🎤 Welcome to MAD Truths: The Raw Tapes of Desi Underground 🎶
This isn’t just a podcast — it’s the unfiltered narrative of Indian hip-hop. From the chaos of the streets to the spotlight of the stage, we uncover the culture in its truest form: raw, unapologetic, and real. ✨
In this episode, we explore:
🔥 The raw energy of cyphers — where lyrical battles are born.
🎧 The behind-the-scenes grind inside recording studios — where every beat and bar is forged.
🌟 The highs and lows of stage success — the struggle and glory that define an artist’s journey.
⚡ The diss culture — savage disses, explicit bars, and lyrical wars that shaped the underground.
Every conversation is a mirror of truth — revealing passion, hustle, rage, and that unfiltered voice mainstream often hides.
This isn’t hip-hop polished for the charts. 🚫
This is hip-hop as it lives and breathes in the underground — raw, fearless, and unforgettable. 🚀
👉 Tune in. Experience the madness. Share the truth.
🎧 Hashtags:
#MADTruths #Podcast #DesiHipHop #DissCulture #WrappedPulse #MicCheckSeries #ManoranjanRoy
This isn’t just a podcast — it’s the unfiltered narrative of Indian hip-hop. From the chaos of the streets to the spotlight of the stage, we uncover the culture in its truest form: raw, unapologetic, and real. ✨
In this episode, we explore:
🔥 The raw energy of cyphers — where lyrical battles are born.
🎧 The behind-the-scenes grind inside recording studios — where every beat and bar is forged.
🌟 The highs and lows of stage success — the struggle and glory that define an artist’s journey.
⚡ The diss culture — savage disses, explicit bars, and lyrical wars that shaped the underground.
Every conversation is a mirror of truth — revealing passion, hustle, rage, and that unfiltered voice mainstream often hides.
This isn’t hip-hop polished for the charts. 🚫
This is hip-hop as it lives and breathes in the underground — raw, fearless, and unforgettable. 🚀
👉 Tune in. Experience the madness. Share the truth.
🎧 Hashtags:
#MADTruths #Podcast #DesiHipHop #DissCulture #WrappedPulse #MicCheckSeries #ManoranjanRoy
Category
🦄
CreativityTranscript
00:00How did you follow up on Mumbai's hip hop?
00:04Mumbai's hip hop, you told me.
00:08So in Mumbai's hip hop scene, what do you think?
00:13Divine.
00:15Divine.
00:17Divine.
00:20Divine.
00:22Divine.
00:24Divine.
00:26Divine.
00:29Bombay was a poor girl.
00:32Bombay was a poor girl.
00:33Bombay was a poor girl of all.
00:34I mean, what does it mean?
00:36I was like, what's the worst in the world?
00:38But I have heard that your record label also.
00:42Yes.
00:43At this scene, it seems like a small or big artist of the record label.
00:48If you want to be a small artist.
00:51You should die.
00:53you need to get all of it, if an artist is small or big.
00:57Okay, bro, so at this time, the song is now,
01:01Sidhu Musseko, I think, sought out, bro.
01:04So on that, bro, it means that there are many threats,
01:08it means that there are many threats,
01:10so on that, what do you want to say about it?
01:11The Goldie Brar, it was a threat,
01:14Sidhu Musseko also got the same scene,
01:16that if an artist got fame, it was a threat,
01:20so all these things, I think,
01:22Mumbai Police, who have their cybercrime,
01:24they should take care of all these things,
01:26for example, we first gave an artist,
01:28a legend artist, Sidhu,
01:30so for them to support,
01:32an artist support for police,
01:34and cybercrime,
01:36so if any artist is famous,
01:38he will kill him,
01:40he will kill him,
01:42so it doesn't mean that all,
01:44an artist has faced a lot,
01:46now, when I'm underground,
01:48I don't know who I am,
01:50so I don't know who I am,
01:52they don't support me,
01:54we are like,
01:56that link is sending me to my friends,
01:58let's see,
02:00I don't know who I am,
02:02I don't know who I am,
02:03I don't know who I am,
02:06but...
02:08hi guys, this is Adir Roy,
02:10AKA Manorajan Roy,
02:12welcome to our Rapp Pulse Maccheck Podcast,
02:14So how are you bro?
02:15Sankitar Music, an artist who built a label to give independent talent a real platform, supporting the new generation and underground voices, focused on music production, recording and releases.
02:26Let's welcome Sankitar Music.
02:28How are you?
02:30Bigger bro.
02:31So bro, tell us about rap, when did you start rap?
02:34I started rap in 2012, I was the first of my first time, I was a dancer.
02:40Okay.
02:40So I was in the film city, I was a background artist, I was dancing in movies, stage shows.
02:46So I was doing this, I was doing this, I was doing this, India's Got Talent, I was watching rappers, and I was watching M.A.V.I.E. and then Mofad etc.
02:55So when I saw a show, I thought that we can do this, we can do this.
02:58Both are the villa sheet.
03:00And then seeing what happened, after that I was flipping a little bit, so my hair was operation.
03:06So the doctor told me that I couldn't do this, because it was a little dance once, because it was a bit of rap.
03:12So the rap was in my mind, I was just talking to my mouth, I was writing, I was writing, I was writing, I was writing, I was writing, I was writing, I was writing, I was writing, I was writing.
03:20So you have got talent in India or you wanted to perform?
03:24I was as a background artist.
03:26Okay.
03:27So who Do you think of inspiration?
03:30There is no one.
03:32No one is.
03:33No, we listened to everyone.
03:35What was the first time?
03:38What was the first time?
03:40It was like Honey Singh.
03:42Honey Baji.
03:43When he was playing a song,
03:45he would have paused.
03:47He would have said rap.
03:49He would have thought that he could do this.
03:52He wouldn't do this.
03:54He wouldn't do this.
03:56He would have said that he could do this.
03:58He would have tried this.
04:00He would have read it before.
