Girl at the Window (2022) Full Movie HD

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Girl at the Window (2022) is a suspenseful drama based on a true story that follows a young girl navigating challenging situations and learning the importance of courage, resilience, and trust. With the help of supportive friends and family, she faces unexpected events while discovering her inner strength. Engaging storytelling, relatable characters, and inspiring moments make this film a captivating and meaningful viewing experience suitable for audiences of all ages. A story about bravery, hope, and the power of perseverance.  Girl at the Window, Girl at the Window 2022, Girl at the Window movie, Girl at the Window full movie, Girl at the Window film, drama movie, family friendly, uplifting movie, inspiring movie, suspenseful movie, courage, resilience, perseverance, trust, personal growth, engaging story, compelling movie, meaningful story, captivating movie, based on a true story, 2022 movies, best 2022 movies, English movie, full movie online, Dailymotion movies, Dailymotion full movie, watch online movie, bravery, hope, overcoming challenges

Transcript

00:00:00Grazie a tutti.

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00:05:05What are you up to?

00:07:05Yeah?

00:07:07Yeah?

00:07:09Are you serious?

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00:07:19After...

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00:08:24Ah! Ah!

00:08:54Ah!

00:09:24Ah!

00:09:44Help me!

00:09:46Help me!

00:09:48Help me!

00:09:54Run!

00:09:56Oh my God!

00:10:04Oh my God!

00:10:11Oh my God!

00:10:18Bye!

00:10:22Grazie a tutti.

00:10:52Grazie.

00:11:22Grazie.

00:11:52Grazie a tutti.

00:12:22Grazie.

00:12:24Grazie.

00:12:26Grazie.

00:12:28Grazie.

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00:13:00Grazie.

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00:14:16Grazie.

00:14:18Grazie.

00:14:20Grazie.

00:14:22Grazie.

00:14:24Grazie.

00:14:28Agnes.

00:14:30Ami?

00:14:46Hey, I was watching that.

00:14:48Ok, can we just turn off the evil world for a moment and focus on us?

00:14:54What were you doing last night?

00:14:56Are you serious?

00:14:58I already tried talking to you about it and you didn't want to hear it.

00:15:00Ok, well, night terrors are normal, sweetie.

00:15:04They're just the brain's way of dealing with stress and trauma.

00:15:08Wow, guess who's been online again?

00:15:12Why don't you just wake me up next time?

00:15:14I mean, it's dangerous out there.

00:15:16Yeah, no shit.

00:15:20Well, I want you to apologise to Chris tonight.

00:15:26That seems quite specific.

00:15:28Yeah, well, he invited me to the movies.

00:15:32Wow.

00:15:33Taking a night off from his otherwise busy schedule of prowling.

00:15:36Oh, Amy, let's be nice to Chris, alright?

00:15:39He's a nice guy and we're in the middle of nowhere out here.

00:15:42I didn't want to move here.

00:15:44Look, I miss your dad every day.

00:15:48Oh, my God.

00:15:50But at a certain point, sweetie, we have to move on.

00:15:55Ok. Whatever.

00:16:01Alright, well, we're running late. We don't have the keys.

00:16:04Let her out?

00:16:07Absolutely not.

00:16:08Not.

00:16:38Do you want to tell me what this is?

00:17:04It looks like my assignment.

00:17:07Yeah, can you be more specific?

00:17:09Ok.

00:17:10Literature response assignment.

00:17:13Courier typeface.

00:17:14A4 format.

00:17:15Five pages.

00:17:16Twelve point.

00:17:17The reference text was Macbeth.

00:17:19Yeah, loved it.

00:17:20Worth the hype.

00:17:21Can you read from here?

00:17:25Mm-hmm.

00:17:26Um, my neck buckles under the weight of my head.

00:17:30Well, what's left of it.

00:17:31I'm hemorrhaging, I think.

00:17:33Red wells in my eyes and I'm face to face with my own slimy entrails.

00:17:37He tears at my gut with his hook, pecking away gladness.

00:17:40He finishes feasting, leaves me bare impaled high.

00:17:43A warning.

00:17:44No.

00:17:45A trophy.

00:17:46The raven is hoarse.

00:17:50His voice weak from reporting death.

00:17:53Yeah, I know.

