- 4 hours ago
Step into the rugged frontier with Aces Wild, a classic Western adventure from the 1950s.
This vintage film brings you the spirit of the Old West — brave cowboys, dusty trails, and thrilling duels that defined an era of American cinema.
Experience the timeless charm of Hollywood’s golden age with this beautifully preserved public domain movie. Perfect for fans of old Westerns and film history enthusiasts.
This vintage film brings you the spirit of the Old West — brave cowboys, dusty trails, and thrilling duels that defined an era of American cinema.
Experience the timeless charm of Hollywood’s golden age with this beautifully preserved public domain movie. Perfect for fans of old Westerns and film history enthusiasts.
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Short filmTranscript
00:00The
00:04The
00:10The
00:14The
00:18The
00:20The
00:22The
00:24Cold spring, 18 miles
00:38Durango 4
00:40Well, I reckon 4 miles is better
00:45Huh, sonny?
00:54Do you recognize him?
01:10No, I've never seen him before
01:12Well, we'll look him over
01:24Howdy, stranger
01:37You heading for Durango?
01:39Yeah, it looks to me like a pretty good place
01:41To water my horse
01:42Get some hay for him
01:44And some feed for the inner man
01:45Durango ain't the worst place in the world
01:47Well, I won't say it's the best
01:49Well, your gentleman's recommendation
01:52Is good enough for me
01:53We'd like to keep you company
01:55That is, if you don't mind
01:57Oh, I know
01:58I'd be glad to have you side me in
02:00You know, I've been riding alone so long
02:02I find myself talking to my horse
02:05Ha, ha, ha, ha, ha
02:10Is this the best hotel you got in town?
02:38One of them.
02:39I've seen better, and I've seen worse.
02:43You're sort of pessimistic, huh, brother?
02:45Huh?
02:46I mean, you don't seem to feel the best of spirits this morning.
02:49Well, I felt better, and I felt worse.
02:53I see. Sort of neutral, huh?
02:56This way.
02:56The reception room's in there.
03:09I'll notify the proprietor you're here and looking for accommodations.
03:14Well, I didn't know that Durango would be that much interested in my arrival.
03:18Durango ain't, but some of the people are.
03:21I see.
03:22Just go right on in and make yourself at home.
03:25You'll be well taken care of.
03:28Thanks.
03:43Now, you stay here.
03:45I'll go get Kelvin.
03:56Well, it's the right nice little reception room.
03:59What do you want?
04:19Nothing.
04:20Only I thought you might be interested in knowing that we got a fellow that answers the description
04:24of that Umbra you've been making inquiries about.
04:27Where have you got him?
04:28Over in the lockup.
04:30All right, we'll take a look at him.
04:32How much?
04:40How much?
04:40How much do you get in the truck?
04:55How much?
04:55How much do you get in the truck?
04:57I love you.
04:57How much?
04:57It's him.
05:23It's him.
05:25It's him, all right.
05:26But who's him?
05:28Cheyenne.
05:30Cheyenne after all these years.
05:43Wait.
05:44You can't kill him here.
05:51All right.
05:54I can't kill him here.
05:58And maybe, before I get him, he'll get me.
06:07That's the gamble.
06:09That's my business.
06:12Gambling.
06:16All right.
06:18Turn him loose.
06:20When I get out of here.
06:21Say, gents, there seems to be some sort of a mystery here.
06:36If one of you gents had told me what it's all about, I'd be much obliged.
06:37Oh, we was looking for somebody else, that's all.
06:38I see.
06:39And I take it you don't want me.
06:40Nah, shucks.
06:41We was looking for another fellow all the time.
06:43Sure, you look like him, but you ain't him.
06:44Mistaken identity, huh?
06:45Well, suppose when you fellas opened that door, I'd have come out of here.
06:46I'd have to come out of here.
06:47I'd have to come out of here.
06:48I'd have to come out of here.
06:49I'd have to come out of here.
06:50And if one of you gents had told me what it's all about, I'd be much obliged.
06:54Oh, we was looking for somebody else, that's all.
06:57I see.
06:59And I take it you don't want me.
07:01Nah, shucks.
07:03We was looking for another fellow all the time.
07:06Sure, you look like him, but you ain't him.