04:02He would have said that he would do this.
04:06I was in the art field.
04:08I was in the art field.
04:10I didn't have jumped in the art field.
04:13I did dance.
04:15I did photography.
04:17In the art field,
04:19I stopped rap.
04:21In the rap scene,
04:23I was hoping that we could do better.
04:26Was the rap an option?
04:29Yes.
04:31Rap?
04:32Hip-hop is crazy.
04:33Hip-hop is crazy.
04:34Hip-hop is crazy.
04:35Hip-hop is not the environment.
04:37Hip-hop is also dance.
04:39Rap music is also happening.
04:41Yes.
04:42Then, after that,
04:43I was in the art field.
04:44I was in the art field.
04:45Yes.
04:46You can rap.
04:47Yes.
04:48So,
04:49when you were dancing,
04:50what scene was the scene?
04:52The dance scene was the same.
04:54As the dancers of the dancers,
04:56they were aware that
04:58every Saturday night,
04:59a marathon,
05:00there was a practice of flipping.
05:02So,
05:03we went to flipping practice.
05:04I had a little pain factor, so the doctor told me that you can't flip it,
05:12that you are a little injured and you can face problems.
05:16If you flip it, then you have a lot of pressure and force that you don't do dance.
05:22For me, the second option was a job.
05:25But I don't want to start art field.
05:27Art field, hip hop means that I love hip hop.
05:30For me, the first time we started rap, the first time we started rap.
05:35So, if you go to dance field, then do you come to rap?
05:43Yes, of course.
05:45I also think that I will dance today.
05:49But it's not lyrical or hip hop.
05:53I always stay at home.
05:57That's the same scene.
05:59Rap means that it's a scene that I am talking about.
06:05If you share your problems with someone,
06:08then you will say that you will listen to me.
06:11But if I am talking about rap, then the public took my hand.
06:14So, I started rap.
06:16I mean, whatever you are talking about,
06:19I don't want to relate to them.
06:20But if you are talking about rap, then they will relate to them.
06:23So, this is the reason for rap to start rap.
06:26I dropped the first song in my city for hip hop.
06:29With my brother, Mr. Warrior.
06:32We started mad warriors.
06:34So, today, we start with Sankitar Music record label.
06:38I heard that you have record label.
06:41Yes, brother.
06:42Tell me something about that.
06:43The plan of record label was like mad warriors.
06:46We were two people.
06:47Mr. Warrior and one mad.
06:48So, we both started rap.
06:51We were going to the terrace terrace.
06:53We were going to the terrace terrace.
06:54We were going to the hip hop.
06:56One day, brother, he was listening to my brother.
06:59I said, brother, you listen to rap.
07:00Both of them.
07:01He said, you listen to rap.
07:02I said, you listen to rap.
07:03I said, you listen to rap.
07:04I said, brother, you listen to rap.
07:06I was shocked by the teacher.
07:09I said, boy.
07:11We were still in the early childhood.
07:13Mr. Warrior was my partner.
07:15We were still in the middle of the year.
07:17But he got out of the study.
07:19He came to the extender.
07:21We got out of it.
07:22Then he said, he rap.
07:23Then, when he was listening to rap,
07:25I said, brother, I'm also rap.
07:27But I didn't know anyone.
07:29It was a little sad scene.
07:31And just as Mr. Warrior got me,
07:33I had a confidence built that I said, no, I was with my friends, my brother, so we can create our scene now.
07:39And at that time, there was a little rap scene in that time, so there was a motive that Kalyan got a bit of a scene in hip hop.
07:47Kalyan got a bit of a background, my city got a bit of a name.
07:50That's the motive that we both started rap and now we both made a Sankitar music record label.
07:55Now we have 8 rappers, 2 beatboxers, beat producers, sound engineers, videographers, all the team available.
08:04So those who are underground artists are, we support them.
08:07Like one artist can make a song for a minimum of 30-40,000-50,000.
08:11So many artists have seen that this is a budget issue, that they are going to work on their own home,
08:16one artist has left their own colour.
08:19The person who gives money, that's the thing.
08:24So now a colour guy got an option for a job, and he got paid for a job.
08:28After going to work on the job, he got paid for money, his house went to work,
08:31and he got out of the art, he got out of the art.
08:33Now many artists don't have money in art, they don't have opportunity.
08:38So we thought that we started Sankitar music record label, that no artist has died.
08:42Those who are supporting the artist, they are doing a Sankitar music record label.
08:47So what do you think is the benefit of this?
08:50No benefit, it's only a underground artist to support the artist.
08:53There is one scene that if I can become a rapper or not, this is not a guarantee.
08:57If my partner can become a rapper or not, this is not a guarantee.
09:00But we both don't have to be able to make a rapper.
09:02If we don't make a rapper, then we will leave someone to make a rapper.
09:06So this is the motive of our artists,
09:08that the artists who come to us support us,
09:11that the artists do not do, this is good, this isn't a song.
09:14It's been a good song, so people leave it.
09:16Let them take a long time.
09:18There are more stories about the artist,
09:20but that is a scene.
09:21So that artists are finished.
09:22Sankitar music, they can take a music record by the inside.
09:25It's the scene when you are there.
09:27So is this artist's future secure?
09:30Yes, the future of an artist is only continuing.
09:34Music should continue and the singing should continue.
09:37If there is no continuing, it doesn't look at the scene in the market.
09:40Then how can it work?
09:42In a scene, there is no need to see a scene.
09:45Why do you do this?
09:47What does the music do?
09:48The music is making it back to back, back to back.
09:51So we are going on a little team work.
09:53Our plans are now growing.
09:55Like the video graphers, we have 2 or 3.
09:58And the artists are now growing.
10:00So we are growing a team.
10:01The video graphers team is growing.
10:03Beat producers are hiring.
10:04We are growing.
10:06Who can come to the music.
10:07The music is an underground scene.
10:09An open scene.
