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00:00Hello everyone, we have been reading the name of Dasara and the cinema name of Dasara is the name of Dasara.
00:07So, we will see the teaser for the name of Dasara.
00:10We will also have the expectations for the audience and fans.
00:13We have been talking about the KRAV team.
00:16Hello everyone.
00:18Happy Dasara!
00:20Happy Dasara!
00:21Thank you, sir.
00:23Abba Varam Garu, Kiran Abba Varam Garu.
00:26You also are Happy Dasara.
00:28Can you talk about this little bit about Malayalam?
00:30No, no.
00:34It is a regular thing.
00:37That's right.
00:38Do you think anyone can talk about Malayalam?
00:40Happy Dasara.
00:41What?
00:42Happy Dasara.
00:43What?
00:44What? Sir, you are talking about me.
00:46You are talking about Rajamendri slang.
00:48I am sure.
00:49What are you talking about?
00:51Happy Dasara.
00:53Happy Dasara.
00:55Happy Dasara.
00:56Happy Dasara.
00:57Happy Dasara.
00:58Oh, I am sure.
00:59Okay.
01:00So, first of all, we will be talking about the producer.
01:04The KRAMP movie.
01:06What is the role of the people who are the hero guy?
01:09The director of the hero guy is the director.
01:11But from your perspective, what is the role of the KRAMP movie?
01:15The KRAMP movie is a great entertainment film for families.
01:21Yes.
01:22This film is the film with clean and family.
01:25It is not a film with full-time film.
01:28It is also a brief message.
01:30Okay.
01:31The film will enjoy the whole film without having a happy film.
01:36If you want to talk about the story and narration,
01:39you will think about this point.
01:42If you want to talk about this point, you will not be able to talk about this point.
01:45In my opinion, there will be a difference between every film.
01:49When you look at it, there will be a hero and a sister.
01:52If you look at it, there will be a twist in the interval.
01:56In this film, there will be a twist in the interval.
01:59It's different.
02:01Everyone expects that twist.
02:04There will be a point in the interval.
02:07There will be a point in the second half.
02:10So, there will be a twist in the interval?
02:12Definitely, there will be a point in the interval.
02:14There will be a glimpse of the K-Ramp.
02:16There will be an update on the richest children.
02:19So, the character of Kiran Gar and Inchukod.
02:23He will be perfectly set.
02:25He will be the best children.
02:27He will be the richest and the second half.
02:30He will be the full movie.
02:32He is the best child of Kiran Gar and the first actor of Kiran Gar.
02:35He is the correct character.
02:36This character is a richest child.
02:38The character of Kiran Gar is the biggest character.
02:39We can see any similarities in the real life.
02:41Is there any other similarities?
02:42Of course, we don't like to see any real life.
02:44In this film, a glimpse.
02:46I know you are going to put a glass bottle that separates someone.
02:49I have a lot of experience because you don't have to play with acting there, you can play with naturality.
02:57It's been a long time for me.
03:01But to engage with this character, there are a lot of relatable characters.
03:08There are many different characters, but there is a lot of normal life.
03:12and the behavior in the street, and the behavior in the street.
03:16We have a lot of character in Manoj.
03:19Okay. So, you have a wrestling sense in real life?
03:22What do you think about him?
03:24Yeah, I'm a casual person in Manoj.
03:26Why don't you tell him?
03:27Manoj is like, I'm not a person in Manoj.
03:30That's right.
03:31You're a real character.
03:32Yeah, I've been a real character.
03:36He's a very good character.
03:38He's a very good character.
03:40It's a bad thing.
03:41It's a bad thing.
03:43In terms of styling, I think we can do a lot of shots and scenes.
03:49Oh, great, sir.
03:51You've been working in Haasya Productions for a long time, sir.
03:55But you've been working in this production.
03:58In my opinion, in my second innings,
04:02I'm really indebted to the producers.
04:07And the director, the whole team.
04:10Version, Naresh, version 2-0.
04:14Sir, we also have a full version 2-0.
04:18I'm thinking, sir.
04:20We are people's, what do you call it, public person.
04:25So, we have to make a lot of calls.
04:27It's stylish.
04:29It's full stylish, sir.
04:31Always.
04:32But anyway,
04:34So, I have great regard for this manner and love for Rajeshgaru and all the team.
04:42I was able to do this cinema and I was able to do a director for this cinema.
04:46And I was able to do a character for a long time.
04:49I can't do anything.
04:51I can't do anything.
04:53I can't do anything.
04:55I can't do anything.
04:57So, I'm going to do anything.
04:58So, he's going to do anything over 40 minutes.
