- 2 days ago
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Short filmTranscript
00:00:00Transcription by CastingWords
00:00:30CastingWords
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00:02:57Under the circumstances, I have nothing further to add, my lord, except to draw your attention to the specialist report on the defendant.
00:03:05Thank you, Mr. Brunskill.
00:03:38Your complicity and guilt were beyond question.
00:03:42Normally, I would have no hesitation to impose the death penalty on you both.
00:03:47However, in view of the doctor's reports in front of me, I have no alternative but to make out a section 65 order that you both be committed within 28 days to a mental institution.
00:03:58And let the members of the public be assured that you shall remain in this mental institution until there can be no doubt whatsoever that you are fit and able to take your place in society again.
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00:09:24It's true. It's true.
00:09:26I think I pushed his wife out of bed because he wanted a matte finish.
00:09:33Oh, well, you've got to laugh, haven't you?
00:09:36Haven't you, Graham?
00:09:38Oh, yes, very funny.
00:09:40He's probably analysing the psychology of humour.
00:09:45No, no, I stopped work at six.
00:09:47I had heard it before.
00:09:48What do you do?
00:09:50I'm afraid I'm a psychiatrist.
00:09:51Don't apologise, Graham.
00:09:53It's a force of habit.
00:09:54People tend to go quiet every time I mention it.
00:09:56Well, Jackie won't. She knows quite a lot about psychiatry.
00:09:59Merle, I don't.
00:10:00Do you go to one?
00:10:01Me?
00:10:02Oh, no.
00:10:03It's just that her sister needs one.
00:10:05Merle.
00:10:06Sorry.
00:10:09My sister's a bit of an extrovert.
00:10:11Her!
00:10:12She's a bit wild, but she's perfectly all right.
00:10:14Well, if she's your sister, she must be.
00:10:21Hi, my.
00:10:21Hi.
00:10:24Well, yes, that's managed to kill off the conversation as usual, Graham.
00:10:29Well done.
00:10:30I think I'll get some more wine.
00:10:34That's him?
00:10:35Good night, Mike.
00:10:36See you tomorrow.
00:10:36Hello, barman.
00:10:48Give us a drink, barman.
00:10:50Where are you going, eh?
00:11:02We didn't finish our chat.
00:11:04Come on.
00:11:06Don't you want to have a chat?
00:11:08There's a friend of yours here.
00:11:10Do you remember her?
00:11:12Do you remember her?
00:11:12Yeah.
00:11:16Now, you were a bit rude to her.
00:11:19Do you remember that?
00:11:21She's lying to you.
00:11:22I wouldn't serve her a drink, that's all.
00:11:23She's...
00:11:24I thought she was underage.
00:11:26Calling her a lie now, are you?
00:11:28Are you?
00:11:28Mike!
00:11:36Mike!
00:11:37Mike!
00:11:37Okay.
00:12:04That's it.
00:12:05Knock it off.
00:12:06Debbie, I said knock it off. I said knock it off. Now, let's get out of here
00:12:11Come on Deb
00:12:21Come on, hurry up
00:12:27What are you doing?
00:12:34Tina
00:12:35Where are we going?
00:12:36Rocky's going to play football, okay?
00:12:37Oh, God, we went there last night. I hate that place
00:12:41What's that?
00:12:43I'm not going to that gaff. I think I'll go home. I'll let you lift
00:12:46Do what you want, but don't hang around. The law's coming
00:12:49Well, it was marvellous
00:13:06You're really so good at this sort of thing, it makes me mad
00:13:09Yes, well, I'm thinking of taking it up for a living
00:13:11Bye
00:13:13Thanks a lot, Mo
00:13:14Thanks for coming, Guy
00:13:15Bye
00:13:16Bye, love
00:13:16I'll see you tomorrow
00:13:19Right, love
00:13:20Don't forget McDonald's latecomer's porridge
00:13:23Look who's talking
00:13:25Now, now
00:13:25Hey, can I help you with that?
00:13:27Oh, yes
00:13:27I'd like a bit of that sort of thing
00:13:29Oh, well
00:13:30Can I give you a ring tomorrow?
00:13:33Yes
00:13:34Please
00:13:34Now, that's enough of that sort of thing
00:13:37He's got his career to think of
00:13:38Yeah, well, so has he
00:13:39God
00:13:40Finals in six days
00:13:41Yeah
00:13:42Good night, all
00:13:43Right
00:13:43Night
00:13:43See you
00:13:45Bye
00:13:45Bye
00:13:45Did you like her, Graham?
00:13:50Yeah, well, she was
00:13:51Actually, she was
00:13:51Rather super
00:13:53I told you she was a lucre
00:13:55He didn't believe me
00:13:57Well, are you coming or
00:13:58No, no, no, I'll be keeping here tonight
00:14:00Yeah
00:14:01I'll see you tomorrow
00:14:01Right, fine
00:14:02See you
00:14:03Bye
00:14:03Thanks, bye
00:14:03See you, Mo
00:14:04Okay
00:14:23I suppose you know what time it is
00:14:45Well, what are you doing?
00:14:47Nothing, I'm going to bed
00:14:49It's five past two in the morning
00:14:51Yeah, that's why I'm going to bed
00:14:53Debbie, I've told you before
00:14:55You must
00:14:55I'm not interested in what you've told me before
00:14:57I'm not interested in you
00:14:59So why are you so interested in me?
00:15:03I'm responsible for you
00:15:04Well, don't be
00:15:05Our parents are dead
00:15:06And you're not my mother
00:15:07However much you'd like to think you are
00:15:09I was made responsible for you
00:15:10When you got slung out of that orphanage
00:15:12You silly little
00:15:12Don't keep calling it an orphanage
00:15:14Orphanage, convent
00:15:15What difference does it make?
00:15:17Oh, don't be so childish
00:15:18I'm old enough to do what I like
00:15:23You're only fifteen
00:15:24And I'm buggered if I'm going to
00:15:25Debbie, look
00:15:28I don't want to have to wait up for you again
00:15:30Don't give me that
00:15:32I beg your pardon
00:15:34Well, you're not setting up for me
00:15:36You're waiting to go out
00:15:37What are you dressed for?
00:15:39You're waiting to go out like you always do
00:15:40And don't say you don't
00:15:42Because I've heard you
00:15:42You creep out and you creep back
00:15:44Two hours later
00:15:45And if you can go out at two o'clock
00:15:48I can come in at two o'clock
00:15:50Do you know who they were?
00:15:55Now I couldn't see
00:15:56I know them
00:15:57One of them's called Alec
00:15:59They've been here before
00:16:00Your barman turned up yet?
00:16:02Now he must have gone home, I suppose
00:16:04Funny the way they were laying into him
00:16:07I thought he would have come inside
00:16:09He could get patched up
00:16:11Damn anything, Sergeant?
00:16:12There's quite a bit of blood round here
00:16:14We'd better find out what's going on, hadn't we?
00:16:41We'd better find out what's going on
00:16:42We'd better find out what's going on
00:16:43We'd better find out what's going on
00:16:44We'd better find out what's going on
00:16:45We'd better find out what's going on
00:16:46We'd better find out what's going on
00:16:47We'd better find out what's going on
00:16:48We'd better find out what's going on
00:16:49We'd better find out what's going on
00:16:50We'd better find out what's going on
00:16:51We'd better find out what's going on
00:16:52We'd better find out what's going on
00:16:53We'd better find out what's going on
00:16:54We'd better find out what's going on
00:16:55We'd better find out what's going on
00:16:56We'd better find out what's going on
00:16:57We'd better find out what's going on
00:16:58We'd better find out what's going on
00:16:59We'd better find out what's going on
00:17:00We'd better find out what's going on
00:17:01I don't know.
