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00:00The stage is set for the Dola Next presents
00:05Kashmir 10th Hum Awards
00:07Powered by Leather Galleria
00:10Luxury Leather Furniture
00:12Saturday 11th October 2025
00:15At the NRG Arena, Houston, Texas
00:18Be there for your favourite stars
00:21Mahira Khan
00:23Adnan Siddiqui
00:26Bushran Sari
00:29Tajal Ali
00:32Faisal Qureshi
00:35Thania Aamir
00:37Bilal Apaas Khan
00:40Sara Khan
00:42Imran Ashraf
00:45Sonia Hussain
00:47Ahaz Raza Meir
00:50Sanam Saeed
00:52And Mohit Mirza
00:54Mavera Hussain
00:56And many more
00:58One Stage
01:00One Night
01:01And Spectacular Celebration
01:04To get the group discount
01:06Book your tickets now
01:08Log on to www.hum.tv or www.ticketmaster.com
01:15For sponsorships contact
01:17Mr. Naveed Adam
01:18Hum Network Limited
01:20Ais
01:30Ais
01:31Ais
01:32Ais
01:33Ais
01:34Ais
01:34I love you, I love you, I love you.
02:04No, don't do that. Don't do so much.
02:06It's going to be a shame.
02:07And it's going to be a joy.
02:09That you like my food so much.
02:12Inspector sir, he's not getting my husband.
02:14What's going on, sir?
02:16My husband's not getting my husband in the house.
02:19Come on, son.
02:34I'll see you next time.
03:04What??
03:17Asad!
03:20Why are you sleeping does this stuff here?
03:22No. I'm sort of.
03:24How can it happen? I'll tell you it's�ựys due to it!
03:26virtual machine has come back at it andischerous driving him.
03:29Yeah, Akira, I'll take this way, she's so rich!
03:32Listen!
03:32Now come back, come back!
03:33Come back, come back, come back!
03:39It's morning, it's time to get out of the morning. Please, doctor, call me. My heart is sitting down.
03:44I've just killed my hands on my face.
03:47I've also had my hands on my hands.
03:50I've also had so much fun. It's a bad thing that's not going to happen.
03:53That's why I'm telling you, doctor, call me.
03:55What's wrong with you? You're stuck with your head and hit your head.
03:59I feel like we need to call an ambulance.
04:23How did I reach here?
04:26Ali, we got a lot of trouble.
04:30We got a lot of trouble.
04:33Are you okay?
04:35I have...
04:37I have to look at you.
04:40I have to look at you.
04:42I saw that...
04:44I have to look at you.
04:47I have to look at you.
04:50When I was at the end, I saw you at the back of the door.
04:56Are you at the back of the door?
05:00Yes, my brother.
05:02My brother told me to go out of the door.
05:07After the back of the door,
05:09he took me out of the back of the door.
05:11I have to look at you.
05:12I have to look at you.
05:13I have to look at you.
05:15I have to look at you.
05:16I have to look at you.
05:17I have to look at you.
05:18I have to look at you.
05:19I have to look at you.
05:20I have to look at you.
05:21I have to look at you.
05:22I have to look at you.
05:23I have to look at you.
05:25I have to look at you.
05:26They were talking about but they didn't hear a sound.
05:31They were mute.
05:34No, I didn't hear that.
05:37But I heard my words.
05:40Then I was in the middle of that.
05:45Then I was in the middle of that.
05:47I was in the middle of that.
05:50I was in the middle of that.
05:53It's a dreamer?
05:56Yes, it was a dreamer.
05:59If it was a dreamer,
06:05then let me tell you how to get rid of the dreamer.
06:23Mama, I'm shooting the video from the outside.
06:26Hmm, hmm, hmm, hmm.
06:28What's going on?
06:29Let me see.
06:32This is Ali's picture of the Aweli.
06:35Yeah.
06:38In this article, this Aweli's history is telling us that it's almost 200 years old.
06:44But you're heading to this.
06:47The Unfortunate Mansion.
06:49This Aweli can never stop.
06:52And no one can stop it.
06:54Either the Aweli can't stop it or die.
06:59Look, I told you that this place is haunted.
