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00:00ред
00:01ред
00:30Venus King
00:34I myself
00:39I myself
00:39But
00:45It's a complete, complete disgrace
00:52I want to ask
00:54From this
00:56My heart is so agradec
01:00My feeling is so upbeat
01:01I want to ask you
01:03What I want to ask you
01:08How can I tell you
01:10How can I hold a constant
01:13Principle
01:13That one
01:15If only one
01:18You can't lie
01:19I don't know
01:20What can I tell you
01:23KUNSA TALENT DECKLIA IS HIRINEME?
01:25JISSE OUTSHAKER
01:26IS COLLEGE KEY TACPORS
01:28SJAANE KEE BHOUN HO GUEH GUEH HO MUDH SE
01:31ARAI MENAY NETO
01:32IS
01:33BICARAE KHO
01:35APNE COLLEGE MEN
01:37APNI FUTURE SETADIES
01:39KANTINUYU KERNINIU KERNEN KEOFFER DEE THI
01:41TAKA BOU IS
01:43COLLEGE KEY E FAKHR KA BAIHIS BUN SAKAY
01:45CHER
01:47JO HONA THA WOH HOGA
01:49AB MAIN CHAUDTA HUNG KE
01:50рдореЗрд░реА рддрд░рдм рдЖрдк рд╕рдм рднреА рдЗрд╕ рдиреМрдЬреЛрдорд╛рди рдорд┐рд╕реНрдЯрд░ рд╢рд╛рдЬрд▓ рдХреЗ рдЖрдЧ рдХреЗ рдпреЗ рдирдореВрдиреЗ рджреЗрдЦ рд╕рдХреЗ
02:00рдЬрд┐рд╕рдХреА рдмрд┐рдирд╛ рдкрд░ рдореИрдВрдиреЗ рдорд┐рд╕реНрдЯрд░ рд╢рд╛рдЬрд▓ рдХреЛ рдХрд╛рд▓реЗрдЬ рдмреЗрдВ рдПрдХрдорд┐рд╢рди рджрд┐рдпрд╛ рд╣реИ
02:05рдорд┐рд╕реНрдЯрд░ рдХрдорд╛рд▓ рджрд┐рдЦрд╛ рджреЗ рдЗрд╕рдХрд╛ рдпреЗ рдЬрдорд╛
02:50Sorry, sir. Please, forgive us. We have understood your judgment wrong.
03:00Yes, sir. We are really, really sorry.
03:04Sir, please, forgive us. Please, sir.
03:07No, no, no, no. No, boys and girls. No, no, no, no, no. Don't be so apologetic.
03:12If it becomes a mafia, then it becomes only Ms. Huram's side.
03:20And that goes directly to Mr. Shazir.
03:24Sorry, Ms. Huram.
03:30Excuse me, sir.
03:32Ms. Huram.
03:34I will tell you that you will get a peace from my side.
03:39Ms. Huram.
03:41Come on, please.
03:42Se esto no es f├бcil.
03:47Esferimos.
03:48Empezamos.
03:50Yer y trafficking.
03:54Mejor Las West.
03:56Se lo pide.
04:00Huram, Huram, listen to my story. Where are you so angry?
04:20Tell me, how do you get so hard?
04:23By the way, our three rules were left.
04:26You're running back in the first place.
04:28And if it's going like this, how do we get so hard?
04:34Which thing?
04:36What kind of thing?
04:37Your mind is lost.
04:38If I don't want to meet you, I don't want to give you this word, why don't you read me?
04:42Why don't you leave me alone?
04:43Because no one doesn't give me any trouble.
04:47And no one doesn't give me any trouble,
04:49because of his life, it will hurt him.
04:51It's not like that.
04:53You're wrong.
04:55For me, there's no feelings in my heart.
05:03Your chapter is closed.
05:05Okay.
05:06Then why don't you leave me alone,
05:08why don't you leave me alone in your mind?
05:10Because you're afraid.
05:13You don't do it in front of me.
05:15That's why you're running away from my love.
05:18You're starving.
05:19You're starving.
05:20You're starving.
05:21You're moving so far.
05:22And you'reтАж
05:23That's not the question, Mr. Shahsir.
05:24You're lying.
05:26You're lying in your head or you're running away, huh?
