemies
00:24:23with the Crow group.
00:24:35So I guess
00:24:36you didn't get it.
00:24:36I just don't
00:24:40understand why
00:24:40Carl hates me
00:24:41so much.
00:24:43I mean,
00:24:43he doesn't want
00:24:44me to work
00:24:44for his company,
00:24:45but he doesn't
00:24:45want me to work
00:24:45for any other
00:24:46company either.
00:24:48Look,
00:24:49you don't need
00:24:49that corporate
00:24:50job anyways.
00:24:51Yeah?
00:24:52What else can I do?
00:24:55I mean,
00:24:55I thought you were
00:24:55an artist,
00:24:56now a painter.
00:24:57How'd you know
00:24:58about that?
00:24:59You brought
00:25:00an easel.
00:25:04It's just a hobby.
00:25:06I gave it up.
00:25:09I don't paint
00:25:10anymore.
00:25:13Okay,
00:25:13well,
00:25:14if you don't
00:25:15love to paint
00:25:15anymore,
00:25:15then why
00:25:17bring an easel
00:25:17with you?
00:25:21I haven't
00:25:21painted in years.
00:25:24I'm sure
00:25:24it'll be just
00:25:24like riding
00:25:25and bike.
00:25:26Once you start,
00:25:27it'll all
00:25:28come back to you.
00:25:28that's my account.
00:25:35Why are they
00:25:35assigning it
00:25:36to someone else?
00:25:37Fine, fine.
00:25:38Just get me
00:25:38some damn answers
00:25:39and give me a call
00:25:40back soon,
00:25:40okay?
00:25:44Carl,
00:25:45this took me
00:25:45three months.
00:25:47I'm sorry,
00:25:48I just,
00:25:48I got some
00:25:49bad news at work.
00:25:50It's ruined now.
00:25:52Fine.
00:25:52Start over.
00:25:55You know,
00:25:55it kills me
00:25:56to see you
00:25:57squander
00:25:58your intelligence
00:25:59and talent
00:25:59on these useless
00:26:00paintings.
00:26:03You're a remarkable
00:26:04woman,
00:26:04Tasha.
00:26:05Okay?
00:26:06And if the
00:26:06charlatan snobs
00:26:08in the art world
00:26:08can't see that,
00:26:09then screw them,
00:26:10okay?
00:26:11If you put
00:26:12your focus
00:26:13elsewhere,
00:26:14we could be
00:26:14rich enough
00:26:15to buy
00:26:15ten art galleries
00:26:16and then you
00:26:17could put
00:26:18whatever paintings
00:26:19you want in them,
00:26:19right?
00:26:21Painting's my passion.
00:26:24What if we put
00:26:25painting
00:26:25on the side
00:26:27just for a little
00:26:28while
00:26:29and you could
00:26:30come join me
00:26:31at the company?
00:26:32Because together,
00:26:33we'd be unstoppable.
00:26:37And right now,
00:26:38I am drowning.
00:26:39Your dad
00:26:41and his
00:26:41partners
00:26:42have no faith
00:26:43in these.
00:26:45I need you.
00:26:47Look,
00:26:48you love me,
00:26:52don't you?
00:26:55Of course I do.
00:26:57Okay,
00:26:58then just
00:26:58do this one
00:27:00thing for me.
00:27:01This one
00:27:02little thing.
00:27:03Please.
00:27:09Finish.
00:27:31Yeah.
00:27:32Yep.
00:27:38That is amazing.
00:27:41Thank you. I honestly never thought I'd paint again.
00:27:44Well that would have been a shame. You're easily one of the most talented artists I've ever met.
00:28:02We're honored that you chose our gallery to showcase your work. I am curious about one thing, if you don't mind me asking.
00:28:13The subject in your paintings, your muse, is he your lover?
00:28:18Oh. No. He's just a friend of mine.
00:28:25But his gaze, the way he looks out to you in these paintings, there's so much tenderness and affection in his eyes.
00:28:38Is Ken really in love with me? He's so young though. At his age, he probably doesn't even know what love is.
00:28:46Oh, sorry. You're in the way.
00:28:50Actually, you're in my way.
00:28:52I'm trying to get into my home.
00:28:58Is this your new girlfriend?
00:29:01I've never seen you with anyone like this before.
00:29:04Ken's my roommate.
00:29:06Now, if you'll please step aside so I can get in.
00:29:12Call me again if you need anything, okay? Bye.
00:29:16Hey, what are you doing home so early? Are they going to showcase your work?
00:29:23Sorry if I interrupted something, but as your roommate, I don't really think I need to tell you if I'm coming or going.
00:29:28So, if you have something private to do, just do it in your room.
00:29:31I never said you need to tell me when you're coming or going. I'm just saying.
00:29:34No, it's fine. You don't need to explain. Just... I just want to be alone.
00:29:38What?
00:29:48I'm so sorry, sir. She just barged in without permission.
00:29:51It's okay.
00:29:53Ms. Roberts, please. Grab a seat.
00:29:56We signed a contract. Why can't you show my paintings now?
00:29:59I'm afraid I don't have the answers you're looking for.
00:30:02You want to know what happened? Ask Karl Kroh.
00:30:07I want my paintings back. Right now.
00:30:12Well, they're probably somewhere in the warehouse. They haven't been thrown away yet.
00:30:29You've already searched the entire warehouse ten times. If you haven't found what you're looking for, it's not here.
00:30:46You better hope I find what I'm looking for, or I'm going to make this entire gallery compensate me.
