Three Steps North (1951)

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Transcript

00:00:00The

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00:00:38The

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00:02:30I recognize the signal.

00:02:32There was a guy from my company.

00:02:42He'd been looking for me up and down the road to tip me off, but an MP reception committee was waiting for me up ahead in camp.

00:02:48I figured they'd have to get wise one of these days, but I didn't know then how much the brass had on me.

00:02:52Now I had to figure out what I was going to do.

00:03:00I wasn't going to let myself be caught red-handed with the prophets, no sir.

00:03:03You see, I'd never been dumb enough to send that dough through the mails.

00:03:08Besides, I had nobody left back home that I could trust it with.

00:03:12I carried it where I could see it and touch it, almost next to my skin.

00:03:16I sat on it.

00:03:20I decided to ditch my bundle right where I made it.

00:03:23For the time being, that was.

00:03:25Four million lire.

00:03:27A lot of dough in any man's town.

00:03:29Although right now, it's only about six thousand bucks American.

00:03:33Enough folding money to let me sit in the sun while I figured out how to multiply it.

00:03:46This looked like a good spot.

00:04:00So I picked my landmark.

00:04:05Just to make sure I put my brand deep into it.

00:04:07First letter of my last name.

00:04:23I'll never forget that three.

00:04:26Three was my lucky number.

00:04:28So I walked three steps north.

00:04:33I put my spade to the ground.

00:04:37I took a last look around to make sure it was safe to dig a vault for my dough.

00:04:59The MPs grabbed me the minute I got back to camp.

00:05:02They asked me all kinds of questions.

00:05:04And even without the money on me, I didn't have a chance.

00:05:08I got sent up.

00:05:10But four years go by, even if you sweat them out in an army prison detail back home.

00:05:15And from that night on, that little piece of Italy became as much a part of me as my arm.

00:05:20I dreamt about that money as if it was a woman.

00:05:41I got out of the army at last, with a swell reference for getting a job.

00:05:45A dishonorable discharge.

00:05:54But it wasn't exactly a job that I was after.

00:05:57It was my dough that I wanted.

00:06:01It took too much red tape to get a passport,

00:06:03so I didn't waste any time contacting a guy named Vince.

00:06:06I was told that he could finagle a way of getting me back over the big pond.

00:06:10I got to ask him.

00:06:33All right.

00:06:34Senna, come on.

00:06:34Come on, baby, that's it.

00:06:35Senna, come on.

00:06:36Come on, Hazel, that's it.

00:06:37Lucky six.

00:06:38Oh, baby.

00:06:39All right, come on, baby.

00:06:39Get moving. See Naples and die.

00:06:41Sure, watch me make ten the hard way.

00:06:45Oh, that does it.

00:06:47Hey, banker, let me another 20 bucks in a little, will ya?

00:06:51Sure, sure, Keil, if there's a limit.

00:06:53I made of money.

00:06:55This'll be the last I was happy for.

00:06:57Hey, get out the top of Vince, will ya? He says not made out of money.

00:07:00Yeah, neither is the corner bank.

00:07:02Thanks, Mitchell. See you later, huh?

00:07:04That's right, kid. Go get slicked up. I'll show you this burg inside out.

00:07:08Now, wait a minute. Let's you and I settle up.

00:07:10You owe me 200,000?

00:07:12Get a move on.

00:07:1320,000?

00:07:1430,000?

00:07:1530,000?

00:07:26Have you seen Keila?

00:07:28No.

00:07:38Keila, wait a minute.

00:07:39I want to talk to you in just a second.

00:07:41Where are you going, Mark?

00:07:42Let go of me.

00:07:43Running out of me, huh?

00:07:44I said let go of me.

00:07:45You ain't a good sort of guy for worrying, can you?

00:07:46You owe me a hatful, Frankie.

00:07:47Ah, chicken scratch.

00:07:48Chicken scratch, Rockefeller says.

00:07:49He owes me 200 for getting him on his ship, 120 fencer-dentals.

00:07:51That comes to 320, and he says chicken scratch.

00:07:53You'll get it.

00:07:54You'll get it.

00:07:55Listen, Frank.

00:07:56The deal was you'd pay off when we got to Italy.

00:07:58So I figure when is now.

00:08:00First I got to get it.

00:08:01We're not showing up at 6 in the morning.

00:08:03I know you'll get it.

00:08:04Not at 6 in the morning.

00:08:05Maybe you'll get it.

00:08:06Maybe you'll get it.

00:08:07You'll get it.

00:08:08You'll get it.

00:08:09You'll get it.

00:08:10You'll get it.

00:08:11You'll get it.

00:08:12What did you do?

00:08:13What did you do?

00:08:14What did you do?

00:08:15I got to get it.

00:08:16What did you do?

00:08:17What did you do?

00:08:18What did you do?

00:08:19I'm not showin' off at six in the morning.

00:08:21Maybe I'd better come along.

00:08:22No.

00:08:23How do I know you're coming back?

00:08:25You don't.

00:08:25So?

00:08:27Think, stupid, without a passport,

00:08:28this ship's my only way of gettin' home.

00:08:29I'll be back in three or four hours.

00:08:32You'd better be.

00:08:34Meet me in Ronaldo's bar right up the street.

00:08:38Huh?

00:08:39You see that?

00:08:40Now, wise guy, how are you gonna get past that gate

00:08:44without papers?

00:08:46Is it worth 50 bucks?

00:08:4920.

00:08:51Three bills.

00:08:54OK, Sherlock.

00:09:191, 82, 1, 2, 31.

00:09:271, 82, 32.

00:09:292, 3, 32, 33.

00:09:312, 33, 34.

00:09:332, 34.

00:09:362, 34.

00:09:372, 34.

00:09:38Oh, my God.

00:10:08I don't know.

00:10:38Come on, sir, can I tell you something about the guide, Mr?

00:10:43How many dollars?

00:10:46No.

00:10:48Hey.

00:10:50Let's go.

00:10:57I don't want to be back.

00:10:58How much?

00:10:59For a day?

00:11:00600 lire.

00:11:01How much?

00:11:02600.

00:11:03600.

00:11:04It's okay.

00:11:05That's enough.

00:11:06See you soon.

00:11:07See you soon.

00:11:08See you soon.

00:11:09See you soon.

00:11:10See you soon.

00:11:11See you soon.

00:11:12See you soon.

00:11:29That was my marker, all right.

00:11:33But it couldn't be.

00:11:37Well, I would have bet my life that I didn't bury my doe in a cemetery.

00:11:44That looked like my old tree.

00:11:50Yeah, that was my initial.

00:11:51Just like I carved it that night.

00:11:53I paced those three steps to the north again.

00:12:14My hands itched to get in my shovel, but I couldn't then.

00:12:17Not with all those people around.

00:12:18Not with all those people around.

00:12:19Not with all those people around.

00:12:20But with all those people around...

00:12:21well, it's nice...

00:12:22If you are a man.

00:12:23I'm a little guy.

00:12:24Come on, sir.

00:12:25You have a friend of me.

00:12:26Good morning, sir.

00:12:27Your honour.

00:12:28Can I see you soon?

00:12:29Look at me?

00:12:30Are you Kurdish?

00:12:31Don't I have to be a friend?

00:12:32No.

00:12:33Are you?

00:12:34Oh, I'm a little little kid?

00:12:35Americano, l'amico, William Day, you know him?

00:12:41Were you soldati together?

00:12:44No, he was my brother.

00:12:45Ah.

00:12:49William's lips a nice place, eh?

00:12:51Perfect.

00:12:52Gracias, señor Day.

00:12:54I am caretaker, I'm Pietro.

00:12:58It's my place, America, eh?

