Jinn Ki Shadi Unki Shadi Episode 7 (Subtitles)

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#JinnKiShadiUnkiShadi #ArbaazKhan #SidraNiazi  Jinn Ki Shadi Unki Shadi Ep 7  - 29 September 2025 [Wahaj Ali & Sehar Khan] - Digitally Presented by Sunsilk   👉 Subscribe To HUM TV - https://bit.ly/HumTvPK   Digitally Presented by Sunsilk #frizzgoneshineon   Jinn Ki Yeh Kahani Hai, Unki Zubaani Hai! ❤✨   A Spooky Story With A Twist Of Love & Laughter! ✨👻 Jinn Ki Shadi Unki Shadi Is All Set To Bring Horror, Comedy & Romance Your Way! 🎭   Writer: Syed Nabeel | Director: Saif e Hasan | Producer: Momina Duraid Productions   Starring 🌟 Wahaj Ali, Sehar Khan, Arslan Naseer, Romaisa Khan, Sidra Niazi, Laiba Butt, Syed Jibran, Irfan Motiwala, Nadia Afgan, Tamkenat Mansoor, Arbaaz Khan, Asif Khan, Nabeel Ahson & others.   #JinnKiShadiUnkiShadi #HUMTV #MominaDuraidProductions#SyedNabeel #SaifeHasan#WahajAli #SeharKhan #ArslanNaseer #RomaisaKhan #SidraNiazi #LaibaButt #SyedJibran #IrfanMotiwala #NadiaAfgan #TamkenatMansoor #ArbaazKhan #AsifKhan #NabeelAhson  #overview

Transcript

00:00The stage is set for the Dola Next presents

00:05Kashmir 10th Hum Awards

00:07Powered by Leather Galleria

00:10Luxury Leather Furniture

00:12Saturday 11th October 2025

00:15At the NRG Arena, Houston, Texas

00:18Be there for your favourite stars

00:21Mahira Khan

00:23Adnan Siddiqui

00:26Bushran Sari

00:29Tajal Ali

00:32Faisal Qureshi

00:35Thania Aamir

00:37Bilal Apaas Khan

00:40Sara Khan

00:42Imran Ashraf

00:45Sonia Hussain

00:47Ahaz Raza Meir

00:50Sanam Saeed

00:52And Mohit Mirza

00:54Mavera Hussain

00:56And many more

00:58One Stage

01:00One Night

01:01And Spectacular Celebration

01:04To get the group discount

01:06Book your tickets now

01:08Log on to www.hum.tv or www.ticketmaster.com

01:15For sponsorships contact

01:17Mr. Naveed Adam

01:18Hum Network Limited

01:20Ais

01:30Ais

01:31Ais

01:32Ais

01:33Ais

01:34Ais

01:34I love you, I love you, I love you.

02:04No, don't do that. Don't do so much.

02:06It's going to be a shame.

02:07And it's going to be a joy.

02:09That you like my food so much.

02:12Inspector sir, he's not getting my husband.

02:14What's going on, sir?

02:16My husband's not getting my husband in the house.

02:19Come on, son.

02:34I'll see you next time.

03:04What??

03:17Asad!

03:20Why are you sleeping does this stuff here?

03:22No. I'm sort of.

03:24How can it happen? I'll tell you it's�ựys due to it!

03:26virtual machine has come back at it andischerous driving him.

03:29Yeah, Akira, I'll take this way, she's so rich!

03:32Listen!

03:32Now come back, come back!

03:33Come back, come back, come back!

03:39It's morning, it's time to get out of the morning. Please, doctor, call me. My heart is sitting down.

03:44I've just killed my hands on my face.

03:47I've also had my hands on my hands.

03:50I've also had so much fun. It's a bad thing that's not going to happen.

03:53That's why I'm telling you, doctor, call me.

03:55What's wrong with you? You're stuck with your head and hit your head.

03:59I feel like we need to call an ambulance.

04:23How did I reach here?

04:26Ali, we got a lot of trouble.

04:30We got a lot of trouble.

04:33Are you okay?

04:35I have...

04:37I have to look at you.

04:40I have to look at you.

04:42I saw that...

04:44I have to look at you.

04:47I have to look at you.

04:50When I was at the end, I saw you at the back of the door.

04:56Are you at the back of the door?

05:00Yes, my brother.

05:02My brother told me to go out of the door.

05:07After the back of the door,

05:09he took me out of the back of the door.