07:09Mistaken identity, huh?
07:13Well, suppose when you fellas opened that door, I'd have come out of shooting and killed one of you fellas.
07:17And then said I'd made a mistake.
07:23Oh, of course, I can see that neither one of you fellas had anything to do with my being here.
07:30So let's forget it.
07:32You couldn't tell me a good place to eat, could you?
07:34Yeah, the Durango's across the street.
07:36It's a good place for a game with a little shot of red-eye.
07:39Well, I'll tell you fellas.
07:41I'm pretty well caught up on my dragon.
07:44But, uh, if you leave me to that grub pile, I'll sure follow you.
07:48I can see Durango's gonna be some hospitable place.
07:53Now ain't that nice?
07:55We aim to be hospitable.
07:57Say, say, that reminds me.
08:09Of what?
08:12Well, the day I put the notch in this here gun.
08:14You know, not to be boasting or anything, but...
08:15Just remember old Cherokee, boy.
08:16I'll tell you how it was.
08:17I'll tell you how it was it was after.
08:19A fellow named Cherokee Jones.
08:21Maybe you've heard of him.
08:23Well, one day he started going for me with one of these here things.
08:28But he plumb missed me with both barrels.
08:32Must have been drinking or something.
08:34So I went that day and put the notch in this here gun.
08:38You know, not to be boasting or anything, but...
08:41Just remember old Cherokee, boy.
08:52Something tells me we shouldn't have brung him in.
08:55Well, it was your idea.
08:57If anything happens to me, I'm gonna blame you.
09:07The town folks of Durango can certainly thank their lucky stars that use the courage of your convictions, Mr. Anson.
09:27Caden, it's my business to print the truth.
09:30And from what I've seen in Durango, the truth's been covered long enough.
09:33If my paper can make this a law-abiding place for decent citizens to live in...
09:39Heh.
09:40Well, then I guess I've been repaid.
09:55Anson, I warned you that you and your paper are not welcome in Durango.
09:59I've heard that before, Mr. Kelton.
10:01But it seems to me it's up to the citizens of Durango, not you as an individual, to say whether my paper and me are welcome or not.
10:07I'm the one who decides that, Anson.
10:10You ain't welcome.
10:21If you run that press, I'll make you eat every word of it.
10:24Oh, no he won't.
10:25You know, I've heard that printer's ink is indigestible.
10:30And I've also heard that there's a heap poisonous to some people's systems.
10:36You're a stranger, mister.
10:38Most likely you don't know it.
10:39But I run Durango.
10:41All of which leads me to believe that maybe you've run Durango too long.
10:54Go on, put your little strip up, mister.
10:56Yeah, Anson's the name.
10:58I'd like to talk to you...
11:02alone.
11:04All right.
11:06You know, I've got a heap of talk I want to say to you too.
11:10Alone.
11:11Alone.
11:24You know, before Kelton gets through with that stranger, he'll have him bored off.
11:28Or scared off.
11:30It ain't no use.
11:32I might just as well quit.
11:41I want it.
11:51Well, Kelton, you haven't changed a bit.
11:54The same old lowdown you always was.
11:58Now you know better than that.
12:00You know, if I wasn't interested in just what your game is in Durango,
12:11you and me'd have a showdown right now.
12:17Ten years ago, I run you out of Pine Flats.
12:22Then we met down in the Platte Country.
12:25And now we meet again.
12:28But this time, it's my deal with Aces Wilde.
12:32How much will you take to forget you ever were in Durango?
12:39Are you trying to bribe me, Mr. Kelton?
12:44Shame on you.
12:50Well, well.
12:52If there ain't any old safe.
12:54Same old safe.
13:02Same old safe that you had up in the Pine Flats Country.
13:06Down in the Platte.
13:10Say, you know, that must be a pretty good one.
13:13It's been blown up twice.
13:18Say, you and I never did get along.
13:20Never could and never will.
13:23We don't speak the same language.
13:25Well, you understand enough of mine to get this.
13:28I'll give you just 48 hours to shake the dust of Durango out of your boots.
13:32If you're still here, I'll...
13:35You'll what?
13:38You or me.
13:40It can't be both of us in Durango.
13:42My girl, you were right.
13:45Well, there'll just be one.
