- il y a 15 heures
Super Sleuth (1937) is a charming mystery-comedy about quick thinking, clever clues, and unexpected twists. The story follows an enthusiastic movie star who finds himself caught in a real-life puzzle, testing his wits and imagination beyond the screen.
Starring Jack Oakie, Ann Sothern, and Eduardo Ciannelli, this delightful 1930s classic mixes humor, suspense, and adventure in perfect balance. With its witty dialogue, vintage style, and entertaining story, Super Sleuth (1937) remains a fun gem from Hollywood’s golden era.
Starring Jack Oakie, Ann Sothern, and Eduardo Ciannelli, this delightful 1930s classic mixes humor, suspense, and adventure in perfect balance. With its witty dialogue, vintage style, and entertaining story, Super Sleuth (1937) remains a fun gem from Hollywood’s golden era.
Catégorie
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Art et designTranscription
00:00:00Sous-titrage MFP.
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00:01:00Extra! Extra!
00:01:09Pointing pen letter terrifies Hollywood stars! Extra! Extra! Extra!
00:01:15Pointing pen letter terrifies Hollywood stars!
00:01:18Read all about it!
00:01:20Colby Strauss received voice and pen letters!
00:01:22Wallard Martin, famous grand detective, denounces police!
00:01:25Extra! Wallard Martin!
00:01:27Read all about it!
00:01:29Police old-fashioned says green sleuth Martin!
00:01:32Police demand apology from Wallard Martin!
00:01:35Read all about Martin!
00:01:37Police dispute continues! Extra! Paper!
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00:05:19Il n'y a pas de maladeur.
00:05:21C'est un peu de maladeur.
00:05:23C'est un peu de maladeur.
00:05:25C'est un peu de maladeur.
00:05:27Non, c'est un peu de maladeur.
00:05:29Non.
00:05:35Bill, je n'ai demandé de vous faire de la fête à la télé.
00:05:39Oh, bonjour, Mary.
00:05:41C'est Mary.
00:05:43Il est en train de se faire.
00:05:45Il est en train de se faire.
00:05:47Il est en train de se faire.
00:05:49C'est un peu de maladeur.
00:05:51Mais, A.J., je suis...
00:05:53C'est un peu de maladeur.
00:05:55Oui, A.J. Je ne sais pas.
00:05:57C'est un peu de maladeur.
00:05:59J'ai eu, en tant qu'on aille.
00:06:01Mais, A.J.
00:06:03C'est un peu de maladeur.
00:06:05C'est un peu de maladeur.
00:06:07Je ne sais pas, vous l'avez dit.
00:06:09Ce n'est pas, A.J.
00:06:11Tu n'as pas un maladeur.
00:06:13J'ai eu le levé à maître.
00:06:15Oui, A.J.
00:06:17Bill.
00:06:19Est-ce que vous pouvez aller dans mon office
00:06:21pour un moment petit moment?
00:06:23Listen, honey.
00:06:24Je veux que vous vienne de la haute mountain.
00:06:26Je suis dans la profondeur, honey.
00:06:28Merci.
00:06:29Ce n'est pas nécessaire.
00:06:31C'est pas nécessaire.
00:06:32C'est parti.
00:06:33Oh.
00:06:39According à Willard Martin,
00:06:41il est bien de l'adaption des methods
00:06:43similaires à ceux utilisés dans les images.
00:06:45Give me that paper.
00:06:47Oh, look at that.
00:06:49That's a very bad picture.
00:06:51Me and I wish a tello down there...
00:06:52Willard, stop clowning.
00:06:53This is serious.
00:06:54Lieutenant Garrison and the whole police department is upset.
00:06:57I didn't say anything I didn't mean.
00:06:59In fact, I was very conservative.
00:07:00You know what I'm going to say next?
00:07:01You bet I do.
00:07:02You're going to say you're sorry
00:07:03and you're going to apologize to the police.
00:07:04Oh, no.
00:07:05Willard Martin never...
00:07:06Never apologizes.
00:07:08We all know that.
00:07:09But, Bill, you wouldn't want me to lose my job, would you?
00:07:11Why, no, little woman.
00:07:12You know I wouldn't.
00:07:13Oh, that's a good boy.
00:07:14So, tonight you're going to throw a swell party
00:07:15at the Continental for the police department.
00:07:17What, all of them?
00:07:18No, no.
00:07:19Just Lieutenant Garrison and a few of his aides.
00:07:21And you're going to make a nice little speech
00:07:22assuring the police that that statement of yours
00:07:24was just a gag.
00:07:25But it wasn't a gag.
00:07:26Besides, I can't whip up a speech that fast.
00:07:28You don't have to.
00:07:29Here's your speech.
00:07:30Nice and flowery and full of sweet sentiment.
