सिंगर और एक्ट्रेस टिया बाजपेई ने आईएएनएस से खास बात की इस दौरान उन्होंने अपनी अपकमिंग फिल्म 'Lilly Rose' के बारे में बता की। इसी के साथ एक्ट्रेस ने Gen Z को लेकर बात करते हुए कहा कि Gen Z एक बहुत ही दिलचस्प और लॉयल ओडियंस है। इसी के साथ एक्ट्रेस ने फैंस के साथ हुआ एक प्यारा और कभी न भूल पाने वाला मूमेंट शेयर किया। इंटरव्यू में एक्ट्रेस ने यूपी के लखनऊ के साथ अपने जुड़ाव पर भी बात की।
00:13I would say that my journey was very beautiful, but it was unexpected.
00:20I was very proud of the way I was a singer and I was very destined.
00:33I was very beautiful and as an actor, I was very different.
00:41But I think that I am very proud of the actor and I have learned a lot from my films.
00:47I have learned a lot and evolved so I am grateful for that journey.
00:51Do you have a new romantic musical film that you are talking about Rockstar and Ashiki's wife?
00:57So tell me about your heart rate or a happy ending.
01:01Actually, I wouldn't say that it's like Rockstar and Ashiki because it's a different concept.
01:08I don't want to tell much about this but because I'm a singer,
01:14of course it's a musical film.
01:17Yes, it's a musical romantic film and it's very different.
01:22When you watch it, it will be different.
01:25When you watch it, it will be different.
01:27Do you want to make a film for Gen Z?
01:29How much drag and how much drag is it?
01:31Do you want to make this film ready for Gen Z?
01:35Sorry?
01:36Do you want to make this film ready for Gen Z?
01:39I will say that Gen Z,
01:43Gen Z is an interesting audience.
01:46It is also a loyal audience.
01:49So I think that this film will really like it because they will connect with it.
01:54And they are all ready.
01:56Do you want to make this film ready for Gen Z?
01:57Actually, the whole album is going to be obsessed with it.
01:58The whole album is going to be obsessed with it.
01:59The whole album is going to be obsessed with it.
02:01Because I have written in 4 different languages.
02:04I have written in English, Hindi, French and French.
02:07And as we tried, the whole album is going to be a very old language.
02:08The whole album is a very old language.
02:09I have written in 4 different languages.
02:10I have written in 4 different languages.
02:11I have written in English, Hindi and in the same way I have written in French.
02:12And we have written in 4 different languages.
02:14And we have written in 4 different languages.
02:15I have written in 4 different languages.
02:16I have written in English, Hindi, and in the same way I have written in French.
02:21And we have tried to use Latin as a very old language.
02:25I have written in 5 different languages.
02:26I have written as a representative at 5 different languages.
02:29This is my first language.
02:30I have written in both the people of the
02:39It's a lot of people like this.
02:42Do you have a lot of fans like Juggani?
02:49Actually, Juggani is my favorite singer from my childhood.
02:55I was listening to Arian Rommal, who is my music producer.
02:58We were just sitting in our jam session, we were trying to make songs.
03:03I just happened to sing Juggani and we just started making music.
03:08We decided to make it a banger.
03:13I'm very happy that people like Juggani.
03:17You came from Asia to Europe.
03:21How do you feel about Juggani in Juggani?
03:24I would say that India is the most famous Juggani in Juggani.
03:29My country is the most famous Juggani.
03:32In Europe, this song is very popular.
03:35And in Europe, recently, there is a song in a club.
03:38They are singing in Europe.
03:39So, I have a lot of issues.
03:41How do you feel about Juggani?
03:44Tell me about Juggani and Juggani.
03:46Do you remember Juggani and Juggani?
03:48Yes, they are.
03:49In fact, I will go to Juggani.
03:52I will go to Lakhnau.
03:54I will go to Lakhnau.
03:55Lakhnau can't shoot me because I am from Lakhnau.
03:57So, you can say that my journey has been from Lakhnau to the world.
04:02Yeah, very good, Juggani.
04:03And if you have seen me in the next episode,
04:04I haven't seen you around a series of horror show.
04:06Did you stop being here or pardon me?
04:07I am the only one that I love on your own.
04:08I never think I told you.
04:09You don't have the same things I have to love on your own.