13:47Fire, boys.
13:49Fire, boys.
13:52What is this?
13:54Gosh, we didn't know but maybe.
13:56Something happened to you.
13:57There's going to be a place.
13:58You're going to die.
13:59You.
14:00You.
14:02You're going to die.
14:03I'm going to die.
14:04I'm going to die.
14:06I'm going to die.
14:08I'm going to die.
14:10I'm going to die.
14:11I'm going to die.
14:12I'm going to die.
14:13What is this?
14:15Gosh, we didn't know, but maybe something happened to you.
14:17There's going to be plenty happening, but we've got to work fast.
14:21There's nothing that's safe to make us independent.
14:24We'll crack it.
14:25And before the smoke clears, we'll be on our way.
14:30First, I'm going to get Cheyenne.
14:35Come on, have a drink.
14:43You're having a little trouble getting out your newspaper, mister?
14:53Nothing but difficult.
14:55You know Kelton runs Durango, and he's sure death on me in my newspaper.
15:01Well, if Kelton's against your newspaper, I'm for it.
15:05How'd you like a partner?
15:07Where would I get a partner?
15:09I ain't got a chance to print a paper.
15:12I'll be your partner.
15:13You will?
15:17So, any price you say.
15:21Why, I'd even sell out for a $10 bill today.
15:23Well, you won't have to.
15:25I'll tell you what you do.
15:27You get this old press oiled up.
15:30I'll drop in on you later.
15:31Hey, hey, boy.
15:42Could I speak to you a minute?
15:45For sure.
15:46You see, I'm the best horse wrangler this side of the pack.
15:51Uh, uh, uh, but I ain't got no horse to wrangle.
15:56All I got is a mule.
15:58Well, I'll tell you what you do.
16:05You see that buckskin horse down there?
16:07Yeah.
16:07Well, you go on down there and wrangle him.
16:10I'm going here in the restaurant and get something to eat.
16:12When I come back, I'll tell you what to do.
16:13Go ahead.
16:14Yes.
16:14Come on, Al-A-Wishers.
16:16There he is now.
16:23Go ahead.
16:24Provoke him to a quarrel.
16:26Rile him up.
16:27Get him to draw his gun.
16:29Heck, that'll be your time to get him.
16:31And the quicker we get him, the better.
16:46Uh-oh.
16:48See what I see?
16:50Carrots.
16:54Yeah, yeah, I'm here, Al-Wishers.
16:56Come on.
16:57Yeah.
16:57Come on, take it.
16:58Nice, boy.
17:00Here's one for you, too.
17:03What are you doing?
17:04Stealing them carrots?
17:06No, sir.
17:06I ain't stealing nothing.
17:08I just bar them.
17:09That's all.
17:10Well, you're going to bar some lead.
17:12Put them back there.
17:17Uh, you wouldn't regret the horse and the mule and even myself of a carrot, would you?
17:25You know what we do with thieves down here?
17:29No, sir.
17:30We hang them.
17:33By the neck?
17:35Yeah.
17:36Neck.
17:37Until you're dead.
17:42What's the matter?
17:52Oh, this lowlife has been stealing some carrots.
17:55Oh, forget it.
17:56He's working for me.
17:57I told him to buy some carrots.
17:59Hey, since when is he working for you, mister?
18:02He's been hanging around this town for days.
18:04And you just entered here a little while ago with us.
18:08Well, I wouldn't have entered there if I knew what kind of a pawn catch you was.
18:11Are you calling me a polecat?
18:16What's it sound like to you, mister?
18:18Why, you?
18:28Can't you take a joke, mister?
18:32Can't you see I'm laughing?
18:33Can't you see I'm laughing?
18:41I saw what happened.
18:54That's Slim Bartlett, one of Kelton's cutthroat.
18:57Yeah, I know.
18:59I rode into town with him this morning.
19:00Well, I tell you, Anson, looks to me like you're going to have plenty of exciting news to publish in the newspaper.
19:08You're going to need some extra help.
19:10Snowflake.
19:11Yeah?
19:12Now, here's just a man for you.
19:14You can bear down on that old press of yours and bring the type and sweep up, can't you, Snowflake?
19:19Yes, sir.
19:20Well, we're partners.
19:22He's hired.