00:07:33Mary, I hope you know that this is going against my grain.
00:07:37And I hope you fully realize that I...
00:07:38Send it to music and sing it to me next season.
00:07:40I've got a very busy day.
00:07:41Say, Mary, what time do you got?
00:07:4210.45.
00:07:43I got the same thing.
00:07:44Is that funny?
00:07:45What's funny about it?
00:07:46I was supposed to be on a set at 9.30.
00:07:48Keep your touch with me, kid.
00:07:50All right, Mr. Blaine.
00:07:51That's where you're going to be.
00:07:52Stand in for Mr. Waring.
00:07:53Right.
00:07:54Line up on them, boys.
00:07:55You fellas start the scene from outside.
00:07:56When I say camera...
00:07:57Well, why don't you explain?
00:07:58Are you saving words for that ham?
00:07:59You've got your nerve calling Ralph Waring a ham?
00:08:00If I wasn't a...
00:08:01Oh, Larry, please.
00:08:02What's funny about it?
00:08:03What's funny about it?
00:08:04I was supposed to be on a set at 9.30.
00:08:05I was supposed to be on a set at 9.30.
00:08:06Keep your touch with me, kid.
00:08:07All right, Mr. Blaine.
00:08:08That's where you're going to be.
00:08:09Stand in for Mr. Waring.
00:08:10Right.
00:08:11Line up on them, boys.
00:08:12You fellas start the scene from outside.
00:08:13Well, why don't you explain?
00:08:14Are you saving words for that ham?
00:08:16You've got your nerve calling Ralph Waring a ham?
00:08:18If I wasn't a...
00:08:19Oh, Larry, please.
00:08:20All right, Mr. Waring.
00:08:22Places, please.
00:08:27How about dinner tonight, Doris?
00:08:28Well, I'd like to, Mr. Waring, but I...
00:08:31I'll let you know later.
00:08:32Good.
00:08:33And you?
00:08:34Right over here.
00:08:35There we are.
00:08:37Now, this is your husband.
00:08:39How do you do?
00:08:40You keep right on knitting.
00:08:41You're waiting for him to finish gambling.
00:08:42All set, boys.
00:08:43Jolly back on this one, you know.
00:08:44All right.
00:08:45Everybody ready?
00:08:46Clear the set.
00:08:47Ready on your sound effects.
00:08:48Quiet.
00:08:49Quiet, everybody.
00:08:50Camera.
00:08:51All right, boys.
00:08:52Let's go.
00:08:53Clutch in that door.
00:08:54Cut.
00:08:55That was pretty good.
00:08:56How was the view, boys?
00:08:57All right.
00:08:58Good.
00:08:59Good.
00:09:00Good.
00:09:01Good.
00:09:02Good.
00:09:03Good.
00:09:04How about the sound.
00:09:05It was a little loud.
00:09:06Yeah?
00:09:07Play it back.
00:09:08Let me listen, Doris.
00:12:20I have a high fog tonight
00:12:50Hello, Bill. Hi, Bill.
00:13:06I'm sorry again, Miss Duane, but I've been on my feet all day.
00:13:08That's all right, Lieutenant. The change will do you good.
00:13:20Are you comfortable, boy?
00:13:22Have a nice time.
00:13:26You're quite a dancer, Lieutenant Garrison.
00:13:28Thank you.
00:13:30Hello, Bill. You didn't forget the speech, did you?
00:13:34Not a chance, babe. Got it right with me.
00:13:36Oh, good boy.
00:13:44Hello, Bill. You didn't forget the speech, did you?
00:13:46Not a chance, babe. Got it right with me.
00:13:48Oh, good boy.
00:13:56Oh, oh, oh. This is Mr. Martin's private party.
00:13:58No pictures tonight. Try and stop me.
00:14:00Wait a minute.
00:14:02Attenti.
00:14:04Shhh
00:14:06...
00:14:10...
00:14:12...
00:14:14...
00:14:16...
00:14:18...
00:14:20...
00:14:31...
00:14:42...
00:14:43...
00:14:44...
00:14:46...
00:14:48Pardon me, officer. Do you mind?
00:14:50Should I, Miss Dwayne?
00:14:52Yes, if you promise to ask me later.
00:14:54Don't park too long.
00:14:56I'll give you tickets.
00:15:02Dumb idea if Bill's inviting those flat feet here.
00:15:04Hush, Ralph. They might hear you.
00:15:10Here's a little something for your shell right here alone.
00:15:18Where?
00:15:20I didn't know they invited stand names to this party.
00:15:24If you don't mind, I'd like to finish this dance with Miss Dwayne.
00:15:27He'd like.
00:15:29That's rich.
00:15:30Run away and play, little boy.
00:15:35Look! Right on the button!
00:15:41Here, break it up. What's going on here?