10:11For any artist, the rules and regulations are not short.
10:14The rules and regulations are not short.
10:15The rules can be used.
10:17Only some rules.
10:19We do that.
10:21The crew inside, we don't want to be angry.
10:23We don't want to be angry.
10:25The art is full of freedom.
10:27The artist can be left.
10:29The artist can be left.
10:30The artist can be left.
10:32So is it left your level?
10:34Or is it left your level?
10:36The track is the music record label.
10:37The track is the music record label.
10:40But if it is also growing.
10:42The channel is growing.
10:43The scene is growing.
10:45The channel is growing.
10:46If you want to add audio,
10:48then you can add audio to your platform.
10:50The video is official.
10:52The music record label is on it.
10:54And what kind of money is?
11:00The money means royalties.
11:01What do you have to find those artists?
11:03What does the music record upload button?
11:05I don't know.
11:06Our artists fans are playing underground scene.
11:08We are also playing underground scene.
11:10We were starting label on much.
11:11We haven't started to enjoy finance.
11:13We have not started to help the artists yet.
11:14We are supporting the artists.
11:16The other ones are starting to show live shows.
11:18Like event companies.
11:19which is a lot of weddings, or parties are organized.
11:23We have a tie-up with companies.
11:25So, those who have a hard-earned event,
11:27which can be a rapper,
11:29which can be a singer,
11:31they approach Sankitar Music,
11:33artists go there and perform.
11:35Whatever income from there,
11:37they can be a distribution of artists.
11:39We also have a recording studio for Sankitar Music.
11:41For Beat Producers,
11:43they can also have their personal clients.
11:45They don't have Sankitar's role.
11:47If the client is Sankitar's music,
11:49they keep the Sankitar's role,
11:51and the other Beat Producers will pay the payment.
11:53So, the income source is like this.
11:57So, how do you charge the Beat Producers?
11:59For Beat Producers,
12:01we also have a budget of artists.
12:03We have told you that we have
12:05more artists support.
12:07So, for artists support,
12:09we ask you what is your budget.
12:11If they are in the budget,
12:13we don't have a budget.
12:15So, when you were starting,
12:17who did you want to support?
12:19I don't want to support anyone.
12:21I don't want to support anyone.
12:25We both started to support each other.
12:27So,
12:28everyone feels like I'm going to become a man.
12:31I'm going to become a man.
12:33But every time,
12:35we don't need to become a man.
12:37Sometimes we can become an Arjun,
12:38or sometimes we can become a man.
12:40So, if we don't become a man,
12:42then we can support our friends,
12:43or the artists,
12:44we can grow up.
12:45I hope I started this.
12:47So,
12:48what is the scene of money?
12:50When you started recording,
12:52where did you get money?
12:54When you started recording,
12:56where did you get money?
12:58Where did you get money?
13:00Like Mr. Warrior,
13:02he was an engineer.
13:04He had a degree completed.
13:06He had a new job.
13:08So,
13:09the biggest role of my brother,
13:11who is Mr. Warrior,
13:13he did a job.
13:14He had a salary of 20,000.
13:16He had a salary of 10,000.
13:18He had a lot of money.
13:19He had a record label for his music.
13:21He had a lot of money,
13:22that he had to be able to do is keep an investment in the market.
13:26He had the store door of the city.
13:28The store was a number of a part.
13:29He had a deal with a lot of money.
13:30Like,
13:31in Kalyan City,
13:33We don't have a lot of people in the city.
13:35People did not know the scenery of Kalyan City.
13:36Of course,
13:37they had a lot of people.
13:38People in the area.
13:39They had a lot of people,
13:40who were able to play,
13:41so that was the motivation to be made today.
13:43That's why
13:46because you have a different thought
13:50when you want to do that, you need to do that
13:53so you need to pay for it and support
13:56so if your mother or father did you support it?
13:58no, I didn't know the family for the time
14:00I didn't know that we were raping
14:02when we released the first track
14:05when we were told the family, we were told
14:07we were told that we were mom and dad
14:09they were told that you were raping your son
14:12and you were told that you were told that you were a song
14:15and after that, the family replied that you were doing all this
14:19so at that time, there was a little fear in mind
14:21what are we going to say and what are we going to do
14:23but their reply is that you want to do that
14:27so that was a proud moment
14:29that was a good moment
14:31that was a situation for me
14:33what I didn't expect for me
14:35that was a motivation for me
14:37that was a motivation for me
14:39if an artist is a motivation for me
14:41if an artist is a motivation for me
14:43just like that
14:45like that, artist is a good amount of money
14:47but it can be a good amount of money
14:49if it's not enough to earn money
14:51it can be a good amount of money
14:53that means that is a lot of money
14:55in all the things
14:56it's true bro
14:57so when you started rap
14:59when you were raping
15:01you were probably in college life
15:03you were probably in college life
15:05so did you perform in college or rap?
15:09no, in college
15:11I started writing rap
15:13but I didn't perform
15:15because it was an insecurity
15:17that I was afraid of
15:18that I don't give a laugh
15:19someone will say
15:20what are you doing
15:21what are you doing
15:22what are you doing
15:23what are you doing
15:24what are you doing
15:25I was afraid of that
15:26but I was a dancer
15:27so I did dance in college
15:28performance shows
15:29rap performance
15:31when I met my brother
15:33like Mr. Warrior
15:35we started the rap scene
15:37that means that
15:38I got a support for one
15:39yes
15:40support means that
15:42brother
15:43brother
15:44brother
15:45brother
15:46brother
15:47brother
15:48brother
15:49brother
15:50brother
15:51brother
15:52brother
15:53brother
15:54brother
15:56brother
15:57also
15:59the second
16:00studio
16:01is its home
16:03its home
16:05without a family
16:07books
16:08particularly
16:10there were also
16:11a studio
16:13its basically
16:14we principal
16:16we got here
16:17brother
16:18where
16:19it's not
16:20I mean, no one wants to support you, you get support or you get support, you get a lot of artists get support.