19:25So you remember...
19:27You remember telling me about that old fellow that ran the restaurant over there that died kind of sudden?
19:33Huh?
19:33I don't believe you told me his name, did you?
19:35I thought maybe I knew him.
19:38Well, Edworth has a daughter about 14 or 15.
19:42Edworth.
19:44He and I rode in the same outfit together until he got hurt with an old block rolling over on him.
19:52Where do you live?
19:52Here in town?
19:54Down the stage line on the way to Paiute.
19:57Little greenhouse all covered with ivy and flowers.
20:00You can't miss it.
20:02Oh, I reckon I'll find it.
20:03I guess I'll just take me a ride out that way.
20:20Well, come on, Snowflake, and I'll show you your chores.
20:24Does I leave Aloysius there, my mule?
20:27Leave him here.
20:27Leave him.
20:28Come on.
20:29You got out of that with a lot of trouble.
20:31They'll see if you can get this straight.
20:33There he is now.
20:34Go ahead and see where he goes.
20:36Well, we can do that, all right.
20:37Thank you, guys.
20:38Let's pray.
20:38Bye.
20:40Bye.
20:41Bye-bye.
20:42Bye-bye.
20:42Bye-bye.
20:42Bye.
20:43Bye-bye.
20:44Bye-bye.
20:45Bye-bye.
23:45Who's there?
23:47Why, it's me, Miss.
23:49I'm an old friend of your father's.
23:51I just rode into town this morning and I heard about your trouble and thought I'd come out and see if there's anything I could do for you.
24:15You don't need to be afraid of me, you don't need to be afraid of me, Miss.
24:18My name's Morgan, Harry Morgan.
24:23Cheyenne Harry, my friends call me.
24:25You see, you see, I'm an old friend of your daddy's.
24:29He and I used to ride range together a good many years ago.
24:33Long before you were born, I said, long before you were born, I reckon.
24:35Are you Cheyenne Harry, the marshal from Don Plattway?
24:40Well, yes, ma'am, I was marshaled down there for quite a spell.
24:47You see, I didn't hear about your dad's passing on until this morning.
24:52Now, Miss, I didn't mean to come up here to worry you again.
25:00But why did it have to be my daddy?
25:04Well, that's...
25:06That's what I come up here to find out, Miss.
25:12Do you know whether your dad ever had any trouble with Kelton?
25:16Or anyone else in this town?
25:18Why, yes, with Kelton.
25:19Right here in this room.
25:22What about?
25:24Well, I don't know exactly.
25:27It was over some papers, I think,
25:29that Daddy had given Kelton to keep for him in his safe.
25:32They were mining papers.
25:34Daddy won the back.
25:35Why, Kelton said he'd give them to him when he gave him the money he owed him.
25:39Well, I don't think Daddy ever owed Kelton anything.
25:44Why, everybody in town here uses Kelton's safe to keep their money and papers in.
25:49It's the only safe in town.
25:51Yes, I know.
25:54You know, I'm slightly acquainted with Mr. Kelton.
25:58And I'm very well acquainted with that old safe of his, too.
26:00So, he wouldn't give your dad back his mining papers unless you paid him some money.
26:11When your dad refused, why, this happened to him, huh?
26:15It's Kelton.
26:30What'll I do?
26:32Oh, I reckon this is as good a time as any for a showdown.
26:35Let him in.
26:35I rode out to tell you how sorry I was to learn of your father's accident, Martha.
26:54He didn't by any chance come to tell her who did it.
26:58I saw your horse outside.
27:03So, I expected to see you.
27:06Now, don't you be a bit surprised if you see me around quite often?
27:10Martha's father gave you for safekeeping.
27:12Well, stranger, you take a lot on your shoulders, mister.
27:20Why, you talk as though I have something to do with worse beating up with that .45.
27:24Why, I say, the world.
27:29But you have a pretty good idea who did do it.
27:33And one more thing.
27:36Don't send any of them hard killers over to pick a choir with me.
27:40I always prefer to meet the principal himself.
27:47Now, look here, Martha, I'll tell you what I...
27:49Oh, listen, listen.
27:50Come on.
27:51Get out.
27:53Don't put your hand on that gun.
27:57Or you won't see the sun down tonight.
