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C I D Season 2 Episode 86
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull

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TV
Transcript
00:00I hate it.
00:30I hate it.
01:00I hate it.
01:02I hate it.
01:04Okay, mom.
01:05Let's go.
01:06Bye.
01:07Okay, bye.
01:08Bye.
01:09Bye.
01:10Bye.
01:12Bye.
01:13Bye.
01:16Bye.
01:18Who?
01:27Who is there?
01:29Birju, what have you been?
01:31Look, whoever is there, come in front.
01:35I don't like this kind of stuff.
01:37Who is it?
01:39Who is it?
01:41I don't like this kind of stuff.
01:43Who is it?
01:45Who is it?
01:47Who is it?
02:17The body is completely broken, sir.
02:19Yes, the visit has been set completely.
02:23Look, all of his hands, hands and hands.
02:25What do you think, sir?
02:27How much time is it?
02:29It's 9 p.m.
02:31Now, it's 9 p.m.
02:33And the way that the Rai Gar Maltis is set,
02:35it's been 8-10 hours.
02:39It means...
02:41It's 12 p.m.
02:43It's 10 p.m.
02:44It's 10 p.m.
02:45Do you have a phone call?
02:47Yeah, it's your phone call.
02:49It's a phone call.
02:51Then our work will be easy, sir.
02:53We'll see CCTV footage at 12 o'clock tomorrow.
02:55We'll see who's shooting.
02:57Case solved.
02:58Let's check the footage.
03:11I'll tell you something wrong.
03:13What?
03:14There's a car in your CID.
03:18Oh, sir.
03:19I was very shocked to work in the police in my childhood.
03:22But I didn't get caught up here.
03:24You're a great guy, sir.
03:26You're a good guy.
03:27You're a good guy.
03:28You're a good guy.
03:30I've also worked here.
03:31Huh?
03:32I'll give you the bio data, right?
03:34I'll see.
03:35Hey, buddy, buddy.
03:36How is this light on?
03:38Is it on?
03:39Yes, sir.
03:41Whenever there's a person here,
03:43the light is on itself.
03:45Is it on camera, sir?
03:46Oh, no.
03:47This isn't a problem.
03:48This is a motion sensor technology.
03:50Pankaj.
03:51This motion sensor light is on when someone is on.
03:54But there's no one here.
03:55It's blank.
03:56So how is the light on?
03:57I'll tell you something, sir.
03:59I'll tell you something, sir.
04:00I'll tell you something more about the pain and the pain.
04:03Sir, but it's the same thing.
04:05Before this building,
04:07there was a light on here, sir.
04:09You must remember.
04:10I'll tell you something.
04:11Wait a minute.
04:12Hello?
04:13I'll tell you this, sir.
04:14I'll tell you, sir.
04:15You were there in the bed and I got older in your bed.
04:17You didn't know your family was there?!
04:18You just might've got
04:34a hard drive in this room!
04:35Look, sir. There's no one at this angle.
04:40Look, sir, he's not seen here.
04:45How did it get out of here, sir?
04:47Get out of here, sir?
04:49Get out of here or get out of here?
04:51With the footage, it's been recorded, right?
04:53Hey, sir.
04:54Today, I haven't done any footage with a girl.
04:56Why would I do this with the footage?
05:00This is the bullet's entry point.
05:02And the bullet's, here on the other side.
05:06The bullet's from the other side.
05:08This is the bullet's entry point.
05:19The bullet's entry point is below thewon backyard.
05:23The part's exit point is back.
05:26Surah's the bullet's, so that's where the bullet's front.
05:31The hole is here and here is the hole.
05:35If anyone can run the hole, it will run the hole in front of the hole.
05:37This hole is not a little strange.
05:41No, you are saying that 90% of the cases are like this.
05:46But if the hole is running the hole in front of the hole,
05:49the hole is stuck in some way and the hole is changing.
05:53Here, the hole is in the hole.
05:57And the hole is gone above the hole.
06:00I mean, the hole is in front of the hole,
06:04will it be down below or will it be down below?
06:08The hole is gone above the hole.
06:11Sir, according to the trajectory,
06:13there should be a hole in the hole.
06:17One minute, one minute.
06:19Sir.
06:20Purvi.
06:21Yes.
06:22What are you doing there?
06:23We are going to go there, sir.
06:24I am not going to go there, sir.
06:25I am not going to go there, sir.
06:26I am not going to go there.
06:27I am not going to go there.
06:29Sir.
06:30Yes, sir.
06:31Yes, sir.
06:32Yes, sir.
06:33Yes, sir.
06:34Yes, sir.
06:35Yes.
06:36But the hole is gone above the hole.
06:37Yes, sir.
06:38Sorry.
06:39Yes, sir.
06:40Yes, sir.
06:41No, sir.
06:42It is great, sir.
06:43But...
06:46But...
06:50Are you sure that this girl has fallen off?
06:52100%!
06:54Sir, with such a small girl?
06:57Why not?
07:06Sir, you have seen me in front of you.
07:08I have opened the door.
07:10How will I do my apartment?
07:11I have to do my apartment all night.
07:13Sir, you were taking the house at night.
07:16You are taking the house at night?