05:11I have to look at you.

05:12I have to look at you.

05:13I have to look at you.

05:15I have to look at you.

05:16I have to look at you.

05:17I have to look at you.

05:18I have to look at you.

05:19I have to look at you.

05:20I have to look at you.

05:21I have to look at you.

05:22I have to look at you.

05:23I have to look at you.

05:25I have to look at you.

05:26They were talking about but they didn't hear a sound.

05:31They were mute.

05:34No, I didn't hear that.

05:37But I heard my words.

05:40Then I was in the middle of that.

05:45Then I was in the middle of that.

05:47I was in the middle of that.

05:50I was in the middle of that.

05:53It's a dreamer?

05:56Yes, it was a dreamer.

05:59If it was a dreamer,

06:05then let me tell you how to get rid of the dreamer.

06:23Mama, I'm shooting the video from the outside.

06:26Hmm, hmm, hmm, hmm.

06:28What's going on?

06:29Let me see.

06:32This is Ali's picture of the Aweli.

06:35Yeah.

06:38In this article, this Aweli's history is telling us that it's almost 200 years old.

06:44But you're heading to this.

06:47The Unfortunate Mansion.

06:49This Aweli can never stop.

06:52And no one can stop it.

06:54Either the Aweli can't stop it or die.

06:59Look, I told you that this place is haunted.

07:02I don't believe it.

07:04Hmm.

07:05In this article, it's written that Fasyuddin was about 70-80 years old.

07:11And his father, Khairuddin, has constructed this Aweli in English.

07:16What?

07:17What?

07:18The people who are having an English-based country were unable to find their own people.

07:23But...

07:24But...

07:25But what?

07:26Look at this.

07:27Before this land, there was a place that was called villages, villages.

07:35That was a disaster.

07:37What?

07:38That's why are they so long and long?

07:41Ali?

07:48Yes, brother.

07:50What happened?

07:51We were going to take a little rest soon.

07:53No, I'm okay.

07:56Brother, you never thought of it that we should open this camera and see it?

08:02What's the need for, Ali?

08:04It's a lot of things.

08:07As long as it's been used, it's a lot of houses.

08:09I don't know.

08:10It's so big.

08:12If you open it, you'll be able to do it.

08:15That's a lot.

08:17But there will be no reason to close this door.

08:23And when you came to this house,

08:26all the doors were closed.

08:30Only this door was closed.

08:32And the door was closed.

08:35I don't know.

08:40It's like this.

08:42It's like this.

08:44It's like this.

08:50I'll tell you something, sir.

08:52Yes, sir.

08:53Tell me.

08:55When you came to this house,

08:57you had to write a diary.

09:00I've never seen it.

09:04I've never seen it.

09:05I could see her with her nogie.

09:07I'd get to see it.

09:08I'd leave it.

09:09I was watching it,

09:11and I've never seen it.

09:12Oh!

09:13But I couldn't hear it.

09:14Why?

09:15Yes, sir.

09:17But no one came to me.

09:18No one got any diary.

09:19Why,?

09:21I'm going to ask you, we're so soon here we have been here.

09:25We haven't given it.

09:27We're just going to the bag and the bag and the bag and the bag and the bag.

09:31Our camera is like you, it's like you.

09:35I'm going to go to Islamabad home.

09:41I'm going to go, you know.

09:43I can't go here, I can't go to the office.

09:47He said that when he doesn't do job, he doesn't need to go to office.

09:53One minute he could not be able to stay at this hotel.

09:56But he is still here.

10:02This hotel, we need to know about this hotel.

10:08I don't know.

10:17Good luck. It's been a long time.

10:34You were two days later. Why did you do that?

10:37I remember my memory.

10:39That's why I came here.

10:44It's been a long time.

10:46It's been a long time.

10:49There are 15 days in our past.

10:51You were first in a week.

10:53Why are you 15 days?

10:55They are the leaders.

10:58What do you think?

10:59What do you think?

11:00What do you think?

11:05Look at me.

11:09What do you think?

11:10What do you think?

11:11What do you think?

11:12What do you think?

11:13What do you think?

11:14to make the real desert desert.

11:44All of us will be able to achieve all of us.

11:48All of us will be done with all of us.

11:59What happened to me?

12:01I always think about them.

12:05Will they think about me?

12:10We are also happy.

12:15We are also happy.

12:19We are not happy.

12:21We are still in love.