04:10I'm not the same as that I made horror show.
04:11No it's not that I am the same as that I am the same as that of the new film.
04:13If you have been in a new film or what I am the same as that of the film is
04:14My love was always true with me, with me, with my music and with my horror.
04:19It's not that I have made a horror movie.
04:21In fact, I'm doing a new movie called Lily Rose, which is a horror film and an international film.
04:28So, it's the whole plan for next year to release.
04:32So, I can't forget about the horror of Tia Bajpayee.
04:36Lily Rose, what will you do with this new version?
04:41Do you like old-school movies?
04:44No, it's not.
04:46I like old-school things.
04:49If you go to Lakhno, it's a little old-school city.
04:53I love old-school things.
04:56But it's not that I'm not moving forward to new things.
05:02It's not that I'm creating a balance.
05:08It's not old-school.
05:10It's not that I don't have any new things.
05:14When you're acting with music and music, do you feel like acting?
05:20So, how much is it?
05:22How much is it?
05:23How much is it?
05:24How much is it?
05:25How much is it?
05:27How much is it?
05:28I'm actually very comfortable.
05:30Because acting found me.
05:34I always say that.
05:35I'm not a proper teacher.
05:37I've been taught by Lakhno-Bhad Khan.
05:40So, I've been training with Sangeet from childhood.
05:42But when I came to Mumbai.
05:44I think that I've found myself in acting.
05:47As I mentioned earlier, it's a destiny.
05:50You can get written in a book.
05:52So, acting is that way.
05:54And for me, singing and acting, it's impossible.
05:58It's impossible.
05:59And when you're very interested in your profession, I think you don't need to read it.
06:10So, how much is it possible in your profession?
06:24Look, the biggest problem that outsiders face are right opportunity.
06:31Because you don't know someone, you are not at the right time or right place.
06:37because they don't know for outsiders because they don't know anyone.
06:43So, if they stay in the right place, they will also get the opportunity.
06:47But the right time, right place is the most important thing.
06:53But when you get the opportunity, like I am a perfect example,
06:56when I got haunted 3D or 1920s,
07:00I think I did justice to those films and the logo.
07:04So, I think the biggest challenge is that right opportunities to find outsiders.
07:10But I am not sure that the right opportunities are not allowed to find outsiders.
07:14What do you think of the right opportunities?
07:16What do you think about the right opportunities?
07:18Because they are very important,
07:19and they are very serious.
07:21What do you think about the right opportunities?
07:25I want to say this, that right people can find singers.
07:33So, if you are not signed, because the music label is released, it gives you the opportunity to be signed with a music label to be able to sing for movies, to be able to sing for Bollywood.
07:49So, I think there is a challenge that the singers face, because it wasn't before. You were a favorite of the music director, or the music director, who sits with a singer.
08:02But today, I think this is mainly because of my knowledge, that the singers signed with the music labels, they promote them.
08:11Or you have a good friend of the music director, or they do a little bit.
08:15So, I think that is the reason. And a favoritism is everywhere.
08:21So, what is the important thing about the music industry?
08:25The independent music is also, but in the beginning, if you are watching with the music,
08:31you will see your own and your own experience with the studio.
08:38So, you can also tell a bit about the tension of the people who are being in the audience.
08:43Does this brand do you think of working in a movie studio or do you make a lot of attention?
08:49No, no, no.
08:50Tension-free, an artist cannot be used in it.
08:52Whether he is independent or a label, because to do a good job,
08:57one independent artist and one signed artist will do both a good job.
09:01So one of the main artists' responsibility is to get the opportunity to get the opportunity.
09:08You cannot do mediocre things without doing the job.
09:12Unfortunately, I have seen that the level of music, I don't want to say that it's going to fall, but it's a little bit relaxed.
09:28What's going on, what's going on, what's going on, what's going on.
09:34In the Indian music industry, I would say, there are very talented singers, because India is a very big country, so it's very talented.
09:43But what happens, sometimes I think that this song is the same type of song, so all of us think that it's the same type of song.
09:52If it's a remix, it will be a remix. If it's an EDM, it will be an EDM, romantic.
09:59It will be a very difficult time to try new things, because it's a comfort zone.
10:04And music suffers from there.
10:08When you had a music industry, it was very popular, and it was very popular.