00:17:54I just kind of, like, struggled to empathise.

00:17:57He's too passive.

00:17:58So am I supposed to assume you've made him aggressive so that you can write from the perspective

00:18:03of his victim?

00:18:04A person that's been tortured and killed?

00:18:07Well, no.

00:18:08Because a raven isn't capable of that.

00:18:12My killer is the butcher bird.

00:18:15Janus Cracticus.

00:18:16It impales small mammals, reptiles, insects with a sharp twig.

00:18:23You know, if you'd rather, I could write from the point of view of the killer.

00:18:28All right, okay, that's enough.

00:18:29Go on, go.

00:18:30You've got the weekend to resubmit.

00:18:32Okay.

00:18:33And, Amy.

00:18:35I know the uncertainty of the last few months has been tough.

00:18:40Especially given what you've already been through.

00:18:49Now you've got it out of your system, will you write how you used to write?

00:18:56Um, okay.

00:18:58Devastated to hear the news of another life snatched away in his prime.

00:19:02We should all have the freedom to feel safe in our cars, even at 3am.

00:19:07Hold your loved ones close and pray for her, whoever she is.

00:19:11Pray hands emoji, fingers crossed emoji, love heart emoji.

00:19:15Is that... is that a water droplet?

00:19:20It's a teardrop.

00:19:22I'll lose it.

00:19:23What is this?

00:19:24My official statement.

00:19:25I have 5,000 thirsty followers. People are expecting me to say something.

00:19:30What happened to your face?

00:19:32YouTube tutorial gone wrong?

00:19:34No, I was gardening.

00:19:36They found him with his pants in the front seat, brains in the back.

00:19:39What, they found the body?

00:19:41Oh, well, a dog walker found the car and the body at 4am.

00:19:44They should honestly question the dog walker.

00:19:47Anyone walking their dog at 4am is clearly a sociopath.

00:19:52It obviously has to be the CWK.

00:19:55Nah, it's Chris.

00:19:57Wait, what?

00:19:58Yeah.

00:19:59The scream, the van coming and going at the exact times of the killings,

00:20:02the fact that we haven't had a murder since we moved in six months ago.

00:20:05Sorry, you think Chris, crafty Chris, is the clockwork killer?

00:20:10Yeah, I think, like, we spooked him at first, but now everyone's let their guard down.

00:20:17I heard her.

00:20:18I heard her scream.

00:20:23Do you think she's still alive?

00:20:24Yeah, well, for now.

00:20:26Oh.

00:20:27What? Yesterday you said you missed this stuff.

00:20:30The attention, yes.

00:20:31Staring won't give you the power to see through my uniform.

00:20:38Uh, you should definitely go to the cops.

00:20:40No.

00:20:41What would I say?

00:20:42Like, hello, officer.

00:20:43I know who the killer is.

00:20:44We share a hedge.

00:20:45But if you know something...

00:20:46No.

00:20:47They get weirdos on these cases all the time.

00:20:49Attention seekers.

00:20:50And I'm obviously not that.

00:20:51No.

00:20:52No.

00:20:53Besides, it needs some kind of concrete evidence.

00:20:56You still free tonight, yeah?

00:20:57Oh, you do know it's a Friday night, right?

00:21:00Oh, my God.

00:21:03What about Sunday?

00:21:04I can do Sunday!

00:21:05Sunday will be too late.

00:21:07He hunts.

00:21:08He captures.

00:21:09He tortures.

00:21:10He kills.

00:21:11Then he calls to tell you where he's left the body.

00:21:14All in a three-day timeframe.

00:21:16Now, you're already running out of time.

00:21:18Well, let's be clear.

00:21:19Susan Miller is missing, and at this stage there's no evidence to suggest anything.

00:21:24For me.

00:21:25In cases like this, we know time is an important factor.

00:21:27This is Dara Malik.

00:21:28She's a specialist profiler with the State Behavioral Analysis Unit, and she'll be assisting

00:21:31me with this case.

00:21:32Do we have a serial killer on the loose?

00:21:33It's premature to speculate.

00:21:34Detective, we're heading for four double murders, yet you won't call the perpetrator a serial

00:21:40killer.

00:21:41Why is that?

00:21:42We're still working to locate Susan alive.

00:21:43We know her suspect is troubled.