05:00Then, he's going to do anything.
05:01Then, I just told him.
05:02I was able to do something.
05:04Then, I just got up to tell him.
05:05That's it, sir.
05:06It's about 1 hour and 40 minutes.
05:08That's it.
05:10It's a movie.
05:11Then, I just got up.
05:13What did I tell you? I hugged him.
05:15First, I was so impressed by the narration and the subject.
05:21I hugged him.
05:22And I said, I don't have a lot of people.
05:26I said, it is K-Ramp.
05:30K-Ramp.
05:33So, everything.
05:35I think there's a subject.
05:37I told you, how much is your topic?
05:39If you're not able to make videos,
05:40then you're not able to make videos.
05:44Because they have made videos of films.
05:46They have made videos of films and movies of films.
05:50This film can't come as a movie,
05:53but it's not a movie.
05:54It's a horror movie.
05:57I thought that it was a movie.
05:59I did it.
06:01It's my experience.
06:02That's it.
06:03Of course, you don't have to enjoy it. You don't have to enjoy it.
06:07You don't have to enjoy it. You don't have to enjoy it.
06:12That's the film. That was the feel of the entire film, the unit, the shooting.
06:18You don't have to do anything in the shoot.
06:21Exactly. You don't have to enjoy it as an artist.
06:25And the unit. You don't have to control your character.
06:31You don't have to enjoy it.
06:33You don't have to enjoy it. You don't have to enjoy it.
06:37You don't have to enjoy it.
06:38You don't have to enjoy it.
06:40So, this is a hit.
06:42So, of course, I told Kiran,
06:46If you don't have to enjoy it,
06:48this is a movie of Pandaga. Absolute Pandaga.
06:52It's a great time.
06:55It's a good season for Kiran.
06:57Last time, I told Kiran,
06:59I told Kiran.
07:02I told Kiran.
07:03I told Kiran.
07:04I told Kiran.
07:06I told Kiran.
07:07I hope. I pray.
07:09I pray.
07:10I pray.
07:11We all pray for that too.
07:13So, Pandaga cinema is a great time.
07:16This is a great time.
07:17It's a great time.
07:18It's a great time.
07:19It's a great time.
07:21Because,
07:22now, there are families in the 30s.
07:25That's how it starts.
07:26So, everyone is a great time.
07:28I hope you enjoy it.
07:29So,
07:30everyone is a great time.
07:31So,
07:32everyone is a great time.
07:33Throughout and enjoy it.
07:35They will enjoy it.
07:37We will enjoy it.
07:38We will enjoy it.
07:39We will enjoy it.
07:40We will enjoy it.
07:41Oh.
07:42Wow.
07:43How is the Telugu industry treating you?
07:46And how did you feel working for this movie?
07:48Did you have a good time for the movie?
07:51You are a good time.
07:52You have to do it.
07:53You have to do it.
07:54You have to do it.
07:55You are not the same.
07:57You are not the same.
07:58You have to do it.
07:59You can't do it.
08:00You are telling me you why you have written a script that is mine.
08:03So, you are giving it a good time.
08:04That was a shame.
08:05In the first speech,
08:06I thought,
08:07that you cannot speak as serious
08:09as this girl.
08:10Suddenly,
08:11you are going to act like this guy.
08:12I am ready.
08:13I think.
08:14He did not get it.
08:15You come to me.
08:16Traged me.
08:17No,
08:18you see.
08:19So,
08:20did you want to touch me?
08:23It was a very big deal for me to get this role because they showed so much in confidence
08:38in me that because see before this film I have done only two films so giving this kind
08:44of character to someone it's a big deal and I was lucky enough to get this opportunity
08:50and I mean Hyderabad is great I love coming here working here the this is this very positivity
08:58in the air I feel like and Kiran was an amazing co-star he has supported me throughout
09:04Nijanga really yeah he has supported me throughout because he did not drag you or something
09:09no he did not do anything sweet
09:11Now I have a question for you to ask me if you are going to come to me and I will tell you
09:23coming one by one and I will tell you, who are you?
09:26Nellur
09:27Nellur
09:28Nellur is very famous for your dishes
09:31Nellur is very famous for Chappalables
09:33So Nellur is very famous for Chappalables
09:34Because you have made up my town with my ramen butchiradi palm
09:39At least I am starring in that the car
09:40Yes, this one is going to bring a try to make a freeze
09:43But then I have to give up my hands to you
09:45At least I am not an artist
09:46There is a place I am working on the chapel
09:49Nellur is an appearance of her?
