Skip to playerSkip to main content
pakistani drama
  • 2 days ago
Biryani drama Episode 8

Category

😹
Fun
Transcript
00:00I don't know what to do with the women's clothes.
00:04I'm sorry.
00:07What?
00:09Sorry.
00:12Sorry?
00:14Sorry?
00:16I'm sorry.
00:18I'm sorry.
00:20What?
00:22Sorry.
00:24Sorry?
00:26I'm sorry.
00:28Sorry?
00:30Say it again.
00:32I didn't hear you.
00:33No.
00:34Don't say it again.
00:36I didn't say it again.
00:38Why are you saying it again?
00:42Yes.
00:44I thought it was wrong.
00:47I didn't have to sit on the bike.
00:49I apologize.
00:50One minute.
00:51What does it mean?
00:53I mean, our city's women are so sad.
00:56It's so sad that they have to sit on the bike.
01:00And you who are in the city,
01:02I don't know anything about how to sit on the bike.
01:05What's the ethics?
01:06What's the manners?
01:07The other person has to be disbalanced.
01:09The driver has to be focused on it.
01:10Then it's just like that.
01:11No.
01:12No.
01:13No.
01:14No.
01:15No.
01:16No.
01:17No.
01:18No.
01:19No.
01:20No.
01:21The driver has to stay on the bike at 100k speed.
01:23The driver's left for once too.
01:25That's so, Rashid is 26vah's in strategy.
01:27It happened my entire career.
01:29Just as the driver does as you caught up.
01:30So, when Rashidi is saying travelling away,
01:31They do not direct runs up at 100k speed.
01:32By the way,
01:33I mean, what do you mean?
01:34So, what's the driver's coming onceMore
01:48I drop 100k but it won't change the work to run over so much.
01:49in
01:51the
01:53the
01:55the
01:59the
02:01the
02:05the
02:07the
02:09the
02:11Mithal?
02:22Back then Since there.
02:36I say goodbye to a class.
02:51Did you know where to be?
02:53What did you do?
02:59What did you do?
03:01I'll leave you home.
03:03I'll leave you home.
03:27Let's go, Kureshi.
03:30This is your dress.
03:35Is there a change?
03:37No, it's the same.
03:39This is the same.
03:40You came in pink shirt and white pants.
03:44What's going on, Kureshi?
03:46I'll wear it yesterday.
03:48I'll wear it today.
03:50You're sitting in a place, in a position, in a position, in a position.
03:53It will affect you.
03:55What's going on in your time zone?
03:57What's going on in your time zone?
03:59What's going on in your time zone?
04:01I don't remember.
04:02Note.
04:03Shirt, pants, trousers.
04:05Look at the socks.
04:06Both of them, same color.
04:08This is white.
04:10What's going on in your time zone?
04:11Yes.
04:12Yes.
04:13Yes.
04:14Yes.
04:15Yes.
04:16Yes.
04:17Yes.
04:18Yes.
04:19Yes.
04:20Yes.
04:21No.
04:22No one wouldn't do this, please.
04:29Morgen.
04:30Asalaam
04:35Double A, Double A, Double A
04:38What a shame Mamu Jaan, what happened?
04:41Baba Raazam has done 100 years ago
04:44You only did 100?
04:48You scared me
04:57Hello?
04:58How are you?
04:59I'm fine, you tell me
05:01I didn't feel small
05:02How many times do you have to ask?
05:08You know?
05:09One time in my childhood, I went to horse riding with my father
05:11And I fell asleep
05:13At that time, I felt small and small, very nice
05:16I thought it was easy to see
05:19The next day
05:20And the pain in my body
05:22I'm asking
05:24That's why I know
05:26You can tell me
05:28Yes
05:29You can tell me
05:30But
05:32It's a balance balance in the phone
05:35You don't need
05:36I don't need
05:37You're a man
05:38You're a man
05:39I'm not being angry
05:40You're a man
05:41Sorry
05:42You're not being angry
05:43You're a man
05:44You're a man
05:45You're a man
05:46You're going to be a man
05:47What happened to you?
05:49You took the Mithal's eyes.
05:51In the eyes of the guards and the manager,
05:53you are blind.
05:55Hats off to you.
05:57Now I'm learning from you.
