- 2 days ago
An American couple travel to Italy to interview a fading rock star at his girlfriend's opulent countryside estate. As the weekend unfolds, their glamorous escape becomes a labyrinth of tortured relationships, unspoken desires, and dark secrets. Beneath the charm and allure, hidden motives simmer, pushing everyone toward a shocking confrontation.
Category
🎥
Short filmTranscript
00:00:00You
00:00:30You
00:01:00You
00:01:02Why didn't you tell me?
00:01:04Yes, I told you
00:01:05No, I wouldn't be left if you told me
00:01:07But you know that I exist
00:01:08Of course you know
00:01:09We have an open relationship
00:01:11No, I don't believe
00:01:12I want to talk to you now
00:01:13I'll tell you
00:01:14Your affairs
00:01:15Your affairs
00:01:30What?
00:01:32I
00:01:34I
00:01:36I
00:01:38I
00:01:40I
00:01:42I
00:01:44I
00:01:46I
00:01:50I
00:01:52I
00:01:54I
00:01:56I
00:01:58I
00:02:30You're going to look at me like an ass, just feed me a carrot.
00:02:34You're lucky I don't have my riding crop.
00:02:35Am I?
00:02:40Are you prepared?
00:02:43Yeah, I'm good.
00:02:44He has to like you, okay?
00:02:45Everybody likes me, Dylan.
00:02:47Okay, well, just make sure to bring up the painting at some point tonight.
00:02:50Mm-hmm.
00:02:51Good.
00:03:00Thank you so much for arranging this.
00:03:14It's my pleasure.
00:03:15Yeah.
00:03:15Please.
00:03:24Please.
00:03:32This synth, man.
00:03:34This synth, it tickles me.
00:03:38Yeah.
00:03:39Feel it.
00:03:40Yeah, you know, it's the Juno.
00:03:42It's all over banana fish bones.
00:03:44Of course, the cure.
00:03:45Come here, come here, come here.
00:03:48Yes.
00:03:49Yes.
00:03:49Of course.
00:03:50Dylan, by the way.
00:03:51Dylan, Milo.
00:03:52Good to me, man.
00:03:52Yeah, you too.
00:03:53Glad this worked out.
00:03:54Me too.
00:03:54Thanks for doing this interview.
00:03:55Oh, man, pleasure.
00:03:56Days Magazine.
00:03:57Very special place in my heart.
00:03:59I see you brought a little sous chef.
00:04:01Oh.
00:04:02Lucy, my girlfriend slash third eye.
00:04:04Aye.
00:04:05Oh, straight to it.
00:04:13Straight to it.
00:04:14How do you want to be shot without asking?
00:04:15You can shoot me all day long.
00:04:17Okay, just a few more.
00:04:23Do you care what people really think of you?
00:04:27Yeah, man, don't you?
00:04:30Well, I guess it depends who it is.
00:04:32And what are they looking at, me or their image of me?
00:04:36Hearts to Cure, your third album.
00:04:40Tell me about it.
00:04:51Am I making you nervous?
00:04:54Are you happy with it?
00:04:56Yeah, man.
00:04:56Are you?
00:04:58Huh?
00:04:58Do you like it?
00:05:00Yeah.
00:05:00Okay.
00:05:01Yeah, man, best yet.
00:05:03It's, um, you know, it's about the in-between, the liminal.
00:05:09You know, when you're in transition between two states of being after something ends unexpectedly.
00:05:16You've got to pull that shit in and embrace it.
00:05:19I like working with artists.
00:05:20Peter Green's band had grit, but they did not have the heart, man.
00:05:31Yes.
00:05:31Like, fine, you're a fucking genius, but, like, make me feel something.
00:05:35Yes.
00:05:35Yes.
00:05:36That's what I'm talking about.
00:05:38Jesus.
00:05:39You can just get a room or something.
00:05:40Michael?
00:05:42Yeah.
00:05:43Excuse me, I'm, I'm sorry for, I never, I'm a huge fan.
00:05:49I never, ever, usually do this.
00:05:53Can I, can I ask for your autograph, please?
00:05:56Yes.
00:05:56Please.
00:05:57Maybe you got something.
00:06:01Yeah.
00:06:05Um, maybe, maybe, here.
00:06:08All right.
00:06:09I'm not, I'm not.
00:06:11You see, you want me to fucking do this?
00:06:15Oh, my God, I'm so, I'm so sorry.
00:06:30I really, I don't want to.
00:06:37Okay.
00:06:39I'm Francesca.
00:06:40Your fucking face.
00:06:42Oh, I hate this term.
00:06:45You know, art is art.
00:06:49Life is performance.
00:06:51Hmm.
00:06:52At least you have the courage to live it out on stage, right?
00:06:55Firemen are courageous.
00:06:57Francesca likes wigs.
00:06:59Francesca also likes firemen.
00:07:00Does she?
00:07:01Yeah, she does.
00:07:02No, it's true, it's great what she does, performing.
00:07:04It is.
00:07:06You know, I find my freedom in the realms of eccentricity.
00:07:10And I'm also a sculptor.
00:07:13Yeah.
00:07:13Yeah.
00:07:14I couldn't fucking do it.
00:07:17Well, baby, your business won't tolerate a point.
00:07:20That's not what I meant.
00:07:23The feeling comes through.
00:07:25Always.
00:07:26Hmm.
00:07:26Well, you know, like, before.
00:07:30Before what?
00:07:31Before they got their hooks in him.
00:07:32I'm sitting right here.
00:07:34Yeah.
00:07:34You know, you can do better.
00:07:40See, this is why I love her.
00:07:42Because she fucking brings me down to earth.
00:07:50You can't buy a painting like that
00:07:52and expect people to not talk about it.
00:07:55Baby, I have fucking talked it to death now.
00:07:58Well, you're going to talk more.
00:07:59I will, I will say something.
00:08:04I think that, I think a conversation piece,
00:08:08it, you know, it warrants a conversation, you know?
00:08:11So say something about it.
00:08:14Who said that?
00:08:15What?
00:08:15Who said that?
00:08:18Me?
00:08:19She did.
00:08:20Wow, that's, that's a good one.
00:08:27I would really love to, like, get a nice, um,
00:08:32like, photo portrait of you guys
00:08:34in front of the painting.
00:08:36Oh, fuck.
00:08:37If I could at any point.
00:08:38They should, you guys should come
00:08:41to Francesca's country house this weekend.