00:15:43Hollywood's most famous profiler just bit the dust.
00:15:46I'm sorry, Bill.
00:15:47Doris, are you coming with me?
00:15:49I'll never speak to you again as long as I live.
00:15:50Doris!
00:15:51No, Mary.
00:15:52I'm through, washed up, finished.
00:15:54All right.
00:15:55The next time, Mr. Waring, you won't get off so easy.
00:16:00Looks like a grand party after all.
00:16:02Everybody go back to his tables.
00:16:05Bill's going to make a speech.
00:16:06Oh, I am. I'm going to make a speech.
00:16:07All right.
00:16:08We're going to make a speech.
00:16:09All right.
00:16:10We're going to make a speech.
00:16:16By public, I thank you.
00:16:18I have here a few words of appreciation and apology that I wish to read publicly to my friends in the police department.
00:16:24Make it short, Bill. We knew you were kidding all along.
00:16:30I'm afraid I'd prove to be a pretty bad detective if I admitted I couldn't find this speech.
00:16:37Oh, here it is.
00:16:39First, folks, I want to welcome you all here tonight.
00:16:41And I'm frank to admit that I didn't know that we had such husky policemen.
00:16:45And so healthy.
00:16:47You boys don't look like you could possibly catch anything.
00:16:50Oh, no.
00:16:58I don't wish to criticize, but I think someone should tell you boys that the poison pen writer is still at large.
00:17:04Why, I can't understand.
00:17:06But I'd like to give you the benefits of a few of my experiences.
00:17:09Now, I just finished a picture where we had a situation similar to this one, only a little more intricate.
00:17:14Fortunately, the incident I referred to never happened in real life.
00:17:18Had it done so, you fellas still wouldn't have the right answer.
00:17:21And the methods I used were much more effective because, as any ace criminologist knows...
00:17:36What hit me?
00:17:37Well, gentlemen, it was a good rib, wasn't it?
00:17:42Rib? What do you mean a rib?
00:17:44You know, a gag, a game, a joke.
00:17:47Bill and I have a little proposition to discuss with you, haven't we, Bill?
00:17:51Why, I, uh... Oh, sure. Go on, Mary.
00:17:55Well, you see, Bill and I framed all this for your benefit.
00:17:58Tomorrow, Bill's doing a chase sequence in his current picture, and rather than use actors made up as police, we decided to use policemen made up as actors.
00:18:01We did this to see how you'd react to a scene. And you've all passed with flying colors, haven't they, Bill?
00:18:19Yes, ma'am.
00:18:22How would you like to be actors for a day?
00:18:27I'm sure Bill's fans would like to see a real policeman for a change.
00:18:31Well, that's very nice of you, partner.
00:18:33Oh, that's fine, Lieutenant.
00:18:35Bill, now you see that the boys have a nice time.
00:18:37Oh, Miss Strand, may I talk to you a minute?
00:18:42For the sake of the department, I'd like to look my best.
00:18:46What can be done about this?
00:18:48Oh, well, that's easy, Lieutenant. We'll just get you a little toupee.
00:18:52Toupee?
00:18:54Don't you think that's going too far?
00:18:58Maybe.
00:19:00But, well, wait. For the sake of the department, I'll do it.
00:19:03Oh, that's good, Lieutenant. Now, you get there early, and the makeup man will do right by you.
00:19:07Come on.
00:19:23Oh, may I take you home, Miss Junis?
00:19:25I think you may, Mr. Lane Brain.
00:19:27Don't say I'm telling you to how sensitive I am.
00:19:29Excuse me. Picture's crooked.
00:19:37Bill! Bill, I hurt you!
00:19:39Oh, none of me seems to be missing, but somebody definitely doesn't like me.
00:19:40Are you all right, Martin?
00:19:41Oh, sure.
00:19:43Outside, boys, quick!
00:19:45Did you see anyone shooting around here?
00:19:46No, sir, I didn't.
00:19:47Come on, boys.
00:19:48The poison pen writer wasn't kidding.
00:19:50Bill, what do you mean?
00:19:51He sent me a threatening letter this morning.
00:19:52You've got to show that to the police right away.
00:19:54No, I ain't. I'm going down to Ocean Park to discuss it with my friend Professor Hyman.
00:19:55But you can't go riding around at night alone.
00:19:56Then why don't you come with me, little iron woman.
00:19:57Well, I suppose I owe it to the studio.
00:19:58It would be mighty tough on them if something happened to you in the middle of a picture.
00:20:00If you had a heart, it would be made of stone.
00:20:03Oh, you could have a grown man.
00:20:04I would be happy to have a man.
00:20:05You could have a boy.
00:20:06Do you see anyone shooting around here?
00:20:07No, sir, I didn't.
00:20:08Come on, boys.
