OG విజయోత్సవ వేడుకలో పవర్ స్టార్ పవన్ కళ్యాణ్ పవర్ ఫుల్ స్పీచ్ తో అభిమానుల్లో కొత్త ఉత్సాహాన్ని నింపారు. ఫ్యాన్స్ ఎమోషనల్ రియాక్షన్స్ చూడండి.
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NewsTranscript
00:00In the world, it was a great experience.
00:05It was a great hit in the film,
00:11but it was a celebration of a cinema.
00:16It was a great experience.
00:19It was a great experience in the world.
00:23Everybody has the same fiend, everything has the same fiend, etc.
00:29But for all the people who attended,
00:32you will have the same film,
00:34all you have listened to is such a significant film,
00:36so that you could have the same film,
00:37and you can have the same film,
00:40as you can see what happened,
00:42and you can see the film with Raviki Chandran,
00:45Adbuthwain,
00:47Imran Hashmi Garu, Priyanka Mohan Ji, Shri Aredi Garu, Arjunda Ji, Prakash Raju Garu,
00:57Saharau Lokesh, Tej Sapru, Tej Sapru Ji, Rahul Ravindran Ji, Venkat Garu, Sudhir Nair, Harish Uttanam,
01:09Abhimanyu Singh, Abhimanyu Singh Garu, and Upendra Garu.
01:14Imran Hashmi Garu, Nuttalanda, I really appreciate all the people are in the world.
01:21In the action masters, Vijay Garu, Peter Haynes Garu, Dilip Subrayan Garu, Kevin Kumar Garu,
01:28Ki Cha Kampak Di, Tye Fightmaster Garu, Juji Garu, Supreme Sundar Garu,
01:38This is Hradi Puruka, Dhanivadal Telegestman.
01:45In this cinema, the main technicians are Sujit, Thaman, Navi Nuli, Ravi Kichandra, AS Prakash, Raghav, VFX, Budai, Chief Eddie, Ashwin Manik, Creative Director, Darshan and Neil, Pradeep Nabilash, Wallstrand.
02:05In this video, we have a lot of information about the Thamanigat team, editing team, direction team, and human beings.
02:19Is it okay if I speak a few words?
02:22I have spoken to political speeches, I have spoken to them.
02:26I have spoken to them and I have spoken to them.
02:30I have spoken to them and I have spoken to them and I have spoken to them and I have spoken to them and that is a great art.
02:44Storytelling is a great art.
02:46If you tell a story, you can tell a story, you can tell a story, you can tell a story, you can tell a story, it's a great art.
02:53Many people have heard it.
02:55People say, if you think about it, you can write a paper in a paper.
03:01But in the cinema, there are many crafts.
03:07It is not just about Pavan Kalyan, it's not about me.
03:16I don't know.
03:18There are many people who are interested in this.
03:23There are many people who are interested in this.
03:30Right from Lightman, right from Art Assistant, right from Production.
03:39There are many 24 crafts.
03:42There are many customers who are interested in this.
03:45There are many results.
03:47People can talk about me and I'm telling you.
03:54I'm telling you, I am doing something like Sujith.
03:57I am talking about Sujith.
04:02I was interested in Sujit.
04:09It's an interesting journey.
04:12Sujit just didn't do the secret.
04:17I didn't do the secret.
04:20I didn't do it anymore.
04:23When I started working on this project, I would say something about upcoming directors and young directors.
04:34He has the capability, the great capability. He is being a director, he is being a great writer.
04:41That's actually one run.
04:44When I started working on this project, I started working on this project.
04:55I had an idea, sir, that's it.
05:05I was looking at what I was looking at.
05:08I was looking at what I was looking at.
05:18I was looking at what I was looking at.
05:22I was looking at a back story.
05:27I was looking at a visual book.
05:33I was looking at what I was looking at.
05:39I was looking at a samurai, a Japanese dress, a gangster.
05:45I was looking at the dialogue.
05:47I was looking at the visual book.
05:49I was looking at it.
05:51I was looking at the idea of what I was looking at.
05:55I was looking at the idea of what I was thinking, and I would not talk about it.
