- 3 months ago
Riders of the Old Spanish Trail (1947) is a classic Western film starring Rod Cameron, one of the iconic cowboy actors of the 1940s. The story follows an adventurous journey along the legendary Old Spanish Trail, filled with action, justice, and the spirit of the American frontier. As part of the golden era of Western cinema, this film captures the timeless charm and nostalgia of cowboy classics.
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Short filmTranscript
00:00:00Let me tell you a tale of the old Spanish trail, she and I used to ride side by side
00:00:26down the old Spanish trail. There's a star high above, seems to stay all in love.
00:00:41So we talked of a June honeymoon on the old Spanish trail.
00:00:50One night, I was passing the cantina. That night, she was in somebody else's house.
00:01:09Have I seen her since then? Only now and again.
00:01:19When together they ride side by side down the old Spanish trail.
00:01:29Down the old Spanish trail.
00:01:44Da da da dee dee dee dee.
00:01:52Down the old Spanish trail.
00:01:58Hi, Sheriff.
00:02:01Hello, Roy.
00:02:04Hey, that's a swell looking coach you've got there.
00:02:07Thanks.
00:02:09Oh, this is Mr. Burnett, Roy Rogers.
00:02:11How do you do, Mr. Rogers?
00:02:12How you do?
00:02:13Mr. Burnett has an IOU from the Sons of the Pioneers for $10,000.
00:02:17It's got your signature on it.
00:02:19That's right. I did go on a note for them.
00:02:22Why, didn't they pay up?
00:02:24No, they haven't. I've extended it twice already.
00:02:27I really need the money, and unless you can pay it, I'll be forced to take back their tent and show equipment.
00:02:32That'd close them up.
00:02:33That's right. But I've got to have the cash.
00:02:36Under the circumstances, there's nothing I can do about it.
00:02:38$10,000.
00:02:42I doubt if I could raise that much if I sold the whole ranch.
00:02:45You suppose you could give me a couple of weeks on it?
00:02:47Well, I...
00:02:48The boys worked pretty hard to get this little spread.
00:02:50Well, I...
00:02:52Sure.
00:02:53Well, thanks. I'll get in touch with the boys right away and see if we can straighten this thing out.
00:02:57That'll be fine. Good luck, Rogers.
00:02:59Thanks.
00:03:00Thank you, Sheriff.
00:03:01Don't look very good, old girl.
00:03:10I sure hope I don't have to find you a new home.
00:03:15Hey.
00:03:25What's the matter, Candy?
00:03:27Oh, one of my suitcases is missing.
00:03:29It must have fallen out of the car. That's the only thing that could have happened to it.
00:03:32Marcus, why don't you go back and have a look?
00:03:34No, that's all right, Harry. I'll go. Everybody's pretty busy.
00:03:37Well, Trigger, looks like somebody's lost something.
00:04:03Looks like that somebody was a girl.
00:04:10Mmm, not bad.
00:04:25Your eyes are like deep desert wells with sparks from silver stars above.
00:04:46Your voice is sweet as mission bells. Your skin is like a marble death.
00:04:51Don't ever fall in love, Trigger. That's what it does to you.
00:04:54Always your devoted slave, Rico.
00:05:07Oh, no. No.
00:05:12Oh.
00:05:16Doesn't personal property mean anything to you?
00:05:19All I was doing was trying to find out...
00:05:20No.
00:05:21You've been snooping through my private papers, too.
00:05:23People shouldn't leave their stuff scared of them.
00:05:25Oh, there ought to be a law against people like you.
00:05:27You nothead, you!
00:05:29All I was doing was trying to...
00:05:31It's a little late now to apologize.
00:05:33Look at this stuff.
00:05:34Oh, now I can't get it close.
00:05:43Oh, now I can't get it close.
00:05:56Here, let me help you.
00:06:11No, thanks.
00:06:12You've helped me enough already.
00:06:13Now look what you've done.
00:06:26Maybe I can fix it.
00:06:28You've fixed enough already.
00:06:30Your voice is sweet as mission barrels.
00:06:40Your skin is like the marbled earth.
00:06:43Hey!
00:06:44That's a very beautiful silver sound.
00:06:49With one hand on buckle, you're gone.
00:07:01Now, please, amigo, loan the guns to me for a moment.
00:07:21Let the wind go.
00:07:24THE END
00:07:54Seems to me like I've met you before
00:07:58Your face looks familiar too
00:08:00Now if you're part of me
00:08:02This is what I'm after
00:08:04You've gone to a lot of trouble just for a picture
00:08:07Maybe to you, but it is worth it
00:08:18Hasta la vista
00:08:19Yeah, I think so too
00:08:22Whistling
00:08:24THE END
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00:10:42magic
00:10:44Cuento de ocasos y de alboradas
00:10:46De enamoradas, noches lunadas
00:10:48Quieta Chapala es tu laguna
00:10:50Novia romántica como ninguna
00:10:54Ay, ay, ay
00:10:58Ay, ay, ay
00:11:02Ay, colomitos lejanos
00:11:08Ay, colomitos
00:11:24Inolvidables, inolvidables
00:11:26Como las tardes en que la lluvia
00:11:28Desde la loma irnos hacía
00:11:30Hasta Zapopan
00:11:32Ay, ay, ay
00:11:36Ay, ay
00:11:44Ay
00:11:46Ay
00:11:48Ay
00:11:50Ay
00:11:52Ay
00:11:54Ay
00:11:56Ay
00:11:58Oh, another picture of that, that woman.