12:24We are still in love.

12:28We are still in love.

12:32Whatever happened in my heart.

12:40Asad, you have left the job.

12:45You are not too lazy.

12:48What will I do?

12:50I am going to run away with other people.

12:53Tell me.

12:54Why are you off your mood?

12:57Listen.

12:58I have to talk to you very much.

13:01Yes, it is.

13:03I was thinking about Nadia and his mother.

13:06I am not happy.

13:07I am happy.

13:08I am happy.

13:09I am happy.

13:11I am happy.

13:12I am happy.

13:13I am happy.

13:14I am happy.

13:16You are not happy.

13:17I am happy.

13:18You are not happy.

13:19You are going to have to go.

13:21What do you think?

13:22What would you do to eat?

13:24I am happy.

13:25What would you do?

13:26You are not happy.

13:27I am happy.

13:28You are happy.

13:29You are not happy.

13:31What would you do?

13:32Come on, my brother.

13:33I am not happy.

13:34That's what I do.

13:35I don't understand what you have to do with the problem with the girl.

13:39She's a good girl, she's a good girl, she's a good girl, she's a good girl.

13:44She's a little angry.

13:46But she always does the same thing.

13:51I don't know.

13:52Nadia can't say anything?

13:54Leave me alone.

14:05What?

14:08What?

14:10What?

14:16What?

15:18Where are you? You are already dead.

15:21Why are you doing video calls?

15:23You know that you don't have signals coming in the availability.

15:26That's it. You couldn't go out of the availability and call me.

15:29Don't worry about it.

15:32I'll tell you.

15:34I have to give you a lot of interesting information about the availability.

15:38Which availability?

15:41I'll tell you the details.

15:43Okay, listen. I'm going to F10. I'll share your location there.

15:47Okay?

15:49Okay, listen.

15:51Don't bother me.

15:53Okay?

15:54Don't bother me.

15:55Okay, listen. I'll drive.

15:56Okay.

15:57Bye.

15:58Bye.

15:59Bye.

16:01Bye.

16:06Bye.

16:07Bye.

16:09Bye.

16:13I don't know.

16:43I don't know.

17:13I don't know.

17:43I don't know.

18:13I don't know.

18:43I don't know.

19:13I don't know.

19:43I don't know.

19:45I don't know.

19:47I don't know.

19:49I don't know.

20:19I don't know.

20:21I don't know.

20:23I don't know.

20:25I don't know.

20:27I don't know.

20:29I don't know.

20:31I don't know.

20:33I don't know.

20:35I don't know.

20:37I don't know.

20:39I don't know.

20:41I don't know.

20:43I don't know.

20:45I don't know.

20:47I don't know.

20:49I don't know.

20:51I don't know.

20:53I don't know.

20:55I don't know.

20:57I don't know.

20:59I don't know.

21:01I don't know.

21:03I don't know.

21:05I don't know.

21:07Ali, you haven't sent me a pin location.

21:10Oh, sorry, I forgot.

21:12But do not work.

21:14We get out of here.

21:16Okay, come and go to the restaurant.

21:19Okay, I'm coming.

21:21Okay, bye.

21:37Let's go.

21:57Yes, who do you want to meet?

22:00I'm Nadee's mother.

22:02A auntie?

22:03Yes, who?

22:04Yes, she.

22:05Oh, Nadeh had told me that there are signals in the house.

22:08So I didn't understand how to do my relationship.

22:15Let's talk about it.

22:17What?

22:17How are you?

22:18You talk about it in the car.

22:19Why are you talking about it in the car?

22:21I'll tell you.

22:21Let's go.

22:22Come on.

22:23Come on.

22:35Let's talk about it in the car.

22:53No!

22:56I feel like you are dead.

22:58What are you talking about?

23:00Tell me.

23:01I'll tell you a little bit.

23:02Let's go.

23:03I'll tell you all.

23:04I'll tell you all.

23:06And how are you?

23:07My mother went to the car.

23:09I don't know where to go.

23:11I'll tell you all.

23:12Stop here.

23:13Stop here.

23:14Stop here.

23:15Stop here.

23:16Let's go.

23:17But, son.

23:18Yes.

23:19That's right.

23:20But Zara, why are you here in the jungle?

23:22Because it's so beautiful.

23:24It's so good.

23:27Yes, it's so good.

23:29But why are we here?

23:31Let's leave these things.

23:32Let's listen.

