- 2 days ago
Learn how to create stunning 3D animations in After Effects. Step-by-step tutorials for beginners & advanced users to design motion graphics, 3D text, and realistic visuals with After Effects.
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00:00Hello everyone, welcome to After Effects.
00:07As I said that you have a drive link, it will be available in the chat.
00:11Besides, the PhD file I opened in the drive link.
00:17We will create an animation and we will see how we can use Photoshop file in After Effects.
00:25I am telling you about Adon3D.
00:30Exactly the reason I am telling you about it.
00:34I was talking about Facts classes.
00:37But it's fine, but you don't have to keep Facts.
00:41You don't have to do that.
00:43Maybe it will happen that Adon3D is a drive link.
00:46I have a background that I have only made a video.
00:50I am using a burger because I have downloaded FreePix.
00:55It will be available if you want to find another product.
00:59Today, I have a fast food chain.
01:03We will take this food.
01:06We will highlight this food.
01:09In this class you can see, I have a file.
01:12I have a file.
01:13I have had a pillar and it has a file.
01:15And there are a part in such files.
01:17There are sort of cards.
01:18I have downloaded these, and I will go ahead and animate all these.
01:22There are all of the card files and we get out of it.
01:24It is made in the file and it is made in the cell.
01:27It is made in your office.
01:30Yeah, that's it.
01:32Yeah, that's it.
01:34So let's open After Effects.
01:38I'll change a little bit here.
01:40After Effects is required.
01:42This is the problem.
01:44You can do it.
01:46You can do it.
01:48You can do it on the Undock panel.
01:50You can do it on the Undock panel.
01:52You can do it on the good PC.
01:54I've adjusted it.
01:56It's very obvious.
01:58You can do it on Windows and Workspace.
02:00If you don't even understand it.
02:02And let's take a composition here.
02:061920 by 1080.
02:16Let's save our file.
02:18I'll import the cards here.
02:20I'll import it here.
02:22I'll import it.
02:24I'll import it.
02:26I'll import it.
02:28When I'm looking at the background,
02:30I'll change the composition.
02:32I'll change the composition.
02:34I'll change the composition.
02:36I've actually tried it.
02:38I didn't do it.
02:40Okay.
02:42I'll change the composition.
02:43Well,
02:44if you can do it on the Photoshop.
02:46You can do it on the Photoshop.
02:48It's necessary to do it.
02:50As you can do it on every time you work.
02:52If you work in the Photoshop.
02:54You can do it on the Photoshop.
02:56It's necessary to do it on the Photoshop.
02:58You'll need to create a lot of animation.
03:00You have to create an animation
03:02What do you need to do?
03:04You have to prepare your photoshop file
03:06I have to take a basic idea
03:08I have to use the colors
03:10I have to use the contrasting colors
03:12I have to use the burger products
03:14I have to use the burger products
03:16Then I have to prepare different slices
03:18This is not my mini
03:20But if we are doing it
03:22We have to use the composition
03:24Here we have a composition
03:26Here we have a motion glass
03:28Here we have to use the photoshop file
03:32This is the best way to use the photoshop file
03:34If you have any updates
03:36Then you will save the file
03:38Then it will be updated in Afterfacts
03:40But the layers
03:42You need to increase the size
03:44If it has gone
03:46Then it will be removed from Afterfacts
03:48Then we will change the size
03:50Then it will be added
03:52Then it will be shown
03:54I am talking about the name
03:56So the layers are
03:58You can change the layers
04:00You can change the layers
04:02I will show you in the example
04:04But the main thing
04:06The main thing is that
04:08I can tell you
04:09The changes you will do in Photoshop
04:10The same thing with the illustrator
04:12If you do in Photoshop
04:14The changes you will apply
04:16Afterfacts
04:18Afterfacts
04:20When you save your photoshop file
04:22You can drag and drop it
04:24As you can see
04:26I have multiple cards
04:28On each other
04:30I have a photoshop file
04:32I have asked you
04:34When I drag and drop it
04:36What do you need?