07:02I don't believe it.
07:04Hmm.
07:05In this article, it's written that Fasyuddin was about 70-80 years old.
07:11And his father, Khairuddin, has constructed this Aweli in English.
07:16What?
07:17What?
07:18The people who are having an English-based country were unable to find their own people.
07:23But...
07:24But...
07:25But what?
07:26Look at this.
07:27Before this land, there was a place that was called villages, villages.
07:35That was a disaster.
07:37What?
07:38That's why are they so long and long?
07:41Ali?
07:48Yes, brother.
07:50What happened?
07:51We were going to take a little rest soon.
07:53No, I'm okay.
07:56Brother, you never thought of it that we should open this camera and see it?
08:02What's the need for, Ali?
08:04It's a lot of things.
08:07As long as it's been used, it's a lot of houses.
08:09I don't know.
08:10It's so big.
08:12If you open it, you'll be able to do it.
08:15That's a lot.
08:17But there will be no reason to close this door.
08:23And when you came to this house,
08:26all the doors were closed.
08:30Only this door was closed.
08:32And the door was closed.
08:35I don't know.
08:40It's like this.
08:42It's like this.
08:44It's like this.
08:50I'll tell you something, sir.
08:52Yes, sir.
08:53Tell me.
08:55When you came to this house,
08:57you had to write a diary.
09:00I've never seen it.
09:04I've never seen it.
09:05I could see her with her nogie.
09:07I'd get to see it.
09:08I'd leave it.
09:09I was watching it,
09:11and I've never seen it.
09:12Oh!
09:13But I couldn't hear it.
09:14Why?
09:15Yes, sir.
09:17But no one came to me.
09:18No one got any diary.
09:19Why,?
09:21I'm going to ask you, we're so soon here we have been here.
09:25We haven't given it.
09:27We're just going to the bag and the bag and the bag and the bag and the bag.
09:31Our camera is like you, it's like you.
09:35I'm going to go to Islamabad home.
09:41I'm going to go, you know.
09:43I can't go here, I can't go to the office.
09:47He said that when he doesn't do job, he doesn't need to go to office.
09:53One minute he could not be able to stay at this hotel.
09:56But he is still here.
10:02This hotel, we need to know about this hotel.
10:08I don't know.
10:17Good luck. It's been a long time.
10:34You were two days later. Why did you do that?
10:37I remember my memory.
10:39That's why I came here.
10:44It's been a long time.
10:46It's been a long time.
10:49There are 15 days in our past.
10:51You were first in a week.
10:53Why are you 15 days?
10:55They are the leaders.
10:58What do you think?
10:59What do you think?
11:00What do you think?
11:05Look at me.
11:09What do you think?
11:10What do you think?
11:11What do you think?
11:12What do you think?
11:13What do you think?
11:14to make the real desert desert.
11:44All of us will be able to achieve all of us.
11:48All of us will be done with all of us.
11:59What happened to me?
12:01I always think about them.
12:05Will they think about me?
12:10We are also happy.
12:15We are also happy.
12:19We are not happy.
12:21We are still in love.
12:24We are still in love.
12:28We are still in love.
12:32Whatever happened in my heart.
12:40Asad, you have left the job.
12:45You are not too lazy.
12:48What will I do?
12:50I am going to run away with other people.
12:53Tell me.
12:54Why are you off your mood?
12:57Listen.
12:58I have to talk to you very much.
13:01Yes, it is.
13:03I was thinking about Nadia and his mother.
13:06I am not happy.
13:07I am happy.
13:08I am happy.
13:09I am happy.
13:11I am happy.
13:12I am happy.
13:13I am happy.
13:14I am happy.
13:16You are not happy.
13:17I am happy.
13:18You are not happy.
13:19You are going to have to go.
13:21What do you think?
13:22What would you do to eat?
13:24I am happy.
13:25What would you do?
13:26You are not happy.
13:27I am happy.
13:28You are happy.
13:29You are not happy.
13:31What would you do?
13:32Come on, my brother.
13:33I am not happy.
13:34That's what I do.
13:35I don't understand what you have to do with the problem with the girl.