10:13It was a very different music industry.
10:16But after that, you had a change in music, and it was more independent music.
10:20And it was a new singers, and it was also a new people who are also using it.
10:25Actually, I think that social media plays a big role in this situation, because
10:33because of social media, artists are directly connected to the audience.
10:39The artists are directly connected to the logo.
10:43The people who are in the background always have power.
10:50We can create or collapse.
10:53The power is very little.
10:58Because of social media, artists have a platform for independent music.
11:04I think that is a great power.
11:07I have seen the artists who have done good and honest work.
11:11Or, because of the audience, they have liked it.
11:13We have seen the artists in the studio.
11:19But we think that the artists have a lot of support.
11:23The artists have a lot of support.
11:27We have a lot of support.
11:29The artists have a lot of support.
11:31The artists have a lot of support.
11:33The artists have a lot of support.
11:39I can give you the answer from both points of view.
11:42Because I am producing my own music and everything.
11:46What happens when a vanity van, makeup artist, hairdresser or runner,
11:52boy is a basic necessity.
11:56Because if there is no vanity van,
11:58artist will be sitting there,
12:00they will make up where they will change.
12:02If there is no makeup artist,
12:03who is going to do the makeup?
12:05See, there are some things that are good for the project.
12:09Without hair, without makeup,
12:10you can't make a film.
12:12There are basic necessities.
12:14There are always things.
12:15What happens now?
12:17You don't need a personal trainer.
12:19You don't need your other things.
12:22Your chef and all that.
12:23These are all your requirements.
12:25If you take these things,
12:27they are a personal look-out.
12:29But when you talk about hair, makeup and spot-boy,
12:32I will talk about the cameras.
12:36They make a touch-up for every shot.
12:40Every actor.
12:41Nail or female,
12:42every shot is a touch-up.
12:43Make-up is a touch-up.
12:45If they don't touch-up,
12:47they will look bad.
12:49It's very basic.
12:50There are costumes.
12:51Every shot is not a touch-up.
12:53They will look bad.
12:54Then,
12:55Bollywood is always larger than life.
12:59Because everything is perfect.
13:02The main motive of the film is that
13:06the film is transported in another world.
13:092-1-2 hours or 1-2 hours.
13:12When they are watching,
13:13they will be immersed in their problems.
13:16They have some special requirements
13:19that you have to give an artist.
13:22If you have a spot-boy,
13:24a runner,
13:26a headache,
13:27a drink,
13:28a drink,
13:29a drink,
13:30a drink,
13:31a drink,
13:32a drink,
13:33a drink,
13:34and a drink.
13:35So there will be an Creole in his hands.
13:37Very much time too.
13:39If the artist is doing their hair,
13:41makeup,
13:42and the boy works,
13:44then he will do the acting.
13:45It's the best thing.
13:47These are basic things,
13:48hair, makeup, boy.
13:49They are basic things.
13:51They are coming from the beginning.
13:52And if they don't have it,
13:54they will suffer quality of film.
13:56and the things will only consume more time.
13:58That's a practical thing.
13:59The other things that are on the top,
14:01now if a actor is put on the chair,
14:03a personal trainer and it should not be a producer's hitting.
14:11Now, Lily Rose is working on it.
14:17Love on a Different BPM which is a romantic musical film.
14:21I am going to release a music album very quickly which is Apera House Music.
14:27I have written it in 4 languages so I am very excited for that and I hope that people like it.
14:32So, these are the only projects that are in the pipeline.
14:35Ma'am, do you want to do horror films?
14:38Now, Lily Rose is fully focused on it.
14:42Ma'am, do you want to take a moment?
14:45Yes.
14:51Do you have three words?
14:53Do you have three words?
14:55Do you have three words?
14:57I think all three.
15:04What would you leave love for me?
15:05Corrior or passport?
15:08Carrior, yeah.
15:09Passport?
15:10Passport.
15:11Both of them.
15:13Actually, I remember when I was shooting at the 1920s, I was a child of an 8-year-old and he just wanted to see me.
15:27He was waiting for me, but when he saw me in the 1920s, he started crying.
15:35He was scared and I had to tell him, no, no, it's me, it's me.
15:39I think he was always crying because the child was crying so much for me and when I saw him, he was crying so much.
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