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00:04:00A CIDADE NO BRASIL
00:04:30A CIDADE NO BRASIL
00:05:00A CIDADE NO BRASIL
00:05:02A CIDADE NO BRASIL
00:05:04What I do on this, it's done various different ways, is to play a note, let's say you're playing with a straight pick or thumb pick, it really doesn't matter.
00:05:14But you use the fingernail right underneath and hold it as if it were a straight pick, and the pick and the fingernail hits two strings at the same time.
00:05:27And you just go back and forth, alternate picking.
00:05:35See, that was done just out of an E position.
00:05:46Sometimes you want to change the fingering so you can hold down more than one string.
00:05:49What you're doing basically is just reshaping the E chord into catching it like that.
00:05:59Use as many flat fingers as you can on it.
00:06:04And that right there, where you're just coming up from the treble, you're taking this form of the E chord and changing the fingering of it.
00:06:16So always remember, when you're doing that style, naturally you can pick it with your other fingers.
00:06:30To get the flow of that, you want to use the pick and the index finger together as one.
00:06:41It means when the pick hits the second string, the fingernail which is holding the pick will play the first string.
00:06:50Okay, and then we just keep going up the E notes there.
00:06:54That basically comes out of that.
00:07:09And we're catching that in a little strange way because we're going to be bringing this finger right underneath.
00:07:21Ends up making an E7.
00:07:24Just kind of drag it up the notes.
00:07:41And you can keep on going up.
00:07:46Like an E7.
00:07:54Still out of the E chord.
00:08:08Using an E and a G.
00:08:12Bar.
00:08:14Bar.
00:08:15Come in with an E7 there.
00:08:17There.
00:08:17Okay, we can kind of reverse and go back down the neck.
00:08:40Starting with that chord.
00:08:41This is kind of like a D.
00:08:44Mix with an E.
00:08:45I guess it would be a sixth or something.
00:08:47I don't really know that much about theory.
00:08:49But you can run a whole string of chords off of that.
00:09:00Move one finger and you can do another chord.
00:09:02Let's keep going back down.
00:09:13Okay, that's...
00:09:14I've done a record called Slide a Hand, which I kicked the song off like that.
00:09:26But I think it's called High Heel Sneakers.
00:09:40Since we're dealing with E, we'll probably go ahead and do some chord voicings now.
00:09:46If we catch like a D and a F sharp, B flat, play all the strings open, you've got kind of a steel guitar sounding C6 kind of a chord.
00:10:09And various different timings you can...
00:10:12And some other chords that you can work out of.
00:10:36This is a D and a E, A flat and B.
00:10:54The strings you play on this will be 1, 3, 4, 5.
00:11:01And you slide up.
00:11:02You want to hear the string travel.
00:11:06So you move everything up.
00:11:09And then...
00:11:11This one, I guess, will be up one more than it would usually be.
00:11:19I haven't any idea of the name of these chords.
00:11:25And you've got another slide there.
00:11:27And some other things you can do while you're dealing with the 7th sounds of E.
00:11:46Just to catch your B, D, E.
00:11:53Keep writing the E on up.
00:11:58Bring that into it like that.
00:12:06And you can catch your 7th like that.
00:12:09I think it's called a 6th.
00:12:29And some other little things by catching the chord in an unusual way.
00:12:47Say you've got this like E up here.
00:12:50Use your little finger.
00:12:51And just tambour 2 at 10, 3 at 11.
00:13:08Okay.
00:13:10Alrighty.
00:13:12That's some things that you can do out of chord work, out of E.
00:13:15Now we can get into maybe some single line playing.
00:13:21Basically, most of my lines are played like index, thumb, middle.
00:13:37Okay.
00:13:41Index, thumb, middle.
00:13:42Okay.
00:13:42Index, thumb, middle.
00:13:44With some occasional help from the pick, kind of a rule of thumb I went by.
00:13:53If there's more than three notes on a string, I kind of double up and use a thumb pick as
00:13:59a straight pick.
00:14:04Like for a chromatic scale or something.