05:59Now I'm listening to you.
06:01Now I'm listening to you.
06:03After that, a star becomes my cheek.
06:05What did you do?
06:09You know, I forgot
06:11that I changed my clothes to university.
06:13And Kureish has taken it.
06:15What?
06:17What?
06:43Mithal?
06:46Mithal?
06:50Yes, sir.
06:51Where is my shirt?
06:53Full sleeve.
06:55It's grey.
06:56Sir, it's a girl on the altar.
06:57Look, it's gone.
06:58Why is it a girl on the altar?
07:00Sir, it's the girl who was wearing it.
07:04That's why she was wearing it.
07:06Why?
07:07Who asked her?
07:08Who asked her?
07:09Why would you wear it?
07:11Sir, why would you wear it?
07:13No.
07:15No.
07:16No.
07:17No.
07:18No.
07:19No.
07:20No.
07:21No.
07:23No.
07:24No, no.
07:26No.
07:27His wife has been an another.
07:31What is another one?
07:34His wife has told all of him to do the work.
07:39What?
07:41The man came here with a girl.
07:46His clothes were felt on his face.
07:48He was a woman.
07:52He didn't talk to him.
07:54He was.
07:55Don't worry, I'll take the money back.
08:25I don't know.
08:27I'm not going to get a chance.
08:29I'm not going to get a chance.
08:31No, I'm not going to get a chance.
08:33No, I'm not going to get a chance.
08:35You tell me.
08:55Why?
08:57Why?
08:59This is the first order.
09:01Mamu Jan!
09:03Mamu...
09:05Mamu Jan!
09:07Mamu Jan!
09:09Mamu Jan!
09:11Look at this.
09:13This is the first order.
09:17Mamu Jan!
09:18Mamu...
09:21Mamu Jan!
09:23Look at this.
09:24Look at this.
09:25Look at this.
09:26Look at this.
09:27Look at this.
09:29Mamu Jan has the first order.
09:31Yeah, sure.
09:32Mamu Jan has the first order.
09:34His favorite bae.
09:35Bae?
09:36What's that?
09:37What's that?
09:39Mamu Jan, we work great for a single dish.
09:41What's that?
09:42What's that this?
09:43Mamu Jan, you stay out and cheet of a single dish.
09:45God and that may be true.
09:47You still have to be feeling the same.
09:49Somebody keeps coming.
09:51Mamu Jan, you stay out and keep coming.
09:53And here are only three of them.
09:55My son, who's got to die.
09:57She's still dying.
09:58That love is only never die.
10:04Just understand that
10:06that you will have to meet with you at that point.
10:10You will have to meet with you at night.
10:15You are so happy.
10:16Come here, come here.
10:20Mr. Mubarak Umir has the first order
10:22that someone has ordered to eat in the morning.
10:25What are you doing at home?
10:27This dish is very well.
10:33The dish is very good for Mamu.
10:36If she is not a good dish, she eats it slowly.
10:38She is scared of the dish.
10:40No, this is great for Mamu.
10:42I am not good.
10:44It is good, but...
19:15His name was Ali Bhaksh. He was a very spiritual person from childhood. He was very close to the Sufism.
19:25He was a very big Satan. He was killed by himself.
19:33If you have listened to someone's words and have been filled with your heart,
19:40then you have to dance and dance. They were like whirling dragons.
19:50Wow, how interesting.
19:53So this song is a very interesting background story.
20:10Yes, there are many modern versions of it.
20:20How interesting. So this is a celebration song.
20:36Yes. There are many modern versions of it.
20:40But the special thing that Alan Fakir did not happen.
20:44Yes, exactly. Because when you played the song,
20:47I had listened to it, but the original version I had never heard.
20:50And this is so good.
20:51So listen.
20:52Yes.
21:06Oh, my God!
21:12I have seen a bright sun and a happy lake.
21:16In which there is a pool.
21:18What do I do? Please tell me.
21:21You do not do anything, Nisa.
21:23You were in love.
21:36You try.
21:37You win.
21:38You have sido oICH.
21:39You win, are all the world.
21:40Who knows?
21:41E link in that one's worth.
21:50You help?
21:52A great Trump.
21:54You come home with the moon.
21:55You're in love.
