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Bahar Nagar Episode 37 - [Eng Sub] - Hina Dilpazeer Khan - Javeria Saud - 27th September 2025
Drama 4 You
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3 months ago
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Category
🎥
Short film
Transcript
Display full video transcript
00:00
Wow! Wow! How many robes are you?
00:20
We will all stay with you. I am surprised.
00:25
What do you say, Nargis Ji?
00:27
You have to do it. If we don't want to be scared, then you will go back to your head.
00:33
I will also come to your shooting.
00:36
I was shocked to be an actress.
00:40
Thank you, thank you.
00:42
Your back is very good.
00:44
It's very good.
00:57
You have to do it.
00:58
You have to do it.
00:59
You have to do it.
01:00
You have to do it.
01:02
You have to do it.
01:03
You have to do it.
01:04
You have to do it.
01:05
I am sorry.
01:06
You have to do it.
01:07
You can't see any faces from this.
01:10
This is rebel.
01:13
You can't say that.
01:17
You can't.
01:19
You can't go.
01:22
This is a dead man's story.
01:24
This is a dead man's story.
01:27
What can I tell you?
01:29
You can't.
01:30
This is a dead man's story.
01:32
You can't.
01:33
Do the same as a man, and do the same as a man.
01:38
Yes.
01:40
Now go.
01:41
Yes.
01:42
Stop.
01:45
Where was this chair from?
01:48
Keep it there.
01:52
And go.
01:55
Pusas, I think that you don't like to be an actress.
01:59
You need to be an actor.
02:01
But not over-acting.
02:03
This is a new part.
02:05
You're going to go out.
02:09
You go and see the food.
02:13
But Pupasas, the food is not going to be done.
02:16
In the night, you'll have to go to bed.
02:21
He asked to go and call everyone.
02:24
Tell me.
02:27
Go here.
02:34
And you too?
02:35
No.
02:37
Pupasas, tell me one thing.
02:39
Why do you do such a hat?
02:41
Tell me.
02:42
Why are you quiet?
02:43
Why are you sitting?
02:45
Why are you sitting?
02:47
Why are you sitting?
02:48
Answer my question.
02:49
Why are you sitting here?
02:50
Look.
02:51
Go here.
02:52
We are saying, go here.
02:53
Go here.
02:54
We are saying, go here.
02:56
There is always a way of being a woman's life.
02:59
That their life and their circle,
03:04
there is no acceptance of people.
03:08
You need to know this at home.
03:11
Do you understand?
03:12
Okay.
03:13
Okay.
03:14
Not it.
03:15
But still.
03:16
It is.
03:17
It is.
03:18
I was listening to Shai Parra's father,
03:21
that you,
03:22
you,
03:23
you,
03:24
you,
03:25
you,
03:26
you,
03:27
you,
03:28
you,
03:29
you,
03:30
you,
03:31
you.
03:32
you,
03:34
you,
03:35
you,
03:36
you,
03:37
you,
03:38
you.
03:39
You.
03:40
Why?
03:41
And another thing.
03:42
You remember,
03:43
when I was acting,
03:45
and the doctor said,
03:46
sure,
03:47
you can do it.
03:48
I will support you.
03:49
He is a liberal husband.
03:51
But he has a rule.
03:52
He has to give me your mother.
03:55
I was able to give you my hand.
03:57
I was able to give you my hand.
04:00
I was able to give you my hand.
04:02
And I was able to give you my hand.
04:04
Please give me permission.
04:06
I was able to give a heroine.
04:08
In that moment, the temple was scared.
04:11
I was scared and scared.
04:14
And down below,
04:20
I was able to give you my hand.
04:22
My body was like this.
04:26
You were a little exposed to it.
04:28
And in your hand there was a magazine of Chitrali.
04:31
I didn't know what you saw.
04:33
I was like, I'm going to throw my face.
04:36
I said, please, please!
04:38
I made me a heroine.
04:40
But you took a bullet from the gun.
04:43
It was also a gun.
04:44
And I was like, you're a dick.
04:46
You cuss!
04:47
My face was over.
04:49
It's gone.
04:50
Today I am changing my life with that old house.
04:54
Why?
04:55
Why?
04:56
If you have a little support of your family, then I would have been raised in Lollywood.
05:04
But I would say that today I have a chance.
05:08
Please!
05:09
It's time now.
05:10
That's what I want to say.
05:15
Let's go.
05:17
Let's go.
05:19
Okay.
05:20
Calm down.
05:21
Oh my God.
