காலியாகும் Kollywood? Reviewers மீது புகார்களை அடுக்கிய திரையுலகம்.. ஷாக் பின்னணி! - Let's Decode - video Dailymotion

Oneindia Tamil

மெய்யழகன் பட இயக்குனர் பிரேம்குமார், மூத்த நடிகர் வடிவேலு உட்பட பலர் தமிழ் சினிமா Reviewers கடுமையான புகார்களை வைத்து உள்ளனர். தமிழ் சினிமாவின் வீழ்ச்சிக்கு இவர்கள்தான் பெரிய காரணம் என்று குற்றஞ்சாட்டி உள்ளனர். அதே சமயம் Kollywood வீழ்ச்சிக்கு இன்னும் பல முக்கியமான காரணங்கள் சொல்லப்படுகிறது. தொடர் தோல்விப்படங்கள் Kollywoodல் வருவதற்கு பின் என்ன காரணம் என்பதை இந்த  Let's Decode நிகழ்ச்சி விளக்குகிறது  Also Read  ஜோசியத்தையே  ராஜேஷ் நம்பிட்டாரோ? 4 நாளைக்கு முன்னாடி தெரிஞ்சும்.. நிறைவேறாமல் போன கடைசி ஆசை: பிரபலம் :: https://tamil.oneindia.com/television/actor-rajesh-last-unfulfilled-wish-and-journalist-inba-says-about-rajesh-loanliness-astrology-health-condition-011-708665.html?ref=DMDesc  எம்ஜிஆர், சிவாஜியுடன் நடித்த.. பழம்பெரும் நடிகை புஷ்பலதா காலமானார்.! திரைத்துறையினர் அஞ்சலி :: https://tamil.oneindia.com/news/chennai/legendary-actress-pushpalatha-passed-away-due-to-ill-health-677261.html?ref=DMDesc  களைக்கட்டிய கோலிவுட் கல்யாணம்..  கீர்த்தி சுரேஷ் டூ சித்தார்த் வரை..! 2024 ரீவைண்ட் :: https://tamil.oneindia.com/news/chennai/kollywood-weddings-from-keerthy-suresh-to-siddharth-2024-rewind-667163.html?ref=DMDesc    ~ED.67~CA.76~

Transcript

00:00Last one week on Twitter, Instagram, Facebook

00:02and how to go through these two events.

00:04One is a director Premikumar.

00:09One speech to this is a two-year-old.

00:11He said these two events.

00:12Gollywood is officially dead.

00:18That's why I'm gone in a little bit.

00:20One time, Bollywood has been parked at Bollywood.

00:23Now, it's not that way.

00:25To tell that, the market is very high.

00:27Gollywood is really dying.

00:29Let's decode.

00:35Director Premikumar said a recent interview in 1996

00:38in a recent interview.

00:39I had a question.

00:41He came to the OTT,

00:43but he came to the OTT.

00:45That's why he came to the OTT.

00:47That's why he came to the OTT.

00:49He's also a reviewer.

00:51If you come to the OTT,

00:53you can't get to the OTT.

00:55You can't get to the OTT.

00:57If you come to Malayalath,

00:59you can't get to the OTT.

01:00You can't get to the OTT.

01:01You can't accept it.

01:03You can't get to the OTT.

01:05So, okay,

01:06you can't get to the OTT.

01:08Just like the OTT story,

01:09you can't get to the OTT.

01:10You're going to see the OTT charts.

01:13You can't mind.

01:14You can't imagine it.

01:15You have to reinvent the OTT.

01:16You can understand that.

01:17You can understand that.

01:18You can understand the OTT.

01:19At the end of the day, there are a lot of reasons for the reviewers.

01:23They have to look at the doctor's.

01:26This is a matter of time.

01:28In Tamil, there are a lot of names in Tamil.

01:31There are 3-4-4 people.

01:33There are 3-4 people.

01:35There are 3-4 people.

01:37That's why they are doing a negative review.

01:39They are doing a negative review.

01:41That's why they are doing a theater.

01:43They are doing a lot of reviewers.

01:45They are doing a lot of them.

01:47They are doing a lot of them.

01:49What is this?

01:51Director Prem Kumar said to you.

01:53They said to you.

01:55How do we react to the reviewers?

01:57How do we react to that?

01:59There is a good reviewer.

02:01He said to you.

02:03He said to you.

02:05He said to you.

02:07There are many reviews.