07:19Oh, oh!
07:19Virjoo, sir.
07:20Virjoo's tweet is here at night.
07:21How will you tell me?
07:22Tell me now, sir.
07:24Let me see the number.
07:261...
07:273-6.
07:30The number is called in the police station.
07:33Police station is coming.
07:34Sir, I feel like Virjoo's house.
07:37Yes, sir.
07:38I'm leaving one number.
07:39We haven't given the data yet.
07:41Yes, it's okay.
07:42It's the address.
07:42Pankaj, address it.
07:43Yes.
07:44Let's go here.
07:46What's the progress of the case?
07:47Sir, what's the case?
07:48What's the progress of the case?
07:49Sir, what's the case?
07:50What's the case of the case?
07:51Sir, what's the case?
07:52There are 3-3 CCTV cameras.
07:54But in one footage, there is no one.
07:57Very strange.
07:58Look, work.
07:59That's the video footage.
08:00That's the video footage.
08:01That's the video footage.
08:02That's the digital forensic laboratory.
08:04You'll know how the video is real.
08:07Or what else you've seen.
08:09Okay?
08:10There's no one in the footage.
08:11No one in the footage.
08:12No one.
08:13Now, let's see what's in this digital forensic report.
08:16I thought I'd give you a shopping update.
08:20But your update is more shocking.
08:22Why?
08:23What are they going to tell?
08:24They're not going to tell.
08:25They're going to tell.
08:26They're going to tell.
08:27What?
08:28Todd, sir.
08:29Yeah?
08:30Look at this guy.
08:31Which shot we got?
08:33Look at this guy.
08:34There's nothing in the footage.
08:35This is the shot.
08:37The shot was murdered.
08:38So small?
08:40That's a .22 caliber shot bullet.
08:43Yeah, man.
08:44When there's any shot,
08:45more than 0.45,
08:46there's a bullet of 9 mm.
08:48But with such small bullets,
08:49it's very difficult.
08:51It's very difficult.
08:52It's difficult.
08:53But it's impossible.
08:54It's not possible.
08:55Sometimes we think
08:56that a small bullet
08:57can't do much damage.
08:58Here we're wrong.
08:59Sometimes,
09:00a small bullet
09:01can't do much damage.
09:02Sometimes,
09:03a small bullet
09:04can't do much damage.
09:05Like with this.
09:06Sir,
09:07it's possible that this bullet
09:08isn't any other bullet.
09:09The entry wound is very small.
09:11I've imagined it.
09:12It's the only bullet.
09:13Okay, sir.
09:14I've known it.
09:15I've known it.
09:16But,
09:17it's the only bullet
09:18to damage it so much.
09:19Then,
09:20you have to fire the blood
09:21from the blood.
09:22You're right.
09:23You'll be right.
09:24You'll be right.
09:25You'll be right.
09:26You'll be right.
09:27You'll be right.
09:28But how is this possible?
09:29In the footage,
09:30there's no one who's running
09:31running a bullet.
09:32You're saying
09:33that it's a bullet from the blood.
09:34Look,
09:35the bullet is like this.
09:36And this bullet
09:37has been shot from me
09:38in my science.
09:39It's probably 3 meters far away.
09:40But,
09:41Doc,
09:42no one has seen it in the footage.
09:44And,
09:45the bullet was looking at the bullet
09:46before the bullet
09:47was looking at the front.
09:49When the bullet was looking at it,
09:50the entry wound was looking at it.
09:52So,
09:53it was looking at it.
09:54One minute.
09:55I'll do this bullet.
09:56One minute.
09:57Now,
09:58here.
10:03This is a laser beam.
10:05This is the exit wound.
10:07This is the exit wound.
10:08It's 3 meters.
10:093 meters.
10:10A.
10:151,
10:162,
10:173.
10:27I'm saying that the bullet
10:28came from here.
10:29Look,
10:30there's a little smoke here.
10:31Look,
10:32the light,
10:33and it's the same type of gun powder.
10:34If there is no one here in the office,
10:37then there is no one here in the office.
10:54Raoul, you didn't see the new body first, right?
10:57Yes sir, as soon as I arrived in the office,
10:59I saw a dead body there and I called you.
11:02No sir.
11:06Yes sir.
11:08Yes sir.
11:10And who is your team?
11:12Sir, this is Mehul.
11:14What are you doing here exactly?
11:18Sir, we are a software company.
11:20We are coding for a medical medical company.
11:24And what are the working hours?
11:26Sir, it's a shift for 12 hours.
11:28It's at 8 o'clock at 8 o'clock.
11:30It's at 8 o'clock at 8 o'clock.
11:32The new house was at 12 o'clock.
11:33What are the working hours here?
11:34We are at 8 o'clock.
11:36But she was working at 8 o'clock.
11:38So, you have to say that
11:40yesterday at 12 o'clock,
11:42there was no one here at 8 o'clock?
11:44No sir.
11:45No sir.
11:46But there was no one here at 8 o'clock.
11:47There was no one here at 12 o'clock.
11:49No sir.
11:50But there was no one here at 9 o'clock.
11:53But there was no one here at 9 o'clock.
11:55There was no one here at 9 o'clock.
11:57Because it's not so easy to go here.