28:00Now, come on, get going.
28:02You're frightened, little, little lady.
28:17Whoa, wait a minute.
28:22That Jasper just went into the thin air.
28:36We're heading nowhere and getting there fast.
28:38Open the door, honey.
28:59Oh, wait a minute.
29:09Come on.
29:10All right.
29:10I'm sorry, Miss, all this had to happen
29:34just after you've been through so much trouble.
29:36I'm only sorry my Pop wasn't here to see Kelton get it.
29:40Well, I reckon it's about four hours till sundown.
29:46How do you think you'd better come into town with me?
29:48You'll be a lot safer there.
29:50You got a horse here?
29:51Yes, I'll get it.
29:52It won't take me long.
29:54Say, Mr. Cheyenne,
29:56ain't you kind of nervous about sundown?
29:59Oh, Lord, no.
30:02Sundown's got to come for all of us tonight.
30:04Why worry?
30:06Boy, get yourself, Holly.
30:10We won't wait to clean that safe.
30:16You boys get back to the shack.
30:18Get plenty of fuels and powder
30:20and meet me back in town.
30:22And after we blast the safe,
30:23then what, Kelton?
30:25Yeah.
30:26Do we sprint right away?
30:27Or do we have to wait?
30:30I always cut you boys in equal with me,
30:33haven't I?
30:33Get going.
30:43When do we split?
30:45Good.
30:46Good.
30:46So, let's go.
31:16So, let's go.
31:46That's our friend Kelton.
31:59Yes, and he was coming from Daddy's claim.
32:02I wonder what he was doing there.
32:04I don't know.
32:05There's nothing there but a hole in the ground
32:06where Daddy said there was plenty of gold.
32:09He'd only had the money to dig it out.
32:11Well, if the gold's in the ground,
32:13it'll be safe from Kelton.
32:15He don't like to work well enough to dig it up.
32:20Look, you can see the tunnel from here.
32:23Uh-huh.
32:23Well, I'd sure like to know what he was doing in there.
32:29So would I.
32:31We're going to find out.
32:33You've got everything ready?
32:44Sure.
32:45I told that fella Anson
32:46that he couldn't run a paper in Durango.
32:50And I'm going to keep my word.
32:52I want you to fix enough powder
32:54to put that paper out of business once and for all.
32:57What's the use of that?
32:59If we're going to clear out of here,
33:01what do we care what he does?
33:02You'll do as I tell you, Hercar.
33:04All right.
33:04Once you've done that,
33:07while the people are trying to figure out what happened,
33:09I want you to blast the safe.
33:11I'll be playing cards with the sheriff.
33:14Once you've got the safe planted
33:15and the fuse lit,
33:17make yourself seen in the streets somewhere
33:18so you'll be in the clear too.
33:20Get me?
33:21Sure, that's easy.
33:24When do we touch the safe?
33:25As near sundown as you figure.
33:28He seems kind of worried about sundown.
33:40I would be too.
33:42I knew at sundown it was going to be me
33:44or someone else.
33:46Wouldn't you?
33:48I ain't saying I'd hanker for such a situation.
33:51Hey, these fellas want me to do anything to your horses?
33:55No, we just thought we'd leave them here in the shade,
33:57that's all.
33:58It's pretty hot over in the street.
33:59You don't mind.
34:00Oh, and that's all right.
34:02You'll leave them there all day if yous want to.
34:09It's a sense you won't hesitate to commit another.
34:12We've got to keep our eyes open.
34:14You bet.
34:16Both of them.
34:18Oh, Snowflake.
34:20Yeah?
34:21Take my horse Sonny down to Blacksmith's shop
34:23and have him tighten that front shoe.
34:25Yes, and then what do I do?
34:27Well, then you come back here
34:29and do whatever Mr. Hanson tells you.
34:31Yes, sir.
34:32Are you working for him, Major?
34:33Yes, sir.
34:34I sure.
34:35Oh, this looks to be as good a place as any.
34:43Go on in.
34:46I'll show you what we do with the bomb we made.
34:47Oh, now, hey, Mr.
34:59Yes, sir.
35:00The man who I worked for said for you to look at this horse's feet.
35:04Hey, sure, that's all I do is look at the horse's feet.