00:20:09The poison pen writer wasn't kidding.
00:20:10Bill, what do you mean?
00:20:11He sent me a threatening letter this morning.
00:20:12You've got to show that to the police right away.
00:20:13No, I ain't.
00:20:14I'm going down to Ocean Park to discuss it with my friend Professor Hyman.
00:20:15But you can't go riding around at night alone.
00:20:16Then why don't you come with me, little iron woman?
00:20:17Je pense que c'est à l'honneur de l'honneur.
00:20:19Il serait très difficile si quelque chose à l'honneur de l'honneur.
00:20:22Si tu as l'honneur, c'est de l'honneur d'honneur.
00:20:32Evidence.
00:20:36Bill, c'est à l'honneur d'honneur d'honneur d'honneur d'honneur d'honneur d'honneur d'honneur d'honneur d'honneur.
00:20:39C'est un petit joint, n'est-ce pas ?
00:20:41Qu'est-ce que c'est ?
00:21:05C'est un petit joint, n'est-ce pas ?
00:21:07Qu'est-ce que c'est ?
00:21:08C'est un hall de fame pour les criminels.
00:21:10Le professeur d'honneur d'honneur d'honneur d'honneur d'honneur d'honneur.
00:21:14Un homme comme tu, a d'un ami de l'honneur d'honneur d'honneur d'honneur d'honneur.
00:21:18On va dans, hein ?
00:21:36Bonjour, professeur.
00:21:37Good evening.
00:21:40I hope I didn't wake you up.
00:21:42No, not at all.
00:21:44Always glad to see you, Mr. Martin.
00:21:49Oh, this is my friend, Miss Strand, Professor Herman.
00:21:52How do you do ?
00:21:53Won't you come in ?
00:21:54You like my little place ?
00:21:55Oh.
00:21:59Well, it's a bit startling.
00:22:00Why don't you show her around, Professor ?
00:22:01I shall be most happy, Mr. Martin.
00:22:05I shall be most happy, Mr. Martin.
00:22:06Scalping by Tomahawk.
00:22:07I shall be most happy, Mr. Martin.
00:22:11Scalping by Tomahawk.
00:22:12Crude, but most effective.
00:22:13Oh.
00:22:14Oh.
00:22:15Oh.
00:22:16Oh.
00:22:17Oh.
00:22:18Oh.
00:22:19Oh.
00:22:20Oh.
00:22:21Bill, I want to get out of here.
00:22:22Oh, Miss Strand was just saying how much she loves the place, Professor.
00:22:24Yes, she looks very happy.
00:22:25And here we have the boy.
00:22:26I shall be most happy, Mr. Martin.
00:22:27I shall be most happy.
00:22:32Mr. Martin.
00:22:33Scalping by Tomahawk.
00:22:34Scalping by Tomahawk.
00:22:35Crude, but most effective.
00:22:38Uh.
00:22:39Oh.
00:22:40Oh.
00:22:41Oh.
00:22:42Bill, I want to get out of here.
00:22:44Oh, Miss Strand was just saying how much she loves the place, Professor.
00:22:49Yes, she looks very happy.
00:22:51And here we have the boy.
00:22:53Nous avons le guillotiné.
00:22:58C'est de l'affection de l'Union de la French Revolution.
00:23:04C'est un magnifique machine, inventé par des gens.
00:23:08Je n'aime pas ça.
00:23:11Peut-être qu'il y aura mieux l'air de torture.
00:23:17Est-ce que je dois regarder ces choses ?
00:23:19C'est un choc.
00:23:21C'est le choc.
00:23:23C'est le choc.
00:23:25Il y a des chocs.
00:23:28Et ici, des cartes et des cartes d'Orient.
00:23:37C'est un homme de tête d'Afrique.
00:23:41Il est en train de la guerre de 1898.
00:23:43C'est parti, c'est parti.
00:24:13C'est parti.
00:24:43C'est parti.
00:24:45C'est parti.
00:24:47C'est parti.
00:24:49C'est parti.
00:24:51C'est parti.
00:24:53C'est parti.
00:24:55C'est parti.
00:24:57C'est parti.
00:24:59C'est parti.
00:25:01C'est parti.
00:25:03C'est parti.
00:25:05C'est parti.
00:25:07C'est parti.
00:25:09C'est parti.
00:25:10C'est parti.
00:25:11C'est parti.
00:25:12C'est parti.
00:25:13C'est parti.
00:25:14C'est parti.
00:25:15C'est parti.
00:25:16C'est parti.
00:25:17C'est parti.
00:25:18C'est parti.
00:25:19C'est parti.
00:25:20C'est parti.
00:25:21C'est parti.
00:25:22C'est parti.
00:25:23C'est parti.
00:25:24C'est parti.
00:25:25C'est parti.
