- 2 days ago
a mother who, along with her daughter, plots to murder her abusive husband at his hunting cottage.
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00:00:00The End
00:00:30Oh, my God.
00:01:00Let's go.
00:01:30Let's go.
00:02:00Let's go.
00:02:30Let's go.
00:02:59Let's go.
00:03:29Let's go.
00:03:59Let's go.
00:04:29Let's go.
00:04:30Let's go.
00:04:31Let's go.
00:04:32Let's go.
00:04:33Let's go.
00:04:34Let's go.
00:04:35Let's go.
00:04:36Hello, darling.
00:04:37How's it going?
00:04:38Very well.
00:04:39Very well indeed.
00:04:40Not many people here.
00:04:41Worry days yet, George.
00:04:42They'll all be along later.
00:04:43Don't you worry.
00:04:44Here we are.
00:04:45Let's go.
00:04:46I see you're spending my money wisely.
00:04:48I see you're spending my money wisely.
00:04:49Who's money?
00:04:50You did say I could do what I like with my own allowance.
00:04:52Did I?
00:04:53Oh, fool me.
00:04:54Now, come on, Davis.
00:04:55Show us around.
00:04:56I'm sure, George.
00:04:57I'm sure they'll prove a great investment.
00:04:58I'm sure they'll prove a great investment.
00:04:59So they better, for your sake.
00:05:00That money my wife gave you is only a loan, you know.
00:05:03Yes, I know.
00:05:04I'm sure John understands.
00:05:05What's this red star mean?
00:05:07You know, perfectly well it means it's been sold.
00:05:09Well, I don't see many about.
00:05:11Have you got any impressionists?
00:05:13Oh, no.
00:05:14These are basically new and unknown artists.
00:05:16Oh, pity.
00:05:17I like impressionists.
00:05:18Can good investment.
00:05:20I made a packet out of mine.
00:05:22Oh, this is exciting.
00:05:24George, don't you think so?
00:05:28George.
00:05:29Yes, very good.
00:05:34Where did you get this?
00:05:36From the artist.
00:05:38Victor Clare, I don't think I know that.
00:05:41Is he young?
00:05:42No, that's the funny thing.
00:05:43In fact, he's getting on a bit.
00:05:44Davis, I want this piece.
00:05:46George.
00:05:47How much is it?
00:05:48I'm sorry, it's already sold.
00:05:50Who to?
00:05:51To an American dealer.
00:05:53Can't you tell him you've changed your mind?
00:05:54You know he can't go back on a deal.
00:05:56It's just not done.
00:05:58I'm awfully sorry.
00:05:59I didn't see you there.
00:06:01Damn drunk.
00:06:03Why don't you throw him out?
00:06:04It might be a little difficult.
00:06:05He's Victor Clare's son, Michael.
00:06:07Without him, I wouldn't have got any of the Clare pieces.
00:06:10Perhaps he could get another piece for George.
00:06:12I don't want another piece.
00:06:13I'm sure if we ask this Victor Clare...
00:06:15No.
00:06:16He sees no one.
00:06:17He lives as a recluse.
00:06:19He hasn't shown any of his work since before the war.
00:06:21Stop bellyaching.
00:06:22I've already told you I don't want just any piece.
00:06:24I want that one.
00:06:25I think we'd better hurry.
00:06:26You'll miss your plane.
00:06:28George is going to Germany for a week.
00:06:30Well, I don't know.
00:06:31It's my money that's paying for all this.
00:06:33It's just a loan.
00:06:34It doesn't give you any rights.
00:06:35No?
00:06:36Well, just you make sure that money's paid back by the end of the week...
00:06:39...or we'll see who's got any rights.
00:06:41I'm afraid he means it.
00:06:45I'll manage.
00:06:46I hope so.
00:06:48I thought I was supposed to be the drunk.
00:07:12Who were those, um...
00:07:14Those two heavies you were talking to seem to get you down a bit.
00:07:17Who were they?
00:07:18That was George Brent.
00:07:19Oh.
00:07:20Yeah.
00:07:21And his wife, Joanna.
00:07:22Well, you seem to be getting on all right with her.
00:07:25But I don't think he fancied you.
00:07:27I think he preferred blondes.
00:07:29Well, what were they doing here?
00:07:31Buying?
00:07:32They're my backers.
00:07:33They lent me the money to buy all this stuff and set up the show.
00:07:36Well, what happens if you don't sell it all?
00:07:40What do you think?
00:07:41Still, they're not trying to make a profit out of me.
00:07:44She regards herself as a sort of patron of the arts.
00:07:47Conscience money.
00:07:49One of my father's favourite expressions.
00:07:53He'll turn to my mother and he'll say,
00:07:57Conscience money.
00:08:00Most rich men have to salve their consciences by buying pictures or being patrons of the arts.
00:08:09But your father gave me you.
00:08:12You see, all his money came from her trust fund.
00:08:18He could never quite forgive her for that.
00:08:21Bastard.
00:08:22Still, his work sold well.
00:08:24About the only things they'd have.
00:08:26How much have we made?
00:08:27Well, it's hard to say.
00:08:29Your cut should be about half a grand, don't you think?
00:08:31Good.
00:08:32It's all right for you.
00:08:33My share's all tied up in this other stuff.
00:09:03It's all right, Don't you think.
00:09:04My share's all tied up in this other stuff.
00:09:05You just look ok, aren't you?
00:09:06Thanks.
00:09:07Thankfully I'd love to you and welcome you to kill you.
00:09:09You rencontrer the Olympus with good and proud.
00:09:12I'm loved to you again.
00:09:13Good and sad.
00:09:14Have to leave.
00:09:15Trustee David, Tom.
00:09:18Oo- rob, your Yap?
00:09:20See, PLE дорог.
00:09:21Sometimes he wasn't cometå¿…ard.
00:09:22But if you ok, the other day axi and party leader.
00:09:24We'll have to leave.
00:09:25How much have I done the iÅŸi?
00:09:27Theoptime husband could never hurt you.
00:09:28Pardon?
00:09:30Right tracks, dear God you Walker,
00:09:31You, uh, you did say there was a lot more of this stuff.
00:09:56At the studio.
00:09:58Oh, yes.
00:09:58No more like this, though.
00:09:59He didn't do any more sculpture after this one.
00:10:02I don't know why.
00:10:03Plenty of pictures of that.
00:10:05You don't think he's a chance of getting any more, do you?
00:10:07Oh, no, no, no.
00:10:08Not a hope.
00:10:09After tonight, I could sell anything by him.
00:10:11I got a pretty good price for it, too.
00:10:13No, it's too risky.
00:10:14I couldn't possibly smuggle any more.
00:10:16As I said, he'd go crazy now, I've been here.
00:10:19Come on.
00:10:22I'm not kidding.
00:10:23You don't know him like I do.
00:10:25He can be pretty violent.
00:10:26And, you know, I think he could even kill me if he knew.
00:10:33Listen.
00:10:35Supposing I meet him and offer him hard cash.
00:10:41Oh, I don't know.