00:08:43Oh, no.
00:08:44Yeah, that would be, that would be great.
00:08:46Yeah, they should.
00:08:47They can't.
00:08:49I thought it's your son's birthday this weekend.
00:08:51But he's seeing his mom.
00:08:52I'm seeing him, just me, next weekend.
00:08:54You should come, come.
00:08:56That would be so fun.
00:08:57Oh, that would be crazy.
00:08:57I think, yeah.
00:08:58Done.
00:08:59Okay.
00:09:00I'm going to call you tomorrow.
00:09:01Where are you staying?
00:09:02Hotel De Russi.
00:09:04Oh.
00:09:04De Russi, we were just all past it.
00:09:06Did we?
00:09:07Fucking days must be doing well, man.
00:09:09Indeed.
00:09:10Yeah?
00:09:10Yeah.
00:09:11Okay, I'm calling you tomorrow.
00:09:13Bazzas.
00:09:14Ciao.
00:09:14Ciao.
00:09:15Ciao, ciao.
00:09:21How long do I have to stay in character?
00:09:24Just go with the flow.
00:09:32I need you to study your backstory for Lucy.
00:09:36Eh?
00:09:37Are you saying I don't get a break?
00:09:38No.
00:09:39They're going to ask us questions when we get there.
00:09:44Lucy's favorite color is pink?
00:09:46It's all in the details, babe.
00:09:49You really went to some effort.
00:09:53What is your real name?
00:09:56If I tell you, I have to kill you.
00:10:01Henry.
00:10:03And why are you doing this again?
00:10:07Because I need the money.
00:10:08That's all you need to know.
00:10:10And so do you.
00:10:11This is going to change your life.
00:10:13This guy is barely going to feel it.
00:10:15I know.
00:10:16I'm just like...
00:10:17I've stolen shit before, but I've never stolen something this expensive.
00:10:23Like, it's kind of terrifying.
00:10:32Anna.
00:10:34What do you have besides the clothes on your back?
00:10:40Exactly.
00:10:41You told me that you don't want to ever feel what it's like to be poor again.
00:10:48So this is going to give you the freedom to study your craft.
00:10:52Go on auditions.
00:10:53Be the actress that you were born to be.
00:10:58Lucy's role of a lifetime.
00:11:00One of many to come for you.
00:11:02Once we have the money, you can be whoever you want to be.
00:11:06Unless we get caught.
00:11:07One of many to come for you.
00:11:10One of many to come for you.
00:11:13One of many to come for you.
00:11:14Two of many to come for you.
00:11:18Woo!
00:11:20Three stuff, babies.
00:11:23Three steps.
00:11:28Oh.
00:11:30Yeah, man, I wrote the whole album here.
00:11:31No way.
00:11:32Yeah.
00:11:33It's amazing.
00:11:34Nice.
00:11:34I'm sorry.
00:11:40You said this was a country home.
00:11:43This is like a...
00:11:45It's gaudy.
00:11:48I mean, it's nothing I've ever really seen before.
00:11:50It's whatever.
00:11:55Wow.
00:11:56This is beautiful.
00:11:58Is it safe?
00:11:59What kind of security system do you guys have?
00:12:02We're good, we're good.
00:12:05You sure?
00:12:05We're good here, we're good here.
00:12:06Unless you're going to fucking cut me up into little pieces.
00:12:15Wow.
00:12:15Oh my God.
00:12:23Hey, hey, hey, what are you doing?
00:12:25Don't touch that.
00:12:26Put this down.
00:12:27It's a piece of shit.
00:12:29You're touching it.
00:12:30Oh, you like it?
00:12:35I made it.
00:12:37Really?
00:12:37Yeah.
00:12:38You made that?
00:12:39Yeah.
00:12:40It's beautiful.
00:12:41It's amazing.
00:12:44Well, maybe you should choose me with some of my work, too.
00:12:49No.
00:12:50No, no.
00:12:52What is the history of this place?
00:12:56Well, my father's Bulgarian.
00:12:59My mother's Italian.
00:13:01He gave her this palazzo as a consolation for leaving her.
00:13:06And here are your audio guides for this illustrious private tour.
00:13:10Press one for English.
00:13:11Two for French.
00:13:13Stop it, Milo.
00:13:14That palazzo is built in the 16th century.
00:13:16The ceiling is very high because the people were very tall.
00:13:1922 feet.
00:13:20And this room, it is so big for a very important cause.
00:13:25Oh, my God.
00:13:26Roller skating!
00:13:28Roller skating!
00:13:29I'm roller skating!
00:13:32Let's go, please.
00:13:32Let's go.
00:13:34So, uh, you were saying you picked it up where again?
00:13:36At an antique market in Antwerp.
00:13:38Antwerp.
00:13:39Yeah.
00:13:40Yeah.
00:13:41I thought it was worth shit.
00:13:44That was my present.
00:13:46I thought it was worth shit.
00:13:48I loved it.
00:13:48So, that's why you gave it to me.
00:13:49I loved it.
00:13:50I'm heartbroken.
00:13:51It turns out it's a fucking...
00:13:52Oh, my gosh, I'm heartbroken right now.
00:13:54It's an early 20th century master hiding in plain sight.
00:13:58Well, you have great taste.
00:14:00Yeah.
00:14:01Oh, wow.
00:14:01The unicorn is being domesticated by this unknown presence.
00:14:05Like, it's trying to contain its magic.
00:14:07That's why it's sad and trapped.
00:14:09It's like the fucking chair is choking it.
00:14:12Oh, no.
00:14:13Interesting.
00:14:14Yeah, you know, only a true...
00:14:17Only a true, pure soul can see a unicorn.
00:14:22Like me.
00:14:23You know, in some ways, it's kind of like there's this desire to be free,
00:14:27but then, on the other hand, it's as if it's choosing to sit on the chair.
00:14:32Maybe.
00:14:33Dude.
00:14:34As if by choice or something.
00:14:35Oh, my God.
00:14:39Come on, you stop it.
00:14:44Cheers.
00:14:44It's a great piece.
00:14:53Dude, how are we going to do this?
00:14:55What are you talking about?
00:14:55In the middle of the night, when they're drunk, be fine.
00:14:58We'll run off.
00:14:59I don't know.
00:14:59I really think that they're going to find out.
00:15:00I really think they're going to know.
00:15:02They're acting weird.
00:15:03No, they're not.
00:15:04I already slipped up.