09:51Nellur is very famous for Chappalables
09:54If you have an appearance of her car race,
09:57It is an appearance of her
09:58We had a very famous Riyaz biryani in Nellula.
10:02And in the same way, we had a Komala Meals.
10:05So, Komala Meals is the best meal.
10:10So, you said Nellula, you said Nellula.
10:13And we had to make some egg noodles.
10:17We had to make some egg noodles, but we had to make some egg noodles.
10:21Okay, egg noodles.
10:22I was born in Nellula.
10:24That's why I said Nellula.
10:27So, what's your marriage?
10:29No.
10:29You're not.
10:30Why do you say that you're first in mind to have food?
10:35Kiran, what's your name?
10:38I'm a rich man.
10:40What's your name?
10:43I'm a rich man. I'm a rich man. I'm a rich man.
10:47I'm a rich man.
10:48I'm a rich man.
10:49I'm a rich man.
10:51I'm a rich man.
10:54I'm a rich man.
10:56I'm a rich man.
11:00In the UK, we're famous as Ghol Charu and Palkova.
11:07But in this country, we're famous.
11:11Do you want to do your wife?
11:13Do you like a good dinner?
11:14Do you like a good dinner?
11:16I like a good dinner.
11:18I love a good dinner.
11:20I'm from Catherine.
11:21Gever, there's this sweet, Gever.
11:23Ghevar.
11:24Ghevar.
11:25Yeah.
11:26It's like of Khoya.
11:27I don't know.
11:28I don't know.
11:29Khoya is easy.
11:30But it's Ghevar.
11:31What?
11:32What is Khoya?
11:33Khoya is made of milk only.
11:35Okay.
11:36Khova type.
11:37Khova.
11:38Maybe.
11:39I don't know.
11:40It's like the white colour.
11:42Khova.
11:43It's Ghevar.
11:45It's Khoya here.
11:46Khova.
11:47Khova.
11:48Maybe Khova.
11:49It's in the comments.
11:51That is very famous over there.
11:53Okay.
11:54Anything else?
11:55Samosas.
11:56Samosas.
11:57Nice.
11:58Samosas.
11:59Dhai Balla.
12:00Any rice item that's famous?
12:02The cultivation happens in Haryana.
12:04Yeah, I know.
12:05The rice cultivation.
12:06So that is famous.
12:07Okay.
12:08So there are a lot of shellers of rice and all.
12:11Like factories.
12:13Oh, nice.
12:14Are you famous in Nareshgar Mir Chappali?
12:17There are a lot of top actors in Madras.
12:22Yeah.
12:23Because of Rajadhan.
12:25There is a lot of famous Degree Coffee.
12:29Madras Degree Coffee.
12:30Madras Degree Coffee.
12:31Yes.
12:32You know what?
12:33Yes.
12:34That's a great degree.
12:35That's a great degree.
12:37You don't know.
12:38You don't know.
12:39Yes.
12:40That's a great degree.
12:41I'm a little rich boy.
12:43Oh, yeah.
12:44As you know, we are a little rich boy.
12:46That's a great degree.
12:47That's a great degree.
12:48That's a true real rich boy.
12:49You know, you are inspired by the character.
12:52That's a great degree.
12:53I don't know.
12:54I did not know many of them.
12:55They will see you as a little girl.
12:57But if you are a little girl, you will know that you will find a little girl.
12:59You can know more about it.
13:01I am very wild.
13:03I am so wild.
13:04I am so wild.
13:05That's a good.
13:06That's one of the items.
13:10So, basically, it's a little coffee.
13:13Now, we're going to have to go to the Royal Escape.
13:15In the morning, at 6 o'clock, we had a nice walk in the drive-in.
13:21Where is the Teena?
13:22The Teena is in the drive-in, in the Gemini studio.
13:26The drive-in is a restaurant.
13:29There is a nice place to go to the Pongalu.
13:32There is a coffee.
13:33There is a small coffee.
13:35That's a morning.
13:37If you want to go home, just go ahead and relax.
13:40I don't think the same is going home.
13:42I was here in the school.
13:44Bob, you have no idea how to do something.
13:48I have no idea how to do something.
13:49I have no idea how to do that.
13:50You have no idea how to do something.
13:53You have to go to the evening's rest and in a few hours.
13:56I thought in general that my hand struck out.
13:59Of course, in the night, in Buharis,
14:02It was a beef with beef.
14:08That's extraordinary.
14:09In 6-6-3, there was a beef.
14:14Correct.
14:16He is like a little.
14:19That's a big deal.
14:22I think we have a big deal.
14:24So it's all memories.
14:25I mean, if you have a meal, you can eat it.