35:09Yeah, but that's what I thought.
35:11Uh, when, when, when, you, if you need to, uh, shoe, you, you put it on him,
35:16and, and I'll be right back, sir.
35:17All right, I take him.
35:20Now, all we've got to do is get high up
35:22and aim for the front of the newspaper office
35:24and let her go.
35:25And when she hits, she explodes.
35:27And when she explodes,
35:28I ain't nowhere around.
35:34Now, who's going to shoot this bomb into the newspaper office?
35:37You or me?
35:38Well, it ain't going to be me.
35:40No, I suppose I got to do it.
35:42Pick up that stuff and come on.
35:43Speed, do you, duty?
35:51You suppose he hurt us?
35:52Maybe.
35:53We'd better hurry anyway.
35:56All right, honey.
35:58Now what do we do, Miss Danzen?
36:00Well, just roll it forward,
36:02and I'll show you how we run the test.
36:05That is it.
36:08Hey, boss!
36:09Hey, hey, what's the matter with you, boy?
36:11You've seen a ghost?
36:11They say they're going to blow up this place.
36:15What?
36:15Who?
36:17There's two men down there.
36:19They're both in the organ.
36:21Who's going to throw the bomb first?
36:23Come on, Angie.
36:24Let's get this press covered up.
36:25Come on, Mr. Pettis.
36:26I'll play gifts ahead.
36:27Martha, go in the back room.
36:29Stay there.
36:41That's 50 you owe me.
36:43Your deal.
36:44We'll settle at the end of the game.
36:48Carol, what time you got?
36:53About 5.30.
36:56Thanks.
37:02Now you folks stay right here.
37:04Don't go back in that office no matter what you do.
37:07I'm going to slip around the corner
37:09and see if I can get my eye on those fellas with the bomb.
37:14All right.
37:15Light it.
37:27It worked.
37:27It worked.
37:27Now we'll fix the safe.
37:47Whoever did that didn't accomplish what they set out to do.
37:51What happened?
37:52Why, they tried to wreck the place.
37:54All they did was blow out a window.
37:55Had the press covered ought to ruin that.
37:58I wonder who done that.
38:00Well, that's kind of your worry, isn't it, Mr. Sheriff?
38:04By the way, what time does the sun set in Durango?
38:09Well, this time of year, about 6 o'clock.
38:11Why?
38:12Well, the reason I asked you was
38:13because about that time,
38:15there's going to be another explosion.
38:17A heap more important than this one.
38:25I wonder what he meant by that.
38:27Who is he?
38:29Cheyenne Harry.
38:32He's been gunning for me for years.
38:36Gave notice today.
38:37It's his life or mine.
38:41Well, I ain't running away.
38:43I'll be here.
38:44Maybe I'll lock him up.
38:46Why do that?
38:48I'd just as soon get it over with.
38:56Are you ready?
38:59When can we go?
39:01Anytime, you say.
39:02But how about the stuff in the safe?
39:05How are we going to get it out after we crack it?
39:07It's out already.
39:09Say,
39:10what are you trying to do?
39:12Double cross us?
39:14Yeah, how about it?
39:15I haven't yet, have I?
39:17No, but you might.
39:18Now get this straight.
39:20I've got enough evidence
39:21to hang a parry any time I want him.
39:24Now get out of here.
39:26Wait for me downstairs.
39:27I'll light the fuse.
39:29Go on, go on.
39:45Go on.
39:46Go on.
39:57Go on.
40:02Go on.
40:34I want a word with you, Captain.
40:40Well, go ahead.
40:42Say what you've got to say.
40:43Tell it, I'm in a hurry.
40:44I'm in a hurry, too.
40:46What about the papers you've got in that safe?
40:49Along to old man Wood, moving the ownership of his claim.
40:52What?
40:53Aye, it's a combination.
40:56You want me to refresh your memory?
41:02All right.
41:04Come on, I'm waiting, Keldon.
41:11I can't remember the combination.
41:15I don't know, that's somewhere.
41:20You're in.
41:23I don't know.
41:38I don't know.
42:38That sounded like it came from my place, Sheriff.
42:43Yeah, let's go and see what happened.
42:50Cheyenne!
42:50Helton got him all right.
42:53Yeah, he wasn't lying. He cleaned out the safe.