00:13:01Brooklyn, New York, Coen Island Avenue.

00:13:05I was Brooklyn, my sister girl be married.

00:13:10Fifteen years past.

00:13:12Sister want me to stay,

00:13:14but Brooklyn is for young men.

00:13:18Too fast, not me.

00:13:20But I like it.

00:13:22You don't say.

00:13:23How is doing Dodgers?

00:13:26Leading the league.

00:13:27Ah, baseball, home run,

00:13:30Di Maggio, La Guardia,

00:13:32Roosevelt Delano,

00:13:35Cristoforo Colombo,

00:13:37all good Italians.

00:13:38Italians.

00:13:40I speak American good, no?

00:13:43Just like an idiot.

00:13:45You stay a monthly?

00:13:47No.

00:13:48Come back, see, brother?

00:13:49Maybe sometime.

00:13:51Ah, very good.

00:13:52Lots of work.

00:13:55You like?

00:13:57What is it?

00:13:59Come on, you see.

00:14:02It's Cheffield,

00:14:05Catholic, Protestant,

00:14:07Frank, makes no difference.

00:14:09I build, not enough money make bigger.

00:14:13When it's war, Nazi here,

00:14:17I hide the American soldiers.

00:14:19Nazi, they catch nobody, no.

00:14:23The chapel, my house,

00:14:26and to the cimitero,

00:14:28the cimitero, the fina strada,

00:14:30and they get...

00:14:31Ah, I'm sorry, I have to go.

00:14:33Thanks very much.

00:14:34I'll, uh, I'll see you again.

00:14:43I'll see you again.

00:15:11Hey, excuse me.

00:15:12Eleanor Ravecza still live here.

00:15:25Hey, sonny.

00:15:27What's your name?

00:15:28How old are you?

00:15:38I'm looking for Eleanor Ravecza.

00:15:40Eleanor Ravecza non è a casa.

00:15:43Sicuramente la troverete al bar di Guido.

00:15:46What?

00:15:46Al bar di Guido.

00:15:48Guido's bar?

00:15:49Di Guido.

00:15:49Oh, Nico, portangelo tu, va.

00:15:55Okay, sonny.

00:15:55He's sure.

00:16:12Thanks, sonny.

00:16:14Bye-bye.

00:16:15Bye-bye.

00:16:20You still bad?

00:16:21Thanks, sonny.

00:16:21Bye bye.

00:16:23Bye bye.

00:16:24Whiskey, eh?

00:16:26Cameriere. Whiskey al signore.

00:16:28Pronto. Eleanor Avizio, eh?

00:16:30Donno Meidi.

00:16:32Femina. Eleanor Avizio.

00:16:34Ah, Eleanor Avizio.

00:16:36Donno.

00:16:38Scalinatella, longa, longa, longa.

00:16:42Donno Meidi.

00:16:44Femina. Eleanor Avizio.

00:16:46Ah, Eleanor Avizio.

00:16:48Donno.

00:16:50Scalinatella, longa, longa, longa.

00:16:52Longa, longa, longa, longa.

00:16:54Strutulella, strutulella.

00:16:56Strutulella.

00:16:58A tosta aquella.

00:17:02Na muratella.

00:17:04Nos punta ancora.

00:17:08Zucca, zucca, zucca, zucca.

00:17:12Zucculilla, zucculilla.

00:17:16Posta viarella.

00:17:20Scalipatella.

00:17:22Scalipatella.

00:17:24Addomano vogli tutti che gridano.

00:17:30Addosano vogli...

00:17:32Ecco il whisky, signore.

00:17:33Grazie.

00:17:34Prego.

00:17:36Envoy.

00:17:38Exca.

00:17:40scalinatella.

00:17:42Cannellatella.

00:17:44就是ia

00:17:46под speculari.

00:17:48Exa produttori

00:17:50Pas mantra.

00:17:52have paghe della

00:17:53chanimata

00:17:54Hello, baby.

00:17:56It's me, Frankie.

00:17:58Just got into town.

00:18:00Lift you up the minute I got here.

00:18:01Just got in the towel.

00:18:03Looked you up the minute I got here.

00:18:05Al and I said to myself,

00:18:06that's just the gal I gotta see.

00:18:09I was gonna get you a present,

00:18:10but I didn't get a chance to.

00:18:11We'll take care of that baby.

00:18:12What do you need?

00:18:13Anything you say.

00:18:14Dylans?

00:18:18At home, I have a dozen pairs,

00:18:21and I don't need any more.

00:18:23Ah, pretty as ever.

00:18:26Ah, what's you eating at?

00:18:29I'm busy.

00:18:29Doing what?

00:18:31Oh, I can't, you're married.

00:18:33No.

00:18:33You gotta be.

00:18:34No.

00:18:35Hey, we'll come back here, you.

00:18:56Remember the night that you and I

00:18:58and Joey Novak and his gal went out in the town?

00:19:00Ah, the way I threw dough around.

00:19:03Champagne, music.

00:19:05I remember very well, Mr. Killer.

00:19:08And why the freeze?

00:19:11The war is over, Mr. Killer.

00:19:13What do you mean by that?

00:19:14You stood me up for four years.

00:19:17What?

00:19:17The date you had with me.

00:19:19Remember?

00:19:20Sure, sure I remember,

00:19:22but something very important came up.

00:19:25I couldn't.

00:19:25No doubt.

00:19:26No doubt.

00:19:27For four years, you could not.

00:19:29Not even a postcard.

00:19:30To say nothing of the bracelet and the fur coat and...

00:19:34Whatever else you promised me.

00:19:37You could not supply them.

00:19:39So, you disappeared.

00:19:40Come on, baby.

00:19:41Let me make it up to you.

00:19:44Let's throw out the ice, huh?

00:19:46Hey!

00:19:47Get out of here.

00:19:48Finish.

00:19:49I don't want anything from you.

00:19:51Leave the Greek alone.

00:19:52Okay, baby.

00:20:01I see how it is.

00:20:03I won't spoil your act.

00:20:04I won't spoil your act.

00:20:29Look, look, look, look!

00:20:32Two mariolli are attacked by this forest man.

00:20:35They have destroyed us everything.

00:20:37I'm afraid of our country.

00:20:43That's all right, they didn't think I forgot about it.

00:20:45I'm sorry, but I'm afraid you must come to the police station with me.

00:20:48We have to make a report.

00:20:59Come here, come here, come here!

00:21:01Come here, come here!

00:21:02Come here, come here!

00:21:03Come here, come here!

00:21:04Let's go, let's go!

00:21:05Let's go, let's go!

00:21:18Signor Commissario.

00:21:19Yes, Falzone?

00:21:20The usual borsai have attacked this American.

00:21:23I offer the apologies of Amalfi, signore.

00:21:25Sure, I understand.

00:21:26Are you missing something, signore?

00:21:27No, nothing.

00:21:28Thanks for your trouble.

00:21:30Un momento, signore.

00:21:31Can you describe the thieves?

00:21:33No, I didn't get a good look at them.

00:21:48You could not recognize them, signore?

00:21:49No, I'm afraid not.

00:21:50Is that all?

00:21:51No, signore.

00:21:52Must make a report.

00:21:53Your name?

00:21:55Frank Day.

00:21:56Passport, please, Mr. Day.

00:21:57Uh, that's it.

00:21:58That's what they swiped.

00:21:59They stole my passport.

00:22:00Many passports have been stolen.

00:22:01It is so inconvenient.

00:22:02You will have to report the loss to the American consulate in Napoli.

00:22:05We will send a verification of the stealing.

00:22:06Okay, I'll do it the first thing in the morning.

00:22:07I'm very sorry.