13:39She's a good girl, she's a good girl, she's a good girl, she's a good girl.
13:44She's a little angry.
13:46But she always does the same thing.
13:51I don't know.
13:52Nadia can't say anything?
13:54Leave me alone.
14:05What?
14:08What?
14:10What?
14:16What?
15:18Where are you? You are already dead.
15:21Why are you doing video calls?
15:23You know that you don't have signals coming in the availability.
15:26That's it. You couldn't go out of the availability and call me.
15:29Don't worry about it.
15:32I'll tell you.
15:34I have to give you a lot of interesting information about the availability.
15:38Which availability?
15:41I'll tell you the details.
15:43Okay, listen. I'm going to F10. I'll share your location there.
15:47Okay?
15:49Okay, listen.
15:51Don't bother me.
15:53Okay?
15:54Don't bother me.
15:55Okay, listen. I'll drive.
15:56Okay.
15:57Bye.
15:58Bye.
15:59Bye.
16:01Bye.
16:06Bye.
16:07Bye.
16:09Bye.
16:13I don't know.
16:43I don't know.
17:13I don't know.
17:43I don't know.
18:13I don't know.
18:43I don't know.
19:13I don't know.
19:43I don't know.
19:45I don't know.
19:47I don't know.
19:49I don't know.
20:19I don't know.
20:21I don't know.
20:23I don't know.
20:25I don't know.
20:27I don't know.
20:29I don't know.
20:31I don't know.
20:33I don't know.
20:35I don't know.
20:37I don't know.
20:39I don't know.
20:41I don't know.
20:43I don't know.
20:45I don't know.
20:47I don't know.
20:49I don't know.
20:51I don't know.
20:53I don't know.
20:55I don't know.
20:57I don't know.
20:59I don't know.
21:01I don't know.
21:03I don't know.
21:05I don't know.
21:07Ali, you haven't sent me a pin location.
21:10Oh, sorry, I forgot.
21:12But do not work.
21:14We get out of here.
21:16Okay, come and go to the restaurant.
21:19Okay, I'm coming.
21:21Okay, bye.
21:37Let's go.
21:57Yes, who do you want to meet?
22:00I'm Nadee's mother.
22:02A auntie?
22:03Yes, who?
22:04Yes, she.
22:05Oh, Nadeh had told me that there are signals in the house.
22:08So I didn't understand how to do my relationship.
22:15Let's talk about it.
22:17What?
22:17How are you?
22:18You talk about it in the car.
22:19Why are you talking about it in the car?
22:21I'll tell you.
22:21Let's go.
22:22Come on.
22:23Come on.
22:35Let's talk about it in the car.
22:53No!
22:56I feel like you are dead.
22:58What are you talking about?
23:00Tell me.
23:01I'll tell you a little bit.
23:02Let's go.
23:03I'll tell you all.
23:04I'll tell you all.
23:06And how are you?
23:07My mother went to the car.
23:09I don't know where to go.
23:11I'll tell you all.
23:12Stop here.
23:13Stop here.
23:14Stop here.
23:15Stop here.
23:16Let's go.
23:17But, son.
23:18Yes.
23:19That's right.
23:20But Zara, why are you here in the jungle?
23:22Because it's so beautiful.
23:24It's so good.
23:27Yes, it's so good.
23:29But why are we here?
23:31Let's leave these things.
23:32Let's listen.
23:33What do I want to hear?
23:34What do I want to hear?
23:35Um...
23:36Um...
23:37Do you like this?
23:39Yes.
23:40Yes.
23:41Actually, this is...
23:43Nadia is my daughter.
23:45I'm a single parent.
23:47And she doesn't see anything from me.
23:49All of them tell me.
23:50Yes, I know.
23:51Nadia told me that your friend zone is fixed.
23:55Yes.
23:56What do I mean?
23:57I don't have any problems with that.
23:59I don't know.
24:00No, no, auntie.
24:01Why would I have a problem?
24:02You've done my work.
24:04Look, Zara.
24:06I'm a journalist.
24:07I'm a journalist.
24:08And I'm a journalist.
24:09I think that every journalist should understand this.
24:12That no matter who wants to reach the public,
24:15and it's the truth to them.