05:28What's the pleasure?
05:30So you're going to college and you're going to get your married.
05:33What's your problem?
05:35I know.
05:37At this point, there's a fight in my mind.
05:41You don't want to see your love.
05:44And I can't see it in any way.
05:49Do you know?
05:54I've never thought that I could tell you.
05:59I've never thought that I could tell you.
06:04I hate you.
06:11I really hate you.
06:13If you say hate, what do you think? Justify it?
06:16Never!
06:29Short.
06:30Short.
06:31Justify it.
06:34Short.
06:35Short.
06:36Short.
06:37Justify it.
06:38Short.
06:39Short.
06:40Short.
06:41Short.
06:42Justify it.
06:43Short.
06:44Short.
06:45Short.
06:46Justify it.
06:47Short.
06:48Short.
06:49Justify it.
06:50Short.
06:51I don't want to see you.
06:52I don't want to see you.
06:53Short.
06:54I don't want to see you.
06:55I don't want to see you.
06:56I don't want to see you.
06:57I don't want to see you.
06:59I will not see you.
07:01You will find that way.
07:03I can fly away from my heart.
07:05I'll be here, I'll be here.
07:35I love you.
07:38You hear me?
07:41I hate you, Shahzad.
07:47I really hate you.
08:05I'll be here, I'll be here.
08:15I'll be here, I'll be here.
08:25I'll be here, I'll be here.
08:33I'll be here, I'll be here.
08:37I'll be here.
08:39I'll be here.
08:41I'll be here, I'll be here.
08:47I'll be here, I'll be here.
08:49I'll be here.
08:51What's wrong? What's wrong? You called me at the show?
08:58I don't know what happened. My father is going through the roof.
09:02Relax. Relax. There's nothing like that.
09:06No, no. There's nothing. There's nothing.
09:09You called me at home. Why would you?
09:12Off the record, there's nothing. Tell me, tell me. What's wrong?
09:16I'm just kidding.
09:18How do you feel?
09:22Look, if I want to, I could do this with my uncle.
09:31Then I could say to my father.
09:34But I'm not comfortable.
09:39That's why I'm a girl.
09:45What's wrong with me?
09:47Tell me, you're getting tension.
09:51I want to leave after Akbar's marriage.
09:55Huh?
09:57And then, we'll go out of the country for always.
10:05What?
10:11Yes.
10:17What?
10:23Why would you let me go?
10:25I'll call you everybody.
10:34I such an Such amazing.
10:35How did you decide on the date?
10:37After this, three weeks later, on 24th.
10:41Oh, boy.
10:43Did you start a degree?
10:44And did you start a new job?
10:47No job.
10:48But I think that I have kept it in the job.
10:50I'm the boss.
10:52Oh, my God.
10:53Does this mean that our brother-in-law is doing well?
10:58Don't worry.
11:00Like,
11:01he doesn't look at our new student.
11:03He's always looking at it.
11:05Why?
11:06He didn't want to forgive him.
11:08Yes.
11:09Just understand that.
11:12You should do it, don't you?
11:13After all, that's our principal's favorite student.
11:17I'm going to get his head off now.
11:20Of course.
11:22Okay.
11:35How?
11:36How?
11:37How?
11:38How?
11:39How?
11:40How?
11:41How?
11:42How?
11:43How?
11:44How?
11:45How?
11:46How?
11:47How?
11:48How?
11:49How?
11:50How?
11:51How?
11:52I'm sure you're gonna kill me
11:57I'm sure you're gonna kill me
11:59You'll need to kill me
12:01Why are you doing so far?
12:03How?
12:05I'll see you too
12:07How many times are you doing this?
12:09I'm gonna kill you
12:20What?
12:22Do you regret it?
12:25I forgot your special feature.
12:28I forgot too.
12:30How do you treat people like you?
12:35This is a good thing.
12:38With your memory, there will be many memories in your memory.
12:42That's why you...
12:44...lutn't...
12:46...lutn't...
12:48...lutn't...
12:50...cham-cham...
12:52...raskula...
12:54...barfi...
12:55...and this is also a muntani halwa.
12:57What do you want to eat?
12:59Wow.
13:01How do you feel so good?
13:03Yes.
13:05Your personality has already changed.
13:08180 degree.
13:10Your character has changed.