00:22:08Arrivederlo, signore.

00:22:09Arrivederci.

00:22:10Grazie, Tonino.

00:22:11Grazie, Tonino.

00:22:12Lea quel foglio...

00:22:13Si, signore.

00:22:14You know, signore, I should not give you the room without a passport.

00:22:16Ah.

00:22:17Window?

00:22:18Ah, thanks.

00:22:19Here.

00:22:21Uh, ha.

00:22:22Uh-huh.

00:22:23Uh-huh.

00:22:24Uh-huh.

00:22:25Hey, look.

00:22:26Uh-huh.

00:22:27I'll be leaving the house in an instant.

00:22:29Uh-huh.

00:22:30You know, signora, I should not give you the room without a passport.

00:22:33Uh-huh.

00:22:34Window?

00:22:35Uh, thanks.

00:22:36Here.

00:22:38Uh-huh.

00:22:39Good evening, Mr. Day.

00:22:41Good evening.

00:22:43Good evening, Mr. Day.

00:22:45Good evening.

00:22:47Good evening.

00:23:09Good evening.

00:23:13And what a match, bud.

00:23:15Oh, hello, Vince.

00:23:16You're gonna be in Naples in four hours.

00:23:18Yeah, I'm sorry, something very important.

00:23:19Thank you, deadbeat.

00:23:20Come on, sit down.

00:23:22Have something to eat.

00:23:23My treat.

00:23:24I'll be back before you're finished.

00:23:26Oh, no, you're not gonna get away from me this time.

00:23:28Okay, okay.

00:23:30What'd you get nervous about?

00:23:32Uh...

00:23:34Come on, come with me.

00:23:36I was sitting in Naples waiting for you.

00:23:39The last thing in the world I wanted was company, especially Vince's.

00:23:50So I told him I'd pay him double if he waited in Guido's bar for me till I came back.

00:24:09I don't know.

00:24:11I don't know.

00:24:12I don't know in that.

00:24:13I can't know in the future.

00:24:14I don't know in his house at any time.

00:24:15I was just like a family.

00:24:16I don't know in my house.

00:24:18I did some of my house at night.

00:24:19That was a good night.

00:24:20He took a week and he took up on my house at night.

00:24:21I was in the 1st and 2st and 2st and 4th and 6th.

00:24:22Let's go.

00:24:52Let's go.

00:25:22Ah, Mr. Day.

00:25:25You, Mr. Day.

00:25:26Yeah.

00:25:28I'm leaving town tomorrow, so I thought I'd come back for a last goodbye.

00:25:32Ah.

00:25:32Come to my house for a glass of wine.

00:25:36I'm honored.

00:25:37Okay.

00:25:38Sure.

00:25:38I'd like to.

00:25:38Good.

00:25:40I like company.

00:25:41All right.

00:25:43Sit here, Mr. Day.

00:25:46For special people.

00:25:48I'm sorry, disordinary.

00:25:50Oh, I see.

00:25:51Vino, wine?

00:25:52All right.

00:25:54Wine, much good.

00:25:56Frascati.

00:25:58In America, only wine for when he's married.

00:26:01Not according to statistics.

00:26:03I know.

00:26:04I understand.

00:26:04Vino is also when unhappy.

00:26:06Oh, triste.

00:26:07Some people in America are not happy.

00:26:10Senor, they make a joke with me.

00:26:14In Italia, wine all the time.

00:26:17Not just for triste.

00:26:19Wine for drink.

00:26:21Salute.

00:26:22Salute.

00:26:26Sit.

00:26:30Cigarette?

00:26:31I no smoke.

00:26:33I never smoke him.

00:26:34No good.

00:26:37You eat?

00:26:38I cook much good.

00:26:41I'm a degs.

00:26:45Apple, uh, thai, uh, beans de Boston, fried chicken.

00:26:51Oh, thanks.

00:26:51I just had dinner.

00:26:52Ah, stupid.

00:26:55Volete un po' di frutti?

00:26:56No, grazie.

00:26:57Uh, I make a pizza.

00:27:00No, thanks.

00:27:01Uh, uh.

00:27:03Tomato?

00:27:04No, tomatoes.

00:27:06Biscotti.

00:27:06Come si dice in America?

00:27:08Cookie.

00:27:09Cookies?

00:27:09Okay.

00:27:10Hey.

00:27:11All right.

00:27:13Where lives, Senor Day?

00:27:16Me, uh, Detroit.

00:27:17Ah, Detroit.

00:27:19Near New York.

00:27:20Yeah, right across the river.

00:27:22I know.

00:27:24Across the river is Brooklyn.

00:27:26I know.

00:27:28Is no brothers, sisters to you?

00:27:31No, none.

00:27:32Is mama, papa?

00:27:34Just me.

00:27:36Too bad.

00:27:40Nor is maybe good mama, no see brother died.

00:27:46Break the heart.

00:27:48I see.

00:27:52Now everybody dead, you alone.

00:27:56I'll try something.

00:27:58What?

00:27:59You look and look.

00:28:01See black spirito?

00:28:03It's shadow cloud makes.

00:28:05Mornings dance like a little girl.

00:28:09You make it sound like the words of the song.

00:28:11I think.

00:28:13Do you know?

00:28:14I'll take a rain check on that.

00:28:17I gotta be going.

00:28:18What time you got?

00:28:19Ah, si.

00:28:20Le undici, eleven o'clock in Italia.

00:28:23In America, Brooklyn, five o'clock.

00:28:26Tomorrow.

00:28:27Tonight.

00:28:28Today.

00:28:29Ah, was my son Vittorio.

00:28:33Was fighting under the ground.

00:28:36Was killed.

00:28:37Nobody fight Vittorio.

00:28:40Was a scout.

00:28:41What's that?

00:28:42Ah, he's a Italian soldato with, uh, Elias.

00:28:46Oh.

00:28:47My wife, Rosa.

00:28:50Kill it.

00:28:51Bomba.

00:28:52Old house, uh.

00:28:54Poor Rosa.

00:28:55Well, uh, thanks for the wine.

00:28:56All right, it's my pleasure.

00:28:57Oh, um.

00:28:58Here, I want you to put some flowers in Bill's grave, will you please?

00:29:00Ah, William would like.

00:29:02Oh, um.

00:29:03Here, I want you to put some flowers in Bill's grave, will you please?

00:29:06Oh, um.

00:29:07Here, I want you to put some flowers in Bill's grave, will you please.

00:29:14Who William would like.

00:29:16Buonanotte.

00:29:17Buonanotte.

00:29:18Buonanotte.

00:29:36Come on.

00:30:06Come on.

00:30:36Come on.

00:31:06Come on.

00:31:36Come on.

00:32:06Come on.

00:32:36Come on.

00:32:37Come on.

00:32:38When the door is open, come on in.

00:32:41What's up?

00:32:42Señor Day, you will please come with us.

00:32:45What for?

00:32:46The commissario Massina wishes to speak to you.

00:32:48Me?

00:32:49What?

00:32:50The commissario did not inform me of his reason.

00:32:52Okay, you'll have to wait like a dress first.

00:32:54Yes, sir.

00:32:55Yes, sir.

00:32:56Come on.

00:32:57Come on.

00:32:58Come on.

00:32:59Come on.

00:33:00Let me have, will you?

00:33:06Come on.

00:33:07Come on.

00:33:08Come on.

00:33:09Come on.

00:33:10Come on.

00:33:11Come on.

00:33:12Come on.

00:33:13Come on.

00:33:14Come on.

00:33:15Come on.

00:33:16Come on.

00:33:17Come on.

00:33:18Come on.

00:33:19Come on.

00:33:20Come on.

00:33:21Come on.