00:30:51And then I'm going to sue you, and you'll be the first to lose your job.
00:30:55Yeah, that's great, lady. Go ahead and sue. I'm sure things will go exactly the way you described it.
00:31:21You don't really care about her.
00:31:48Shh. Keep your voice down. She's had a long day. Also, you can't just come over here so casually in the future.
00:31:55Casually? Are you kicking me out? You didn't mind my coming over so casually when you had me digging through your body for bullets.
00:32:04You men are cold as hell. I think my lucky star is I'm a lesbian.
00:32:08Look, I just can't have her finding out about the work that we do, okay?
00:32:12Are you serious about her?
00:32:15Yeah.
00:32:16You thought about the consequences if your dad finds out.
00:32:21Look, now, you and I have been best friends for over 20 years, okay?
00:32:25And my dad has taught me everything that I know.
00:32:28I think maybe it's time I just figured things out on my own.
00:32:31And you know exactly what I went through last time.
00:32:35I'm not going to lose her again.
00:32:37Don't worry, Anna. Mommy's going to find a way to bring you home soon.
00:32:51All the evidence is here. It's exactly what you thought.
00:32:54Let me know if you want me to find out more.
00:32:57Do you want me to find out more?
00:33:11Carl. Let's meet.
00:33:14Oh, wow. It's not every day a famous painter comes to visit. To what do I owe the pleasure?
00:33:30The company I supposedly borrowed money from. It's a shell company owned by you.
00:33:39So what? All our operations are legal. You signed the documents. You borrowed the money. All you can do now is pay it back.
00:33:50You know, I don't think you actually want me to pay back the loans. You were just looking for an excuse to have me back in your life.
00:34:04You're obsessed with me. This is just your sick way to dominate me and make me surrender to you.
00:34:11I'm just getting even. For the years I spent in your father's shadow. The years of belittlement and him treating me like a clown.
00:34:19My father hired you when no one else would. Not my fault that your insecure petty took his support as belittling.
00:34:32I wouldn't upset me if I were you. Remember, I'm your creditor now.
00:34:39Two months. That's all I can give you to pay me back the remainder of $180 million.
00:34:49What are you doing here? I was just in the neighborhood. Thought I'd give you a ride home.
00:34:59Hi. Um, hey. Who is this?
00:35:05Uh, this is Ken's roommate. We're gonna be dropping them off before we head home.
00:35:14Yeah, hey listen, I didn't introduce you last time, but this is my best friend Nell and her girlfriend Maria.
00:35:25Nell and I have been nothing more than friends since we were kids.
00:35:27She's not into men, and she never has been, and her and I are nothing more than just platonic friends. Alright?
00:35:36I'm sorry I jumped to conclusions the other day.
00:35:40It's okay. I just didn't want you to get the wrong idea.
00:35:43Look, I... I appreciate it. I really do. I just... I... I still think you and I are better off just as friends.
00:35:57Just... why?
00:36:00Why?
00:36:05Why?
00:36:08Maybe because I'm just getting over a failed marriage.
00:36:13Because I owe an unthinkable amount of money and I have no idea how I'm gonna pay it back.
00:36:19I also have no idea how I'm gonna get my daughter back.
00:36:23And... and getting into a relationship with you? That's just something I can't do right now.
00:36:30Love has brought me nothing but pain, okay? So just... please... just... leave it.
00:36:53Do you have any other paintings?
00:37:05Yeah. I have several. What are you looking for?
00:37:11I would like to buy them all. I love your painting style. It is so unique.
00:37:16I own a large gallery and I would like to establish a long-term collaboration with you.
00:37:19Thank you for your kind words about my paintings but...
00:37:25I've been in some trouble lately and it's probably best if I don't involve your gallery.
00:37:34None of this matters to me.
00:37:36If someone wishes to cause me trouble... well... just let me try.
00:37:40I mean... it has to be a mistake.
00:37:51Or a prank or... a cruel practical joke.
00:37:56I mean it seems pretty authentic to me.
00:37:58It has their seal and... your name and address are like clearly written on it so...
00:38:03It looks authentic.
00:38:08But how would they have seen my paintings?
00:38:11I don't know. Maybe one of those auction sites that you've been posting your work on?
00:38:16I mean, you're incredibly talented so...
00:38:19Anybody who's seen your work would automatically recognize it.
00:38:21I own a large gallery and I would love to establish a long-term collaboration.
00:38:31It's him!
00:38:33It's him!
00:38:35The guy who's been on my paintings!
00:38:37He must be the owner of the Fitz Gallery!
00:38:39Well, in that case, we better get going.
00:38:41Where?
00:38:43Gotta go get you a dress!
00:38:45Can't have you showing up to the Fitz Gallery in rags!
00:38:46Babe?
00:38:52Which one do you like more?
00:38:54This one?
00:38:55Or this one?
00:38:57I need to be the hottest girl at the Fitzgala.
00:39:01Everything just looks so good on you, honey.
00:39:05So just pick whichever one you want.
00:39:08I gotta take a call, okay?
00:39:10Wrap this up, you twitch.
00:39:12I'll take them both.
00:39:16Wow.
00:39:21I used to buy dresses like this all the time without even thinking about the money, but...
00:39:26I can't afford something like this now.
00:39:30You know what?
00:39:32Consider it a congratulatory gift for me.
00:39:34Alright?
00:39:36And when you make it big in the art world, you can just pay me back.
00:39:40Oh, hi, excuse me.
00:39:41Yeah, my friend would like to try on this dress.
