Movie Looop Lapeta Uncensored Footage Taapsee Panu, Tahir Raj Bhasin - Kapil Sharma Show #ComedyNights #LaughterKing #BollywoodComedy #KapilSharmaFans #IndianComedy #StandUpComedy #ComedyShow #LaughOutLoud - video Dailymotion

Hansi Ki Mehfil 🎤😄

🎭 Kapil Sharma Show The Kapil Sharma Show is India’s most loved comedy stage where laughter meets entertainment. 🌟 Hosted by the one and only Kapil Sharma, this show brings together jokes, skits, celebrity fun, and unlimited masti that guarantees smiles on every face. 😄  Every episode feels like a festival of happiness — with witty punches, desi humor, and the funniest characters played by Kapil’s talented team. From Bollywood celebrities ⭐ to sports legends and everyday heroes, every guest is welcomed with laughter and warmth. The highlight of the show is how Kapil connects with his audience — his quick wit, desi andaaz, and relatable jokes make him the true “King of Comedy.” 🎤😂  In the world of comedy, this show has built its own kingdom, often called the Comedy Ki Duniya. ✨ It’s not just about jokes — it’s about making people forget their stress and enjoy precious moments of joy with family and friends.  So, if you are searching for non-stop laughter, unforgettable comedy, and desi-style entertainment, The Kapil Sharma Show is your perfect destination. Sit back, relax, and enjoy the rollercoaster of humor that will always leave you smiling! 🌍💫  👉 The Kapil Sharma Show – Heart of Comedy Ki Duniya! 🎭🤣 #KapilSharmaShow   #TheKapilSharmaShow   #KapilSharmaComedy   #KapilSharmaFans   #ComedyKiDuniya   #KapilSharmaShow2025   #KapilSharmaLive   #TheComedyKing   #IndianComedyShow   #KapilSharmaClips

Transcript

00:00I

00:15Something wrong with the pocket

00:17Jacket pocket and the kids kyu raiya

00:19Aapka long jibu bada dhyana rata hai

00:25Aarti a gahi hai Krishna ki entry ho ghi hai iti

00:30This is refreshing.

00:32This is our director's back.

00:34In yellow.

00:36It's like vitamin C.

00:38It's got to look at vitamin C.

00:44Thank you, ma'am.

00:46Thank you for your love.

00:48Every time you give a mic,

00:50there's a mutual love.

00:52Understanding that.

00:54Dapu, put a mask and sit.

00:56Look at the mic.

00:58If you give water or beer,

01:00something like that, you can give a mic.

01:04What do you want to do?

01:06Do you want to take it?

01:08Without your hand.

01:10What do you want to do?

01:12Yes, we will do it.

01:14We will do it.

01:16A couple will show you a demo.

01:18Yes, two people.

01:20No, your hand is like this.

01:22Your hand is like this.

01:24You will do it.

01:26Give it a demo.

01:28Three, not two.

01:30Two, brother.

01:32You have extra.

01:34Look at this.

01:36It's like this.

01:38Come on.

01:40It's very easy.

01:42Yes, let's twist it.

01:44Then we have to go there too.

01:46What is this?

01:48Let's put a time limit to it.

02:00Otherwise, you can go very slowly.

02:02Yes, you can play a game.

02:04Yes, yes.

02:06Yes.

02:08Yes, yes, yes.

02:10Yes, yes.

02:12Yes, yes.

02:14Yes, yes.

02:16Yes.

02:18In the movie, I am saying that my boyfriend is useless.

02:22We have seen a lot of people talking about useless.

02:25The boyfriend is also talking about useless.

02:28Tell me one thing.

02:29Our young girls have a little breath in their knowledge.

02:33What do you need to do with a girlfriend?

02:36Why are you asking? You are married.

02:38Why are you asking?

02:39I am asking the question for the rest of the girls.

02:41For the rest of us.

02:42For the rest of us.

02:43For the rest of us.

02:44For the rest of us.

02:45For the rest of us.

02:46I am talking about useless.

02:48What do you think about the girls?

02:51How can they be useless?

02:52Tell me.

02:53Exactly.

02:55To begin with.

02:56At least.

02:57If you don't have to do anything,

02:59you don't have to be able to save a girlfriend every time.

03:03So, if you live with your life,

03:05I don't like running so much.