11:58It's all locked passwords protected.
11:59Is this Neha better at 9 o'clock?
12:01Is this Neha better at 9 o'clock?
12:02Or at some point,
12:03he was working at 9 o'clock?
12:04Sir, he was working at 9 o'clock.
12:06Why?
12:07Was he slow at 9 o'clock?
12:08No.
12:09He was not slow at 9 o'clock.
12:10He was very fast.
12:11But Sujit Sir always gives us extra work.
12:14Who is Sujit Sir?
12:15Sir, he's our team manager.
12:17Sujit Sir, Neha was giving us extra work.
12:20He was working at 9 o'clock.
12:21And I told you to go to Neha.
12:24Sir, leave Neha.
12:27He's working at 9 o'clock.
12:29He's asleep.
12:30Go back, please.
12:31Now you will teach me my work.
12:33Huh?
12:34Shuti?
12:35When will anyone go to?
12:37It's not necessary to learn from you.
12:40You can leave now.
12:42Huh?
12:43Please.
12:44I don't know.
12:45Sujit Sir, Neha was running out of 9 o'clock.
12:47And she didn't even say anything.
12:49So, if Sujit, after coming to you...
12:51...he was with Neha at 12 o'clock...
12:54...then he will tell you Pooni's name.
12:59What's up, sir?
13:00Where did the car come from?
13:01Sir, I had to inform him at 8 o'clock.
13:03But now his number is coming.
13:06Purvi?
13:07Sir.
13:08Tell me, where was Sujit's last location?
13:10Sir.
13:11Pankaj took the night shift from the car.
13:16Yes, sir.
13:17This is a hard work.
13:18Sir.
13:19Then I and Pankajra...
13:20...he will meet with Birju.
13:21Okay.
13:22Until then, I'll take the news of Sujit.
13:24I have to take the news of Sujit.
13:25I'll take a look at him.
13:26I will take the news of Sujit.
13:27I'm going to take a look at him.
13:28I have to take the news of Sujit.
13:29Four!
13:41Do you want to go to the house?
13:44Sir, our house is over.
13:47But that's so much that the house is full of?
13:49The location of the phone there was basically this?
13:51Yes Sir, it was a location here.
13:52But the phone is closed.
13:55Sir, the sound is coming.
14:04What's the sound of karate?
14:09Sir, the door is closed.
14:14What sounds karate would be like to hear?
14:16Oh, man, it's always so good to hear you.
14:19This is the sound of Kharraty from inside.
14:33Go and see.
14:34Sir, sir.
14:35I'm scared, sir.
14:36I'm scared.
14:37Why are you still there?
14:39Why are you still there?
14:41There's no sound of soul.
14:43There's no sound of Kharraty from inside.
14:45Go and see.
14:46This is a very dangerous area.
14:48Sir, the people of Kharraty.
14:49You'll understand me.
14:50You'll kill me, sir.
14:51Where are you from inside?
14:53I'm not here.
14:54You go inside.
14:55I'll see.
14:56Go!
15:16You've been there?
15:17I'm not here.
15:18I'm on a good side.
15:19I'll see.
15:20Good!
15:21I'm not here.
15:22I don't get you.
15:23He didn't go with me.
15:24He didn't go away.
15:25I'm not here.
15:26He did.
15:27He didn't go away.
15:28Look out!
15:29I'm not going to go away.
15:30I'm not here.
15:31He didn't go away at all.
15:32He didn't go away.
15:33No.
15:34He's in his pockets.
15:35He didn't go away.
15:36The man got away.
15:37Look out.
15:38This guy, you are Yeah.
15:39He's around.
15:40Let me go.
15:41He's behind.
15:42Mr. Joc.
15:43Why don't you leave Chanda with you?
15:48Chanda is talking about Mama?
15:50Mama's Chanda is not talking about any of her.
15:53Take it away.
15:55Hey, Virjo!
15:57Chanda is not going to go!
15:58Hey, the puppy is taking it!
16:00Hey, come on!
16:02Who?
16:03Chord!
16:04Chord, chord, chord!
16:05No, CID!
16:06The puppy is taking it!
16:08How much?
16:09Let's go!
16:13Virjo got it?
16:15Great!
16:16We are in the car parking lot of Viber Multiplex.
16:20The mobile phone was traced here.
16:25Okay, I'll call you later, okay?
16:28Sir, Sujit's phone was started at 8 o'clock.
16:31Now it's 11 o'clock.
16:32Sir, you'll leave the share of 3 hours.
16:35It's possible that he didn't take his car to his side.
16:39He left the car.
16:40What's your number?
16:41Sir, 8959.
16:42Maroon Rung ki Baxter.
16:50Sir, this.
16:51This car.
16:528959.
16:56Let's go, let's go.
16:58It's not hard work.
16:59Look, the car is coming to get a selfie.
17:01Move!
17:02Let's go, brother.
17:03Hi.
17:04I'm taking a selfie with you today.
17:06I'm going to take a selfie with you.
17:07I'm going to take a selfie with you.
17:08When you called me Raon,
17:10when you called me Nia,
17:11why did you call me Nia?
17:12Why did you call me Nia?
17:14Sir, that time I was in a place where I couldn't do the phone on.