13:13I'm 360 degree.
13:15What do you want to do?
13:17I can go to any degree for you.
13:21Just behave.
13:31You don't have to do your mind.
13:37You keep well.
13:40Let's go.
13:42...
13:44...
13:46...
13:47...
13:48...
13:52...
13:53We are both saying that we are going to go and go and buy it.
14:02And let us know that we are going to be happy with you.
14:23Mmm!
14:35You're so nice in this.
14:37I mean, I still have a taste of my ruch.
14:40Tell me, right?
14:42Anyway.
14:44What's your card on the wedding?
14:46You're not invited.
14:48No.
14:50I'm going to get a winner in any state or any state.
14:54Yes.
14:55How?
14:56From what extent?
14:58Or you're going to be wrong with me?
15:03So my ruch is good.
15:06And I want my respect to love as much as I look at.
15:11It's lower than the ruch.
15:19You live to know that.
15:20It's a fool.
15:21It's more steep than I ought to live there.
15:24Ah!
15:26That's what you're living in me.
15:27You are like this.
15:28You are so nice.
15:29What do you want to live in my life?
15:30That's what you want to live in.
15:32You are the only one who lives in my life.
15:36You are the only one who lives in my life.
15:39You are the best
15:41You are the best
15:43This earth
15:47We will meet
15:49What if
15:51We will meet
15:53That time
15:55That time
15:57That time
16:05Wow, baby, your food
16:07It's 10 out of 10
16:09Thank you
16:11Okay, tell me
16:13What's your love story?
16:15What do I say?
16:17I'm going to play the scene of this love story
16:19And there is a place where it is
16:21It's been ended without the climax
16:23What do you mean?
16:25It's been married for coming 24
16:27So then?
16:29What do you do now?
16:31What do you do now?
16:33What do you do now?
16:35I know
16:37When the man is in front of him
16:39He will not be able to accept any kind of thing
16:43Okay
16:45Then
16:47Go on to his wedding
16:49And
16:51Go to the car and put it on the car
16:53Yes
16:55Of course
16:57Put it on the car and put it on the car
16:59And
17:01Then
17:03Then
17:05I'm going to have a lot of money
17:07Hmm
17:09The plan is good
17:11But
17:12It's a little difficult
17:13Because
17:14Huram won't invite you to your wedding
17:16And
17:17You don't know anyone from his family
17:19I know
17:20But
17:21There is a path
17:22If
17:23The one
17:24The one
17:25The two
17:25The other
17:26The one
17:27The other
17:28The other
17:29Okay
17:30Okay
17:31Let's eat
17:32Let's eat
17:33Let's eat
17:34Let's eat
17:35Our favorite
17:36You will never accept me, Meavish. We will run away from one another.
17:43No, Dhanish. I can't do this with this. If I do this, my whole Dhanish will be wasted.
17:49It will be a disaster.
17:51Then tell us what are we doing, Meavish?
17:54According to me, Dhanish and Meavish should drink a good chai.
17:58Adraqwali, what can I do? Can I get a solution?
18:01No, we don't need anything. Go here.
18:04Okay, no problem.
18:06Okay, then I'll do a job.
18:08This time, I'll send my mother to you again.
18:11Those people will not believe very difficult.
18:13I'll die, Meavish.
18:15I won't live without you.
18:17That's why I keep your love, love and love.
18:21Because whatever you want to live,
18:24your body, your body and your mind should be calm.
18:27Who is this fool?
18:29He's coming back and forth.
18:31He's going to disturb us.
18:32Mahgul, who is this fool?
18:33He doesn't know that much.
18:34He doesn't have to give you a passing.
18:35He doesn't have to say the dialogue.
18:36Sir, how many talents are passing in passing?
18:39And I don't want to die.
18:41No, no, no.
18:42Who is this fool?
18:44Take me off and throw my head.
18:45I don't see anything.
18:46I don't want to say anything.
18:48I don't want to say anything.
18:49Sir, I don't want to say anything.
18:50Sir, I'm going to say anything.
18:51Sir, listen to me.
18:52Listen to me.
18:53Listen to me.
18:54Listen to me.
18:55Listen to me.
18:56I'm a superstar.
18:58I'm a superstar.
19:00Cool.
19:02You don't know who has left you.