00:15:05I really...
00:15:05Everything is...
00:15:07Everything is cool, okay?
00:15:09Just relax.
00:15:12Stick to the plan.
00:15:14They don't know us.
00:15:16They don't know us.
00:15:16They know Dylan and Lucy.
00:15:18Remember?
00:15:19Come on.
00:15:22Come on.
00:15:22Let's go.
00:15:22Chop, chop, chop, chop, chop, chop.
00:15:43Yeah.
00:15:44It's me.
00:15:46Did you send the gift to my son?
00:15:50Okay, I'm at France for the weekend, so just make sure it gets there, okay?
00:15:53It's important.
00:15:55Okay.
00:15:56Bye-bye-bye-bye.
00:17:27I haven't eaten in days.
00:17:34Like you're like at a six, I want like a ten.
00:17:36Like a...
00:17:37How's it going?
00:17:46We're growling.
00:17:48Okay, you're doing good too.
00:17:50Come here.
00:17:50I don't want to do that.
00:18:13Milo!
00:18:14Why?
00:18:15Stop!
00:18:16This is over.
00:18:16Okay, she's going.
00:18:20Chase the banshee!
00:18:21Chase the banshee!
00:18:23Oh, God!
00:18:24Chase the banshee!
00:18:25Bye!
00:18:25Bye-bye!
00:18:26Bye-bye!
00:18:35Bye!
00:18:35Bye!
00:18:37Bye-bye!
00:18:37Bye-bye!
00:18:38Bye-bye!
00:18:43so you've seen the devil then i've seen him hmm what does he look like that will show us a
00:19:02different face to everyone what face did you see emilia nicholson let's eat he just won't stop
00:19:11talking emilio the music manager right yeah man lied to anyone who trusted him stole from anyone
00:19:20who loved him taught me everything i knew and you work together
00:19:24what kind of journalist are you
00:19:33what do you mean it's his father you don't know that
00:19:40i am emilio nicholson jr man basta amore hey you're milo nix
00:19:49how long have you guys been a couple
00:19:54oh us feels like forever really long time
00:20:01how about you guys how long have you been i have no concept of time or space
00:20:09we always had this organic fluid kind of love you know different parameters different
00:20:18times it can't be an easy arrangement for either party someone always gets hurt
00:20:26what about the others then they know the deal
00:20:31i mean someone always must want more i'm number one always
00:20:39yeah i always thought when i got older i'd retire from my sexuality
00:20:44excuse me
00:20:58fuck
00:21:02i'm good i'm good
00:21:06oh hey man hey yeah oh shit
00:21:12oh shit
00:21:14shit okay come sit
00:21:16look at that
00:21:20yeah
00:21:22yeah
00:21:31you good
00:21:32yeah
00:21:33you sure
00:21:35thanks
00:21:51you
00:21:53you
00:21:55you
00:21:59you
00:22:01you
00:22:03you
00:22:29you
00:22:31you
00:22:32yeah he's a bit of a bleeder
00:22:34he's annoying
00:22:36he's a writer
00:22:38thin skin
00:22:40how'd you guys meet
00:22:48um
00:22:52we met in a
00:22:55airport
00:22:57in istanbul he was doing a um
00:23:01a job story there
00:23:03most love at first sight
00:23:06he's a good guy
00:23:11i can tell
00:23:13yeah
00:23:15he's great
00:23:18and what about you
00:23:21francesca has francesca has always been number one
00:23:24has francesca always been number one
00:23:27no
00:23:28hmm
00:23:30and someone else
00:23:31tell me
00:23:34it's weird
00:23:35it's weird
00:23:36it's weird
00:23:38you actually remind me of her
00:23:40me
00:23:41yeah she was fun
00:23:46but she hurt me
00:23:49huh
00:23:51typical right
00:23:54uh
00:24:01and
00:24:06and
00:24:10uh
00:24:13Oh, sorry.
00:24:40Yeah, please knock.
00:24:43Sorry.
00:24:45Hey, not looking.
00:24:47Just want to know what happened with Milo?
00:24:50Uh...
00:24:51You actually remind me of her.
00:24:53I did what you said.
00:24:55You didn't know Sarah.
00:24:56Okay.
00:24:57Thanks.
00:25:02I don't think they fuck enough.
00:25:04Maybe, but there must be something else.
00:25:08Like, he's awkward with her.
00:25:10You know?
00:25:12So what are you saying?
00:25:14You don't want them here now?
00:25:16No.
00:25:17That's not what I'm saying.
00:25:18I'm just saying that...
00:25:19I need this profile.
00:25:20Yeah?
00:25:21I'm not like you.
00:25:22I actually have something for press.
00:25:25So then you'll get it.
00:25:29You always get what you want.
00:25:31No.
00:25:32We could just share the bed.
00:25:33I'm not sharing a bed with you.
00:25:34I'm not gonna come near you.
00:25:35I'm gonna be right here.
00:25:36Why can't you have the floor?
00:25:37It's gonna be fine.
00:25:40Fine.
00:25:41You just have to be on top of the sheets.
00:25:43Okay?
00:25:44What is this?
00:25:46It's my lion.
00:25:47I told you not to steal anything.
00:25:49Why do you put this in there?
00:25:50Because I wanted it.
00:25:51They don't need it.
00:25:52No.
00:25:53No touching.
00:26:02Whoa.
00:26:03Hey.
00:26:04Hmm?
00:26:05Check it out.
00:26:08You know, there are a lot of things in here that we could take.
00:26:10And then we don't need to do the painting.
00:26:12I just feel like it's gonna be really hard to get.
00:26:14If it's like in the living room in front of everyone.
00:26:16That's what we're doing.
00:26:19It's a unicorn.
00:26:21It's not just a unicorn.
00:26:23It was painted by someone special.
00:26:26Who, Leonardo da Vinci?
00:26:28Raphael?
00:26:31Electra.
00:26:33Who is Electra?
00:26:35Electra is a play by Sophocles.
00:26:37A comedy?
00:26:41A tragedy.
00:26:48Baby, people need to see what you're capable of.
00:26:51No?
00:26:52No.
00:26:53Yes.
00:26:54No.
00:26:55Yes.
00:26:56No, Milo, I'm not ready.
00:26:57I know so many people who want to see what you're doing, baby.
00:26:59You are ready.
00:27:00I'm not like you.
00:27:01You're just scared.
00:27:02That's it.
00:27:03Maybe I am.