00:33:22Come on.

00:33:23Come on.

00:33:24Sit down, signor Day.

00:33:27What's going on here?

00:33:28You know what the party's for?

00:33:30They want to know what happened.

00:33:32I went to the market.

00:33:34I was stuck on the wall.

00:33:36But he had already made a nap of water.

00:33:38And he had already seen a man pass.

00:33:41Will you...

00:33:42Ah, signor Day, good morning.

00:33:44Will you please follow me this way?

00:33:45Ritorno for a minute.

00:33:47Will you tell me what this is all about?

00:33:48This way, please.

00:33:49Please.

00:33:50We're trying to identify this body.

00:33:57Do you know this man?

00:33:59Yeah.

00:34:00I noticed last night that you two were not in the most friendly of terms.

00:34:06And that you left together.

00:34:07What are you trying to do?

00:34:08Pin this killing on me?

00:34:09Oh, how do you reach the conclusion it was a killing?

00:34:11It could have been an accident.

00:34:13You left the restaurant together.

00:34:14You were arguing, as men will.

00:34:16You went to the grotto, continuing the argument.

00:34:19There was a physical out to the disagreement.

00:34:21An accident.

00:34:22And the man is dead.

00:34:24It could have been that way, but you got one very important detail wrong.

00:34:27I wasn't with Vince at the grotto.

00:34:29Oh.

00:34:30You met him there?

00:34:31No.

00:34:32Where were you last night?

00:34:34Asleep.

00:34:37You will follow me, please?

00:34:40Come along, Mr. Day.

00:34:42In the morning?

00:34:43Mr. Day.

00:34:44Good evening, Mr. Commissary.

00:34:45No, Mr. Day.

00:34:46Mr. Day, would you please sit down?

00:34:51Go.

00:34:52Do you speak English?

00:34:53At what time did you see Mr. Day last evening?

00:34:58Do you speak English?

00:35:02At what time did you see Mr. Day last evening?

00:35:05The Signor Day left the hotel at nine.

00:35:10He did not return until four or a few minutes after.

00:35:15Thank you. That will be all.

00:35:22Do you wish to retract your statement, Signore?

00:35:25Yeah, I guess I better.

00:35:28And you were where then?

00:35:31Out at the GI cemetery with the caretaker, Pietro.

00:35:34You were at the cemetery?

00:35:40Portatemi Pietro, il guardiale del cimitero.

00:35:46Signor Commissario, permette?

00:35:50Excuse me.

00:35:52Come here, Signor Commissario.

00:35:55Come here, signor Commissario.

00:35:58Ah, like this.

00:35:59Yes, I understand.

00:36:02Now, sir.

00:36:03You came to Amalfi.

00:36:04Why?

00:36:05To see the grave of my brother.

00:36:06Ah.

00:36:07For no other reason as well?

00:36:08None.

00:36:09Your trousers are still wet.

00:36:12I fell down a puddle.

00:36:13It hasn't rained for a week.

00:36:14It's funny.

00:36:15I was sure it was a puddle.

00:36:16We have proof, Signore.

00:36:17That the murdered man carried on his person a large sum of money in American dollars, as well as spranks and lire.

00:36:23This money was missing from his body, also his passport.

00:36:24I haven't got them.

00:36:25Obviously.

00:36:26A guilty man would not be caught with these things on his person.

00:36:28My man has searched your room.

00:36:29He did, did he?

00:36:30And?

00:36:31And found nothing.

00:36:32And found nothing.

00:36:33Oh, no.

00:36:34No.

00:36:35No.

00:36:36No.

00:36:37No.

00:36:38No.

00:36:39No.

00:36:40No.

00:36:41No.

00:36:42No.

00:36:43No.

00:36:44No.

00:36:45No.

00:36:46No.

00:36:47No.

00:36:48No.

00:36:49No.

00:36:50No.

00:36:51No.

00:36:52No.

00:36:53No, no.

00:36:54No.

00:36:55No.

00:36:56No.

00:36:57No.

00:36:58No, no, no things.

00:36:59Nothing.

00:37:00Except...

00:37:01This spade.

00:37:02So?

00:37:03So the police must assume that the murderer has hidden the loot.

00:37:05Perhaps buried it.

00:37:07This earth is still, uh, fresh.

00:37:10I have seen something I'm using, Signore.

00:37:16No.

00:37:19You holding me?

00:37:20I have no choice till I learn how you spent your time between nine o'clock last night and four this morning.

00:37:45Why don't you tell him where you were last night?

00:37:47Why don't you tell him you were with me at my place?

00:37:50Yes, why don't you?

00:37:52A lady's honor, Captain. You Italians understand these things better than we Americans.

00:37:57Exactly what time was he with you?

00:37:59From a little after eleven to a little after four, Captain.

00:38:03You know how it is. Time flies when you're with a girl.

00:38:07You sit and talk and suddenly it's four o'clock in the morning.

00:38:11Hmm. All right, Miss Ravezza. You may go. Thank you.

00:38:23We are not holding you, Signore. The evidence against you is formidable.

00:38:28But you have an alibi. Yes?

00:38:31Yes.

00:38:38Signor Commissario, ecco il guardiano del cimitero.

00:38:41Buongiorno.

00:38:44Ah, Signor Day, is trouble?

00:38:45No, just a misunderstanding. Captain thought I was another guy.

00:38:48Hmm.

00:38:49What time did this man leave you last night?

00:38:51Ma, he was under my eyes until eleven o'clock.

00:38:56You are free to go, Signore.

00:39:00But while the matter is still under investigation, you will please not leave Amalfi.

00:39:05Okay, anything you say. This is all?

00:39:07This is all. The Germans know it.

00:39:09All right.

00:39:17Ah, that's it.

00:39:20This poliziotto make men, no?

00:39:22He's asking this man, where was that man?

00:39:25Why not ask you first?

00:39:28Even still like him, no?

00:39:30They're very suspicious characters.

00:39:32I know, I understand.

00:39:34You stay in Amalfi, huh?

00:39:36Not any longer than I need to.

00:39:37Listen.

00:39:38Why don't you come for it tonight to my house?

00:39:41Thanks, yes, the same.

00:39:43But I think I got a date.

00:39:45Hello there, Nicola.

00:40:02Hello.

00:40:03Ah, looks pretty good. How about a bite?

00:40:05No thanks.

00:40:06Is Elena home?

00:40:08Elena is in the house.

00:40:10Ah.

00:40:11She's home, huh?

00:40:12Here.

00:40:13Buy yourself an ice cream cone.

00:40:14Grazie.

00:40:19Si Vengo.

00:40:24Oh, it's you.

00:40:25Weren't you expecting me?

00:40:27Not exactly, but come in.

00:40:33I came to thank you.

00:40:34Must we always look for reasons?

00:40:36Isn't it enough you have an alibi?

00:40:39No.

00:40:41I'm still on the hook with the cops.

00:40:43And so am I.

00:40:45What do you mean?

00:40:46Lying for you.

00:40:48They know it.

00:40:49I don't get it.

00:40:53First you brush me off like dandruff,

00:40:55and then with the cops you make like the Marines.

00:41:00Eh, it doesn't add up.

00:41:02Like the way you acted?

00:41:04Okay.

00:41:07So I'm a heel.

00:41:09So every guy ever kissed a girl's a heel.

00:41:13But you and I never did make orange blossom talk, you know?

00:41:16Did we?

00:41:17The others what you wanted to be.

00:41:19Did we?

00:41:21No.

00:41:26Why'd you go to the police?

00:41:29Before you question me,

00:41:30I would like to have some hours with myself.

00:41:32Why did you come to Amalfi?

00:41:38For the sea air.