00:39:43Oh, your friend has amazing taste.
00:39:46This dress is actually a limited edition.
00:39:48Each one handcrafted by hand and therefore entirely unique.
00:39:52Truly a work of art.
00:39:53Well, how fitting that's going to be worn by a very talented artist.
00:39:56I'll have someone on the team bring it out to you.
00:40:00Veronica, please bring the limited edition.
00:40:03What limited edition?
00:40:07Tasha?
00:40:09Do you really think you can afford this dress?
00:40:14You can afford this dress?
00:40:19Please.
00:40:21Reyna, I don't think you need to worry about Tasha's finances, okay?
00:40:24We established that last time.
00:40:28Hey, you.
00:40:29Get over here.
00:40:31I'm going to pay twice what it's worth.
00:40:33But I want this dress.
00:40:35Ma'am, this dress is $4,000.
00:40:37Did I ask you how much it costs?
00:40:38You pluritarian scum.
00:40:40Just shut your mouth and add it to my bill.
00:40:42She's willing to pay double.
00:40:44I'll double her offer and I'll pay $16,000.
00:40:47Okay, sir. Sold.
00:40:49$32,000.
00:40:51You know what?
00:40:53She wants the dress so bad, let her have it.
00:40:56You can put all the jewels you want on a pigeon, but it'll never be a peacock.
00:41:00I'll show you who's a pigeon, you little bitch.
00:41:03How dare you assault me?
00:41:05Tasha, are you okay?
00:41:08What is going on here?
00:41:10What's going on is that your crazy bitch wife pushed Tasha to the ground.
00:41:14I swear to God, they're all lying. I never touched her.
00:41:17I saw everything.
00:41:18This gentleman and his girlfriend were very nice and politely inquired about a dress and suddenly your wife appears and attacks her for no reason.
00:41:25Shut your mouth, you little lying asshole.
00:41:28You know what? Why don't you just call security before this crazy maniac hits somebody else?
00:41:31Wait a second, Reyna. What actually happened here? What's going on?
00:41:35Why don't you believe me? I told you.
00:41:37Don't we just call 911.
00:41:39Are you blind? Oh Tasha, can you stop this bullshit?
00:41:42You know what, Reyna? Can you just stay away?
00:41:43Can I get someone down here? Room A122?
00:41:47No, no, that's not necessary. We are leaving right now. Let's go.
00:41:50Oh, but-
00:41:51Okay, you've embarrassed us both enough for one day, okay? Let's go!
00:41:54Wherever Reyna goes, trouble's sure to follow.
00:42:06It is nice to see her get a taste of her own medicine though.
00:42:10Yeah. It's the same though. You would have looked really great in that dress.
00:42:13Don't worry about that. I have a solution.
00:42:27What are you going to do with all this stuff?
00:42:30I'm going to design my own dress and wear it to the gala.
00:42:33Are you sure there's enough time?
00:42:35Have some faith in me. I graduated with honors in design and fine art. I got this.
00:42:40I got this.
00:42:42Alright.
00:43:01How do I look?
00:43:02How do I look?
00:43:05How do I look?
00:43:12What? Is-
00:43:14Is something wrong? Is it-
00:43:15Is it too much? Should I change something?
00:43:18No. No.
00:43:20You look-
00:43:22That dress, like-
00:43:24That is one of the most beautiful dresses I've ever seen.
00:43:27Hmm.
00:43:30But there's something missing.
00:43:34Should I resell the beads?
00:43:37No.
00:43:39I have a gift for you.
00:43:41Something to complete the whole look.
00:43:43Just try harder, you idiot!
00:43:44Mrs. Crowe, I am doing everything I can. I-I-I don't know what more I can do.
00:43:56You're calling me fat?
00:43:58Of course not.
00:44:00You're not fat at all.
00:44:02It's the dress. It's not made for a woman's body.
00:44:05Just shut up and do it!
00:44:07Babe.
00:44:09Just put on another dress.
00:44:11You're gonna be late.
00:44:13I spent so much money on this dress.
00:44:16I am wearing this dress!
00:44:17I-I can't. It's-
00:44:23It's too much.
00:44:25No.
00:44:28It was made for you.
00:44:32I can't. It's-
00:44:36It's too much.
00:44:40No, it was made for you.
00:44:42It was made for you.
00:44:52I can't wait to see what you've brought to the auction.
00:44:55Can we have a little hint?
00:44:57Well, actually, I brought some of my very own paintings to auction tonight.
00:45:05What's wrong?
00:45:07Tasha Roberts, my husband's dreadful ex-wife.
00:45:13I'm tired of seeing her sorry face everywhere.
00:45:17You know, she's also a horrible person.
00:45:21If it isn't everyone's favorite white collar criminal turned homeless vagrant, Tasha Roberts.
00:45:29So the other day when you were trying to buy this dress with that working class thug boyfriend of yours,
00:45:35you were trying to come here?
00:45:38Are you sure you were even invited?
00:45:43I'm sorry, are you working the security detail?
00:45:46Do I need to show you my invitation?
00:45:48Honey, I'm just trying to look out for you, okay?
00:45:51I want to spare you the embarrassment of being kicked out when everybody finds out that you were not invited.
00:45:57You mean like how you were kicked out of the mall?
00:46:00I see. You still quite don't understand your place in the world.
00:46:05You think you're fucking Cinderella or something and life is a fairy tale.
00:46:10But don't worry, I'll help you figure it all out.
00:46:15What's wrong with you?
00:46:17You can't just see people are walking through.