19:04I'll see you guys in Oscars!
19:06Oscars!
19:36Do you have any comments then?
19:37Yes.
19:38That's right.
19:39There's a small character.
19:41I'll explain to you the same way.
19:43Okay boss, okay!
19:47Somebody stop me!
20:03My wife is my marriage.
20:07And my own girl is my wife.
20:12My wife is my wife.
20:15And my old girl is my friends.
20:21You have my wife.
20:25My wife is my kids.
20:32My wife is my wife.
20:36My wife is my wife.
20:39My wife is my wife.
20:41My wife is my wife.
20:43My wife is my wife.
20:45My wife is my wife.
20:47My wife is my wife.
20:52Let me give you all your rights,
20:55you will be married to your woman.
20:57Let's go and get out of the mobile.
21:00Daku, Daku.
21:02Daku, Daku.
21:03Dude, I can't give you a mobile.
21:06Family photos.
21:08I'll work.
21:10Take the wallet.
21:11Please.
21:12Take the wallet.
21:14Now you're my wife.
21:16Take the mobile.
21:17I can't give you a mobile.
21:19Take the bag.
21:21Leave it in this bag.
21:23Leave the mobile.
21:24You don't feel me.
21:26Leave it.
21:27Hey!
21:29Come on, kids.
21:31I'll leave the wallet.
21:33Come on, Saman.
21:35Come on, Saman.
21:36Come on, Saman.
21:38Take the wallet.
21:39Take the wallet.
21:40Take the wallet here.
21:49Shazir.
21:50Thank you, thank you, thank you, thank you.
21:53You're coming in the right way, man.
21:56You're coming in the right way.
21:58You're coming in the right way.
21:59Okay, okay, relax.
22:00Come on, let's go over here.
22:01Maybe he'll come and come and take the wallet.
22:03And take the wallet?
22:04No, no, no.
22:05Bro, bro, you have to stay with me, man.
22:07You have to.
22:08Please, my marriage is 24th.
22:09Okay, okay.
22:10I'm with you.
22:12Yes.
22:13Just do one thing.
22:14You will come in and get back.
22:15I'll go in and get back.
22:16Get back and get back and get back.
22:18Get back.
22:19He's madly in love with that girl.
22:44He's madly in love with that girl.
22:50She's madly in love with that girl.
22:54How long have you been in love with that girl?
22:59But how happy I am today.
23:02Thank you, Sufyan.
23:07Don't worry about it.
23:11The world wants to do anything.
23:14No one can't stop the girl from that girl.
23:21I'm ready to go back to the light.
23:24I'm waiting in the lobby.
23:26I'm waiting for you.
23:35What a disaster!
23:36How long are you going to go?
23:37I'm sorry.
23:38I swear, my brother loves you very much.
23:42What a cause.
23:56How much time is this?
23:58That's such a great plan, leave it.
24:00I'm sorry but I'm sorry.
24:02My brother loves me.
24:04He is at the same time, see the handle.
24:06He is at the same time.
24:08He is at the same time.
24:10Please, don't let me go.
24:14Okay.
24:15So, this means that you can do anything, right?
24:18Anything.
24:19It's also the owner's owner.
24:21Ten out of ten.
24:23What did you do?
24:25Why not?
24:40What?
24:42Oh!
24:43Oh!
24:44Oh!
24:45Oh!
24:46You're going to climb up!
24:47And you,
24:48you're going to be very sad to me.
24:53But I'll go like a dream.
24:55Do you understand?
25:00Let's go, idiot.
25:10Oh!
25:11Oh!
25:12Oh!
25:13Oh!
25:14Oh!
25:15Look at this, there's no doubt that a human brain
25:17is more than the human brain.
25:20It's really, very complicated.
25:23And that's why,
25:24however,
25:25all of the big artists around the history,
25:27after seeing all of them,
25:29we're looking for a long-term view.
25:33I'm going to show you a example.
25:35The Lady of Charlotte.
25:37Let me clear you one thing.
25:39This is not an original painting.
25:41This is only a replica.
25:45Yeah.
25:48And Ms. Huram,
25:49can you please tell us something about this painting?
25:52What do you see about it?
25:56Sir,
25:57maybe
25:59my words
26:00can't describe it correctly.