16:27How do you follow Mumbai's hip-hop?
16:34Mumbai's hip-hop is over, Mumbai's hip-hop is over.
16:40I think Mumbai's hip-hop is over, Mumbai's hip-hop is over, Mumbai's hip-hop is over.
16:54I think it's a good time.
17:04I think hip-hop is over, Mumbai's hip-hop is over, Mumbai's hip-hop is over, Mumbai's hip-hop is over.
17:13So these are all the scenes, right?
17:15Naezy Why and Divine started.
17:17Naezy Why is it going to come back?
17:19Naezy Why is it going to come back mode?
17:22It's going to come back.
17:24That's right, bro.
17:26What do you think about the level of Bantai Records?
17:30The level of Bantai Records, the people who are leaving, artists,
17:35what do you think about Bantai Records?
17:38The level of Bantai Records, a bit of a scene, is a little, but it doesn't leave at the level.
17:43It won't be a hit zone.
17:46It does play a hit zone mostly.
17:48The Gauss was also a hit zone.
17:49My opinion was in Bantai Records.
17:50It's a little, it feels like it left a little.
17:54I feel like that there's a junior rapper.
17:57So the new Bantai Records, when he comes back into it,
18:02he isn't getting much praise, he hasn't gotten any praise.
18:04So, as soon as Thorat was slowly slowly down,
18:08So, Thorat's feeling like we need to get our love.
18:12So, now Thorat's feeling like a hit-zone in-lock.
18:16And the other one is Galip.
18:19So, Galip's also coming.
18:20So, now it's a big deal.
18:22I've seen a lot of collaborations and songs.
18:24So, what's the Galip and the Bantai?
18:26Thorat was out of the scene.
18:28So, Thorat's feeling like we don't get our love,
18:30we don't get our love.
18:31So, Thorat's coming from the big racket.
18:34Like a scene in the record label,
18:36I think it's a small artist or a big artist.
18:39It's a small artist.
18:40Because the scene inside the record label is so deep.
18:45But, it's a small artist.
18:47If an artist is a small or a big artist,
18:49it's a small artist.
18:51Now, when there's a new rapper in my race,
18:53so many pro rappers are taught.
18:56It's a little wrong.
18:59It's a little rhyming.
19:00So, we understand it.
19:02So, that's why every big artist
19:04would be able to play their label.
19:06That's all.
19:08So, who has told you that
19:09you didn't get respect to him?
19:10Thorat's name is a diss.
19:13Okay.
19:15So, that's why it's all in your songs?
19:16Yeah, there was a little live.
19:18I was watching a few reels.
19:19So, I got to see a few reels.
19:20I got to see a few videos.
19:22That's all.
19:23So, it's good to get a love.
19:24What do you want to get an artist?
19:25It's good to get a love.
19:26If you don't get respect,
19:28then why won't you stay on record label?
19:29Yes.
19:30You need respect to everyone.
19:32How do you feel MC stand bro?
19:34MC stand bro is a villa rapper.
19:37Something is not.
19:38But now, it's a scene.
19:40It's crazy.
19:42Now, it's decayed like on Mankuru.
19:45Yeah, VJDK.
19:47Now, everyone came to stand market.
19:49First, he called VJDK stand copy.
19:51Now, he came to frame.
19:54Now, VJDK is a mankuru.
19:57Mankuru means that.
19:59He is a mambal and drill.
20:01What scene is happening?
20:02I mean, hip hop is a lot of style.
20:04We can do our own.
20:06Old school, drill.
20:07Now, these people are going to drill.
20:09It's not like that.
20:11Drill and mambal.
20:12Drill and mambal.
20:13So, this scene is a lot of time.
20:15I need to do new things.
20:17Hip hop is a big.
20:18As they are a style.
20:20So, everyone will do it.
20:21Then, the audience will also enjoy it.
20:23The audience will enjoy it.
20:25The audience will enjoy it.
20:27The audience will enjoy it.
20:28But, if there is an artist,
20:31I want to listen to it.
20:33If there is an artist in the same flow,
20:36one artist will not listen to it.
20:39So, I feel like everyone is doing style.
20:42Every one style.
20:43You want to do this?
20:44Yes, I want to listen to it.
20:46So, what do you think about it?
20:50The fame that got to be BJDK?
20:52Yes.
20:53Does that mean you got to MC stand?
20:55Or is it talent?
20:56Yes, I want to listen to it.
20:57First, she said stand copy.
20:58She said DC.
20:59The DC hit the BJDK.
21:00She said DC.
21:01She said everything to stand copy.
21:03She said that she had a new song.
21:05Then, she said that she had a copy.
21:08She said that she had a copy.
21:09She said that she had a copy.
21:11We brought it into the scene.
21:13That shot.
21:14So, some of them got a copy from the name of the song.
21:17His style is rap buddh villa, but some of them got a copy from the name of the song.
21:26There is a song that is very popular.
21:29What's up, I'm a gang.
21:31He's a villa artist.
21:33What do you think about it?
21:36No, the artist is a villa.
21:38I've heard a beat producer who has made a beat.
21:42He had made a beat for someone else.
21:44He didn't like the artist.
21:46Then, what's up my gang's song, he had a message to the producer.
21:51If you give a beat, then he sent a beat.
21:53Then he sent a beat.
21:55It was a very good scene.
21:56But now the people say that the song is a lot of beat.
22:00It's a very good scene.
22:01His music is also very good.
22:03It's a perfect combination.
22:06So, what do you think about it?
22:09Does that sound sound like MC stand?
22:12Yes, brother.
22:13That's the scene.
22:14Puneh Singh, Puneh Singh, Maankur Singh.
22:16It's a very good scene.
22:19I mean, he came from the stand and took a mambal.
22:22Then we came from here and we came from the mambal.
22:24I think Bombay came from Bombay.