00:10:43It might be a possibility.
00:10:45I remember when I was down there last time, there was some talk about the trust wasting away.
00:10:49Could be that the cost of living is finally catching up with Victor.
00:10:53I can't see him economizing.
00:10:55I'd like to have a go at him.
00:10:56Might be a complete waste of time.
00:10:58Look, Mike, I know I can sell your father's work quickly.
00:11:01If I could reinvest the takings from the sales tonight in some more of his work,
00:11:05I can make a quick profit and pay off the Brents.
00:11:07Otherwise, I'll never recoup that loan.
00:11:08Well, when would you like to meet him?
00:11:09It's got to be soon.
00:11:11Could go down to Jericho this weekend.
00:11:14Where?
00:11:14Oh, it's what we call the family, for want of a better word, seat, Jericho Valley.
00:11:22I haven't been there for some time.
00:11:23I owe them a visit.
00:11:25And Victor's very keen on Jane.
00:11:27He fancies it, does he?
00:11:29Who fancies who?
00:11:31We all fancy you, darling.
00:11:34Well, at least someone's enjoying themselves.
00:11:38How's it going, then?
00:11:39Oh, not too bad.
00:11:41Don't you mean not too good?
00:11:42Would you like a look around?
00:11:45Oh, no, thanks.
00:11:47Well, perhaps you and Mike would like to come upstairs for a drink.
00:11:49I know Millie would like to see you.
00:11:50Isn't she down here sharing your hour of triumph?
00:11:53Oh, no.
00:11:54Are you sure?
00:11:55No, thanks.
00:11:57I think we'll go while Mike can still walk.
00:12:00I suppose I'd better be off.
00:12:02This weekend, then?
00:12:04Well, if you're sure you want to come.
00:12:06But I've warned you, Victor can be pretty nasty.
00:12:08Look, it's my only chance.
00:12:10It's up to you.
00:12:11Well, if you're I know, bring Millie along.
00:12:14May help soften him up.
00:12:44Okay.
00:12:44What color do you think?
00:12:55Okay.
00:12:56All right.
00:12:58Okay.
00:15:15Come on.
00:15:16Get out.
00:15:17Why?
00:15:18We have to contend with a bit of artistic temperament.
00:15:19I'm taking Michael.
00:15:20You can keep Jane company in her car.
00:15:21Don't say they've had another row.
00:15:22What's the matter with those two?
00:15:23The usual problems.
00:15:24I suppose Jane's been on the gym again.
00:15:27All she wants is a good hiding.
00:15:29How do you know?
00:15:30I know women.
00:15:31So watch it.
00:15:32Morning, Mike.
00:15:33What?
00:15:34In the doghouse again.
00:15:36I've been there for so long I'm beginning to enjoy it.
00:15:40Why?
00:15:41Why?
00:15:42Why?
00:15:43I wouldn't have to wait for this money now.
00:15:44Why?
00:15:45Why?
00:15:46Why did you do that?
00:15:47Why?
00:15:48Why?
00:15:49I was so sorry to find a man.
00:15:50I've been there for so long.
00:15:51I knew I was so sorry.
00:15:52Why?
00:15:53Why?
00:15:54Why?
00:15:55Why?
00:15:56Why?
00:15:57Why?
00:15:58Why?
00:15:59Why?
00:16:00Why?
00:16:01Why?
00:16:02Why?
00:16:03Why?
00:16:04Why?
00:16:05Why?
00:16:06Why?
00:16:07Why?
00:16:08Why?
00:16:09Why?
00:17:16Mother.
00:17:17Mother.
00:17:18Come in, dear.
00:17:19How are you?
00:17:20Looking well.
00:17:21This is a friend of mine, John Davis.
00:17:22How do you do, Mrs. Clare?
00:17:23Where's Jane?
00:17:24She's following in our car.
00:17:25Where's Father?
00:17:26Where's Father?
00:17:27She's following in our car.
00:17:28Where's Father?
00:17:29She's working in the studio.
00:17:30She's disturbing.
00:17:31Please don't go up to him.
00:17:32You know how angry you, Mason.
00:17:33You know how angry you, Mason.
00:17:34The prodigal returns, Father.
00:17:36No fatted car.
00:17:37No fatted car.
00:17:38I think a little more emphasis on the highlights.
00:17:40You know, Marcia, my lady.
00:17:41She's working in the studio.
00:17:42She's disturbing.
00:17:43Please don't go up to him.
00:17:44You know how angry you, Mason.
00:17:47You know how angry you, Mason.
00:17:48She's working in the studio.
00:17:51The prodigal returns, Father.
00:17:54No fatted car.
00:17:57I think a little more emphasis on the highlight.
00:18:00You know, Marcia, my love.
00:18:01I think you're putting on weight.
00:18:10I think you're putting on weight.
00:18:25Jane's here.
00:18:28Here, let me give you a hand.
00:18:36All right? Here.
00:18:38Hello, love.
00:18:41Come on.
00:18:51I've had a word with the old man.
00:18:53I think we'd better leave it till tomorrow.
00:18:55There's no point in tackling him until he's in the right mood.
00:18:59How do you like the old place?
00:19:01It's very beautiful. Very strange.
00:19:03Yes, I thought you'd like it.
00:19:04You weren't kidding when you said it was remote.
00:19:06Nobody ever comes here now.
00:19:08It's got a weird atmosphere, hasn't it?
00:19:12That's the souls of the dead miners.
00:19:15Used to be a tin mine.
00:19:17One of the biggest.
00:19:20Until the accident.
00:19:21Yeah?
00:19:22There was this terrible disaster.
00:19:24They never recovered some of the bodies.
00:19:26Of course, no one would work here after that.
00:19:30They do say that the place will stay haunted until their bodies lie in consecrated ground.
00:19:37You laugh all you like.
00:19:41But some people believe in it.
00:19:42Who?
00:19:43Well, all the locals.
00:19:46Victor?
00:19:47Yeah.
00:19:49And she used to.
00:19:50That Japanese bird.
00:19:51The model for the bronze?
00:19:52Strange woman.
00:19:53Religious mania.
00:19:54She introduced Victor to this weird sect.
00:19:58They believed that the spirits of the dead had power over the living.
00:20:05They actually believed that a soul could take over and transform living flesh.
00:20:11You don't believe all that rubbish.
00:20:13The only spirits you believe in are pale brown and poured out of a bottle.
00:20:18I'll drink to that.
00:20:41until later.
00:20:42It was a blow.
00:20:43But I couldn't let him, okay.
00:20:44Just putting in trouble without renewing the dissolve power.
00:20:46Well no nothing can go.
00:20:48Oh heí• all the
00:20:49day was aнул lad.
00:20:49Oh god!
00:20:50Oh, this is what?
00:20:51I'll call him.
00:20:52I was turned my eyes made him.
00:20:54Oh boy, let me tell myself.
00:20:55I'll call him.
00:20:58Yeah, he ran my brother.
00:21:00Oh boy...
00:21:01Oh boy...
00:21:03Oooh...
00:21:04What the hell are you supposed to?