23:33What do I want to hear?

23:34What do I want to hear?

23:35Um...

23:36Um...

23:37Do you like this?

23:39Yes.

23:40Yes.

23:41Actually, this is...

23:43Nadia is my daughter.

23:45I'm a single parent.

23:47And she doesn't see anything from me.

23:49All of them tell me.

23:50Yes, I know.

23:51Nadia told me that your friend zone is fixed.

23:55Yes.

23:56What do I mean?

23:57I don't have any problems with that.

23:59I don't know.

24:00No, no, auntie.

24:01Why would I have a problem?

24:02You've done my work.

24:04Look, Zara.

24:06I'm a journalist.

24:07I'm a journalist.

24:08And I'm a journalist.

24:09I think that every journalist should understand this.

24:12That no matter who wants to reach the public,

24:15and it's the truth to them.

24:17And it's the truth to them.

24:18And it's the only truth to them.

24:20That's okay, auntie.

24:21But why do you want to tell everyone about this story?

24:25Do you want to know about this story?

24:27I don't like this story about this story.

24:30No, auntie.

24:32You know, Asad's not a show.

24:35We want to do this relationship with a lot.

24:38A relationship?

24:40Which relationship?

24:42You...

24:43You...

24:44You didn't talk about the relationship of Ali and Ali?

24:50No.

24:51I'm talking about the story of the story of the family.

24:54I'm talking about this story.

24:55What?

24:56Nadia told you.

24:59We've had so hard to tell her

25:01that she doesn't tell anyone this story.

25:03Look, auntie.

25:05We can't do anything about this story.

25:07It's like our family's price.

25:10And we'll stay here.

25:11Oh...

25:13That means that this is true.

25:16This family is a real sin.

25:18That's why I'm here.

25:20Because I can't go into it.

25:22Auntie.

25:23Auntie...

25:24I...

25:25Please don't do this story.

25:27Please.

25:28Please.

25:29But you think it's a real story.

25:31It's a real story.

25:32It's a real story.

25:33It's a real story.

25:34It will be a real smiley.

25:36It's a real sin.

25:38No, auntie.

25:40No?

25:41Why?

25:42What?

25:43Oh...

25:46Look at this.

25:47There's an article in your family.

25:50There's an article in your family.

25:51There's an article in our family?

25:53And your story telling us...

25:55Ali next time, there must be some reason.

25:58What was it saying?

26:02No means...

26:03It wasn't saying...

26:04It was asking her.

26:06Then it was further to ask her what else we asked.

26:09It was asking if...

26:10I don't think I'm a good friend of mine.

26:14Green zone or red zone?

26:17Red zone, green zone?

26:20Which zone are they?

26:22I know the buffer zone.

26:24I'm going to go to the UK before Karachi.

26:28You don't know?

26:30I understand.

26:32Friendship zone, relationship zone, situation-ship zone.

26:39Like green, red.

26:41So, green zone is friendship or red, love?

26:48What did you say?

26:51I told them about green zone.

26:53Do you know what I think?

26:55I think that we are not the green zone, not the right zone.

27:01Our zone is the orange zone.

27:03It's not the orange zone.

27:05I don't know if we girls are like that.

27:09It's the orange zone.

27:11Okay, let's go.

27:13I've connected a lot of dots.

27:16It's about our affair.

27:18Yes?

27:20Then tell me what happened to me.

27:23I'll tell you.

27:26Tell me.

27:28Ali, please tell me.

27:29Then you're going to the affair.

27:30Then you don't know where you are.

27:32Please.

27:33Please.

27:34Please.

27:35Okay.

27:36Please.

27:37Okay.

27:42Look, Zara.

27:43I've researched this affair.

27:45This affair is almost 200 years old.

27:48They have been killed on this affair.

27:51You're going to leave this affair.

27:52You're going to leave it so easy.

27:53You're going to leave it so easy.

27:54But, auntie.

27:55We will try to do it.

27:57What do you want to do with us?

27:59You don't know that our survival depends on it.

28:02You don't understand what to do.

28:04How do you know?

28:05I don't know.

28:06I don't know anything.

28:07I just want to know what the story is.

28:09Where did it start from?

28:10Auntie, the story is very long.

28:12Where did it start from?

28:14Where did it start from?

28:15It's time for me.

28:16It's time for me.

28:17It's time for me.

28:18It's time for me.

28:19You're going to start from the beginning.