06:04I wasn't looking at it.
06:09If you had a full idea, I was looking at it.
06:14I was looking at it.
06:16It was quite interesting and fascinating and interesting and constantly saying they call him O.G.
06:24I don't understand.
06:27So, Nagvithi, he is the director for Gen Z, Sujet.
06:40It was a tough filmmaking.
06:47It was a good idea that someone had a human mind.
06:49If someone had a human mind, they could have a human mind, a human mind, and they could have a human mind.
06:55It could have been a real record, and it could have been a human mind.
06:58They could have been a short video.
07:01So, what did I say?
07:04In my formative years, in 2021, my mind is exploding with the visuals.
07:16Now, if you think about it, you will be able to do it in your mind.
07:23You will be able to do it in your mind.
07:28When I started my career, I would film short films.
07:37In New York, there was a three-month course in New York.
07:44I would film short films.
07:47I would film short film festivals in New York.
07:53I would film short film films.
07:59But I would film the enthusiasm.
08:01It's quite contagious.
08:03If you're not able to film anything, you're not able to film anything.
08:07It's like a volcano, which is ready to explode.
08:11So, when I started my career, I would film a celluloid poet.
08:23I would film a film.
08:24I would film a museum.
08:30I would like to say something.
08:31I would approach that.
08:33In the discussion, we didn't film anything.
08:35I don't know if I was doing anything.
08:37We were able to do anything like this.
08:40Together, we had a very good time.
08:43We were able to do anything like this in the 1980s, 1990s.
08:46that's how I look at the ocean
08:49along
08:53I
08:56I did a celebration
08:59I did a celebration
09:02I said that
09:05I was already failing
09:07I was afraid of a big deal
09:10I was afraid of a big deal
09:13I'm afraid that I have success or failure. Even in the recent Harihar Viramal.
09:21I'm always the best.
09:24I'm always the best to do this.
09:26I'm always the best to do this.
09:28I've been working with the direction team, including the lyric writer and the Vishwa.
09:34I've been working with the Gogolum Sita.
09:41I've been in English. I've been doing it for the Michael Jackson.
09:45I've been doing it for the Billy Jean.
09:48I've been working with the Gogolum Sita.
09:51So when I'm working with the Gogolum Sita, I've been working with the Lyrics Writer and the Cinema.
09:58It's a growth in the beginning.
10:01But when I was the most important moment...
10:04Two decades later, how do we expand?
10:08I think that the growth is very important.
10:11And as I said to this cinema,
10:15I said,
10:17teamwork is the key for any success.
10:21I've failed many of the lack of teamwork.
10:25My efforts are still hard.
10:27My efforts are not going to make any of the cinema.
10:30I think that's why I'm not going to make any of the cinema in the making.
10:34At the beginning of the movie,
10:36I think it was a great result.
10:41I think that in the end of the film,
10:43I've never done that short.
10:45When I was a visual designer at the stage,
10:48I said,
10:51I've never done that.
10:53I've never done that much.
10:55I've never done that.
10:57I've never done that much.
11:00But Thaman, what a brilliant piece of work.
11:05I don't know what Thaman is.
11:09I used to play a keyboard program in the music city.
11:19It's like that.
11:21It's like that.
11:22It's like that.
11:23It's like that.
11:25It's like a rap song.
11:30It's like that.
11:34It's like an individual music director.
11:39It's phenomenal music.
11:41What Thaman has done is a magical job.
11:48It's a magical job.
11:52It's like a musical music and music.
11:55It's like a difficult editing.
11:58It's like a joke.
12:01It's like a joke.
12:02It's just a joke.
12:04I can't say it.
12:06I can't say it.
12:07I can't say it.
12:09I can't say it.
12:11I can't say it.
12:13They were like, oh no, I was going to say I wanted to tell them how to make all of this.
12:21You had to tell them how to make an action.
12:31I was able to get a lot of attention to the action and elevation,
12:36I was able to get a lot of attention to the drama.
12:45And I was able to get into that period,
12:50I was able to get into that period.
12:54As I mentioned earlier, the direction team is headed by Ashwin and the rest of the direction team.