03:07I have to throw in this picture.

03:09So, if it doesn't happen,

03:10it will be a little useful.

03:12Okay.

03:13So, this is very good.

03:14Diplomatic has given us.

03:15Diplomatic is not.

03:16The girl is not.

03:21Kapil, I will tell you.

03:22When the producers have heard the first narration,

03:24the pictures I have done,

03:25I have either scared the heroine,

03:27or kidnapped,

03:28or died.

03:28I have heard a picture here,

03:29where the heroine will save me.

03:31I mean, it won't hold my heart.

03:32That's what I see.

03:33No, change.

03:34Change.

03:35Just tell me,

03:36how does it feel,

03:37when you put someone on the phone,

03:38and put the whole guidelines on the COVID-19,

03:41and you have heard it.

03:42After that,

03:43you will know that the person is busy.

03:45Yeah.

03:45I don't call that person.

03:46I don't call that person.

03:47Why do you know that?

03:49I will leave the voice note.

03:51But the voice,

03:52you will never change.

03:53Every week,

03:54I think,

03:54if it changes.

03:55We will have a choice.

03:56We will have a choice.

03:57We will have a choice.

03:58That's right.

03:59That's right.

04:00That's right.

04:01Now,

04:01put the mask on.

04:02Yeah, exactly.

04:03Yeah, exactly.

04:04Yeah, I think.

04:06Every girl comes here.

04:08Actually,

04:09you haven't flirted with Taapsi today.

04:10How did that happen?

04:11Taapsi is our family member.

04:12Now,

04:13just understand that

04:14half a show is Taapsi.

04:17What is that?

04:18What is that?

04:19Why are you talking about money?

04:20Why are you talking about money?

04:27Taapsi is so good.

04:29Back-to-back hit films.

04:30I've got to give up and see.

04:31Good.

04:31I'll be running back then.

04:33I will run in the car.

04:34What is this?

04:36Taapsi is so good.

04:37I never got to give up.

04:38I can give up and see.

04:39I'm going to run by the camera.

04:40But how did that?

04:41I have to run by the camera.

04:42Yeah?

04:43No.

04:44I will cut my jawline.

04:45Yes.

04:46Taapsi is so good.

04:47Taapsi is so bad.

04:49Taapsi is so bad.

04:50Taapsi is so bad.

04:51Sometimes,

04:52when there is something like this,

04:53the director will show you.

04:54Does that have you?

04:55Do you get me to my director?

04:56No,

04:57I haven't got you.

04:58Why?

04:59He can't run away.

05:03My most favorite is that he knows that he's probably not at his fittest.

05:09Okay.

05:10So, he's directing my most fit film.

05:12Okay.

05:13So, Akash, it's far away.

05:14It's the start line.

05:15It's the end line.

05:17But after that, just run away.

05:20And he's sitting on the side.

05:23So, his lunch, dinner, menu is discussed.

05:26I'm going to drink protein shake there.

05:28A lot of people are angry, right?

05:29I'm going to drink protein shake in front of you.

05:31Don't ask.

05:32Don't ask.

05:33Don't ask.

05:34This is the question.

05:35This is my regret.

05:41Priyanch, sorry, sir.

05:42How do you pronounce it?

05:43Pen-U-li.

05:44Pen-U-li.

05:45Pen-U-li.

05:46You're from Gharwal or what?

05:47Yes, yes, ma'am.

05:48Is it right?

05:49Same area.

05:50Because I said that it's Pen-U-li.

05:51So, you're in our area.

05:53Yes.

05:54Now, let's see.

05:55If you make this thing, you will ask you to lift yourself.

06:00Then, you say that I don't have any talent.

06:03I'm sitting here, sitting here.

06:05There's a lot of talent to do.

06:06There's a lot of talent to do, man.

06:07Yes, a lot.

06:08If you laugh, it's only my talent.

06:09Yes, yes.

06:10Let's do it.

06:11Let's do it.

06:16What happened?

06:17So, you didn't have eyes on the entry?

06:19Yes.

06:20It's on the entry. Wow.

06:21I dream of Ginny.

06:22It's not Ginny.

06:23It seems like that.

06:24Trivedi, see.

06:25Our money is on the entry.

06:26But what will they come?

06:27They'll come.