00:46:19Rina, this time you've gone too far!
00:46:22Stop shouting, you dreadful oaf.
00:46:24These were supposed to be auctioned tonight!
00:46:26Well, if it is of any consolation, I don't think the wine has reduced their value of very much at all.
00:46:32Now you can go and cry to your fairy gut mother.
00:46:37What do you, sir?
00:46:39Oh, I think the auction's starting.
00:46:42Well, I'll see you there.
00:46:44Toodles!
00:46:45For our first auction item, I'd like to welcome Ms. Rina Crowe to the stage with her collection of original paintings.
00:46:59As you can see, Ms. Rina Crowe's style is very unconventional.
00:47:19Certainly, these works defy easy categorization.
00:47:24And yet, there are touches of whimsy and an almost playful quality about them.
00:47:29As depicted here through the bold use of a duck as a central figure.
00:47:33It's a dog.
00:47:35What?
00:47:36It's a dog, not a duck, you buffoon!
00:47:38Oh yes, of course!
00:47:40A dog!
00:47:42Seen through a very unique prism.
00:47:45Portrayed as only an artist of Rina's caliber could possibly portray it.
00:47:50Now that we have familiarized ourselves with the art and the artist, let's start the bidding.
00:47:56The starting price will be $50,000.
00:47:58Do I hear $50,000?
00:48:00No.
00:48:02Anyone?
00:48:04$50,000, do I hear $60,000?
00:48:08Anyone?
00:48:09$50,000 going once.
00:48:12$50,000 going twice.
00:48:14Sold!
00:48:15Sold for $50,000.
00:48:22And now we'll invite our second artist for the evening, Ms. Tasha Roberts, who will also be presenting a series of paintings.
00:48:29Ms. Tasha Roberts, where are your paintings?
00:48:40I don't have my paintings tonight, but I will be auctioning off this dress.
00:48:47Oh, wow!
00:48:48It's beautiful!
00:48:50Oh, stupendous! I've never seen a dress so beautiful!
00:49:06Oh, stupendous! I've never seen a dress so beautiful!
00:49:09A stunning work of art indeed! There's no need for me to say another word about this masterpiece. Everyone in the audience can clearly see the extraordinary talent and extraordinary artistry. Let's start the bidding at $50,000.
00:49:26$55,000!
00:49:27$55,000!
00:49:28$75,000!
00:49:29$90,000!
00:49:30$100,000!
00:49:31$150,000!
00:49:32$250,000!
00:49:33$250,000!
00:49:35$250,000 going once, $250,000 going twice!
00:49:43Gold! This beautiful dress was sold for $250,000!
00:49:56Is that the heart of Slymachus that sold for $200 million a few months ago in a bid now?
00:50:01Impossible. How can that lowly peasant possibly afford it? It must be a fake.
00:50:07Thank you so much for your bid, Ms. Wenzelow. I'm going to design a few custom pieces in your size and design them to your elegance and style.
00:50:19Have you ever considered creating your own clothing brand? Your creations are so extraordinary. You should really share your talent with the rest of the world.
00:50:30Thank you. I never considered it, but I certainly will now.
00:50:34Hi. I'd be careful if I were you. I personally wouldn't put any faith into someone that wears cheap replicas of famous pieces of jewelry.
00:50:45What are you talking about right now?
00:50:47This woman is a phony and a con artist. For as long as I worked with her, she's done nothing but defraud and cheat the people she's done business with.
00:50:56And let me make it clear. For everybody that wants to do business with this woman, they won't be allowed to do business with the Crow Group.
00:51:05Is that so?
00:51:06Well, let it be known that if anybody refuses to work with Ms. Tasha Roberts because of the baseless rumors and lies being spread by Ms. Raina Crowe, you will no longer be welcomed back to the Fitz Gallery.
00:51:20That's the curator of the Fitz Gallery. Not just the curator. He's also the director of the Fitz Foundation.
00:51:31The curator? Is he the man who bought my paintings? Why does he seem so familiar?
00:51:37Ms. Tasha Roberts is my guest of honor tonight. I invited her personally. So if anybody treats her with the slightest bit of disrespect, they'll be asked to leave and never again invite her back to the Fitz Gallery.
00:51:52As the director of this esteemed organization, am I interested to know that your guest of honor is wearing a cheap replica of a priceless work of art. She is not to be trusted.
00:52:04I'm assuming you mean her diamonds. What evidence do you have to prove that it's not real?
00:52:10Well, the real Heart of the Sun has the initials of the Craft Man engraved in the joint between the gemstone and the pendant.
00:52:18So Tasha, would you indulge us all and show us if what you're wearing is a genuine article or a cheap knockoff?
00:52:26This was just given to me by a friend. I never claimed it was the real Heart of the Sun.
00:52:32I don't want to embarrass him by having people pour over it for imperfections.
00:52:38So, it's a forgery. You were so happy to have everyone believe it was the real thing until I challenged you and called your bluff.
00:52:47Ms. Roberts.
00:52:48You have nothing to fear from this woman. Just show her the necklace. And I'll personally see to it that there are no despairing comments about its craftsmanship or quality. And the question has to be asked whether it is the true Heart of the Sun.
00:53:09Ms. Roberts.
00:53:19See? Just like...what? How is this possible?
00:53:27Ms. Roberts. I do say, this engraving looks entirely authentic to me. This is indeed the one and only Heart of the Sun.
00:53:31authentic to me. This is indeed the one and only heart of the sun. Well that
00:53:37settles it then. This necklace is authentic. From now on, no one will be
00:53:42permitted to question or harass my guest of honor. Now if everyone is satisfied
00:53:46can we please get back to tonight's festivities?