00:21:44And since she's the one person who knows what it is, we want him to know if there's still

00:21:48a chance that she can be saved.

00:21:49Do what's open?

00:21:50And I'd like to say that...

00:21:51This is Dara Malik.

00:21:52This is Dara Malik.

00:21:53This is Dara Malik.

00:21:54She's a specialist profiler with the State Behavioral Analysis Unit, and she'll be assisting

00:21:55me with this case.

00:21:56Do we have a serial killer on the loose?

00:21:57It's premature to speculate.

00:21:58Detective, we're heading for four double murders, yet you won't call the perpetrator

00:21:59a serial killer.

00:22:00Why is that?

00:22:01We're still working to locate Susan alive.

00:22:02We know her suspect is troubled.

00:22:03This is the one person who knows what it is, we want him to know if there's still

00:22:04a chance that she can be saved.

00:22:05Doors open.

00:22:06And I'd like to say that...

00:22:07Sorry.

00:22:08Didn't mean to startle you.

00:22:09You know what they say?

00:22:10If you're not early, you're late, right?

00:22:11If the killer tells you about to call it...

00:22:12No, that is not what Detective Norris is calling.

00:22:13He's simply stating that any assistance the killer can give us now will be a different

00:22:30to help you.

00:22:31No, I don't know what happened.

00:22:32What happened?

00:22:33What happened?

00:22:34What happened?

00:22:35I couldn't get to sleep last night.

00:22:37Mm.

00:22:38Yeah, I was a sleep walker when I was a kid.

00:22:40Never made it to the front door though.

00:22:45You outdid me there.

00:22:50Detective Malick, what's the killer trying to say?

00:22:54He's angry.

00:22:55He's isolated.

00:22:56He's saying look at me, I'm in control.

00:22:58...until we catch him.

00:23:02This shit doesn't help either.

00:23:05Oh, hi.

00:23:07Um, sorry, am I late?

00:23:10Wow.

00:23:12You look incredible.

00:23:14Oh, thanks.

00:23:16Uh, so what have you guys been talking about?

00:23:19Murder.

00:23:21Murder.

00:23:23Nice.

00:23:23It's one of Amy's favourite subjects.

00:23:25Alex, did you apologise to Chris for last night?

00:23:29Oh, no, hey.

00:23:31Saying the truth, I was awake anyway.

00:23:35Alright, um, well, don't forget to lock up.

00:23:39Oh, no, I'll be fine.

00:23:41It's not like the clockwork killer comes into your home

00:23:43and rips you from your bed.

00:23:44Had to be out of your car, making out.

00:23:48Good to know.

00:23:51Anyways, the killer has a victim right now, doesn't he?

00:23:55Amy, are you okay?

00:23:59Would you want us to just stay or...?

00:24:01No, enjoy yourself.

00:24:06Okay, alright, well, I won't be late.

00:24:08Okay, bye.

00:24:14Here's the both of us getting a bit of sleep tonight.

00:24:16Yesterday we got her.

00:24:27Bye, bye.

00:24:30Bye.

00:24:41Bye.

00:24:42Bye.

00:24:44Bye.

00:24:44Sì!

00:24:50For fuck's sake, Lian!

00:24:52Oh, not the reception I was expecting.

00:24:54Can't you just use the doorbell?

00:24:56What happened to your Friday night plans?

00:24:59I felt guilty about wishing all of this on us again.

00:25:03I mean, what if it was me?

00:25:05Thanks, Lili.

00:25:07That's what friends do.

00:25:08They cover for them, stop them from getting impulse tattoos

00:25:11and save them from crazed serial killers.

00:25:13All right, then.

00:25:18Let's do it.

00:25:20Do what, exactly?

00:25:30Are you okay?

00:25:31Yeah, I'm fine.

00:25:34Oh, who lives like this?

00:25:35He says he's renovating.

00:25:37Well, you think as a serial killer he'd try harder not to live in a dump,

00:25:40you know, throw people off the scent?

00:25:43Only one way to find out.

00:25:44Look, you don't know 100% that she's in there.

00:25:46Which is why we have to go in.

00:25:48Okay, this is not a normal teenage dilemma.

00:25:50Lian, seven people are dead.

00:25:52If we do nothing, it's eight.