13:07I wish I could have had a team like this when I was doing Johnny.
13:15One caution is on me.
13:19Don't drown yourself in success.
13:23If I had a success, I would say,
13:27If I had a chance,
13:29I could have had a team work.
13:34They thought that it was because of them.
13:38If I could have had a shot, if I could have had a shot, if I could have had a shot,
13:42I could have had a shot.
13:44If I could have started, I could have had a team spirit in the cinema.
13:49If I could have had a shot, if I could have had a shot, if I could have had a shot, if I could have had an inspiration.
14:03If I could have dead, i would say.
14:12You're very close.
14:14If you will get a shot, you'll do this.
14:17forward so nagu a lot on the pain that johnny nish nissa height on the pain and he cinema
14:27talo gain and a standard cinema but it is an actual regular commercial cinema with a lot of
14:36beautiful action sequences drama design action on the well-designed choreography action choreography
14:43then you can go to the format on the the regular kathla sin man television alone kathla ga narrative
14:49style all leather i think this crowd anglo sujith has done 200 percent job fantastic
15:00and lenu
15:04and basically an actor can't do not go not go mother nalo response
15:08in a cinema just not up to get any cinema just now local technical mentioned by
15:13so not actor can't first allowed the technician on that
15:19possibility one of the problem possible to know what's in the
15:21chosen song quite i have quite updated i keep on updating myself
15:25samdhi naaku thaman imana
15:27What a brilliant young director.
15:32What a brilliant young director.
15:35When I talk about it,
15:38this is the first name of Johnny and Royce,
15:44I am not going to film.
15:47I thought,
15:50in my life,
15:55there is a guilt in my life.
15:57I don't know how to do it.
16:00I don't know how to do it.
16:03I am not going to do it.
16:11Today, this is a success,
16:15especially for the direction team,
16:17editing team,
16:18all the newcomers,
16:20all the youngsters.
16:22I wish you a bright future.
16:24And a thunderous future.
16:27Don't get carried away by success.
16:32It is not about collections.
16:35It is not about things.
16:36How well you have the ability to tell a story.
16:39That is the key.
16:41How well you moved people in the theatre.
16:44What a collective experience.
16:46You are not going to do it.
16:48You are not going to do it.
16:50You are not going to do it.
16:52It is dangerous to make the success.
16:54You will leave the team spirit.
16:56That is what I appreciate,
16:58Sujit,
17:00for keeping his team intact.
17:03And giving the freedom to let go after the film.
17:06And he is the way he was wishing for you all,
17:08to become directors,
17:09to become whatever you want to be.
17:12That is a great human being, Lakshan.
17:15And,
17:18Sujit,
17:19You could say,
17:21You could say,
17:23You could speak,
17:24You could say,
17:25You could do something like that.
17:26You could do something like that.
17:28And audio,
17:30You could say,
17:32But what I want to say is that in Harihara Viramalu film
17:39I want to say that in Harihara Viramalu film,
17:58I want to say that in Harihara Viramalu film,
18:03I want to say that in Harihara Viramalu film,
18:10I want to say that in Harihara Viramalu film,
18:13I want to say that in Harihara Viramalu film,
18:16especially the direction team, the Thammans team.
18:22If you are all the same customers,
18:25I want to say that in Harihara Viramalu film,
18:30people like that.
18:37I still don't understand why they work there in my política
18:39right from editing team, FX team, mixing team.
18:43I want to say that in Harihara,
18:44if you are all the same,
18:45if you are all the same tall guy,
18:49you will dress in black dress.
18:53I was not a fan of my family, but I was like,
19:00I was like, I was never a fan of the cinema hit,
19:07I was like, I was like, I was like, I was like, I was like,
19:11I was like, I was like, oh, my love for them.
19:16My love for your hard work. My love for your commitment. What a team. What a team.
19:29What a team. I was afraid to give a message. I was afraid to give a message. I was afraid to give a message.
19:46But when people ask me, I would say, well, I'm afraid to give a message.
19:58It was a hard work in a young age.
20:05But it was a hard work in a young age.
20:09In this film, it was a tribute to Thaman.