04:38For the footage
04:39For the composition
04:40For the composition
04:41For the layers
04:42What happens
04:44From all the layers
04:46The layers
04:47The layers
04:48The layers
04:49The layers
04:50The layers
04:51And merge layers
04:52To the footage
04:53Both are similar
04:54So we don't need to do this
04:55We need to add the layers
04:56The layers
04:57The layers
04:58The layers
04:59So we need to add the layers
05:00Add the layers
05:01And
05:02Composition
05:03As I have told you
05:04As you have footage
05:05Then it will come to a single image
05:07And you will have
05:08Add the layers
05:09So here
05:10We will select
05:11Composition
05:12And
05:13Composition
05:14And
05:15Composition
05:16And
05:17Composition
05:18Composition
05:19Composition
05:20And
05:21Okay
05:22Here
05:23Here
05:24Here
05:25Here
05:26Here
05:27You can see
05:28Here
05:29An object
05:30That does not exist
05:31This way
05:32You can
05:33Parent
05:34You can
05:36Parent
05:38Now
05:39Here
05:40Here
05:41You can see
05:42The layer
05:43The main anchor point
05:44Is
05:45The center
05:46The main frame
05:47Is
05:48The main frame
05:49Is
05:50The main frame
05:51Is
05:52The frame
05:53Is
05:54The entire
05:55Canvass
05:56Is
05:57The size
05:58Is
05:59The
06:00Anchor
06:01Point
06:02You can adjust
06:03But
06:04Sometimes
06:05There are
06:06A lot of layers
06:07And
06:08There are
06:09A lot of layers
06:10And
06:11A lot of layers
06:12Create
06:13So
06:14We will
06:15Put
06:16Photoshop
06:17Here
06:18I will
06:19Drop
06:20Composition
06:21And
06:22Composition
06:24Retain
06:25Layer
06:26If
06:27You will
06:28Select
06:29And
06:30OK
06:31Again
06:32After
06:33Our
06:34File
06:35The
06:36Frame
06:37Is
06:37It
06:38As
06:38The
06:40Layers
06:41The
06:42In
06:43Anchor
06:44Point
06:45The
06:46Center
06:47Art
06:48where
06:49You
06:50Need
06:51More
06:52With
06:53The
06:54As
06:55As
06:56To
06:56Envy
06:58As
06:59A
07:00so that when you take it from the parent and link, the anchor point is in the center
07:04because I didn't cover the point at that time and I was able to get the null object
07:07and now the null object will get the null object
07:10and I thought that the next file is happening from this null object
07:15so if you rotate individually the card, then you can use composition and return layer sizes
07:22so what will happen from composition and return layer sizes
07:25but if I have the null object, then the null object will rotate
07:30because the parent is null object
07:33so the null object will rotate
07:36but the null object will rotate
07:39let's see the example of this
07:44I want to use a center point
07:47which will rotate the cards 4
07:49so we can use this example
07:52and the same location
07:54so that's how to rotate it
07:56and then I will create that null object
07:59what I do here is
08:00so that the company will be put use center point
08:03so that the center point will rotate the cards
08:07so that's how you can
08:09so that's how you can
08:10use different kinds of sections
08:12so that's how you can
08:13shift in mode
08:16and then null object
08:18Now, I am going to give you the rotation here.
08:22You will be able to keep the rotation here.
08:24Before that, you will keep the rotation here.
08:26I am going to talk about FPS.
08:28I am going to talk about FPS.
08:30FPS is already in a circle.
08:32We are going to talk about FPS.
08:34We are going to talk about FPS.
08:36And the whole thing about FPS is we can understand.
08:40If you are going to talk about FPS,
08:42you can use FPS to explain it.
08:44If you are going to talk about FPS,
08:46you can use FPS to explain it.
08:48You can use FPS as you can understand it.
08:50If you wish.
08:52The idea you can use FPS as you can use.
09:01Yes, you can do swipe animation.
09:03Like a clousal?
09:05Yes, you can do that.
09:07But the clousal is not necessarily like swipe.
09:09Now it is like a two times export file.
09:11So, I don't know how to export two files, but I don't know how to do that in the settings and the difference.
09:16So, I have many layers.
09:18I have made multiple compositions.
09:20There is a layer here.
09:21If you want, you can create a composition of each layer.
09:24And you can create a composition of null objects.
09:27So, you can use that too.
09:30And if you don't have rotation, you can use it here.
09:33So, we can use all the layers of After Effects.
09:36So, you can export the file.
09:40So, let's see.
09:41So, let's see.
09:42So, I have found a null object in this way.
09:44I have taken some of these layers here.
09:46But I will export it in the image sequence.
09:49And here, I am going to create a layer here.
09:52So, there is an unnecessary layer here.
09:54First, we have set 1 second to 1 second to 1 second to 1 second to 1 second to 1 second.
09:59So, let's see.
10:04So, let's see.
10:06Let's see.
10:07Let's see.
10:12We want to rotate the card to the null object
10:15So what will we do here?
10:17We will parent a second to the null object
10:20and then we are going to parent 30 fps
10:23Sir, your voice is low
10:27Your voice is low
10:29How are you doing here?
10:31Actually, I will show you one more time
10:34Because you can export the image sequence
10:37Okay
10:39So here is the format
10:42If you are using the image sequence
10:44You can use the image sequence
10:46You can use the image sequence
10:47If you have done graphic design
10:49You will find a difference between JPG and PNG
10:53So here is the same layer
10:55What do we do here?
10:56Here is JPG sequence
10:58Why do we do this?
11:00Here is the format
11:02Then I will decide
11:04So I will parent the entire layer
11:07Here we will export
11:08Save
11:09Now I will use the null object
11:10I will rotate
11:12Okay
11:14Photoshop
11:16We will keep the rotation
11:18Now the next layer
11:20I will do with the parent
11:22Null object
11:23What will happen here?