00:12:09Si, Lolita.
00:12:10You are more beautiful than...
00:12:13I flew to your side.
00:12:20Save your words for someone who will believe them.
00:12:22But you must believe them.
00:12:24You are my angel.
00:12:26You are my little, white dog.
00:12:30Your voice is sweet like...
00:12:53Trico, you're crazy.
00:12:55Why must you follow that girl everywhere?
00:12:58They'll catch you and they say you did many bad things.
00:13:01They will never catch Rico.
00:13:03She's too smart for them.
00:13:06But maybe Rico will catch the real bandits.
00:13:09And then they will believe me innocent.
00:13:11You know they will never believe you.
00:13:13Let us leave now.
00:13:15No, my angel.
00:13:17We are staying.
00:13:18It's not guilt you will not leave.
00:13:34Poor Lola.
00:13:35She's such a child.
00:13:36Let us go.
00:13:37We are staying.
00:13:38We are staying.
00:13:39Oh.
00:13:39Oh.
00:13:40Oh.
00:13:41Oh.
00:13:46Oh.
00:13:50what can i do for you how about a room sorry we're all filled up could you suggest some other
00:14:14place sure i could but they'd be full too all the hotels are crowded like a free lunch counter
00:14:19high noon i can't even get you in tomorrow those people with the tent show at reservations for two
00:14:23months you don't happen to have a good park around here do you no but you could try the cemetery i
00:14:29guess trigger stall is going to be a little crowded say nice guns you got there mind if i have a look
00:14:34at them not at all good balance firstly i prefer double action well these do all right for you once
00:14:41you get used to them put your hands up this is the law not the constable of santa lucia yes sir
00:15:00constable bullfincher and no monkey business right cookie you've been seeing too many western pictures
00:15:08i thought you were the gypsy how are you fine the gypsy oh some fella just been driving his daffy
00:15:15around this natural of the woods i think i know who you mean say cookie what does a guy have to
00:15:20do in this town stand up all night being fine standing room hey i got a place upstairs with
00:15:25an extra bunk why don't you stay with me i can't very well refuse him can i here you are constable
00:15:34we haven't seen each other for a long time
00:15:41i'm mighty lucky to have this room been living here 20 years
00:15:47this was a bridal suite when i moved in
00:15:52here you are roy this one never did fit me you bunk here unpack your bags and hang your clothes in
00:15:58the closet all right i'm gonna turn in got a busy day tomorrow still a bachelor i see if you think
00:16:08i'd marry a woman you're daffy i rented this room nearly 20 years ago for my wedding and two hours
00:16:14before the ceremony magnolia bell ran off with a guy from the carnival and i can't understand why
00:16:21i don't trust women or show people anymore what you're doing around here gonna see some friends
00:16:28of mine say cookie tell me more about this gypsy gypsy here's about all i know wanted boy would i like to
00:16:44put a face in there wanted for questioning yeah he sure is there's been a lot of oil companies
00:16:51stick ups around here and they think he's got something to do with it what do you think i don't
00:16:57know there's a ten thousand dollar reward for whoever did it ten thousand dollars hey tell me more
00:17:07just what do you know about these robberies cookie all the stuff's on the desk there's a newspaper
00:17:12clipping from every city where an oil company was robbed ten thousand dollars this might be worth
00:17:18looking into what's the hobble for keeps me from walking in my sleep turn out the line will you
00:17:39look like most of the robberies follow a pattern the oil office of milo city was held up at noon
00:17:52noon that's a pretty busy time to pull a job like that
00:17:57listen to this sheriff flint and dutchess county says that in each case of robbery the great southwestern
00:18:03tent show was playing in the vicinity one of the boys are having trouble did the show get in town today
00:18:33uh
00:18:38uh
00:18:45uh
00:18:47uh
00:18:51uh
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00:22:51it's women funny man yeah he is and a lot of him well that's just something else for us to worry
00:22:57about yeah hey bob yeah will you come here a minute hey am i seeing a ghost hey fellas
00:23:09come on harry sure good seeing you fellas again but i guess you know the main reason i'm here is
00:23:20a little matter of about ten thousand bucks well we've been sort of expecting to hear from you
00:23:25we got off to a good start with the show but oh it's been awful rough right a little busy in here
00:23:31to talk business do you suppose we could find a quieter place i think so i want you to meet
00:23:36somebody candy martin the star of our show roy rogers hello there say did you ever get that
00:23:42horn yes it stopped blowing after the battery ran down i'm sorry if i seemed a little upset but i had
00:23:47no way of knowing oh that's all right what's going on here you two know each other slightly
00:23:51we have a mutual friend oh this is harry blaisdell mr rogers hi how are you harry's the manager of
00:23:58the show roy so anything you have to say in front of the boys and myself you can say in front of harry
00:24:02and candy we know about that note you signed and we hope to have it paid off long ago but bad luck