22:26I think Bombay is a great thing.
22:27If you want to be Bombay to be Bombay, then Bombay is Raoas.
22:30Bombay doesn't want to be Puneh.
22:32That's why it doesn't make Puneh.
22:34Why does it make Puneh?
22:35I mean, when the stand is out, the public started mambal.
22:39It doesn't make sense that if someone is out of mambal,
22:41then we will also do mambal.
22:43But you become special.
22:45You understand?
22:46You need to build a artist.
22:47You need to build quality.
22:49You need to create style.
22:51You need to create style.
22:52We are now saying that this is viral.
22:54So, you also make a song.
22:56You can make a song.
22:57But don't copy of the copy.
22:59You don't want to be the most famous person.
23:05If he's the target of his name,
23:06then he's the most famous person.
23:08Then he's the most famous person.
23:10If he's famous person.
23:12It's been a long time.
23:13It's been a long time.
23:14People have more personal people.
23:16But the person who has the most popular person.
23:18They love him.
23:19Now, DK is the only shot.
23:20But it's been a long time.
23:21He's been a long time.
23:22But he has been a long time.
23:24He's been a long time.
23:26He's been a long time.
23:30I'm not a long time.
23:32But it's been a long time.
23:34I still live.
23:35I'm not an Facebook person.
23:36Because I'm not a long time.
23:38I've heard an album.
23:39I'm not a long time.
23:40So, I love this.
23:42I'm a long time.
23:44I love this guy.
23:46You understand?
23:48How are you seeing a difference between India and abroad?
23:52I don't listen to foreign artists, because I have a little issue of English, so I don't understand much about English,
24:02because I have a lot of people from abroad. When I started writing in Bombay, and I started writing in Bombay,
24:10and my main city started Bombay's Kalyan, so I represent Kalyan from Kalyan.
24:16I have a lot of artists in Kalyan, like Mr Warrior, Naxi, YPK, Akki, and Fire,
24:36and they started working in Kalyan, and now they started working in Kalyan,
24:44and they are organizing Cypher, and they are organizing all Kalyan, and they are organizing all Kalyan,
24:50and they are organizing all Kalyan.
24:52They are so many artists who you hear about Kalyan, and you say,
24:56and they are preparing to see how they will get out of the house, and they are getting support,
25:00and they will be trying to get out of the house, so I'm trying to get out of the house.
25:04And they will be able to see all Kalyan's map from everyone.
25:08That's right.
25:10So you're planning to support that's the main thing.
25:13So you have artists, who are the Kalyan's name?
25:16What do you mean?
25:18It means that he is famous.
25:20In Kalyan's, there are many rappers, actors,
25:22There is a lot of people who are working in a great movie and a lot of rappers, but they did not represent Kalyan, they left Bombay and left Bombay.
25:33Like the DMC, they were in Kalyan.
25:37When they got fame, they went to Bombay.
25:40They were able to bring Kalyan to the map, but they couldn't bring it.
25:45So they tried to bring Kalyan to the map.
25:47If Kalyan came to the map, it was done.
25:50So what are you thinking about the future?
25:55The future is really good.
25:57We don't listen to other people.
25:59We don't know more about the world.
26:02But the artists of the label, everyone is playing.
26:07Like Irfan Kalyan, he started a company in Dubai.
26:13So now, all of the clubs and parties, all of the parties are playing their performance.
26:20There are 2-3 artists left.
26:22So they are playing.
26:24So all of my artists, they will give me all the world.
26:29So this is your dream?
26:31Yes, brother.
26:32Yes, brother.
26:33I don't know the rapper's dream.
26:34I don't know the rapper's dream.
26:35I don't know what I'm thinking about.
26:36But my motivation is that the people who don't have the hope,
26:39they will give me more artists.
26:42They will give me out.
26:44They will give me the first car.
26:46They will give me the first home.
26:47They will give me the first home.
26:48They will give me the first home.
26:49So one artist will give me the first home.
26:51I will not make it.
26:53But I will give you the second home.
26:55That's enough.
26:56That's enough.
26:58So what do you think about your family?
27:03Family, brother.
27:04Everyone's dream is that your family will be happy.
27:08It's been a dream.
27:09It's been a dream of our childhood.
27:10We are growing up from our age.
27:13We are growing up from our age.
27:14We are growing up from our age.
27:16We are growing up from our age.
27:17And we started to learn from our childhood.
27:19We began to learn from our dreams.
27:21We are growing up from our home.
27:22Or we are growing up from our parents.
27:25What is our family has been a catastrophe in a family.
27:26A home of our family.
27:27Who is we are doing.
27:28So how do we work from our families?
27:29We are growing up from our families and that's all.
27:30What are we growing up from our parents?
27:32What are we growing up from our family?
27:34We're growing up from their families.
27:36We are growing up from our Cowboys.
27:38The the planning and the effort is getting into them.
27:40We're growing up.
27:41If the desire of the public will remain.
27:43I'm happy to learn about that.
27:44If you understand what the best are options there.
27:46That you get money from where you get money from.
27:49You get money from a level or someone who gets money from a level.
27:53You get money from your artist or you get a house for your own?
27:57Bro, I will make my own own label.
28:00I will make my own own label.
28:02I will distribute my artist's track and marketing.
28:07We will show a little money from marketing.
28:09Marketing is so much money.
28:11Today's time is coming.
28:13I will show you money from the company.
28:16I was traffic for you.
28:18The people look like it.
28:20Now, I'm traffic.
28:21Of people is selling money from the company.
28:23For those who want marketing...
28:25People are like, let's ask them, from those people.
28:29People don't ask me.
28:31If people don't ask me, if I have a finance support,
28:35You are paying for money too.
28:38Marketing will make investments.
28:40So, at this time, I think the song has been sorted out by Sidhu Mosey.
28:47So, what do you want to say about it?
28:54It was a good thing about him.
28:57It was a good thing about Sidhu Mosey.