02:09There are a lot of reviews.

02:11There are a lot of unwanted scenes.

02:13He said to me.

02:15There are many reviews.

02:17He said to you.

02:18This review is a matter of time.

02:20He can accept it.

02:21He can accept it.

02:23He can accept it.

02:24He can accept it.

02:26He can accept it.

02:27He can compare it to a Maliwood audience.

02:29Also keep in the mind that none of the audience wants to watch in the theater.

02:34Of two people talking.

02:36That's the two names.

02:37There are three names.

02:38There are three names.

02:39There are two names.

02:40There are three names.

02:41There are two names.

02:42There are three names.

02:43There are three names.

02:44There are a couple of reviews.

02:45There are two names.

02:46That's the same.

02:47One is not theater worthy content.

02:48If you go to the theater.

02:49He has a comment.

02:52The same way.

02:53There is a view by a new reviewer.

02:55You can review it.

02:57Ask if what you're doing.

02:59Ask if you're doing it.

03:01Ask if you're doing it.

03:03Ask if you're not doing a new issue.

03:05When the writer writes you.

03:06The answer is a question.

03:07But we have to say to him.

03:09In that case, I'm going to show you something.

03:11Director Prem Kumar said that in this interview.

03:15At least, who is at the end of the interview?

03:17It's fine. It's fine.

03:19It's fine. It's fine.

03:21But in Tamil Nadu, if you release it in Tamil Nadu,

03:23who is at the end of the interview?

03:25That's what I'm saying.

03:27That's why another reviewer,

03:29I don't want to show you that.

03:31At least, there's a review.

03:33Director Prem Kumar has been in a long time.

03:35That's what I'm saying.

03:37The review is very simple.

03:39Has been watched fully.

03:41That's what I'm saying.

03:43That's what I'm saying.

03:45That's what I'm saying.

03:47That's what I'm saying.

03:49That's what I'm saying.

03:51He's doing a great comment.

03:53He's doing a great review.

03:55We can get a great review.

03:57That's what I'm saying.

03:59Now, what's the reviewer's comments

04:01are all about.

04:03If you're trying to get a negative review

04:05in Tamil cinema,

04:07If you're not talking about this,

04:09you can't talk with any of those who are talking about.

04:11That's what I'm saying.

04:13One of the reasons why

04:15you look at the Malayal cinema

04:17by the Malayal cinema is also

04:19you know,

04:21you've also seen a trend

04:23but in Tamil Nadu,

04:25you can see that.

04:27That's what I'm saying.

04:29and you can tell from the author of this comment.

04:30In this case, the guy is the best versatility.

04:34but he looking back to the theatre,

04:35and the content will not be the best that he says.

04:39The person can see or see one person.

04:41From the audience to the audience.

04:43It is a person to understand the person.

04:46But the person will tell you how to see this person.

04:49Or you will see this person not in the theatre.

04:53This is a comment.

04:55Now let's tell you how the reviewers will be.

04:58You know, I said,

05:00whatever the video comes from,

05:02I will show you how close the video we heard about,

05:05and you can see it for our viewers,

05:08but let me know that the movie came back and I will be coming back.

05:12You are coming back and place the movie,

05:14but I am superhero,

05:16and then I will be coming back andка

05:20that you will be coming back.

05:22I thought,

05:24so you'll come back and see him.

05:26If you were to ride off the street, we would've fooled more like this.

05:29Startable 1943

05:30Have you readers come Dead toy up?

05:32That's very simple

05:33After kommandance, one thing should know he won.

05:36But that's how this old thing は will go anywhere.

05:38One thing is definitely learning to beat a picture of one thing.

05:40Who told me that this?

05:42Maybe there's a plus or minus

05:44To get another clip is to end this.

05:47How many times złys karman is a joke.

05:50It usually a problem or excess up.

05:52Coming from there where this thing is,

05:54That's why we have a big time to see the video.

05:55If you're a big fan, you can see the video.

05:57If you're a big fan, you can try and see the video.

06:01Therefore, the video is going to be easy to go to the theater in a very easy way.

06:06This is the way you can talk about a speech.

06:08That's why they are going to be flopped.

06:11They are going to be reviewing.

06:12If you're talking about the video, they are going to try and get the reviewer.

06:16They are going to be testing the video.

06:18First off, okay.

06:19Hero introduction is not.

06:20Second off, not bad.

06:21If you want to see this video, you can see it as a comment.