00:24:06seems to follow us everywhere through no fault of our own they're even canceling our bookings
00:24:11yeah i know my friend constable bullfincher told me all about the robbers your friend constable
00:24:17bullfincher is holding up our license too and that's not helping us any well don't worry i'll
00:24:21take care of cookie the main thing right now is the ten thousand but we just haven't got it yet
00:24:27roy i guess the only thing we can do is close up the show and let them come and take the equipment
00:24:33back well cheer up boys we've still got a couple of weeks if we're lucky we might be able to figure
00:24:39out something see i thought of something last night somebody's been making things look pretty
00:24:45bad for you might be the gypsy we know that well if we can capture that somebody we collect the reward
00:24:52pay off the loan and everybody's happy except the gypsy or somebody you make it sound awfully easy
00:24:57well anyway it's an idea i'll run over and see cookie about your license right now don't worry about
00:25:03that thanks see you later well i got an idea too you better keep it we're in enough trouble already
00:25:10no honest this is a good one roy how about joining up with the act again and singing with us
00:25:17well at a time like this it might not be a bad idea back
00:25:21some day you're gonna hurt somebody kidding around like that marcus
00:25:36what's new got another act for the show a guy named rogers what does he do among other things he sings
00:25:46what about other things he's after the reward for the payroll bandits he thinks the gypsy's guilty
00:25:52he ever gets wise we're in trouble yeah we'll let him hang around for a while but if he gets too
00:25:57close to the gypsy you know what to do sure what about the pay office job everything set all we have
00:26:06to do is help ourselves check the mechanism fellas we won't use it again till we do a show
00:26:18and keep your mouth shut well that's just another proof that there's one born every minute
00:26:23well hello and just what can i do for you you can leave my rico alone rico
00:26:42oh i don't even know him how can you say that he has your pictures he writes your love poem
00:26:50he follows you everywhere look i don't see how i can stop you or rico or anybody else from going
00:26:56where he wants to go and writing what he wants to write you better make him stop or it might be
00:27:00dangerous for both of you something terrible will happen to him and maybe to you too what's the
00:27:07matter miss martin oh this young lady seems to think i'm chasing a friend of hers and i don't even
00:27:12know him you lie you don't know the gypsy the gypsy yes rico the gypsy you better make him stop or
00:27:21take it easy that's all right miss martin i'll take care of her
00:27:27hey what's going on here mind your own business ow when i tell rico he'll kill you for this
00:27:40just a minute what's that about rico hey what's the matter with you he doesn't hurt anybody
00:27:53bring it up there bring it up bring it up
00:28:02well she's gone now let's finish this deal let it go let it go roy he didn't mean anything
00:28:21somebody must have rung a bell on him huh well i don't know boss i guess i made a mistake
00:28:29i thought he was gonna uh uh i guess i lost my head oh yeah it's like you said somebody must have
00:28:39rung the bell i'm sorry rogers she wasn't doing anything wrong she just seemed a little excited
00:28:45that's all did she say anything about the gypsy she said he was in love with me looks like that
00:28:5110 000 getting a little closer let's see if we can pick her up
00:28:54quick thinking i'm gonna raise your cut in all those jobs we pulled gee thanks too bad they stopped
00:29:03the fight i was just ready to tear that rogers apart forget it forget it right now we got more
00:29:06important things to do hey that crack about the bell you don't think i'm punch drunk do you
00:29:13no silver spurs
00:29:27tinkled like hers and mine
00:29:32no silver spurs
00:29:34it was music divine but now it's gone
00:29:40no silver spurs
00:29:42pardon me if i sigh
00:29:46aye aye aye aye aye aye aye aye aye
00:29:52let me tell you a tale of the old spanish trail she and i used to ride side by side down
00:30:08the old spanish trail
00:30:12one night i was passing the cantina
00:30:33i was passing the cantina
00:30:40that night
00:30:43she was in somebody else's arms
00:30:50have i seen her since then
00:30:56only now and again
00:30:58ah miss martin
00:31:00isn't you wonder why i want to listen to rogers
00:31:05down the old spanish trail
00:31:09pardon me if i sigh
00:31:14aye aye aye aye
00:31:17aye aye aye
00:31:22so
00:31:39i found you again
00:31:40seeing that woman
00:31:41i told you before what i was going to do the next time i cut you
00:31:44you my rico you hear me
00:31:46Do you hear me? No, the girl's going to get you.
00:31:47No!
00:31:49No!
00:31:51Lemon, little dove, my Rico.
00:31:55Rico?
00:31:57The gypsy.
00:31:59Roy!
00:32:01Roy!
00:32:04Roy!
00:32:07Roy!
00:32:12Roy!
00:32:12Roy!
00:32:15You want them to hunt me?
00:32:17You go back to the camp.
00:32:18I lead them away.
00:32:20Yes, the gypsy, I save him with my own eyes.
00:32:33Ten thousand in the back.
00:32:38Let him go, let him go.
00:32:40He's got a good head start.
00:32:41They'll never catch him.
00:32:42All right, folks, the excitement's over.
00:32:46Marcus, you're on.