17:19Why was the phone closed?
17:21Okay.
17:22And which place was it?
17:24Where did you go?
17:25Sir, there was a visa interview in the consulate.
17:27There's a phone in the consulate.
17:28You have to take the phone in the consulate.
17:29I'm going to take the phone in the consulate.
17:30Do you have to take the phone in the consulate?
17:31Sir, I'm not sure.
17:32So, ask her.
17:33I'm going to take the phone in a company.
17:34I'm going to take the phone in a girl.
17:35I'm going to take a photo of you.
17:36I'm going to take a phone in the office.
17:37And you are going to get a consulate for the visa interview?
17:42Sir, I'm still going to take a photo of you.
17:44Sir, you are carrying out your ego.
17:46Why?
17:47I mean, sir, you've applied for US visa?
17:53I've been waiting for 5 months, sir.
17:56That's the date.
17:57How would you let it go?
17:58Sir, I think that the loan has been done.
18:00I was planning on planning on making the loan.
18:03If I had planned on planning,
18:05then I would pay for the loan to get a visa.
18:07They gave me a lot of relief in the office, right?
18:09They gave us a long time to work,
18:11until the morning,
18:13and they didn't go to the house. Why?
18:15Sir, that's why.
18:16Because he said to myself,
18:18do more work, do more work.
18:20Now, let me tell you,
18:22if there is an employee that is so expensive,
18:24if there is a job in front of me,
18:26then why would I do it?
18:28There is also a limit.
18:30No one will tell you,
18:32to give me a job at 3-4 hours,
18:34so that I cannot go home.
18:36Exactly.
18:37And that's why I was happy
18:39that he gave me a job in the American franchise.
18:42Yesterday,
18:44there was a visa interview.
18:46The money was lost in the job application.
18:48Do you have any evidence
18:49or anything in the air?
18:51Yes, sir.
18:52I kept everything in the official mail.
18:55You can check it.
18:57You can check it.
18:58You can check it.
18:59Look at this.
19:00There are 5-5 emails in Neha,
19:02that he wanted extra work,
19:04sir.
19:05That was also without extra income,
19:06over time.
19:07But sir, why would he do this?
19:08No one will do this
19:09then,
19:10when he is in his personal life,
19:11he is very worried.
19:13Yes,
19:14or there are many tensions.
19:16and he wants to leave you
19:18and keep you busy with him.
19:20Maybe he is going to leave
19:22and he is going to leave
19:23so he has been working hard.
19:25Madam,
19:26give me a phone.
19:30Sir,
19:31one thing
19:33has told me
19:34that Neha
19:35has told me
19:36that Neha
19:37is a very difficult
19:38from his mother.
19:40Who told me
19:42that my daughter
19:43had a problem with me?
19:44Ma'am,
19:45this has come to hear.
19:47Where is she?
19:48Where is she?
19:50I love my daughter.
19:52I love my daughter.
19:54I love her.
19:55And she also
19:56loves me.
19:57I love her.
19:58And she also
19:59loves me.
20:00What did she say
20:01about her?
20:02What did she say
20:03about her?
20:04What did she say
20:05about her?
20:06What did she say
20:07about her?
20:08I told her
20:09to marry her.
20:10That's why
20:12she wanted to be
20:13angry.
20:17So,
20:18Neha
20:19didn't want to marry her?
20:20No, sir.
20:21He was a
20:22man.
20:23He was a
20:24man.
20:25He was a
20:26man.
20:27But last year
20:28he was a
20:30very
20:31mackerel.
20:32Who was
20:34the man?
20:35He was a friend
20:37of Harut.
20:38He was a friend
20:39of his childhood.
20:40He was a very
20:41good boy.
20:42What was the reason
20:43of the man?
20:44I asked him
20:46a few times
20:47to my daughter.
20:48But he didn't
20:49answer her.
20:50He was a
20:51man.
20:52And he was a
20:53man.
20:54Sir,
20:55can it happen
20:56that she was
20:57doing more work in
20:58the office?
20:59Sir,
21:00my daughter
21:03can't come back.
21:04But you have
21:05one thing to do.
21:06her
21:08will be
21:09the
21:10force of
21:11him.
21:12You
21:13believe
21:14that we
21:15will not
21:16leave the
21:17blood.
21:18First,
21:19the
21:20woman
21:21was
21:22little.
21:23Two.
21:24Three.
21:25Four.
21:26Five.
21:27Five.
21:28Five.
21:29Five.
21:30Five.
21:31Five.
21:32Five.
21:33Five.
21:34Five.
21:38Come on, sir.
21:39Have you also
21:40been teaching yoga?
21:41No, no.
21:42We have not
21:43been teaching yoga.
21:44We have to talk
21:45about you.
21:46CID.
21:47CID?
21:48Uh, you guys take a break for 5 minutes and we will continue the class.
21:59CID sir?
22:01What is this?
22:04Someone stole the new one last night.
22:07What?
22:09But who has it?
22:10We will get to know.
22:12Tell me about this.
22:13I don't want to tell you guys, but I can't hide from CID.
22:23Actually, the new one wanted to know.
22:27Who?
22:31I don't know.