29:00If he has fame, he has a good thing about it.
29:03I think Mumbai police and cyber crime.
29:07We have to focus on these things.
29:09We have given a legend of Siddhu.
29:13We have to focus on the police and cyber crime.
29:19If any artist is famous,
29:22he will kill him and kill him.
29:25We have to focus on these things.
29:27We have to focus on the police and cyber crime.
29:30We have to focus on these messages.
29:33We have to focus on these messages.
29:35You have to focus on these messages.
29:37You have to focus on these messages.
29:39If you are talking about some of them,
29:41you may not have to think about anything.
29:43That is the case.
29:45We are talking about this topic.
29:47We have to focus on some other questions.
29:49As you can see,
29:51we are not able to see the freedom of the police.
29:53We are taking the police in this event.
29:55We are going to be a big deal.
29:57We are going to be more and more in our cars.
29:59We are going to be more and more.
30:01there is a lot of people who have content
30:03but for children there is no content
30:05that there is no content
30:07that there is no content
30:09there is no content
30:11there are hundreds of millions of people
30:13who have liked it
30:15so the people who don't see it
30:17who don't see it
30:19why do they see it
30:21they give a disclaimer
30:23yeah
30:25so the artist's support
30:27there is no freedom
30:29the artist's support
30:31he has 4-5 bounceers
30:33that's right
30:35what's the biggest difference
30:37in hip hop
30:39rapper or his ego
30:41rapper
30:43like Stan
30:45and his homies
30:47his homies
30:49he said
30:51he said
30:53he was very happy
30:55he was very happy
30:57he was very happy
30:59he was very happy
31:01that a lot of people
31:03like this
31:05so the money
31:07also
31:09he was very happy
31:11he was very happy
31:13he was very happy
31:15friends who are not supporting their friends
31:18we are not sending the link to our friends
31:21we are not seeing
31:22we are seeing
31:24and after getting fame
31:26why not to get ego
31:27ego is coming
31:28when I was in trouble
31:29you didn't stay for me
31:30and when I got fame
31:32you will have to see ego
31:33that person will become ego
31:35now
31:36we have a support system
31:38what do I say
31:40for my own
31:40our scene
31:41I mean
31:42I mean
31:42I mean
31:43I mean
31:44we have to take ADP from the road
31:46that we are going to the rapper
31:48so
31:50I regret everything from my
31:52support
31:54we are going to support
31:56we are going to be a serene bro
31:58we are going to be a big brother
32:00we are going to be a company
32:02which is a hip hop
32:04kalyan hip hop scene
32:06we are going to be a song
32:08first story
32:10we are going to be a serene bro
32:12so
32:14hip hop
32:16we are not giving up the city
32:18we are going to spray
32:20but
32:22serene bro
32:24do not do it
32:26do it
32:28banners
32:30banners
32:32banners
32:34it is a track
32:36hip hop
32:38banners
32:40I will be able to do a little graffiti.
32:42You also speak Marathi?
32:44I am a comedian.
32:46But I am raping in Marathi.
32:50You should also speak Marathi.
32:52But I love Marathi.
32:54That's why I love Marathi.
32:56My name is Marathi.
32:58My name is Marathi.
33:00My name is Marathi.
33:02So I can't rap.
33:04So Marathi is not a controversy.
33:08There are many languages in Marathi.
33:10So what do you think?
33:12I don't know.
33:14It's a wrong scene.
33:16I mean,
33:18I don't know.
33:20I don't know.
33:22You have to learn the language.
33:24But the public
33:26is not coming.
33:28It's not coming.
33:30It's not coming.
33:32If you don't know,
33:34it's not coming.
33:36You are not coming.
33:38Because if you are in Marathi,
33:40you should say Marathi.
33:42You will also say this.
33:44So why are you talking about Marathi?
33:46Why are you talking about Marathi?
33:48But you don't know that
33:49you can see Marathi.
33:50You can see Marathi.
33:52You don't understand Marathi.
33:54So that's why I am talking about Marathi.
33:56But you have to support that area.
33:58But we need to support that area.
34:00You have to support that area.
34:02Marathi is our first guest.
34:04So you should talk about Marathi.
34:06But you should be talking about Marathi.
34:08But you should be talking about the place.
34:10But you should be talking about the place.
34:12Because today,
34:13if you have to take Marathi.
34:15Then you will have to go to Marathi.
34:17So you will have to go to Marathi.
34:19If you have to enter Marathi.
34:20If you are a Marathi.
34:21If you will,
34:22you will be talking about the place of Marathi.
34:23You will have to take a little time.
34:24You will have to learn.
34:26So you do.
34:27But you will have to do that.
34:28But you will not take a long time.
34:30But now you will take a long time.
34:32You will have to take a long time.
34:33So you will not take a long time.
34:35Yes.
34:36What are the places you have to do?
34:37We are Indian people.
34:38Don't do that.
34:39In Indian hip-hop,
34:41do you have to pay more money?
34:43Or do you respect?
34:44Respect, man?
34:46money
34:48so now it will be short that rappers
34:50money will be made and made a deal
34:52in the drafts
34:54money is necessary but respect
34:56it is necessary to get money
34:58so I will get money
35:00but respect it is necessary
35:02I rap
35:044 people have paid
35:064 people have met me then said that rapper is a rapper
35:08this rapper is going to be a
35:10love to get money
35:12we will get money
35:14you have seen a rapper
35:16ghost writing
35:18yes
35:20yes
35:22yes
35:24many friends
35:26I will not take my name
35:28there is a scene
35:30that my son is going to be a wife
35:32and then he is saying
35:34that
35:36I will give you
35:38I will give you
35:40another one
35:42I will give you
35:44that
35:46to
35:48not
35:50I will give you
35:52I will give you
35:54I will give you
35:56I will give you
35:58that
36:00I will give you
36:02ghost writer
36:04I will give you
36:06I will give you
36:08how much money you get
36:10for writing a song
36:12I will give you
36:14I will give you
36:16there
36:18I will give you
36:20I will give you
36:22that
36:24I will give you
36:26that
36:28I will give you
36:30I will give you
36:32I will give you
36:3410,000
36:36I will give you
36:3810,000
36:40lyrics
36:42i will give you
36:44I will give you
36:46I will give you
36:47live recording
36:48where is the
36:49song
36:50that
36:51so
36:52so
36:53that
36:54the song
36:55that
36:56is a
36:57but
36:58what
36:59what
37:00what
37:01what
37:02what
37:03what
37:04what
37:05what
37:06what
37:07what
37:08what
37:09what
37:10it
37:11I
37:12I
37:13know
37:14what
37:15what
37:16what
37:17you
37:19what
37:21how
37:22it
37:23this
37:24is
37:25I mean, it's a dress and a dress...