00:21:05Oh van a while dissu 주�ce A ride.
00:21:09Tamam dude.
00:21:10For God's sake, be careful.
00:21:37You mustn't run around like that.
00:21:39These cliffs are dangerous.
00:21:40What were you doing, scaring me like that?
00:21:42What do you mean?
00:21:43Following me.
00:21:44I wasn't following you.
00:21:45But I heard you.
00:21:45I don't know what you heard, but it wasn't me.
00:21:47I've just come up from the house to look for you.
00:21:48It's made time for supper.
00:21:50Well, someone was definitely there.
00:21:52Oh, you're imagining it.
00:21:54The wind or a seagull or something.
00:21:56Oh, I suppose so.
00:21:57It's just this place.
00:22:00I feel as if I've been here before.
00:22:01Déjà vu.
00:22:02What?
00:22:03That's what it's called, déjà vu.
00:22:04It's quite common.
00:22:05Something to do with the brain getting out of phase or something.
00:22:08No, it's not that.
00:22:09This is different.
00:22:11I've definitely been here before.
00:22:13Maybe you came down here on holiday when you were a kid.
00:22:15No.
00:22:17Anyway, who do you think would want to follow you?
00:22:19Come on.
00:22:28Better tell your guests dinner's ready.
00:22:29Come and get it.
00:22:32Come and get it.
00:22:33Oh, here they are.
00:22:36You don't know each other, do you?
00:22:39This is Bill Cartwright, Millie and John.
00:22:43Bill is my father's oldest friend.
00:22:46And his only friend.
00:22:48Nice to meet you.
00:22:50Nice to meet some of Mike's friends.
00:22:51Nice to see some fresh faces around the old place.
00:22:56I was just saying.
00:22:58It's nice to have some new faces, Dorothy.
00:23:02I hope you weren't expecting old cuisine.
00:23:05We live very simply here.
00:23:07You're a super-cook, Bill, and you know it.
00:23:10He's had plenty of practice.
00:23:11Well, here we are, then.
00:23:20Yes, Michael, do help yourself to wine.
00:23:23Jane, still as lovely as ever.
00:23:25And who are our guests?
00:23:27John Davis and Millie.
00:23:29Charming.
00:23:30Absolutely charming.
00:23:32How lucky we are to have two such lovely young people with us.
00:23:37The young are so refreshing, aren't they?
00:23:40Just what I was saying, Victor.
00:23:41Well, Bill, I thought that you were only interested in antiques.
00:23:48It's quite a place you have here.
00:23:50A perfect retreat.
00:23:51Oh, not perfect, Mr. Davis.
00:23:53Nothing is perfect.
00:23:54Nothing and no one.
00:23:57That's a sad fact of life.
00:23:59Take Marcia, for example.
00:24:02Look at her.
00:24:04Beautiful, isn't she?
00:24:06Now look at my wife.
00:24:08She was beautiful once.
00:24:09Don't you, my dear?
00:24:12Sorry, Victor.
00:24:14Why have you brought that thing to my table?
00:24:16I've told you before, I won't have it.
00:24:29Wonderful.
00:24:29This one's really marvellous.
00:24:32Look at the colour, the composition, the detail.
00:24:34These are all very good.
00:24:35Thank you, my dear.
00:24:36Of course, I don't really know very much about art.
00:24:40Don't you do sculpture as well?
00:24:42I did once.
00:24:43That must be very difficult.
00:24:45Mostly just hard work.
00:24:47Why did you start?
00:24:50Inspiration, darling.
00:24:51Oh, what a shame.
00:24:56Tell me, have you ever posed for an artist?
00:24:59It's fantastic.
00:25:01Line, trustmanship.
00:25:03John seems to know a lot about painting.
00:25:05Yes, he knows a lot about art.
00:25:07Really?
00:25:08Yes, he organised a show only last week.
00:25:11Did he now?
00:25:13And how did it do, this show?
00:25:16Very well, I believe.
00:25:17Do you like the yarn?
00:25:27It's very old.
00:25:28A friend gave it to me.
00:25:30Some sort of ritual ornament.
00:25:32For blood.
00:25:34It may have been, but more likely wine, if I know those orgies.
00:25:38These paintings are really great.
00:25:41Really?
00:25:42She seems mightily taken by my vans.
00:25:45I know, she shall have it.
00:25:46A memento of your visit.
00:25:50No.
00:25:51Oh, but I insist.
00:25:52No, I don't want...
00:25:53I'm totally sorry.
00:25:59I'm sure she meant no harm.
00:26:01But what can I say?
00:26:03I expect she's just tired after the journey.
00:26:05I expect she's bored by all this arty chat
00:26:08and going to find herself a drink
00:26:10and I vote we join her.
00:26:11Come on.
00:26:11Jane, you were very cruel to me at supper.
00:26:18Must be catchy.
00:26:21Sorry.
00:26:23It's just my work.
00:26:24It's not going well.
00:26:26I'm tired of Marcia.
00:26:28She no longer inspires me.
00:26:30Well, get rid of her.
00:26:31She never seemed to have any trouble finding new models.
00:26:34But one always escapes me.
00:26:37Victor, I've told you.
00:26:39I can't.
00:26:41How old are you, my dear?
00:26:42Twenty-four.
00:26:44Twenty-four.
00:26:45The years are rushing by.
00:26:47Soon, even your exquisite loveliness will fade.
00:26:50Really?
00:26:52Look, if you knew some unique treasure was rotting away,
00:26:56wouldn't you want to save it?
00:26:57Of course.
00:26:57Then why not let me start some sketches tonight?
00:27:00Tonight?
00:27:01Why not?
00:27:02Michael would be livid.
00:27:03Oh, Michael.
00:27:04Perfect to write to.
00:27:27Who is it?
00:27:35Somebody there?
00:27:43Are you looking for these?
00:27:45Thanks.
00:27:47Would you like a drink?
00:27:48No.
00:27:51It's a pity.
00:27:53Because I don't like drinking on my own.
00:27:57Still, needs must.
00:28:06I'm surprised to find you still here.
00:28:12You see, Victor usually gets rid of his birds pretty regularly.
00:28:21No.
00:28:22No, no, no.
00:28:23I'm not really surprised that you've lasted the course.
00:28:30Because you really are very, very, very lovely.
00:28:37Sometimes I envy my father.
00:28:41Don't you find that funny?
00:28:43Why should I?
00:28:46Envying a...
00:28:48psychopath.
00:28:50Don't be ridiculous.
00:28:52Why not?
00:28:53I've had plenty of practice.
00:28:55You said it.
00:28:57One day I'll show you.
00:29:00I'll show the lot of you.
00:29:04I'm every bit as good as my father.
00:29:07Oh, yes?
00:29:08What's that?
00:29:09What the hell?
00:29:09Let's go.
00:29:39Oh, what's the matter, love?
00:29:50It was blood. I was covered in blood.
00:29:54Steady on, steady.
00:29:59Why did you bring me down here?
00:30:02Well, I thought it would make a nice weekend for you.