00:25:54If I'm wrong, I'm wrong. I can live with that.

00:25:56But I can't live with being right and not doing anything about it.

00:25:59Colman's right.

00:26:02You're really good with words.

00:26:05Thank you.

00:26:06Right, he's out.

00:26:07Let's go.

00:26:08Wait, and we know that?

00:26:09For a fact?

00:26:11Yeah.

00:26:12He's at the movies.

00:26:14Squeezing in a Hemsworth film between naming and dumping.

00:26:18His Friday night's already better than mine.

00:26:20Wait, what if he comes back?

00:26:22Well, then we'll hear he's van.

00:26:24Ready?

00:26:25No.

00:26:26Come on.

00:26:27Ugh.

00:26:28Follow me.

00:26:30No, it's locked.

00:26:31Come on.

00:26:32Come on.

00:26:33Ames, what can you see?

00:26:48Tell me.

00:26:54Shit!

00:26:55Dean!

00:26:56What are you doing here?

00:26:57You expect me to just wait like I'm an Uber or some shit?

00:27:00Dead shit, Dean.

00:27:01Yes, idiot Dean, who as it turns out, washboard abs.

00:27:06And a car.

00:27:07I'm right here.

00:27:09No, no.

00:27:10What have you got to happen?

00:27:11She's not here, Amy.

00:27:12All right.

00:27:13Can we go?

00:27:14Whoa, babe!

00:27:15Don't babe me.

00:27:17I'm bailing.

00:27:19Okay, that's fine.

00:27:20Let's just...

00:27:21Go home, Amy.

00:27:22Go back to spying on birds.

00:27:25Lincoln!

00:27:26I can't do this without you.

00:27:30So don't.

00:27:31I'm closed.

00:27:32Look at you.

00:27:33No, no, no.

00:27:34No, no, no, no.

00:27:35Yeah!

00:27:36Right now.

00:27:37I'll wait for Cadillac.

00:27:38I'll wait for Cadillac.

00:27:39No, no.

00:27:40It's gonna be all right, Cam.

00:27:41Look at you going, maybe?

00:27:42No, no.

00:27:43It's going to be all right.

00:27:44Yeah.

00:27:45I'll wait for Cadillac.

00:27:46Yeah.

00:27:47I'm working for Cadillac.

00:27:48Yeah, okay.

00:27:49I'm working for Cadillac.

00:27:50Sì.

00:28:20Sì.

00:28:50Sì.

00:29:00Sì.

00:29:04What the bloody hell are you looking at, you purr?

00:29:09Sì.

00:29:10Sì.

00:29:14Hello?

00:29:15Amy speaking.

00:29:17Mrs. Chen?

00:29:18Yeah, Leanne came over last night.

00:29:23I don't know why she didn't mention it.

00:29:27Where is she?

00:29:31Well, she's here.

00:29:33No, yeah, she stayed over.

00:29:36Yeah, well, she's in the shower, but I'll get her to call you when she's out.

00:29:41Sorry to worry you.

00:29:48It's Leanne. Do your thing.

00:29:56Hey, Lele, can you call me? It's urgent.

00:29:59No.

00:30:00No.

00:30:02It's Leanne.

00:30:03Do your thing.

00:30:04Grazie a tutti

00:30:34Grazie a tutti

00:31:04Grazie a tutti

00:31:34Grazie a tutti

00:32:04Grazie a tutti

00:32:34Grazie a tutti

00:33:06No, on Thursday night I heard a scream

00:33:09She mentioned that you've been having nightmares

00:33:12No

00:33:14I heard it, I definitely heard it

00:33:24You've had a scare

00:33:27We can see that

00:33:29But just so we're all clear

00:33:31There is no one in that shed or that house

00:33:34What about Liam's phone?

00:33:36You're both over that, right?

00:33:38Trespassing

00:33:38No

00:33:40No, you're not listening to me

00:33:44He kills people

00:33:47He's the clockwork killer

00:33:49Look, I think this has all been a misunderstanding

00:33:56Okay, what about the timing?

00:33:58Timing?

00:33:59The van returns just after the killer strikes

00:34:05Is your mother aware you've been stalking her new boyfriend?

00:34:11I have to take care of her

00:34:14I was worried she was getting involved in something illegal like drugs

00:34:18So you also suspect him of running drugs?