28:20I'm going to start from the beginning.

28:21From the beginning?

28:22Auntie,

28:23in fact,

28:24we've come here to do this

28:26to complete the Prophet of Asad and Ali.

28:29How did it start from?

28:31How did it start from?

28:32For the Prophet of Asad,

28:34we have to go to six months.

28:37And in these six months,

28:40we need to get married.

28:43We need to get married.

28:45Otherwise,

28:46we will get married.

28:48But,

28:49we can't do this.

28:50We can do this.

28:52You can do this.

28:53But,

28:54you can do this.

28:56But,

28:57you can do this.

28:58But,

28:59we need to spend a lot of time with the people.

29:02That's a bit of a difficult task.

29:04If you're talking about the people,

29:06I will say,

29:08I will say,

29:09I will say,

29:10brother.

29:11You don't have to look at anyone.

29:12There's such a big deal.

29:13We will live with the people.

29:14There's no problem.

29:15Isn't it?

29:16In truth,

29:17there's such a big deal,

29:18that even my mother and my mother

29:19can move on to my mother.

29:20From the sky.

29:22No?

29:24No,

29:25I'm not.

29:26I'm just watching.

29:27But,

29:28thank you so much.

29:29You're doing so many efforts.

29:32Asannelli,

29:34my heart has changed.

29:36And,

29:37I will leave my heart

29:39completely.

29:41Okay.

29:42Okay.

29:46Okay.

30:02And,

30:03that means,

30:04ախ,

30:05I'm going and I got to eat.

30:08I'm going and I have to eat food.

30:14I'm going and I'm going to eat.

30:16I'm going and I'm going and I have to eat this.

30:18Well,

30:19I've got to eat this.

30:20I have to eat this.

30:21I've left everything,

30:23and I didn't go.

30:24Where is it?

30:26Where is it?

30:28I heard the bell's voice heard.

30:30I will see the door on the door.

30:33Of course, she will not come.

30:35She doesn't have a reward.

30:38She keeps her home and doesn't take her home.

30:49What happened?

30:51What happened?

30:53What happened?

30:55I won't let you drive the door.

30:57What are you saying?

30:58I will get my door.

31:00I see the door!

31:02I come to see the door!

31:03I see the door!

31:04You're talking about the door!

31:06First door!

31:07What did you do?

31:08The door just took her!

31:09I like it!

31:10I am going to...

31:11I want to...

31:17What's this going on?

31:19What is this?

31:20Is it something that we need?

31:21We need to have to take care of ourselves.

31:22I'll get you water.

31:23Water, water!

31:26Water, water!

31:30Look auntie, I've told you something else.

31:33Now you'll understand why we don't want to publish this story.

31:38Yeah.

31:40Right.

31:41Okay.

31:44Zharap?

31:48That one...

31:49There's a little problem.

31:52He told me to my boss that I'm writing a story on Bahaweli.

31:57What?

31:58What did you do?

32:01Asad will know, he will be very angry.

32:04Don't worry about it.

32:06Look, the first thing is this.

32:08Our story is very bad, no one knows.

32:10Yes, and then I will change the location of Bahaweli.

32:16I will change the name of the name, but I won't put any pictures.

32:20It's all good.

32:21Look, auntie.

32:22What's the idea that our relationship will change and change the relationship?

32:26Do you know?

32:27Yes, but...

32:29I'm sure you don't like it.

32:32Yes, I feel like it.

32:34I think they both are ashamed of it.

32:38Hmmmm...

32:40I don't know about it.

32:42I don't know how to see it.

32:43I don't want to see it.

32:45Ah, no, no.

32:46You don't have to see it right now.

32:47If you want to see it again, then I will do it with you, Inshallah.

32:51But look...

32:54How big and big of Bahaweli is.

32:58And how the best of Bahaweli is.

33:00Any person can be loved by him.

33:03Then...

33:04I'll show you for 5 minutes.

33:07Just like this.

33:09No, auntie.

33:10You know, you've never put a house in the house.

33:14You don't have to have a house.

33:15You'll have to have a house.

33:16You'll have to have a house.

33:17Look.

33:18I've been so far away.

33:20The whole forest is over.

33:21The car is not running the wrong way.

33:23I'm very sure to go.

33:24If I go this way, then I'll go inside and go inside and go out.

33:27Please, please, please.

33:29Okay.

33:30So then, I'll see something.

33:33Can you tell me that you'll stop here?