00:30:06I don't like this place.
00:30:08Well, what's wrong?
00:30:09Well, Victor, look at the way he talked at dinner.
00:30:15Well, so he's a bit strange.
00:30:17Living stuck down here for 30 years, I'm not surprised.
00:30:21Strange?
00:30:21Do you know, he hardly took his hand off my leg all the way through supper.
00:30:26Well, what's so strange about that?
00:30:28Often fancy a bit of that myself.
00:30:29Well, you make me sick, the way you play up to him, laughing at everything he says, like a hard-up work.
00:30:37Well, at least he's got some charm.
00:30:39He fancies you, he makes a little play for you.
00:30:43You do nothing to discourage him.
00:30:46What must John think of me?
00:30:48Oh, don't be stupid.
00:30:50We should never have come.
00:30:52Has he asked you to pose for him again?
00:30:57Shut up.
00:30:57Oh, don't mind me.
00:31:00I'm just your husband.
00:31:03Oh, is that what you are?
00:31:04I thought you were a charity I've been supporting for years.
00:31:07Don't worry.
00:31:09I'll pay you back.
00:31:11This deal...
00:31:12This deal would be like every other deal.
00:31:15Why bother to pour it out?
00:31:17Why not just dive into the bottle?
00:31:19I wouldn't need the booze if...
00:31:21If what?
00:31:22Come on, I'd like to know.
00:31:25If I had a decent one.
00:31:27God, I like that.
00:31:29I feed you, clothe you, clear up your filthy mess.
00:31:31I've given you everything.
00:31:33No, not everything.
00:31:34Well, what?
00:31:35What haven't I given you?
00:31:38Respect.
00:31:40Respect?
00:31:42I'll respect you when you stop making me sick.
00:31:57I'm going to stay with friends.
00:31:59Don't come looking for me.
00:32:03Until you learn to respect yourself.
00:32:12Oh, Victor.
00:32:18I was worried.
00:32:18I thought you'd forgotten our appointment.
00:32:21Well, actually, I...
00:32:26If you still want to paint me, I'm ready.
00:32:28I'm all ready to start.
00:32:38Where do I sit?
00:32:39Well, first you have to change.
00:32:41Change?
00:32:43Well, surely...
00:32:44You're teasing me.
00:32:47You're not shy, are you?
00:32:49You do want to pose for me.
00:32:51Try this one.
00:32:56Try this one.
00:33:51Oh, it's not right.
00:33:59It has no feeling.
00:34:01Perhaps if we try another purpose.
00:34:14No, Victor.
00:34:15No? In God's name, what's the matter now?
00:34:17Sorry, I can't.
00:34:19Sorry? Sorry, is that all you can say?
00:34:21Oh, please don't be angry.
00:34:22Please don't be angry.
00:34:23What do you think you're doing to me?
00:34:24You can't turn me on and off like a damn switch.
00:34:27Oh, you'll make me sick.
00:34:42Victor?
00:34:44Victor?
00:34:45Victor?
00:34:46Victor?
00:34:47Is anyone there?
00:34:48No!
00:34:48No!
00:34:49No!
00:34:50No!
00:34:51No!
00:34:52No!
00:34:53No!
00:34:54No!
00:34:55No!
00:34:56No!
00:34:57No!
00:34:58No!
00:34:59No!
00:35:07No!
00:35:08No!
00:35:09No!
00:35:10No!
00:35:40It's a fine morning.
00:36:08Yes, it's lovely.
00:36:10Are you sure you wouldn't like a little toast?
00:36:12No, thank you.
00:36:13It's not healthy, going for that breakfast.
00:36:18He's nice, isn't he?
00:36:20He's been with Victor for something like 30 years.
00:36:22Used to help him when he did his own casting.
00:36:24Sort of studio technician.
00:36:26But don't you need lots of equipment for that, a forge and things?
00:36:28Oh, he's got one.
00:36:29See that stone building over there?
00:36:31This used to be an old tin mine.
00:36:33Victor converted the furnace they used for smelting tin,
00:36:35but he doesn't use it anymore.
00:36:37Good morning, Michael.
00:36:39Isn't Jane up yet?
00:36:41Don't ask me, huh?
00:36:43Oh, yeah.
00:36:45We had a terrible row last night.
00:36:47She went back to London.
00:36:49In the middle of the night?
00:36:51Yes, well, she's done it before.
00:36:53I remember when we were on holiday in Spain, she left.
00:36:57Didn't see her for three weeks.
00:36:59She's always doing it.
00:37:01And you don't blame her, either.
00:37:03I didn't hear her go, nor me.
00:37:06I heard her drive away.
00:37:08It's a beautiful morning.
00:37:09I've been for a long walk.
00:37:11I trust that you, Mr. Davis, and the lovely Millie
00:37:14are going to take full advantage of our good sea air.
00:37:17Yes, we hope to later.
00:37:19After we've talked business.
00:37:21Oh, Michael didn't give you a little game away.
00:37:24You did.
00:37:25I did.
00:37:26By coming here.
00:37:28You're not one of Michael's friends.
00:37:30You're not the sort.
00:37:32Besides, I noticed there were one or two bits and pieces missing
00:37:35from my collection some weeks ago.
00:37:37I wondered what had happened to them.
00:37:39I suppose my son stole them and sold them to you.
00:37:43I didn't steal them.
00:37:45We won't go into that now.
00:37:47Oh, don't be embarrassed.
00:37:48I'm, of course, delighted to see you for whatever the reason.
00:37:51Especially when you bring such a lovely community.
00:37:55such a lovely companion.
00:37:58I suppose it would be too much to hope
00:38:01that she might be persuaded to pose for me.
00:38:06Now, just a minute.
00:38:08Don't I have any say in this?
00:38:10Of course you do, my dear.
00:38:11It's just our little joke.
00:38:12Mr. Davis, perhaps you'd like to come along to the studio
00:38:14and we can talk.
00:38:16Yes.
00:38:19Oh, yes, do come too, Michael.
00:38:21After all, you'd better protect your business interests.
00:38:23Victor, will you be needing me today?
00:38:24Not until this afternoon.
00:38:26I thought I'd go down to the beach.
00:38:27Good idea.
00:38:28Now, why not take Millie along with you?
00:38:36A hundred for this.
00:38:37A hundred for this.
00:38:38And a hundred and fifty for this.
00:38:40And I'd like some scotch, yeah?
00:38:42No doubt you would.
00:38:43Well, let's see.
00:38:44That's about two thousand pounds you've offered me.
00:38:47It's a fair offer.
00:38:48Is it?
00:38:49Is it indeed?
00:38:50How much profit will you make?
00:38:51Oh, it's difficult to say.
00:38:52And how much profit will my son make?
00:38:55Two thousand pounds.
00:38:57Oh, that's a lot of money.
00:39:00How much did you get for the stuff you stole, eh, Michael?
00:39:03Was robbing your father a profitable business?
00:39:06Oh, for God's sake.
00:39:08Well, what would you call it?
00:39:10I'd call it taking what was owed to my mother.