00:34:21No

00:34:23I thought that

00:34:25But no, it wasn't true

00:34:28Now I know that

00:34:28I know that he's the killer

00:34:30Amy, could I borrow that?

00:34:34I understand you're trying to be vigilant, Amy

00:34:36But every minute of police time wasted

00:34:39Is a minute stolen from Susan

00:34:41That is not something you want to be responsible for, I'm sure

00:34:45Whatever you've got to say, I've already heard it

00:35:04I just don't know what to do anymore

00:35:11I can't leave you alone, is that what this is?

00:35:17I think this is a cry for hell

00:35:18I mean, is it just about you not liking Chris?

00:35:21Oh my god, he's a killer

00:35:23Has he told you why he drives around in the middle of the night with no lights on?

00:35:27Oh, you've got to stop this

00:35:29Do you realise how damaging this could be for him?

00:35:32I don't know why you're defending him, you don't even know him

00:35:35I heard a scream

00:35:38Honey

00:35:40That scream was you

00:35:44When your father fell

00:35:47And you've been hearing it for months

00:35:51It wasn't a dream

00:35:53Listen, the thing is

00:35:55You've got to realise it wasn't your fault

00:35:58Okay?

00:36:00There was nothing you could have done

00:36:02You know what?

00:36:06I think it's time that we went to see the therapist again

00:36:10Wouldn't it?

00:36:13I just want you to believe me

00:36:15Why is that so hard for you?

00:36:20Why is that so hard for you?

00:36:21I wasn't supposed to do this alone

00:36:34I wasn't supposed to do this alone

00:36:47That was not the deal

00:36:50That was not the deal

00:36:54But without it

00:36:56You know what?

00:36:58I haven't seen you

00:36:58You know what

00:37:00It wasn't me

00:37:01I don't know

00:37:02You know what

00:37:04I've had it

00:37:04I don't know

00:37:05You know what

00:37:05I don't know

00:37:08Grazie a tutti.

00:37:38Grazie a tutti.

00:38:08Grazie a tutti.

00:38:38Grazie a tutti.

00:39:38Grazie a tutti.

00:40:08Grazie.

00:40:38Grazie a tutti.

00:40:40Grazie a tutti.

00:41:10Grazie a tutti.

00:41:40Grazie a tutti.

00:41:42Grazie a tutti.

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00:43:18Grazie a tutti.

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00:44:50Grazie a tutti.

00:44:52Grazie a tutti.

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00:44:58Grazie a tutti.

00:45:00Grazie a tutti.

00:45:02Grazie a tutti.

00:45:32Grazie a tutti.

00:45:34Grazie a tutti.

00:46:04Grazie a tutti.

00:46:06Grazie a tutti.

00:46:36Grazie a tutti.

00:46:38Grazie a tutti.

00:47:08Grazie a tutti.

00:47:10Grazie a tutti.

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00:47:14Grazie a tutti.

00:47:15Grazie a tutti.

00:47:16Grazie a tutti.

00:47:46Grazie a tutti.

00:48:16Grazie a tutti.

00:48:46Grazie a tutti.

00:48:54Grazie a tutti.

00:49:16Oh, I'm fine.

00:49:17Yeah.

00:49:17No, I'll be fine.

00:49:21Ok.

00:49:22All right.

00:49:23Well, thank you.

00:49:34I'm so sorry.

00:49:38I don't know why I didn't believe you.

00:49:41I just...

00:49:42I wanted to be sure that I'd made the right decision moving us.

00:49:48I just wanted us.

00:49:51I wanted us to move on.

00:49:53Oh.

00:49:55What if it had been you?

00:49:59Oh, I'm so sorry, my darling. I'm so, so sorry.

00:50:12Oh, my God.

00:50:42Oh, my God.

00:51:12Oh, my God.

00:51:19Mrs. Poyton.

00:51:20Detective Ruben Knox.

00:51:22Do I have a word?

00:51:23So, what about Susan?

00:51:25Were you able to find her?

00:51:27No.

00:51:33And the body parts?

00:51:37Detective Nord have told me that there were body parts in Chris's van.

00:51:42Uh, Mr. Mancini had been poisoning possums.