20:19We have a tribute to each other,
20:28but we don't have a lot of people.
20:35Our co-actors...
20:42First, let me start with Prakash Rajgara.
20:47If you are a production of Prakash Rajgara in the cinema,
20:51then you are 20,
20:52then you are 20.
20:54There is a lot of people.
20:57We have a lot of people.
20:59We have a lot of people.
21:02But,
21:04we have a lot of people.
21:08We have a lot of people.
21:10We have a lot of people.
21:13We have a lot of people.
21:19We have a lot of people.
21:23We have a lot of people.
21:25I have a lot of people.
21:31We have a lot of people in this world.
21:36I think that cinema has a lot of people.
21:39I think that you are a Prakash Rajghar.
21:42And I said, that's not the same thing.
21:44What I'm trying to do is,
21:46I'm trying to do it in the set.
21:49I'm trying to do it.
21:52Let him be professional, I'll be professional.
21:54That's not the same thing.
21:55So, that's a brilliant actor, Prakash Rajghar.
21:58We might have many differences.
22:01That's not an issue when it comes to cinema.
22:03That's why I'm talking about the very platform.
22:05So, Prakash Rajghar is a man's support.
22:07I'm trying to do it.
22:17Imran Hashmigar.
22:19I'm trying to do it.
22:21I'm trying to do it.
22:23I'm trying to do it.
22:24I'm trying to do it in the cinema.
22:26What do you contribute?
22:28I'm trying to do it.
22:30A great actor.
22:32A brilliant performer.
22:34A well-groomed man.
22:37A handsome actor.
22:40My wholehearted congratulations to Imran Hashmigar.
22:52Shri Ardhikar used to do VTV.
23:00V channel V?
23:02SS music.
23:04Right?
23:05I'm trying to give you a challenge.
23:06I've been trying to do it today.
23:07I couldn't place you there.
23:08A good actor.
23:09I'm trying to do it.
23:11What are you doing?
23:13I'm trying to do it.
23:15I'm trying to do it.
23:17I'm trying to do it.
23:18I can't fight.
23:19I'm trying to do it.
23:20I'm trying to take action in the cinema.
23:23I don't have any exercise.
23:25If you don't have any exercise,
23:27you can't go into boxing bag,
23:29you can't go into boxing bag,
23:31you can't do any exercise.
23:33You can't do single hand push-up,
23:35you can't do a button,
23:37you can do a strong personality.
23:41A strong personality.
23:43An actor who has great self-respect
23:49and who demands respect because of a conduct.
23:51And a great performer.
23:53And his screen presence is excellent.
23:57And they demand just our screen presence.
24:01And the writers feel like writing something about her,
24:03like improvising something about her.
24:05I am grateful to you for being a part of this world.
24:17There are many of us.
24:23There are many people who have seen this story in the past.
24:27There are many people who have seen this story in the past.
24:29There's a lot of people who've seen it.
24:31In this state of Oji film, I started with Priyanka Mohan Garthu.
24:38There is a lot of people around the world.
24:42I don't want to avoid it, but I don't want to avoid it.
24:49But the basic thing is,
24:55In this state of Oji film, I started with Gangster Drama,
25:01and I started with a lot of people around the world,
25:04and I started with a lot of people around the world,
25:07and I started with a lot of people around the world,
25:10and I started with Priyanka Mohan Garthu.
25:15Just a bit of improvisation here and there.
25:18A sensitive actor.
25:22I started with a lot of people around the world.
25:28I cannot imagine that other than Priyanka Ji for a lot of people around the world.
25:35And she is an excellent performer.
25:38So, I love her.
25:41And the one and only Arjun Das.
25:47I have a lot of people around the world.
25:52There are still some people around the world.
25:56I never seen his films before.
25:58First of all, I never saw an audio function award.
26:00So, I was like, what is this?
26:02Now I would say that I am a great person.
26:06After I am a great person, I am a great person.
26:16The intensity.
26:18If I am a great person, I am a good person.
26:22What a great performer.