37:29And it's not the person who is actually wrote songs...
37:34This is very silly...
37:37What does what you think?
37:39What does that mean?
37:41I mean, I have a song called KCT 300...
37:46So, I spoke to Urban Monkey...
37:49I approached the clothes...
37:52I didn't approach it...
37:54If you can get support and clothing, you can do a lot of artists.
37:59So, brother, I have a reply.
38:01She says that I will shoot until you get a dress.
38:03After shooting, I have to get a dress back.
38:06What a shot.
38:08I mean, if I go to a store and buy a store,
38:11it will be a good shot.
38:13So, I don't like my brand.
38:16It's not a show.
38:17We'll do it on our show.
38:19But I don't like it.
38:22This is a shot.
38:24What is it?
38:25It's a scene.
38:26Yes, man.
38:27That's right, bro.
38:29Who has a real struggle?
38:32What does it mean, bro?
38:34Tell me about your songs.
38:36A relatable song is a stand.
38:38Stand means that he has 10 people.
38:42But he started the street language.
38:44He started the street language.
38:46He started the street.
38:48He started the street.
38:50He started the street.
38:52He is a slum.
38:53So, I can say a stand.
38:55A thing.
38:56Divine is too.
38:58Divine is so.
38:59Divine is so.
39:00Divine is so.
39:01Divine is so.
39:02Divine is so.
39:03Okay.
39:04So, brother,
39:05What do you think about the diss culture that exists in the culture and diss culture?
39:11Is it true that a rapper can go down and go down?
39:16It means that you have to prove yourself.
39:19You have to give a mother and father to her.
39:22You have to give a mother and mother to her.
39:25Is it true that it is true?
39:26No, diss culture is very early.
39:30Discs are not wrong.
39:33Discs are not wrong.
39:34But the mother and mother is wrong.
39:37It is a little wrong.
39:41It is true that an artist will struggle for 2 years, 3 years, 4 years, 5 years.
39:49When will he struggle?
39:51At one time, artists think that they will do a lot.
39:54Because they are famous because they are famous.
39:57Real artists are not famous.
40:00They have to do a lot.
40:02Then they will get a name and then we can clean our images.
40:06That is true.
40:07It is a very bad scene.
40:09When you are still struggling for 2-3 years, 2-3 years, 2-3 years, 2-3 years, 2-3 years, 2-3 years, 2-3 years, 3-3 years, 3-3 years, 3-3 years.
40:13Then it is not a bad idea.
40:14So after that, one artist will feel that they will do a lot of work.
40:17Because their field is the same.
40:19It is the same.
40:20It is the same.
40:21It is the same.
40:22It is the same.
40:23It is the same.
40:24It is the same.
40:25Many people have left the field.
40:26They have left the field.
40:27They have left the field.
40:28They don't think they are not going to continue.
40:29There are some artists who say that they will do a lot of work and then they will become their name.
40:34They are also called Dhinchak Pooja, Ullas Nagar, Om Prakash Mishra.
40:40Rappers are good.
40:42But they are doing a lot of work.
40:43They are saying, what do you say, what do you say, what do you say, what do you say, what do you say, what do you say.
40:47But the reason is that they are famous.
40:49Famous is famous.
40:50Once it is, if you get a name, you can make a name of your return.
40:54But fame is a little bit different.
40:56Because the money will come from us.
40:59Right.
41:01That means fame is how much you can go down for fame.
41:05Yes.
41:06Look, it is a bad thing.
41:09It is a bad thing.
41:11What do you say to tell your family?
41:13I am famous for this song.
41:16Now the public is like that.
41:18If someone doesn't like to give a speech,
41:22What do you say to your mother, your brother?
41:24She doesn't care about it.
41:25It does not want to give a speech.
41:27But if there has a speech, then the public will give attention to the attention.
41:29Right.
41:30The public will give attention to the attention and say, what do you say.
41:33Now in the public, there is also a artist that gives a leak,
41:37but it doesn't want to do the wrong thing.
41:38It's sad to her mother, and her mother, and her man, and her food.
41:41So it doesn't want to do it.
41:43But this is just for the public.
41:45fun entertainment but it's not rap
41:47yeah I can't say that
41:49a little fake shit
41:51voice of shot
41:53so in rap
41:55punchline come and personal attack
41:57attack
41:59something like mental
42:01or physical body
42:03is that right
42:05no bro
42:07like Bhantai and Krishna
42:09also
42:10Krishna also
42:12a lot of people
42:15you're in Punjab
42:17all in Punjab
42:19yeah
42:21yeah
42:23it's all to do
42:25for fame
42:26not done
42:27good
42:28but the public
42:29likes
42:30just like I said
42:31the public
42:32just like
42:33the real art
42:35the real artists
42:36struggle
42:37and die
42:39I don't want to see it until I don't like it.
42:44I mean, people also say that this is a scripted artist.
42:49Yes, there are a lot of artists.
42:52I mean, you can do it and you can do it.
42:56I mean, I don't like it.
42:59I mean, I don't like it.
43:02I mean, I don't like it.