22:32When I knew that he was a fool,
22:36I broke his relationship with him.
22:39Where did you go this night?
22:40What did you say to me?
22:41You are sure to trust me, sir.
22:44There are a lot of confusion in cases, right?
22:46There are always a lot of feelings.
22:48I was on my own.
22:50When did you meet the new one last night?
22:53That day when we were different, sir.
22:55After that, I didn't meet him for one year.
23:01Sir, there are more questions and answers.
23:04And the question is,
23:06that the water has happened,
23:07but how do you look at the water?
23:08How do you look at the water?
23:09It will come, Purvi.
23:10It will come.
23:11It will come.
23:12The way of the footage is open
23:14when the digital forensic report comes.
23:16Pangach,
23:18take the fire.
23:19Sir.
23:20Sir, do you have any doubt about these suspects?
23:25Purvi,
23:26we don't have any evidence,
23:30nor any witnesses.
23:33Yes, sir.
23:34You will have to keep someone in the mirror
23:36in the mirror.
23:37Now, let's see,
23:38what does Virju tell us, sir?
23:39No?
23:41Sir.
23:43Virju.
23:44Virju,
23:45come here.
23:46Sit here.
23:47Come here.
23:48Sit here.
23:50Did you open the door,
23:51or do you want a drink?
23:53No, sir.
23:54Sir,
23:55just let me know you.
23:56I didn't kill him.
23:58Who killed him?
23:59I don't know, sir.
24:00I don't know, sir.
24:01You were on duty,
24:02and you were on duty,
24:03and you were on duty.
24:04How did you get there?
24:06Sir,
24:07we were sitting there on CCTV monitor.
24:10But there was no doubt in the office.
24:12No doubt.
24:13There was no doubt.
24:14There was no doubt.
24:15It was no doubt.
24:16How many days is your duty?
24:17It's 6.
24:18And when is the new lady going to the office?
24:20It's about 3 or 4.
24:22So,
24:23when she didn't leave her,
24:24you're not sure?
24:25Yes, sir.
24:26I thought,
24:27maybe it will be less work,
24:28so she won't leave her home.
24:29Her car was also waiting for her.
24:32So,
24:33what is the new lady going to the office?
24:35Yes, sir.
24:36There was a fixed car.
24:37So,
24:38there will be a fixed car?
24:40Yes, sir.
24:41Good.
24:42Good.
24:45Good.
24:48Good.
24:49Good.
24:51I am sorry.
24:52I am
24:59Oh
25:01Hey, sir, what are you doing?
25:03The whole, sir.
25:04Hi, sir, I'm a railway station.
25:06Police station?
25:07Police station?
25:09What are you doing, sir?
25:10Now, let's go to the railway station.
25:12Just like that, three people can come in my car.
25:14You can take another autocollid.
25:16Yes, sir, I'll take a autocollid.
25:17One minute, one minute.
25:18You can go to our car, there's a lot of places.
25:21Who are you?
25:22We are the ones who listen to this crime.
25:25We are the ones who seem to cry.
25:28CID.
25:31What did I do, sir?
25:33You leave this girl at night with RBX company?
25:37Yes, sir.
25:39But yesterday, sir.
25:41I was waiting for them.
25:42They didn't have a phone.
25:43They didn't have a phone in the office.
25:45That's why, because last night someone
25:47stole this girl's phone.
25:49It's the phone.
25:50What did you say, sir?
25:51I was very bad with him.
25:52I was very bad with him.
25:53I was very bad with him.
25:55What happened, brother?
25:57You're so emotional for a customer?
25:59Sir, I'm not trying to cry for myself.
26:02I'm crying for the girl.
26:04I'm crying for her.
26:05Who was so much for her.
26:07That she loved her.
26:08That she loved her.
26:09That we were all for Majnu and Romu.
26:11.
26:18.
26:25.
26:30.
26:34.
26:39of the city and with his hands on him.
26:43Every day?
26:46Every day.
26:48Every day.
26:50Every day.
26:53Every day.
26:59Every day.
27:02Oh, every day, he would have to eat food every day?
27:05Yes, sir.
27:06Think about the news of the new lady's death.
27:09What will he be given to you?
27:11What's the name of this lady?
27:12I don't know.
27:13Will you remember the face?
27:14No, sir.
27:15Today, this lady seems like a hero.
27:19Let me see some photos.
27:21Let's see if there is someone from her.
27:23Okay?
27:25Let's see.
27:32I don't know anything, sir.
27:34How much time was it going?
27:35About 7-8 months.
27:37Did you hear something about them?
27:40Yes, sir.
27:41One day, he was crying and crying and crying.
27:46Shagai?
27:47Yes.
27:48So, this is the girl who's because of Neha and Varun's shagai.
27:53Or the girl who broke the shagai.
27:56Varun.
27:57You've been waiting for a while.
28:01It's wonderful.
28:05The shagai broke, but...
28:07...it's not been lost.
28:08You've put a photo in the whole house.
28:12You've got a photo of Neha.
28:13But you've got a lot of respect, sir.
28:16But you don't leave your heart so easy.
28:19Hmm.
28:20And you were waiting for those wounds there...
28:22...to the night of Neha, you've been waiting for a while.