14:30We are proud of our country, our nation and our cuisine.
14:33Yeah, there's so much.
14:34You have a dish with me?
14:36I'm a gundu.
14:37Yeah.
14:38You're a gundu?
14:39Okay.
14:40You're a gundu.
14:40Yeah, I'm a mommol.
14:42I'm a mommol.
14:43That's so bad.
14:45You have a connection with everyone.
14:48In the name of the name of the matan viriyani.
14:50Wow.
14:51Super.
14:52You're a mommol.
14:54I had a basic distributor and I had a distribution of Gunturu Krishna.
14:59I had a daily meal.
15:01I had lunch, dinner and dinner.
15:04I had a dad for 5 years.
15:06Bismillah.
15:07I was born in my mind.
15:10That's why I told you that.
15:12It's very good.
15:14Fried fish chicken.
15:15That's why I told you that.
15:18You told me that you were given two points.
15:21No, no, really, my wife is doing a lot of food.
15:25I always do a lot of work in the office.
15:28What kind of items are you doing?
15:30My wife is doing a lot of food.
15:31It's a lot of food, chicken and chicken.
15:34Naray, sir, you are now almost two or three generations acting,
15:38and you are now acting as an actress.
15:41So, you are now working in this generation,
15:43especially Kiran Gart, and you are doing a lot of work in Kiran Gart.
15:47See, technology changes.
15:50Technology is the part of the people change and to the audience.
15:54Every ten years, there is a generation gap.
15:57Kiran is this generation.
16:00He knows the pulse. He is a very good writer also.
16:04And basically, he is a very disciplined actor.
16:10What I liked about it is,
16:11before you go to the set,
16:15you can argue, discuss,
16:18the director is the captain.
16:21Hmm.
16:22Kiran, I have seen working with him,
16:24is a pleasure.
16:25Really.
16:26He has always had a speed-breaker at one point.
16:33Because he is happy.
16:34He is a great character.
16:37When he is transformed, you have to see the electrification.
16:42But in real life, he is very pleasant, very happy to work with.
16:45No head weights, no egos.
16:47No head weights, no egos.
16:48I am one of my favourite actors I played with.
16:51I worked with him.
16:52And after this film,
16:54he has made a brand.
16:57So, I mean, it is really a pleasure working with Kiran Gart.
17:01I am very happy to work with Kiran Gart.
17:04Sir, Nani Garu,
17:05As usual, when you are doing the first movie,
17:08you are a debut film.
17:09Yes.
17:10You have a lot of heroes,
17:11you have a lot of different characterizations,
17:17you have to plan a different characterizations.
17:18But what is your characterizations,
17:20you have to do a boy next door kind of characterizations,
17:23you have to do a reason.
17:25I am not sure if you are going to do a thing.
17:29You have to cancel the movie.
17:31Yes.
17:32You have to do Malayalam character.
17:35Yes.
17:36So, you have to do a movie.
17:37You already did a movie in Haryana.
17:39You have to do a movie in Telugu.
17:41But you have to do a Malayalam character in Telugu.
17:43So, you have to do a movie in Telugu.
17:44It was fun.
17:45Because, see, I am anyways coming from somewhere else.
17:48So, I am getting into...
17:49So, you both are the same.
17:51Telugu and Malayalam.
17:52No, it is not the same.
17:53It is not the same.
17:53There is a lot of difference that I can say.
17:56Because I have done one film in Malayalam also.
17:58Oh, nice.
17:58Oh, okay.
17:59So, there is a lot of difference.
18:00And she is plus Christian.
18:02She is not a proper Malayalam.
18:04She is a Malayali Christian.
18:05Yes.
18:06So, but it was actually, it was fun to play that.
18:10So, in the movie, she speaks a little bit of Malayalam also here and there.
18:13Yeah, a little bit of Malayalam.
18:15But she knows Telugu very well.
18:17Okay.
18:18I mean, she is comfortable with both the languages.
18:21But there are bits and pieces where we have used Malayalam also.
18:24Shivagar, are you the same?
18:26You are the same.
18:27You are the same.
18:28You are the same.
18:29You are the same.
18:30You are the same.
18:31You are the same.
18:32You are the same.
18:33You are the same.
18:34No, that's it.
18:35I am the same.
18:36What is it?
18:37It is.
18:38Oh, it is.
18:39It is.
18:40Okay.
18:41You are the same.
18:42I am the same.
18:43The same as a Biryani.
18:44Oh.
18:44Or you are the same.
18:45Like this.
18:48Okay.
18:49Do you see this?
18:51Okay, you could watch the movie on Elan.