00:41:41I remember you, baby.

00:41:43You think you smell dough, don't you?

00:41:45You think I killed Vince and I got his money?

00:41:47Well, get yourself on your crystal ball, baby.

00:41:49All I got is a couple of bucks.

00:41:52Oh, you will be rich again, Fanky.

00:41:54You will get the money.

00:41:57What do you mean?

00:41:59What money?

00:42:01Oh, I don't know.

00:42:03But you have always been pretty smart.

00:42:06Haven't you, Fanky?

00:42:09What do you think?

00:42:11You hungry?

00:42:13Yeah.

00:42:15I was just cooking breakfast.

00:42:17Will you have some?

00:42:18Are you kidding?

00:42:19Let me see what you've got cooking.

00:42:21Oh, sunny side up.

00:42:22Just the way I like him.

00:42:26So, you weren't expecting me, huh?

00:42:33Oh, what a treat.

00:42:34Oh, boy.

00:42:37Give me your pants, Fanky.

00:42:40I will pass them.

00:42:50Come on.

00:43:00Hey, welcome to Amalfi.

00:43:02Chamber of Commerce?

00:43:03No, just a citizen.

00:43:05The moniker's Jack Conway.

00:43:07So?

00:43:08You never heard of Conway before?

00:43:09Should I have?

00:43:10Depends on what part of the states you come from.

00:43:12Around Newark, New Jersey, Conway's a character.

00:43:14Ask anybody.

00:43:16Could be.

00:43:17Ever hear of Big Eddie O'Hara back home?

00:43:18Sure, who hasn't?

00:43:19The racketeer, why?

00:43:20You work with him?

00:43:21Not exactly.

00:43:22But Big Eddie and me, we're going to get together.

00:43:25Well, glad to have met you.

00:43:26Wait a minute, fella.

00:43:27You don't have to act like you've got something catching.

00:43:29I'm doing you a favor.

00:43:30Like what?

00:43:31Give the guy behind me a quick eye.

00:43:36All right, I've seen him.

00:43:37So what?

00:43:38A matter of interest.

00:43:40Hey, okay.

00:43:41Let me tell you about it.

00:43:48I'm telling you, he's a police bloodhound.

00:43:58He's been trailing ever since you got out of the police station.

00:44:03Watch him follow us up to the top.

00:44:05Come on.

00:44:07So he's a cop.

00:44:08What's he expect me to do?

00:44:09I'll lead him to the money.

00:44:11What money?

00:44:12The wad your friend had on him.

00:44:14The coppers figure to catch you where you put it.

00:44:16Two plus two adds up to a murder rap.

00:44:19Everybody in this town knows more about me than I do.

00:44:21Ah, it's a small joint.

00:44:22And a long way from Newark.

00:44:24Exactly the right distance.

00:44:26You can have Newark and any other part of the states double in spades.

00:44:30This is the place.

00:44:32No income tax boys looking for you all the time.

00:44:34Ah, so that's it, huh?

00:44:35Taxes.

00:44:37A matter of forgetting the date.

00:44:38Why should a right guy be slapped into the can?

00:44:39Because he ain't got a calendar.

00:44:41Ain't democratic.

00:44:43You gotta take the breaks the way they come.

00:44:46I figure you're about ready to listen to a proposition.

00:44:50What is it?

00:44:52I know you came to town to pick up a lot of dough.

00:44:56Yeah, sure.

00:44:57My grandmother died here and left me her oil stocks.

00:44:59I figure it can't be legal money.

00:45:00You'd go after it right out in the open.

00:45:03If you can't touch it with the coppers watching you,

00:45:05they'll figure it's your friend's money.

00:45:07So here's the deal.

00:45:08You tell me where it is or who's holding it for you,

00:45:11I get it for you,

00:45:12help you get out of here,

00:45:13and you pay me a percentage.

00:45:16You sure can dream, can't you?

00:45:18Dough, stocks, percentages.

00:45:21I don't own a button.

00:45:23When I do, I'll make sure not to do business in your store.

00:45:25Evaporate, chiseler.

00:45:26Evaporate, chiseler.

00:45:56They will work.

00:45:57It's on the shelf.

00:45:58It's just a little for you.

00:45:59I've got some words with you,

00:46:00but, I don't help you.

00:46:01Uncle, never is yesterday,

00:46:02and that's pretty much you've figured out to check out.

00:46:03Even if you hear the company running around there,

00:46:05a little piece.

00:46:06One piece of it with you is telling me.

00:46:07Maybe you were pretending to vote

00:46:08a little Vocêも worried a littleenfactor

00:46:09who needs a specific former piece of credence

00:46:10to go in there.

00:46:11Won't be married again.

00:46:12My mother has a small musical treejut happening.

00:46:13I've got this kind of doggy.

00:46:14I'm a diesen two-style treemming leader.

00:46:16I've got this little race to look so they can

00:46:17not few this parkis.

00:46:19I know that I'm planning on.

00:46:20Thank you very much.

00:47:20Thank you, signora.

00:47:39How do you feel?

00:47:42Instead of following me, why don't you walk along with me?

00:47:44Well, I think that you're mistaken.

00:47:45I know you're one of Messina's men.

00:47:47It's my duty to observe your movements.

00:47:50So, you can observe them better if you walk along with me, can't you?

00:47:54If you wish, signora.

00:47:56What'd you boys find out about me anyway, that I'm the guilty party?

00:47:59I'm not allowed to discuss the case with you, my friend.

00:48:04Oh, uh, if we're gonna be pals, what do I call you?

00:48:08Marco Baldori, detective.

00:48:10I do some odd jobs for the police.

00:48:13I used to be in the regular police force, but I like to eat too much.

00:48:19Ha!

00:48:20Pleasure.

00:48:21It's a pleasure for me.

00:48:23You've been in the market wrong?

00:48:25About four years.

00:48:26Let's go.

00:48:27Let's go.

00:48:28Hello!

00:48:29Let's go.

00:48:33I don't understand the English.

00:48:35I don't understand the English.

00:48:57Whiskey. You?

00:48:59I don't drink.

00:49:01Tell me about last night.

00:49:03When the man who was murdered was here.

00:49:05I don't understand the English.

00:49:07You ask him. I want to know exactly what happened.

00:49:09Do you want to know any particular?

00:49:11I've already told the police.

00:49:13I don't know anything else.

00:49:15He gave the names of all the people who were here last night.

00:49:17He came to the local and stayed here.

00:49:19He ordered a whiskey,

00:49:21then another one, then another one.

00:49:23In all five.

00:49:25To pay me, he took out so many money in my pocket

00:49:27that I've never seen from that place.

00:49:29How many times I'll repeat it?

00:49:31But he told the police.

00:49:33The man drank fine whiskers and had plenty of money.

00:49:39Ah, great.

00:49:41I came to tell.

00:49:43Ten o'clock.

00:49:49Come on, Veldore.

00:49:51Let's get out of here.

00:49:53I'm going to wash my hands.

00:49:55I'll be right back.

00:49:59I'm going to wash my hands.

00:50:01I'll be right back.

00:50:11I'll be right back.

00:50:13I'll be right back.

00:50:25Signor Dane.

00:50:27Can you hear me?

00:50:36Signor Dane.

00:50:38Canta como tanto tiempo fa

00:50:44Pulucionella, Pulucionella, Pulucionella

00:51:08Pulucionella, Pulucionella

00:51:38Pulucionella, Pulucionella

00:52:08Pulucionella, Pulucionella

00:52:38Okay, get in there.

00:52:59Hi, amigo.

00:53:07That means friend.

00:53:09How'd you find out where I live?

00:53:11Newark Telephone Directory.

00:53:13I like a joke.