00:27:04You're so fucking talented.
00:27:05You're not even listening to me.
00:27:06You're so fucking talented, baby.
00:27:08I love you.
00:27:09I want to give you a platform.
00:27:10Oh, my God.
00:27:11Let me give you that platform, baby.
00:27:12You need it.
00:27:13I can give it to you.
00:27:15Let me.
00:27:16You're gonna stink it, honey.
00:27:18Baby, what?
00:27:22Go and take a shower.
00:27:24Okay.
00:27:25You coming with me?
00:27:26Coming with me?
00:27:27Go.
00:27:28Oh, fuck.
00:27:29Oh, fuck.
00:27:30You coming with me?
00:27:36Go.
00:27:37Oh, fuck.
00:30:11I can't do this.
00:30:20I'm not doing this.
00:30:21What are you talking about?
00:30:22I'm not doing this.
00:30:22Why?
00:30:23This is crazy.
00:30:23I'm going to get caught.
00:30:24No, you're not.
00:30:25Trust me.
00:30:26I trust you.
00:30:27I don't even know you.
00:30:28How am I supposed to do that?
00:30:29We've made it this far.
00:30:33What?
00:30:34I don't know.
00:30:34I just feel like they're really nice people and I feel bad.
00:30:37Come on.
00:30:38Are you kidding?
00:30:39No.
00:30:39They're not nice people.
00:30:42Okay.
00:30:43I'll give you 10 more.
00:30:45That'll make a 20.
00:30:46Really?
00:30:47Yeah.
00:30:47Deal?
00:30:50Fine.
00:30:51Okay.
00:30:51Yes.
00:30:51Okay.
00:30:53Let's go.
00:30:53Let's go.
00:30:56Get down.
00:30:56Man, I was spinning all night, man.
00:31:13Crazy dreams.
00:31:15Seeing ghosts.
00:31:17Ghosts?
00:31:18Yeah, man.
00:31:19Just a girl.
00:31:21Always a girl.
00:31:22I think it's a little bit of you, too.
00:31:25Is it a nighttime visit?
00:31:26Uh, just sleepwalking, I guess.
00:31:28I don't think so.
00:31:29Here.
00:31:34Buongiorno.
00:31:35Buongiorno.
00:31:36Didemi.
00:31:37Due totte, un albicocca, una viscola.
00:31:39Okay.
00:31:39Grazie.
00:31:41What happened to her?
00:31:43Well, brother, she jumped out of windows.
00:31:44What happened to her?
00:31:4620 euro, grazie.
00:31:48She's crazy, man.
00:31:49Unhinged.
00:31:50I gave her my heart, but she just wanted more,
00:31:53so I had to pull up the stakes.
00:31:56Here.
00:31:56Smell that, Hannah.
00:32:01Take it.
00:32:04Grazie.
00:32:05I mean, this is off the record.
00:32:08You know, she's the one who left.
00:32:10I've still got to live in the world.
00:32:12No more pain for Alexa.
00:32:16Shit, I'm so sorry.
00:32:18The fuck?
00:32:20It's fine, man.
00:32:23I'll get another.
00:32:36If you want to learn how to be free,
00:32:38listen to the birds and the blind birds.
00:33:02These are the four trees of jealousy.
00:33:05And never since the middle summer spring
00:33:10met we on a hill
00:33:12in Dale, forest or mead
00:33:15by Pag Mountain
00:33:17or by Rushy Brook
00:33:19or in the beached
00:33:22Merchant of the Sea.
00:33:24I'm so sorry.
00:33:27I shouldn't really be on your table.
00:33:32I didn't know that anyone was going to be...
00:33:34It was beautiful.
00:33:40Thanks.
00:33:42I'm just messing around.
00:33:45The stage is all yours.
00:33:46The girls in training are forming an act
00:33:51to be called the Flying Viennet.
00:33:53You're the most beautiful gift.
00:33:55You're the most beautiful gift.
00:33:59You're the music of my heart.
00:34:03Everything.
00:34:07You are for me, you are my joy, you are my joy, you are for me, the greatest love, you are for me, the image of the felicidad.
00:34:37I see the sky when I'm here in my arms, I want you so much, nothing more to live together.
00:35:07I see the sky when I'm here in my arms, I want you so much, nothing more to live together.
00:35:14I see the sky when I'm here in my arms, I want you so much.
00:35:21Hey, hey, hey, hey, Francesca, telefono, telefono, telefono.
00:35:28Sì.
00:35:35Certo, certo.
00:35:37Va bene.
00:35:39Sì.
00:35:40Sì.
00:35:41Sì.
00:35:42Sì.
00:35:43Sì.
00:35:44Sì.
00:35:45Sì.
00:35:46Sì.
00:35:47Sì.
00:35:48Sì.
00:35:49Sì.
00:35:50Sì.
00:35:51Sì.
00:35:52Sì.
00:35:53Sì.
00:35:54Sì.
00:35:55Sì.
00:35:56Sì.
00:35:57Sì.
00:35:58Sì.
00:35:59Sì.
00:36:00Sì.
00:36:01Sì.
00:36:02Sì.
00:36:03Sì.
00:36:04Sì.
00:36:05Sì.
00:36:06Sì.
00:36:07Sì.
00:36:08Sì.
00:36:09Sì.
00:36:10Sì.
00:36:11Sì.
00:36:12Sì.
00:36:13Sì.
00:36:14Sì.
00:36:15Sì.
00:36:16Sì.
00:36:17Sì.
00:36:18Sì.
00:36:19Sì.
00:36:20Sì.
00:36:21Sì.
00:36:22Sì.
00:36:23Sì.
00:36:24Sì.
00:36:25Sì.
00:36:26Sì.
00:36:27Sì.
00:36:28Sì.
00:36:29Sì.
00:36:30Sì.
00:36:31Sì.
00:36:32Sì.
00:36:33Sì.
00:36:34Sì.
00:36:35Sì.
00:36:36this was. What? She's suing me for full fucking custody. She's a fucking show pony, man. Traumatized
00:36:53fucking show pony. It's damage. It's chaotic. How do they fucking find me, man? Every time
00:37:02it's like it's the same woman, different faces. Yeah. Yeah. Maybe it's me. My mom always said
00:37:27you have to do the things you don't like to do to grow. To face yourself.
00:37:32The real you. Are you the real you, Dylan? I don't know. Am I?