21:56She says he said he says,
21:57No, this is correct,
21:58some good things.
21:59And we're in to have anyone.
22:01You're in love.
22:02Can't wait?
22:03Oh, my God.
22:33Oh, my God.
23:03Oh, my God.
23:33You say Nisha Baji, you don't want to beat Meir.
23:35This is fine.
23:39I told him that Meir is not the same.
23:42You don't have to pay attention to such girls at home.
23:44Now, you did wrong this.
23:47Such girls are not the same in our university.
23:49May Allah.
23:51It's good.
23:52It's good. It's good.
23:55Why did it come?
23:56She died.
23:58Good.
23:58She died for two days and died again.
24:01She doesn't have any tension.
24:04Meir Baji, you've got this one.
24:07I'm going to tell you my hand.
24:09I'll tell you the other hand.
24:11God bless you.
24:13You eat not eat.
24:17Mashallah.
24:2150 years of age, there's no answer to the question.
24:28Some of the people who have gone through all the time.
24:33ちゃائے پہ چائے چائے چائے پہ چائے چائے وہ بھی کڑک دودھ پتی میدے بھی توا گھٹنے بھی برباز اور دماغ بھی نہیں
24:48Why? Why?
24:50They say, all of them are going to be the system and the table at the top of the table.
24:57They say, all of them are going to be the best.
25:00First of all, you should do it.
25:04Then, you should do it to be the best.
25:06Then, you should say, all of them are going to be the best.
25:10You go out and sit down and sit down from the dark side of the house.
25:19You have a child of yesterday and you have to go to the other side.
25:25maamu jaan
25:29whom
25:30کوئی ایسی دوائی
25:32حقی
25:34یا صفوف
25:35ہوگی جس سے
25:36کھا کے
25:37بندہ دل سے
25:38اتر جائے
25:39maahim کو
25:45کسی سے پیار ہو گیا
25:46کوئی نئی
25:48بات ہے کیا
25:50نہیں maamu jaan
25:51اسلی والا
25:53I love you.
25:57He's behind him.
25:59You don't need to give up.
26:02You need to give up, son.
26:05Give up.
26:07Where are you going to give up?
26:09Why are you so upset for him?
26:15He's a girl.
26:17He's thinking about it.
26:19He's thinking about it.
26:21He's writing a pen.
26:23He's writing a pen.
26:25And he's writing a pen.
26:27And he's writing a paper.
26:29He's writing a paper.
26:32Disposable cup.
26:35He's keeping everything.
26:51It kind of literally has a pen.
26:52I have to write an pen.
26:53It's nothing.
27:06Those were buckets.
27:07The fingerprints were written by Bruno Gilbert,
27:13but in his network,
27:15it's just no bullet for a dent
27:16I will also have things with you.
27:31They will be very beautiful.
27:36Hussan is in the eyes of those who are watching.
27:39If I can't do it, I will leave my soul.
27:52And then, how can I leave my soul?
27:58This is a miracle.
28:01Your soul is a miracle.
28:04If I can't do it, I will leave my soul.
28:08If I can't do it, I will leave my soul.
28:12If I can't do it, I will leave my soul.
28:15If I can't do it, I will leave my soul.
28:19I will leave my soul.
28:22I will leave my soul.
28:24Do you go and do your work?
28:26Do it.
28:28Then, go and call your soul.
28:30And then, go and call your soul.
28:32And then, you'll have to eat your soul.
28:35I will leave my soul.
28:36I will leave my soul.
28:37I will leave my soul.
28:39Do it.
28:42Then, go and call your soul.
28:43And then, go and eat your soul.
28:46He will be very careful.
28:48So, I will see you?
28:49Yes.
28:52Baby, go.
28:54Go and eat your soul.
28:56That's it.
28:57Yes.
28:58You're welcome.
28:59Then, go and eat your soul.
29:00Yes.
29:01Do you want to eat your soul?
29:02Yes.
29:03Yes.
29:04Yes.
29:05Yes.
29:06You can eat your soul.
29:07I will make the soul.
29:08You can eat your soul.
29:09I will make the soul very good.
29:11I will make it.
29:12Yes.
29:13Yes.
29:14You can eat your soul.
29:15Yes.
29:27What is it?
29:37Oh, Nisha, will you come here to study?