00:53:51Ken, you have a lot of explaining to do. Okay, what's wrong? I can't accept this
00:54:06necklace and I can't give you what you want. Do you even know what I want? I
00:54:12don't want to know. We can just be friends nothing more. Tasha you're just afraid.
00:54:19You're just afraid of going after what your heart truly desires. And I just think
00:54:25you're afraid of just being true to yourself. You're the last person that should
00:54:29be lecturing anybody on the truth. Who are you? What do you do? Is this even your
00:54:37house? I mean how do you own a necklace that's 200 million dollars? See you you
00:54:48don't even respect me enough to tell me the truth. You expect me to jump into a
00:54:54relationship with you? You could be a total stranger. I have no idea who you are.
00:55:02Tasha, I want to tell you. I do, but I just can't right now.
00:55:09Like maybe in the future when we can- No Ken, there is no future for us. Not if you can't tell me one thing about yourself that isn't a lie.
00:55:16When you find someone that you really love and trust, you let them in.
00:55:23But that person won't be me.
00:55:31Are you okay?
00:55:46Director Fitz, I had a wonderful time at the Gala. Thank you for supporting me and standing up for me. I wasn't bothered by the way the other guests treated me. I've endured far worse.
00:56:05Lovely. I'm glad to hear it. I would like to exclusively showcase your work at the Fitz Gallery for the foreseeable future. Think of it as a sort of artist's residency. Would you be interested in such an opportunity?
00:56:20This dress is every bit as exquisite as I expected it to be. Thank you, my dear.
00:56:35You're very welcome.
00:56:36Have you given any more thought to my proposal? If you wish to start a clothing brand, I would be more than happy to invest whatever you require to get started.
00:56:48It's a very gracious offer, but I just, I have to ask. I mean, there are so many other talented designers. Why do you have such faith in my abilities?
00:56:57It's not just me, you know. The curator of the Fitz Gallery has never been seen in public before the gala last night. And everyone in attendance was certain that the only reason he chose to make an appearance was because of you, his guest of honor.
00:57:16That was his first appearance ever? Indeed. His very first and only time to appear in the flesh. Before this, he was a figure of myth and mystery. Many people doubted he existed at all. But all because of you, he chose to grace us with his presence last night. Seems like a marvelous young man, don't you think?
00:57:40He certainly had a charm about him. Oh, undoubtedly. You know, many people flock to the Fitz Gallery for more than just the art. They want to learn all about the enigmatic young curator.
00:57:54Really? I mean, what's so interesting about him?
00:57:58Have you ever wondered how the Fitz Gallery has managed to surpass all of the established art collections to become the top venue for fine art in just two years?
00:58:10I mean, I heard rumors. Something about foul play, but I always just assumed they were baseless.
00:58:17Those rumors have quite a bit of truth to them. Seems like the Miller crime family is actually behind the Fitz Foundation. The one and the same Miller crime family that monopolizes all the underground trade in all of North America.
00:58:34He seemed like such a gentleman. I just, I find it hard to believe that he ever was involved in something so sordid.
00:58:40You must never judge a Brooklyn's cover, my dear girl. Even people close to us may be harboring many secrets. We never really know what's going on inside.
00:58:53You got that right. I learned that lesson the hard way.
00:58:56Let me be frank. I have tremendous faith in you. Thank you, Mr. Wendlow, but I think it's dear. All my friends call me Laura.
00:59:07This is in a check. For five million dollars. She'd help you get your clothing brand started.
00:59:18Shall we become business partners in addition to being friends?
00:59:22Director Fitz, I'd like to work with you. It would be my honor, Miss Tasha Roberts.
00:59:42Differentiable craft, I'd like to work with you while I'm not being married and be carried away, is this choice for a group of definitely makes you happy.
01:00:00Every event is a special event orashi I. If you look for a business of new projects,aph so that you may be able to be bereavedhetists for a little football sport,
01:00:07My toes slip into the sand, dream that I'm with you.
01:00:16Staring out into the sea, waves come crashing up to me.
01:00:25My toes slip into the sand, dream that I'm with you.
01:00:37Congratulations, Ms. Roberts, we expect a huge success from your art exhibition.
01:01:02You're looking at her.
01:01:04You're obsessed with her.
01:01:07Didn't she humiliate me enough the other night at the gala?
01:01:10But no, now I have to watch my husband stare at her picture.
01:01:15Well, maybe if you didn't give her the opportunity to humiliate you.
01:01:19So it's my fault now?
01:01:20Oh, wait, let me guess.
01:01:21Maybe it's my fault too when the two of you broke up.
01:01:23Okay.
01:01:25Raina, I've been thinking.
01:01:28I don't think this is working.
01:01:29I want a divorce.
01:01:32You used me to push Tash out of your company, take her property, and now you cast me aside
01:01:42like what, a used piece of garbage?
01:01:43I won't allow this.
01:01:47Mark my words, Karl Kroh.
01:01:49You will regret this.
01:01:51I'm spending too much time around Ken.
01:02:06He's dominating all my thoughts.
01:02:08I have to distance myself from him for my own sanity.
01:02:12Is there nothing I can do to get you to stay?
01:02:29I'm sorry.
01:02:32But no.
01:02:35You and I, our relationship, we'll just keep going in circles.
01:02:39But thank you for everything you've done for me.
01:02:46I have a little bit of money now, so you should be able to pay off your loan soon.