43:04Yes, it happens.
43:06I mean, I don't like it.
43:08India has got talent.
43:10I was a guest for performance.
43:12I met a person here.
43:14So, the person told me that you are from Bombay.
43:17I mean, you are not a fan.
43:19We need to talk about it.
43:21They are very famous.
43:23Those who know me, they will see me on my feed.
43:26They will see me on my Instagram.
43:28After we perform on stage,
43:31we can create a scene.
43:34Like you came to the event.
43:36You create some controversy.
43:38It's a reality show.
43:39It's the reality show.
43:41You can see that it's Punjab or Bombay.
43:44You have to start something.
43:46The judge has done it.
43:47You can start a beef game.
43:49So, you can start a beef game.
43:51Who is this?
43:52Who is this?
43:53I don't like it.
43:54I don't like it.
43:55He is the artist.
43:56He is the artist.
43:57He is the artist.
43:58India has got fight.
44:01India has got talent.
44:04There was a fight.
44:05A show.
44:06A reality show.
44:07So, when we went to the show,
44:08there was a judge available.
44:11So, he said,
44:12we are going to do some controversy.
44:14This show is a reality show.
44:16The production of this show,
44:18we are talking about TRP.
44:20That you can do something together.
44:22You can do something like that.
44:24This is Punjab or Bombay.
44:26So, we didn't like the scene.
44:28We started a new career.
44:30We were going to a reality show.
44:32So, we didn't expect it.
44:34Right.
44:35So, we got the performance from normal.
44:37We got the return.
44:41That's right, bro.
44:44I'm talking about reality show.
44:46How does MTV hustle have you?
44:49That's right.
44:51I started a scripted shot.
44:53But I think you are the continue.
44:57So, the artist is good.
44:58We will have a return.
44:59There will be none of us.
45:01Right.
45:02We will have a return.
45:03And then, we will be asked.
45:05So, we'll go on.
45:06Right.
45:07We will know that.
45:09If we have a return.
45:10Yes.
45:11A return.
45:12Right.
45:13Now, you can support us.
45:14I miss the scene.
45:15But...
45:16I don't think the rapper is in the category of the rapper
45:20I think many people think that the rapper is not the rapper
45:25but he is doing the commercial
45:27but
45:28Bollywood
45:30Bollywood is making a song
45:34Honey Paji and Batshah
45:37so for this
45:38he is doing the best
45:40he is doing the best
45:41he is doing the best
45:43he is doing the rapper
45:45It's not so much in the underground scene.
45:48It's not so much in the underground scene.
45:51That's right.
45:52That's right.
45:53So, bro.
45:54The disc track,
45:56does it become a career?
45:58Does it become a career or does it become a career?
46:00Both of them.
46:01Both of them.
46:03It's like a career and a career.
46:06So, it's a career.
46:08It's a career.
46:10It's a career.
46:11It's a career.
46:14It's a career.
46:16Golden opportunity,
46:17Golden opportunity,
46:18it's not a dream.
46:21Yeah.
46:22The stage was going through this.
46:24I don't want to change the scene.
46:25Roastar didn't mean that.
46:27and the rapper's money was going through.
46:29But, that's why bantai was going through.
46:31Then, bantai told me.
46:33They had dropped its market value.
46:35They didn't have to save money.
46:36But, on the side of those,
46:39he was doing a documentary with rapineer.
46:42I think it is very good.
46:46But if you don't want to know what you said,
46:49I just think there is an opinion,
46:50it's a normal thing.
46:51You can also talk about it,
46:53and then you can get a controversy.
46:56But we are talking about it,
46:58but you don't think it's a different opinion.
47:01It's like I'm talking about it,
47:02because I'm talking about it,
47:04it's just freedom.
47:05We can talk about it,
47:06to speak about it.
47:08That's right.
47:09If you understand that,
47:11I think this is a different question, that if you have to rap on someone's death, you have to diss diss, then you can do it?
47:20No, you are not a rapper, you have to tribute to someone else?
47:24No, I don't have to tribute to someone else.
47:27After that, what do you want to diss to someone else?
47:29First of all, you have to die.
47:30For the views?
47:31No, I don't know the rest of anyone else, but I don't know the rest of anyone else.
47:37I don't suggest anyone else.
47:39But I don't know who is saying to them that, because before the death of someone else will kill each other.
47:43I don't think they will do it with a reply or anything.
47:47I don't know if they will kill each other.
47:49For the lives of them, they will kill each other.
47:52Yes.
47:54If the guy president will never kill each other in India, then how many people are going to lose their their their attacks?
48:01There are many who will have their attacks.
48:05You have to run with the legendary words like Mufad and Bantal.
48:08I see cities
48:11who are watching one and the other
48:14who are watching one and the other
48:16but everyone will be happy
48:17if someone is happy
48:19if someone is happy
48:21you will be happy
48:23what do you mean?
48:25if someone is famous artist
48:27or famous rapper
48:28you will be happy
48:30you will be happy
48:32and you will be happy
48:34how did you feel?
48:40it was a very short
48:42it was my first life experience
48:44but I didn't have a feeling
48:46we were shooting
48:48we were talking about friendly
48:50friendly scene
48:52it was a very short
48:54thank you
48:56we were supporting
48:58underground artists
49:00who are calling on the podcast
49:02interview
49:03they are listening to their opinions
49:05they are doing a good job
49:06they are doing a good job
49:07a famous artist
49:08can take the podcast
49:09their story is to hear thousands of people
49:11but we are listening to their stories
49:13they are showing us
49:15they are showing us
49:16it is a great opportunity
49:18and
49:19thank you all for the team
49:21that you have called us
49:23and given us
49:24to talk about
49:25that
49:26thank you all for the team
49:27thank you so much bro
49:29for coming on our podcast
49:30thank you so much
49:32everybody
49:35thank you
49:37thank you
49:39thank you
49:41thank you
49:42thank you
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