11:25The previous layer
11:27Already parent
11:28After that
11:29Your new layer
11:30will be apparent
11:31Here you can see 29 fps
11:33Sorry, I have reduced one frame
11:35Now we have to see 29 fps
11:37Why do we have to see 29 fps?
11:38Why do we have to see 29 fps?
11:39Because we have to see 1 second
11:41In this 1 second
11:42I have to stop the frame
11:43That's why we have to see 29 fps
11:45So we have to see 30 fps
11:47And what is the composition setting?
11:49But what is the size of 30 fps?
11:50Right?
11:5130 fps
11:52So let's check here
11:53Let's see
11:54I will check it out
11:55Let's see
11:56Let's see
11:57This layer
11:58I will take a parent
11:59This is the image
12:00You can see
12:01This is the image
12:02You can see
12:03Here it is a very good
12:04How to use scene
12:05To use the same
12:06How to use the same
12:07In this way
12:08I will use one frame
12:09As I will use the animation
12:10To use the animation
12:11But too
12:12As I have told
12:13We will not do any
12:14With any animation
12:15So we have to go slow and focus on a tactical example.
12:18So you can understand that this is not a video.
12:21But this is still playable, right?
12:24That's why we can play.
12:27Because when we run these frames,
12:30we will see movement here.
12:33And the animation is how we create movement.
12:36I hope you can use frames.
12:38If you want to use After Effects or traditional animation.
12:41Why don't I do this?
12:43Because we have 30 frames.
12:45Then we will see 30 frames.
12:48If I go here in composition setting,
12:51we will see 60 frames.
12:53If I go here in composition setting,
12:55I will see 60 frames.
12:58Then we will see 60 frames.
13:02So if we see 60 frames,
13:04the animation is much smoother.
13:06But obviously,
13:08because we are rendering 60 frames,
13:10when we are rendering time,
13:12it will be double.
13:13So this is the thing.
13:15So we prefer to work on 40 frames.
13:18We prefer to work on 40 frames.
13:20And you can see,
13:21if there is a big project,
13:23you can go all out.
13:25Okay.
13:26We have done some 2D animations here.
13:29So we can do 60 frames.
13:31We can create a lot of motion graphics.
13:33We can create a lot of motion graphics.
13:35We can create a lot of motion graphics.
13:37So I want to add some examples here.
13:40So we can,
13:41even know that we can create a lot of motion graphics.
13:43I can tell you something.
13:44After that,
13:45you can add some examples.
13:47And as a moment of fact,
13:49you can create some cards.
13:50I want to say,
13:51the scene of a team,
13:52What is the first attendance question?
13:54What is the full form of casino team?
13:56There are many teams.
13:58There are many paper cut,
14:00there are many walks.
14:02There are many walks and walks.
14:04There are many walks.
14:06There are many people in India,
14:08as well as a document.
14:10But there is a style created.
14:12So you can try a lot of styles here.
14:16And you can see what we are doing with a casino team.
14:18What is the first attendance question?
14:20What is the first attendance question?
14:22Okay.
14:24Type is broken.
14:26No one can't write.
14:28So as I was saying.
14:30It's simple.
14:32What is the traditional animation method?
14:34What is the traditional animation method?
14:36What is the traditional animation method?
14:38Usually animated.
14:40It's not popular.
14:42We will talk about it.
14:44But the point is,
14:46what is traditional animation method?
14:48What is the traditional animation method?
14:50Suppose that there was no digital method.
14:52So what did they do?
14:54They used to draw.
14:56If they used to draw.
14:58The first frame is made.
15:00They made a closed burger.
15:02The second frame is made.
15:04The third frame is made.
15:06The second frame is made.
15:08And the second frame is made.
15:10And the second frame is made.
15:12So if we are going to go ahead.
15:14So if there is a traditional animation method.
15:16Then what is the traditional animation method?
15:18They will draw.
15:20The second frame will open.
15:22And this frame will open.
15:24So this is the traditional animation method.
15:26Obviously, I don't have any animation method.
15:28But now we also have to show you more in case of GPS.
15:30You have to tell me a little bit.
15:32I told you yesterday I wanted to show you depth of field.
15:34This way.
15:36Because now we are using aίس.
15:38As about using an advanced animation method.
15:40After doing a classic currently,
15:42we will have to play a strong camera option.
15:44We will see the properties.
15:46Depth of field going on.
15:48And open the aperture here.
15:50I would show you more.
15:52So we have to show you the same thing.
15:54This will be released
16:00Like Walt Disney
16:01Yes, Disney is kind of like father of the animation
16:07How did they do it in childhood and how did they do it?
16:09Yes, they do it right now
16:10There are a lot of people do it
16:11Okay, they say flipbook animation
16:13If you want to see another example
16:15Then you can search for flipbook
16:17Yes, that's right
16:18That's right
16:19That's right
16:20That's right
16:21Okay, let's open after effects here
16:24Suppose I need a PNG sequence
16:28Right?
16:29The sequence is also in PNG
16:31What does PNG mean?