06:23You can't see it as a comment.

06:25You can see it as a comment.

06:27You can tell me that you can see it as well.

06:29That's why you did it.

06:31You can tell me how to review it.

06:33But not only the reviews are Tamil.

06:35That's not the case.

06:39It's not the case.

06:41We are not the case of the director.

06:43One time, the script is written in Brahman.

06:47Or the script is written in the script.

06:49Now, the script is not the case.

06:51If you're not a case of the script,

06:53what is the case of the story?

06:55It's not the case of the script.

06:57There's a real reference.

06:59That is a hero,

07:01and it's a real reference.

07:03Now, Good, Bad, Ugly.

07:05That's a real reference.

07:07As I tell you,

07:09there's a question.

07:11There are a real reference.

07:13A real reference,

07:15In the same way, there is a reference to a single part,

07:19there is a single part,

07:21and there is no connection between that and the flow.

07:24This is the reference to a single part,

07:27or a single move.

07:29This is a proper writer.

07:32He is a writer,

07:34and now he is a writer.

07:37He is not a writer.

07:38He is not a writer.

07:40He is a script,

07:41and he is not a writer.

07:43He is a writer.

07:46He is not a writer,

07:48but he is not a writer.

07:50He is not a writer.

07:52He is a writer,

07:53but there is no writer.

07:55So, for me, there is a brain change

07:58You can find out some reference.

08:00This makes me draw out theせい.

08:02If you go out the scene,

08:04we will be thinking a short story,

08:07we can be thinking a high moment.

08:10I go out the moment of the cut.

08:12If you look at that, you can see it.

08:14This is why Madrasi is not a high moment in Madrasi,

08:17and you can see it,

08:19and you can see it, it's refreshing.

08:22In the Colywoods, there is a fan fight for downfall.

08:25At one time, there is a fan fight.

08:27That is Rajini Kamal, Vijay Ajith.

08:30But now, because of the internet and social media usage,

08:34it's a fan fight for the next stage.

08:36In example, there is a problem.

08:38If you look at it, it's a problem in Tamil Nadu.

08:41There is also a problem in Madrasi.

08:43However, if you look at it,

08:45there are negative reviews on Twitter.

08:47It's a trend in Italy.

08:49This Twitter tag is a trend.

08:51That's why we come to Madrasi,

08:53and at the time, there is a trend in Madrasi.

08:57If you look at it,

08:59if you look at it,

09:01you can see it,

09:03you can see it,

09:05you can see it,

09:07you can see it,

09:09you can see it,

09:11it's a good thing.

09:13If you look at it,

09:15you can see it,

09:17you can see it,

09:19you can see it,

09:21you can see it,

09:23you can see it,

09:25you can see it,

09:27and you can see it in the exact same way.

09:29If you look at it,

09:31you see it.

09:33You see it in the past.

09:35I will post a photo of Shivakarthi and show a good photo of Shivakarthi.

09:41I will say that Shivakarthi is a good photo of Shivakarthi.

09:45I will show you how to do this.

09:47What do I do?

09:48I will easily flop.

09:49This is the Koli.

09:51This is the industry.

09:53But I think that there is a big fanfare in Tamil cinema.

10:00The drawback of Tamil cinema is PR fight.

10:03There is a PR.

10:05There is no PR.

10:07There is no PR.

10:09There is no PR.

10:11What do you do in this PR?

10:13They are doing promotions.

10:15That is PR.

10:17They are talking about PR on the internet.

10:19They are talking about hero and positive.

10:21At that point,

10:23there is a PR group of 45 heroes.

10:25They are doing positive propaganda.

10:27Now, there is no PR.

10:29There is no PR.

10:31There is no PR.

10:33There is no PR.

10:35There is no PR.

10:37There is no PR.

10:39One day, there is a problem in Bollywood.

10:41That is Khan.

10:42Three khan, Shahru Khan,

10:43Amir Khan, Salman Khan.

10:44There is a small cold war.

10:46There is a PR gang in the industry.

10:48There is a PR fight in the industry.

10:52Now, Bollywood is in the industry.

10:54There is a PR fight in the industry.

10:56There is a PR fight in Bollywood.

11:00There is no PR.

11:02There is no PR.

11:04There is no PR.

11:06There is no PR.

11:08There is a PR hand.

11:10There is no PR

11:27and there is a loss.

11:28There is an industry that has been the most lost.