26:28Not a great performer. What a great voice. Okay, sir. I feel jealous of his voice. I couldn't have bond then
26:34Okay, sir. Arjun that's wise man. I couldn't be able about no question. Sure cinema. So stay choose them on
26:41Arjun, you're my brother
26:43They said you call me your medical honor. I said let me tell you give a hug
26:56I'm fortunate
26:58That's such brilliant actors are a part of this and I'll rather I'm able to collab them. I'm able to collaborate with them
27:07Salanti fine casting me
27:12Sujit get these questions months for the year, but a key with a new
27:20Deena
27:22What is Deena's name? I always like I know him Deena now
27:25Harish
27:26Harish
27:27Harish
27:28Harish
27:29Okay, always they used to call him Deena, Deena, Deena
27:31But
27:32And a great future
27:36After OJ
27:39That is
27:41I think I know all I need to call him
27:42That is Harish, Dina character.
27:49He is a brilliant piece of work.
27:56I wish him excellent, a great future for his career.
28:03I am grateful to you for being a part of this film.
28:11It's a nice experience for me.
28:14Like Rahul, Ravindran, Sudiv, Nair, Abhiman.
28:20And Abhiman is singing Ghabar Singh Dharath, Malidya Jason.
28:23And though he is not here, my congratulations to him.
28:27For the rest of all the actors.
28:30When I was looking at the cinema, I was reading a comic book.
28:43I was looking at Sujith in Bombay shooting.
28:47I was looking at the film in Mumbai.
28:49I was looking at the time events.
28:51I will do it in the sequel.
28:53I will do it in the sequel.
28:55I am not saying anything.
28:57That is a story in Tokyo.
28:59In Tokyo, sir?
29:02What is the word Azad?
29:07It is not a word.
29:09It is not a word, it is a word.
29:12It is not a word.
29:14It is not a word.
29:16It is not a word.
29:18I am interested in it.
29:21But I don't have to say anything about what I do in the political world.
29:25I repeat it.
29:26Filmmaking is my bread and butter.
29:28Politics is for me, it is a national service.
29:32But that is my contribution
29:34If I have any food.
29:39There is nothing to do with all that.
29:42There is nothing to do with all that.
29:47Then I am a cinema or bread and butter.
29:50With a double, I am a company.
29:53But that is a very complicated time.
29:55Whatever I have to say is that there are 4 hours of work in the day.
30:06I will be working on main work in the day and I will be planning on that.
30:12So, what I want to do is watch the cinema.
30:15I will be talking to you.
30:18You must be knowing about it, Shri Aja.
30:41There is a bookshop in the comics.
30:50I created a story as a character.
31:00When the comic book starts with characters,
31:11it's all just random.
31:14But I can understand.
31:16The main inspiration is the way he has delivered the film.
31:23It's a very difficult film.
31:26As a technician, I can tell.
31:28Not just as an actor.
31:30It's a very difficult film.
31:42This bookshop is a very difficult film.
31:44It's a very difficult film.
31:46It's a very difficult film.
31:48It's a very difficult film.
31:50It's a very difficult film.
31:52It's an amazing film.
31:54It's a very difficult film.
31:56The first film is the film.
31:58The first film is the film.
32:00You can read the paper and paper.
32:02You can read the writer and the visualist.
32:04You can read it.
32:06But, when you're doing it in a single-hand style,
32:08you can do music like that.
32:10You can do music like that.
32:14Inspire yourself through Sujithana writing.
32:19See, when you look at things as a technician,
32:23and more than as an actor,
32:25I don't know how to do it,
32:27I don't know how to do it,
32:29I don't know how to do it.
32:31But what a brilliant piece of making and picture.
32:36I want to associate with Sujithana.
32:44It is my mother,
32:49but we have been working in Japan for 3 days.
32:53I don't know how to do it,
32:56I don't know how to do it.
32:58That's where I feel guilty.
33:00I'm not guilty of telling you in Japan.
33:03I'm going to show you a short story here.
33:08Let us work on a prequel and a sequel.
33:27The conditions apply.
33:37The next thing is the film making.
33:43Bajita Rahityum.
33:47In the theatre, there is a lack of teamwork, lack of team spirit.