00:32:48Hey, boss, look.
00:32:52Listen, they should happen to catch up with that gypsy and he talks.
00:32:55We're cooked.
00:32:56We've got to get him first.
00:32:58He's bound to show up at their camp sooner or later.
00:32:59Follow that gal.
00:33:00He's bound to show up.
00:33:18Go!
00:33:18The End
00:33:48The End
00:34:18The End
00:34:48The End
00:35:18Royers, get me my hat
00:35:38Thank you, Royers.
00:35:45I cannot swim.
00:35:50I know you're after me because I am the gypsy.
00:35:55You're right.
00:35:56You've been wanted for a long time.
00:35:58I know what you're thinking, but you are wrong.
00:36:02I, too, am looking for the real bandits.
00:36:04That sounds like an alibi for always being near the holdups.
00:36:07I'm near them because I must be near the woman I love.
00:36:10These robberies are bringing misfortune to her, so I must solve them for her sake.
00:36:15Do you expect me to believe that?
00:36:17If I was the real bandit, I would not talk like this.
00:36:19I will kill you and save my breath.
00:36:23Do not follow me.
00:36:23Please.
00:36:24Please.
00:36:24Please.
00:36:24I will kill you and save my life.
00:36:31I will kill you and save my life.
00:36:33I will kill you and save my life.
00:36:39I will kill you and save my life.
00:36:41All right.
00:36:43All right.
00:36:44All right.
00:37:04All right.
00:37:09Can't help me.
00:37:17Rico.
00:37:39Lolita, what are you doing here?
00:37:47Where have you been?
00:37:49Que te importa onde hai estado?
00:37:50Well, I do care.
00:37:53Oh, Rico, you are full to risk your life just to see that woman.
00:37:56Lolita, I'm afraid you are jealous.
00:37:59I hate her.
00:38:00Oh, you tore them.
00:38:02And I shall turn them off.
00:38:03That woman is making you mad.
00:38:11Lolita, you should try to understand.
00:38:14She is wonderful.
00:38:16If I could only meet her, I will die happy.
00:38:21If you keep on, you may die before you meet her.
00:38:33Hey, I think she really got mad at me this time.
00:38:40Lola, Lolita, you must not say that.
00:38:42You know you're the only one.
00:38:43The others don't count.
00:38:48Let's get out of here.
00:38:51Oh, Rico.
00:38:52The shot came from the hill.
00:38:53Are you all right, Rico?
00:38:54See what I want them to believe I'm dead.
00:38:56Follow them.
00:38:57Vamanos, vamanos.
00:38:58Pick up the train.
00:38:59Bring me a little water, please.
00:39:00He's the hitter.
00:39:01So, you faker, you're all right now.
00:39:06But what I told you in the wagon about that woman can still come true.
00:39:10Poo.
00:39:11I only say I wasn't hurt because I don't want the rest to worry.
00:39:19Blood.
00:39:20Oh.
00:39:21Oh.
00:39:23Oh.
00:39:24Oh.
00:39:26My poor Rico.
00:39:28I'm so sorry for the terrible things I said.
00:39:31Let me die in peace.
00:39:33Oh.
00:39:34Like this, I will die happy.
00:39:38Die happy.
00:39:47Take care of him, please.
00:39:49Now, let's see how bad it is.
00:39:57Oh.
00:39:58Hey, Charlie Scratch.
00:39:59Ah.
00:40:00Just like a low, let's say you're a faker.
00:40:02Oh, it's you.
00:40:16Well, what do you want now?
00:40:17I want to read your fortune.
00:40:19Well, that's very nice of you, but let's do it some other time.
00:40:22I'm pretty busy right now.
00:40:23Please.
00:40:27There's a man in love with you.
00:40:29The man I was going to marry.
00:40:32But I told you before, I can't help them.
00:40:34He's being shot, and he wants to see you.
00:40:36He doesn't even know I'm here.
00:40:39But he told me that if he only could see you, he will die happy.
00:40:43Listen, I don't know what your game is, but you can't expect me to believe that.
00:40:46Now, just go away and leave me alone.
00:40:48You don't think my Rico asking for another girl is making me happy?
00:40:52She's mine, and you can have him.
00:40:54Now, I've got a show to do, so will you please just go and-
00:40:56You will come with me.
00:40:58Now.
00:41:01Yes.
00:41:02Yes, I guess I will.
00:41:03Candy?
00:41:28Shall we drive?
00:41:29My car is right over here.
00:41:30No.
00:41:31Well, we're going only hope that can take us.
