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Masoom Episode 10 - Imran Ashraf & Sonya Hussyn, Sponsors: Leather Galleria & Happilac Paints
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Let’s take you to the world of Dilshad Faisalabadi and Neeli…
#Masoom, a story that promises emotion, intensity, and unforgettable journey. ✨ Featuring: Imran Ashraf & Sonya Hussyn
✍ Writer: Content Line
🎬 Director: Barkat Siddiqui
🎥 Producers: Barkat Siddiqui & MD Productions
📺 Watch Masoom every Sunday at 8 p.m. on HUM TV
#Masoom #HappilacPaints #ImranAshraf #SonyaHussyn #BarkatSiddiqui #ContentLine #MDProductions #MikaalZulfiqar #HUMTVDrama #LeatherGalleria #PremiumFurniture #leathersofa
👉 Subscribe To HUM TV - https://bit.ly/HumTvPK
Masoom Episode 10 - Imran Ashraf & Sonya Hussyn, Sponsors: Leather Galleria & Happilac Paints
Digitally Powered by Happilac Paints. #HappilacPaints
Digitally Presented by Leather Galleria #LeatherGalleria #PremiumFurniture #leathersofa
Associate by Jhalak Beauty Cream
Let’s take you to the world of Dilshad Faisalabadi and Neeli…
#Masoom, a story that promises emotion, intensity, and unforgettable journey. ✨ Featuring: Imran Ashraf & Sonya Hussyn
✍ Writer: Content Line
🎬 Director: Barkat Siddiqui
🎥 Producers: Barkat Siddiqui & MD Productions
📺 Watch Masoom every Sunday at 8 p.m. on HUM TV
#Masoom #HappilacPaints #ImranAshraf #SonyaHussyn #BarkatSiddiqui #ContentLine #MDProductions #MikaalZulfiqar #HUMTVDrama #LeatherGalleria #PremiumFurniture #leathersofa
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FunTranscript
00:00My love is so much
00:07My love is so much
00:10My love is so much
00:13My love is so much
00:15If you want to see us
00:17Then I'll talk to you about our love
00:21My son
00:22I'll give you a damn
00:24Your love
00:27It's so great that the son of Shafqat al-Abadi
00:31will be the son of Kambha?
00:33The love of love has been seen by the way.
00:39Do you have to reach the end?
00:42Do you have to answer your question?
00:49We know that if the owner of Kambha
00:51will pay for the money,
00:53then we will pay for the money.
00:55Mr. Neelam, do you know?
01:25Do you think Sunny and Mama are asking me?
01:28Yes.
01:30What are you asking for?
01:33If you are in my place,
01:36do you understand them?
01:38Absolutely.
01:40For your children, for your mother,
01:44for your home,
01:46for your home,
01:47for your children.
01:52This is a difference.
01:55You are not in my place.
02:02I don't know anything.
02:04I don't know anything.
02:06Nothing.
02:25I don't know anything.
02:26I don't know anything.
02:27I don't know anything.
02:28I don't know anything.
02:30I'm sorry.
02:31Okay, Baba, don't get angry.
02:38Let's see, from Baba's side, I'm sorry.
02:44I'm sorry.
02:46Now, let's finish.
02:48Sunny.
02:50Give a little smile.
02:52Little smile, little smile, little smile.
02:57Don't smile.
03:00Okay, let's go.
03:02No, no.
03:03You don't want to go.
03:05No, no, no, no.
03:07You don't want to go.
03:08Don't want to go.
03:09Let's do it.
03:10Let's smile.
03:12Good boy.
03:14Good boy.
03:16What is this?
03:20Sunny.
03:21Have you made this drawing?
03:23Yes.
03:24I have made this all.
03:26Really?
03:28Oh my God.
03:31Wow.
03:33You are so talented.
03:35Look at your big artists.
03:37Who are these?
03:40This is Papa.
03:41This is me.
03:42And this is Dad.
03:44Look at Dad.
03:46Dad is like Dad.
03:49And who are these?
03:52Why did you make their faces?
03:54This is my mom.
03:55I've never seen them.
03:57I've never seen them.
03:58I've never seen them.
03:59I've never seen them.
04:00I've never seen them.
04:01Okay.
04:04So,
04:05I've seen some pictures.
04:07I've seen them.
04:09But the pictures don't talk.
04:11They don't talk.
04:12They don't talk.
04:13They don't talk.
04:14Let me tell you, friends.
04:15How are you doing this?
04:16How are you doing this?