28:26Sadaq?
28:27Yes, Sadaq.
28:28M.I. Road.
28:29It's 4 o'clock in the morning.
28:31What are you talking about, sir?
28:33I said before, I didn't meet Neha from one year.
28:36Okay.
28:38Tell me who was that you were saying from Neha?
28:42Actually, I had a message from his office to me that
28:45they and Neha want to die from the other side,
28:47and that's why I want to die from the other side.
28:50I got angry, but after I realized that
28:53that the man was talking about and
28:55Neha had no relationship with him.
28:57When we met you, why did you say that
29:00you didn't know him?
29:01Sir, this murder case is...
29:02I was scared that...
29:04I'm going to die from the other side.
29:05Wow.
29:06You don't have to give love to the girl,
29:08you don't have any interest to her.
29:11Who was that guy?
29:13Who gave you a message?
29:15Shalish.
29:16Very good, officer.
29:18The first time, your trust is the right person.
29:22So, you think that Shalish doesn't kill him?
29:24Of course.
29:25Where is he?
29:26Here is a twist in the story, officer.
29:28He doesn't work in this company.
29:29In fact, I left him one year ago
29:31I left him from the company.
29:32Why?
29:33He doesn't work properly?
29:35No, he was outstanding.
29:36He was very good in his work.
29:38We were in America,
29:39the prosthetics of the company
29:41was designed.
29:42So, why did he leave him from the company?
29:44Sir, he was behind Neha.
29:46And he was also on his side of Neha.
29:48He was on his side of Neha.
29:53How did you send me so many messages?
29:55I didn't send you any messages.
29:56I didn't send you any messages.
29:57Look, this is Salish's number, right?
30:00Listen to me.
30:01Neha, darling.
30:02Neha, darling.
30:03Your engagement is broken.
30:05It's very bad for me.
30:07The happy thing that you didn't give me
30:09I will give you.
30:11After the party,
30:13you'll meet me in my room.
30:15Of course.
30:16How did you get your courage
30:18to do this with one worker?
30:20I didn't send you any messages, sir.
30:22Please trust me.
30:23Don't come to the office tomorrow, Shalish.
30:25You power, just get lost.
30:26Sir, listen to me.
30:27Get lost.
30:28Guys, party is over.
30:29What happened?
30:30Everything happened,
30:31and you didn't have to tell us about this.
30:32Sir, there's no access to the company.
30:34So, how will it be in the company?
30:36No, no, Shruti.
30:38This whole security system
30:40has designed it.
30:41Then, he can't hack it easily.
30:44What?
30:45We need all the details of this Shalish.
30:47Okay, officer.
30:50Yes, sir.
30:51This was the Prime Diwan.
30:53Okay?
30:54How did you know now?
30:55You were saying that
30:57all the people of the company
31:00have looked like this?
31:01You don't know, sir.
31:02It was a golden candle.
31:04He was in the night
31:05and was in the photo of the night.
31:06He was in the night.
31:09Okay.
31:10Okay, Sundar.
31:11Go then.
31:12You need to call me.
31:13Just go.
31:14Yes.
31:17Sir, I've confirmed
31:18that that man was Shailesh.
31:20But Shailesh is like a guy
31:21like a guy with a guy,
31:22like a guy with a guy.
31:23His address, phone number,
31:25all changed, right?
31:26Yes, sir.
31:27Once he was out of his job,
31:28he was underground.
31:29No doubt about it.
31:30Whatever it is,
31:32the Nia's blood
31:34didn't have Shailesh
31:35done.
31:36Nia's blood
31:37had his love.
31:38Sir,
31:40there is a mystery
31:41there.
31:42Why is Shailesh
31:43not looking for anyone?
31:44Hello.
31:45I'm Dr. Herman from Digital Technologies.
31:50Mr. Herman,
31:51this footage has made
31:53something with this footage, right?
31:54Sir,
31:55we've checked the footage
31:56a lot from time.
31:57And with this,
31:58there's no editing
31:59with this footage.
32:00It's the original footage.
32:01I feel like
32:04that someone has not done it.
32:05Or there will be no invisible.
32:07It's the original footage.
32:08Yes.
32:09Pankaj,
32:10you started.
32:11Mr. Herman,
32:12we've checked this footage.
32:13Sure.
32:14Herman,
32:15sir,
32:16here's the new footage.
32:17Let's see.
32:18Let's see.
32:19Sir,
32:20let's see.
32:21Let's see.
32:22Let's see.
32:23Let's see.
32:24Let's see.
32:25Sir,
32:26let's see.
32:27Let's see.
32:28Let's see.
32:29Let's see.
32:30Let's see.
32:31Let's see.
32:32Let's see.
32:33Sir,
32:34it's not coming.
32:35But you have a software
32:36or a tool
32:37to clean the footage
32:38and the footage
32:39to the zoomed-in footage?
32:40Sir,
32:41it's true,
32:42but it's not 100% effective.
32:44Let's try.
32:53One minute,
32:54let's rewind.
32:55Five seconds before.
32:56Sir.
32:57Yes,
32:58yes,
32:59Abhiji,
33:00there's a movement on the floor.
33:01Sir,
33:02it's a circular movement.