05:34
Wow, wow, wow.
05:37
You are looking so stunning, judgious and mesmerizing, Gogo.
05:42
You are looking very good.
05:44
But you are not looking good at all.
05:46
You are sitting at me this time.
05:47
Why?
05:48
What are you doing?
05:49
I am a doctor.
05:50
I am going to cut my teeth.
05:52
You don't have to cut my teeth.
05:53
It's a little help.
05:54
No.
05:55
Never.
05:56
I am trying to cut my teeth.
05:57
And I am trying to cut my teeth.
05:58
I am trying to cut my teeth.
05:59
And the other thing, I want to know that we are women who are living in the lessons of the arts and the arts.
06:04
You are doing it too!
06:05
Okay.
06:06
Okay.
06:07
What happened?
06:08
I have said something wrong.
06:10
You can never say something wrong.
06:12
No.
06:14
Tell me about Drosera.
06:16
What is Drosera?
06:17
What is Drosera?
06:18
What is Drosera?
06:19
What is Drosera?
06:20
What is Drosera?
06:21
What is Drosera?
06:22
No.
06:23
It's a medicine to cut my teeth.
06:24
It's a medicine to cut my teeth.
06:25
Hmm.
06:26
So, this is the thing, Gogo.
06:27
You just made it so that you can groove me.
06:30
Almost.
06:31
Gogo, don't have to talk to me in this tune.
06:35
Otherwise, I'll leave you and divorce me and I'll get this plan for you.
06:39
Say sorry.
06:40
Okay, bruh.
06:42
Sorry.
06:43
It's okay.
06:46
Gogo, your smile is very pretty and handsome.
06:50
Just like you.
06:51
No.
06:52
No.
06:53
You're still standing here.
06:55
You know, you don't have to do anything from the past year.
06:57
Go ahead.
06:58
I'm just going.
06:59
I'm just going.
07:00
Go ahead.
07:01
Why do you have time to do it?
07:03
Do you have time to do it?
07:04
Go ahead.
07:05
Excuse me.
07:06
I've got two little girls and 38 plus girls.
07:10
Why do you have to do it here?
07:13
And sit here.
07:14
What is the case of my husband?
07:16
Are you tired from your boring, below-average husband?
07:19
Are you tired from him?
07:21
Are you tired from me?
07:22
Are you tired from me?
07:23
Are you tired from my husband?
07:24
Are you tired from me?
07:25
Tell me.
07:26
Quiet sure.
07:27
Tell me.
07:28
Answer me now.
07:29
No.
07:30
What are you talking about, Rabia?
07:32
My brother.
07:33
My brother.
07:34
Hey!
07:35
Distance.
07:41
Continue.
07:42
My brother.
07:43
You're like my brother.
07:44
Hmm.
07:45
Like my brother?
07:46
You're like my brother.
07:47
You've said that.
07:48
You've said that.
07:49
Right?
07:50
I've also heard that.
07:51
When my husband came to my mother's house, you said that.
07:53
No.
07:54
I can't do it with Adil brothers.
07:56
He's like my brother.
07:57
But do it with you.
07:58
Do it with you.
07:59
You've made Adil brothers and Adil brothers.
08:01
Huh?
08:02
How did you decide to understand?
08:04
I didn't understand.
08:05
Go ahead.
08:06
Before I do it.
08:07
I'll do it.
08:08
I'll do it.
08:09
I'll do it.
08:10
I'll do it.
08:11
What's that?
08:12
What's that?
08:13
What's that?
08:14
Huh?
08:15
I don't feel good about Faria.
08:16
I feel that he's also in your European face.
08:19
He's also in your European face.
08:20
He's also in your European face.
08:22
What?
08:23
I don't know.
08:24
What do you think?
08:25
How many times do I have to call you?
08:33
How many times do I have to call you?
08:34
Tell me your answer.
08:35
Tell me my payment.
08:36
Why?
08:37
No.
08:38
I've waited for my payment last 15 days.
08:40
No.
08:41
I need my payment.
08:45
Bye.
08:48
Your coffee with skim's milk.
08:52
No sugar.
08:54
Thank you so much.
09:04
What are you seeing?
09:05
Can I tell you?
09:06
Can I tell you?
09:07
Yes.
09:08
No sugar.
09:09
Why not?
09:10
I can see it.
09:12
It's not personal.
09:14
It's not personal.
09:15
There's some promotional data.
09:17
Okay.
09:18
You can see it.
09:19
Yes.
09:20
You can see it.
09:21
You can see it.