00:51:45We suspect he was taking the bodies to the town's edge to avoid charges.

00:51:49A minor offence in the scheme of things.

00:51:51Possums.

00:51:52The forensics went to town in the shed in the van.

00:51:56The only DNA we found belonged to yourself, Amy, and Chris Mancini.

00:52:00Oh, I'm sorry.

00:52:01I'm not quite sure.

00:52:02I understand.

00:52:03Amy told me that she was...

00:52:05Do you have any idea why Amy was in the back of the van?

00:52:08No.

00:52:09I'm not sure I know why she's been doing anything anymore.

00:52:13Oh, we're gonna need to speak with her.

00:52:14Once she's lucid.

00:52:15Okay.

00:52:16Um, can you excuse me?

00:52:17I just think I need to just take a minute.

00:52:37Barbara, I am so sorry.

00:52:40But it's also my duty to inform you that the shot fired was fatal.

00:52:46Chris Mancini is dead.

00:52:48Oh!

00:52:57Mom?

00:53:03Where's Detective Nordoff?

00:53:06Uh, Detective Nordoff is off the case pending an inquiry.

00:53:11An inquiry into what?

00:53:12A man was shot.

00:53:13Amy, this is Detective Knox.

00:53:16I promise we're gonna keep this as brief as we can.

00:53:20Why are you doing this, Amy?

00:53:22I'm trapped in his van.

00:53:24This is the third time.

00:53:26He's dumping body parts.

00:53:27What were you doing in Chris Mancini's van?

00:53:30Did he threaten you?

00:53:32Did he make you go with him?

00:53:34No.

00:53:35Amy?

00:53:36No.

00:53:38How'd you get there?

00:53:39I climbed.

00:53:40Into his van?

00:53:41Yes.

00:53:43You've been diagnosed with claustrophobia.

00:53:45I believe that was following an accident.

00:53:48It was after my dad died.

00:53:49You still climbed into the van?

00:53:50Yes.

00:53:51Why would you do that?

00:53:52Why is he here?

00:53:57I think maybe we should-

00:53:58Answer the question.

00:53:59He has hidden her out of sight!

00:54:01No, no, no.

00:54:02You've gotta keep looking!

00:54:03Look harder!

00:54:04Oh, Amy!

00:54:06You've gotta stop this.

00:54:09Chris is dead.

00:54:10I'm sorry, I-

00:54:31He asked me to keep an eye out.

00:54:35That's all.

00:54:37While he watched the birds.

00:54:40There's lots of old mineshafts.

00:54:47Keep an eye out.

00:54:50That's what he said.

00:54:55I should've seen where he was stepping.

00:54:59He can't take your eyes off the track.

00:55:05It was a freak accident.

00:55:07Miles away from anywhere, no one could've saved him.

00:55:10No.

00:55:13Jaime!

00:55:15Me.

00:55:18Oh my goodness.

00:55:24And I did it.

00:55:25All my goodness.

00:55:26So we didn't do the way.

00:55:27I didn't go to the old one and we were there.

00:55:28I didn't want to both.

00:55:29We have a retirer.

00:55:30I wanna lift my head.

00:55:33It was a bit like a bit.

00:55:34I didn't pass.

00:55:35I'm not going to be reading them all.

00:55:36I want to say once.

00:55:37It's done.

00:55:38I do so.

00:55:39I want to get up and be ready for it.

00:55:40I don't want to reach out.

00:55:42I still have to be ready for it.

00:55:46It's done, it's done.

00:55:47No, no, no.

00:56:17Girl, I'm so sorry.

00:56:47Girl, I'm so sorry.

00:57:17Girl, I'm so sorry.

00:57:47I know you're there.

00:57:53Hey, you're awake.

00:58:04There's someone here.

00:58:06No, it's just me.

00:58:08No.

00:58:11What's here?

00:58:16Who?

00:58:18Sweetie, there's nobody there.

00:58:32It's just a bad dream.

00:58:34Come on.

00:58:35Come on.

00:58:36No, no, no.

00:58:37Mom, you don't listen to me.

00:58:39There's a man.

00:58:39Amy, you're upsetting yourself.

00:58:41Mom, there's a man in me.

00:58:42There's a man.

00:58:43Stop it.

00:58:45Just give me my phone.