00:17:31I don't know.
00:18:01I don't know.
00:18:31Don't get too near the fire.
00:18:38It's spitting.
00:18:39Must be a piece of slate on it.
00:18:41You made me jump.
00:18:43Didn't mean to.
00:18:45I can't stay long, I'm afraid.
00:18:47Yes, you're later than usual, aren't you?
00:18:49Yes, I had some trouble.
00:18:51Debbie's found out.
00:18:52What?
00:18:53That I creep out of the house at all hours of the night.
00:18:58Oh, dear.
00:19:00Oh, dear.
00:19:01That was inevitable, wasn't it?
00:19:04I'll make something up, I suppose.
00:19:06Have you brought it?
00:19:11Of course I've brought it.
00:19:14Good.
00:19:16How is she?
00:19:18She's better, I think.
00:19:19Well, better than she has been, anyway.
00:19:22Although...
00:19:22What?
00:19:23I don't want her to hear me.
00:19:27Well, where is she?
00:19:28I don't know.
00:19:29But she's taken to just standing, listening.
00:19:32I don't know why.
00:19:33What were you going to say?
00:19:35Well, it could be my imagination, but...
00:19:38I have a feeling that she's trying to make me believe that she is better.
00:19:43You mean she's guessed what we're doing?
00:19:45Jackie!
00:19:47Hello, darling.
00:19:49Hello, Mother.
00:20:01How are you, dear?
00:20:03Very well.
00:20:04You?
00:20:04You're standing there letting that fire go out, aren't you, really?
00:20:10We're going to bed soon.
00:20:11Yes.
00:20:12Well, I still have one or two things to do, haven't I?
00:20:16Yes.
00:20:17Just one or two little things.
00:20:23It's such fun being a night person, isn't it, Jackie?
00:20:27Some people are day people, but we like being night people, don't we?
00:20:31Night people.
00:20:32How's your migraine?
00:20:34I haven't had migraine for many, many months now.
00:20:38I thought you knew that.
00:20:41Things have been so very much better since we came here.
00:20:45I think I left all my headaches and problems behind at the other place.
00:20:50I closed the door very carefully when I left, and I locked them all in.
00:20:53Well, perhaps you won't be needing the parcels for very much longer.
00:21:00Thank you so much for bringing it, Jackie.
00:21:02Oh, dear.
00:21:10It's left a mark on the table.
00:21:15I'll see to it, Dorothy.
00:21:17Why don't you just go and take it away?
00:21:20Thank you so much.
00:21:32I'll see you next week?
00:21:34Next week.
00:21:35Next week.
00:21:36She doesn't know.
00:21:48I'll just sit here and get these ideas.
00:21:50I must go.
00:21:53Are you all right for money?
00:21:55Yes, thank you, dear.
00:21:56We've got everything we need.
00:21:58We haven't even touched the Joseph's Christmas bonus yet.
00:22:01He's a very generous man.
00:22:03All right, then.
00:22:04Good night, Dad.
00:22:05Good night, dear.
00:22:06Take care.
00:22:08Both of you.
00:22:08Good night.
00:22:38Good night.
00:22:40Good night.
00:22:41Good night.
00:22:41Oh, my God.
00:23:11Oh, my God.
00:23:41Oh, my God.
00:24:11Oh, my God.
00:24:41Oh, my God.
00:24:42Oh, my God.
00:24:43Oh, my God.
00:24:44Oh, my God.
00:24:45Oh, my God.
00:24:46Oh, my God.
00:24:47Oh, my God.
00:24:48Oh, my God.
00:24:49Oh, my God.
00:24:50Oh, my God.
00:24:51Oh, my God.
00:24:52Oh, my God.
00:24:53Oh, my God.
00:24:54Oh, my God.
00:24:55Oh, my God.
00:24:56Oh, my God.
00:24:57Oh, my God.
00:24:58Oh, my God.
00:24:59Oh, my God.
00:25:00Oh, my God.
00:25:01Oh, my God.
00:25:02Oh, my God.
00:25:03Oh, my God.
00:25:04Oh, my God.
00:25:05Oh, my God.
00:25:06Oh, my God.
00:25:07Oh, my God.
00:25:08Oh, my God.
00:25:09Oh, my God.
00:25:10Oh, my God.
00:25:11Oh, my God.
00:25:12Oh, my God.
00:25:13Oh, my God.
00:25:14Oh, my God.
00:25:15Oh, my God.
00:25:16Oh, my God.
00:25:17Oh, my God.
00:25:18Oh, my God.
00:25:19Oh, my God.
00:25:20Oh, my God.
00:25:21Oh, my God.
00:25:22Oh, my God.
00:25:23Whether this goes any further or not will depend on what magic the barman has to say.
00:25:29Meanwhile, young lady, I should be careful of the company you keep.
00:25:40Right, two ultimatums.
00:25:42Firstly, if the police ever come here again, I'm not covering up for you, do you understand?
00:25:46And secondly, my salary will not support two people.
00:25:49You've got three interviews.
00:25:50If you haven't got a job by the end of the week, you can get out, which is what you want to do anyway.
00:25:54You can fend for yourself and see how that grabs you.
00:26:05There you are.
00:26:06Now, don't touch it.
00:26:08How am I supposed to blow my nose?
00:26:10With great difficulty.
00:26:17I thought I'd run into a corner for the rest of the day.
00:26:19I'm you in your small corner and me in mine.
00:26:24Everything's really getting me down, Mel.
00:26:27Darling, in this job, anything less than screaming abdabs is perfectly normal.
00:26:37Hello?
00:26:39Yes.
00:26:40Yes.
00:26:43Why?
00:26:44I've got to talk to you.
00:26:46I wouldn't have phoned if it hadn't been urgent.
00:26:49But...
00:26:50Look, I'm outside.
00:26:51I've driven Sir Joseph to his stockbrokers.
00:26:54It won't take long, I promise you.
00:26:55It's terribly difficult.
00:26:58Please, Jackie.
00:27:00It's about Dorothy.
00:27:03All right.
00:27:05I'll come out.
00:27:10I've got to go and see somebody.
00:27:12Can you...
00:27:13Yes.
00:27:14Don't worry.
00:27:18Coming.
00:27:34Yes.
00:27:35Mrs. Crosby.
00:27:36Yes.
00:27:37Mrs. Crosby.
00:27:38Yes.
00:27:39I...
00:27:40I read this advert in Time Out...
00:27:41I...
00:27:42I...
00:27:43I read this advert in Time Out...
00:27:44Yes?
00:28:01Mrs. Crosby?
00:28:03Yes?
00:28:04I read this advert in Time Out.
00:28:07I think it's very interesting that...
00:28:10Yes, I'm sure you do, dear.
00:28:12It's a fascinating, fascinating subject.
00:28:15Come in.
00:28:17Your timing is immaculate.
00:28:18I've just put the kettle on.
00:28:20Yes?
00:28:32Yeah?
00:28:46You bet I do. Be down in a while.
00:28:58Aren't I rude, keeping you waiting like that?