16:33Transparency maintenance
16:35PNG means that it's a raw form
16:37It's not a raw form
16:39But you can say that
16:41It maintains a higher quality
16:44The transparency details also maintain
16:48Transparency details
16:50It's not a raw form
16:51That's right
16:52It's not a raw form
16:53That's right
16:54It's not a raw form
16:55It's not a raw form
16:56So the background is not a raw form
16:58It's not a raw form
16:59Then you can see a transparent PNG
17:01In the animation
17:02Okay
17:03So, what way do you have to remove transparent PNGs?
17:05Here is the transparent PNGs?
17:07We can see here
17:08We can see here
17:09Let's see here
17:10This is a raw form
17:11I'll mask it
17:12Okay
17:13So, F is just a mask
17:14Now you can see here
17:15Transparency added
17:16Here we have 4
17:18And here we have a short area
17:20That's right
17:21That's right
17:22If you have a short area
17:23If you have a short area
17:24If you have a short area
17:25This is the same
17:26If you have a short area
17:27Then you can see here
17:28How it would look?
17:29Okay
17:30This is the first attendance question
17:31That's right
17:32My file
17:33If I jump in the background
17:35To the keyframes
17:37Some of the keyframes
17:38There are many keyframes
17:39Here we have to access
17:40There are many keyframes
17:41And there are many keyframes
17:42And we will not have to know
17:43PNG secrets
17:45But here we have to keep JPG
17:47Because JPG is very strong
17:49What will happen
17:50If I have to go to the previous screen
17:52Then it will not be transparent
17:54It will not be transparent
17:55So JPG will work here
17:57Here we have to check
17:59If you have the keyframes
18:01And PNG in higher quality keyframes
18:03And J, is the only keyframes
18:05We can save it
18:06And J, is the keyframes
18:07After this we can save it
18:08And J
18:10And J
18:11Then we can change the channel
18:12So this thing is important
18:14If you need PBG
18:17And J
18:18Therefore it will be transparent
18:20Then you can use RG
18:21And K
18:22If you have the keyframes
18:23RG
18:24Plus
18:25If you don't understand what you're saying, then you can do the composition.
18:32So with J and K, you can jump in front and back to the keyframes.
18:38When you do a lot of animation, you can do a lot of layers and keyframes.
18:43Then you can use the keyframes for easy to short-term.
18:47And you can see what we have rendered.
18:50As you can see here, we have rendered.
18:54And as a PNG sequence.
18:56That is also transparent PNG.
18:58So with this transparent PNG, I will drag and drop.
19:02K for front keyframe and J for previous keyframes.
19:04Last keyframe is not possible.
19:06Last keyframe will be added.
19:08But here is K and J.
19:12Let's check if this is transparent.
19:14I will give some text.
19:16So this is just the attendance question.
19:18Let's see some other things here.
19:20I have written some gibberish.
19:22And you can see that I have made a mask.
19:28The mask is maintained.
19:30And we have removed PNG sequence.
19:32So you can remove transparent render.
19:36Let's go.
19:38Let's go.
19:39Let's go.
19:40Let's go.
19:41Let's go.
19:42Let's go.
19:43Let's go.
19:44Let's go.
19:45Let's go.
19:46Let's go.
19:47Let's go.
19:48Let's go.
19:49Let's go.
19:50Let's go.
19:51Let's go.
19:52Let's go.
19:53Let's go.
19:54Let's go.
19:55Let's go.
19:56Let's go.
19:57Let's go.
19:58Do
20:00Let's go.
20:01Let's go.
20:02Let's go.
20:03Let's go.
20:05You can't do that.
20:07Now you can move this card.
20:08Now you can use this card to rotate.
20:10Now we can write it on After Effects.
20:12After Effects is a very strong compositing tool.
20:15Let's go.
20:16You can select the Lace.
20:18If you want to create a box, you will need to create a box, multiple textures, multiple images.
20:29Here is the asset section.
20:32After double-click, you can see that we have a back-side folder.
20:38We will animate.
20:41Here we have open the folder and select the first image and it has already checked the png sequence.
20:52If you don't check it, then you will import the single image.
20:56You will paste all the images together.
21:00Then we will check the png sequence.
21:06You will see the png sequence.
21:12Now the same is the same.
21:16Now the same is the same.
21:21Now the starting layer is the same.
21:26The point is that we need to know how to do this and how to use it.
21:32So that in the future you will not have the position.
21:35I will tell you how to import as a png sequence and how to export as a png sequence.
21:42Now this is the null object.
21:44Now we will animate the file.
21:47Now you will see another part.
21:54Now you can see the same file for this.
21:55Now you can select the file.
21:59There is nothing behind the file for that.
22:01You have to change the text.
22:05I will select the text tool and select the text tool.
22:09If you want to edit the text, you can edit the text.
22:12Now you can edit the text.
22:17Remember that the text layer you want to convert the text layer.
22:22The text layer should also be in Photoshop.