18:54Yes.
18:55Sir, why don't you sing?
18:55Sir, you are the same.
18:57You are the same.
18:58This is the same.
19:00You are the same.
19:01You got son?
19:03You are the same.
19:04How can you sing elements?
19:06You will sing Elevations.
19:07Titles.
19:09Titles.
19:10Okay.
19:11Okay.
19:12So, when we call it A-Cinema, the title is catchy.
19:15The title is connected to A-Cinema.
19:18The title is connected to A-Cinema.
19:22So, the title is connected to A-Cinema.
19:25Nice, well said.
19:27Shivagaru, have you seen any funny moments in this movie?
19:30It's a good one.
19:32I'm going to talk to you once again.
19:34I'm going to talk to you.
19:36I'm going to talk to you once again.
19:38That's right.
19:39Yes, I'm going to talk to you once again.
19:41Yes, tell me.
19:42What kind of funny moments is that the hero's team is done?
19:45I've been doing funny moments.
19:47You've been doing funny moments.
19:48You've done it.
19:49You've done it.
19:50You've done it.
19:51Yes, sir.
19:52I've done it.
19:53Tell me.
19:54Tell me.
19:55I've done it.
19:56You've done it.
19:57What?
19:58You've done it all.
20:00You've done it all.
20:02You've done it all.
20:04I've never doubted it all.
20:06I've done it all.
20:07I've done it all.
20:08I've done it all.
20:09I've done it all.
20:10I've done it all.
20:11I've done it all.
20:12How did you get a working experience in K-RAMP?
20:16Yes.
20:17Yes.
20:18Yes.
20:19Yes.
20:20Yes.
20:21Yes.
20:22Okay.
20:23What are you prepared for this question?
20:25No.
20:26Budget friendly.
20:27Even if you're a budget friendly movie,
20:28even if you're a richest and better,
20:30you've been able to pay that.
20:32No.
20:33Budget friendly.
20:34No.
20:35Budget friendly.
20:36In this movie,
20:37Kira and Abba Varangat,
20:38they're very different.
20:39And even some scenes,
20:40they're very different.
20:42So, basically,
20:43this is Keraland,
20:45Telugu Land theme.
20:47There are two different places in the movie.
20:51What do you think of color palettes, Sarah?
20:54What do you think of Kerala?
20:57More than color palettes, it's completely different.
21:01And the scenes are very different composition-wise.
21:04Full of energy.
21:06If you don't have a settled composition,
21:09it's completely energetic-energy.
21:12It's related to that.
21:14It's definitely a visual.
21:17There are a lot of different colors.
21:20It's not separate color palettes.
21:22It's not a location.
21:24It's not a lot.
21:26It's not a lot.
21:28When we look at the glimpses and the tease,
21:32we look at the movie and shoot places.
21:38Okay.
21:39Is that all?
21:40Yes, all.
21:41We will shoot in 3-4 places.
21:45We will shoot almost 20 days.
21:48Yuktigaru,
21:49you are the most reserved person in this movie set?
21:52Most reserved.
21:54Who is the most reserved person?
21:55I think Satish.
21:56I think Satish.
21:57I don't know.
21:58I don't know.
21:59You ask the question, who is the most reserved?
22:03Yes.
22:04In front of me, I thought maybe.
22:06I don't know.
22:07Are you reserved?
22:09At least try.
22:10Maybe in front of them.
22:11I felt it.
22:12Because he was only working on set.
22:16We were still, you know.
22:17No, it's not like he was only working on set.
22:21You are only working on set of them.
22:22That was the first of them.
22:24It's not like the first year.
22:25You can't do it.
22:26That's not like it.
22:27The actor has a gap in a short shot.
22:32The director has a short shot in two minutes.
22:36He has to be a gap in the camera.
22:38He has to be a major.
22:39If the next shot will take the shot again, he has to keep the gap out.
22:44Yeah, so maybe I have only seen him working, so that's why maybe in front of my eyes he was the most reserved but I don't know in real life.
22:51Okay. How is Kiran?
22:52He is reserved like you know in the start when he doesn't know you but when like you know him then he can talk like for 8 hours.
23:01Okay. So did you experience that after knowing him he is talking and being very naughty?
23:07No, but he was talking a lot on set. On set they used to have a banter like full on banter they used to have and I was sometimes involved I was sometimes not involved.
23:18It was like that. I was on and off but their banter was like there.
23:21Do you understand Telugu now?
23:23Yeah, I used to understand a little bit of what they are speaking.
23:27But sometimes they are laughing so much I am also laughing.