00:41:33oh oh well I'll take this one I'm sure the owner won't mind remember no monkey
00:41:43business
00:41:53hey
00:42:03hi fellas hi boss hello boss say how'd you boys like to go to jail oh not me are you kidding
00:42:19hey I thought you said you got the gypsy it's what they were just telling me we did get him with
00:42:25one shot that's what you think he's not dead he's not dead we saw him fall he tricked you you stupid
00:42:31fool come on how about you there's any bungling to be done I'll do it myself right and you say
00:42:49the tray laid into town hey but I don't know anybody there ah the sheriff oh he will not
00:42:55run from here he can run he's too fat gordito come on quick move out of sight I call you if I need you
00:43:05mamacita prisa prisa si si hijo mio
00:43:07tapame
00:43:08andale cuídate eh
00:43:10oh rico oh thanks goodness you're still alive miss martin why did you bring it here don't you know it's dangerous for anybody to know where we are you should have not come
00:43:40that's exactly my idea your girlfriend said you were dying oh see don't you remember you told me that if you only could see her you would die happy oh yes thank you my pet she's so thoughtful can't I get you a doctor oh no
00:43:58oh too late now I'm a dead pigeon well I guess there's nothing more I can do I better be going miss martin yes there is one thing that you can do just a little kiss well I
00:44:17sure it would be a pleasure
00:44:24please Rico things like that would make you die quicker
00:44:38I guess I can't help you any I'll be running along
00:44:44oh no first you have to hold my hand and sing me a song not until we have a little talk first
00:44:50Roy
00:44:54oh am I glad to see you I knew you'd follow trigger there's our ten thousand dollars
00:45:01looks like you have a little explaining to do I'm not too sure about the ten thousand
00:45:06well this girl forced me to come here
00:45:08that is right he lost her but she has never seen him before I know
00:45:13what she says is true
00:45:15hello writers
00:45:16I'm looking down the other end of the pistola this time
00:45:19but it won't do you any good
00:45:21what's the matter with you
00:45:23well I
00:45:24he's been shot
00:45:25who did it
00:45:27I don't know
00:45:28the camp is well hidden
00:45:29but the shot came from the hill
00:45:31better get cookie and have him bring a doctor in a wagon
00:45:34oh no
00:45:35you can do your explaining in a nice cool hospital bed
00:45:38in jail
00:45:39now senorita
00:45:40will you sing a song for me
00:45:42then you can take me
00:45:44sure Rico I'll sing for you
00:45:47the one about the azienda
00:45:49mm-hmm
00:45:50will you help me to stand
00:45:52will you help me to stand
00:45:54Where is the home to compare with mine
00:46:16When the evening shadows fall
00:46:22Where does the moon never fail to shine
00:46:32On the garden wall
00:46:39In my adobe at the end of
00:46:47There's a touch of Mexico
00:46:52Cactus lovelier than orchids
00:47:01Blooming in the patio
00:47:06Soft desert stars and the strong of guitar
00:47:15Together make every evening seem so sweet
00:47:20In my adobe hacienda
00:47:27Life and love are more complete
00:47:34My reina's desire for a night of the sun
00:47:42La la la vida que nunca vivirá
00:47:48In esta casita de adobe
00:47:56Como reina vivirá
00:48:01Life and love are more complete
00:48:11Atta boy Rogers
00:48:18Well now we can pay off that mortgage and roll into the next town with our honor bright and clean
00:48:24All right tie him up
00:48:26Wait what are you gonna do
00:48:28Oh don't worry
00:48:29That's right we're not gonna hang him yet
00:48:30We're just gonna tie him up and take him into town where somebody else can do it
00:48:33He's money in the bank
00:48:34Oh no Ethan
00:48:35You wouldn't do that to him
00:48:36Here here
00:48:37Hold this little pepper pie
00:48:39It isn't necessary to tie him up
00:48:42No
00:48:42Rico said he'd go with us after we sang a song
00:48:44That is true
00:48:45We have to get a wagon before we can move him
00:48:47He's hurt bad
00:48:48Don't worry
00:48:49All we have to do is deliver the body
00:48:52Lead him to us
00:48:53I said keep your hands off of him
00:48:55I suppose you want to sing him another song
00:48:57Marcus!
00:48:58Harry can't you stop this?
00:49:02We'll see who's gonna take him back to town
00:49:04Go get him I'll help you kid
00:49:27Give it to him once for me with a right
00:49:41No no no not two against one
00:49:55Rico be careful you heard
00:50:12Rico be careful you heard
00:50:24Go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go go
00:50:54Atta boy, Roy! Come on!
00:51:24Oh, Rico.
00:51:43Well, Blaisdell, is there any doubt in your mind now who's going to take Rico in?
00:51:47No, he's all yours. You won't need a wagon to get him there either.
00:51:54For a dying man just a few minutes ago, you did all right.
00:51:59I feel much better now.
00:52:00Say, what are you trying to pull?
00:52:02Look at that. He's only scratched.
00:52:04Oh, Rico, you better. I'm so glad.
00:52:07He isn't hurt. He was lying.
00:52:11So, you tricked me again.
00:52:13He's no good. You can have him.
00:52:18Oh, boo.
00:52:24Well, you won't get lost in there.
00:52:31You're so right.
00:52:33A lot of people want to talk to you, but that'll wait till morning.
00:52:37Well, we can put a face with this now.
00:52:41Come on, I'm going to hit the hay.
00:52:43You go on ahead. I want to have a talk with Rico.
00:52:44All right, turn the lights off when you're fitted.
00:52:46Okay.
00:52:47Say, Rico, why did you pull that phony dying act out there?
00:52:59I only wanted to make my Lola sorry for me.
00:53:02How could I know that she was going to bring Miss Martin
00:53:04and then you and all the others would come?