22:26If it is in Photoshop, we can do the text layer.
22:31The text layer is not a text layer.
22:37The text layer is not a text layer.
22:40Obviously, we can not use this text.
22:44So, we have written the text layer.
22:47We can change the font.
22:50It is a great font.
22:52I will do it right click here.
22:54If i have to write and write a statement,
23:12So the text is all the values.
23:14If you have all these values, you can zero the font.
23:18You will also make the font automatically change.
23:23So you can zero the font.
23:25And if you want to change the text in the text, then you can change the text.
23:29So, let's do this.
23:31Now, let's do this with the other layers.
23:33You can select one layer, not in multiple layers.
23:37I will select the right-click to create and convert to editable text.
23:41and we can change the font in this way and we can change the font in this way and we can change the font in this way
23:55so in this way you can take your photoshop file
23:59I have noticed the difference between footage, composition and composition and retained layer sizes
24:06we have seen about the FTS and how you can export a PNG sequence
24:15and how you can import a PNG sequence
24:17let's go
24:19after this we have two animations
24:22but first let me tell you what is clear
24:26now suppose that I want to rotate the card
24:34and here the card will change the card
24:41so now we can use that text
24:45so let's look at the composition
24:47I have to tell you about the composition
24:49but I have to select all the layers
24:52because I can compose all the layers
24:55so when we have multiple layers
24:59you have to change the font in layer styles
25:01we have to change the text
25:02with this
25:03because in Photoshop
25:04there is not a stroke in text
25:06but in Illustrator
25:07we have to stroke this
25:08and we use the text
25:09and we use the text
25:10so that you can also check off the layer style
25:12and make the composition of layer styles
25:14and make the composition of layer styles
25:16After Effects
25:17When you take a photo, you can open a stroke from Photoshop.
25:22The closest thing is that you stroke the layer style.
25:28Okay, so as I was saying,
25:30I remember that when the rotation is complete,
25:32like the card is broken,
25:34and when you turn it back,
25:36I remember that the card would change.
25:39So that's what we used to do here.
25:42The effects you used layer style have been added.
25:44Exactly.
25:45So here,
25:47if you use the shadow,
25:49you can also use the layer.
25:51Okay, so I prefer that you don't use Photoshop
25:54to use the drop shadows.
25:56Okay, so what happens is that
25:58the first method of Photoshop will be shown in After Effects
26:01and the second method.
26:02If you think that I use the other method,
26:04then you can see that you have changed the shadow.
26:07Okay?
26:08This thing has changed a little bit.
26:10Now it's done in 3D.
26:12But we also have a solution.
26:14But the smart method is that
26:16we choose the first option here.
26:18But what happens from the first option?
26:20Select the layer and pre-compose it.
26:23And leave all attributes in card2.
26:28Okay?
26:29So what does that mean?
26:30Okay, okay.
26:31So what does that mean?
26:32That the original attributes have been added.
26:33That this layer was 3D,
26:34that I have been parented with null object,
26:37and that I have given animation.
26:40These are all properties.
26:42But now this is also changed in composition.
26:44I will double click on this composition.
26:46So you can see that this is our image.
26:48This is absolutely right.
26:49It has been added to our original position.
26:51The original parts have only gotten in position.
26:53Let's check the link.
26:54If you've got any comments on me.
26:57Then you can see the second layer.
26:59There's some 3D build.
27:00All you can see here.
27:03Okay.
27:04So now we're going to see the kind of design here.
27:06The overall opening close animation of the burger
27:08So, after After Effects, I think Photoshop or Alias Photo will start with graphic design.
27:18Sorry, not after After Effects, but after we start with 2D animation, we will start with graphic design.
27:27Okay, so here we are taking the text here.
27:31Yes, guess.
27:33I am hoping that it will be much better.
27:37Usually, it is supposed to be a burger tag.
27:40If you work for a firm, it will not be very simple.
27:45There will be some extra elements.
27:47There will be some magic tricks of card.
27:49There will be some extra tricks of card.
27:51But there will be a Photoshop file.
27:54Here will be a graphic design.
27:57The point is, here will be text, color, text, font.
28:01So, here will be the card.
28:03Obviously, the animation is changed.
28:05Then we will create the card.
28:07Then I will take the card.
28:09After Effects, I will show you the animation.
28:11I will show you the animation.
28:13Here will be a skill layer.
28:15There will be a festival post.
28:19There will be a post.
28:21There will be a post.
28:23There will be a card.
28:25There will be a post.
28:27There will be a Photoshop file.
28:29This is the same size.
28:31We will prepare the Photoshop file.
28:33Let's take the Photoshop file.
28:35We will take the Photoshop file.
28:37In this Photoshop file,
28:39we will change the scenes.
28:41Like the name of the card.
28:43You can do multiple cards.
28:45You can do multiple cards.
28:47You can change the card.
28:49Then you will change the card.
28:51You can change the card.
28:53Because we have a single layer.
28:55It is the same.
28:57You need to change the layers.