26:02But
26:03the way I understand
26:04the work of John William Waterhouse
26:06I can understand
26:07a little bit.
26:08I see an illusion.
26:10I see an illusion.
26:11If you take Aphiria
26:12or the magic circle,
26:14all of them
26:16you can see only one thing.
26:19But
26:20the world is visible.
26:22Oh, wow.
26:23That's very good to describe it.
26:25Where are you?
26:28Hi.
26:29I've come here.
26:30Who are you?
26:31Sir, my name is Shazil.
26:33I've already had an ambition in this college.
26:36Maybe you don't understand me.
26:38Yes, I remember.
26:39The protest boy.
26:40So why are you so late?
26:43Sir,
26:44he actually made a prank with me.
26:46He threw his chabby
26:49and said
26:50if he can't get up,
26:51take him.
26:56Silence, please.
26:57Professor,
26:58I don't really like you.
27:00Hmm.
27:01That's right.
27:02But
27:03it's very sad.
27:04So,
27:05what do you think of chabby
27:06as well?
27:07Of course, sir.
27:09I can't tell you.
27:10I can't tell you.
27:11How can I tell you?
27:12So,
27:13who is he?
27:14Sir,
27:15who is he?
27:16Actually,
27:17my grandfather said.
27:18If you will keep someone's door,
27:19then
27:20I'm sorry.
27:21Very well said.
27:22Come on.
27:23Come on.
27:24Come on.
27:25Come on.
27:26Come on.
27:27Come on.
27:28Come on.
27:29Come on.
27:30Come on.
27:31Very well said.
27:32Come on.
27:33Come on.
27:39Yes, Mr. Shazil.
27:42What do you see in this painting?
27:44Sir,
27:45I'm looking at my heart's door.
27:51What rubbish.
27:52I told you,
27:53I'm not a painter.
27:56Sir,
27:57I'm absolutely right.
27:58In my opinion,
28:00the importance of anything,
28:01whether it's beautiful,
28:03it's beautiful,
28:04it's beautiful,
28:05it's beautiful.
28:06In this world,
28:07any expression to feel,
28:09the heart is very necessary.
28:13That's why I always call my heart's eyes.
28:17When the heart is the city of the soul,
28:19the city of the soul.
28:21Now,
28:22we're back to the painting.
28:23I'm looking at this painting.
28:24I'm looking at this painting
28:25which has been sitting on my head.
28:27But it doesn't know where to go
28:29or where to go.
28:32And this decision
28:33is not done.
28:34It's very good.
28:36It's very good.
28:37It's very good.
28:38It's very good.
28:39You're so passionate about painting.
28:41Yes, sir.
28:42It was my hobby.
28:44It's my job.
28:45It's my job.
28:46It's my job.
28:47Turn on my foot.
28:48Good.
28:49So,
28:50students,
28:51it's a very important announcement
28:53for you.
28:54You know,
28:55that we're going to the inter-college
28:56painting competition.
28:58And whatever you're interested
29:00I want to say
29:01for a week,
29:02they're going to submit
29:04their painting.
29:05And you,
29:06Mr. Shazil,
29:08I need your best.
29:10You'll get it, right?
29:11Senator Senza.
29:12That's desperate, boy.
29:14So, see you.
29:15I'll see you.
29:16I'll see you, inshallah,
29:17Phil.
29:23In three days,
29:24I won't be able to make a painting
29:25in three days.
29:27Thank you,
29:28Horam.
29:29You're laughing at me.
29:30You forgot to laugh.
29:31You didn't say that.
29:32Don't say that.
29:33Don't say that.
29:34One time,
29:35the truth will come in front of everyone.
29:37Then,
29:38I'll be like this.
29:39But, Horam,
29:40if he was a real painting
29:42then,
29:43not possible.
29:45You believe
29:46or not.
29:47But he's not a painter
29:48or anything.
29:49We're just making
29:50all of them.
29:51But,
29:52why will he do that?
29:53That's because
29:54you don't understand.
29:56But,
29:57hats off
29:58to Professor Khushit.
29:59He's so good
30:01and he's so happy
30:02that he's got fun.
30:03We're starting to see
30:04what he's making
30:05and what he's making.
30:06It's like
30:07that after his class
30:08he lost.
30:09You noticed
30:10that?