33:59The film is a great thing.
34:05The film is a great thing.
34:09The film is a great thing.
34:15The film is a great thing.
34:19The film is a great thing.
34:21The film is a great thing.
34:25The film is a great thing.
34:33The film is a dream.
34:37The film is a great thing.
34:45The film is a great thing.
34:47Where are you from?
34:50To be honest and honest with you,
34:54to be honest with you and yourself,
34:56to be honest, to be honest, to be honest with you,
34:58to be honest, to be honest with you,
35:00so I can't talk to you and I can't even write anything.
35:03So, when I am talking about nature,
35:07there is a lot of nature.
35:08There is a lot of nature,
35:12that means you have a good life,
35:14you have a good life,
35:15I was like, I'm going to show you a little bit of a dance.
35:23We are just going to show you a little bit of a dance.
35:26I was just like a dance.
35:30I was just like a dance.
35:33I was like, I'm just like a band.
35:38You are all from different states,
35:44different languages, different backgrounds, different castes.
35:51But art is the most beautiful thing.
35:53It unites us.
35:55It doesn't divide us.
36:01For example, what did you say?
36:03Me and Prakash Rajivar, maybe he differs with me.
36:06Actually, I don't know.
36:08I don't know.
36:10But imagine, cinema unites us.
36:13I don't know what's happening.
36:16I don't know how to do it.
36:19Cinema is such a beautiful platform.
36:21It has to unite us.
36:22I don't know what's happening.
36:24But I'm not even at this point.
36:26I have to deal with cinema because I'm a big fan.
36:29It's a healing art.
36:31It's a healing art.
36:32It's a healing art and it's a cinema.
36:36It's a mindset that it's a real success.
36:39It's reiterates.
36:40It strengthens our thought.
36:42Art is to unite, not to divide. Art is to give entertainment.
36:45Art is to give you some kind of empowerment.
36:49Imagine that,
36:53in Hollywood, we play in the cinema,
36:55we play, we play, we play,
36:58we play, we play, we play,
37:01we play, we play,
37:04Thaman has proved it.
37:06What a brilliant piece of music.
37:09I loved music.
37:13When I was doing a Thamudu shooting,
37:17I was training.
37:19I was training,
37:21I was a guru,
37:22I was not doing any lyrics.
37:26So, when I was talking about Ramanaga,
37:28it was like a creative collab.
37:32Then he started doing some music.
37:35I didn't speak English,
37:36I didn't speak English.
37:39So, when I was talking about Thamanaga,
37:45I played a rap part.
37:47It was like a blues effect.
37:53I played a mandalical part.
37:57I played a couple of times.
37:58Why did I do this?
38:00I played a lot.
38:03I was excited.
38:04I was excited.
38:05I was excited for two decades,
38:06I got excited for music.
38:09I am beautiful.
38:12That's what I am saying.
38:14And the crowd is like this.
38:16If we go to the same place,
38:19we will go to the same place.
38:21We will go to the same place.
38:24I don't have any regrets.
38:26Johnny has failed.
38:27Today I can say Johnny is damn successful.
38:30I am afraid of failure.
38:38In the same way,
38:41I learned how to invent a bulb for 1,000 times.
38:52Failure should be taken as a positive, constructive step to go progress.
38:59I am still looking at failure.
39:03I am still looking at failure.
39:05I am still looking at failure.
39:11I am not talking about failure.
39:12I am not saying that.
39:14I am not saying that.
39:16I am not saying that.
39:17I am not saying that.
39:18For the parting lines, I can say this to you all, even to the R&M, even to the Gen Z, our 90s, teenagers, and other people,
39:33if you want to know who I am, you just have to wait and see.
40:02They undermine our dreams, they crush our dreams, they undermine our ability.
40:24Who the hell are you to undermine my dreams? Who the hell are you to crush my dreams?
40:30If you want to know who I am, you just have to wait and see what I am going to become.
40:37If you want to know who I am, if you want to know who I am, if you want to know who I am.
40:44If you want to know who I am, if you want to know who I am in your family, if you want to know who I am, you have to do the same thing in the town.