28:59Then you can change the layers.
29:01Like we have text-only layers.
29:03That's why we will use this.
29:05Now I will show you the layers.
29:07Now I will show you the layers.
29:09I will show you the layers.
29:11I will show you the layers.
29:13I will show you the layers.
29:15You can select a object of a file as with this.
29:16There will be a null object.
29:17I read some next text.
29:22We will show you the null object of our table.
29:25We will cast a null object.
29:29In this video...
29:30There will be a little link.
29:39Thank god this!
29:42Let's move all attributes into the new composition
29:47and you can see that the first option is to animate all these layers
29:53so we don't need to animate these layers
29:56so we don't need to animate the keyframing
29:59now let's work on our burger layers
30:041,2,3,4
30:07let's work on them
30:09now let's create a null object for the burger
30:13so I'll click on the new
30:15then I'll click on the new
30:17then I'll click on the null object
30:19so I'll keep this null object
30:21then we have 4 layers of the burger
30:23so I'll use parent and link
30:27so now you can see effect control
30:29glow effect
30:31so I'll open the null object
30:33so I'll open the null object
30:35so I'll open the null object
30:37so I'll open the null object
30:39so I'll open the previous composition
30:41okay
30:43so I'll open the control z
30:45so I'll open the normal layer
30:47and I'll open the right-click
30:49so I'll open the pre-compose
30:51so I'll set the first option
30:53and you can see that the 4 layers of the composition
30:55alone
30:56so I'll open the Educator
30:57but I'll open the active layer
30:58we have downside
31:02now we also need to keep this layers
31:03and animate
31:04orłefer
31:06the bugger is
31:07down here
31:09i get to the keyframe
31:10so the throw кр....
31:13dette
31:15dot
31:16dot
31:18dot
31:20dot
31:21dot
31:23Now suppose if you choose the first option here, you can see that there are keyframes here.
31:33If I choose the second option, you can choose the keyframes here.
31:39But what you can do is use this method.
31:42I will double click here and you can see that I can do some other changes here.
31:52Now I can see the other keyframes here.
31:57I hope you will remember that if you select the other layer,
32:02you can see all the keyframes here.
32:08The first option, but the second option, the next option will be nested.
32:12The next option will be multiple layers.
32:15The second option will be able to animate the null object and multiple layers.
32:20I will tell you exactly how the motion graphics will be.
32:23Sorry, now there will be 2D animation.
32:25Then the angle point will shift and rotate.
32:27Then I don't know exactly how the keyframes will be.
32:30Okay, so CapCut can also be done.
32:32But maybe you are right.
32:34So you have to see the two layers here.
32:37I will select the shortcut key.
32:39I will select the shortcut key.
32:41I will select the keyframes here.
32:43Then I will open the graph editor.
32:45This is a small icon.
32:47You can access the graph editor.
32:50The first option is the same.
32:51The second option is the same.
32:52The second option is the same.
32:53The second option is the same.
32:54Wow, it was a very good example.
32:56Okay, this is my opinion.
32:58I don't remember the previous animation.
33:01So, it is a very good example.
33:03If you have put the shortcut keyframes here,
33:05you can see the same.
33:06We can see the same.
33:07How can we do this?
33:08Very nice.
33:11The second option is the same.
33:14The second option is the same.
33:15So, we can change the same.
33:18The second option is the same.
33:20And it is not that you can do it on the same.
33:22Just like we have done it here.
33:24I will select the same layers.
33:26We will select the same layers.
33:28And then we will select the same.
33:30Now, I will select the same layers.
33:32Because it is a composition.
33:33So, we can do multiple layers.
33:35If you want it,
33:36you will select the same.
33:37Now, you can select the same layers.
33:39So, you can definitely try all these things.
33:41Now, we will select the same layers.
33:43Because we have put the same layers
33:45with the null object.
33:47You can adjust the same layers.
33:49So, you can see the same layers individually.
33:50Then we use the same layers.
33:51So, we can store each layer either.
33:53Now, I can choose two examples.
33:55Let's see.
33:57I will select this.
33:59Let's see.
34:00We will have a new one here.
34:01We'll select this other side.
34:02and keep him on the other side.
34:06Now, if you change the layers,
34:10then you have to adjust the layers.
34:14You have to adjust the layers.
34:20This is a long method,
34:23but it is also an alternative method.
34:27So, in this way, I will animate this layer.
34:33Now, I will add a pre-composition.
34:36You can see that we will add a pre-composition,
34:39but we will keep it in the name.
34:41So, we have a non-confusion.
34:44We have a non-confusion,
34:46which can be easy to do.
34:48So, I will unparent all the layers.
34:52Now, why am I doing that?
34:56The second option is the pre-composition.
34:58We can create our animation here.
35:00So, if the layers are different,
35:03then it will be the same.
35:05Remember, when I learned the first class of Parent and Linking,
35:08I have to tell you what way you want.
35:10So, you can parent these four layers with Null Objects,
35:13or not, you can parent one layer with Null Objects,
35:16and you can do the Linking.