01:02:50Bye.
01:03:09This is what happens when you steal from the Millers.
01:03:24Please, let me go.
01:03:29I promise you'll never see me again.
01:03:31What do you got here?
01:03:39I'll break this over here.
01:03:41Boss!
01:03:43I found this one peeking around the corner.
01:03:45Not sure how long this little bitch has been watching, but I'm pretty sure she tried to call the cops.
01:03:49Don't worry, boss.
01:03:55I got a knife with her name on it.
01:03:57We can dump her body with the other guy.
01:04:03No, let her go.
01:04:05What?
01:04:06Didn't you hear what I said?
01:04:07She's seen everything.
01:04:08Let her go before I rip off your fucking arms and throw them in the river.
01:04:11Walk away.
01:04:21This doesn't mean anything to you.
01:04:23Is this what you couldn't tell me about?
01:04:26Boss, you know this woman?
01:04:30You're gonna kill him.
01:04:31Call the police then.
01:04:33See if they can save his life.
01:04:34No!
01:04:35Don't call the police, you stupid bitch!
01:04:37My world is more cruel than you can possibly imagine.
01:04:42So since you didn't want to get involved, just walk away.
01:05:06Hey, babe.
01:05:07What do you want for breakfast?
01:05:32My world is more cruel than you can possibly imagine.
01:05:34So since you didn't want to get involved, just walk away.
01:05:39I never imagined that Ken could be such a dangerous and violent man.
01:05:43There must be something or someone forcing him to do all of this.
01:05:48Even people close to us may be harboring many secrets.
01:05:53We never really know what's going on inside.
01:05:57Forget it.
01:05:57This has nothing to do with me.
01:05:59I decided to leave Ken, so I have to do my best not to look back.
01:06:03You're a pro-magnet boyfriend.
01:06:27You're a pro-magnet boyfriend.
01:06:28Is he not joining us?
01:06:29It's all over.
01:06:30It's all over.
01:06:31I'm not with him anymore.
01:06:32Where's Reyna?
01:06:34Reyna was a mistake.
01:06:37That's all over too.
01:06:39Tasha, Tasha, I want you back.
01:06:47I can't stop thinking about us.
01:06:50You were right.
01:06:50You belong in my life.
01:06:52So, if you just sign those documents, then you can come back to me.
01:07:00Come back to the house.
01:07:01We can carry on like none of this ever happened.
01:07:04I can give you your old job back.
01:07:06That'll be fun, working together again.
01:07:08And then all that debt you owe me will be wiped clean.
01:07:11You, uh, need a pet?
01:07:13You think I'd get back with you after everything you put me through?
01:07:25Here is a hundred million dollars.
01:07:30I'll pay the rest on time and for your agreement.
01:07:34Take these documents and shove them right up your ass.
01:07:45You disgust me, Carl.
01:07:48You should think about Anna.
01:07:50Do you really want her growing up without a mother?
01:07:53With all her health problems, she could really use your support.
01:07:55Don't dare talk about Anna.
01:07:58She'll be with me soon.
01:07:59Then I'll never let her out of my sight again.
01:08:01She needs her mother and her father.
01:08:03Not a father. Like you, she doesn't.
01:08:05She'd be better off with no father at all.
01:08:18I'm sorry, am I interrupting?
01:08:20Are you texting a new boyfriend already?
01:08:23Can it wait?
01:08:25I'm not done talking here.
01:08:28Pathetic, Carl.
01:08:30Hey, Tasha.
01:08:32T-
01:08:32Tasha.
01:08:36Hey, Tasha.
01:08:39Tasha, come back.
01:08:40Where are you going?
01:08:41This place is disgusting.
01:08:43T-Come on, Tasha.
01:08:45Don't you remember the happy times?
01:08:46Come on, we can have that again.
01:08:48Think of Anna.
01:08:49Think of me, please.
01:08:50I love-
01:08:51Ooh, ooh, ooh.
01:08:53Sorry, folks.
01:09:11It's the end of the line for you.
01:09:15No hard feelings.
01:09:19But, we gotta do what the people who pay us tell us to do.
01:09:23Who's paying you?
01:09:24I'll give you a hint.
01:09:27A very beautiful woman paid us a small fortune to make sure you two would make sure you two don't make it.
01:09:34Oh, Reina.
01:09:37That fucking bitch.
01:09:39Do you know who I am?
01:09:40I'm Carl Crow, the CEO of the Crow Group.
01:09:45What if she's paying you?
01:09:47I'll pay double, okay?
01:09:48Yeah, yeah.
01:09:48You're paying me double.
01:09:49I guess you haven't heard the news, buddy.
01:09:52See, I don't think you have the means to outbid your pretty little friend.
01:09:59Oh, that backstabbing slut!
01:10:03Please, pick up the phone.
01:10:05You trying to phone a friend?
01:10:07That's a big no-no, sweetheart.
01:10:09That's breaking the rules.
01:10:13Sweetie.
01:10:15Don't waste the little time you have left trying to call for help.
01:10:17It won't do you any good.
01:10:21No one.
01:10:23They're going to help you now.
01:10:28Three hours, where is Tasha?
01:10:32Hey, Nell.
01:10:33Hey, listen, I need you to do me a favor.
01:10:36Yeah, I need you to pull out the city surveillance system in the area and find all the footage.
01:10:41Yeah, no, something's wrong.
01:10:47What are you doing?
01:10:55We have to get out of here.
01:10:57You should just go.
01:11:10Save yourself.
01:11:12Leave me.