09:22
You can see it from this field.
09:23
Tell me.
09:24
Come on.
09:25
Oh!
09:27
Oh!
09:28
Oh!
09:31
Oh!
09:32
Oh!
09:33
I've seen it.
09:34
It's a dance.
09:35
Is it the dance?
09:36
You didn't have put it.
09:37
I've seen it in a post.
09:38
It's not in social media.
09:39
Yes.
09:40
It's because I haven't seen anyone in this field.
09:42
Because I thought that when my population is low, I'm going to leak it.
09:48
And then I'll go viral with all the youths.
09:51
Wow, wow. What can I tell you about planning?
09:56
You haven't told me that you don't feel happy with your family.
10:00
What can I tell you?
10:02
It's very difficult.
10:04
In fact, all the kids are in the mind of their mother.
10:09
Like we were in English.
10:10
It's not a bad thing.
10:12
But you don't have to do such a young girl.
10:16
She doesn't have to do such a young girl.
10:18
What can I tell you about?
10:21
You don't have to do such a young girl.
10:28
She doesn't have to do such a strong girl.
10:31
She can do such a good girl.
10:34
What do you do?
10:36
If you're a young girl, she'll have to do such a job.
10:40
Yes, hello?
10:45
I'm happy to join my dad in the office, but it's a shame that you and Sikandar
11:14
We welcome him in the office with the whole protocol.
11:18
He's leaving the office as the whole staff.
11:22
You've won this Bazi.
11:24
Who else will win this Bazi?
11:26
You won this Bazi.
11:28
You won this Bazi.
11:30
But yes, it's necessary.
11:32
If Bazi will win or not,
11:34
it will be impossible for one life.
11:36
And I will do it.
11:38
Who is behind everyone?
11:41
Say it.
11:43
I'm going to die.
12:11
Hania.
12:13
What is it, Hania?
12:15
You're sitting here.
12:17
I've noticed a lot of times.
12:21
You're going to stay quiet and quiet.
12:25
I should be happy.
12:27
I'm going to die.
12:29
I'm going to die.
12:31
I'm going to die.
12:33
I'm going to die.
12:35
I'm going to die.
12:37
I'm going to die.
12:39
I'm going to die.
12:40
I can't sleep,
12:41
I can't tell you.
12:43
I'm falling on my name.
12:45
For The Babylonian Harvey, The Opportunity Benefits.
12:49
For The funny banks, On the new heavenly,
12:50
or nearby ¡Pumpe!
12:53
You know, life is very beautiful.
12:56
You have love and love.
12:59
Why don't you leave me alone?
13:02
Look, don't forget one thing.
13:06
I don't have a chance for this relationship,
13:09
if you don't like it.
13:11
I'm watching my three-three girls.
13:14
How did they put their hands on their hands?
13:17
I feel like you're feeling the same.
13:22
You know, you're always so happy.
13:27
But I'm talking about a lot.
13:30
You are something like a child.
13:34
You're something like a small child.
13:36
You're a little girl.
13:38
You're a little girl.
13:41
You're a little girl.
13:44
You're a little girl.
13:48
You're a little girl.
13:49
If you love your child, you really love your love.
13:53
Then you end up with all your thoughts and feelings.
13:56
And learn to be happy.
13:59
In the beginning of the day, everything feels good.
14:02
But in the end of the day, everything goes fine.
14:05
Are you understanding what I'm saying?
14:08
If you think about it, then leave it to you.
14:12
It's a lot of pain, but your mother is a lot of courage.
14:16
What are you talking about in my daughter?
14:19
I don't know anything about my mother and my mother.
14:22
I can't tell you.
14:23
Okay, you're the same.
14:25
You're the same.
14:26
You're the same.
14:28
Let's go ahead and get ready.
14:31
I'll be ready.
14:33
Yes, mother.
14:35
You're a good girl.
14:39
Well, when have you come out with Zibunisa?
14:43
What happened?
14:46
You're the same.
14:48
It's a miracle.
14:49
Let's go.
14:50
No, someone's come.
15:01
Raabia!
15:02
Hey Raabia!
15:03
Raabia!
15:04
Yes, Pa-pa-saas. Yes, my below average looking Pa-pa-saas.
15:08
Why are you yelling and yelling at me?
15:12
We've told you that you don't leave your children alone.
15:15
Now, we're walking from the camera.
15:17
Where were you from?
15:19
Where was your mother?
15:21
You've become a mother.
15:22
But your mother is not inside your mother.