00:25:26C'est parti.
00:25:27C'est parti.
00:25:28C'est parti.
00:25:29C'est parti.
00:25:30C'est parti.
00:25:31C'est parti.
00:25:32Scribd.
00:25:34Yes, sir.
00:25:36All one's holding us up.
00:25:38Get the camera set up on the camera.
00:25:40Yes, sir.
00:25:42Glad to see you, boys.
00:25:44Well, actor, how do you feel on the morning of your screen debut?
00:25:48I'm all aflutter, if you ask me.
00:25:50Aflutter?
00:25:52Say, you don't want to make up in my trailer, do you?
00:25:54Make up?
00:25:56I'm not mad at you anymore.
00:25:58I don't mean that.
00:26:00You can. Your face.
00:26:02Oh, thanks. Sure, that'll be great.
00:26:04I was afraid of that.
00:26:06Well, come on there, sir Henry Irving.
00:26:08Say, tell me.
00:26:10You know anything about diction?
00:26:12What?
00:26:13I said, can you talk?
00:26:14Well, I'm talking now, ain't I?
00:26:16I don't mean that.
00:26:17Now, you see, to talk for the screen, you gotta have a flexible lower lip.
00:26:20Now, let me hear you say, uh, where did Willie went?
00:26:24Where did Willie went?
00:26:26Opening oysters at Oxford.
00:26:28Opening oysters at Oxford.
00:26:30I think you got something there, Chief.
00:26:32Opening oysters at Oxford.
00:26:34Opening oysters at Oxford.
00:26:36How about my, uh, taupe?
00:26:38Oh, sure. Just step right in there and make yourself at home.
00:26:40Oh, Max. Come here a minute, Willie.
00:26:42Let me have one of your one-man tops.
00:26:44Oh, there's a honey. Thanks.
00:26:46Hey, my friend. Get under this.
00:26:48He he he he he.
00:26:50He he he.
00:26:52He he he.
00:26:54He he.
00:26:56He he who he he.
00:26:58He he he he.
00:26:59He he he.
00:27:00Sous-titrage Société Radio-Canada
00:27:30Sous-titrage Société Radio-Canada
00:28:00Sous-titrage Société Radio-Canada
00:28:30Sous-titrage Société Radio-Canada
00:28:32Sous-titrage Société Radio-Canada
00:28:34Sous-titrage Société Radio-Canada
00:28:36Sous-titrage Société Radio-Canada
00:28:38Sous-titrage Société Radio-Canada
00:28:40Sous-titrage Société Radio-Canada
00:28:50Sous-titrage Société Radio-Canada
00:28:52Il n'aurait pas de l'air si il n'aurait pas de l'air.
00:28:59Le lieutenant !
00:29:03Vous êtes prêts ?
00:29:07Qui a pris l'air pour vous ?
00:29:09Bill Martin.
00:29:12Oh, il est.
00:29:14Vous aimez ?
00:29:16Bien, très bien.
00:29:18Il n'aurait pas de l'air.
00:29:21Il n'aurait pas de l'air.
00:29:24Il n'aurait pas de l'air.
00:29:48La manteule, c'est quelque chose de la passante !
00:29:52Vous savez, il n'aurait pas d'air.
00:29:55Nous savons en trois années.
00:29:56Il n'aurait pas de l'air pour que nous faire.
00:30:00Leurs a faillassuants avec nos enfants,
00:30:03n'aurait pas d'air.
00:30:04Oui, j'ai vu, il n'aurait pas d'air.
00:30:06Vos coração.
00:30:07Il n'aurait pas d'air.
00:30:09Bonjour.
00:30:11Bonjour.
00:30:13Now relax, men.
00:30:15And above all, let's look perfectly natural.
00:30:25Let's go!
00:30:30And step on it!
00:30:43Let's go!
00:31:13Hey, fellas, cut it out, will you?
00:31:34Hey, watch your driver.
00:31:43What happened?
00:32:02He's dead.
00:32:03Somebody shot him.
00:32:04Dead?
00:32:04What do you mean?
00:32:05We were only shooting blanks.
00:32:06Yeah, well, somebody else wasn't shooting no blanks.
00:32:08Hey, what are you doing there?
00:32:12Casey, take charge of the body.
00:32:13You two, come with me.
00:32:15We'll have a look.
00:32:17Too bad.
00:32:18Yeah.
00:32:19Gee, I wish I hadn't ribbed the guy as much as I did.
00:32:23You weren't working out here.
00:32:52You came here just to kill him.
00:32:54I didn't do it, I tell you.
00:32:55I didn't do it.
00:32:56Hey, what gives out here?
00:32:58We got the man that killed Waring.
00:33:00Who?
00:33:00Him?
00:33:01Found him down the road.
00:33:02Here's the gun.