00:37:44No, no, no. Ciao. Stiamo da ora. Come va? Ciao. Bene, come stai? Bene, bene. Dove
00:37:54vai? Vorrei avere una cosa. Vuoi venire? Più tardi, più tardi. Va bene, allora ci vediamo
00:37:58tutti. Ciao, ciao.
00:38:05Ciao.
00:38:13Ciao.
00:38:16I don't know.
00:38:46I don't know.
00:39:16I'm going to go find Lucy.
00:39:17What are you doing here?
00:39:21Just details for the story.
00:39:24You're a sneaky one, aren't you?
00:39:27And you're not?
00:39:29Me?
00:39:31What's that supposed to mean?
00:39:35Your relationship.
00:39:38It has secrets, no?
00:39:43That's what makes fun.
00:39:45No?
00:39:47What is it to you?
00:39:52All the other women that he sees?
00:39:57That doesn't bother you at all?
00:39:59I don't care.
00:40:03Oh, okay.
00:40:05Do you?
00:40:07What about them?
00:40:09What about them?
00:40:11Do you think that they care?
00:40:17What are you doing?
00:40:18Hands behind your head.
00:40:19No, no.
00:40:20Hands behind your head.
00:40:22Okay.
00:40:24Okay.
00:40:26Good.
00:40:28Don't move.
00:40:34I said don't move.
00:40:36There you go.
00:40:44What's this?
00:40:45The skin of your prey.
00:40:48No, I'm not going to wear that.
00:40:50Put it on.
00:40:50No.
00:40:51Put it on.
00:40:52No, he's going to be mad.
00:40:54You're hunting, right?
00:40:55No, I'm not going to wear this belt now.
00:41:02No.
00:41:07God.
00:41:15God.
00:41:21God.
00:41:22Why are you wearing Milo's clothes?
00:41:47They like to play games.
00:41:49It's all a bit put on, though.
00:41:54Well, I mean, I find her interesting.
00:41:57Rich and bored is more like it.
00:42:00It's not the worst life.
00:42:02Listen, I want you to get close to her, but not too close, okay?
00:42:07Why?
00:42:08It just complicates things if she likes you.
00:42:12That makes no sense.
00:42:13It would help.
00:42:17Let's just keep it between Milo and I, okay?
00:42:19He hasn't told me yet.
00:42:23Told you?
00:42:24What?
00:42:25It's just between us.
00:42:30Whatever.
00:42:32I don't even know when I'm acting when I'm not at this fucking point, so...
00:42:35Just play their game, okay?
00:42:37You don't have to worry about anything else.
00:42:40We'll try again tonight.
00:42:41I don't know.
00:42:42I don't know.
00:42:43I don't know.
00:42:47Right.
00:45:17I know my Paris awaits
00:45:21Heaven in my mind all the time
00:45:25There's no escape
00:45:28Hey man, nice tune.
00:45:35Oh no, I don't smoke.
00:45:38So, Istanbul.
00:45:42What about it?
00:45:43Where you and Lucy met?
00:45:45Oh.
00:45:47Yeah, yeah, yeah.
00:45:51At a bar.
00:45:54A bar? She's at the airport.
00:45:57Did she?
00:45:58Why do you do it?
00:46:03To connect to my intuition, which I lost as I was a teenager.
00:46:13Yeah, I have a hard time trusting my gut now.
00:46:15So, what does your gut tell you now?
00:46:23I really feel like you should show your art.
00:46:32I work in the sky, so I don't have to go through the humiliation of being on stage and actually being myself.
00:46:41I knew you had a sister, I knew you had a sister band, I could tell.
00:46:51I knew you had a sister band, I could tell.
00:46:51Girls like you, don't they?
00:46:52No, no, but they like you, though.
00:46:57No, man.
00:46:59They like Milo.
00:47:01Milo.
00:47:02They don't know me.
00:47:05Why don't you show them Emilio sometime?
00:47:07Hmm.
00:47:08I bet you'd be surprised.
00:47:11Maybe.
00:47:13Anyway, it's all fun and games until someone jumps out a window, right?
00:47:21Hey, hey, hey.
00:47:21You good?
00:47:25I think I need to, uh, I think I need to lie down.
00:47:31Your, uh, your sister, younger sister, yeah?
00:47:38Yeah.
00:47:39Is she a fan?
00:47:42Of course.
00:47:45Yeah.
00:47:47Well, let's call her tomorrow, man.
00:47:51You should like that.
00:47:51Yeah.
00:47:53Yeah.
00:47:54Yeah.
00:48:04Yeah.
00:48:04Yeah.
00:48:12Mm-hmm.
00:48:13what's wrong hey what's wrong oh my god do they know
00:48:38okay she was in love with Milo and
00:49:00he promised her everything everything he made her feel special and then
00:49:08he just took it all away and he disappeared and she completely fucked up
00:49:13her life
00:49:16she turned to drugs and just lost herself and we weren't there my family we didn't
00:49:25know who my little sister Electra
00:49:38oh
00:50:15He wants to be with both of us.
00:50:21He wants to be with both of us.
00:50:23That's bullshit.
00:50:23That's bullshit.
00:50:24Electra, you need to leave him.
00:50:25You need to leave him.
00:50:26That's hard.
00:50:27I asked if she knows about me.
00:50:29And he was like...
00:50:30Yeah, of course she knows.
00:50:32We have an open relationship.
00:50:33Open relationship.
00:50:35I don't believe you.
00:50:36I'm going to talk to her if you want to tell her.
00:50:38I'm going to talk to her if you want to tell her.
00:50:39No, stay out of my business.
00:50:41No, Electra, stay out of my business.
00:50:42Just fucking stay out of my business.
00:50:45Your business?
00:50:46Your business?
00:50:47Your business?
00:50:47Your business?
00:50:49Hey.
00:50:53You're having a nightmare.
00:50:55You good?
00:50:57Yeah.
00:50:58Yeah.
00:50:59Don't be sad.
00:51:11Don't be for the rule.
00:51:13The friendliest friend is the unicorn.
00:51:17She wants you to close your eyes and to sleep.
00:51:22To pray to God, your soul to keep.
00:51:25Asuncion likes to play his shots.
00:51:41He's got this great jump smash.
00:51:43Cross court particularly.
00:51:44He loves to play it when he can.
00:51:45It's a good weapon.
00:51:46He's moving Asuncion around the court really well at the moment.
00:51:55That seems to be causing a few issues.