00:14:08Start with an upstroke with a pick.
00:14:11Then you bring the other fingers in.
00:14:14Kind of mix it up.
00:14:20If I'm playing a tune, I like to kind of use the chords and single line and all kinds of
00:14:28phrasings in there.
00:14:29Kind of like Chet did on some of his earlier records where you could hear different styles
00:14:33coming into play there.
00:14:35And sometimes I might just start out with a pick.
00:14:45You know, say you were doing it.
00:14:55Kind of that kind of thing.
00:14:56Where you just want to hear the note, pick, you know, other strings with it.
00:15:04So you've got a perpetual motion here and bring the other fingers in there.
00:15:09These two.
00:15:14Mix it up with some of the other things.
00:15:16And sometimes you just use the two back and forth.
00:15:35Kind of a pop.
00:15:36And open string runs are done basically like the index, thumb, middle rotation.
00:15:52Except for some reason, you want to use the ring finger on it.
00:15:55When you get down to the first string.
00:16:08Aw, man.
00:16:09Se inscreva no canal e se inscreva no canal.
00:16:39Se inscreva no canal.
00:17:09Se inscreva no canal.
00:17:39Se inscreva no canal.
00:18:09Se inscreva no canal.
00:18:39Se inscreva no canal.
00:19:09Se inscreva no canal.
00:19:39Se inscreva no canal.
00:20:09Se inscreva no canal.
00:20:39Se inscreva no canal.
00:21:09E aí
00:21:39Okay, turn some of that stuff there.
00:21:59Here's some other two strings things you can do here.
00:22:04Using that for an A minor.
00:22:11Go to D minor.
00:22:13Go to D minor.
00:22:18Go to D minor.
00:22:26Go to D minor.
00:22:27Back to that form again as we did up here.
00:22:33Go to D minor.
00:23:03Okay, what else can we come up with here.
00:23:10Okay, what else can we come up with here?
00:23:12We can do some things like if we're in A and we're going back from E back to A. Use the substitution of a B flat.
00:23:20Use the substitution of a B flat.
00:23:27Use the substitution of a B flat.
00:23:28Use the substitution of a B flat.
00:23:34Or you could use F for a major.
00:23:36Or you could use F for a major.
00:23:43Use the substitution of a B flat.
00:23:44Use the substitution of a B flat.
00:23:49Okay, we can get into some finger style type runs here.
00:24:16That'll do the same thing.
00:24:17We can do some more.
00:24:18Let's give it a GOOD N at one another.
00:24:19I will use F for a major.
00:24:20If it's D minor, a B flat.
00:24:21It will cover this set.
00:24:22It will cover this set.
00:24:23I will not use F for a major.
00:24:25I will not use F for a major.
00:24:26I will use the D minor.
00:24:27I will use the Pedicester.
00:24:28I will use F of F.
00:24:30You will use F.
00:24:31You will use F.
00:24:35Are F.
00:24:40And another.
00:24:41I will use F.
00:24:43And another.
00:24:44Ok, agora eu estou pensando em dois strings aqui.
00:25:03Nós temos um endimento que podemos fazer.
00:25:09Ok, se você está em E, só lembra que você está em um B position.
00:25:12Vamos lá em 511.
00:25:20É um back e 4.
00:25:21Então, para um quick mention aqui, basicamente o Chet Atkins tipo de coisa é 6, 4, 5, 4 e você está em um melody.
00:25:37Às vezes você tem que alternar.
00:25:42Ok, eu fiz um open string aqui.
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00:28:11E a pick.
00:28:25É difícil de prevenir como você vai começar um solo.
00:28:29Eu geralmente tento começar um pouco mais rápido e talvez build-up.
00:28:35Esse tipo de coisa vai ser uma forma de fazer isso.
00:28:40É também index, thumb, middle.
00:28:46Isso deixa você aberto para entrar em outros tipos de escala.
00:29:05Eu gosto de fazer as coisas de rádio.
00:29:15Eu gosto de fazer as coisas de rádio.
00:29:18E...