04:17How are you doing this?
04:18How are you doing this?
04:19How are you doing this?
04:20How are you doing this?
04:21How are you doing this?
04:22How are you doing this?
04:23How are you doing this?
04:24How are you doing this?
04:25How are you doing this?
04:26How are you doing this?
04:27How are you doing this?
04:28How are you doing this?
04:29How are you doing this?
04:30How are you doing this?
04:31How are you doing this?
04:32How are you doing this?
04:33How are you doing this?
04:34How are you doing this?
04:35How are you doing this?
04:36How are you doing this?
04:37How are you doing this?
04:38How are you doing this?
04:39How are you doing this?
04:40Like the world.
04:45I don't have Mama.
04:47So, I don't have these things.
04:50Oh, I'm your friend.
04:52And I always love your love.
04:55Why?
04:56But you don't have my Mama.
05:03Friend, you promise me.
05:07What promise?
05:09You will always be my friend.
05:12It's a promise.
05:14And you will always be in this house.
05:17How can you always stay in this house?
05:19If I stay in this house,
05:21then who will you think of my Mama and Baba?
05:23Is it your father and dad?
05:26No, absolutely not.
05:30Okay, let's go.
05:32Let's complete your home.
05:36One more time.
05:38Tell me.
05:39Now I understand,
05:40how will I make this drawing?
05:42How will I make this drawing?
05:43How will I make this drawing?
05:44Like you.
05:45Like you.
05:46How will I make this drawing?
05:47How will I make this drawing?
05:48I don't know.
05:49How will I make this drawing?
05:51You will never know.
05:52that you are not in my place.
05:58You don't know anything.
06:15Meere.
06:17Yes.
06:19How many days have we been here?
06:23I don't know anything.
06:26You will be calm, right?
06:30I don't know anything.
06:33You will become a singer, right?
06:37I don't know anything.
06:39What do you mean? I don't know anything.
06:42You don't know anything.
06:44I don't know anything.
06:46I'll kill you in your house.
06:52I don't know anything.
06:53I don't know anything.
06:54I don't know anything.
06:55I don't know anything.
06:56I don't know anything.
06:57I don't know anything.
06:59I don't know anything.
07:00I don't know anything.
07:01I don't know anything.
07:02I don't know anything.
07:03I don't know anything.
07:04I don't know anything.
07:05I don't know anything.
07:06I don't know anything.
07:07I don't know anything.
07:08I don't know anything.
07:09I don't know anything.
07:10I don't know anything.
07:11I don't know anything.
07:12I don't know anything.
07:15I don't know anything.
07:17You're condemned to have to have to have.
07:19No problem.
07:20I don't know anything.
07:23I don't know anything.
07:25You're doomed to take the food and bring you.
07:27Now we had to eat food.
07:31We made ourselves.
07:34We didn't think about all the new people.
07:37They went out to work.
07:44They would have hit very badly.
07:47It would have become small.
07:57Dilshaad?
07:58Yes, Allah.
07:59Son...
08:03Son, you are asking me, right?
08:05Yes.
08:09He can't find you.
08:14He will never accept you.
08:17But it's true.
08:21He has no problem.
08:23He has no problem.
08:27We are trying to understand our story.
08:29What are we trying to say?
08:33I don't know, I'm not sure.
08:36But what do you want to say?
08:40I just want to know what I want.
08:44What do you want to say?
08:53The truth is our story.
08:57The truth is our story.
09:00And they want to know what we want.
09:07Can I ask you one question?
09:10Yes, ask.
09:11I will not be.
09:13Don't you, I will not be.
09:15It's your story.
09:17If you are in my place,
09:19you are going to be your way.
09:21And you are going to be my way.
09:24You are going to be my way.
09:25Now, you won't do all of it again.
09:36No.
09:40You won't do anything.
09:46You won't do anything.
09:55No.
10:21Miss Neelam.
10:22Ji.
10:23All good.
10:25The mood is your feeling.
10:27Me?
10:29No.
10:31Okay, if you don't want to tell me, it's okay.
10:34No, no, no.
10:35There's no such thing.
10:37I was just thinking about it.
10:40Okay, let's trust you.
10:47But I'm in a lot of problems.
10:51What's the problem?
10:55Miss Neelam,
10:57you will always do this job.
11:00And after going to you,
11:03how I will deal with this house, I don't know.
11:11You said okay.
11:13I have to solve this problem,
11:16but I don't know how it is.
11:18But I know.
11:21I want you to do it.