33:03Look.
33:04It's a machine,
33:05sir.
33:06It's something like this.
33:11Flash.
33:12Flash.
33:13It's a bullet.
33:14Now,
33:15this situation
33:16has been understanding
33:17the direction of the water.
33:18It's been a long plan for it.
33:20It's been a long plan for it.
33:21There's a device
33:23made
33:24in which the gun
33:25has been fitted.
33:26So,
33:27it's not seen
33:28that the device
33:29has been camouflaged
33:30on the floor.
33:31But, sir,
33:32the bullet is going
33:33from the gun, right?
33:34This is a machine.
33:35And the shape of the machine
33:36is not like the gun.
33:37Ankar,
33:38the bullet is going from the gun.
33:40But the gun
33:41can also be hit.
33:43It can also be hit.
33:44It can also be hit.
33:45Right?
33:46This device
33:47has a movement
33:48and the size
33:49I think
33:50it's a robotic
33:51vacuum cleaner
33:52that the fire
33:53is cleaned up.
33:54Sir,
33:55we've got to see
33:56how the water came
33:57and how it came
33:58and how it came
33:59and how the machine
34:00came out.
34:01Hmm.
34:02Hmm.
34:03That's why
34:04we only got gunpowder
34:05in the crime scene.
34:06Sir,
34:07this floor cleaner
34:08has been camouflaged
34:09with the floor.
34:10That's why
34:11Neha was not giving
34:12attention.
34:13And the floor cleaner
34:14movement,
34:15the lights are on
34:16and the motion sensor.
34:17That's why
34:18he was looking at it.
34:19So,
34:20this guy is a brilliant
34:21intelligent man.
34:22He has made
34:23such a device
34:24that can
34:25hit the vacuum cleaner
34:26with vacuum cleaner.
34:27That's the device
34:28that can be
34:29a brilliant engineer.
34:30engineer?
34:31A brilliant engineer
34:32who has
34:34the US
34:35prosthetic
34:35called Salish.
34:37Salish.
34:38We have to get Salish
34:39and arrest him.
34:40We have to get the case.
34:41Sir.
34:42The address is
34:43of Salish.
34:44We need to go
34:45to the house.
34:50Hello?
34:51Huh?
34:52Where are you?
34:54Where are you?
34:55Where are you?
34:56Where are you?
34:57Where are you?
34:58We have to get the case
34:59of Salish.
35:00We have to get the case
35:01of Salish.
35:02Sir.
35:03We are looking at his
35:04address and neighbors
35:05told him that he was
35:06here.
35:07But Pankash,
35:08how did you know
35:09that he was the
35:10Shailesh?
35:11What is the name
35:24of Salish?
35:25We are looking at Salish.
35:26Look, this village, we were looking for this village.
35:29We got a cigarette.
35:46There?
35:50Oh, no.
35:56Poison?
36:05Suicide note.
36:08I love Neha from her, but she doesn't love me.
36:12This life is not any work, so I'm also killing her, and myself.
36:17I hope we will be together in the next life.
36:21The love of your love has increased, sir.
36:24That's why she killed Neha and now she's dead.
36:28Don't talk about the house. What do you find?
36:51Sir.
36:52Yes, please.
36:54Sir, this is the floor cleaning gun.
36:57The gun has been fitted for 0.22 caliber.
37:00The gun has been fitted for 0.22 caliber.
37:01The gun has been fitted for 0.22 caliber.
37:02The gun has been fitted for a small gun.
37:05Sir, I have a diary.
37:07It's the design of the machine and the gun.
37:11Sir, the officer was telling me he was a very good engineer.
37:18So, no matter what to do with this, there will be no big deal.
37:20After that, there will be evidence that we are getting close to.
37:24It seems that it was planted.
37:26If it was a human being,
37:29what was the need for this long plan?
37:32He was looking for Neha to kill Neha.
37:33He was looking for Neha to kill Neha.
37:35He was looking for that too.
37:36It means that the gun is something else
37:38and he is trying to kill us.
37:39This is a suicide note.
37:41This is also not the case.
37:42Sir, is it possible that this is all
37:44about Neha to kill Neha and Shailesh?
37:47It is possible.
37:51So, what is this?
37:52What?
37:53Shailesh's job was done for a year before,
37:56in 2024.
37:57Yes.
37:58So, what is the company's
37:592025 diary in his house?
38:02It means that it is clear.
38:04There is no one from the office in the office.
38:16You guys are holding hands
38:18behind our company.
38:19Now, the case is also solved.
38:21But you guys have no chance.
38:22No.
38:24This case is not solved.
38:26The picture is left.
38:27Sit down.
38:30The villain of this picture
38:31is not a shailesh,
38:32as you guys are thinking.
38:34You are one of them.
38:35And who is the one,
38:36who will be very quickly
38:37know.
38:38How do we know, sir?
38:40To be a ghost?
38:41You will see a ghost in your life, right?
38:45A ghost?
38:46A ghost?
38:47A ghost?
38:48A ghost?
38:49What does that mean?
38:50It's a ghost.
38:51It's a ghost.
38:52It's a ghost.
38:53It's not a ghost.
38:55It's not a ghost.
38:56It's a ghost.