24:17And it's the truth to them.
24:18And it's the only truth to them.
24:20That's okay, auntie.
24:21But why do you want to tell everyone about this story?
24:25Do you want to know about this story?
24:27I don't like this story about this story.
24:30No, auntie.
24:32You know, Asad's not a show.
24:35We want to do this relationship with a lot.
24:38A relationship?
24:40Which relationship?
24:42You...
24:43You...
24:44You didn't talk about the relationship of Ali and Ali?
24:50No.
24:51I'm talking about the story of the story of the family.
24:54I'm talking about this story.
24:55What?
24:56Nadia told you.
24:59We've had so hard to tell her
25:01that she doesn't tell anyone this story.
25:03Look, auntie.
25:05We can't do anything about this story.
25:07It's like our family's price.
25:10And we'll stay here.
25:11Oh...
25:13That means that this is true.
25:16This family is a real sin.
25:18That's why I'm here.
25:20Because I can't go into it.
25:22Auntie.
25:23Auntie...
25:24I...
25:25Please don't do this story.
25:27Please.
25:28Please.
25:29But you think it's a real story.
25:31It's a real story.
25:32It's a real story.
25:33It's a real story.
25:34It will be a real smiley.
25:36It's a real sin.
25:38No, auntie.
25:40No?
25:41Why?
25:42What?
25:43Oh...
25:46Look at this.
25:47There's an article in your family.
25:50There's an article in your family.
25:51There's an article in our family?
25:53And your story telling us...
25:55Ali next time, there must be some reason.
25:58What was it saying?
26:02No means...
26:03It wasn't saying...
26:04It was asking her.
26:06Then it was further to ask her what else we asked.
26:09It was asking if...
26:10I don't think I'm a good friend of mine.
26:14Green zone or red zone?
26:17Red zone, green zone?
26:20Which zone are they?
26:22I know the buffer zone.
26:24I'm going to go to the UK before Karachi.
26:28You don't know?
26:30I understand.
26:32Friendship zone, relationship zone, situation-ship zone.
26:39Like green, red.
26:41So, green zone is friendship or red, love?
26:48What did you say?
26:51I told them about green zone.
26:53Do you know what I think?
26:55I think that we are not the green zone, not the right zone.
27:01Our zone is the orange zone.
27:03It's not the orange zone.
27:05I don't know if we girls are like that.
27:09It's the orange zone.
27:11Okay, let's go.
27:13I've connected a lot of dots.
27:16It's about our affair.
27:18Yes?
27:20Then tell me what happened to me.
27:23I'll tell you.
27:26Tell me.
27:28Ali, please tell me.
27:29Then you're going to the affair.
27:30Then you don't know where you are.
27:32Please.
27:33Please.
27:34Please.
27:35Okay.
27:36Please.
27:37Okay.
27:42Look, Zara.
27:43I've researched this affair.
27:45This affair is almost 200 years old.
27:48They have been killed on this affair.
27:51You're going to leave this affair.
27:52You're going to leave it so easy.
27:53You're going to leave it so easy.
27:54But, auntie.
27:55We will try to do it.
27:57What do you want to do with us?
27:59You don't know that our survival depends on it.
28:02You don't understand what to do.
28:04How do you know?
28:05I don't know.
28:06I don't know anything.
28:07I just want to know what the story is.
28:09Where did it start from?
28:10Auntie, the story is very long.
28:12Where did it start from?
28:14Where did it start from?
28:15It's time for me.
28:16It's time for me.
28:17It's time for me.
28:18It's time for me.
28:19You're going to start from the beginning.
28:20I'm going to start from the beginning.
28:21From the beginning?
28:22Auntie,
28:23in fact,
28:24we've come here to do this
28:26to complete the Prophet of Asad and Ali.
28:29How did it start from?
28:31How did it start from?
28:32For the Prophet of Asad,
28:34we have to go to six months.
28:37And in these six months,
28:40we need to get married.
28:43We need to get married.
28:45Otherwise,
28:46we will get married.
28:48But,
28:49we can't do this.
28:50We can do this.
28:52You can do this.
28:53But,
28:54you can do this.