11:23You want to do it.
11:25And you don't want to do it.
11:27It's not.
11:28Like this?
11:30Look at sir,
11:31Sir,
11:33we want something to do with our lives,
11:36but we don't have to do it.
11:41When our goal is not to do it,
11:44we need to do it.
11:49And if you want to do it,
11:53it is the second step.
11:57If you want to do it,
12:00then I can find a good girl for you.
12:06You?
12:08Why?
12:09Do you have trust me?
12:13You have a great trust.
12:17Okay, you are ready.
12:20For what?
12:21For marriage.
12:22I will go to your house very quickly.
12:27Yes?
12:28Do you have trust me?
12:32Yes.
12:33Oh.
12:35Of course.
12:38Okay, now I'm going.
12:39I'm waiting for a long time.
12:40Okay?
12:41God bless you.
12:45Do you have to think about it?
12:46I'm sorry.
12:47God bless you.
12:48I'm sorry, God bless you.
12:49Why?
12:51I'm sorry, God bless you.
12:54You have to stay in this moment.
13:01You have to stay in this moment.
13:08This is a story guard.
13:11Peace be upon you.
13:14Oh, man.
13:15Are you still here?
13:17Tobe.
13:18God's life is the last time.
13:20It's a treat-punny, security guard,
13:25they say it's a sabat-cademy,
13:29like you're in studio with a sabat-cademy,
13:32but you're just thinking about it with a sabat-cademy.
13:38Do you understand it?
13:40No.
13:41I don't know that you're cool.
13:42I'm going to work.
13:45I'm going to work with my brother.
13:47I'm going to work with you.
13:49He's a little bit like a child, but he doesn't have a child.
13:52Oh, that's good?
13:53And that's too much for you?
13:55Yes.
14:17Oh, my God!
14:19So the end of your life has come to you here.
14:24Me?
14:25Yes, I'm talking about you.
14:27Who are you?
14:28Remember that our relationship has already been.
14:31If you are living in the house, you'll be living in the house.
14:37That's it.
14:38That's it.
14:40How are you?
14:43How are you?
14:44I am.
14:45If you are young people like me, I do so much.
14:50But the truth is that I don't have a chance.
14:53Yes, sir.
14:55What's your question?
14:57What's your question?
14:59What am I doing here?
15:04Let's go to my side.
15:05Me?
15:06Come on.
15:15I am.
15:18I
15:20I
15:22I
15:26I
15:32I
15:34I
15:36I
15:38How are you going to do it?
15:43You are doing me on your own, right?
15:45You are going to receive yourself.
15:47Your love is very much.
15:48There is no need for it.
15:49Please give me some tea and some refreshments.
15:53For benefit.
15:55Yes sir.
15:56Can I help you?
15:58You are always doing it.
16:00However, I was here for the work.
16:03About 20 years ago, there was a concert in our concert.
16:07Some of the people who have heard about it.
16:09The recording of you is in front of me.
16:11If you are going to give it to me, it will be good for me.
16:15What did you do?
16:17This is also a job.
16:18I am going to come to your house today.
16:21Thank you very much.
16:25You are who?
16:27This is my side.
16:29Sit down.
16:33What are you doing?
16:35Are you doing something here?
16:36Come on.
16:37Sit down.
16:38I am sitting here.
16:39Come on.
16:40Come on.
16:41Just sit your hands on the floor.
16:42You are sitting here, sir.
16:43Come on.
16:44Come on.
16:45Come on.
16:48Sir.
16:49You are who?
16:54You haven't known them?
16:56No.
16:57Who knows, sir?
16:58You don't know.
16:59Why are you sitting here?
17:00How are we going to go? He's a young man.
17:05But he's been a famous music composer for his time.
17:09It was a time that all the films were hit by his songs.
17:13He's Noshad Ali.
17:16Noshad Ali?
17:20No, no, no, what are you doing? Sit down, sit down.
17:23Sit down, sit down.
17:25Where did you meet, sir?
17:27This maha share is a shop in the house.
17:30He took this harmonium,
17:32and there is this one.
17:33Let me tell you.
17:34For you, I've left this place.
17:37For you, I've left this place.
17:41For you, I've come.
17:46Where did I come?
17:47But change it with my opinion.
17:50aparacord are these days towards us.
17:53With your own label,
17:55It's like an LaGior.
17:57Hey everybody, Lunch 올� Corporations.
17:59Do you know total music in the city?
18:02You'll have cues.
18:03This composition was made with the...