40:51If you have a friend who is a dad, I might be surprised, and I would be surprised.
40:58And when he was a Hollywood, he would be surprised at the cinema, and he would be surprised, and he would be surprised at all.
41:05It would be better to try and do things.
41:08So, that's why I'm telling all the parting lines,
41:12Don't kill your dreams.
41:15No matter who you are, no matter what you are,
41:17no no no no no no no no no no no no no no no no no no no no no no no no no no it's all about
41:29you man we're in the summer part of you and the team work just a little success went in
41:35a rakupo chani one day it will chase you success is nothing but a byproduct of your hard work
41:42by-product of your perseverance it's a by-product of your resilience
41:51you can see this entire team kudos to you all what a what a brilliant job you have
42:00one healing in the day imagine this kind of celebration
42:12is the punch gun it's like a rock show it's not just a movie it's a rock show
42:17is
42:31you
42:32The high, music is the highest steroid, creation is the highest steroid.
42:44This creative mindset, art forms madness, this steroid, this ganja, you will feel it here.
42:54If you really get into the work, it will prove that the team is the highest steroid.
43:07What a brilliant hard work all of you have done and I wish you very best to end one more time to all of you.
43:38I don't know Sujith's mindset.
43:42If you don't know me, I don't know me.
43:45I don't know if you don't know me.
43:48I don't know if you're going to shoot whatever you want.
43:55I didn't know if I got an audio function.
43:58I wanted to find the moment I would find the moment in my head.
44:02I took a white shot and I thought,
44:04I couldn't see anything in your head and I was going to see the moment.
44:07I was in a team.
44:11It means that every person is in the middle of the world and they don't want to exhibit. They want you to enjoy. They want you to enjoy their creation.
44:31And we have enjoyed a lot, Sujit and Taman and Ravindranji, Raviki Chandrangaru. You have done a fabulous job, sir. What a fabulous job you have done. He is a cellulite poet here.
44:49Thank you very much.
44:57You have done a lot with Padmasri Rao, sir.
45:03We are here to learn a lot and I think I took a lot of time.
45:07We are here to talk about Abhiman.
45:14What is my name?
45:19I have always tried to do a wholesome cinema in the cinema.
45:26I am a camera man.
45:30I have always tried to do a lot of time and I have always tried to do a lot of time.
45:37I have always tried to do a lot of violence.
45:41But after two decades, this violence is a lot of people.
45:44But I have always tried to do violence.
45:47So, I think that the cinema is related to the future world and the future prequels and sequels.
45:59But how do you choose how to do the children's character.
46:00I want to say it, for example, me, Sujit and Taman.
46:04At first I do the Guru.
46:08One is purely Taman's creation.
46:10I am also called Sujit's creation.
46:13You have to talk about Taman's musical musical.
46:16So, if you choose to do something in the context of self- projeto,
46:20if you do something together, if you do something,
46:23if you go to a tight end, you do something.
46:26I will be part of this O.G. universe.
46:50I like Dina, I like Harish Uttaman's character.
47:00I don't like Sujit, I like his performance.
47:06I don't like Sujit, I don't like Sujit, I don't like Sujit.
47:12Creation is so beautiful, it's all possible, that's the beauty of creation.
47:22So, what I want to say is that cinema is for all, not just confined to one hero or something.
47:32I appreciate each and every hero's hard work.
47:36If we have tickets, we have to do our art form.
47:44If we have 10 people, we can apply it.
47:52So, art should unite us, art should spread, art should not divide us, art should not split us. This is the beauty of it.
48:02That's why we cut across all the countries, states and different states, this cinema is a great deal.
48:13In my eyes, when I look at the theatre, I don't know if I can't do anything.
48:23If I can't do anything, if I can't do anything, I can't do anything.
48:26But I don't want to talk about cinema. It's a tough job.
48:32In the cinema, I have a lot of villains. It's easy.
48:36I don't want to talk about real life. I don't want to talk about it.
48:40Second half, I want to talk about it. But I was willing to take that extra risk.
48:45Because only for the love for my nation.
48:49I don't want to talk about it.