15:25
Yes, no, no, no.
15:27
If you heard the sound of her mother,
15:29
why did you hear the sound of her mother?
15:31
Why didn't you hear the sound of her mother?
15:33
Why didn't you hear the sound of her mother?
15:35
Tell me, Pa-pa-saas.
15:36
I asked you.
15:37
Now, you'll answer me.
15:38
Tell me.
15:39
Who is the mother of her mother?
15:41
Are we or are you?
15:42
Are you responsible?
15:44
Excuse me, Pa-pa-saas.
15:45
What is the name of Pa-pa-saas?
15:47
She's called Mehek Malik and she's also your daughter.
15:50
Your granddaughter.
15:51
You've accepted her for a long time, Pa-pa-saas.
15:54
Why are you so upset with girls?
15:56
Tell me why, Pa-pa-saas.
15:58
The girls are good.
15:59
But for you, the girls...
16:01
Just shut up.
16:02
If we don't move on,
16:03
we will kill you.
16:04
No.
16:05
No, Pa-pa-saas.
16:06
No.
16:07
Don't do it.
16:08
I'm in a very depression.
16:09
I don't understand what I'm saying to anyone.
16:12
Don't shoot.
16:13
Please.
16:14
Please forgive me.
16:15
I won't open your face in the future.
16:17
This is my story.
16:18
Why won't you open your face in the future?
16:20
I won't open your face in the future.
16:22
I won't open your face in the future.
16:23
Yes, leave.
16:24
Please.
16:25
Forgive me, Pa-pa-saas.
16:27
Let's go and see.
16:28
What does the child have?
16:29
What does the child have?
16:30
What does the child have?
16:31
What does the child have?
16:32
What does the child have?
16:33
The name of Pa-pa-saas is Mahakmal.
16:35
Mahakmal?
16:36
Okay, Pa-pa-saas.
16:38
Please.
16:39
Please forgive me.
16:40
I won't.
16:41
Please.
16:42
I won't open your face.
16:43
Please.
16:44
Put it on.
16:45
Okay.
16:46
It's all right.
16:48
If you're a mother,
16:49
then you're a mother.
16:50
Let me show you.
16:53
Thank you. Thank you, Bhopal Saas.
16:55
Please, keep it back. It is a very, very dangerous thing.
16:59
Go and keep it under the roof.
17:03
We keep it for safety, right?
17:06
So that it can be good for the roof.
17:10
Yes, sir.
17:12
Here?
17:13
Yes.
17:14
Keep it under the roof.
17:17
It comes to work for the roof.
17:20
I'm not a bad guy.
17:26
Who will do your face, Bhopal Saas?
17:28
How will you do it, sir?
17:30
What do you do?
17:31
What do you do?
17:32
It will go!
17:33
It will go!
17:34
It will go!
17:37
It will go!
17:38
It will go!
17:39
It will go!
17:40
It will go!
17:42
What do you do?
17:43
It's Fariya.
17:44
Save it.
17:45
Save it.
17:46
Come on!
17:47
Save it!
17:48
What is he doing, Bhopal?
17:49
Stop it, Bhopal.
17:51
I'll leave him!
17:52
Leave him!
17:53
Leave him!
17:54
Leave him, Bhopal.
17:55
Let him go, Bhopal.
17:56
Leave him, Bhopal.
17:57
Leave him!
17:58
Leave him!
17:59
Leave him!
18:00
Leave him!
18:01
She is scared of him!
18:03
Who's this?
18:05
Who is this?
18:07
Let's keep our safety so that it can be done.
18:12
This is the case.
18:13
Let's open the door and put it under.
18:16
Hey! Hey!
18:19
Where is the door?
18:23
Go, keep it.
18:25
God!
18:27
God!
18:29
God!
18:31
Put the door in the door.
18:34
Yes, I put it.
18:36
Yes, I put it.
18:38
Yes, I put it.
18:40
Yes, I put it.
18:44
Yes, I put it.
18:46
Yes, I put it.
18:48
But let's take that door and take that door.
18:51
That's why we don't have to tell.
18:55
Where are you sitting at the phone?
18:57
The phone is coming from here.
18:59
Let's keep the phone.
19:01
We have to do a party today.
19:03
God!
19:04
Allah appears.
19:06
Allah appears.
19:08
God!
19:10
I love you!
19:12
I love you.
19:14
I'm very tired.
19:16
Bye!
19:18
God bless you!
19:20
God bless you!
19:22
I love you!
19:24
I love you!
19:26
See you then!
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