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Team Saiyaara aka Mohit Suri, Mithoon & others arrive at Subhash Ghai's Whistling Woods International for the celebrate cinema event! Watch this press conference session to know how Hindi Cinema is evolving ft. Subhash Ghai & Team Saiyaara! #mohitsuri #saiyaara #subhashghai

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Transcript
00:00I must say that today I am very happy that the entire team of Sanyara, the creators of Sanyara,
00:29and the music composer, the writer, the dialogue writer, the music director,
00:38the final capital of ship, Mr. Mohit Swari,
00:42we give them a lot of mubarakwad,
00:45who has such a big hit with newcomers.
00:48It was very important for us to understand the history of the film.
00:53We have decided that at this festival,
00:58it is very important for us to know the experience.
01:03It is very good for us today.
01:07Thank you very much for coming.
01:16Mr. Mohit Swari, what would you like to tell us today?
01:25So, honestly, when Swari ji said that it is poetry and sangeet, I mean,
01:32Milan and this is how we are celebrating Indian cinema because we are so connected to the film.
01:38I don't remember that at that time.
01:40But when I came to the audience and saw the students,
01:44I remember the fact that this film started with the emotion.
01:48You know, it is amazing that the film's narrative
01:51never goes beyond the film thing,
01:54consciousness of business and that's not something that we can be.
01:57This is a cinema magic as we would say.
02:00When this film started,
02:02when I was in my office,
02:04a thought was that when the song is made,
02:07the lyrics are written,
02:08the lyrics are written,
02:09the song is made,
02:10it is not made in the recording room.
02:12If you listen to that song,
02:13if you listen to that song,
02:14then you have to take a moment to take a moment.
02:16If you have love,
02:18you have to take a moment to take a moment,
02:19you know.
02:20So, I think,
02:21with that thought,
02:22when I started with that song,
02:24there was a disease.
02:26What if you are losing the memories?
02:27Will the music bill get back?
02:29The mind forgets,
02:30but the heart always remembers.
02:32I think,
02:33cinema,
02:34the songs,
02:35they remember from the heart,
02:37not from the mind.
02:38And I think,
02:39I was so overwhelmed with the response
02:42that these students did here.
02:44I think,
02:45I wouldn't ask for better.
02:46This is one of the best platforms
02:47I've been to
02:48after the release of Sayyara.
02:49Thank you so much,
02:50Sumanji, for this.
02:51Welcome, welcome, sir.
02:52I'm,
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03:13I'm,
03:14I'm,
03:15I'm,
03:16I'm,
03:17you're,
03:18Thank you very much.
03:48Thank you very much.
06:14Thanks.
06:18Please.
06:20Doesn't comment.
06:26It's wonderful, my congratulations to all of you.
06:50Sir, what did you learn from all industry?
07:03First of all, why are you late late?
07:05No, actually, I was watching time.
07:09You can ask more questions.
07:11I don't remember this joke.
07:13If you question, whistleing boards has spoken,
07:17Russia komt ,
07:22In cinema, social media has been promoted.
07:25The conster is celebrated,
07:27It is celebrated.
07:34The con du puedes
07:36This is for history.
07:39This is for our own business.
07:43All of these people come and talk to their heart and talk to their students.
07:50I am very happy about the building that I have made or someone has made.
07:56The important thing is that our students, our alumni, our filmmakers have been through.
08:03They come and tell their children and hear their experiences.
08:12This is one of the finest event of the Whistling Wood, I would say,
08:30where everybody comes with the heart and mind.
08:35I would say that the star cast is unusual for newcomers.
08:44Even the executive directors get insecure because of the star cast.
08:49So, what was initially when you were expecting the production of the show?
08:56You must think about it.
08:58Honestly, what you are asking is the insecurity of every filmmaker's mind.
09:04There is no doubt about it.
09:06Even after the success of Sahiya, I called Subhaj Ji when I was in Poonam.
09:13I was thinking about it.
09:15I said, sir, I am thinking about who to write.
09:17Which actor?
09:18And he said, you are now from this.
09:20How can you think like this?
09:22If you start.
09:23I thank seniors that came, Adi sir.
09:25I actually went with ideas of using an established star cast to justify.
09:30But I thank him.
09:31I remember that this writer, Sankalp, who is my assistant,
09:37he said, don't talk about newcomers.
09:41And even Rohan.
09:42My team was very supportive.
09:43But I was very happy.
09:44I was very happy.
09:45I was very happy.
09:46When I put my life in the script, I didn't make a picture.
09:50So, I didn't get the budget.
09:53But I was very happy.
09:55You know, the thing is, I have realized that most of the senior people over here,
09:59who are film makers, if you look at this story, they could not be anyone.
10:05The first love, I don't think, can happen.
10:07I mean, it happens in the age of 40, but I think it's very unusual.
10:11But I remember, Adi sir, when I read the script,
10:14why wouldn't you make this with newcomers?
10:16I said, sir, who would make this with newcomers today,
10:18in the world, in this budget with newcomers?
10:20Because newcomers would not be able to make a box of film.
10:23The big-big stars of the kids were released on OTT.
10:28I didn't have a very difficult thing.
10:31But I cast right for the film.
10:33I think what has become very good in today.
10:35And I think, sir, that's all right.
10:37Casting right is correct, no?
10:39Right casting is the right word.
10:41Yes.
10:42Right subject, right casting, and collaboration, and love between the units
10:48is extremely important to make a good film.
10:51The moment they come under pressure of a star, or a financer, or a studio,
10:57they have to go through a lot of obstacles, and the soul of story is destroyed.
11:04Am I right?
11:05That's true.
11:06You win the battle, but lose the war, I think, if you just cast wrong for it.
11:11And we've made those mistakes.
11:13But I'm so glad.
11:14Imagine after the success of Sayyara also.
11:16I still called Subhajji.
11:18And I said, I'm writing for whom?
11:20So he said, you write for yourself.
11:22Serious words.
11:23Serious words.
11:24It's too classical.
11:37I was so glad that I was in my house.
11:38And, if you go to the bathroom, I was completely smartly a wall with pictures, posters, and you feel so small about yourself.
11:46Our progress reports have been done.
11:49You just realized, you don't mess with classics, I think.
11:53And the music, to live up to that, there is pressure to get rid of your music.
11:57Subhajji's music is about to get rid of it.
12:01As I tell you, I and Mithur are also sitting in music today,
12:04Subhaj Ji has a reference for five songs every time.
12:09How can I live up to that?
12:12I think classics should not be messed with and they should remain that way.
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