29:41What do you want to give her?
29:43Come, what do you want to give her?
29:45She was asking Shumayla.
29:47Who is Shumayla?
29:48She's the son of the other side.
29:50What do you want to give her?
29:53What do you want to give her?
29:55What do you want to give her?
29:57She doesn't ask anyone about it.
29:59She feels good.
30:01But then she asks her.
30:03She doesn't have to sit down at 8 o'clock.
30:08Tanno.
30:09Yes.
30:10Go.
30:25Tño Esperanza
30:31Tño Esperanza
30:37I don't know.
31:07I don't know.
31:37I don't know.
32:07I don't know.
32:37I don't know.
32:38I don't know.
32:39I don't know.
32:40I don't know.
32:41I don't know.
32:42I don't know.
32:43I don't know.
32:44I don't know.
32:45I don't know.
32:46I don't know.
32:47I don't know.
32:48I don't know.
32:49I don't know.
32:50I don't know.
32:51I don't know.
32:52I don't know.
32:53I don't know.
32:54I don't know.
32:55I don't know.
32:56I don't know.
32:57I don't know.
32:58I don't know.
32:59I don't know.
33:00I don't know.
33:01I don't know.
33:02I don't know.
33:03I don't know.
33:04I don't know.
33:05I don't know.
33:06I don't know.
33:07I don't know.
33:08I don't know.
33:12I don't know.
33:15Oh my god, that's amazing.
33:18I don't want to play.
33:20I'm scared from the cars.
33:22Our Aaroon is a lot of bad.
33:24I've seen a phone.
33:26Sure.
33:27Aaroon, do you want me to play the cars?
33:32Huh?
33:33Oh my god.
33:35Aaroon, tell me to come to Karachi.
33:38Hello.
33:42Where are you?
33:44Where are you?
33:45First, give me your account.
33:47Don't reply for 4-4 hours.
33:49Don't open the phone.
33:51You've never opened the phone.
33:54So, tell me which reply to my message.
33:57I won't even listen to the voice note from Karachi.
33:59Do you know?
34:00Because I also have a Nissa.
34:03He keeps engaged.
34:07Nissa is a loyal.
34:09He's a blogger.
34:11He came to me.
34:13So, you're busy.
34:15I'll send you a link.
34:17He makes a lot of travel logs.
34:20Good.
34:21Good.
34:22Good.
34:23I'm in a very embarrassing situation.
34:25I'm in a very embarrassing situation.
34:26I'm in a very embarrassing situation.
34:27I don't understand.
34:28How do I get into this situation?
34:29Why?
34:30Good?
34:31I'm in a very embarrassing situation.
34:32What?
34:33What?
34:34How?
34:35Good?
34:36Good.
34:37Good.
34:38Good.
34:39Good.
34:40Good.
34:41Good.
34:43Good.
34:44Good.
34:45Good.
34:46Good.
34:47Good.
34:48Good.
34:49Good.
34:50Good.
34:51Good.
34:52Good.
34:53Good.
34:54What are you doing?
35:24I'm going to take pictures of your father
35:28The father said that you didn't take pictures of your father
35:32No
35:34Then you can't take it
35:36It's the way that you become Miran
35:40Now you become Miran
35:42Sir
35:52How many times do you get a message?
35:54Then the other person gets frustrated
35:56Then he died
35:58Then he died
36:00Then he died
36:02No
36:04My stomach got upset
36:06He died
36:08And he died
36:10And he died
36:12That's right
36:14What is his car?
36:16Who is it?
36:18It's a sales pitch.
36:20Who is it?
36:22Sales.
36:24Who is it?
36:26Put it in Excel and I'll take a class and go back.
36:30I'll listen to a story with Gureshi.
36:32It's a big problem.
36:34He didn't ask me.
36:36Listen to this.
36:38I'll see it myself.
36:40I don't trust you.
36:42It's not me, Miran.
36:44It's my project.
36:46Let me see myself.
36:48I'm sorry.
36:50I have a habit of doing all my work.
36:54You don't get me wrong.
36:56Please, let me handle myself.
36:58Let's go.
37:00No, I'll leave myself.
37:12No.
37:14I'll see you later.
37:28Help me.
37:30I'll see you later.
37:31Let's go.