06:28They'll come.

06:29They'll come.

06:30They'll come.

06:31They'll come.

06:32They'll come.

06:33They'll come.

06:34They'll come.

06:35They'll come.

06:36They'll come.

06:37When we saw a cheggy,

06:50then we're in the city channels.

06:51I gave a shot.

06:52Abbas Mastan Saab was sitting.

06:54I said,

06:57I don't have time.

06:58I'm so confident.

07:00He's like an experience so that they can tell him,

07:01look, baby, I'm just doing this.

07:07No, no, no, no, this is not a reality.

07:09This is that I'm very nervous.

07:10If I only see myself one time,

07:13then I won't do anything again.

07:14You just do it like that on the screen.

07:17For example, I'll give a example of Gulshan Grover's example.

07:19If he's like, I'm going to say,

07:21but if someone has to talk to someone,

07:23he can't say that, I'm going to say,

07:25he's going to say, no, he's going to say that.

07:27You are so natural, so when you say something serious, you are not acting like this.

07:32God, you are not acting like this, all of you are acting like this.

07:36I'm going with my real emotions, I'm not acting like this.

07:42In the film, we have a chance to take a retake.

07:45If it wasn't good to take, or if it wasn't a dialogue, then you can take it again.

07:49You have done a lot in theatre, and you have done a lot when you have time.

07:52In the theatre, many times, there was a story that happened in the film, and you thought,

07:58Hey, God, what happened to you?

07:59Yes, this is a very funny story, I'm talking about young age.

08:04Our song was called Gujarati Naataka, Tratak.

08:07Yes.

08:08And the director of it became a habit, that when we started the play, we were performing,

08:15and if it was the back stage, it felt like it was very dull.

08:20It felt like it was very dull, we need to do something.

08:23So, the back stage, we had a microphone, and the name of Naataka was echoed.

08:29Tratak, Tratak, Tratak, Tratak.

08:31They were all singing.

08:33And the audience, where did the voice come from? Why did it come from?

08:36And we were on stage, we were actually waiting for that we did something wrong.

08:41So, pause.

08:42In the whole Naataka, it was a pause.

08:44That's a very nice.

08:45It was a good idea.

08:47You were the boss of her.

08:50We were in the US, when we were in the US,

08:53at the college youth festivals, there were many items,

08:55which were fancy dresses.

08:57We were making a rehearsal of Mahinna,

08:58that they were made a horse,

09:00and the horse was taken to the horse.

09:02So, Mahinna, the horse was running around the horse,

09:04and there was no problem.

09:05Neither the horse nor the horse.

09:06It was like the performance of the stage,

09:09the horse was running,

09:10the horse was running, and the horse was running.

09:12The horse was running.

09:14The other guy ran away from the other side,

09:16and he was showing the horse,

09:17but he was looking at it.

09:19He was looking at it.

09:20It's a big deal of work.

09:22We were playing one time,

09:23and my friend was playing the role of the doctor,

09:25and he didn't have to come.

09:26He didn't have to give his entry.

09:27So, he said, what did he run?

09:28Now, Jessus has realized that he didn't have to come.

09:31He said, what did he do?

09:32Oh, shit.

09:33Oh my God!

09:37Then, you came and stood?

09:38Yes.

09:41The rocket is playing in the Rashmi Rocket.

09:44Abhishek, you are casting director, right?

09:46Yes, sir.

09:47Abhishek, sometimes it's been like

09:47a few actors who you have cast

09:49and you did good in an audition,

09:50but just as you came in a camera,

09:52he did the job and then

09:54the producer is giving you

09:55that you had to leave.

09:56This is 100% of the band.

09:58This is not true.

09:59I told me a couple of three times,

10:01once I asked Pateala,

10:02Okay.

10:03That's why I'm going to take a look at it.

10:06Before I was sitting with the director,

10:07I was sitting with actors and rehearsing.

10:10After that, the director would come.

10:11And because I was still shooting for me.

10:13That was the punishment.

Movie Looop Lapeta Uncensored Footage Taapsee Panu, Tahir Raj Bhasin - Kapil Sharma Show #ComedyNights #LaughterKing #BollywoodComedy #KapilSharmaFans #IndianComedy #StandUpComedy #ComedyShow #LaughOutLoud

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