00:53:05Al fin mujer.
00:53:07And you said the shot was fired at you.
00:53:09That is true.
00:53:11Lola and the rest of the gypsies will tell you.
00:53:13Well, can you think of any reason why anyone would want you dead?
00:53:15No.
00:53:18Some people will do things like that for money.
00:53:21Yes, I know.
00:53:22But if they were after the reward, they wouldn't try to kill you.
00:53:27Si.
00:53:28Then I could not talk.
00:53:29Maybe that's it.
00:53:31Maybe someone doesn't want you to talk.
00:53:37Royers.
00:53:43I don't think the sheriff will mind.
00:53:45I don't think the sheriff will mind.
00:53:46I don't think the sheriff will mind.
00:53:48I don't think the sheriff will mind.
00:53:48Thanks, amigo.
00:53:49Good night.
00:54:00Oh, how, Mr. Rogers.
00:54:01Are you ready?
00:54:02Say, how about seeing if I got any mail.
00:54:04Wait, I'll see.
00:54:05All right, you've got such a good hand.
00:54:34I'll call you and raise you five.
00:54:37Let's see what you got.
00:54:40Not good enough.
00:54:42My unlucky day.
00:54:44Just think, we'd have had that gypsy easy if Rogers had to mess things up.
00:54:48Yeah.
00:54:49The boss feels pretty bad about it.
00:54:51And he ruined one of my best shirts.
00:54:54But I'll be able to handle him next time.
00:54:56I'll stay away from that right hand.
00:54:57Come on, come on, come on.
00:54:58There's no use wailing about it now.
00:55:00Just be sure that everything runs smooth tomorrow.
00:55:03Now that Rogers has got Rico just where we don't want him.
00:55:07In jail.
00:55:09Hey, maybe that's the break for us.
00:55:12Yeah, I'll bet.
00:55:14Where are you going?
00:55:15Nowhere.
00:55:17If that gypsy escapes from jail tomorrow, they'll be sure he's the man they're after.
00:55:21Especially if there's a robbery the same day.
00:55:24Yeah.
00:55:25And then we won't have to clear out of town so fast.
00:55:27Of course.
00:55:28Maybe we'll have time to pull another job.
00:55:30Or maybe two.
00:55:31Yeah.
00:55:32Tomorrow morning you boys are going to make a social call on that fat constable.
00:55:35Oh, let me go along.
00:55:37I'll hit him so hard he'll be acting like I am.
00:55:40Hey, will you stop that?
00:55:42Yeah.
00:55:43Yeah, sure, boss.
00:55:47Morning, Rand.
00:55:48Morning, Constable.
00:55:49Well, I gotta get over to jail and get that prisoner some breakfast.
00:55:51We ain't had anybody in there in so long I had to let the cook go.
00:56:20Hey, I had the funniest dream last night.
00:56:24I dreamt that Blaisdell sent two of his men over to break into jail and let the gypsy escape.
00:56:29Probably something he ate because they seemed awfully anxious to put him in jail last night.
00:56:37I know that and they sure didn't seem anxious to get him out of jail too.
00:56:41I couldn't mistake Blaisdell's voice any place.
00:56:44I could hear it just as play, just like I was standing there.
00:56:48Couldn't have been much of a dream.
00:56:50He's still in there.
00:56:51Well, that's something to be happy about.
00:56:55I'm going to run over and see the pioneers.
00:56:57I'll drop by and have a talk with Rico after you fed him.
00:56:59See you later.
00:57:01Dream.
00:57:02Dream.
00:57:03Dream.
00:57:04Dream.
00:57:05Dream.
00:57:07Dream.
00:57:10Dream.
00:57:24Oh, da-da-dee, da-da-dee.
00:57:31Wa-da-da-dee, ha, ha, ha.
00:57:39Wa-da-da-dee, ha, da-da-dee.
00:57:48Wa-da-da-da-dee, ha, ha, ha.
00:57:58Good morning.
00:58:00Como cantante, gordito, no soplas.
00:58:03Ah, thank you. I always sing when I'm happy.
00:58:06I'm happy. My Lolita loves me.
00:58:09How love.
00:58:11I'll never love again If you forget me
00:58:26My heart won't let me Love someone new
00:58:36I'll never dream again How could I go on dreaming
00:58:47If each dream that we made Were to suddenly fade in the blue
00:58:57I'll never thrill again I'll never thrill again
00:59:02To someone's king For what good would it do
00:59:12It's you I'll miss My heart is yours alone
00:59:21So be careful Don't break it
00:59:26For if you ever should Darling, I never could
00:59:32Love again Yo le quise traer
00:59:40Dijo que no Que si había de llorar
00:59:49Pa' que volver Por de gallina me do
00:59:57Hasta la capitana a servirle al patrón
01:00:12How does love affect your appetite?
01:00:42He doesn't. I'm hungry.
01:00:52Dig in, boys.
01:00:53Good morning.
01:00:54Hiya, Roy.
01:00:55What's going on here? What are these things, blanks?
01:00:57Yeah, we're getting ready for the big stagecoach robbery.
01:00:59Stagecoach robbery?
01:01:00Yeah, it's Blaisdell's idea of publicity.