00:33:03Bill, they've got to believe me.
00:33:04I didn't do it.
00:33:04I suppose you didn't sock him last night and threaten him.
00:33:07I heard you myself.
00:33:09Yes, but I wouldn't kill him.
00:33:10I told you I heard the shots, and when I walked up to the man who was shooting, he knocked
00:33:13me down.
00:33:14My head's still sore.
00:33:15You probably fell on it.
00:33:16Wait a minute.
00:33:17Who was the guy?
00:33:18What did he look like?
00:33:19Well, I can't remember.
00:33:21You're drunk.
00:33:22Naturally, you can't remember.
00:33:23When you get all sobered up, I'll give you a half a dozen other motives.
00:33:26Motives?
00:33:27Oh, just a moment.
00:33:29Certainly there were motives.
00:33:30Obvious ones.
00:33:31That's just it.
00:33:33Now, my experience in solving crimes in the moving pictures has always been that the obvious
00:33:37suspect is never the real criminal.
00:33:40And apart from being a good friend of Larry's, I still don't think he did it.
00:33:43There was too much motivation.
00:33:44Too many opportunities.
00:33:46Oh, no.
00:33:46It all fits too well.
00:33:48That's fine, Mr. Martin.
00:33:50You keep your experience.
00:33:52We'll keep our prisoner.
00:33:53Take him away, boys.
00:33:54I made a picture one time.
00:33:56We had a situation just like this.
00:33:58It was a problem.
00:33:58Stop making a fool of yourself.
00:34:00But I got...
00:34:01I'd take his advice if I were you, Bill.
00:34:03What do you mean?
00:34:04That Larry's a murderer?
00:34:05He did it and it's all my fault.
00:34:06Yeah, it's your fault that he's been arrested.
00:34:08You stand there and cry, but you don't get up and say anything in his defense, do you?
00:34:11That's pretty cruel under the circumstances.
00:34:13Yeah, it's pretty cruel that Larry's arrested for murder.
00:34:15I know he didn't do it and I'll bet you everything I got.
00:34:17I remember the time when I...
00:34:18Aye, aye, aye.
00:34:19That's the trouble with you, Bill.
00:34:20You got eye trouble.
00:34:21You're so darn conceited, it's impossible for you to realize that somehow...
00:34:24sometimes, something might happen that you might not have the answer to.
00:34:28And while you're waiting for that miracle to happen,
00:34:30may I suggest you stick in your own department for a while
00:34:32and give us all a much-needed rest?
00:34:54a little bit more to say what you're doing with your own department for a while?
00:34:58I don't know.
00:34:59I don't know.
00:35:00I don't know.
00:35:00I don't know.
00:35:01I don't know.
00:35:01Oh.
00:35:03Oh.
00:35:04Hello.
00:35:04Sous-titrage Société Radio-Canada
00:35:34...but I guess everybody ought to have a hero to worship. Makes for ambition.
00:35:39Do you worship a hero, Mr. Martin?
00:35:41Yes, sometimes. Other times, I just hate myself.
00:35:48I tell you, my dear Watson...
00:35:51...when it comes to solving a problem, the police department are as helpless as a bathing beauty in a swimming pool.
00:35:56While I reflect no more kill wearing than you did.
00:35:59Who, me? Oh, no, Mr. Martin. Honest.
00:36:02I wasn't looking in the same direction when it happened.
00:36:05Ah, tut-tut, Warts. I know you didn't do it.
00:36:08Uh, Watson. My tobacco.
00:36:11Here it is.
00:36:18Eh.
00:36:19Boss, will you tell me why you keep your tobacco in the toe of an old shoe?
00:36:23Because another famous detective, Sherlock Holmes, kept his tobacco in a similar receptacle.
00:36:28It helps my mood.
00:36:30My dear Watson?
00:36:33Yes, sir?
00:36:34I'd back if you know who killed Waring.
00:36:36You do?
00:36:37Yes, sir. It's the same guy that sent me that threatening letter.
00:36:39You mean the man who didn't like your last picture?
00:36:42Exactly. The dope.
00:36:45You know, I think he aimed at me and hit Waring instead.
00:36:48My, oh, my.
00:36:51I sure don't like all this murder talk. Gives me the creepin' jeepers.
00:36:59Woo!
00:37:00Warts, pull yourself together. You're gonna answer the doorbell. Speak to me.
00:37:16I'm sorry, Bo, but as far as I'm concerned, whoever's at the door, they can go home.
00:37:21What's the matter with you, Warts? What happened?
00:37:23There's a man at that window staring right at you.
00:37:26Me? I wonder who it could have been.
00:37:28Me.
00:37:29That's who he saw.
00:37:32Oh, hello, Professor. Come right in.
00:37:36I wanted to have a little chat with you, Mr. Martin.