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00:30:20A good practice to kind of get the handle of this technique would be just to start out with this the basic boogie type thing
00:30:28naturally move it down to A
00:30:32when you go to A
00:30:34that's before you got that 2 and 3 open there
00:30:38when you go to A
00:30:40when you go to A
00:30:42when you go to A
00:30:44when you go to A
00:30:46as before you got that 2 and 3 open there
00:30:48ok
00:30:50ok
00:30:52ok
00:30:54ok
00:30:56ok
00:30:58ok
00:31:00ok
00:31:02uh
00:31:04while we're in this mode right here
00:31:06uh
00:31:08you can do a boogie with a technique I was talking about earlier
00:31:12that kind of a thing
00:31:18and there's some other uh
00:31:24uh
00:31:26kind of techniques for double stops
00:31:28uh
00:31:30you can play
00:31:32the same thing basically but you're skipping a string in between
00:31:34so it'll be like 1 and 3 or 2 and 4 whatever
00:31:38ok
00:31:44ok
00:31:46one thing about it if you're playing this slow you might get a better effect by using your fingers
00:32:14like for uh
00:32:16take off for a
00:32:18like for uh
00:32:20take off for a
00:32:22a
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00:32:26blues saying
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00:55:46como os dois pickups
00:55:48te dá uma opção de ir
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00:59:09I
00:59:10kind of
00:59:11got into the jazz
00:59:13I was
00:59:15listening to
00:59:16guys like George Benson
00:59:17and
00:59:18I
00:59:19guess my middle 20s I
00:59:21started developing
00:59:23a double stop thing
00:59:28getting into
00:59:29doing studio track and then
00:59:31laying down a track and figuring out the harmonies and
00:59:34things like that and got to thinking wow you know if I could do that in one take
00:59:38Então eu coloquei um pouco de aprendizagem para fazer isso.
00:59:43Então eu coloquei o dedo, o dedo, o dedo, o dedo, o dedo, o dedo tipo de dedo.
00:59:50Como um branco de trabalho com o Chet Atkins.
00:59:58Então, tudo isso juntos, um pouco de tempo,
01:00:02acho que eu coloquei um estilo, que eu espero que tenha feito.
01:00:07Então, isso é tudo que eu faço.
01:00:13Eu uso um analogo para o efecto.
01:00:19Isso é tudo que eu uso.
01:00:21Eu uso um reverb com a lancing speakers.
01:00:26E agora, essa guitar, que é quase quebrado, é o único que eu tenho.
01:00:30Claro que o Fender vai me criar uma guitarra aqui.
01:00:35Então...
01:00:37É isso agora.
01:00:39Espero que eu veja você em algum lugar.
01:00:41Se eu fazer uma clínica ou algo, eu vou falar sobre vocês.
01:00:45Vou fazer uma música aqui.
01:00:47Vou fazer uma música aqui e vou colocar todos os estilos.
01:00:49Vou colocar todos os estilos.
01:00:51Vamos ver se eu posso colocar todos os estilos.
01:00:53Eu vou colocar todos os estilos.
01:00:55Eu vou colocar todos os estilos.
01:00:57Eu vou colocar todos os estilos.
01:00:59Eu vou colocar todos os estilos.
01:01:01Eu vou colocar todos os estilos.
01:01:03Eu vou colocar todos os estilos.
01:01:05Eu vou colocar todos os estilos.
01:01:07Eu vou colocar todos os estilos.
01:01:09Eu vou colocar todos os estilos.
01:01:11Eu vou colocar todos os estilos.
01:01:13Eu vou colocar todos os estilos.
01:01:15Eu vou colocar todos os estilos.
01:01:17Eu vou colocar todos os estilos.
01:01:19Eu vou colocar todos os estilos.
01:01:21Eu vou colocar todos os estilos.
01:01:23Eu vou colocar todos os estilos.
01:01:25Eu vou colocar todos os estilos.
01:01:55Eu vou colocar todos os estilos.
01:02:25Eu vou colocar todos os estilos.
01:02:39Amém.
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