00:39:15She knew about it?
00:39:17No, no, of course not.
00:39:18I thought not.
00:39:19She hasn't the nerve to stand up to you.
00:39:23You've turned her mind with your bullying, your deceit.
00:39:29Yes, I robbed you, and I'm proud of it.
00:39:34It's the only decent thing I've ever done, and I'm proud of it.
00:39:38And you did it for your mother?
00:39:41For both of us.
00:39:43Your mother?
00:39:44Let me show you your mother.
00:39:49This is how she was 30 years ago.
00:39:54And this is how I still see her.
00:39:57Look at her.
00:39:58Isn't she desirable?
00:39:59Wouldn't any man want her?
00:40:01That mad, senile old hag isn't the woman that I knew.
00:40:24Well, there's no need to worry.
00:40:29I shan't go to the police about your other escapade.
00:40:33But it wasn't all one-sided, you know.
00:40:35No?
00:40:36No.
00:40:37Your work sold very well.
00:40:38It should do you a lot of good.
00:40:40In what way?
00:40:41It'll make your name known as an artist.
00:40:44Why should I care about that?
00:40:46Do you think that's what I work for?
00:40:48Well, at least people will be able to see your work.
00:40:51People?
00:40:52What people?
00:40:54I don't work for people.
00:40:56I preserve the beauty of my models for myself.
00:41:00And myself alone.
00:41:02That's what he could never understand.
00:41:04He wanted me to be rich and famous so that he could bask in my reflected glory.
00:41:09You are mad.
00:41:10And spend my money on his pleasures.
00:41:12Mad as a hatter.
00:41:14Shut up!
00:41:15You know, it's just as well you do live down here.
00:41:19Because if you were in the real world, they'd lock you up.
00:41:23Get out, you sniveling little swine!
00:41:25Get out and never come back!
00:41:26I would have a good mind to have you certified.
00:41:28Then they would lock you up and I could sell your paintings or maybe even burn them.
00:41:33I'll kill you first!
00:41:35For God's sake, Mike!
00:41:36You're all right.
00:41:37I'm sorry to have spoiled your little scheme.
00:41:40I'm sorry that you should have had to witness that.
00:41:46Well, it's probably my fault.
00:41:48I didn't realize all this would be stirred up when I came.
00:41:51Perhaps I'd better go.
00:41:54Yes, perhaps you had.
00:41:59Wait!
00:42:01About my work.
00:42:03It is just possible I might sell some.
00:42:05That would be...
00:42:06But I should want cash.
00:42:08Strictly cash.
00:42:09Those pictures you selected, how much did they come to?
00:42:12About 2,000.
00:42:13Do you have the money on you?
00:42:15Well, no.
00:42:16I thought I'd make you a cash down payment and let you have the rest later.
00:42:19No, that won't do.
00:42:20I want cash and I want it today.
00:42:22But I can't raise that kind of money just like that.
00:42:25It...
00:42:26Besides, it's Sunday.
00:42:27The banks are shut.
00:42:28Do you want the work?
00:42:30Yes, of course.
00:42:31Then you have until tonight.
00:42:37Mmm.
00:42:38That feels good.
00:42:41All right.
00:42:45That's a lovely kimono.
00:42:46Where'd you get it?
00:42:47In a market.
00:42:48Market?
00:42:49Yes.
00:42:50I collect Victorian things.
00:42:52I often go around to sales and markets.
00:42:54You can pick up things very cheaply.
00:42:56It's my hobby.
00:42:57You'd never believe it.
00:42:58That was a pound.
00:42:59No.
00:43:00Yes.
00:43:01Here.
00:43:02Now it's my turn.
00:43:03If you like Victorian things, you should come to the boutique.
00:43:04Boutique?
00:43:05Yes.
00:43:06That's the business side.
00:43:07Small boutique.
00:43:08I specialize in Victorian things.
00:43:10I do hate the mark that your bikini leaves.
00:43:12Don't you?
00:43:13I sometimes sunbathe with no clothes on.
00:43:16Do you?
00:43:17How would you feel?
00:43:18No.
00:43:19I'd be too embarrassed.
00:43:21But no one can see.
00:43:28Bad luck, darling.
00:43:29Ha.
00:43:30Ha.
00:43:31Ha.
00:43:32Ha.
00:43:33Ha.
00:43:34Ha.
00:43:35Ha.
00:43:36Ha, ha.
00:43:37Ha.
00:43:38Ha.
00:43:41Ha.
00:43:42Ha.
00:43:56Ha, ha.
00:43:57Oh, my God.
00:44:27You see, I have no choice. I can't trust him. He will keep his word.
00:44:31Not for me to say, old chap. I just wouldn't leave it too long.
00:44:34You'll be taking young Millie with you?
00:44:35No, it's a bit of a long journey there and back.
00:44:37Anyway, she's out with Marcia somewhere.
00:44:39Why, do you think I should?
00:44:40No, no.
00:44:41Oh, she'll be all right. Anyway, she can keep the old man sweet.
00:44:44I think it was a bit of luck bringing her with me.
00:44:46Might even have shrunk the deal my way.
00:44:48Well, she's a pretty girl.
00:44:50Right, well, I should be back about 11.
00:44:53I'll keep an eye on her for you.
00:44:57Kiss me!
00:45:01Come on!
00:45:09Life's wet.
00:45:17You said it woman's of work!
00:45:19You say it?
00:45:20Me!
00:45:22Come on,棒!
00:45:23Such a pity that nice young Mr. Davis had to be rushing off like that.
00:45:50He said he'd be back as soon as possible.
00:45:53And meanwhile he's left a most charming ambassador in his staff.
00:45:57Not much of an ambassador, I'm afraid. I really don't know anything about art.
00:46:01Oh, I'm sure that can't be said.
00:46:03It is, it's absolutely true. In fact, I feel a bit like a fish out of water.
00:46:09Well, John's always taking me to exhibitions and things, but...
00:46:15Well, somehow, I just know what I like.
00:46:19You must let me teach you.
00:46:22Well...
00:46:24Come with me to my studio. Come now!
00:46:27Well, I said I'd help Mill with the washing up.
00:46:29Well, Marcy can do that.
00:46:31Besides, you really would be doing me a great favour.
00:46:34I do want to make a couple of sketches of you.
00:46:37No, really, I'm no good at that sort of thing. I can't sit still for a minute.
00:46:41Oh, but Millie...
00:46:43Anyway, I've got a terrible headache. I think I'll just go and lie down.
00:46:49Joanna Nissen!
00:46:51No, I'm sorry.
00:47:13Hello?
00:47:15Is Mr. Reynolds there?
00:47:16Oh, this is Jim Reynolds. Who's that?
00:47:17Hello, Mr. Reynolds. John Davis here.
00:47:19Who?
00:47:20Davis. We met last year at the RA dinner.
00:47:22Did we? Oh, yes, I remember.
00:47:24I was wondering if you'd care to make a little investment.
00:47:26What sort of an investment?
00:47:28I've discovered this marvellous new artist who...