01:01:02A big fake holdup for the folks.
01:01:04Good ballyhoo for the show.
01:01:05You can play the sheriff today. Here's your ammunition.
01:01:07And believe me, they're plenty loud, too, Roy.
01:01:09You know, the way the show's going now, we'll have that $10,000 in no time.
01:01:13Oh, we don't need to worry about the money. We've got the gypsy.
01:01:16I don't think we'll have much trouble proving it. He's our man.
01:01:19Well, I'd better run along.
01:01:21I want to have a talk with him before the oil investigators get here.
01:01:23Be seeing you.
01:01:24Okay, Roy.
01:01:25How'd it go?
01:01:34Nothing to it.
01:01:35So easy it wasn't even fun.
01:01:47Cookie!
01:01:49How'd you get yourself in a mess like this?
01:01:51What happened, Cookie?
01:02:02I don't do it.
01:02:04I was standing there washing the dishes and somebody clung me from behind.
01:02:11Boy, what a goose egg.
01:02:12The next thing I knew, I was hanging up there.
01:02:15Well, don't feel too badly about it. It can happen to anyone.
01:02:17Well, I told you you couldn't trust a gypsy.
01:02:20He's about the smartest operator I ever saw.
01:02:23Sure made a fool out of me.
01:02:25Well, I'm not. He put on my head.
01:02:26Ain't going to make me any smarter, either.
01:02:28I'm going to get on the phone and spread the news about it.
01:02:31Put your hands up, please.
01:02:34I just heard your conversation,
01:02:36and I don't want to be shot before I can explain.
01:02:38This is the first time I broke into a jail.
01:02:43Oh, boy, Rico, are you in for it now?
01:02:46Assaulting battery with a deadly weapon on an officer in the law,
01:02:50and I can prove it. Look right there. Look.
01:02:51Oh, that is a beauty.
01:02:53But I couldn't do that.
01:02:55I did not even touch you.
01:02:56And what did happen?
01:02:57He was washing dishes.
01:02:58I was playing music.
01:03:00The first thing I knew, a couple of men walked in and hit him from behind.
01:03:03You see what I tell you?
01:03:05Who were they?
01:03:05I couldn't tell. They had masks on.
01:03:08Then I suppose they let you out of jail.
01:03:10That's exactly what they did.
01:03:12They had a horse waiting for me,
01:03:13and they told me to escape over the border.
01:03:15Well, why didn't you do that?
01:03:17Because.
01:03:17Boy, you're...
01:03:18I gave you my word, and you trusted me.
01:03:25Now I would not live here until you say so.
01:03:28Okay, Rico, come on out.
01:03:30Oh, no, you don't.
01:03:31Well, wait a minute, Cookie.
01:03:32Now, Roy, don't experience teach you anything?
01:03:36You're going to put Rico in my custody.
01:03:39Remember that dream you had last night?
01:03:42Yeah, I remember.
01:03:45Gee, that's funny.
01:03:46I could hear him talking just as plain about turning Rico loose and...
01:03:50Hey, maybe I'm psychic.
01:03:53Maybe you're not.
01:03:55Maybe you didn't dream it.
01:03:56Maybe you heard it when you were outside of Blaisdell's room with a water cooler.
01:04:01Blaisdell's room?
01:04:02Water cooler?
01:04:04Where did that happen?
01:04:06In dreamland.
01:04:13I still think a gypsy in jail is worth two in the butchers.
01:04:16Ladies and gentlemen, our new star, Roy Rogers, will be playing the sheriff in your own Constable Bull Fincher,
01:04:29whom you all know is consented to be the stagecoach driver.
01:04:33Candy Martin will be the charming young lady rescued by the brave sheriff.
01:04:37The sons of the pioneers will be the villainous outlaws.
01:04:39Now, this event will take place promptly at 12 o'clock at the corner of Main and 2nd Streets.
01:04:43Please stay on the sidewalk and avoid the danger of being hurt during this exciting event.
01:04:48Remember now, at 2 o'clock this afternoon, there will be a big matinee in the tent.
01:04:52You're all invited.
01:04:53The price is only 75 cents.
01:05:00Constable, I want to thank you for helping us out today.
01:05:02All right.
01:05:03Well, in a few minutes, boys, we'll be off.
01:05:05Remember, make lots of noise and give them a good show like we always do.
01:05:08All right, put on your masks.
01:05:09Oh, say, Rogers, you're a little new to this, so give us a good head start before you come after us.
01:05:16Right.
01:05:19We're ready.
01:05:23Keep an eye open for anything that isn't in the act.
01:05:25That's what I'm here for.
01:05:30It's about 12, eh?
01:05:31Should be along in a minute now.
01:05:32Oh, what do you want?
01:05:55You are correct, my friend.
01:05:59I'm very nervous today.
01:06:01A hurry.
01:06:01A hurry.
01:06:03A gypsy.
01:06:07It's 12 straight up already, Constable?
01:06:09Just take a deep seat, and you'll get the thrill of a lifetime.
01:06:12Maybe we all will.
01:06:16Okay, Cookie, let's go.
01:06:17Yes!
01:06:18Where's McIntyre?