00:52:00I'm going to be very pleased with this start.
00:52:05He can't get it.
00:52:07Quite yet.
00:52:08He's struggling.
00:52:08The problem that they also have in the United States is they only have five players.
00:52:20So there won't be some exhaustion, there's no doubt.
00:52:22They're used to this kind of intense play.
00:52:27Well, the norm for an actor is not somebody else's norm.
00:52:35It's not some image that's given to you of a glamorous person and you want to be them.
00:52:41Because the moment you want to be like somebody else, you will sacrifice one of the greatest
00:52:47gifts that a man inherits and that is being himself.
00:52:51Do you feel it?
00:53:00Good.
00:53:03How do you feel?
00:53:05Yes.
00:53:07Big.
00:53:09No more Lucy.
00:53:12Lucy died.
00:53:15Today.
00:53:17You're Gaia.
00:53:19Gaia.
00:53:21The mother of Uranus.
00:53:24The ruler of the planets.
00:53:27Show me how it makes you feel.
00:53:33No, Lucy.
00:53:35Look at me.
00:53:37This arm goes up, up, up, up.
00:53:41The other one higher.
00:53:44Create a straight line there.
00:53:47From the sky.
00:53:48To the deep, deep, deep, deep ground up.
00:53:53Up, up, up.
00:53:54No, no, no.
00:53:55Straight.
00:53:57Concentrate.
00:53:59Stop thinking.
00:54:01Stop thinking.
00:54:02Stop thinking.
00:54:03Breathe.
00:54:06Deep.
00:54:08Deeper.
00:54:08Sorry, I don't want to do this.
00:54:09You can do it.
00:54:10I don't want to do it.
00:54:11You want to be an actress.
00:54:13Right.
00:54:14Be a fucking actress.
00:54:19Concentrate.
00:54:22Think.
00:54:23Think.
00:54:24Death.
00:54:27And sex.
00:54:27The beginning of it all is aeros and tonatus.
00:54:34Don, don, don, don, no, no.
00:54:36Don, no.
00:54:40And oh, no.
00:54:41No.
00:54:41Seriously, stop.
00:54:42Hey.
00:54:47That's not, not very nice.
00:54:53I made this.
00:54:54Shit, man.
00:55:13Your sister.
00:55:14I haven't forgotten.
00:55:15We'll call her.
00:55:16Remind me.
00:55:17Yeah, yeah.
00:55:18Cool.
00:55:20How old is she?
00:55:20Oh, she was young.
00:55:25Was?
00:55:28When she, uh, got into you?
00:55:30Yeah.
00:55:31See?
00:55:32This is what I'm saying, man.
00:55:33I appreciate her, but why am I still just a sound for the fucking kids, man?
00:55:39People evolve.
00:55:40Music evolves.
00:55:41I want my give me some truth moment.
00:55:44You want to be a part of the conversation.
00:55:46No, man.
00:55:46I want to be the conversation.
00:55:48Ah, it takes time, man.
00:55:49It takes time.
00:55:50What is it?
00:55:51Yeah.
00:55:51It takes time.
00:55:52Oh, shit.
00:55:53What's that?
00:55:54What the fuck?
00:55:55What the fuck?
00:55:56What the fuck?
00:55:57Get the fuck off me.
00:55:58Get the fuck off me.
00:56:00That fucking neck.
00:56:03I was just messing around.
00:56:05Whatever.
00:56:05So, Dylan, why don't you tell us about some of the stories you write?
00:56:23Yeah.
00:56:23Yeah.
00:56:24Well, I usually do profile pieces.
00:56:28Last one I did was head of state.
00:56:31Hmm.
00:56:34It's just funny because I spoke to my office today.
00:56:37Did they solve the giraffe game?
00:56:39Hmm.
00:56:39But now we've got a new mystery, baby.
00:56:43Something you want to tell me, man?
00:56:46Huh?
00:56:48He doesn't work for days.
00:56:53No.
00:56:54No.
00:56:55No.
00:56:55No, no.
00:56:56I do.
00:56:59I mean, I will.
00:57:00Okay, slowly.
00:57:02In a clear voice.
00:57:05Tell me the truth.
00:57:06Maybe I should have said something before.
00:57:13But if I did, then I wouldn't have gotten my foot in the door.
00:57:17I like you, man, but I know you're lying.
00:57:19Uh...
00:57:20I have...
00:57:23I have an appointment.
00:57:25Okay, there's no appointment, but it's a meeting to pitch.
00:57:30It's nothing.
00:57:32You have nothing.
00:57:36You knew?
00:57:37Hmm?
00:57:38You knew?
00:57:40No.
00:57:40I...
00:57:40No.
00:57:41I didn't know that.
00:57:45I'm sorry.
00:57:46This is just...
00:57:46I wanted things to go.
00:57:50Ah!
00:57:52Look, look.
00:57:53I care about this story, man.
00:57:56That's why I'm here.
00:58:00Stop.
00:58:01I don't want to hear about your person's shit.
00:58:04I know you're trying to get ahead, man.
00:58:06I respect that.
00:58:10I want you to write the piece.
00:58:13I want you to write it your way.
00:58:18So you can stay.
00:58:20Ask me questions, whatever.
00:58:24But no more lies, okay?
00:58:28I can't have it.
00:58:31Yeah.
00:58:32Thanks.
00:58:34I appreciate that.
00:58:35You know, it's, um, getting messy in here.
00:58:42Maybe.
00:58:42We have to do it tonight.
00:58:58Please, just leave it.
00:59:00No.
00:59:03You're not letting him stay.
00:59:05Right?
00:59:05He's been honest now.
00:59:07Oh, my God.
00:59:08I still think he can write something, baby.
00:59:10I do.
00:59:12Trust me.
00:59:13Yeah, I trust you.
00:59:15Trust me.
00:59:15Mm-hmm.
00:59:17Trust me.
00:59:22He knows.
00:59:23No, he doesn't.
00:59:24We have to go.
00:59:25He knows, please.
00:59:25It doesn't matter, okay?
00:59:27He doesn't know everything.
00:59:29He doesn't know that I'm Electra's brother.
00:59:32You also don't know that he's the reason she killed herself, Dylan.
00:59:34He was with her for two years,
00:59:36and he never told her anything about Francesca.
00:59:44Hey!
00:59:47Okay.
00:59:49Okay.
00:59:51All right.
00:59:52Are we ready for a special dessert?