00:29:01You don't mind, do you?
00:29:02Of course not.
00:29:06We must get down to work.
00:29:08It's so...
00:29:10I don't know what to say.
00:29:12It's all so accurate.
00:29:15Exciting, isn't it?
00:29:17It's a bit unnerving.
00:29:21You should have finished that earlier.
00:29:26It's... it distracts me.
00:29:29I'm sorry.
00:29:31I don't know what to say.
00:29:36Swords, swords, swords, swords.
00:29:44It's all strife, isn't it?
00:29:47Strife and heartache and loneliness.
00:29:51Not a lot of friends.
00:29:55None at all to speak of.
00:29:57No.
00:30:01No close family ties.
00:30:09No romantic involvement.
00:30:11Not even round the corner.
00:30:14Never.
00:30:15Never any.
00:30:16This is the card that shows what lies ahead, Lillian.
00:30:27Oh, it's symbolic, of course.
00:30:30It predicts an end to the strife and the loneliness.
00:30:34Very soon.
00:30:35It was last night after you left.
00:30:48That still doesn't prove she knows we're tricking her.
00:30:51It does.
00:30:53And I've found something else as well.
00:30:55What?
00:30:55I didn't want you to know, Jackie.
00:30:58Oh, for Christ's sake.
00:30:59I've been involved in this since I was eight years old.
00:31:02What could there possibly be that you can't tell me about?
00:31:05Look, I just want you to trust me.
00:31:07Come down tonight and talk to her.
00:31:09No.
00:31:11Look, I can't seem to make her talk to me.
00:31:13But you can.
00:31:14She'll tell you the truth.
00:31:15I can't come tonight.
00:31:17I'm going out.
00:31:18I've got a dent.
00:31:20Oh, that woman has had enough of my time already.
00:31:22I'm not going to let her wreck my love life as well.
00:31:25Look, I'm sorry, Dad, but I've got to draw the line somewhere.
00:31:31Jackie.
00:31:36I didn't want to show you.
00:31:37Show me.
00:31:49Oh, don't touch me.
00:31:55What have they done to you?
00:31:57I can never forgive you, Mark.
00:31:59But, don't, you must go to the police now.
00:32:01You have no feelings, no idea of how I suffer.
00:32:05Oh, then what can I do, I'm sure.
00:32:07Yes, I wanted to know that, too.
00:32:09That's all right.
00:32:09Robin's seen it.
00:32:10I'll ask him what happened.
00:32:12I feel so guilty about this.
00:32:13Oh, don't worry.
00:32:14Can't be helped.
00:32:15Look, I'll take you home.
00:32:16You do no such thing.
00:32:17I've ruined the evening already.
00:32:19I'm not going to let you put yourself out any further.
00:32:21Oh, don't be silly.
00:32:22It doesn't matter.
00:32:23It means a lot to me.
00:32:25My bus goes from over the road.
00:32:26It drops me right past my door.
00:32:28Promise you'll ring me tomorrow.
00:32:31Yeah, all right.
00:32:32I'm terribly sorry.
00:32:47God, I can't see you.
00:32:52Oh God, I can't stand much more of this.
00:33:22Oh God, I can't stand much more of this.
00:33:36Hello, Mel.
00:33:42Hello, Graeme.
00:33:45I thought you were studying all evening.
00:33:47I thought you were going out all evening.
00:33:49Okay, okay, I'll go to the pub.
00:33:51No, you don't. Don't be a martyr.
00:33:53We're all friends here.
00:33:55Friendship does have its limits.
00:33:56I am not suggesting a ménage à trois, dear.
00:33:59Thank God for that.
00:34:00Oh, go and make the coffee.
00:34:03It's freezing out, isn't it?
00:34:05Well, I can go if you like.
00:34:06Sit down, Graeme, and don't pretend you've got any intention of leaving.
00:34:10What's with this 9.30 routine?
00:34:12She slapped your face or something?
00:34:13I had to go home.
00:34:14Some relative coming down from Glasgow.
00:34:16I don't know.
00:34:17Oh, she didn't mention it to me.
00:34:18I think it was an excuse, actually.
00:34:20But don't tell her I said so.
00:34:21No, of course not.
00:34:22Mind you, you're probably right.
00:34:25Is there someone else?
00:34:27Someone else?
00:34:28No.
00:34:29It's that sister of hers.
00:34:30She's driving Jackie up the wall, the little cow.
00:34:32Ah, yes.
00:34:33You mentioned her at dinner.
00:34:34Hmm.
00:34:35What's wrong with her?
00:34:36What's wrong with her?
00:34:37What's right with her?
00:34:38She's a bloody delinquent.
00:34:39She's absolutely uncontrollable.
00:34:42Do you know they had the police there this morning?
00:34:44Well, didn't Jackie tell you?
00:34:45No, she didn't tell me.
00:34:47Ah, she wouldn't.
00:34:48She spends half her life trying to sort that kid's life out,
00:34:51and then pretends everything's peaches and cream.
00:34:53The sooner they get that kid to a psychiatrist, the better.
00:34:56Ah, well, here I am.
00:34:57You wait till you're asked.
00:34:58He'll wait a long time.
00:34:59Well, I'd better offer, then.
00:35:01What, now?
00:35:02Why not?
00:35:03Why not?
00:35:04Why not?
00:35:13Why not?
00:35:20Come in, come in, Jackie.
00:35:33I'm not going to make a big thing of this, Dad. I'm staying half an hour and that's all.
00:35:37Don't go in yet. I'll have a word with you.
00:35:39This is a waste of time, you know. I've been thinking about what you've shown me.
00:35:45There's a simple explanation. There must be!
00:35:47Keep your voice down, please.
00:35:49Dad, she's been in an asylum for 15 years. She must be cured.
00:35:53We've both been in an asylum, Jackie.
00:35:56Well, then you ought to know it better than anyone else.
00:35:58I found something else this evening, Jackie.
00:36:00Oh, God, no.
00:36:01Look.
00:36:04What are they?
00:36:05Tarot cards.
00:36:07Found them in a drawer.
00:36:08So?
00:36:09Well, it takes two to play that game, Jackie.
00:36:12And if I'm not the other one, who is?
00:36:16Who are you talking to, Eddie?
00:36:28Oh, Jackie, it's you. How nice.
00:36:30How are you feeling, Mother?
00:36:34See, see how much I've done since I saw you last week. I've almost...
00:36:37How are you feeling, Mother?
00:36:40Pardon, dear?
00:36:42You heard what I said.
00:36:46Mother, I know we agreed not to talk about the past, but Dad and I have been discussing...
00:36:50Jackie.
00:36:51I've got such a migraine tonight, I can hardly see the stitches.
00:36:55The migraine you haven't had for months.
00:36:56I don't understand you, dear.
00:36:59You understand every word I say, Mother.
00:37:01You just choose to ignore most of it, that's all.
00:37:04Jackie, don't.
00:37:05There's no need.
00:37:06I don't know what's come over you, Jackie.
00:37:08Just tell me one thing, Mother.
00:37:10Are you well?
00:37:11Am I well, dear?
00:37:13I...
00:37:14I don't understand.
00:37:15You know what I mean.
00:37:17I...
00:37:18Have you started again?
00:37:20Oh.
00:37:21Oh.
00:37:22Oh, how can you?
00:37:24How can you ask me that?
00:37:26How can you be so cruel?