11:31In the Maliwood industry,

11:32last year, there was a great deal of loss.

11:34He was the first music director, Shushin Cham.

11:36Shushin Cham did not sign anything.

11:38Last year, he did not work in any way,

11:40but he did not work in any way.

11:43That's the interesting industry.

11:45If we look at the industry here,

11:47he is a good industry.

11:48He will tell him to tell him about Shushin Cham.

11:50But he can have a wipe in the industry.

11:54That's the industry.

11:55This industry is a healthy industry.

11:58You can take a toilet paper.

12:00Toholiwood is a Nepokit industry.

12:01That is the same thing.

12:03They have a lot of people who are sitting there.

12:05But in Tamil cinema,

12:06there is a lot of people who are sitting there.

12:09That is why people are sitting there

12:11and there are a lot of people who are sitting there.

12:13But in Tamil cinema,

12:15not what they are doing.

12:17There is a lot of people who are sitting there.

12:19But in Tamil cinema,

12:20we also have to go to a shivakarthian and pudha.

12:22Here is a place to go to the rivers.

12:26We are going to go to Malayalath.

12:29But we are not going to go to Tamil.

12:32We are going to go to Marisan.

12:35We are going to go to Malayalath.

12:39We are going to go to Malayalath.

12:42We are going to go to Tamil Nadu.

12:45But we are going to go to Malayalath.

12:48This is the director Phrame Kumar.

12:51You are going to go to the table.

12:53This is what I am going to say.

12:55You are going to go to the table.

12:57This table is not the table.

13:00There is a name called the downfall.

13:02That is Instagram reels.

13:04We will be able to come to the players.

13:06Now, if you have a budget for a 3-4-4-4,

13:08then half of the budget will be able to come to the players.

13:11For example, if you are Rajani Khanh and Kamala Asan.

13:15If you have a budget for that,

13:17then you will be able to come to the balance.

13:19You will be able to come to the balance.

13:21You will be able to come to the players.

13:22You will be able to come to the players.

13:23So, you will be able to come to the quality of this.

13:25For example, in Malayal Mendes,

13:26if you have a budget for a local market,

13:27a local market for a 30-4-4-4,

13:29the price is very low.

13:31They will be able to come to the budget.

13:35That is why,

13:36you can come to the price for a low budget.

13:38For example, in Tamil,

13:39if you are able to come to the players,

13:41then you can do that.

13:43This is a problem,

13:44we see that in the Instagram Reels.

13:45We scroll down and see that in each 1-10-10.

13:48The 1-10 is the attention span.

13:50I don't have to look at this.

13:52We don't like what we are doing

13:54but the attention span is

13:55they can take a high moment.

13:57Then that is,

13:58good bad ugly.

13:59That's not what they are doing in the 1-10-10.

14:02The first time you saw that you saw it,

14:03you can be able to see the Israelites.

14:04I can see an Instagram reels collage.

14:08I can see a little bit of a picture in Rasir.

14:11It's a slow burning picture.

14:14I can see a little bit of a picture in my face.

14:18They can see an Instagram scrolling.

14:20I can see an Instagram picture.

14:22I can see the picture.

14:24I can see the picture.

14:26That's why I thought.

14:27If it's a situation,

14:29I don't know if I'm going to do it.

14:31I don't know if I'm going to do it.

14:34I can see the picture.

14:36I can't see the picture.

14:37I can see the picture.

14:38There are also a vipers fan-fight.

14:41Now, you can see Talabadi and Talayver.

14:43You can see these three names.

14:45That's the 3T.

14:46He knows how much he is going to do it.

14:48I know.

14:49Ajit Kumar is interesting to see bike racing and car racing.

14:53He knows how to do it.

14:55He knows how to do it.

14:57He knows how to do it.

15:00He knows how to do it.

15:01And he knows how to do it.

15:03This is a matter of three names.

15:05He knows how to do it.

15:06This is also a downstream.

15:11He said that colli-wood is dead.

15:14I didn't say that it's for me.

15:16I told you personally.

15:17However, it is dying.

15:19Everybody can see that colli-wood.

15:22I don't know where to do it.

15:23This is the end of this industry.

15:25We'll talk about the end of this industry.

15:27We'll talk about the end of this industry.

15:29That's it. Time is over.

காலியாகும் Kollywood? Reviewers மீது புகார்களை அடுக்கிய திரையுலகம்.. ஷாக் பின்னணி! - Let's Decode

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