00:53:14That's what I miss most from the States,

00:53:17the comics and the radio.

00:53:18Now I listen in shortwave.

00:53:20I could be even funnier if you told this monkey

00:53:22to get his gun out of my back.

00:53:23Renzo, why sure?

00:53:25What are you doing here?

00:53:26I think Handsome here tried to hold me up last night.

00:53:30I want to find out why.

00:53:32He did, did he?

00:53:33Yeah, he's not very good at it.

00:53:35You can tell him from me that he even forgot

00:53:38to get the two bucks I had on me.

00:53:40That local talent.

00:53:41What do you expect?

00:53:42Did you think about my proposition?

00:53:44I'm still thinking about it.

00:53:45Okay, chum, if you think you can afford to wait,

00:53:49why it's okay, but what do you want in there?

00:53:51I want to talk to a friend of mine.

00:53:52Who?

00:53:53You know.

00:53:54Oh, the Greek?

00:53:57I didn't know he's a friend of yours.

00:53:58Couldn't we?

00:54:00Maybe you're beginning to see things, pal.

00:54:02My old man was like that.

00:54:04Liver trouble.

00:54:05Saw snakes.

00:54:07But don't kid yourself, I'm not sick.

00:54:09I see things the way they are.

00:54:11Oh, wise guy, huh?

00:54:16You better take a walk, chum.

00:54:17Your pal, the bloodhound you left down there

00:54:21is getting heartburned.

00:54:25By the way, fella,

00:54:26remember, I don't like no snoopers.

00:54:30Okay, Amica.

00:54:34Follow that guy.

00:54:35Hello, Marco Baldurri.

00:54:43I didn't get very far away from you, did I?

00:54:45I didn't let you, Mr. Dean.

00:54:47Shall we go?

00:54:48Come on, I'll show you an easier way down.

00:54:50Lease me.

00:54:55Yeah.

00:54:56This sure is an easier way.

00:54:59I wonder why my friend went up the back.

00:55:00Your guest is as good as mine.

00:55:04Really, I think it's the most wonderful place

00:55:06I've ever seen.

00:55:08That's where I've ever looked into, Michael.

00:55:11So, you know the guy who lives up there, huh?

00:55:13Jack Conway.

00:55:15New Jersey City.

00:55:17Came here three years ago.

00:55:19Invasion of taxes.

00:55:20You know just about everything, don't you?

00:55:22Gracias, senora.

00:55:23We try to.

00:55:25I thought you liked to eat.

00:55:26Aren't you getting hungry?

00:55:28I was just thinking about that.

00:55:29Come with me.

00:55:31We have super-depression, cannelloni,

00:55:33good vitello meat, and mozzarella.

00:55:36You want to come?

00:55:37Sounds great.

00:55:38Well, all I want is a cup of coffee.

00:55:42I have a cup of coffee with you.

00:55:45This coffee I must have in private.

00:55:56Come in.

00:55:58Hi.

00:55:58I didn't expect you again today, Frankie.

00:56:02I came to get my coat.

00:56:03Oh, yes.

00:56:04It's right here.

00:56:08Hungry again?

00:56:10I'll give you two a cup of coffee.

00:56:12Good idea.

00:56:13I'd like one myself.

00:56:14What gives between you and Conway?

00:56:23Conway?

00:56:23Your glasses.

00:56:27Why did he slap you?

00:56:29How did you know?

00:56:30Your cheek's still right.

00:56:33If you must know, he's jealous.

00:56:35He heard I was with you all night.

00:56:37But you weren't.

00:56:37Yes, that's what I told the police.

00:56:40And he saw you leave here this morning and...

00:56:42Try again, baby.

00:56:44You can't make me believe you'd go for a tissel like Conway.

00:56:47He's not your type.

00:56:49And you are?

00:56:50Let's not change the subject.

00:56:52That wallop he gave you was no love trap.

00:56:54What kind of racket you two wear?

00:56:55Sit down, Frankie.

00:57:01The coffee will take a minute.

00:57:04All right, tell me.

00:57:06Have you the right to ask?

00:57:13No.

00:57:15I guess not.

00:57:18It's so good to be sitting here in this room with you.

00:57:23After this long time, Frankie.

00:57:25Right now, you are like you used to be.

00:57:33When you had on your uniform.

00:57:36Rough to the touch, with the smell of the cleaners.

00:57:42You and I were good for each other, baby.

00:57:44Oh, why didn't you say goodbye to me, Frank?

00:57:46I couldn't.

00:57:47I got into trouble.

00:57:49Trouble?

00:57:50Yeah.

00:57:51Army prison.

00:57:52They got me for selling things.

00:57:54Black market.

00:57:56Ah.

00:57:57Where do you think all that money came from that I threw around?

00:57:59Oh, yes.

00:57:59You made a lot.

00:58:01Enough.

00:58:03And they got that, too.

00:58:05No worry, baby.

00:58:13What's that?

00:58:14The coffee.

00:58:18A warning.

00:58:36Oh.

00:58:36You, uh, talk over Rustin?

00:58:39This is a delicate question you bring up, signora.

00:58:43He's a woman to be trusted.

00:58:46The Bible shows us to Eve.

00:58:49But what were her motives?

00:58:51I don't know.

00:58:52I don't know.

00:58:53I don't know.

00:58:54I don't know.

00:58:55I don't know.

00:58:56I don't know.

00:58:57I don't know.

00:58:58I don't know.

00:58:59I don't know.

00:59:00I don't know.

00:59:01I don't know.

00:59:02I don't know.

00:59:03I don't know.

00:59:04But what were her motives, the inducement of the apple,

00:59:08that banished her and Adam from heaven?

00:59:12Curiosity?

00:59:14Deceit?

00:59:16Maybe she just wanted a mink coat.

00:59:18Or a change of scenery.

00:59:21A boy.

00:59:22What time you got?

00:59:24Ten o'clock, precisely.

00:59:26Ten o'clock, huh?

00:59:29Morata's in your name.

00:59:31Morata.

00:59:32I suppose I'll see you in the morning, huh?

00:59:34Of course.

00:59:49Listen.

00:59:50For the information of the police, I'm in for the night.

00:59:52It's just after ten.

00:59:53I am not the police spy, senor.

00:59:56But Madame Day, from America, is here and asked to talk to you.

01:00:01Oh?

01:00:02Madame Day?

01:00:07Oh, are you Mr. Day?

01:00:09Yes.

01:00:10I'm Mrs. Robert Day.

01:00:11The courthiers told me another person of the name of Day was staying in the hotel.

01:00:16And I thought it funny, two people of the same name.

01:00:19Yes, well, nice to meet your acquaintance.

01:00:22I'm from Providence, Rhode Island.

01:00:24Although my family originated from Kentucky.

01:00:27Of course, Day is not an unusual name.

01:00:30And it amuses me to think we might be related.

01:00:33I'm afraid not.

01:00:34I'm from Detroit.

01:00:35I don't think there's a branch of our family in Detroit.

01:00:38But you never can tell, can you?

01:00:40I know.

01:00:41And may I inquire what you are doing in Amalfi, sir?

01:00:44Oh, I'm just seeing the sights.

01:00:46I thought perhaps you'd come to visit someone at the cemetery.

01:00:52No.

01:00:53Pietro, that's the caretaker, told me a young American called yesterday.

01:00:57And gave him some money to put flowers on my son's grave.

01:01:01Bill was my son's name.

01:01:04Did the caretaker say who it was?

01:01:06No.

01:01:07He wouldn't tell me.

01:01:09Well, maybe it was some guy in your son's outfit.

01:01:14Perhaps.

01:01:15When the war ended, I came to Italy to be near Bill.