18:05They have composed of the songs.
18:10Oh, you're notilty, thank you.
18:11He's a very sweet voice.
18:14That's why he said that he's running around.
18:18I think he should have a better place here.
18:22Now, I have a question.
18:23Yes, yes.
18:24You have to give him a chance to give him.
18:27Sir, you've said that he's done.
18:34Do you hear anything?
18:36Why not?
18:37Just audition.
18:38No.
18:41Do you have a chance to act?
18:42Sure.
18:43Yes.
18:44Yes.
18:45I have a chance to act.
18:46Let's try it.
18:47Come back.
18:48Come back.
18:49Yes, sir.
18:50Yes, sir.
18:58Please.
19:00Please.
19:01Please.
19:02Please.
19:03Please.
19:04Please.
19:05Please.
19:06Please.
19:07Please.
19:08Please.
19:09Please.
19:10What is this?
19:40I mean
20:11Salim?
20:12Yes, sir.
20:13Where are mommy?
20:14She went with a driver with a driver.
20:16She went with a driver?
20:19In this situation?
20:22Okay, okay.
20:40Yes, sir.
21:02Yes, sir.
21:03Are you...
21:11Auntie?
21:12You are here?
21:15How are you, Neelam?
21:18I...
21:21Do you want to go inside?
21:23Yes, sir.
21:25Where is she, son?
21:26Auntie, this is my mother.
21:28Assalamualaikum.
21:29Waalikumsalam.
21:31I am the mother of Vajdan.
21:33Neelam works here.
21:35Okay.
21:36Okay.
21:38Mashallah.
21:39You have a very nice house.
21:40Absolutely.
21:41Like your daughter.
21:43Hey, son.
21:44You will be standing here.
21:45Take her inside, right?
21:46Yes, sir.
21:47You take your hand.
21:48Yes, sir.
21:49Yes.
21:50Yes, sir.
21:51You have a friend.
21:52You're a friend.
21:53You're a friend.
21:54I don't understand that.
21:55He's a father.
21:56He's a mother.
21:57You're a father.
21:58He's a father.
21:59Why does he come in the end?
22:00That's not a purpose?
22:01Why did he come in the end?
22:02Why does he come in the end?
22:03Why does he come?
22:04Why do you have to come out?
22:05Why do you have to come out of my daughter?
22:06You've gotten to come out of my daughter?
22:08No, no.
22:09Yes, sir.
22:10That's why the boss of Neeloo's boss is the end.
22:14It's no need to be a goal.
22:17You've been getting to my son.
22:20Yes, absolutely.
22:21You're getting to meet me today.
22:24You've got to think that we've come here with a very special goal.
22:30Yes, one minute.
22:33You go and get a close-up.
22:37Yes.
22:40Yes.
22:45Yes.
22:46Now, tell me.
22:48What do you mean by yourself?
22:52Yes.
22:53Yes.
22:54We are the people of God.
22:56We are the people of God.
22:59We don't forget.
23:01We are the people of God.
23:03We are the people of God.
23:05We are the people of God.
23:07We are the people of God.
23:09We are the people of God.
23:10We are the people of God.
23:12We are the people of God.
23:13We are the people of God.
23:14We are the people of God.
23:15We are the people of God.
23:16We are the people of God.
23:17We are the people of God.
23:18We are the people of God.
23:19We are the people of God.
23:20We are the people of God.
23:21We are the people of God.
23:22We are the people of God.
23:23They are people of God.
23:26They are the people of God.
23:27We are the people of God.
23:28we are thinking about it.
23:30Yes.
23:32We want to make sure that we are going to give it to you.
23:38But you don't understand that you don't understand.
23:42If you want to make a job that you want to make a job.
23:48No, no.
23:50You understand me wrong.
23:53I am here in this series.
23:57You are going to make a job.
23:59No, no.
24:01It's not possible.
24:03You are wrong.
24:05Your husband and your husband are also very different.
24:07It's a small or big.
24:09You are right.
24:11Look, I don't understand the difference between the Amir and the Grieb.
24:15The truth is today, tomorrow is not today.
24:18I don't understand that someone or the judge will be the truth.
24:23You are saying that.
24:25Who knows this story better?
24:27You are saying that.
24:29You are saying that.
24:31I am saying that.
24:33This is why I am going to ask your daughter, Neelam.
24:35I am going to ask your daughter, Neelam.
24:37I am going to ask you all about Neelam.
24:39But now, you need to go to your recording.
24:43You are crazy.