00:59:55What you see now is 200,000,000,000,000,000.
01:00:25Micrograms of LSD.
01:00:28That's the full dose to send a normal adult on an 8 to 12-hour trip.
01:00:33There's some people who think that LSD is the greatest gift to mankind since 2D, 3D ice cream.
01:00:39But there are many others who feel that LSD is bad news.
01:00:43Come on, brother.
01:00:46Come with us.
01:00:47Come with us.
01:00:52Tongue out.
01:00:55You kiss him now.
01:01:02Come on, guys.
01:01:04Kiss.
01:01:05Kiss.
01:01:07She's dreaming.
01:01:08Kiss.
01:01:08Kiss.
01:01:08Kiss.
01:01:09Kiss.
01:01:09Kiss.
01:01:09Kiss.
01:01:10Kiss.
01:01:10Kiss.
01:01:10Kiss.
01:01:11Kiss.
01:01:11Kiss.
01:01:12Kiss.
01:01:12Kiss.
01:01:13Kiss.
01:01:13Kiss.
01:01:14Kiss.
01:01:14Kiss.
01:01:15Kiss.
01:01:16Kiss.
01:01:16Kiss.
01:01:17Kiss.
01:01:17Kiss.
01:01:18Kiss.
01:01:18Kiss.
01:01:19Kiss.
01:01:19Kiss.
01:01:20Kiss.
01:01:20Kiss.
01:01:21Kiss.
01:01:21Kiss.
01:01:22Kiss.
01:01:22Kiss.
01:01:23Kiss.
01:01:23Kiss.
01:01:24Kiss.
01:01:24Kiss.
01:01:25Kiss.
01:01:25Kiss.
01:01:26Kiss.
01:01:26Kiss.
01:01:27Kiss.
01:01:27Kiss.
01:01:28Kiss.
01:01:29Kiss.
01:01:29Kiss.
01:01:30Kiss.
01:01:31Kiss.
01:01:32Kiss.
01:01:33Kiss.
01:01:34Kiss.
01:01:35Kiss.
01:01:36Kiss.
01:01:37It could be a great experience and a great adventure, if, if you're really in the right
01:01:52frame of mind.
01:01:56I've got news for you.
01:01:58It would take more than LSD for me to understand what's wrong with the whole world.
01:02:07Can you stay with me?
01:02:08Can you stay with me?
01:02:09Can you stay with me?
01:02:10You're not taking me seriously.
01:02:12No, I need to go.
01:02:13I need to go.
01:02:14Mommy, what are these strange people doing in our palazzo?
01:02:25Loud-mouthed street urchins.
01:02:28I'm sorry, I'm gonna be quiet.
01:02:31Shh.
01:02:32Shh.
01:02:33Shh.
01:02:34It's starting.
01:02:35It's starting.
01:02:36It's starting.
01:02:37It's starting.
01:02:38It's starting.
01:02:39It's starting.
01:02:40The truth now eighth year.
01:02:41It's starting.
01:02:42I.
01:02:43��ê³
01:02:47Needless.
01:02:48All right?
01:02:49You don't want to take me back, this is boon.
01:02:53Viva le laste innante, vissi d'ignoto amor, di quell'amor, quell'amor che palpita.
01:03:20Viva le laste innante, veda quel dimi tremante, vissi d'ignoto, misterioso, misterioso,
01:03:48vera croce, croce delizia, croce delizia, croce delizia, croce delizia.
01:04:10Viva le laste innante, vissi d'ignoto.
01:04:20I was drowning in the tapestry, and I was with a lot of lions and their cubs.
01:04:27I think we should do this now, because they're distracted.
01:04:31Absolutely not. I'm not doing that tonight.
01:04:33They're not going to know.
01:04:34No, I said this was a bad idea from the beginning. I'm not doing it.
01:04:37Come on, we can do it. It's going to be fine.
01:04:38I told you I don't want to stop.
01:04:42You can have your fucking money back. I'm not doing it.
01:04:44It doesn't work like that.
01:04:49Really?
01:04:53So I think I just want something else now.
01:04:56You can't do that. You can't... Hey!
01:04:59Well, I can't.
01:05:00Lucy.
01:05:03Lucy!
01:05:03Get my painting from that baboon.
01:05:30I'll be right back.
01:05:32I'll be right back.
01:05:50You're both of those.
01:05:52Uh-huh. Which one, baby? How?
01:05:55Who is this, Electra, and what happened with her?
01:05:57Hmm?
01:06:01What? No.
01:06:04No, baby, no.
01:06:06I can't do this now.
01:06:07You betrayed me.
01:06:10Francesca.
01:06:10You kept her a secret for two fucking years.
01:06:15I mean, who even are you? Huh?
01:06:17Baby, I don't know, okay?
01:06:21That wasn't me.
01:06:23Like, who is it?
01:06:25Because we operate on trust.
01:06:27We operate on loyalty.
01:06:29I know this.
01:06:30I know, okay?
01:06:32I'm ashamed.
01:06:33Oh, my God.
01:06:34You really loved her, didn't you?
01:06:36I don't know.
01:06:40I don't know.
01:06:41I was struggling.
01:06:43Oh, my God.
01:06:44Stop with the fucking excuses.
01:06:46You're so fucking selfish.
01:06:48Just so fucking selfish.
01:06:50I can't.
01:06:51I don't want to know.
01:06:52I can't.
01:06:53I don't want to know.
01:07:12So, who's Electra?
01:07:16Huh?
01:07:17Uh-huh.
01:07:19I don't know.
01:07:21Yes, you know.
01:07:21No.
01:07:24No, I, I...
01:07:25I just, I can't really.
01:07:27Yes, you can!
01:07:28At the moment, no.
01:07:30I can't.
01:07:30Yes, you can!
01:07:31No, you really don't get it.
01:07:33I can't.
01:07:33I can't.
01:07:34Feeling the way to grab
01:07:36But when I'm with you
01:07:38The world goes floating by
01:07:42We don't need you
01:07:47I get it, man.
01:07:55I get it.
01:07:55There's no me.
01:07:58There's two of me
01:07:59And they cancel each other out.
01:08:02Man, I've...
01:08:03I've lost with every move I've made, man.
01:08:07But...
01:08:07But they're my moves.
01:08:10What are you saying?
01:08:13Huh?
01:08:14I was the devil in New York, man.
01:08:20I took her to the edge.
01:08:24Who?
01:08:27Electra.