00:58:47I'm sorry.

00:58:48Just give me my phone.

00:58:49No.

00:58:49You've been told that you need complete rest until you're well again.

00:58:53Well again.

00:58:54I am not sick.

00:58:57I am not seeing things.

00:58:58I have a head injury.

00:58:59Now you either rest here or you rest in hospital, okay?

00:59:03Good girl.

00:59:05Good girl.

00:59:06Come on.

00:59:07Sweetheart, it's all right.

00:59:10It's just me.

00:59:12It's just me.

00:59:13I promise.

00:59:16It's just me.

00:59:43It's just me.

01:00:13It's just me.

01:00:43It's just me.

01:01:13Listen, I'm right here, ok? No one can hurt you, sweetie. It's okay, I'm right here.

01:01:43Lan? You look like shit. Thanks.

01:02:13So, you were really in Chris's van and now he's dead?

01:02:18Yeah, that's pretty much how it happened.

01:02:24Did you bring it? Are you kidding? Barb's practically frisked me on the way in.

01:02:32Kidding! Pretty sure this works. Dean's got this geek brother who knows this guy who could be stolen.

01:02:41Thanks.

01:02:43So, I'm sorry. The other night with Dean, how I reacted, it wasn't fair.

01:02:51I'm sorry. I shouldn't have dragged you into it. I really screwed up, Laylee.

01:02:58We're teenagers. We're all screw ups.

01:03:02So bad that people die?

01:03:05You're acting like you're the one that shot him. You're not that badass.

01:03:10Okay, Liam. Time's up.

01:03:14Well, thank you for visiting.

01:03:17Get better soon.

01:03:21I'm literally dying of boredom without you.

01:03:24Better wrap that one in bubble wrap, Barb's.

01:03:41It's been over three days now. Why hasn't the clockwork killer called?

01:03:45That's not a label we acknowledge.

01:03:47Where's Susan Miller?

01:03:49Our search is ongoing.

01:03:51People are saying the Chris Mancini shooting may have spooked the killer.

01:03:55Any comment?

01:03:59There's...

01:04:01a...

01:04:03girl.

01:04:05Susan Miller is still alive.

01:04:07That is so unlikely.

01:04:10No, the killer hasn't called in yet to say where the body is.

01:04:14No, which means what exactly?

01:04:17There is no body.

01:04:18Does it though?

01:04:19Chris was shot at the shed.

01:04:21So?

01:04:22So that interrupted the killer's timing.

01:04:24How?

01:04:26He heard the cops.

01:04:28And...

01:04:31Me.

01:04:32Oh, she's there!

01:04:33Did you say there? Say the killer then?

01:04:35The killer heard me.

01:04:37You don't think you're crazy.

01:04:38That's why he came after me.

01:04:43The killer knows that I know.

01:04:46He'll come after you again.

01:04:47Shit.

01:05:09Amy, it's late.

01:05:10Susan's still alive.

01:05:11I need your help.

01:05:12I'm locked in.

01:05:13What do you mean?

01:05:14Lily, please.

01:05:15I just need you to come back and go to the house.

01:05:17Now?

01:05:18Are you serious?

01:05:19Next time it could be you or me.

01:05:22You said this is what friends do.

01:05:23This is a bad idea.

01:05:24Bad like good.

01:05:25Right?

01:05:26We're here.

01:05:27Okay, go to the shed.

01:05:28The best way to find Susan is through there.

01:05:32So do we, like, actually know that for certain?

01:05:33Or...

01:05:34Chris was in the shed the night he was shot.

01:05:35But he didn't go through the house.

01:05:36No.

01:05:37No.

01:05:38No.

01:05:39No.

01:05:40No.

01:05:41No.

01:05:42No.

01:05:43No.

01:05:44No.

01:05:45No.

01:05:46No.

01:05:47No.

01:05:48No.

01:05:49No.

01:05:50No.

01:05:51No.

01:05:52No.

01:05:53No.

01:05:54No.

01:05:55No.

01:05:56No.

01:05:57No.

01:05:58The best way to find Susan is through there.

01:05:59So do we, like, actually know that for certain?

01:06:01How Chris was in the shed the night he was shot?

01:06:02But he didn't go through the house.

01:06:05Leanne, he didn't go through the house.