01:01:20You see, he was my only child.

01:01:24Were you in the war, sir?

01:01:26Yeah.

01:01:27With the quartermasters.

01:01:29Oh, my Bill was an infantryman.

01:01:32And he won ever so many decorations.

01:01:35But I'm sure you've many citations too, Mr. Day.

01:01:38No, only one.

01:01:40That was when they discharged me.

01:01:43Oh, that's nice.

01:01:44It's the only way our country has of showing its gratitude.

01:01:48To you brave boys.

01:01:50Yes.

01:01:51Well, I must be going.

01:01:52Nice to talk with you.

01:01:53Well, perhaps we'll meet again tomorrow.

01:01:55Perhaps.

01:01:56Good night, Mrs. Day.

01:01:57Good night.

01:02:01I tell you who killed Bill.

01:02:03Hmm...

01:02:04Huh!

01:02:05You can't see me who killed Bill.

01:02:06I rift a piece of shit, but I don't want to die.

01:02:08I need to try to run him.

01:02:09I can't see you.

01:02:10You just want to get in here.

01:02:11I'm gonna do it all.

01:02:12You don't want me to die.

01:02:13Hey, please.

01:02:14Give me!

01:02:15Oh, my God.

01:02:16What?

01:02:17What?

01:02:18Do you want to die?

01:02:19I got to play the game for you.

01:02:20I got to play the game.

01:02:21I got to play the game.

01:02:22I won't play the game by the game.

01:02:23I got to play any game right.

01:02:24I'm going to play with you.

01:02:25What?

01:02:26I'm gonna play your game right now.

01:02:28Yeah, I got to play the game right now,

01:02:29Let's go.

01:02:59Let's go.

01:03:29Yes?

01:03:30It's me, Frankie.

01:03:47What's the matter?

01:03:51What are you doing here?

01:03:53Come to the back door.

01:03:54I want to talk with you.

01:03:55Quick.

01:03:56All right.

01:03:58I'm getting out of town.

01:04:04Are you leaving?

01:04:05Yeah.

01:04:06You wanna go with me?

01:04:07Can you get ready right away?

01:04:08You were always like that, Frankie.

01:04:09Quick like a wind in a hurry.

01:04:10I'm sure I would like to.

01:04:11But the police, remember, they ordered you to stay.

01:04:15I don't like their invitation.

01:04:16Look, I don't have any papers.

01:04:17We'll need a car or something to get us across the border.

01:04:18Can you do anything about it?

01:04:19I don't know.

01:04:20It's so quick.

01:04:21It will take money.

01:04:22I've got it.

01:04:23Now listen.

01:04:24There is blood on your coat.

01:04:25What happened?

01:04:26I, uh, bumped my nose.

01:04:27You're lying.

01:04:28Your friend Guido is dead in my room with a knife in his back.

01:04:32Guido dead?

01:04:33No, I don't know.

01:04:34You're dead?

01:04:35What happened?

01:04:36I'm not going to get you in a hurry.

01:04:37I'm not going to get you in a hurry.

01:04:38I'm sure I would like to.

01:04:39But the police, remember, they ordered you to stay.

01:04:40I don't like their invitation.

01:04:41Look, I don't have any papers.

01:04:42We need a car or something to get us across the border.

01:04:43Can you do anything about it?

01:04:44I don't know.

01:04:45It's so quick.

01:04:46It will take money.

01:04:47I've got it.

01:04:48Now listen.

01:04:49There is blood on your coat.

01:04:50What happened?

01:04:51I, uh, bumped my nose.

01:04:52You're safe in his back.

01:04:54Guido dead?

01:04:55Why did you?

01:04:57No, no, not me.

01:04:58But the police think I did it.

01:05:00They got a five bell alarm off me right now.

01:05:04That's why you wanted me to go away with you.

01:05:06No, I...

01:05:07You just wanted to use me.

01:05:08No, no, I...

01:05:09To help you get out of this trouble.

01:05:10It's not true.

01:05:11How much you give me if I help you?

01:05:16How much do you want?

01:05:18How much do you have?

01:05:22How much?

01:05:23How much do you have to deal with the city?

01:05:25Good morning.

01:05:47Let me go.

01:05:48No, baby.

01:05:49Let's spend the money together.

01:05:50You'd forget me like you did before.

01:05:52No, I wouldn't. Not this time, believe me.

01:05:55You'd better not.

01:06:04I'll meet you in an hour, but not here.

01:06:07At the 66 km mark around the road to Naples.

01:06:10At the 66 km mark.

01:06:20The 76.

01:06:23The 76.

01:06:24The 76.

01:06:30We have a pair.

01:06:32We have one.

01:06:35It's a good night.

01:06:39I'm not worried about it.

01:06:41I'm not worried about it.

01:06:44I'm not worried about it.

01:06:47Let's go.

01:07:17How are you?

01:07:21Why didn't you stop me?

01:07:23There's a lot of disorder here, I'm sorry.

01:07:26A man without a woman is sure of him.

01:07:29A man needs a woman?

01:07:32Do you want a drink of wine?

01:07:39Do you know about Guido this evening?

01:07:41Yes.

01:07:42No one ever knows when he needs to die.

01:07:46Moira.

01:07:52It's true.

01:07:54You can't trust the people.

01:07:57The affairs were bad at the bar this evening.

01:08:01Who wanted to drink with the spirit of Guido behind the table?

01:08:10Ladra!

01:08:11Give me the passport!

01:08:12The passport, I say!

01:08:16Ladra!

01:08:17Ladra!

01:08:18Ladra!

01:08:19Ladra!

01:08:20Ladra!

01:08:21Ladra!

01:08:22Ladra!

01:08:23Ladra!

01:08:24Ladra!

01:08:25Ladra!

01:08:26Ladra!

01:08:27Ladra!

01:08:28Ladra!

01:08:29Ladra!

01:08:30Where are we going?

01:08:50We're going ahead.

01:09:00We're going ahead.

01:09:30We're going ahead.

01:09:40We're going ahead.

01:09:46We're going ahead.

01:10:08Elena!

01:10:10Elena!

01:10:12Elena, here!

01:10:18Frankie.

01:10:19Where's the car?

01:10:20I couldn't get one.

01:10:21Here is your passport.

01:10:22The only thing that you need is a photograph.

01:10:24You must go right away.

01:10:25First, I've got to get my money.

01:10:27Don't forget, baby.

01:10:28You're going with me.

01:10:37Go alone.

01:10:38Go alone.

01:10:42Frankie.

01:10:43Frankie.

01:10:44Yeah?

01:10:45Nothing.

01:10:46Nothing.

01:10:47I thought that someone was coming.

01:10:55Frankie, I'm afraid.

01:10:57Leave me here.

01:10:59Go alone.

01:11:01Forget the money.

01:11:09Frankie.

01:11:10Frankie, look.

01:11:11Calispera.

01:11:12You are marrying a friend?

01:11:14No.

01:11:15Dig it one up.

01:11:16So you followed me.

01:11:17Ami, Selena.

01:11:18You feel good?

01:11:19Dig more.

01:11:20Maybe you'll find something.

01:11:21I'm getting tired.

01:11:22You want to try it?

01:11:23No.

01:11:24You want to try it?

01:11:25No.

01:11:26Bad for manicure.

01:11:27Frankie, be careful.

01:11:28Better you work.

01:11:29Dig.

01:11:31What do you expect me to find?

01:11:32How me, Selena? You feel good?

01:11:36Dig more. Maybe you'll find something.

01:11:40I'm getting tired.

01:11:43You want to try it?

01:11:44No.

01:11:46Bad for manicure.

01:11:47Frankie, be careful.