23:30Like I am like, I understood yes.
23:32What else do I do?
23:33With the producers also, I was also laughing along at them. They were just laughing down.
23:38Yeah.
23:39Like sometimes you don't need a reason to laugh. They are just laughing. Okay.
23:42Okay.
23:43Sir, if you are a first time he is playing a hero in the world, who is playing in the world?
23:47I am neutral.
23:48If you don't have any situation, you are going to be in the world.
23:51Yes, sir.
23:52And I am not reserved. I have been in the last six years of my personal family.
23:57So, I have reserved for that.
24:00If you are in the original film, you will have a lot of fun.
24:03So, I will continue to settle on set.
24:05I am very happy.
24:06Yes, sir.
24:07You are a hero in the world.
24:08You are a hero in the world.
24:09You are a hero in the world.
24:10Are you doing all this?
24:11Yes, sir.
24:12Yes, sir.
24:13Yes, sir.
24:14Yes, sir.
24:15Yes, sir.
24:16There are 60% of you in the stage.
24:18You are a lot of virtual.
24:20But the point-wise you are in control.
24:21You are in control of six months.
24:22You are in control of six months.
24:23So, you have a lot of collaboration with your narrative skills.
24:26What do you expect to do in the world?
24:28One new one.
24:30You are a bit different.
24:31No, I am a bit different.
24:32No, I am a bit different.
24:33Do you want to learn more about the narration or the direction?
24:36Yes, I want to learn more about the narration.
24:41Now, the question is.
24:43She's a little bit scared.
24:45Very innocent.
24:47What is the subject of inspiration?
24:53I'm looking for a little bit or a little bit.
24:55That's it.
24:55That's the point.
24:58Do you want to reveal the subject of inspiration or a little bit?
25:00You can't reveal the story, you can see the character in the center of the hero.
25:04You can see the character in the center of your life, but you can see the main point of the hero.
25:11You can see the character in the real life.
25:15Who is the coach?
25:17In the college.
25:19In the college.
25:20Are you serious about that?
25:22No.
25:23Are you serious about that?
25:24You're not serious about that.
25:26You're not serious about that.
25:32Exactly.
25:33Exactly.
25:34For this generation, this generation is a title.
25:39This round is a vibe check.
25:41If you have a vibe, and you have a reaction, you will be able to see the reaction.
25:47You will be able to see the reaction.
25:50So, for example,
25:51So, Kiran Gargai Baga Happy Ghan Pichinapdu, and what's your name?
25:56Yukti Gargapal.
25:57He laughs.
25:57What is his vibe?
25:58I said, vibe, okay.
25:59When he's happy.
26:00He's like, hey Yukti, what's up?
26:02Shall we go out, have some food?
26:04All right, I'm not mad at that.
26:05You know.
26:06What did you do?
26:08Lungi Hattie.
26:09Lungi Hattie.
26:12No, once again.
26:13Lungi Hattie.
26:15Lungi Hattie.
26:16He's like, look at that, look at that, look at that, look at that, look at that, look at that.
26:18Look at that, look at that, look at that.
26:19Look at that, look at that.
26:21He's doing the power of love.
26:23He's doing the power of love.
26:24He's doing the power of love.
26:26He's doing the power of love.
26:27When he's in a good mood, he's just like, okay, let's have fun, let's have good food, let's talk.
26:32And, yeah, I mean, that's what I've experienced so far.
26:37That when he's happy, he's just like, okay, let's just chill.
26:42I mean, let's sit together and let's just vibe, yeah.
26:45Vibe.
26:46Yeah, vibe.
26:47Okay.
26:48Okay.
26:49So, How are you doing it, Narreshgarh?
26:51How are we doing it?
26:53Let's talk about it.
26:54Please.
26:55We are also doing it.
26:57And we are doing it, and we are doing it.
26:58We are doing it, and we are doing it.
27:00We are doing it.
27:01Okay.
27:02Okay.
27:03I am choosing to choose the end of the day.
27:05Sir.
27:09You are not the only one.
27:11Laila.
27:12No sir.
27:13You are not the only one.
27:15Anyway, it's nice.
27:17Romance is a beautiful.
27:18It's nice.
27:19I am also a great deal.
27:21Romance is your vibe.
27:23Yes.
27:24Yes.
27:25Yes.
27:26That is the still and energy.
27:28Yes.
27:29Of course.
27:30Okay.
27:31Our producer is happy.
27:33This is an important matter.
27:38You are not happy.
27:40You are not happy.
27:41You are not happy.
27:43You are not happy.
27:44You are not happy.
27:49No.
27:50No comments.