00:37:28That was months ago.
00:37:30Years ago.
00:37:32That was in the old place.
00:37:36So long ago.
00:37:38So many years ago.
00:37:39All over.
00:37:40So long ago.
00:37:41Then what are these?
00:37:43Oh, hello.
00:37:56You Debbie?
00:37:57Yeah.
00:37:58Is your sister in?
00:38:00No.
00:38:01She's not?
00:38:03Oh, any idea when she'll be back?
00:38:08My name's Graham Haller.
00:38:09Actually, it was you I wanted to speak to.
00:38:12Do you mind if I come in for a minute?
00:38:20They come and go.
00:38:22Lonely people.
00:38:24All lonely people.
00:38:26Not a friend in the world.
00:38:28And I help them.
00:38:32I haven't got a friend in the world.
00:38:33You know that.
00:38:35Only you.
00:38:36We're trying to help you, Mother.
00:38:38You're trying to help me back into that asylum.
00:38:40That's what you're trying to do.
00:38:44Trying to trick me into thinking I'm not better when I am.
00:38:46All right then, Mother.
00:38:47All I've done is ask you one question.
00:38:49And I've given you an answer.
00:38:53I never go out of this house.
00:38:56It's so lonely here all day.
00:38:59Can't I have any interests?
00:39:01And those cards are my property.
00:39:04Give them back to me, you thief.
00:39:06You don't like me having anything of my own, do you?
00:39:10I'm not allowed to keep everything.
00:39:15Oh, Eddie.
00:39:17Oh, Eddie.
00:39:19They even took my baby away from me.
00:39:23My only child.
00:39:26She...
00:39:27She doesn't even know I exist.
00:39:29Oh, now, Dorothy.
00:39:30It won't have you upsetting yourself like this.
00:39:33There's no need.
00:39:34We're going to forget that any of this happened.
00:39:36You...
00:39:42You plotted it all between you.
00:39:44No, no.
00:39:47Jackie insisted on coming down.
00:39:49Dad!
00:39:50It's all over now.
00:39:52We're going to forget that any of this ever happened.
00:39:55We're not going to mention it again.
00:39:58And we're going to go on just like we were.
00:40:00Just the two of us together.
00:40:02Hmm?
00:40:07I've lost my needle.
00:40:09I'll get you another one, dear.
00:40:20You know how I look forward to your visits, Jackie.
00:40:24With your little parcels.
00:40:27I do appreciate the trouble you take.
00:40:29You know that, don't you?
00:40:32You will keep on bringing them, won't you, dear?
00:40:35Just to please me.
00:40:38You will, won't you?
00:41:03Did anyone ever tell you you've got a great bedside manner?
00:41:06I don't think that's quite the right expression, is it?
00:41:09Well, it is for what I've got in mind.
00:41:18Thank you, Doctor.
00:41:19Graham.
00:41:20Thank you, Graham.
00:41:21You were telling me about the orphanage.
00:41:25No, I wasn't.
00:41:26You said you didn't like it.
00:41:28I didn't like it.
00:41:29Look, I don't want to talk about it.
00:41:30It's boring.
00:41:31Did you resent being there?
00:41:36Are you screwing Jackie?
00:41:37I ask first.
00:41:38Well, if I tell you, will you tell me?
00:41:43No.
00:41:44That's not fair.
00:41:46Did you ever see a photo of your parents?
00:41:47I don't know.
00:41:49I can't remember.
00:41:51I don't even care about them.
00:41:52Why should I?
00:41:53I haven't even met them.
00:41:54I think you do care, Debbie.
00:41:55I think you care very much.
00:41:57I don't even care about them.
00:41:58Why should I?
00:41:59I haven't even met them.
00:42:00I think you do care, Debbie.
00:42:01I think you care very much.
00:42:23Well, he's a great showman, but I can't stand his music.
00:42:25Oh, he's a great musician.
00:42:27He was at the Rainbow last week.
00:42:28Really?
00:42:29I knew he had hysterics.
00:42:30We waited for him to come out afterwards, but he didn't come.
00:42:32No.
00:42:33Jackie went back, said he'd get home till three.
00:42:35Did you?
00:42:37Oh, hello, Jackie.
00:42:40How long have you been here?
00:42:41Not long.
00:42:42We've just been having a little chat.
00:42:43You don't mind, do you?
00:42:46It's time you were in bed.
00:42:47Oh, for Christ's sake!
00:42:49Don't shout at me.
00:42:50I'll shout at you.
00:42:51I'll shout at you whenever I like!
00:42:53Chewing off!
00:42:54Where do you think you're going?
00:42:55Out.
00:42:56You're not, you know.
00:42:57Try and stop me!
00:43:10Don't treat her like a child.
00:43:11Thank you very much.
00:43:12How much do I owe you for that piece of analysis?
00:43:14Why don't you try sitting down and talking to her for a change?
00:43:16Well, I'll certainly think about that, Graham.
00:43:18After all, you seem to have achieved so much.
00:43:20Yes, we were getting on quite well, actually.
00:43:22Talking about me, I suppose.
00:43:23No, mostly about your parents.
00:43:25I'm scared.
00:43:26No, I'm sure you can't rob her friends.
00:43:28What's the difference?
00:43:29No, I can't make sense.
00:43:31No, not even though.
00:43:32All right, I'm surprised!
00:43:33No, no, no, no.
00:43:34No, no, no, no, no, no.
00:43:35No, no, no, no, no.
00:43:36Oh, my God.
00:44:06Oh, my God.
00:44:36That's all.
00:44:36But you would have said no.
00:44:39Look, Jackie.
00:44:41Mo says you like to pretend that nothing's the matter.
00:44:44But something is the matter, and Debbie can be helped.
00:44:47By you?
00:44:49Yes, I'd like to try.
00:44:51Look, it's too early to draw any conclusions.
00:44:53I'd have to spend much more time with her,
00:44:54but it's pretty obvious that she's suffering from some identity problem.
00:44:58Oh, I can't stand that jargon.
00:44:59Yes, well, it's very simple if you just listen.
00:45:04Look, on the surface, she seems cold and insensitive,
00:45:10but that's because she's got no background, no roots.
00:45:13She doesn't seem to have been given much understanding in the orphanage.
00:45:16So this is the result.
00:45:20But Debbie's got an additional problem in the shape of a close relative, you,
00:45:24who refuses to tell her anything about her parents.
00:45:26Now, why won't you discuss it with her?
00:45:29You must remember them.
00:45:30Listen, the one thing you're conveniently leaving out, Graham,
00:45:32is the fact that I know a damn sight more about her than you do,
00:45:35and I know how to handle it.
00:45:36Come on, Jackie, I'm sorry, but I don't think you do.
00:45:40Jackie, I'm trying to help.
00:45:43I want to help you.
00:45:44I don't need help.
00:45:46Graham, I'm very tired.
00:45:48We're going to have to leave it there.
00:45:51Yes, you've had a very busy evening, haven't you?
00:45:54Good night, Graham.
00:46:02How are you going to do it?
00:46:04Somerset House.
00:46:06Did Jackie ask you to?
00:46:08No.
00:46:09Why are you doing it, then?
00:46:13I don't know, really.
00:46:16I think you need your head examined.
00:46:36What's all this about, babe?
00:46:50Come here.
00:46:51You come here.
00:46:52What's all this about?
00:47:02It's yours.