01:11:13It's what I deserve.
01:11:16I'm not going to leave you.
01:11:19I'm not that type of person.
01:11:20Come on, let's go.
01:11:30Come down here.
01:11:31Wait until they come in.
01:11:38Hey, Tasha.
01:11:42I'm so sorry.
01:11:43Now's not the time for that.
01:12:04All in.
01:12:05Looks like we got ourselves a suicidal prick here, fellas.
01:12:17I can't think of any other reason why somebody would kick in a door that's got Vincent Santorelli on the other side of it.
01:12:25Oh, shit.
01:12:27Boss.
01:12:30I didn't realize it was you.
01:12:31These are your guys?
01:12:36Where the fuck are they?
01:12:38You better find them.
01:12:39Quick.
01:12:55Now it's your turn.
01:13:01Pretty little thing like you, I was going to make it painless, but I guess you didn't want that.
01:13:22All the same.
01:13:24Hey, who's this fucking monkey?
01:13:26Lower your fucking gun.
01:13:27Vinny, what the fuck is going on?
01:13:29You fucking down?
01:13:30Yeah, lower your fucking gun.
01:13:32Are you...
01:13:33Are you Ken Miller?
01:13:35How can that be?
01:13:36What the fuck is going on?
01:13:38Ken Miller.
01:13:40The one and the same Miller crime family that monopolizes all the underground trade in all of North America.
01:13:50It's you.
01:13:51You know what you have to do.
01:14:01Boss, please.
01:14:04He's my brother.
01:14:07Rules are rules.
01:14:08Rules.
01:14:08I was pushing you away as Ken and growing closer to you as Fitz.
01:14:27I'm sorry, Tasha, but there's just nothing I can do that will make you happy.
01:14:37And I just, I just can't win over your heart.
01:14:39Is Ken Miller always this loving with the hostages he rescues?
01:14:49Or is it just special treatment reserved for his lovers?
01:14:55Tasha, I love you.
01:14:56My heart has belonged to you and only you for the past 15 years.
01:15:0115 years.
01:15:08No, we just met a few months ago.
01:15:11We met 15 years ago.
01:15:16You went to Marr Middle School.
01:15:19Yeah.
01:15:20And you saved my life there.
01:15:22Stand up, chicken, and hit us back.
01:15:33Isn't that what your dad does for a living?
01:15:35Beat people up?
01:15:37I'm not my dad.
01:15:39You and your father are both scum.
01:15:41Let's teach this little and thug a lesson.
01:15:43Yeah, idiot.
01:15:44Get up and show us what you got.
01:15:48Hey.
01:15:48Hey, hey, hey, hey, hey, stop.
01:15:52That's enough, that's enough.
01:15:54It's none of your business, Robert.
01:15:55Get out of here, Robert.
01:15:56Hey, stop.
01:15:57Go home.
01:15:58I'll call your parents.
01:15:58Go.
01:15:58Oh, crap.
01:15:59Crap.
01:16:12Ever since I saw you that night in the cab with that necklace on,
01:16:15I just, I knew I found you.
01:16:20Look, this isn't just some feeling for me, okay?
01:16:24This is, this is everything to me.
01:16:27Like, you are everything to me.
01:16:29No matter what happens between us,
01:16:32I will always care about you.
01:16:35And maybe one day we can make it work in a different way.
01:16:41I just need some time to process this.
01:17:00Okay.
01:17:01And after that,
01:17:04maybe we can pick up where we left off
01:17:06that first night you spent here?
01:17:10Maybe.
01:17:12You play your cards, right?
01:17:28Does everything look good to you, my artist?
01:17:31Yeah.
01:17:33Thanks for everything.
01:17:35That doesn't sound very convincing.
01:17:37Is there anything you want to change?
01:17:39No.
01:17:39I just, I never got around to asking
01:17:42why you wanted to start an art gallery in the first place.
01:17:46Honestly,
01:17:47just to get to you.
01:17:49See, I thought if I own the world's greatest art museum
01:17:51that one day you might find your way in here
01:17:53and I don't know,
01:17:55that I might find you.
01:17:55And I never want to know,
01:17:56and I don't even think of a good short stretch of California.
01:17:56I don't know.
01:17:57It's been a long time.
01:17:58I think of the world's greatest art Skillshare.
01:18:00mich asÃ.
01:18:01Okay.
01:18:03If you're finding out who am I giving away from my back for this kai,
01:18:05for now,
01:18:06it's been additional time for mentoring,
01:18:07and you may not beQuÄ….
01:18:08or you're the only son of João
01:18:09China or for company.
01:18:10not challenging activity.
01:18:10Also,
01:18:11I don't even know if it's 붙 for,
01:18:11uh,
01:18:12I don't think of it.
01:18:13I'm sure you're going to show my way in here.
01:18:14But you're she telling someone
01:18:15it's a long way out,
01:18:15but you're so sorry.
01:18:18And first up,
01:18:19I want to see what kind of woman this is that has ensnared my son.
01:18:36I doubt she's worthy of joining a Miller family.
01:18:40As you wish, sir.
01:18:41I will make the arrangements.
01:18:46Honestly, it's too good to you.
01:18:48See, I thought if I own the world's greatest art museum, that one day you might find your way in here, and I don't know, that I might find you.
01:18:57Okay, okay.
01:18:59Just concentrate on painting.
01:19:01Don't think about him.
01:19:18Who are you?
01:19:22Miss Tasha Roberts.
01:19:24Mortimer Miller would like to speak with you privately at his home.