48:52Because, I don't want to talk about cinema.
48:58I don't want to talk about it.
49:01I don't want to talk about cinema.
49:03I don't want to talk about politics.
49:08I don't want to talk about cinema.
49:20Let me tell you.
49:24Always a love whom you adore.
49:28Any hero, any language hero.
49:44I enjoy their work. I appreciate their work.
49:48I enjoy my art form.
49:52If you're a hero,
49:56you're not alone.
49:58That's why I always have thoughts.
50:00My advice is,
50:04including me, to stop doing these fan wars.
50:08Stop doing these fan wars.
50:10What are you doing?
50:12What are you doing?
50:16What are you doing?
50:18What are you doing?
50:20What are you doing?
50:22What are you doing?
50:24He could not see his wife and
50:26kid for almost one and a half month.
50:28That's all.
50:30What are you doing?
50:32What are you doing?
50:34In these fan wars,
50:36you can do the cinema.
50:38You can do the cinema for short life.
50:40You can do it every day.
50:42You can do it every day.
50:44You can listen every time.
50:46You can do it every day!
50:48You can do it every day!
50:50A nokia here.
50:52You will be D...
50:54a microphone inside!
50:56You will change everything again!
50:58So,
51:00no one does it!
51:02Nothing does it!
51:04My request to everyone is to take a look at your vignet.
51:11Even if you are doing your work or your life,
51:17you can't take a look at each of the heroes.
51:23If it inspires us, we will take it forward.
51:28If you don't like it, you don't have to do it.
51:31I had a request for the media handles, social media, YouTube channels.
51:37If the cinema was released or started, then I would start.
51:42I would say, I would start.
51:44No, I would say that.
51:46I would say, first of all, I would say that.
51:49You tell me whether you like it.
51:51I would say that the cinema is a little bit more than the reviewers.
51:56I would say that the culture is a little bit more than the reviewers.
52:01The culture is a little bit more than the reviewers.
52:06I would say that the viewers are 20.
52:09If the cinema is a little bit more than the reviewers,
52:15if the viewers are released, then we will talk about the news.
52:19We will talk about the news.
52:23If the situation is a little bit more, then I would say that.
52:28If we listened to a video, it's a little bit more.
52:30Who knows this?
52:32There is a lot of people alone that the material of the people,
52:36and people don't care.
52:39If we keep writing it on YouTube.
52:44There is room of people.
52:47Because, social media, YouTubers, etc.
52:54You can do something to do.
52:58Don't tell you about cinema.
53:01You don't know what you're doing.
53:04You can't do anything.
53:06You can't do anything.
53:08You can't do anything.
53:10You can't do anything.
53:12You can do anything because, there's no additional support you can do.
53:22They are financed.
53:25You can't do anything you want to do anything.
53:29You don't know how much you do anything.
53:33I don't know why you're angry.
53:36Why?
53:37Because I don't believe anything you want to do anything.
53:41But I don't want to give you a photo of Euroskine.
53:45I don't want to give you a photo of this O.G. cinema, I don't want to give you a photo of this O.G. cinema.
53:51I want to give you a photo of every single person.
53:56I want to give you a photo of this video.
53:58Thank you, N.J.A.H.
54:06If you like this,
54:08if you like this function, it's fun.
54:11Thank you so much, Pawan Kalyangaru.
54:16You want to give me respect to the concept.
54:20Because the director and the director,
54:23you have to give me respect to the technician.
54:27You have to give me respect to the power star.
54:30Pawan Kalyangaru, once again hardy, congratulations
54:33for the firestorm blockbuster bloody super hit.
54:38With that and that's a great guy to use for all 2 decades.
54:39Remember to say take me benefit from the Tip wants a 40 years old by one time.
54:43Anyway, thank you.
54:44Now we are your total.
54:45Thanks.
54:47Thanks.
54:48So you're too busy.
54:49Everyone will get to us.
54:50The beginning of the year is a lot of work.
54:51It's a lot of work that isn't working against the vendor.
54:52Theseuso огромnovos looks like we need a better window
54:53of collaboration for our players.
54:55We don't want to check in any fifty secrets.
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