00:47:03I use it to keep things in.
00:47:06I've got some in here for you.
00:47:09Nice.
00:47:10Jesus Christ.
00:47:20Nasty, isn't it?
00:47:22How did he get in there?
00:47:23I put him in there.
00:47:25Why?
00:47:26Well, if he was left where he was, you'd be in a cell by now.
00:47:29I didn't do that to him.
00:47:31Look at his head.
00:47:32I didn't do that.
00:47:34Who did, then?
00:47:35But I hardly...
00:47:35Oh, Christ.
00:47:37What are we going to do?
00:47:38Dump him off.
00:47:39Where?
00:47:40Well, you bring your brother's van around tonight, and we'll go and stick him in the quarry.
00:47:44No.
00:47:47Leave him there, then.
00:47:48Go ahead.
00:48:00There was a call-out for you at reception.
00:48:01Ah, yes, David.
00:48:02Oh, excuse me.
00:48:03Excuse me, David.
00:48:03Dr. Lytell, could you spare me a moment now, please, sir?
00:48:07Oh, Graham, of course.
00:48:09By all means, come on in.
00:48:11I should have seen you long ago, but I just had one of those morning.
00:48:13Right.
00:48:13Thank you, sir.
00:48:16Now, what's your problem?
00:48:17Forgive me if I potter a bit while we're talking.
00:48:22Well, it's a favor, actually, sir.
00:48:24I was wondering if you could give me an introduction to one of the supervisors at the Lansdowne Hospital.
00:48:28The Lansdowne?
00:48:30Well, that's a bit off your beat.
00:48:31What are you working in?
00:48:33Well, it's a patient of mine, sir.
00:48:35She's under the impression that her parents...
00:48:37She?
00:48:39Yes, it's a young lady.
00:48:41Yes, I see.
00:48:43Well, she's under the impression that her parents are dead, but they're not.
00:48:46I found out that they were committed to the Lansdowne in 1957, and I'm trying to find out why.
00:48:51Hmm, you have been busy.
00:48:58Well, I think it's important, sir.
00:49:01Is it vital?
00:49:04Yes, I think so.
00:49:06Fair enough.
00:49:08If it's vital, I'll get you in touch with Matt Lawrence.
00:49:10He's the medical superintendent of the Lansdowne.
00:49:12Oh, well, I didn't expect you to go to all that trouble, sir.
00:49:15No, no, it's nothing.
00:49:16He and I are old friends.
00:49:18We were at King's together.
00:49:20Give me a line, will you?
00:49:26Did you cut them, dear?
00:49:28Yes.
00:49:29Then, we shall see what we shall see.
00:49:40You warm enough?
00:49:42I'm fine, thanks.
00:49:44It does get so chilly here sometimes.
00:49:47You didn't come by car, did you?
00:49:50Why?
00:49:52No, I don't think you did.
00:49:53Now, this signifies you, dear,
00:49:58the Queen of Pentacles,
00:50:00cunning,
00:50:02passionate,
00:50:03self-reliant.
00:50:05This covers you,
00:50:07this crosses you,
00:50:09this beneath you,
00:50:10this behind you,
00:50:12this crowns you,
00:50:14and this is before you.
00:50:23I think you've had a sudden loss,
00:50:37haven't you?
00:50:39Not a death,
00:50:41a sudden departure.
00:50:44Someone you love.
00:50:47I think it's your husband.
00:50:51Yes?
00:50:53You did say your name was Delia,
00:51:01didn't you?
00:51:05You don't like being left on your own,
00:51:07do you, Delia?
00:51:10You're frightened
00:51:11you're going to be left by yourself.
00:51:18But don't worry about that,
00:51:20will you, dear?
00:51:20You said you were alone.
00:51:25Sometimes the little animals come in
00:51:27and go all over the place.
00:51:29They're awfully naughty.
00:51:32Do you like little animals,
00:51:34little squirrels and things?
00:51:36I'm not all that fussy.
00:51:39There's one peeping at you down there.
00:51:41No, not really.
00:51:53My husband?
00:51:56Will he come back?
00:51:58What else do you know about him?
00:52:01Nothing.
00:52:03But I know everything about you.
00:52:05One look and I know it all.
00:52:10Then perhaps you'd like to tell me.
00:52:13Perhaps you'd like to tell me.
00:52:15Perhaps I wouldn't.
00:52:18Delia.
00:52:22Look, I've paid you
00:52:23a considerable amount of money.
00:52:25There is your considerable amount of money.
00:52:35There is your future.
00:52:37There is your future.
00:52:37You're quite mad.
00:52:54I suppose you know that.
00:52:55You're quite mad.
00:53:25You've locked this door.
00:53:55Help me, she's not dead yet.
00:54:25Dorothy!
00:54:29Dorothy!
00:54:31Dorothy!
00:54:35Dorothy!
00:54:40Dorothy!
00:54:43Dorothy!
00:54:45Oh my God!
00:54:48Dorothy!
00:54:57Dorothy!
00:54:59Dorothy!
00:55:01I had to do it.
00:55:10I had to do it.
00:55:16I had to do it.
00:55:24I had to do it.
00:55:25I had to!
00:55:26I had to!
00:55:28I had to do it.
00:55:37I had to do it.
00:55:39I had to do it.
00:55:40What have you been doing to them?
00:55:47She was a cannibal.
00:55:48I'm sorry?
00:55:49I can't put it more daintily than that, I'm afraid.
00:55:52The fact is, she ate people.
00:55:55Horrified, but thankfully quite unique.
00:55:59Caused a bit of a scandal in 1957.
00:56:02Probably you remember.
00:56:03I'm afraid I was a bit too young.
00:56:05Oh yes, yes, of course, I tend to forget.
00:56:09What was the case history?
00:56:10Oh, it goes way back.
00:56:13What is it down, please?
00:56:18Here we are.
00:56:20Yes.
00:56:22She had a pet she was very fond of when she was a girl.
00:56:25Rabbit or something similar.
00:56:27And it died.
00:56:28I'm afraid the parents were foolish enough to use it as food.
00:56:32It was right in the middle of the Depression, late 20s, early 30s.
00:56:34Meat was hard to get hold of.
00:56:36But she found out.
00:56:38She went into such shock that she twisted the horror of the situation
00:56:41into something pleasurable.
00:56:44She began killing animals and dissecting them, eating them.
00:56:48Secretly, of course.
00:56:49Nobody found out about it for years.
00:56:50Oh, God.
00:56:52She was especially interested in their brains, I remember.
00:56:55They held some sort of weird fascination for her.
00:57:00How long before she started on?
00:57:01On people.
00:57:03Well, by the time she met her husband, what was his name, Edmund?
00:57:06That's only 55.
00:57:08She was a hopeless case.
00:57:10The craving had become almost uncontrollable.
00:57:13And he, it seems, helped her to find human victims.
00:57:16They killed six people before they were caught.
00:57:19They were sent here in 1957.
00:57:21It was the only case of cannabantropy on record in this country.
00:57:25Carry what?
00:57:26Cannabantropy.
00:57:28Pathological cannibalism.
00:57:30There's a couple of cases in the United States, almost unheard of anywhere else.
00:57:33They had children, this couple, didn't they?
00:57:36Oh, you were one up on me, then.
00:57:39Oh, yes, there was a daughter born in 1948.
00:57:43Jackie.
00:57:44Jacqueline, that's right.