35:18Now, suppose that you have to use Null Objects,
35:21and use the same composition.
35:23Null Objects,
35:24but I have to change it from the second layer,
35:26the same composition,
35:27but the keyframes,
35:28I have to change it from third layer.
35:30So, how do I do that?
35:31And then, for the fourth layer,
35:33you will know the new composition.
35:34You will change the keyframes.
35:36Now I have to select all layers
35:40I have to select one from four and then I will add a keyframe
35:44and then I will increase the position values
35:49Suppose I want to create a new animation
35:53I want to create a new animation
35:55I want to create a new animation
35:58So what is the difference?
36:00I can copy our layers here
36:04Then, we will change the animation.
36:11So, this is the null object.
36:16I am animating all these positions.
36:23But, the overall position has been changed.
36:27Why? Because it is a parent with null object.
36:30But, you will notice that the layer changes.
36:39But, the previous composition has been changed.
36:43Because it is a composition.
36:45You have copied this composition.
36:48As you can see, it is a composition.
36:53So, you will change the composition.
36:56If you change the composition, you will change the composition.
37:03Then, what will you do?
37:05You will change the composition.
37:07But, I will change the composition.
37:09So, you will change the composition.
37:10If you adjust the composition, it will change the composition.
37:22There is a separate animation here and there is a separate animation here.
37:25As you can see, there is currently a card here and the files are very heavy.
37:30There is a composition of a composition, there are 10, 10, 20, 50, 100, 500 layers.
37:35Now, what do you have to do with that?
37:38So, you can use a composition of multiple copies and changes here.
37:46So, let's focus here on the project window.
37:49You can see that our project window is open.
37:51Let's see this project window.
37:53We have a composition here that we have made, No Confusion.
37:57Now, the No Confusion, we will copy it here and copy it in the project window.
38:05So, I will duplicate this composition here and drag it here.
38:12Now, let's go to the animation here and do some changes.
38:17Now, let's do some changes here.
38:19Let's do some changes here and do some changes here and do some changes here.
38:23Now, we will keep the inner frame here and open it.
38:26So, let's give it a little time so that it doesn't stay open.
38:28So, let's give it a keyframe so that the still position will remain consistent.
38:35So, let's do some changes here.
38:41Here we have two different animations.
38:45So, let's do some changes here.
38:47Why are you doing this?
38:48Because we have two different animations here.
38:49Because we have two different animations here.
38:51So, let's do some changes here.
38:53So, let's do some changes here.
38:54So, let's do some changes here.
38:55So, let's do some changes here.
38:57So, let's do some changes here.
38:59Okay?
38:59And here, we have multiple compositions here.
39:03So, if you have a root here, you can do some changes here.
39:05So, if you have a root here, if you have any composition changes here,
39:09then you can do some changes here.
39:11So, here we have a root here.
39:13So, I have duplicate our layer here.
39:17So, I have a null object here.
39:18And then, I will use this layer here.
39:20Okay?
39:21So, with this method, you can also do changes in your composition.
39:24So, with this method, you can also do changes in your composition.
39:26So, you can also do the original position here.
39:28So, there is a property in C.
39:30We have a name on the object panel.
39:32Okay?
39:33So, we have a keyframe from each other.
39:36So, you can adjust the graph editor here.
39:40Okay, Ankitah.
39:42I think that this composition is...
39:44So, if you can change the composition here, then, yes, there is sound size.
39:49So, we have an animation here.
39:51It's very simple.
39:53Okay?
39:54Now, we will do one more thing here.
39:56You can also do that.
39:58It's very complicated part.
40:00Yes.
40:01There is a lot of things.
40:02Sometimes, the burger will rotate it.
40:05Then, you need to do changes in your composition.
40:07Then, you need to do changes in your composition.
40:09So, what will happen to you?
40:10So, what will happen to you?
40:11So, what will happen to you?
40:12So, what will happen to you?
40:13Yes.
40:14I can do changes here.
40:15Yes.
40:16Okay.
40:17So, today's second attendance question, we have to ask you.
40:19I have to ask you from the previous shortcut.
40:21So, the device will be used here.
40:23Yes.
40:24I have used it.
40:25I have used it.
40:26I have copied it.
40:27Then, try and lock it.
40:28Then, try and lock it.
40:29Then, try and lock it.
40:30Then, try and lock it.
40:31Then, try and lock it.
40:32So, that will change the position and rotation.
40:33That's really cool.
40:34Do you have to figure it out from yourself?
40:35Or do you have to search for yourself?
40:36Yes.
40:37Yes.
40:38You have to search for yourself.
40:39Yes.
40:40No.
40:41No.
40:42No.
40:43No.
40:44No.
40:45No.
40:46No.
40:47No.
40:48No.
40:49No.
40:50No.
40:51No.
40:52Okay.
40:53That's good.
40:54Okay.
40:55Now, the second question is also asked.
40:57We are done for today.
41:00That's why you have time.