01:11:52Better you work.

01:11:53Dig.

01:11:56What do you expect me to find?

01:11:58You joke.

01:11:59The money you come to find a multi.

01:12:02What do you expect me to find a multi.

01:12:10Vince, you did broadcast, didn't he?

01:12:11Vince?

01:12:12Who, Vince?

01:12:16The guy you killed.

01:12:20He named Vince.

01:12:22Not a very good name for a man to talk so much.

01:12:26But on passport, say Vince, eh, Elena?

01:12:29I don't know.

01:12:31What passport?

01:12:34You don't know?

01:12:35Dig.

01:12:38Ask Elena.

01:12:39She steal from me.

01:12:42Vince's passport.

01:12:45So you got that, too.

01:12:47Guido in the bargain, eh?

01:12:48Come on, Elena.

01:12:50Passport.

01:12:54I got it.

01:12:57Here.

01:12:58No.

01:12:59You throw.

01:13:03Dig.

01:13:07Steal passport.

01:13:08Very bad.

01:13:09Except when you and Conway do it.

01:13:12Mr. Conway?

01:13:14Yeah.

01:13:14He makes the deals for you, doesn't he?

01:13:19You know my business.

01:13:27Pick up.

01:13:39No.

01:14:04Mr. Day.

01:14:06Please accept my apologies.

01:14:07I guess it's, uh, here.

01:14:10Oh, thank you.

01:14:13What's the matter?

01:14:15Elena.

01:14:17Elena?

01:14:17Mr. Day.

01:14:18What happened?

01:14:18I don't know.

01:14:20Come in the house.

01:14:29Commissario.

01:14:31The men in pay.

01:14:33Take that box.

01:14:34Yes, sir.

01:14:34Come in.

01:14:36There.

01:14:45Go, Frankie.

01:14:46Run away without me.

01:14:47Take it easy, baby.

01:14:48Take it easy.

01:14:50How did it happen?

01:14:51Who?

01:14:52The Greek, he shot me, getting a passport for you.

01:14:56For me?

01:14:57Oh, baby.

01:14:58Yes, doctor, come in.

01:15:00Doctor, come quick, Miss Elena.

01:15:02Oh, don't worry.

01:15:05It's only my arm.

01:15:06I've come Wayne's gang arrested and removed the body of the Greek from the cemetery.

01:15:11Yes, sir.

01:15:12Oh, yes.

01:15:13Signor Day.

01:15:15Signor Day, does this box belong to you?

01:15:18Yes.

01:15:19It's mine.

01:15:21It's my money.

01:15:22You can't do anything about it.

01:15:23You can't put me in jail because I already served four years.

01:15:25I didn't kill for it.

01:15:27Nobody got hurt.

01:15:28All I did was trade some chocolates and cigarettes.

01:15:30Well, it's illegal, you know, to deal in the black market.

01:15:33Under the law, the proceeds of such transactions are confiscated.

01:15:37How much did you have?

01:15:39Four million lira.

01:15:41Call it black market if you like, but it's mine.

01:15:43You can't take it away from me.

01:15:51It's empty.

01:15:52You're a proper Toyota police.

01:15:56What's that mean?

01:15:57Where's my money?

01:15:58Owner of contents, applied to Amalfi police.

01:16:02Where's my money?

01:16:03It was found and brought to us.

01:16:05Nobody claimed it.

01:16:06After one year, we returned it to the finder.

01:16:09Oh.

01:16:10It was Pietro who found it.

01:16:13Where is it?

01:16:14What'd you do with it?

01:16:15Please, Signor Day.

01:16:16Where is it?

01:16:17Come with me.

01:16:18Why?

01:16:19I will show you.

01:16:20Come.

01:16:21Come on.

01:16:22Where are you taking me?

01:16:23Come on, tell me.

01:16:24Where is it?

01:16:25Where's my money?

01:16:26Here is your money.

01:16:28I make the chapel with your money.

01:16:29What do you mean?

01:16:31You spent my money on this?

01:16:33Si, is no good.

01:16:34Four million lira.

01:16:35Enough to keep your fat around the middle for the rest of your life.

01:16:36And you spent my money on this?

01:16:37No, I'm not.

01:16:38I'm not.

01:16:39I'm not.

01:16:40I'm not.

01:16:41I'm not.

01:16:42I'm not.

01:16:43I'm not.

01:16:44I'm not.

01:16:45I'm not.

01:16:46I'm not.

01:16:47I'm not.

01:16:48I'm not.

01:16:49I'm not.

01:16:50I'm not.

01:16:51I'm not.

01:16:52I'm not.

01:16:53Four million lira.

01:16:54Enough to keep your fat around the middle for the rest of your life.

01:16:56And you spent my money on this?

01:16:58It's no good to be too fat, senora.

01:17:01You good.

01:17:02Me no.

01:17:13Si, a day.

01:17:15Si, a day.

01:17:16Si, a day.

01:17:17My name's not Day and you know it.

01:17:19Well, that's right.

01:17:21First time.

01:17:22I understand.

01:17:24William Day and you know brothers.

01:17:28I know his mama.

01:17:30She's here in Amalfi.

01:17:32Yeah, I know it.

01:17:38What is your name?

01:17:40Frank Keeler.

01:17:41Ah, Keeler.

01:17:42His good name, Keeler.

01:17:44Same good as Day.

01:17:48Eh, you know, Med.

01:17:51I use money for chapel.

01:17:54Hmm?

01:17:55Four years in jail, dreaming about it.

01:17:58Two of the worst days I ever spent my life trying to dig it up.

01:18:05What do you think?

01:18:06Want me to kiss you for it?

01:18:07Pin a medal on you?

01:18:08Uh, sorry, senor Keeler.

01:18:09No like.

01:18:10But it's pretty building, no?

01:18:11Senor Keeler.

01:18:12Listen.

01:18:13When I find money, I think it's bad money.

01:18:14No use underground.

01:18:15Maybe men never come back.

01:18:17I say make bad money to good money.

01:18:20Make something good.

01:18:22He's going to Detroit now, senor Keeler?

01:18:24I don't know.

01:18:25Senor Keeler.

01:18:26Stay a malpice, senor Keeler.

01:18:27See you.

01:18:28Oh, no.

01:18:29Oh, no.

01:18:30Oh, no.

01:18:31Oh, no.

01:18:32Oh, no.

01:18:33Oh, no.

01:18:34Oh, no.

01:18:35Oh, no.

01:18:36Oh, no.

01:18:37Oh, no.

01:18:38Oh, no.

01:18:39Oh, no.

01:18:40Oh, no.

01:18:41Oh, no.

01:18:42Oh, no.

01:18:43Oh, no.

01:18:44Oh, no.

01:18:45Oh, no.

01:18:46See, chapel finished.

01:18:48Oh.

01:18:49Maybe not feel so bad.

01:18:52It's your chapel, no?

01:18:55Maybe some days, senor Keeler.

01:18:59Think the Lord never wants you to have

01:19:04that black money.

01:19:11Senor Keeler, no bad man.

01:19:13Outside, tough, yes, but inside, same like old men.

01:19:22Sometimes feel fine, sometimes feel bad.

01:19:27Now, Signor Killer.

01:19:30The name's Frank.

01:19:34Si, Frank.

01:19:41Excuse me.

01:19:44It's good.

01:19:49Frank.

01:19:51Elena.

01:19:53Do you like her?

01:19:55Come on.

01:20:00Come on.

01:20:01Come on.

01:20:02Come on.

01:20:03Come on.

01:20:04Come on.

01:20:05Come on.

01:20:14Come on.

01:20:15Come on.

01:20:16Oh, my love, my love, my love

01:20:46You

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