00:47:30Oh, thanks.
00:47:31Now, wait. Let me tell you.
00:47:33Sorry, Mr. David.
00:47:34Davis.
00:47:35Well, I'm not interested in that sort of venture. I got my fingers turned to office.
00:47:39But, Logan!
00:47:40Sorry.
00:47:53Who is it?
00:47:54I was just wondering how you're feeling.
00:47:57It's still rather bad.
00:47:59Pity. I thought that perhaps you might like a walk by the sea.
00:48:02Did it clear your head?
00:48:04No, I think I'll just rest.
00:48:06You're sure?
00:48:11Yes, I... I'll just lie down.
00:48:14Very well, my dear. I'll call back later and see how you are.
00:48:24What a hurry!
00:48:26Funny Jane leaving so suddenly last night, wasn't it?
00:48:41Was it?
00:48:42Up to your old tricks again.
00:48:44Mind your own business.
00:48:45Anyway, you heard Michael. They had a row.
00:48:47Yes, I heard him. I heard you on the stairs as well.
00:48:50All right.
00:48:52Always said your ears were a little out of proportion, just a little too big.
00:48:57And your mouth.
00:48:59A lovely butt.
00:49:02Anyway, I'm no longer interested in Jane.
00:49:04And somebody new.
00:49:06Don't tell me. Let me guess.
00:49:08Poor Victor.
00:49:09Playing hard to get, is she?
00:49:11Oh, shut up.
00:49:13Her beauty fascinates me.
00:49:15So young and rich.
00:49:17I want her.
00:49:18I want her.
00:49:19Not for her toad.
00:49:29Oh, I'm sorry.
00:49:30You all right?
00:49:31Yes.
00:49:32You look upset.
00:49:37Come.
00:49:38How do you like my little collection?
00:49:49I was out east before the war.
00:49:51Where are you?
00:49:52I made a bit of a study of their military history and ancient customs.
00:49:56You see this shield?
00:49:57It's over 300 years old.
00:50:05And that helmet is Tan Sin, second century.
00:50:10At least I think it is.
00:50:12It could be a good fake, I suppose.
00:50:15I say, are you all right?
00:50:28Joanna, I must talk to you.
00:50:30I told you I've done all I can.
00:50:32You'll have to talk to George.
00:50:34And he's not back from Germany.
00:50:35But it's a fantastic opportunity.
00:50:40All right, Brando.
00:50:54Joanna.
00:50:55Yes, John.
00:50:56We've always been, well, close.
00:50:59Have we?
00:51:00I thought so.
00:51:02I've always thought that in you I had a real friend.
00:51:05How nice.
00:51:06Our relationship has been more than just sponsoring beneficially.
00:51:10You mean it wasn't just my money?
00:51:11Oh, come on.
00:51:12I always think of you as a truly wonderful person, a real commissary of the arts.
00:51:17Sounds very grand.
00:51:19I just thought you fancied me.
00:51:21No.
00:51:22You mean you don't fancy me?
00:51:23Yes.
00:51:24Yes, of course.
00:51:25I...
00:51:26Now, please don't send me up, Joanna.
00:51:28Well, don't try to con me.
00:51:29I'm not.
00:51:30This really is a great deal.
00:51:32Look.
00:51:33This guy...
00:51:34Now, you're boring me.
00:51:35Let's get back to the other subject.
00:51:37What?
00:51:38About your fancying me.
00:51:40About your fancying me.
00:53:41Are you there, Millie?
00:53:47I should come down if I were you.
00:53:50Those caves lead to the old mine workings.
00:53:53They stretch for miles.
00:53:56If you once get lost in there, you'll never get out.
00:54:02Millie!
00:54:03Millie!
00:54:04Don't be afraid!
00:54:06Millie!
00:54:08Millie!
00:54:10Don't be afraid!
00:54:11Don't be afraid!
00:54:12Don't be afraid!
00:54:14Don't be afraid!
00:54:17Don't be afraid!
00:54:18Oh, my God.
00:54:48Oh, my God.
00:55:18Millie.
00:55:20Millie.
00:55:22Millie.
00:55:23Millie.
00:55:24Millie.
00:55:25Millie.
00:55:26Millie.
00:55:27Millie.
00:55:28Millie.
00:55:29Millie.
00:55:30Millie.
00:55:31Millie.
00:55:32Millie.
00:55:33Millie.
00:55:34Millie.
00:55:35Millie.
00:55:36Millie.
00:55:37Millie.
00:55:38Millie.
00:55:39Millie.
00:55:40Millie.
00:55:41Millie.
00:55:42Millie!
00:56:12Millie!
00:56:42Millie!
00:57:12Millie!
00:57:14Millie!
00:57:15Millie!
00:57:16Millie!
00:57:17Millie!
00:57:18Millie!
00:57:19Millie!
00:57:20Millie!
00:57:21Millie!
00:57:22Millie!
00:57:23Millie!
00:57:24Millie!
00:57:25Millie!
00:57:26Millie!
00:57:27Millie!
00:57:28Yes?
00:57:29I...
00:57:30I've tried not to mind about the girls.
00:57:33What girls?
00:57:34All of them, the girls you've had here.
00:57:37Girls?
00:57:38Oh, you mean my models?
00:57:40I've tried not to mind.
00:57:43Mind?
00:57:45An artist must have models.
00:57:47Surely even you understand that.
00:57:50Why, you used to pose for me yourself.
00:57:53No, I didn't.
00:57:55Yes, you did.
00:57:56No, no!
00:58:02The artist doesn't like me.
00:58:04Dorothy, why are you here?
00:58:07Here?
00:58:08Here, in my studio.
00:58:12About this girl.
00:58:14What girl?
00:58:16You mustn't.
00:58:18Ah, do you mean Millie?
00:58:20She's very young.
00:58:22Not so young that she plays with dolls.
00:58:26Who shall?
00:58:27You'll make poor Jenny cry.
00:58:29Oh, for God's sake, Dorothy.
00:58:31She's going to cry.
00:58:33It's a doll, a plastic doll.
00:58:36Poor Jenny, never mind.
00:58:37A doll, Dorothy.
00:58:38A doll!
00:58:39A cheap, ugly, rotten, plastic doll!
00:58:55There you are.
00:58:56I wondered where you got to.
00:58:58I got lost in the mine.
00:59:00Why did you go in there?
00:59:04It was Victor.
00:59:05He was chasing me.
00:59:06Chasing you?
00:59:08Yes, I went into the mine and he followed me.
00:59:12I think he just didn't want to see you get into any trouble.
00:59:15Why have you started the forge?
00:59:18He asked me to start it up.
00:59:20Just like that, after all these years.
00:59:23Says he feels inspired.
00:59:26He must be.
00:59:27It'll be hours before the metal's hot enough.
00:59:31Mind that bag.
00:59:32It's full of sulfuric acid.
00:59:33We use it through the process.
00:59:34What do you think of my little toy, my dear?
00:59:35Beautiful, isn't she?
00:59:36I was worried about you in the mine.
00:59:37Several people have been killed there.