38:57It's a ghost.
38:59A ghost.
39:00It's a ghost.
39:01It's a ghost.
39:02It's a ghost.
39:03What the hell?
39:07Well, the one that goes on.
39:08Yeah.
39:09Sir, take your work.
39:14Sir, quickly.
39:24Sir, these messages
39:26have been sent from Salish's number.
39:29But he didn't send these messages from his phone.
39:32No software is installing these messages from the computer.
39:35Yes, you are.
39:37They have been sent from Salish's number.
39:41Wait, wait.
39:43Both are inter-connected.
39:45Now you will know.
39:46Arman, tell me that when the new death was released
39:49on the 23rd night at 12 o'clock,
39:51at that time,
39:52Kin Kin Noor was connected to the company's Wi-Fi.
39:55Sir, why are you doing this?
39:57What will you know from this?
39:59The name of Salish's name will be known.
40:02The device that was on the phone,
40:05was connected to the company's Wi-Fi.
40:09And who was operating with his mobile?
40:15Just to find who's mobile is.
40:19Sir, when the murder of Neha,
40:21three devices were connected to the company's Wi-Fi.
40:24First of all, Neha's mobile,
40:26the other's laptop,
40:28and the third one is another mobile,
40:30whose hours will now turn off.
40:33So, Rida's mobile is now all a sudden.
40:36This is all in love.
40:37This is all in love.
40:39What?
40:40There is no threat to your friends.
40:41No threat to your friends.
40:42Now it is,
40:43the apocalypse is all in the place.
40:44This is on the ground,
40:45and it's a matter of the sunrise.
40:46I do not care.
40:47You are the first and then you are the first of all?
40:48It's a zombie.
40:49I am the first at the 5th night.
40:50Well, you are the girl who was killed in the sanctuary.
40:52I was working on the麻ただ.
40:53I don't want to die.
40:55The climate has stopped me.
41:00Yes, yes, I'm going to kill myself.
41:03I was more skilled and talented,
41:06but all the projects that Sujit gave me to him to him.
41:10You killed him so much?
41:14Sujit could be explained to him.
41:16I was surprised.
41:18But he was not ready to understand.
41:21Hold on.
41:22I was going to insult me.
41:24Sir, I have prepared a new updated version of Prosthetic Aan.
41:28There is also an AI feature.
41:30Shruti, the company doesn't work on designs.
41:33You don't understand the business.
41:35What is the business?
41:36It's hard to earn money to earn money.
41:40Don't fall to ideas.
41:44Leave now.
41:46I can't stay in one place.
41:48I can't stay in one place.
41:49But Neha is not my choice.
41:52So, you had to leave Neha from the office.
41:56This is not my choice.
41:58I have to leave.
41:59You had a loan to withdraw and send a message?
42:00I was thinking that,
42:01Varun won't leave him be 여기까지.
42:04He will stay here.
42:05But he will Não will move and leave everything.
42:06Then he has lost everything.
42:07He has lost his larp.
42:09And for your marriage,
42:10But to get out of trouble, Neha had to go to the office and work until late in the office.
42:19And then I left my plan.
42:21And then this time, you went on a new job.
42:24This time, you sent a message to Shailesh's mobile.
42:31Shailesh was my good friend.
42:33I knew that Shailesh loves Neha.
42:37And I put this wrong idea in the mind of Shailesh's mind that Neha loves her.
42:42But what was your use of them both?
42:45If they date one another, it would be against the policy of the company.
42:50And then Neha could take care of it.
42:53But it's gone.
42:55Neha's job was the same as it was the same.
42:58But Shailesh's job was the same.
43:00And his project also gave Neha to Neha.
43:03And that's why you got more trouble.
43:06Yes.
43:07I felt very bad.
43:09And the most bad was when I felt the same.
43:13When he told Neha to send the U.S.A. to the U.S.A.
43:16And to the U.S.A. to the project, it was my dream.
43:19My dream!
43:20And you thought that you had to think about Neha's dream.
43:23Why did Neha get rid of it?
43:26And after that, Neha's love,
43:28after that, Neha's love,
43:29after that,
43:30after that,
43:31after that,
43:32after that,
43:33after that,
43:34Neha's love,
43:35what do you know about that?
43:36With Neha's murder,
43:37you also wrote a story about Neha's death.
43:39But your dream has also written.
43:40I have this opportunity for my talent.
43:45I bought the same floor cleaner that was used in the office.
43:49And the same floor mat too.
43:52and the two things
43:54made a house from Shailesh
43:56and didn't have a house
43:58so that the whole government
44:00went to Shailesh
44:02and then you had to kill Neha
44:04to kill Shailesh
44:06you knew that CID will reach his home
44:08so you had to keep it
44:10and keep the suicide note
44:12just a mistake
44:14you have done it
44:16after 2024
44:18you have kept the diary
44:20but
44:22but what's the benefit
44:24you've made yourself
44:26you've lost yourself
44:28your knowledge and talent
44:30used to be the right
44:32so it's very useful
44:34for you and our society
44:36but not
44:38you've made a life
44:40and the path of life
44:42will end
44:44until the end
44:46of the day
44:48you
44:50you
44:54you
44:56you
44:58you
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