00:37:39I looked through the window to see if you had company.
00:37:42The door was open.
00:37:44Why, you know you're always welcome, Professor. Have a seat.
00:37:47Warts, take the man's things.
00:37:48No, thank you. I'm very comfortable.
00:37:51Well, refreshments. Hurry up.
00:37:54Well, Professor, I suppose you read about Larry Frank being held for the Waring murder.
00:37:58Yes. I know all about it. I read it in the extra.
00:38:03Well, I'll tell you something that you didn't read in the extra. Larry didn't do it.
00:38:07The real murder is the same sap that wrote me that threatening letter.
00:38:10Have you told the police?
00:38:12No. I'm going to have the pleasure of tracking them down myself.
00:38:15If you're alive.
00:38:21Don't worry about me, prof old pal.
00:38:23The guy's too stupid to outsmart me.
00:38:29Excuse me, Professor.
00:38:30Hello? What?
00:38:33Yeah, this is Mr. Martin.
00:38:36Who?
00:38:38Mrs. Abington.
00:38:40Well, I don't believe that you've met me.
00:38:43What?
00:38:45You what?
00:38:47Well, that certainly is a clue.
00:38:49Oh, wonderful.
00:38:50Mrs. Abington, do me a favor.
00:38:51Will you come right over to 4516 Desmond right away?
00:38:54That's right, Mrs. Abington.
00:38:55And thanks for calling me instead of the police.
00:38:58Professor!
00:38:59Professor is practically in the bag.
00:39:00An English woman named Mrs. Abington just called on that phone
00:39:02and said she heard the killer's voice.
00:39:04She distinctly heard him say, solve that if you can.
00:39:06So, that proves my contention.
00:39:08That bullet was meant for me.
00:39:09While Larry Frank wouldn't do that, he's a friend of mine.
00:39:11Did you invite the lady here?
00:39:12Why, certainly.
00:39:13Why?
00:39:14Because there was a gang of extras on a set today, see,
00:39:16and the killer could very easily be amongst them.
00:39:17I'm going to have every one of them here
00:39:19and see if she recognizes the killer's voice.
00:39:20Pardon me, Bo.
00:39:21Did you say you were going to invite the killer here tonight?
00:39:23I hope so.
00:39:24Would the evening all be asking too much?
00:39:26Warts, put the stuff down.
00:39:27I think you have a splendid idea, Mr. Martin.
00:39:30I'm sorry I won't be here to see the finish.
00:39:32Oh, Professor, don't go.
00:39:33This is going to be very exciting.
00:39:34I can tell that, but I have an appointment.
00:39:36Oh, that can keep.
00:39:37Please, Professor, this is much more important than me.
00:39:39Now just sit down and be comfortable and watch me go to work.
00:39:41Warts, fix me a drink.
00:39:42I want to call every extra was on that set today.
00:39:54Good evening, boys.
00:39:55Good evening.
00:39:56Good evening.
00:39:57Hello, Warts.
00:39:58Oh, excuse me, boys.
00:39:59Excuse me.
00:40:03Hello, Larry.
00:40:04Gee, I'm glad to see you.
00:40:05Now what's this all about?
00:40:06Listen, honey, I got the right answer to the Ralph Waring murder.
00:40:08Now look, Bill.
00:40:09If this is another one of your wild ideas, it'll be the last one.
00:40:12One more mistake and you're through in pictures.
00:40:15Oh, hello, Lieutenant.
00:40:17Good evening, Miss Rand.
00:40:18So, the mastermind's going to catch the real murderer tonight, eh?
00:40:23That's right.
00:40:24If you found a dame who's heard the murderer's voice,
00:40:27why don't you bring her down to the station and let her listen to Larry Frank?
00:40:30Because Larry Frank didn't do it.
00:40:32You're pretty sure of that, aren't you?
00:40:35Just as sure as you got a new toupee on that old hat of yours.
00:40:40Come on in, pull up a chair.
00:40:42Don't you let him kid you, Lieutenant.
00:40:44You can just barely tell it.
00:40:48Fellas, will you do me a favor, please, and line up over here, double file.
00:40:51Please.
00:40:54What is this, buffet style?
00:40:56I don't know.
00:40:57What's behind that screen?
00:40:59Food, I hope.
00:41:04Now tell me, Mrs. Abington, are you all ready to identify the voice?
00:41:07Yes, sir, I am.
00:41:09Good.
00:41:10Now once again, what did you hear the killer say?
00:41:12I heard him sigh.
00:41:14Solve that, if you can.
00:41:19Good evening, Professor.
00:41:20Oh, good evening.
00:41:21Were you on location this morning?
00:41:23Oh, no.
00:41:24I am merely a guest.
00:41:26Oh.