00:59:38And one or two lost forever.
00:59:39Well, I'm all right.
00:59:40Oh, I see.
00:59:41I was wondering if you've given any further thought to posing for me.
00:59:42I don't really want to.
00:59:43I don't really want to.
00:59:44I've seen many beautiful women in my time, but few have had the...
00:59:49all the little powers.
00:59:50Oh, my dear.
00:59:51I'm all right.
00:59:52I'm all right.
00:59:53I see.
00:59:54I was wondering if you've given any further thought to posing for me.
00:59:59I don't really want to.
01:00:01I've seen many beautiful women in my time, but few have had the...
01:00:06I don't really want to.
01:00:09I've seen many beautiful women in my time,
01:00:12but few have had the illuminating loveliness that you possess.
01:00:17You're very flattering.
01:00:19That's a simple truth, my dear.
01:00:21A truth that I must capture in bronze.
01:00:26Well...
01:00:29Think about it.
01:00:36Tom Tom's come to say hello to you.
01:01:03Don't you want to say hello to Tom Tom?
01:01:05Yes, of course.
01:01:08I think he likes you.
01:01:10He bites people he doesn't like.
01:01:12Sometimes he bites Victor.
01:01:15Don't you think we ought to be going downstairs?
01:01:18He's lit the furnace, you know.
01:01:22I never go down to the forge, never.
01:01:24Oh, I think it's very interesting.
01:01:26You mustn't go there.
01:01:28Must you, Tom Tom? Tom Tom says you mustn't go there.
01:01:31My husband loved me once.
01:01:34I'm sure.
01:01:36Didn't just marry me for my money.
01:01:38Do you like my dress?
01:01:40Oh, yes.
01:01:41It's very pretty.
01:01:43Do you like Bill?
01:01:44Well, I...
01:01:45I like Bill.
01:01:46He gives me things.
01:01:48Have you seen my things?
01:01:50They're very pretty.
01:01:51Victor likes pretty things, but he...
01:01:57Do you like Victor?
01:01:58Well, I don't...
01:02:00If you do, you're the only one who does.
01:02:02Tom Tom bites him sometimes.
01:02:04Yes, you said.
01:02:06You must go away.
01:02:08You must go away now.
01:02:09I can't.
01:02:11Why not?
01:02:12Well, for one thing, I haven't got a car.
01:02:15Oh.
01:02:16Marcia wouldn't go away either.
01:02:20I shall be going soon.
01:02:22Tomorrow.
01:02:23Tom Tom bites Marcia sometimes.
01:02:26She doesn't like it.
01:02:28Victor used to pain me once.
01:02:32He's lit the furnace.
01:02:37You?
01:02:40I'm Millie.
01:02:43I've brought a present for you.
01:02:46It's very nice.
01:02:47It's on the bed.
01:03:07What do you think of our little Millie?
01:03:16She's seen very nice.
01:03:18Doesn't she remind you of anyone?
01:03:20No, I don't think so.
01:03:22Oh, surely you've noticed.
01:03:24No.
01:03:26What about our Japanese friend?
01:03:29Japanese?
01:03:30Oh, don't be coy, Bill.
01:03:32Surely you've seen the likeness.
01:03:34No, they seem quite different to me.
01:03:36Do they?
01:03:37Oh, perhaps they would to you.
01:03:40The resemblance I see is more than just a physical likeness.
01:03:46They both have the same magic.
01:03:48That's it.
01:03:49I wonder what happened to her.
01:03:51Yes, the little bitch.
01:03:52Do you know she really thought she was immortal?
01:03:55Did she?
01:03:56Well, they're a funny laugh, you know.
01:04:01You can have it if you like.
01:04:04After all your years of devotion to her, I suppose you deserve something.
01:04:10I don't understand why you wouldn't divorce her when I asked you.
01:04:16Simple.
01:04:17I needed her money.
01:04:19And, Bill, she didn't want you.
01:04:25Not then.
01:04:27Not even now.
01:04:29Not even now.
01:04:59Hello, don't you?
01:05:00Yeah.
01:05:01Yeah.
01:05:02Well, he's good about the
01:05:08Oh!
01:05:15Oh my God.
01:05:26Oh.
01:05:27By the way.
01:05:28Okay.
01:05:28To me, a beautiful woman is worth more than rubies.
01:05:35Her skin, her hair, her body are the earth, fire and air of creation.
01:05:44To look at her, to caress her, to possess her.
01:05:53This is all I ask of that.
01:05:55Did you know that Millie has agreed to pose for me?
01:05:58No, no, Victor, I forbid it.
01:06:01You? You forbid it?
01:06:05Yes.
01:06:06You can forbid nothing, my dear.
01:06:11Do you think I care about you?
01:06:14I'm finished with you, you're old and ugly.
01:06:19Look at her!
01:06:20And to think I once desired this carrier.
01:06:26You forbid me. You really are mad.
01:06:29Leave her alone!
01:06:30Tenhaven, 357.
01:06:44John!
01:06:47Yes, do you want to talk to Millie?
01:06:52Hello darling, where are you?
01:06:54Look Millie, I've got the money but the car's packed in, I'm miles away.
01:06:57You must get back.
01:06:58Maybe I can persuade Victor to wait.
01:07:00No, for me.
01:07:01What's the matter?
01:07:03Darling, please come and get me.
01:07:05Please.
01:07:06What's the matter?
01:07:07Tell me.
01:07:09It's Victor.
01:07:10Keeps on pestering me.
01:07:11Look, I can't explain now but please come back.
01:07:13Oh, stop exaggerating, look.
01:07:15I've mortgaged myself up to the hilt for this deal.
01:07:17Don't you get in his way or he might change his mind.
01:07:20This is the biggest deal I've ever had.
01:07:21It means more to me than...
01:07:22Than I do.
01:07:23Don't be silly.
01:07:24This is for both of us.
01:07:26Look, I'm frightened.
01:07:27Just play along with him.
01:07:31Wait a moment.
01:07:33John's car's broken down.
01:07:34Oh?
01:07:36Where?
01:07:37I don't know.
01:07:38You speak to him.
01:07:40Hello John, where are you?
01:07:41I'm just outside Bodmin.
01:07:42Oh, that's not so fair.
01:07:43I'll get the van out and come and pick you up.
01:07:45It's only about 30 miles.
01:07:47Yes, I could be there in an hour.
01:07:49I'll wait here.
01:07:50Right.
01:07:54Darling.
01:07:55Now look.
01:07:56Don't upset Victor.
01:07:57My whole future depends upon it.
01:07:58Yes, I know.
01:07:59Do you love me?
01:08:00Oh, yes, of course.
01:08:02Promise me you won't do anything to upset this deal.
01:08:04Right?
01:08:05I promise.
01:08:06Good.
01:08:10Well, I'd better be going.
01:08:11I'll just get my coat.
01:08:18Are you going?
01:08:21I'm going to fix John.
01:08:23His car's broken down.
01:08:24I don't want you to go.
01:08:25I can't leave him stuck there, can I?