42:55What do you suppose he did with the stuff?
42:57Ah, there's only one place. You're aware.
43:08Helton's office.
43:22Well, it's you!
43:42I thought he was going to take my horse.
44:01You can't take that horse!
44:02Get out of the way, Hugh!
44:03This horse long, Mr. Cheyenne!
44:05Come on, get on your own horse.
44:07You want to get away with everything?
44:08I don't know what to do with everything.
44:30General, you're just wasting your time trying to hang this thing on me.
44:33Why, Kelton has been working this racket for years.
44:38Moves into a town where there's no bank.
44:41Gets the people to deposit their money and valuables in his safe.
44:45He cleans the safe and hightails it.
44:48And you lose.
44:49Maybe you're right.
44:51Well, let's get Kelton.
44:52Don't let him get away, Sheriff.
44:53I'd appetize every man in this room.
44:55Come with me.
44:56Now you're talking.
45:21What happened, Snowflake?
45:22They shot him.
45:23They done it.
45:24Them two that you was arguing with this morning.
45:29They tried to take Sonny, but they didn't.
45:34I'm afraid he won't pull through, mister.
45:37Listen, Snowflake.
45:38Have you got any...
45:39You got any kinfolks?
45:42No, sir.
45:43Nobody.
45:45Now I wish it.
45:47That's all.
45:48Mr. Science, will you take care of my old mule?
45:55I'm afraid that he's going to be a little hungry without me.
46:01You bet I will, Snowflake.
46:03I'll take him right along with me and Sonny.
46:06But you're going to be all right.
46:08Yeah.
46:09Because I'm going to be all right.
46:18Now.
46:23Get to your horses, everyone.
46:25We're not coming back till we get Kelton and his gunmen.
47:53We thought maybe you were trying to give us a slip.
47:56Oh, no.
47:58You know better than that.
48:00We've got to work fast.
48:02Everything that was in that safe, the money, the papers that give the rights of this mine,
48:06and other things, are in that bag.
48:08Take one half of it.
48:10You boys can split the other between you.
48:12You're getting plumb careless, Kelton.
48:20Where's your gun?
48:26Well, in my hurry to get out of Durango, I must have lost it.
48:30Maybe you boys will let me have one of yours.
48:35Yeah, sure.
48:37Anytime.
48:38It's your last chance, Kelton.
48:40The law's right behind us.
48:41We're moving fast.
48:42Give me that bag.
48:43You wouldn't leave me like this.
48:45I've always played fair with you boys.
48:47Yeah, sure you have.
48:49But we ain't playing anymore.
48:51We're going to take what's coming to us.
48:54Well, you're dealing the game, Slim.
48:56And a man without a gun can't argue with a fellow that's got one.
49:17We're going to take what's coming to us.
49:47So long!
49:51So long!
50:17We're going to take what's coming to us.
50:47We're going to take what's coming to us.
51:17We're going to take what's coming to us.
51:47We're going to take what's coming to us.
52:17We're going to take what's coming to us.
52:47We're going to take what's coming to us.
52:48We're going to take what's coming to us.
52:49We're going to take what's coming to us.
52:52Oh, my God.
53:22Sun down, Kelton.
53:27You're right, Cheyenne.
53:29And the sun's in your eyes for the last time.
53:52Oh, my God.
54:22Oh, my God.
54:52Mr. Sheriff, I guess I owe you a lot.
55:05Oh, just the other way around.
55:07We're in debt to you, Cheyenne.
55:09Well, thanks.
55:09Mr. Hanson, you'll take good care of Martha, huh?
55:15Sure will.
55:17And remember, my share in the old newspaper goes to her.
55:22But where are you going, Mr. Cheyenne?
55:25Well, I'll tell you, honey.
55:27I spent most of my life, you know, in Wyoming.
55:30That's up north, in the cattle country.
55:33And the ball has had a...
55:35The ball has had a hankering to see some money.
55:39So I'm riding south.
55:42Down to a place called Ghost Town.
55:47So long, honey.
55:48Bye.
55:50So long, sir.
55:51So long, Cheyenne.
55:53Bye.
56:01Bye.
56:04Bye.
56:05Bye.
56:06Bye.
56:07Bye.
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