00:41:27Lieutenant Garrison, Professor Herman.
00:41:29And Professor Herman.
00:41:30How do you do, Professor?
00:41:37Ah, that's fine.
00:41:38Thank you.
00:41:39Now, my friend, would you mind stepping up here, please?
00:41:42Now, just read from the paper.
00:41:44Solve that, if you can.
00:41:45Shh.
00:41:46That him.
00:41:47Not him.
00:41:48Sorry.
00:41:49Would you mind stepping over there, please?
00:41:50Uh, next gentleman.
00:41:51Just read what's on the paper.
00:41:52Solve that, if you can.
00:41:53That him.
00:41:54No.
00:41:55No.
00:41:56No.
00:41:57Not him.
00:41:58I'm very sorry, would you mind going over with the other boy.
00:41:59You're next.
00:42:00Just read what's on the paper.
00:42:01Solve that, if you can.
00:42:02That him.
00:42:03No.
00:42:04No.
00:42:05No.
00:42:06Not him.
00:42:07I'm very sorry, would you mind going over with the other boy.
00:42:09You're next.
00:42:10Just read what's on the paper.
00:42:11Solve that, if you can.
00:42:12Oh, a little louder, please.
00:42:13Solve that, if you can.
00:42:14I'm awfully sorry, would you mind stepping over there?
00:42:29Now, the next gentleman, please.
00:42:31You step up here.
00:42:32Oh, professor.
00:42:33Don't go.
00:42:34Come down here.
00:42:35Just read from the paper.
00:42:37Solve that, if you can.
00:42:39Oh, professor.
00:42:40Don't go.
00:42:41Come down here.
00:42:42Just read from the paper.
00:42:43Je ne sais pas ce qui se fait, mais je ne sais pas ce qu'il y a une fois.
00:42:48Je ne sais pas ce qu'il y a une fois.
00:42:52C'était un expériment, M. Martin.
00:42:54Je suis désolée d'avoir à partir de ce moment-là.
00:42:57Juste un moment, Professeur.
00:43:00Je pense que je sais qui le murderer.
00:43:07C'est ça, Wart.
00:43:09Vous avez raison.
00:43:11Je ne sais pas ce qu'il y a une fois.
00:43:13Je ne sais pas ce qu'il y a une fois.
00:43:15Je ne sais pas ce qu'il y a une fois.
00:43:17Vous dites, M. Lieutenant.
00:43:18Vous êtes en location quand il y a une.
00:43:20All right, all right.
00:43:22Juste pour faire le déjeuner de la fête, nous allons nous dire.
00:43:25C'est bon, Wart.
00:43:26Vous dites, M. first.
00:43:28Je ne sais pas ce qu'il y a une.
00:43:30Non, pas ce qu'il y a une.
00:43:32All right.
00:43:34M. Strand, vous êtes en suivant.
00:43:36Je ne sais pas ce qu'il y a une.
00:43:39Je ne sais pas ce qu'il y a une.
00:43:42All right, Professeur, vous êtes en suivant.
00:43:44Si vous excusez me, gentlemen.
00:43:45Je ne sais pas ce qu'il y a une.
00:43:47Oh, wait a minute, Professeur.
00:43:48Go ahead, say it.
00:43:49What could you lose?
00:43:50It's very simple.
00:43:51Solve that if you can.
00:43:55Solve that if you can.
00:43:57Professeur, give it something.
00:43:59Solve that if you can.
00:44:01That's him.
00:44:02That's him.
00:44:03That's him.
00:44:04That's him.
00:44:05Oh, him?
00:44:06No, not him.
00:44:08Him.
00:44:09Me?
00:44:12Listen, lady, I'm the...
00:44:13Say, you're crazy.
00:44:15That's what everybody says.
00:44:17Good evening.
00:44:19Good night.
00:44:20Good night.
00:44:50Good night.
00:44:52...
01:01:06C'est bon, c'est bon, c'est bon, c'est bon.
01:01:36C'est bon, c'est bon, c'est bon.
01:02:06C'est bon, c'est bon.
01:02:36C'est bon, c'est bon.
01:04:08C'est bon, c'est bon.
01:05:10C'est bon, c'est bon.
01:05:12C'est bon.
01:05:13C'est bon.
01:05:14C'est bon.
01:05:15C'est bon.
01:05:17C'est bon.
01:05:18C'est bon.
01:05:20C'est bon.
01:05:23C'est bon.
01:05:24C'est bon.
01:05:25C'est bon, ils pensent qu'on a l'envers.
01:05:27Maintenant, deux plus ici.
01:05:33Deux plus sur le cas.
01:05:35Le cas ?
01:05:36Bien.
01:05:39Un plus.
01:05:42Il y a plus de l'envers.
01:05:44Bien.
01:05:55C'est parti !
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