01:08:28I'm okay.
01:08:35I thought she was the one
01:08:36Who destroyed everything.
01:08:38No, man.
01:08:39It was me.
01:08:41It was me.
01:08:43It was me.
01:08:44It was me.
01:08:52I just...
01:08:54I just...
01:08:56I just...
01:08:56I just...
01:08:57I just...
01:08:58I just...
01:08:59I just...
01:09:00I just...
01:09:01I just...
01:09:02I just...
01:09:03I just...
01:09:04I just...
01:09:05I just...
01:09:06I just...
01:09:07I just...
01:09:08I just...
01:09:09I just...
01:09:10I just...
01:09:11I just...
01:09:12I just...
01:09:13I just...
01:09:14I just...
01:09:15I just...
01:09:16I just...
01:09:17I just...
01:09:18I just...
01:09:19I just...
01:09:20I just...
01:09:21I just...
01:09:22I just...
01:09:23I just...
01:09:24I just...
01:09:55I'm going to town.
01:10:25I'm sorry.
01:10:31I'm sorry.
01:10:35I'm sorry.
01:10:37I'm sorry.
01:10:41I love you.
01:10:43I love you.
01:10:45I love you.
01:10:59I love you.
01:11:29I love you.
01:11:31I love you.
01:11:35I love you.
01:11:37I love you.
01:11:41I love you.
01:12:05I love you.
01:12:07I love you.
01:12:09I love you.
01:12:11I love you.
01:12:13I love you.
01:12:15I love you.
01:12:17I love you.
01:12:19I love you.
01:12:21I love you.
01:12:23I love you.
01:12:25I love you.
01:12:27I love you.
01:12:29I love you.
01:12:31I love you.
01:12:33I love you.
01:12:35I love you.
01:12:36I love you.
01:12:37I love you.
01:12:38I love you.
01:12:39I love you.
01:12:40I love you.
01:12:41I love you.
01:12:42I love you.
01:12:44I love you.
01:12:46I love you.
01:12:47I love you.
01:12:48I love you.
01:12:49I love you.
01:12:50I love you.
01:12:51I love you.
01:12:52I love you.
01:12:53I love you.
01:12:54I love you.
01:12:55I love you.
01:12:56I think that you're reprehensible.
01:12:58Yeah? Oh, fuck.
01:13:00Me too, man.
01:13:02Me too, I accept that.
01:13:04You want to tell me who the fuck you are?
01:13:05Just shut the fuck up, okay?
01:13:10You know nothing.
01:13:14Electra was my sister.
01:13:19What the fuck?
01:13:21You ruined her.
01:13:24Listen, man.
01:13:26Listen, Electra made her choices.
01:13:28She killed herself.
01:13:29Did she?
01:13:30Because I'm pretty sure that you were there
01:13:32the night that she died.
01:13:34No fucking way.
01:13:36No!
01:13:36Yeah.
01:13:37No!
01:13:37Don't you fucking dare.
01:13:38I left, she jumped.
01:13:40You admitted it.
01:13:41You admitted it.
01:13:42You admitted it last night.
01:13:44Why would you say that if you weren't there?
01:13:45Why would you say that if you had nothing to do with it?
01:13:47You're crazy, man.
01:13:48You're crazy like she was crazy.
01:13:49I'm crazy?
01:13:50She was fucking crazy.
01:13:51Crazy like she was crazy.
01:13:53Oh!
01:13:54Oh!
01:13:54Oh!
01:13:55Yeah, you want to find a confession?
01:13:57How's that?
01:13:58How's that?
01:13:59How's that?
01:14:01Fuck.
01:14:03Fuck.
01:14:04Fuck.
01:14:06Fuck.
01:14:09Fuck.
01:14:10Fuck.
01:14:11Fuck.
01:14:14Fuck.
01:14:15Oh, fuck.
01:14:17Fuck.
01:14:17Fuck.
01:14:19Fuck.
01:14:20Fuck.
01:14:21Fuck.
01:14:21What are you talking about?
01:14:23Oh, no, no, no, no, no, no.
01:14:54Oh, shit. Fuck, fuck, fuck.
01:14:55You're okay? You're okay?
01:14:56What did you do?
01:14:57Oh, no, no, no. Help! Help me!
01:14:58What did you do?
01:15:00Oh, shit. Shit.
01:15:02Oh, God. Oh, shit.
01:15:04We're gonna go to jail. We're gonna go to jail.
01:15:07We have to do something.
01:15:09What?
01:15:09Right now. Come on.
01:15:10We have to hide him.
01:15:11Okay.
01:15:23I don't know.
01:15:53I don't know.
01:16:23Okay, I'll go and take a bath.
01:16:53I don't know.
01:17:00I don't know.
01:17:30I don't know.
01:18:00I don't know.
01:18:30I don't know.
01:19:00The friendliest friend is the unicorn.
01:19:03She wants you to close your eyes and to sleep.
01:19:07To pray to God, your soul will keep.
01:19:12I'm sorry.
01:19:23I'm sorry.
01:19:26I'm sorry.
01:19:27Please go.
01:19:27Please go.
01:19:28Please go.
01:19:28Please go.
01:19:32I'm sorry.
01:19:37I don't know.
01:20:07I don't know.
01:20:37I don't know.
01:21:07I don't know.
01:21:37I don't know.
01:22:07I don't know.
01:22:37I don't know.
01:22:39I don't know.
01:22:41I don't know.
01:22:43I don't know.
01:22:45I don't know.
01:22:47I don't know.
01:22:49I don't know.
01:22:51I don't know.
01:22:53I don't know.
01:23:01I don't know.
01:23:03I don't know.
01:23:05I don't know.
01:23:07I don't know.
01:23:09I don't know.
01:23:11I don't know.
01:23:13I don't know.
01:23:15I don't know.
01:23:17I don't know.
01:23:19I don't know.
01:23:21I don't know.
01:23:23I don't know.
01:23:25I don't know.
01:23:27I don't know.
01:23:29I don't know.
01:23:31I don't know.
01:23:33I don't know.
01:23:35I don't know.
01:23:37I don't know.
01:23:39I don't know.
01:23:41I don't know.
01:23:43I don't know.
01:23:45I don't know.
01:23:47I can build.
01:23:50The world has lost.
01:23:52It's a crazy platforms.
01:23:57Butном with love.
01:23:58I don't know.
01:23:59Why are you crying out?
01:24:03I don't know.
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