28:56But,
28:57you can do this.
28:58But,
28:59we need to spend a lot of time with the people.
29:02That's a bit of a difficult task.
29:04If you're talking about the people,
29:06I will say,
29:08I will say,
29:09I will say,
29:10brother.
29:11You don't have to look at anyone.
29:12There's such a big deal.
29:13We will live with the people.
29:14There's no problem.
29:15Isn't it?
29:16In truth,
29:17there's such a big deal,
29:18that even my mother and my mother
29:19can move on to my mother.
29:20From the sky.
29:22No?
29:24No,
29:25I'm not.
29:26I'm just watching.
29:27But,
29:28thank you so much.
29:29You're doing so many efforts.
29:32Asannelli,
29:34my heart has changed.
29:36And,
29:37I will leave my heart
29:39completely.
29:41Okay.
29:42Okay.
29:46Okay.
30:02And,
30:03that means,
30:04Õ¡Õ,
30:05I'm going and I got to eat.
30:08I'm going and I have to eat food.
30:14I'm going and I'm going to eat.
30:16I'm going and I'm going and I have to eat this.
30:18Well,
30:19I've got to eat this.
30:20I have to eat this.
30:21I've left everything,
30:23and I didn't go.
30:24Where is it?
30:26Where is it?
30:28I heard the bell's voice heard.
30:30I will see the door on the door.
30:33Of course, she will not come.
30:35She doesn't have a reward.
30:38She keeps her home and doesn't take her home.
30:49What happened?
30:51What happened?
30:53What happened?
30:55I won't let you drive the door.
30:57What are you saying?
30:58I will get my door.
31:00I see the door!
31:02I come to see the door!
31:03I see the door!
31:04You're talking about the door!
31:06First door!
31:07What did you do?
31:08The door just took her!
31:09I like it!
31:10I am going to...
31:11I want to...
31:17What's this going on?
31:19What is this?
31:20Is it something that we need?
31:21We need to have to take care of ourselves.
31:22I'll get you water.
31:23Water, water!
31:26Water, water!
31:30Look auntie, I've told you something else.
31:33Now you'll understand why we don't want to publish this story.
31:38Yeah.
31:40Right.
31:41Okay.
31:44Zharap?
31:48That one...
31:49There's a little problem.
31:52He told me to my boss that I'm writing a story on Bahaweli.
31:57What?
31:58What did you do?
32:01Asad will know, he will be very angry.
32:04Don't worry about it.
32:06Look, the first thing is this.
32:08Our story is very bad, no one knows.
32:10Yes, and then I will change the location of Bahaweli.
32:16I will change the name of the name, but I won't put any pictures.
32:20It's all good.
32:21Look, auntie.
32:22What's the idea that our relationship will change and change the relationship?
32:26Do you know?
32:27Yes, but...
32:29I'm sure you don't like it.
32:32Yes, I feel like it.
32:34I think they both are ashamed of it.
32:38Hmmmm...
32:40I don't know about it.
32:42I don't know how to see it.
32:43I don't want to see it.
32:45Ah, no, no.
32:46You don't have to see it right now.
32:47If you want to see it again, then I will do it with you, Inshallah.
32:51But look...
32:54How big and big of Bahaweli is.
32:58And how the best of Bahaweli is.
33:00Any person can be loved by him.
33:03Then...
33:04I'll show you for 5 minutes.
33:07Just like this.
33:09No, auntie.
33:10You know, you've never put a house in the house.
33:14You don't have to have a house.
33:15You'll have to have a house.
33:16You'll have to have a house.
33:17Look.
33:18I've been so far away.
33:20The whole forest is over.
33:21The car is not running the wrong way.
33:23I'm very sure to go.
33:24If I go this way, then I'll go inside and go inside and go out.
33:27Please, please, please.
33:29Okay.
33:30So then, I'll see something.
33:33Can you tell me that you'll stop here?
33:35I'll come here a little bit.
33:37You'll stop here?
33:38Yes, yes.
33:41Ah! Ah!
33:42Ah!
33:43Ah!
33:46Ah!
33:47Ah!
33:48Ah!
33:49Ah!
33:50Ah!
33:51Ah!