00:57:45Yes, she was the daughter of the father's previous marriage.
00:57:48She was sent to live with an aunt who later died, apparently.
00:57:51And there was now a daughter, Deborah, born shortly after the couple were committed.
00:57:54Yeah, they put her in an orphanage.
00:57:55That's right.
00:57:56Suddenly, it all makes sense.
00:57:57You know, I always felt that the father was the more interesting of the parents.
00:58:01You see, it's always been my opinion that he should never have been committed.
00:58:03It was never really established that he had anything to do with the actual murders.
00:58:06We knew about them, certainly.
00:58:07But I think it was more of a case of his being totally devoted to his wife, turning a blind eye
00:58:09to absolutely anything that she might do.
00:58:11You know, even towards the end, I was almost certain that he was deliberately faking derangement
00:58:26in order that he might remain here with his wife.
00:58:28Towards the end?
00:58:29You mean they died?
00:58:30No, no, no.
00:58:31They were released.
00:58:32That was some months ago.
00:58:33He's got a job, I believe.
00:58:34Some aristocrat's dog's body or something.
00:58:36Released?
00:58:37Well, don't look so flabbergasted about it.
00:58:40We didn't kick them out just for the fun of it.
00:58:42They're completely cured.
00:58:43As sane as you are.
00:58:48You won't tell anyone, will you, Eddie?
00:58:51It'll be our secret, won't it?
00:58:54You won't tell, will you?
00:58:56You haven't got much choice, have I?
00:58:59Well, no one would be interested.
00:59:02These people, they've no friends, no relations.
00:59:06No one will miss them.
00:59:08Are they all in here?
00:59:10Most of them.
00:59:36Let's go back, Eddie.
00:59:37When did you find out about the parcels?
00:59:40Find out, dear?
00:59:42You've known all along, haven't you?
00:59:44Well, I wanted to please you, Eddie.
00:59:47You started as soon as you left the Lansdowne, didn't you?
00:59:51Let's go back, Eddie.
00:59:53It's not right that you should be here.
00:59:55In future, I'll come here by myself.
00:59:59In future.
01:00:10You're gonna tell me everything.
01:00:11That's just my jacket.
01:00:13Everything.
01:00:14I couldn't bear it, Eddie.
01:00:24What?
01:00:25To be sent back.
01:00:27You won't be sent back.
01:00:29You... you do understand, then?
01:00:33I understand.
01:00:35And... you're not angry with me?
01:00:44I'm not angry.
01:00:46I always wonder why people got glasses of water thrust at them when they've been crying.
01:01:02It relaxes you.
01:01:03Really?
01:01:05Do you want to talk about it?
01:01:07Yes, I do, quite honestly.
01:01:10Oh, I'm sorry.
01:01:12I interrupted you.
01:01:13Breaking down like the fragile creature I'm not.
01:01:16You were saying you've been researching something.
01:01:19No, it can wait.
01:01:20Come on, tell me what's wrong.
01:01:23I feel like falling on my knees and asking for forgiveness.
01:01:27Why?
01:01:28I was wrong about Debbie.
01:01:30I should have taken everybody's advice.
01:01:32Now it's too late.
01:01:34Why?
01:01:35She got involved in a fight a couple of nights ago.
01:01:39A man was killed.
01:01:42She told you?
01:01:43No.
01:01:44I found her jacket covered in blood.
01:01:46I had to force her to tell me.
01:01:50Did...
01:01:51Did Debbie kill the man?
01:01:52No.
01:01:53No.
01:01:54Her boyfriend, so-called, he...
01:01:56He hit him with a...
01:01:57Oh, a thing.
01:01:58A bicycle chain.
01:02:00Debbie panicked and hit...
01:02:03He hit the body at Christ.
01:02:05Oh, come on.
01:02:06That's the worst over now.
01:02:08Finding out and then having to tell me.
01:02:10I don't know.
01:02:11I'm so worried about the police and...
01:02:13There's no need to be.
01:02:14Debbie's committed a crime.
01:02:15I want to do all I can to help you both.
01:02:17My offer still holds, you know.
01:02:19I don't deserve you, do I?
01:02:22We'll have to do something about that inferiority complex of yours, won't we?
01:02:27Is she here?
01:02:29In her room.
01:02:30We're leaving now, Debbie.
01:02:33Okay.
01:02:34Oh, don't worry.
01:02:35It'll be all right.
01:02:36Graham knows what to do.
01:02:37Oh, you better give me the key.
01:02:51We'll be back as soon as we can.
01:02:53See you soon, Debbie.
01:02:54Now stay here till we get back, won't you?
01:02:55Yeah, sure.
01:02:56We'll be back as soon as we can.
01:02:57See you soon, Debbie.
01:02:58Now stay here till we get back, won't you?
01:02:59Yeah, sure.
01:03:25That was done with a bicycle change.
01:03:41Look, I'm sorry, but I don't understand.
01:03:44What are you talking about?
01:03:45I might have a word for your sister, please, miss.
01:03:47What did you mean when you said it was more than murder?
01:03:50Exactly what I said.
01:03:52Now if we can go back to your flat, please.
01:03:54Yes.
01:04:01She's gone, Graham.
01:04:02She's gone.
01:04:03The wardrobe's empty and her suitcase is missing.
01:04:05This is a missing persons called to all units.
01:04:08Deborah Yates, aged 15 and wanted for questioning in connection with the murder of Douglas Metchick on February 27th,
01:04:14is missing from her home in Beaufort Street, SW 10.
01:04:18She's five foot two, light brown hair, light colouring.
01:04:22We're very keen.
01:04:34It's a bit early for me.
01:04:35You're over 18, aren't you?
01:04:36Early in the evening, idiot.
01:04:37Oh.
01:04:38Well, just think of it as Dr Haller's nerve tonic.
01:04:41Mine doesn't need more than a tonic, I can tell you.
01:04:44Neat.
01:04:45Of course.
01:04:46Cheers.
01:04:47Better?
01:04:48Give it time.
01:04:49I've made rather a mess of it, haven't I?
01:04:50Oh, I wouldn't say that.
01:04:51You would if you knew everything.
01:04:52I think I do.
01:04:53You don't, Graeme.
01:04:54That's the trouble.
01:04:55I was at Lansdowne today.
01:04:56Oh, God.
01:04:57And I still wouldn't say you'd made a mess of anything.
01:04:59What I can't understand is why you feel you've still got something to be guilty about.
01:05:02Look, your parents were certified sane, Jackie, and that's the way you've got to learn to treat them.
01:05:06I know.
01:05:07I know.
01:05:08It must have been difficult for you, but don't you see it's all over now?
01:05:09It's not all over, Graeme.
01:05:10I'm afraid it's just beginning again.
01:05:11I'm afraid it's just beginning again.
01:05:12Oh, God.
01:05:13Oh, God.
01:05:14And I still wouldn't say you'd made a mess of anything.
01:05:15What I can't understand is why you feel you've still got something to be guilty about.
01:05:16Look, your parents were certified sane, Jackie, and that's the way you've got to learn to treat them.
01:05:21I know it must have been difficult for you, but don't you see it's all over now?
01:05:26It's not all over, Graeme.
01:05:28I'm afraid it's just beginning again.
01:05:31I can't see nothing.
01:05:43We're in the middle of nowhere.
01:05:45What is all this?