24:45You are crazy.
24:46Don't worry.
24:47Don't worry.
24:48Don't worry.
24:49I will ask you all about Neelam.
24:50I will tell you all about Neelam.
24:52But now, you need to go to your recording.
24:55You are crazy.
24:57You are crazy.
24:59Neelam.
25:00This is your life.
25:01I am leaving your door.
25:02You are crazy.
25:03You have to eat
25:06You have to eat
25:08Your home
25:10You have to give them
25:12You have to give them
25:14You have to give them
25:18Why do you cry
25:20You don't know what you are
25:22Why do you eat
25:24Why do you eat
25:26You don't know what you are
25:28No, no, no, no, no
25:35I will not go away
25:37I will not go away
25:38I will not go away
25:40My face is so bad
25:42Where is the sun coming from
25:44Where is the sun coming from
25:45I will not go to the car
25:46No, no
25:47I won't do that
25:48I will reach the door
25:49I will reach the airport
25:51Come on
25:53Go
25:54I will not go away
25:55No
25:56If you don't know what to do today, you'll understand.
25:59You'll kill yourself.
26:03How are you doing this?
26:05Someone tells you to kill yourself.
26:08Come on, baby.
26:09You've killed yourself.
26:11I'll kill you.
26:12You'll be with me.
26:14You'll be with me.
26:15You'll be with me.
26:16I'm going to go.
26:18Let's go.
26:19Tell me again.
26:20Is it true?
26:21Yes.
26:22But...
26:26Yes, madam.
26:31You don't have to say anything.
26:33What do I say?
26:35Oh, brother.
26:36I don't know.
26:40But...
26:41It's a great family.
26:43Yes.
26:44It's a great family.
26:46Then?
26:49I don't understand anything.
26:51One girl is a father.
26:54And another one too.
26:57But...
26:58The girl is really good.
27:01I don't know.
27:02I'm looking for a girl.
27:03I don't know.
27:04And I'm looking for a girl.
27:06Look.
27:07We can't get your girl.
27:09We can't get my girl.
27:11Hmm.
27:12All right.
27:14What about your girl?
27:16That's why they're a common person to show them.
27:21So?
27:23If the girl doesn't have a bad idea, if the girl is good, then the girl is good.
27:33If the girl is good, then the girl is good.
27:37This is good.
27:39It's a good thing.
27:41The king will be the king.
27:43The king will be the king.
27:45What could it be?
27:59Oh, my brother, where did you go?
28:03It was before you didn't go.
28:07I want you to come here.
28:10What are you talking about? You are so big producers.
28:15You know that our time is very good.
28:18Yes, you are right.
28:20So, today's girl will be waiting for us.
28:23I mean, I've been waiting for this day.
28:26I'm going to go. Please, please.
28:29Five minutes left, it will come.
28:31You know, you know me.
28:34I haven't been waiting for five minutes.
28:37Hello.
28:39Hello.
28:40Hello, Maafi.
28:41Maafi Chattam ji, that's a little late.
28:44It's wrong.
28:44Is it some time coming to you?
28:46Have you seen the car?
28:48No, I have the car.
28:50If you don't have the car,
28:53you don't give me any double-dose in this office.
28:56My name is?
28:57Oh, that's the appointment.
28:59Maafi, ask her.
29:03They are our music director.
29:04How are you waiting for us?
29:06Music director, I don't want to forgive you.
29:09That's why I'll give you a tension in your house.
29:14Yes, the tension is in all your life.
29:16You'll be late at this time.
29:19Okay, then...
29:23Let's go to the recording.
29:25What? Oh, brother.
29:27You're not running any more in the air.
29:29You don't have to leave out of the air.
29:32You have to go to the recording again.
29:34Let's go, listen to something else.
29:39Nishad was saying that there was no record.
29:41Who is Nishad?
29:43I'm your music director at this time.
29:45You're going to be auditioning.
29:46Do you listen to me or go out of the air?
29:52I'm listening to you.
29:53No one thing.
29:55You'll leave a description, then I'll sit again.
30:04You're going to be a better person, sir.
30:09You're going to be a better person.
30:12Do not leave behind you, sir, and give you the rest of your needs, which is the need for you, which is in your waiting room.
30:42I know that Sunny and Mama are asking me what are you asking?
30:55I'm sorry, I'm sorry.
31:01I'm sorry, I'm sorry.
31:04Now, what do you think of Neelia?
31:07You won't get a sign.