33:52Ah!
33:54Ah!
33:55Ah!
33:56Ah!
33:57Ah!
33:58Ah!
33:59Ah!
34:00What was the world?
34:04I'm a man.
34:06I'm a man.
34:07I'm a man.
34:08I'm a man.
34:09I'm a man.
34:10I'm a man.
34:11Ah!
34:12My brother, you told me that the doctor was also saying.
34:15I was giving you a man.
34:16I'll go to the doctor.
34:18Take a man.
34:19Take a man.
34:20Take a man.
34:21Take a man.
34:22Ah!
34:23Ah!
34:24Ah!
34:25What happened to you?
34:27Ah!
34:28Ah!
34:29Ah!
34:30Ah!
34:31Ah!
34:32Ah!
34:33Ah!
34:34Ah!
34:35Ah!
34:36Ah!
34:37Ah!
34:38Ah!
34:39Ah!
34:40Ah!
34:41Ah!
34:42Ah!
34:43Ah!
34:44Ah!
34:45Ah!
34:46Ah!
34:47Ah!
34:48Ah!
34:49Ah!
34:50Ah!
34:51Ah!
34:52Ah!
34:53Ah!
34:54Ah!
34:55Ah!
34:56Ah!
34:57Ah!
34:58Ah!
34:59Ah!
35:00Ah!
35:01Ah!
35:02Ah!
35:03Ah!
35:04Ah!
35:05Ah!
35:06Ah!
35:07Ah!
35:08Ah!
35:09Ah!
35:10Ah!
35:11We can't do this with them.
35:13We can't do this with them.
35:15You know that there is no girl in life without Nadia.
35:19Please, try to understand.
35:24Okay, we'll put them here.
35:26But we don't have any extra training.
35:32Changes Chacha,
35:34let's do this,
35:35we'll give them some training for you.
35:38We'll give them a chance.
35:41We'll give them a chance.
35:43No, we'll give them a chance
35:46so you can go away from them.
35:48Because you have to drive in.
35:50You can go in the car.
35:52But after a while,
35:53they'll see them and see them.
35:55Okay.
36:08Oh, no.
36:11Oh!
36:12Oh!
36:18So,
36:19so,
36:22so.
36:25so,
36:25Come on, please.
36:52Wow.
36:52It's a very big and beautiful place.
36:57Nice.
36:59This is Nadia's mother, Farid auntie.
37:02Yes, as-salamu alaykum.
37:03Wa alaykum as-salam. I'm so sorry.
37:06I want to tell you something else.
37:08You've come here.
37:10I mean, you've done very well here.
37:14You know, we've seen the same faces,
37:17so I've felt very well here.
37:19Is it right, Asad?
37:20Yes, yes.
37:22We've had a lot of trouble looking at the other's face.
37:24If you don't come, I don't know what happens.
37:26Asad has been a joke.
37:28You didn't mind?
37:30No.
37:31Nadia's mother was like that.
37:33He doesn't live here.
37:35And my husband doesn't live here.
37:40Auntie, come on.
37:41I'll show you a family.
37:43We start from the kitchen.
37:47Go.
37:48Where?
37:50It is.
37:52Oh, my God.
37:54What a beautiful kitchen.
37:58Amazing.
38:01And how good it is.
38:02It looks like it's made something clean.
38:03Yes, yes.
38:04He made food.
38:05I think I'll show you some pictures from a good angle.
38:10Why?
38:11What's the story?
38:12No.
38:13No.
38:14No.
38:15No.
38:16No.
38:17No.
38:18No.
38:19No.
38:20No.
38:21No.
38:22No.
38:23No.
38:24No.
38:25No.
38:26No.
38:27No.
38:28No.
38:29No.
38:30No.
38:31No.
38:32No.
38:33No.
38:34No.
38:35No.
38:36No.
38:37No.
38:38No.
38:39No.
38:40No.
38:41No.
38:42No.
38:43Let's do it.
39:13I'll see you next time.
39:43Ashton! Ashton! Ashton, come on quickly!
39:57Ashton!
39:58Why are you?
39:59Oh my God!
39:59Oh my God!
40:01Can I see your face?
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