01:05:46Look, I told you it's a place where they won't find us.
01:05:48Stay here.
01:05:49I want to see if everything's all right.
01:05:51Well, hurry up.
01:05:53Freezing me bollocks off out here.
01:05:56I don't like your gloomy face, Eddie.
01:06:00Reminds me of a gargoyle.
01:06:03Do me enough hair already.
01:06:06Only the little animals are happy.
01:06:09They come and see me sometimes when you're not here, Eddie.
01:06:13I wish you could be here during the day to see them.
01:06:17What's the matter?
01:06:19Hear the noise?
01:06:21Someone else in the house.
01:06:30Who are you?
01:06:31Hello, Dad.
01:06:33Hello, Dad.
01:06:34I can't believe it.
01:06:35It's our little girl, Eddie.
01:06:36It's true.
01:06:37Hasn't she grown?
01:06:38Oh, my God.
01:06:39I wanted to protect her from this.
01:06:41We were going to tell you, Eddie.
01:06:42In time.
01:06:43How long has she increased?
01:06:44Let's see too long.
01:06:45How long is he getting tired?
01:06:46And what's he getting tired?
01:06:47How long has he been dead, Eddie?
01:06:48How long has she been dead?
01:06:49I really can't believe it.
01:06:50It's a great pleasure.
01:06:51It's a great pleasure.
01:06:52I can't believe it.
01:06:55It's our little girl, Eddie.
01:06:57It's true.
01:06:58Hasn't she grown?
01:06:59It's our little girl, Eddie. It's true.
01:07:02Hasn't she grown?
01:07:04My God, I wanted to protect her from this.
01:07:07We were going to tell you, Eddie, in time.
01:07:12How long has she known?
01:07:13I've always known.
01:07:16Jackie told me.
01:07:18She promised.
01:07:20She promised me.
01:07:25Who else have you told?
01:07:26My boyfriend outside.
01:07:28She's so grown up, isn't she?
01:07:58No.
01:08:00Oh, my God.
01:08:30There's a... I've found...
01:08:33Oh, no.
01:08:35Please!
01:08:37Dad!
01:09:00What the hell are you thinking of, Jackie?
01:09:10It's absolutely ludicrous.
01:09:11It was Dad's idea.
01:09:13A week after they left Lansdowne, he realized something was wrong.
01:09:16Dorothy used to just sit and gaze into the fire.
01:09:19It seemed she was pining away.
01:09:20So you decided to play amateur psychiatrist.
01:09:23You seriously thought you could diminish her so-called killing instincts
01:09:26by pretending you were doing it for her
01:09:28and taking down these ridiculous things that you bought from the butchers?
01:09:31It seemed to work.
01:09:33And anyway, Dad wouldn't consider the alternative.
01:09:36And what was the alternative?
01:09:37She'd be sent back to Lansdowne.
01:09:39I'm sorry, Jackie. You don't know what the hell you're thinking about.
01:09:41Dorothy was in the best care for 17 years.
01:09:45She was certified same.
01:09:47But I swear, there's still something wrong.
01:09:49All right. She's probably going through a period of readjustment.
01:09:52But if there is something wrong,
01:09:53it can easily be remedied by a course of outpatient treatment.
01:09:56In her own home, if necessary.
01:09:58I never considered anything like that.
01:10:01I had nobody to talk to.
01:10:03Well, you have now.
01:10:04Eight o'clock.
01:10:15Well, what about it?
01:10:17Well, you could be down there in an hour and a half.
01:10:20There's hardly likely a psychiatrist to make a house call in the middle of the night, is it?
01:10:23Oh, that's right.
01:10:27You could go for a reading.
01:10:29With her set of marked tarot cards.
01:10:34You're going?
01:10:42Hmm.
01:10:44Something else I want to check on.
01:10:45About Dorothy?
01:10:46No, about Debbie.
01:10:48Debbie?
01:10:49Hmm.
01:10:50After all, she is Dorothy's daughter.
01:10:52No alternative.
01:11:09No alternative, Eddie.
01:11:11The boy knew everything.
01:11:13I mean, we've got to wipe the slate clean, haven't we?
01:11:15How many more?
01:11:16How many more are before the slate is wiped clean?
01:11:20One more.
01:11:25Jackie.
01:11:27No.
01:11:29No!
01:11:32Stop kidding yourself, Dad.
01:11:33Forget about Jackie.
01:11:34She's an enemy.
01:11:35I won't listen to this.
01:11:36She's an enemy, I tell you.
01:11:37She's going to break this family up.
01:11:38You'll watch your sins.
01:11:39You don't know what you're talking about.
01:11:40I know, Father.
01:11:41That's all she wants to do, break us up.
01:11:43She tried to keep me away from you for as long as she could, didn't she?
01:11:46Now, now, no arguing.
01:11:48Not when we're all together again.
01:11:50This has gone too far, Deborah.
01:11:53I can't handle this anymore.
01:11:59Is it for you?
01:12:01We never have visitors.
01:12:06Police?
01:12:08Take her to the attic, Dorothy.
01:12:09All right, Eddie.
01:12:10This way, dear.
01:12:11Oh, good evening.
01:12:36I'm sorry to trouble you so late.
01:12:38I wonder if Mrs. Yates could give me a reading.
01:12:39I hope this time and night, I'm afraid.
01:12:42Well, um, look, it's rather difficult for me, you see.
01:12:44I'm staying overnight in the area,
01:12:46and I'm leaving early in the morning,
01:12:48so I won't get another chance.
01:12:49Perhaps you could call in next time you're passing.
01:12:51Perhaps I could persuade you, you see.
01:12:52I'm rather worried about my health.
01:12:53Um, I think I may be very ill,
01:12:57and I'd like to know one way or the other.
01:12:59You understand?
01:13:00Come in.
01:13:01Oh, I'm very grateful.
01:13:02I won't stay in here longer than necessary.
01:13:06Wait here.
01:13:07I'll tell my wife.
01:13:09We go through.
01:13:24Mrs. Yates?
01:13:42Hail to the Knight of Pentacles.
01:13:47I'm sorry.
01:13:49You are the Knight of Pentacles.
01:13:52This is your card.
01:13:55I see.
01:13:58Sit down.
01:13:59The other side.
01:14:10Would you like me to pay you beforehand?
01:14:14Yes.
01:14:22Yes, see what you should see.
01:14:29This covers you.
01:14:30This covers you.
01:14:31This covers you.
01:14:32This beneath you.
01:14:33This behind you.
01:14:35This crowns you.
01:14:37This crowns you.
01:14:38This crowns you.
01:14:39This crowns you.
01:14:40This is before you.
01:14:44Your name was?
01:14:45Robin.
01:14:46I'm a commercial traveler, just staying in the village for one night.
01:15:00How did you know about me?
01:15:02What did you know about me?
01:15:04A friend recommended you.
01:15:05His name?
01:15:07Well, he's not exactly a friend.
01:15:09It was a party, and I heard him talking about you.
01:15:14Do you travel in medical supplies?
01:15:17No.
01:15:18I see healing hands.
01:15:22You're either something to do with the hospital, or you're a doctor.
01:15:27Well, that'll be all the doctors I've been to. There have been so many.
01:15:32It's not the doctors you've been to.
01:15:35I'm telling you, it's you.
01:15:39Well, I was a medical student once. It was a long time ago.
01:15:43Were you now?
01:15:46You're worried about something?