31:09I don't know why I'm singing
31:11I don't know why I'm singing
31:13Why are you singing
31:15I don't know why I'm singing
31:17Oh brother, you can sing something
31:21Or I'll call you for your whole orchestra
31:23No, no
31:25It's not coming
31:27It's coming
31:35There were no signs
31:37Energy, put it in energy
31:39Energy
31:41Let me put it in a little bit
31:43Yes, put it in a little scale
31:45Okay, sir
31:47Let's take it
31:49Let's take it
31:51Oh my God
31:53God bless
31:59Why are you singing?
32:01I don't want to sing
32:02Put it in energy
32:04It doesn't mean to sing
32:07What are you doing?
32:09What are you doing?
32:11What are you doing?
32:13What are you doing?
32:15What are you doing?
32:17What are you doing?
32:19What are you doing?
32:21What are you doing?
32:23What are you doing?
32:25What are you doing?
32:27What are you doing?
32:28What are you doing?
32:29What are you doing?
32:30Sir, Nushaad has been taught this
32:31You know that
32:33You can't believe that
32:34They can't do anything
32:35They are going to fly
32:36They are going to fly
32:37This is a new day
32:38This is a new day
32:39Now, the road
32:40You can't get the house
32:41You can't get the house
32:42I said
32:43You can't get the house
32:44This is a new
32:45No, Mr. Director
32:46Mr. Director
32:47I am a very old
32:49I am a very old
32:50You are a little
32:51You are not giving a glass
32:52I am not giving a glass
32:53I am totally
32:55I am going to get the house
32:56If you get a glass of water
32:58Then you can give me a chance
33:00You will see
33:01I will give you
33:02What a chance?
33:03What a chance
33:04What a chance
33:05I have to give you
33:06You are not giving a glass of water
33:08I am not giving a glass of water
33:10Go, go
33:11Go
33:12Go
33:13Go
33:14Go
33:15Go
33:16Go
33:17Go
33:18Go
33:19Go
33:20Go
33:21Go
33:26Go
33:27Go
33:28Go
33:29Go
33:30Go
33:31Go
33:36Go
33:37Go
33:38Go
33:39Go
33:40Go
33:41Go
33:42Go
33:43Go
33:44Go
33:45Go
33:46Go
33:47Go
33:48Go
33:49Go
33:50Go
33:51Go
33:52Go
33:53Go
33:54Go
33:55Go
33:56Go
33:57Go
33:58Go
33:59Go
34:00Go
34:01Go
34:02Go
34:03Go
34:04Go
34:05Go
34:06Yes, sir, definitely.
34:12You?
34:16I have to talk about something in my head.
34:33What do you understand yourself?
34:35What's wrong, Miss Neelam?
34:40What's wrong, Miss Neelam?
34:42What's wrong, Miss Neelam?
34:44What's wrong, Miss Neelam?
34:46What's wrong, Miss Neelam?
34:48What happened to you?
34:50You know what happened?
34:52You know what happened to me, but Mr. Brasdan,
34:54who is the owner of such a big company,
34:56there's no doubt about it.
34:58If you give a life to your Laila,
35:02what's wrong, Miss Neelam?
35:05What's wrong, Miss Neelam?
35:07What's wrong, Miss Neelam?
35:08What's wrong, Miss Neelam?
35:09What's wrong, Miss Neelam?
35:10Do you understand?
35:11Do you understand?
35:12What's wrong, Miss Neelam?
35:13What's wrong, Miss Neelam?
35:14What's wrong, Miss Neelam?
35:15Do you understand?
35:16What's wrong, Miss Neelam?
35:17You don't know, Miss Neelam?
35:19You don't know what to do.
35:20You don't know what to do.
35:21Without my life,
35:23you shouldn't do it without your mind.
35:24You don't know what to do.
35:25You don't know what to do.
35:26It's a matter of my life.
35:27Every single one,
35:28one name is,
35:29and it's called Laila.
35:30No one is a name.
35:31My life has no other.
35:35Do you understand?
35:36What's wrong, Miss Neelam?
35:38What's wrong?
35:39If you're doing a job,
35:41you're giving me a job,
35:43you're giving me a job.
35:44I don't want to do anything you have to do.
35:46Don't let your money go and see someone else.
35:50And wherever you talk about the relationship,
35:53then make yourself a good thing.
35:57Nilo will die,
36:00but you will never get married.
36:03Listen to me.
36:10And yes,
36:12go to your mother's house,
36:14please tell me,
36:19that I don't care about this relationship.
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