01:06:10Susan's alive and she's somewhere in the shed.

01:06:15Sì, sì, sì.

01:06:45Sì, sì, sì, sì, sì, sì, sì, sì.

01:07:15Do I really remind you of John Wick?

01:07:24His dog, maybe.

01:07:26Are you happy now?

01:07:35There's nothing here.

01:07:38What was that?

01:07:40Don't fuck about, Dean.

01:07:42I'm not.

01:07:42I heard something.

01:07:44Hello?

01:07:46Abducted girl?

01:07:47I really need to get my license.

01:07:52It's Dean, he's gone.

01:08:13Dean!

01:08:14Leigh-Anne, just get out of there now!

01:08:22It's Leigh-Anne.

01:08:23Do your thing.

01:08:24Yes?

01:08:28Yes.

01:08:44He's low down.

01:08:45I'm not working on the case anymore, Amy.

01:08:54I'm sorry, Amy.

01:08:55No, I can't.

01:08:58Listen.

01:08:58I can't help you.

01:09:02Let me out!

01:09:30Mama!

01:09:33Let me out!

01:09:34Mama!

01:09:35No, no, no.

01:10:05No, no, no.

01:10:35No, no, no.

01:11:05No, no, no.

01:11:35No, no, no.

01:12:05No, no, no.

01:12:35No, no, no.

01:13:05No, no.

01:13:35No, no, no.

01:14:05No, no, no.

01:14:35No, no, no.

01:15:05No, no, no.

01:15:35No, no, no.

01:15:36Shame about your mum's boyfriend, by the way.

01:15:40I hadn't finished with him.

01:15:42Has he told you why he drives around in the middle of the night with no lights on?

01:15:46He framed Chris.

01:15:47He framed Chris by taking his van.

01:15:53I'd almost call that.

01:15:54I'd almost call that teamwork.

01:16:00Why would you do this.

01:16:01Why would you do this?

01:16:02Why would you do this?

01:16:07The sob story?

01:16:08The sob story about how I was?

01:16:09The sob story about how I wasn't hugged enough as a child.

01:16:12Smattering of daddy issues.

01:16:13Leave my father out of this.

01:16:14But in truth, it's really quite simple.

01:16:19bad people do bad things.

01:16:26Stay away from me!

01:16:28No!

01:16:29No!

01:16:30No!

01:16:31No!

01:16:33No!

01:16:34No!

01:16:35No!

01:16:36No!

01:16:37No!

01:16:38No!

01:16:39No!

01:16:40No!

01:16:42No!

01:16:43No!

01:16:44Try it!

01:16:45No!

01:16:46Help!

01:16:47No

01:16:57No!

01:16:58No!

01:17:00Oh.

01:17:03Oh, oh, oh, oh.

01:17:33Oh, oh, oh, oh.

01:18:03Oh, oh, oh.

01:18:33Oh, oh, oh, oh.

01:19:03Oh, oh, oh, oh.

01:19:32Oh, oh, oh.

01:19:33Oh, oh, oh.

01:19:34Oh, oh, oh.

01:19:36Oh, oh, oh, oh.

01:19:38Oh, oh, oh, oh.

01:19:40Oh, oh, oh, oh, oh.

01:19:42Sì, sì, sì.

01:20:12Non c'è più di più di più.

01:20:15Non c'è più di più.

01:20:17Non c'è più di me.

01:20:30Sì.

01:20:34Sì, sì.

01:20:36No.

01:20:40You know, I think it's about time we moved back to the city, sweetheart.

01:20:44Maybe you should try a dating app.

01:20:46No, no, no.

01:21:16I want the change in your life today

01:21:20Your eyes got me dreaming

01:21:24Your eyes got me blind

01:21:29Your eyes got me open

01:21:33That I'll be holding you close to the night

01:21:37Your eyes got me dreaming

01:21:41Your eyes got me blind

01:21:46Your eyes got me open

01:21:49That I'll be holding you close to the night

01:21:53That I'll be holding you close to the night

01:21:56That I'll be holding you close to the night

01:22:02Grazie a tutti.

01:22:32Grazie a tutti.

01:23:02Grazie a tutti.

01:23:32Grazie a tutti.

01:24:02Grazie a tutti.

01:24:32Grazie a tutti.

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