01:08:27I'm frightened when you go.
01:08:28You go to bed.
01:08:30I shan't be lost.
01:08:32I heard you and Victor talking.
01:08:34Heard it?
01:08:36I can hear things in my room.
01:08:41Did you really want to marry me?
01:08:47We'll talk about it later.
01:08:51I've got to go.
01:08:52I think I'll go to my cave.
01:08:54No.
01:08:55I told you.
01:08:56I like my cave.
01:08:57Better stay in the house.
01:09:02In my cave, I saw...
01:09:04Who?
01:09:06Who did you see?
01:09:07Someone.
01:09:08Who?
01:09:10It wasn't Michael.
01:09:11No.
01:09:15I'd better be going.
01:09:17You really wanted to marry me.
01:09:20You really wanted to marry me.
01:09:47Sorry.
01:09:48No, no.
01:09:50No.
01:09:51No.
01:09:53No.
01:09:54Wait, tonight I'm a man inspired, after all these baroniers, you have inspired me, it's
01:10:23the truth, you must let me capture your beauty, and preserve it, forever, look at the fire,
01:10:34watch it burn, no one can capture the beauty of the flame, because such beauty demands
01:10:42total sacrifice, even while it burns, it consumes its own heart.
01:10:50All great beauty, all great art, demands this ultimate sacrifice.
01:11:00It is the price of immortality.
01:11:04Let me immortalize you.
01:11:14You will pose for me, won't you?
01:11:16I heard you come up. I assume you want to work.
01:11:28Correct, I do.
01:11:29How do you want me? Should I take up this morning, suppose?
01:11:32No, go to bed.
01:11:33What? Don't tell me. Well, you won't be needing me tonight then.
01:11:38Or ever again.
01:11:39What does that mean?
01:11:41Well, I thought that was quite plain.
01:11:43You don't think you can get rid of me just like that, do you?
01:11:46Why not? You were paid well enough.
01:11:48Paid for posing, maybe. But that's not all I did.
01:11:52Well, that was up to you.
01:11:53Look, I'm not some little art school tart you pick up and throw away just when you feel like it.
01:11:58You've had other girls before, I haven't minded.
01:12:00It doesn't bother me if you just want to sleep with her.
01:12:02You're beginning to sound as though you thought you had some say in the matter.
01:12:06Don't think I haven't.
01:12:08And what do you think you can do?
01:12:10Oh, get out before I lose my temper.
01:12:12Just what has she got that I haven't? What's so special about her?
01:12:15This girl has an inner radiance, such as I've only seen her once before.
01:12:21Hers is a beauty of the soul.
01:12:24But it's her soul I shall capture through my art.
01:12:27Oh, very impressive.
01:12:29Don't think I'm just going to sit back and take it.
01:12:32Because I'm not.
01:12:42Millie, my love.
01:12:45Here, look me.
01:12:49I've been talking to Victor about you.
01:12:51You have definitely made a conquest.
01:12:54I hope that was your intention.
01:12:56He just said he wanted to do a few sketches.
01:12:59Is that what he said?
01:13:01Nothing else?
01:13:02No.
01:13:03Why?
01:13:04Well, he was going on a great deal about your beauty.
01:13:07I must say I agree with him.
01:13:13Are you going to pose for him?
01:13:15Well, I don't really want to, but what can I do?
01:13:17He can be very persuasive.
01:13:19He frightens me, but I expect I'm just being stupid.
01:13:23I suppose he told you you inspired him.
01:13:25Who tells him all that?
01:13:27Oh, don't worry.
01:13:28We all fall for it.
01:13:30Even I did once.
01:13:32How long have you been with him?
01:13:34Long enough.
01:13:36I've never posed for an artist before.
01:13:40Do you think this will be all right?
01:13:42You're so naive.
01:13:44Once he gets you in there,
01:13:45I don't think you'll give a damn about what you're wearing, do you?
01:13:51Don't forget, if things get a bit much,
01:13:52my door is always open.
01:14:12Millie, are you ready?
01:14:19I won't be long.
01:14:42I won't be long.
01:14:50So you came, after all.
01:15:12Ah, ah, ah, ah, ah.
01:15:28Ah, ah, ah, ah.
01:15:31Ah.
01:15:32Ah, ah, ah.
01:15:37Ah.
01:15:39Oh, my God.
01:16:09Oh, my God.
01:16:39Millie, Millie.
01:16:52Millie.
01:16:54Millie.
01:16:56Millie.
01:17:00Millie.
01:17:03Millie.
01:17:38Ah, ah, ah!
01:18:08Ah, ah!
01:18:22Ah, ah!
01:18:28Ah, ah!
01:18:33Ah, ah!
01:18:35Oh, there you are.
01:19:05Oh, there you are.
01:19:35Oh, there you are.
01:20:05Millie? Victor?
01:20:19There's nobody here. Forge.
01:20:21Oh, my God!
01:20:51Oh, my God!
01:20:53Oh, my God!
01:20:55Oh, my God!
01:20:59Oh, my God!
01:21:21Oh, my God!
01:21:34Oh, my God...
01:21:41Boom!
01:21:43Oh, my God.
01:22:13Oh, my God.
01:22:43I've finished with the police.
01:22:59They'll have to make a statement in the morning.
01:23:03I just don't understand.
01:23:06Victor, the others, it's terrible.
01:23:08One thing I learned out east, never underestimate the power of revenge.
01:23:16You shouted something.
01:23:19What was it?
01:23:20Chai San?
01:23:21What did that mean?
01:23:23That was the name of the girl.
01:23:25Oh, my God.
01:23:28Japanese.
01:23:31As soon as I came through that door and saw Millie in that kimono, I knew.
01:23:37But this Chai San?
01:23:39Oh, yes.
01:23:42Chai San.
01:23:45Victor was obsessed by her.
01:23:49I don't know what happened.
01:23:50He was under her spell for years.
01:23:52Then she just disappeared.
01:23:53All that was left was a bronze, his best work.
01:23:57But he said it was cursed, hid it away.
01:24:03This girl was high up in a very sinister religious sect.
01:24:07They believed the spirits of the dead could enter the mind of anyone who wore that kimono
01:24:14and use their body to take revenge.
01:24:19I read once that in extreme cases, the body of the wearer actually took on a likeness of
01:24:22whoever was controlling their mind.
01:24:25Once Millie had put it on, she was completely under Chai San's control.
01:24:31In a trance.
01:24:32Mike, Jane, the others.
01:24:40Millie didn't even realise what she had done.
01:24:42You mean that, that thing, that was Millie?
01:24:47As I said, she had grown to resemble her controller.
01:24:52What tragedy had befallen her to make her so disfigured, I don't know.
01:24:57But Millie just picked up the kimono in a market somewhere.
01:24:59She'd never even heard of Victor Clare.
01:25:02It was the most incredible chance.
01:25:05Was it?
01:25:08Power of evil is always stronger than that of good.
01:25:13If you ask me,
01:25:14it was preordained.
01:25:32The End
01:25:44The End
01:25:45I'll see you next time.
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