01:15:48Yes, very.
01:15:49A girl?
01:15:50No, two girls.
01:15:52Two girls.
01:15:55There's a romantic involvement with one, and some other involvement with the other.
01:16:00Now, what is it?
01:16:05Ha!
01:16:06Isn't that strange?
01:16:08I come back to the healing hands.
01:16:11Why are you lying to me?
01:16:17I'm not lying to you.
01:16:19You called me Mrs. Yates.
01:16:23You've come here for a purpose.
01:16:27To have my fortune told.
01:16:29No, no. There's something else. Now, what is it?
01:16:31I've told you, I'm worried about...
01:16:33I'm worried about...
01:16:34Be quiet!
01:16:37You've come here to search.
01:16:39You're searching for...
01:16:41No.
01:16:43No, not searching.
01:16:46Investigating.
01:16:49Investigating me!
01:16:51You're dead right ears.
01:16:55Debbie!
01:16:56What did he tell you his name was?
01:16:58This is Robin, my dear.
01:17:01This is Graham, my dear.
01:17:03Dr. Graham Haller, to be exact.
01:17:05One of Jackie's little friends.
01:17:08She sent him down here to put you back in the nut house.
01:17:10Now, that's not true. You know it isn't.
01:17:12You lie, you lie, you lie, you lie!
01:17:17I have the proof here in the cards!
01:17:26Come on, love. We're waiting for you.
01:17:28I'm sorry, Merle. I just can't concentrate.
01:17:31Oh, don't worry, kid. We'll wind it up.
01:17:33No, Merle, we'll go on.
01:17:34No, no. It was just one of my stupid ploys to try and get your mind off things.
01:17:38You're obviously not up to it.
01:17:40Oh, I'm sorry.
01:17:41Don't worry, kid. We'll have a chat instead.
01:17:44After all, that's what you came round for, isn't it?
01:17:46Yes, very much so.
01:17:48I just couldn't bear sitting alone in the flat, just waiting.
01:17:53Well, what are friends for?
01:17:56Oh, bugger, hang on a minute.
01:18:02You know what really drove me out tonight?
01:18:04What?
01:18:06I knew that any second the phone would ring
01:18:08and it would be the police to say they'd found Debbie.
01:18:10That would be the end, wouldn't it?
01:18:13Jackie, you're building this up into something it isn't.
01:18:16Why would it be the end?
01:18:17They don't send 15-year-old girls to prison anymore, you know?
01:18:19They send them to a reformatory.
01:18:21They're not going to send Debbie anywhere.
01:18:23Jackie, it's for you.
01:18:25Who knows I'm here?
01:18:27Well, I wouldn't swear to it, but it sounds like Debbie.
01:18:39Hello?
01:18:40Jackie, it's Debbie.
01:18:41Debbie, where are you?
01:18:42I'm at the farm.
01:18:44What?
01:18:45I'm at the farm with Mum and Dad.
01:18:48But... how?
01:18:50Look, I can't explain now. Will you come down?
01:18:53Yes, of course.
01:18:55Graham's here.
01:18:56Yes, I know.
01:18:57You will come down, won't you?
01:18:59Straight away.
01:19:00Okay, see you then.
01:19:03Debbie!
01:19:08I'm flying high with an ace.
01:19:10Hewitt.
01:19:12Was it her?
01:19:13Yes.
01:19:14Well, where is she?
01:19:15Well, she's found a place to hide.
01:19:18Oh, are you going?
01:19:19I must.
01:19:20Well, what about the police?
01:19:22I don't know.
01:19:23I don't know.
01:19:27Jackie!
01:19:52Oh, wow!
01:19:59Uh!
01:20:01Ah!
01:20:05Ah!
01:20:07Ah!
01:20:12Ah!
01:20:14Ah!
01:20:15Ah!
01:20:19Ah!
01:20:20Oh
01:20:42Debbie is that you
01:20:50I almost hoped you wouldn't come Jackie
01:21:01What are you prowling around with the bloody lights off for
01:21:04I won't be spoken to like that in my own home
01:21:08Especially by you
01:21:09Especially by me
01:21:11What am I supposed to have done
01:21:12You hurt me Jackie
01:21:13You've hurt all of us
01:21:15What are you talking about
01:21:18What's Debbie been saying to you
01:21:21She's told us the truth
01:21:23And you believed it
01:21:25She is my daughter
01:21:27And I'm not I suppose
01:21:29We both feel closer to Deborah
01:21:32You stupid old man
01:21:34How dare you
01:21:35You've been taken in by a 15 year old delinquent
01:21:37Alright then
01:21:39If that's the way we want it
01:21:40You can get along without me
01:21:41You can all get along without me
01:21:43I'll wash my hands of the lot of you
01:21:44Oh Jackie if only you hadn't come
01:21:48What is it
01:21:50What's going on
01:21:52Where's Graham
01:21:53Who
01:21:54The man
01:21:55For God's sake
01:21:57I'm not going to stand here talking to you
01:21:58In the bloody twilight
01:21:59No Jackie
01:22:00Put the lights on
01:22:02What's the matter with you
01:22:04Nothing
01:22:05You've been hit
01:22:10You've been hit with something
01:22:12Who was it
01:22:13It's Dorothy wasn't it
01:22:18She did it
01:22:19With this
01:22:21The stepmother's a very sick woman Jackie
01:22:24How sick
01:22:25How sick
01:22:26She's had a very serious relapse I'm afraid
01:22:31Jackie
01:22:34I love her
01:22:36Can you understand that
01:22:37But I can't do any more for her now
01:22:41Deborah's looking after her
01:22:43Looking after her
01:22:45What do you mean looking after her
01:22:48She's with her now
01:22:49A 15 year old girl
01:22:50I don't believe it
01:22:51They have a lot in common
01:22:54You know
01:22:54More in common than you would think
01:22:58Where's Graham
01:23:04Where is he
01:23:05They said she was well again
01:23:08I said she was well
01:23:11Graham
01:23:15Graham
01:23:17Are you still alone Jackie
01:23:20How are you going to live
01:23:23In this city
01:23:25Let's get to the mic
01:23:26In this city
01:23:26To the west
01:23:28In this city
01:23:30To the west
01:23:30South
01:23:31Oh
01:23:32Estamos
01:23:33In this city
01:23:3420 years
01:23:34Far
01:23:34In this city
01:23:35Siege
01:23:35Deodorant
01:23:35To the west
01:23:37To the west
01:23:38daylight
01:23:3815 years
01:23:39empresa
01:23:40Invest
01:23:40To the west
01:23:40Of the west
01:23:41issen
01:23:42If it's going over
01:23:43It's not going over
01:23:44creams
01:23:45Here
01:23:45Are you going to hear
01:23:46How are you
01:23:46Atament
01:23:4720,000
01:23:4715 18
01:23:48And
01:23:49You going to hear
01:23:49Those signs
01:23:50Oh
01:24:17Stupid screaming
01:24:20He knew. He knew. Why did you let them?
01:24:36No. No.
01:24:38Oh, no. No. No. Please.
01:24:54Oh. No. No. No.
01:24:59Dad! Dad, please, help me!
01:25:13Dad, please, help me!
01:25:14Dad, please, help me!
01:25:17And let the members of the public be assured that you shall remain in this mental institution
01:25:30until there can be no doubt whatsoever that you are fit and able to take your place in society again.
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