01:19:27Come here.
01:19:31Take a look.
01:19:32She's an heiress to the largest chain of luxury hotels in the Western Hemisphere.
01:19:42She's young, beautiful, well-educated.
01:19:47I think she'll make a fine wife for my son, Ken.
01:19:50With all due respect, sir.
01:19:55I believe that it's up to Ken to decide who he wants to spend the rest of his life with.
01:19:59I choose you.
01:20:04Not a chance.
01:20:06You're no match for my son.
01:20:08Now, you owe money to the Crow Group.
01:20:19I'm going to pay your debt.
01:20:22And in return, you will agree to never see my son again.
01:20:33It's our decision whether we want to be together or not.
01:20:37Your son and I love each other.
01:20:39There's nothing in this world that can keep us apart.
01:20:43It's impossible.
01:20:44You want us to be together?
01:20:47It's impossible.
01:20:49Father.
01:20:49I forbid it.
01:20:51Father, this is the love of my life.
01:20:53I can't lose her again.
01:20:55I'd rather leave the family business.
01:20:58Then leave if you wish.
01:21:00But she will never have my approval, ever.
01:21:03And she'll never be a part of the Miller family as long as I live.
01:21:07You'll come running back.
01:21:09Without the Miller family power, money,
01:21:14you'll accomplish nothing.
01:21:17You're making a big mistake.
01:21:19She was in this
01:21:21old hand
01:21:23instead of the family.
01:21:26Ken, where are you?
01:21:36Why aren't you back yet?
01:21:41Oh, you're still awake?
01:21:42Who did this to you?
01:22:01Don't worry about me.
01:22:02I'm fine.
01:22:03It's nothing out of the ordinary.
01:22:04Hey, babe.
01:22:18Yeah, no, I'm just right outside.
01:22:19You son of a bitch.
01:22:25You make me cut my own brother's hand.
01:22:28Now you think you can betray the Miller family,
01:22:31walk away scot-free?
01:22:33Not a fucking chance.
01:22:36This guy means nothing to the Miller family now.
01:22:39He's worthless.
01:22:41Helpless.
01:22:42You're absolutely nothing now.
01:22:44Let's make him feel the pain
01:22:46that my brother felt.
01:22:49Come on, boys.
01:22:50Stop.
01:23:14Stop hitting him.
01:23:16Stupid bitch.
01:23:18Stop.
01:23:18Stop hitting him.
01:23:20Stop at once,
01:23:44you insolent fools.
01:23:50Son,
01:23:54you know how hard it is for me to admit
01:23:59that I made a mistake?
01:24:03But today, the two of you have proved me wrong
01:24:06beyond a shadow of a doubt.
01:24:09Tasha,
01:24:10you are the perfect woman for my son.
01:24:14Go.
01:24:14Go.
01:24:19Be together.
01:24:21You approve?
01:24:23You have my blessing.
01:24:27From this day onward,
01:24:29you have nothing more to do with the legal activities of the family.
01:24:32No doubt.
01:24:33You will.
01:24:33But...
01:24:34you'll always be a miller.
01:24:41As will she.
01:24:42But...
01:24:43You'll always be a miller.
01:24:46As will she.
01:24:51Get off me!
01:25:08Stop!
01:25:09You useless, impotent man-child!
01:25:12The crowd group is bankrupt!
01:25:14That hurt.
01:25:15Getting involved with you is the worst decision I could have made in my life!
01:25:18Get off!
01:25:19This is all your fault!
01:25:20You spent every single thing that we had!
01:25:22Now we have nothing left!
01:25:24No company, no house, no money, not even a dime!
01:25:28And it's all because of you, you greedy cow!
01:25:30Don't you?
01:25:31Don't!
01:25:39The late Mrs. Miller was a beautiful woman, sir.
01:25:44Yes.
01:25:48Back then, my wife protected me from every danger that befell our family.
01:25:55And today, my son found the perfect woman that I said I'd do the same for him.
01:26:03He's a lucky man.
01:26:04Wow.
01:26:05You look so beautiful.
01:26:06No, you can't be here right now!
01:26:10Babe, I don't want to rush you, but everybody's waiting to see you.
01:26:24Kim, can you promise me one thing?
01:26:25I can promise you two if you'd like.
01:26:26I'm serious.
01:26:27I want you to walk away from the family business.
01:26:28There's a city called Ostia.
01:26:29It's on the southwest side of Rome by the ocean.
01:26:31What?
01:26:32You know what I found over there?
01:26:33Found you an art teaching job out of public school.
01:26:38I don't do tickets.
01:26:39I leave in the morning.
01:26:40You're sending me away?
01:26:41No.
01:26:42I opened my own restaurant.
01:26:43It's just down the street.
01:26:44Oh, and one more thing.
01:26:45I enrolled Anna at the school they're going to be teaching at.
01:26:48I think she's getting really limited over there.
01:26:49So you really are walking away.
01:26:50I don't know.
01:26:51You know what I found over there?
01:26:52I found you an art teaching job out of public school.
01:26:53I don't do tickets.
01:26:54I leave in the morning.
01:26:55You're sending me away?
01:26:56No.
01:26:57I opened my own restaurant.
01:26:59It's just down the street.
01:27:01I'll add one more thing.
01:27:02I enrolled Anna at the school they're going to be teaching at.
01:27:04I think she's going to really live it over there.
01:27:09So you really are walking away?
01:27:16So you really are walking away?
01:27:18Yeah.
01:27:23I got some socks.
01:27:46I got some socks.
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