27:54No sir.
27:55You are not happy.
27:57You are not happy.
27:59You are not happy.
28:00Part 2.
28:01You are not happy.
28:02Prettyoin.
28:03You get a good trip.
28:05Empire 3.
28:06You are not happy.
28:07Yes.
28:08You are not happy.
28:09Or are you happy too.
28:10The correct answer is right.
28:11Yes.
28:12No.
28:13No comments for me
28:15I will tell you my name
28:17I will never give up
28:20You will call me my name
28:21I will give up to the party
28:24I will celebrate each other
28:25I will celebrate each other
28:27Right?
28:29But Diane I have forgotten to say that
28:31But he also loves to party
28:33He loves to party and he loves everyone to party around him
28:36Party like this?
28:37Like one bottle here one glass here
28:39No
28:40That is the character. But in real life, I think he loves seeing people around. He loves to be surrounded by people all the time.
28:48I think that's his vibe that he loves to be surrounded by people, having fun, eating good food and that also gives him happiness.
28:57That's his vibe.
28:58That's his vibe.
28:59I want to give you a little bit of happiness.
29:01I want to give you a little bit of happiness.
29:03I want to give you a little bit of happiness.
29:05You both can tell.
29:07So happy- You all have a lot of happiness.
29:10I don't have anything like that, but it's a little bit of joy.
29:15It's a little bit of anxiety, like a little bit of discomfort.
29:18しいえまったらなぁ children, it's an outreaction.
29:22I like to talk to you our own, in a little bit.
29:25It's a little bit of confidence.
29:26Ok-
29:27And so when I look at you, maybe I look at you, or something else?
29:29If you're happy, you'll laugh like anything.
29:32Okay-
29:33She'll laugh at you even look at you and remember.
29:35There is a little bit of a public kind of thing.
29:39There is a little bit of a vibe that we are happy.
29:41If she is happy then she laughs.
29:43She laughs.
29:44I don't think I'm going to talk to you.
29:47What do you say?
29:49I don't think I'm going to talk to you about happiness.
29:59What do you feel like coming to Kiran Garu?
30:04I'll give you a full name.
30:06I'm sorry.
30:08I'm sorry.
30:10I'm sorry.
30:12Okay, I'll give you a full name.
30:14You said, I don't want to give you a full name.
30:16But you said, I'll reveal it.
30:18I'm sorry.
30:20I'm sorry.
30:22You said, I'm sorry.
30:24I'm sorry.
30:26I'm sorry.
30:28I'm sorry.
30:30I'm sorry.
30:32I'm sorry.
30:34I'm sorry.
30:36I'm sorry.
30:38I'm sorry.
30:40I'm sorry.
30:42I'm sorry.
30:44We'll talk about the questions.
30:46We'll talk about the regular interview.
30:48We'll talk about it.
30:50How did you talk about the shoot?
30:54I'm sorry.
30:56I'm sorry.
30:58I'm sorry.
31:00I'm sorry.
31:02I'm sorry.
31:04I'm sorry.
31:06I'm sorry.
31:08I'm sorry.
31:10What do you do when you say?
31:12I don't talk to anyone.
31:14What is your vibe?
31:16You don't talk.
31:18I'm sorry.
31:20I'm just with myself.
31:22I'm sorry.
31:24I'm sorry.
31:26I'm sorry.
31:28I never cry.
31:30If you have a solution.
31:32I'm sorry.
31:34I'll try to find the solution.
31:36So, I'm sorry.
31:38I'm sorry.
31:39I'm sorry.
31:40I'm sorry.
31:42I'm sorry.
31:44I'm sorry.
31:46I'm sorry.
31:47I'm sorry.
31:49So, I'm sorry.
31:51Shift to next, that's it.
31:52So Rajeshghar, how are you, sir? I'm so sorry.
31:54I'm going to talk to you in one minute.
31:58I'm going to talk to you in a shiva.
32:00I'm going to take a camera.
32:01Hey, sir, I'm going to take a picture of you.
32:05I'm going to talk to you, Ravathur.
32:12Sir, I'm sorry.
32:13I'm going to talk to you in a lot of times.
32:16I'm so sorry, Andy.
32:18What?
32:18I'm so sorry.
32:20I'm going to talk to you in a lot of times.
32:22Yeah, I'm going to talk to you.
32:24So what do you do when you feel very frustrated, annoyed, angry?
32:28I call someone, like, because to let it out of my system.
32:33So once it's out, I feel less annoyed and less angry.
32:36Kiran, are you?
32:38Mostly silent.
32:39I'm going to do a job at home.