41:02Let's try something.
41:03Okay.
41:04Here's also something.
41:05What is the shortcut for the duplicate?
41:06If you have any layer on the left, we will put the duplicate layer on the left.
41:10I will animate the null object.
41:12The second object is also used for the plate and table.
41:16That's right.
41:17So, I will put the duplicate layer on the left.
41:20I will put a keyframe here.
41:22We will put a keyframe here.
41:24We will put a keyframe here.
41:26Good guess.
41:28I will put a keyframe here.
41:30Control D, that's right.
41:32Confused, official, control, press, yes.
41:34We can also put this plate in the individual.
41:36Because we are putting null object.
41:38Control, press, D, yes.
41:40So, these are your two attendance questions.
41:42First, the attendance question is
41:44which shortcut key you use
41:46in your keyframes
41:48You can also put a keyframe here.
41:50You can also put a keyframe here.
41:52You can also put a keyframe here.
41:54You can also put a keyframe here.
41:56You can also put a keyframe here.
41:58So, these are the two attendance questions for today.
42:00I didn't think that
42:02we will cover two examples.
42:04We will cover one hour.
42:06After that, we will give you an animation.
42:08So, guys, that's it for today.
42:10Today's class we have to cover.
42:12You guys have two days off.
42:14Next week, we will cover our class.
42:16We will cover our class.
42:18We will cover our class.
42:20After that, we will move on to the other topics.
42:22So, for today's class.
42:24Last, we will cover our class.
42:26Yes, obviously.
42:28Who will talk about it?
42:30My example is it?
42:32Or what I have created in After Effects?
42:34Obviously, there is no polish.
42:36We will work on any project.
42:38So, we will think that
42:40we will start and end here.
42:42We have to think about all things.
42:44We have to think about timing.
42:46So, obviously, there would be a need for a better planning.
42:52Last, we have a little position.
42:54Yes, sir.
42:55Clear.
42:56Abraham, yes.
42:57Akan Shaguthi, clear.
42:58Ashwi Gashab, yes sir.
43:00Farman, yes.
43:01Clear.
43:02Ankita has created After Effects.
43:04Yes, we have created After Effects.
43:06Yes, yes, sir.
43:08Clear.
43:09Clear.
43:10Shri.
43:11Sir, I have a flash in 2019 version.
43:132019 version of flash.
43:15If anyone doesn't know
43:17that
43:18the Adobe Animate
43:20the name of the Adobe Animate
43:22would be a flash.
43:23Okay.
43:24And it would have been working on the website.
43:26But it would have been a little animation on the side.
43:28Okay, guys.
43:30So,
43:31let us ask the attendance question today.
43:33Tell us about the shortcut key.
43:35It is the old shortcut key.
43:37Okay.
43:38This is what we have done before.
43:39If you have to smooth your keyframes,
43:41ease in, ease out,
43:42then you should use the shortcut key.
43:45Wow!
43:46This is the first one.
43:47This is the first one.
43:48This is the first one.
43:49Animate CC.
43:50I have a class on the next one.
43:52No.
43:53It is not on the next one.
43:54But it will come quickly.
43:56Akan Shaguthi, F9.
43:58Yes.
43:59Ankita, F9.
44:00Farman Ansari, F9.
44:01Abraham, F9.
44:02Yes.
44:03That's right.
44:04This is the second attendance question.
44:05The first attendance question was FPS.
44:06And the second attendance question is F9.
44:08And the second attendance question is F9.
44:10And we will start 2D Animator classes.
44:11We will just cover some basic things in our class.
44:12Okay.
44:13We will just cover some basic things in our class.
44:14Okay.
44:15digestive
44:26We will start giving up about animation.
44:37And eventually we will move on to creating small animations and after that we will use a plug-in.
44:43we will use multiple plugins
44:45one is headduke Angela and another plugin
44:47which I will tell you
44:49I will tell you
44:51afterfacts
44:53yes Meghna
44:55you would be surprised that
44:57you will not know
44:59afterfacts like software
45:01or afterfacts
45:03because puppet animation
45:05is much cheaper and easier
45:07to create these days and
45:09you can create quality
45:11so that's why
45:13it's much more popular
45:15for the games
45:17they also create many afterfacts
45:19so you can animate in afterfacts
45:21I'm talking about 2d games
45:233d games
45:25how to apply for the internship
45:27you should talk about
45:29in the chat group
45:31so that's it guys
45:33animation class
45:35you don't believe
45:37that this animation class
45:39in afterfacts
45:41yes Meghna
45:43and afterfacts
45:45animation is very strong
45:47very strong
45:49it was last class
45:51yes you can say
45:53motion graphic was last class
45:55sir your wedding
45:57oh guys one second one second
45:59one second
46:01please stay
46:03let's do this
46:05class time here
46:07how does that sound
46:09i will stop the email
46:11first
46:13music
46:15music
46:17music
46:19music
46:21music
46:23music
46:25music
46:27music
46:29music
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46:25
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