01:06:35He's probably outside watching the show.
01:06:37Get rid of it, Gus.
01:06:45Hey.
01:06:45What a break.
01:06:48The old group must have forgot to lock it.
01:06:49In the tin boxes.
01:06:50I watched him bring it in.
01:06:52Easiest job we ever pulled.
01:07:03Just a minute.
01:07:04Here comes the sheriff, folks.
01:07:15That will put him on the run.
01:07:30Sure is realistic action, ain't it?
01:07:32Hey, Constable, the show's getting better all the time.
01:07:36Yeah.
01:07:38Things are not going so good, boss.
01:07:39What shall we do?
01:07:40Yeah, is this a part of the show?
01:07:42Oh, yeah, yeah, part of the act.
01:07:44Get those things in here.
01:07:48Okay, take it away.
01:07:50Hey, the new part of the act is pretty good, but why didn't you tell us about it?
01:08:06Oh, no, that's loaded with blanks.
01:08:07Yeah, that's what you think.
01:08:08Look.
01:08:08Uh-oh.
01:08:09If you want to stay alive, keep driving it faster.
01:08:11Yes, sir.
01:08:12Harry, those aren't blanks.
01:08:13Those are real bullets.
01:08:14You're telling me this is the last part of the act.
01:08:18I told you to leave those things alone.
01:08:19I told you to leave those things alone.
01:08:20So it wasn't an act.
01:08:21You stole this money.
01:08:22It was you and Marcus all the time.
01:08:23So what?
01:08:24For the last time, sir.
01:08:25I told you to leave those things alone.
01:08:26So it wasn't an act.
01:08:27You stole this money.
01:08:28It was you and Marcus all the time.
01:08:29So what?
01:08:30For the last time, sit back there and be quiet.
01:08:31Maybe you won't get hurt.
01:08:32Keep going.
01:08:45We'll be over in a few minutes.
01:08:46We'll be over in the boat in a few minutes.
01:08:48I'm going to be here.
01:08:49You're a bad guys.
01:08:50We've turned you to leave the boat.
01:08:51I'm not going to mess.
01:08:53Harry, go.
01:08:54We'll be back.
01:08:56You're the last time.
01:08:58I can't wait.
01:08:59We'll be over the boat in a few minutes.
01:09:13No, Cookie!
01:09:14Help!
01:09:15Help, Cookie!
01:09:20Cookie, help!
01:09:21No!
01:09:29Oh, Cookie!
01:09:31No!
01:09:32No!
01:09:33No!
01:09:34No!
01:09:35No!
01:09:36No!
01:09:37No!
01:09:38No!
01:09:39No!
01:09:56No, Cookie!
01:09:57Help! Help!
01:10:27Help!
01:10:57Hand him up to me, Roy!
01:11:09Thanks a lot, Constable.
01:11:13You're welcome!
01:11:17You're welcome!
01:11:47Hurry up, Roy. I can't hold him much longer.
01:12:05Okay, Cookie, hand him down. I'll take him.
01:12:09Boy, that act ought to get to show plenty of publicity.
01:12:11For a while, Eric, it was certainly realistic.
01:12:15You've got a great finish for the act,
01:12:17and you and your friend are going to play the leading roles.
01:12:19You're worried about me, boss.
01:12:21I'm all right.
01:12:23See, I'm sorry I had to do that, Rogers,
01:12:27but that guy makes me so nervous.
01:12:29Roy, the gypsy held up the oil company and got away with all the money.
01:12:31The gypsy?
01:12:33But he couldn't have. The cash boxes are in here.
01:12:37Here.
01:12:39Roy!
01:12:41Roy, they're all empty.
01:12:43Looks like you made a mistake, Rogers. Gypsy was your man after all.
01:12:47Ah, I'm not sorry. Good luck in catching him.
01:12:49Just a minute.
01:12:51I know we should have kept that Rico in jail when we had him.
01:12:55What's this I hear about you holding up the oil company's office?
01:12:59That is true, Roy.
01:13:01I just wanted to make sure that the money got into the right hands.
01:13:03Here's more. Take him.
01:13:05Okay, boys. Take him away.
01:13:07Looks like part of the reward money is yours.
01:13:09There is more important things in life than money.
01:13:11A la vista, Roy.
01:13:13A la vista, Roy.
01:13:15Yeah. Be seeing ya.
01:13:17Hey, somebody help me out of here.
01:13:19I'm stuck by my...
01:13:21By my gun belt.
01:13:23Let me tell you a tale...
01:13:33Of the old Spanish Trail...
01:13:35She and I used to ride side by side down the old Spanish Trail...
01:13:39Yah, yah, yah, yah, yah, yah, yah, yah!
01:13:43Keep away…
01:13:45Let me tell you a tale...
01:13:49Of the old Spanish Trail...
01:13:52He and I used to ride side by side down the old Spanish Trail...
01:13:57Away, yah, yah, yah, yah!
01:14:06It was, and by passing a road,
01:14:14the night, in the arms of the Oclamá,
01:14:21the night, the night, the night, the night, the night, the night, the night, the night.
01:14:28Then, only now and again, when together they write side by side down the old static ground.
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