32:41I'm very close.
32:42Are you silent or are you going to talk to me?
32:44No, no.
32:45I'm going to talk to you.
32:47I'm going to talk to you very close.
32:49I'm going to talk to you.
32:50So, there will be no doubt.
32:51Okay.
32:52Meera, what?
32:53I'm going to talk to you in a magazine.
32:54I'm not going to talk to you.
32:55You're not going to talk to me.
32:59I'm not going to talk to you.
33:00I'm not going to talk to you.
33:01I'm not going to talk to you.
33:02A rapid fire round.
33:05So Kiran Garu, first question.
33:08Please.
33:09What is your choice? Party at a pub or chilling with friends at home?
33:14Chilling with friends at home.
33:15Is that right? Okay. Heroine.
33:19What is tough? Romancing with the hero or understanding the language?
33:26What is difficult? Yeah. What is tougher?
33:28Understanding the language.
33:30No, what was the second option?
33:32No, no, no, no, no, no.
33:34The first option is okay.
33:36Romancing with the hero or understanding the language?
33:39Understanding the language.
33:40Okay.
33:41Kiran Garu is romancing with the heroine or matching the comedy timing with Naresh Garu?
33:47Is it tough?
33:48Romance is tough.
33:49Romance is tough.
33:51Okay.
33:52Naresh Garu is your question.
33:54Who is your favorite?
33:56Nani Gara, producer Rajesh Garu.
33:59You're not famous.
34:00You're not famous.
34:01You're not famous.
34:02You're famous.
34:03You're famous.
34:04You're famous.
34:05You're famous, you're famous.
34:06You know, you're famous here.
34:08You're famous.
34:09I'm famous.
34:10So, I will tell you all.
34:12Producer Garu.
34:13Meiru, who is your favorite?
34:15Do.p. Satish or music director, Chaitanya Bharadwaj?
34:19Music director.
34:20Music director.
34:21Yes.
34:22Do.p.
34:23Okay, who's more naughty?
34:29Yukti or in real life or character?
34:35Naughtier will be my real life one.
34:38Oh.
34:39I mean yeah.
34:41Bushi is crazy.
34:43In the film movie.
34:45As a producer, what is your first preference?
34:50Entertainment films or experimental films?
34:52Let's do a little experiment.
34:54Let's do entertainment films.
34:56Nice.
34:58What is your favourite character?
35:00What is your favourite character?
35:02What is your favourite character?
35:04K-RAMP.
35:06K-RAMP?
35:07100%.
35:08100%.
35:10100%.
35:11Who is your favourite artist or entertainer?
35:16Who is your favourite artist?
35:20Mahesh.
35:21Mahesh.
35:22Mahesh Bhavgara.
35:23Nani Garu.
35:24I've played Chaitanya Bharadwajgar music.
35:26Already Kiran Abba Varamgar, Chaitanya Bharadwajgar.
35:29It's a super hit combination.
35:31And I'm already happy.
35:33It's a lot of songs.
35:35I'm also happy.
35:36So, what is his role in this movie?
35:41It's a very major key role play.
35:43It's not a recording.
35:45It's not a recording.
35:46It's a lot of songs.
35:47It's locked in the first attempt.
35:49It's the last one's judge.
35:50It's 2 tunes and it's the third tune.
35:52It's locked in the second.
35:53And in background music, it's a hero's entanglement.
35:55And it's a match.
35:57It's a very key role play.
36:00He will play a role-play.
36:01Is there a sequence of things?
36:04There is a sequence of things. There is a team of heroes.
36:07There is a team of heroes. There is a team of heroes.
36:09There is a team of heroes. There is a team of heroes.
36:11There is a team of heroes.
36:13Oh, nice.
36:14So, what did your movie release for Deepa?
36:17What do you expect from the audience to this movie?
36:21Basically, we have to discuss the first movie from the cinema.
36:25We have to discuss the first movie with Deepa.
36:28There is a team of people with all the software engineers.
36:33We can attend the film.
36:35We can attend the most of the villages.
36:38This was 4 days.
36:40Saturday, Sunday, Monday and Tuesday.
36:44The family, and the theatre,
36:49and we can also talk about how we can make this movie.
36:51We can talk about the movie.
36:54We can talk about the movie.
36:57It will be a second time.
36:59If you want to make it to me, you can make it to me.
37:03If you want to make it to me, it will be a part of their festival.
37:14I am sure you will enjoy it.
37:17So, this is a Lakshmi Bomb.
37:21Congratulations to all of you.
37:28And all the best.
37:30We wish you great success for the movie.
37:32Thank you so much.
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