30:11Yes.
30:12that's because
30:13he's making paintings.
30:14God bless you
30:16to his thoughts.
30:22Come on.
30:25I've never made paintings
30:27so much
30:29that I've made
30:30in my mind.
30:31I'm going to
30:33look at them.
30:34I can't...
30:35I can't move them.
30:36It's just...
30:37What do you think,
30:38Principal?
30:39What do you think,
30:40Principal?
30:41What do you think,
30:42what do you think,
30:43my heart will go?
30:44No.
30:45But yes,
30:46Taurus can certainly
30:47get angry.
30:48What do you want?
30:49What do you want?
30:50What do you think,
30:51my heart will be
30:52totally fine.
30:53How are you moving?
30:54Absolutely fine.
30:55And what is this,
30:56Principal?
30:57Now,
30:58you can understand
30:59what is this
31:00so much time
31:01that is not
31:02I mean,
31:03besides the other
31:04I have to sort it
31:05No, don't think about it. I'm not going to remove all the stones from your path.
31:12Okay, just a shazal tell me, please, house, Venice, Venice, okay, that's nice, right?
31:21Very nice. In fact, Harwap Tauris keeps playing with the players.
31:25You must believe that when your daughter is back, you will see her in her daughter.
31:31Hey Shazie, where are you? What are you going to take?
31:37Yes, I'm coming.
31:40Shazal Baba, this is coffee.
31:44No, I don't.
31:46Give this to the principal.
31:49He will keep them in place.
31:52Okay, principal, I need your best work.
31:56Yes, don't think about it. You will get the best piece of work.
32:01Of course.
32:02Otherwise, you will be rest in peace.
32:07What's that, Shazie?
32:08Didn't you feel good?
32:09No, no, no. It was very good.
32:12Of course.
32:15What's that, principal?
32:17Didn't you laugh today?
32:19I'm..
32:20I got it.
32:22I got it.
32:23I got it.
32:24I got it.
32:26Oh, my God.
32:45Hello, Zoya. How are you?
32:48I'm very good. And that's just for you.
32:51Hey, what did I do?
32:53And listen, I don't have to do anything like that, okay?
32:57Okay, fine. I won't say that.
32:59By the way, I have fixed your meeting with Papa.
33:02Tonight at 11 pm, okay?
33:04Wow! That's great, Zoya. Thank you so much.
33:08Just remember one thing, Zoya.
33:10Don't know this about Daddy. Please.
33:13Don't worry. I won't know. I promise.
33:17Thank you so much.
33:19Bye.
33:23Bye.
33:45Ah, Aunty. Hello. How are you?
33:47I'm fine. How are you?
33:49I'm fine. Aunty, I got it.
33:51This is my love, dear brother.
33:53That's the reason why you are here today.
33:57Why are you hurting me?
33:59That's my mother.
34:01Oh, I'm sorry Aunty, I have called you. I forgive you.
34:04I forgive you.
34:05I forgive you.
34:06I don't want to ask my mother.
34:08I want to ask my mother.
34:10Are you the one who was with the principal?
34:15Yes, I am.
34:17I forgive you.
34:18Actually, that day our principal's car was bad.
34:21So, I came to my car.
34:23Okay.
34:24So, you also study in this university?
34:27Yes, of course.
34:28Hmm.
34:29So, the interior of this house is so simple.
34:32It's very autistic.
34:34If you don't mind, I can visit you at home.
34:38Can you tell me?
34:39My mother.
34:40Okay.
34:41Yes, why not, dear brother?
34:44You are your own.
34:45Go.
34:46Thank you, dear brother.
34:47Thank you, dear brother.
34:52My brother is an artist.
34:54Look at his expression.
34:56What happens?
34:57Wow.
34:58But, dear brother, you should tell me
35:01you should tell me
35:03that you are watching my brother with me.
35:04I don't want to take some food.
35:06Why do you think about it?
35:08My brother.
35:09I'll take care of everything.
35:11I'll take care of everything.
35:12I'll come too.
35:31You're the best.
35:56You're the best.
35:58You're the best.
36:04Make a painting like this
36:06that it's cheap.
36:08You should see the whole college.
36:15You can do it.
36:17You can.
36:28You.
36:30You.
36:31You.
36:32You.
36:33You.
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