33:35I'll come here a little bit.

33:37You'll stop here?

33:38Yes, yes.

33:41Ah! Ah!

33:42Ah!

33:43Ah!

33:46Ah!

33:47Ah!

33:48Ah!

33:49Ah!

33:50Ah!

33:51Ah!

33:52Ah!

33:54Ah!

33:55Ah!

33:56Ah!

33:57Ah!

33:58Ah!

33:59Ah!

34:00What was the world?

34:04I'm a man.

34:06I'm a man.

34:07I'm a man.

34:08I'm a man.

34:09I'm a man.

34:10I'm a man.

34:11Ah!

34:12My brother, you told me that the doctor was also saying.

34:15I was giving you a man.

34:16I'll go to the doctor.

34:18Take a man.

34:19Take a man.

34:20Take a man.

34:21Take a man.

34:22Ah!

34:23Ah!

34:24Ah!

34:25What happened to you?

34:27Ah!

34:28Ah!

34:29Ah!

34:30Ah!

34:31Ah!

34:32Ah!

34:33Ah!

34:34Ah!

34:35Ah!

34:36Ah!

34:37Ah!

34:38Ah!

34:39Ah!

34:40Ah!

34:41Ah!

34:42Ah!

34:43Ah!

34:44Ah!

34:45Ah!

34:46Ah!

34:47Ah!

34:48Ah!

34:49Ah!

34:50Ah!

34:51Ah!

34:52Ah!

34:53Ah!

34:54Ah!

34:55Ah!

34:56Ah!

34:57Ah!

34:58Ah!

34:59Ah!

35:00Ah!

35:01Ah!

35:02Ah!

35:03Ah!

35:04Ah!

35:05Ah!

35:06Ah!

35:07Ah!

35:08Ah!

35:09Ah!

35:10Ah!

35:11We can't do this with them.

35:13We can't do this with them.

35:15You know that there is no girl in life without Nadia.

35:19Please, try to understand.

35:24Okay, we'll put them here.

35:26But we don't have any extra training.

35:32Changes Chacha,

35:34let's do this,

35:35we'll give them some training for you.

35:38We'll give them a chance.

35:41We'll give them a chance.

35:43No, we'll give them a chance

35:46so you can go away from them.

35:48Because you have to drive in.

35:50You can go in the car.

35:52But after a while,

35:53they'll see them and see them.

35:55Okay.

36:08Oh, no.

36:11Oh!

36:12Oh!

36:18So,

36:19so,

36:22so.

36:25so,

36:25Come on, please.

36:52Wow.

36:52It's a very big and beautiful place.

36:57Nice.

36:59This is Nadia's mother, Farid auntie.

37:02Yes, as-salamu alaykum.

37:03Wa alaykum as-salam. I'm so sorry.

37:06I want to tell you something else.

37:08You've come here.

37:10I mean, you've done very well here.

37:14You know, we've seen the same faces,

37:17so I've felt very well here.

37:19Is it right, Asad?

37:20Yes, yes.

37:22We've had a lot of trouble looking at the other's face.

37:24If you don't come, I don't know what happens.

37:26Asad has been a joke.

37:28You didn't mind?

37:30No.

37:31Nadia's mother was like that.

37:33He doesn't live here.

37:35And my husband doesn't live here.

37:40Auntie, come on.

37:41I'll show you a family.

37:43We start from the kitchen.

37:47Go.

37:48Where?

37:50It is.

37:52Oh, my God.

37:54What a beautiful kitchen.

37:58Amazing.

38:01And how good it is.

38:02It looks like it's made something clean.

38:03Yes, yes.

38:04He made food.

38:05I think I'll show you some pictures from a good angle.

38:10Why?

38:11What's the story?

38:12No.

38:13No.

38:14No.

38:15No.

38:16No.

38:17No.

38:18No.

38:19No.

38:20No.

38:21No.

38:22No.

38:23No.

38:24No.

38:25No.

38:26No.

38:27No.

38:28No.

38:29No.

38:30No.

38:31No.

38:32No.

38:33No.

38:34No.

38:35No.

38:36No.

38:37No.

38:38No.

38:39No.

38:40No.

38:41No.

38:42No.

38:43Let's do it.

39:13I'll see you next time.

39:43Ashton! Ashton! Ashton, come on quickly!

39:57Ashton!

39:58Why are you?

39:59Oh my God!

40:01Can I see your face?

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