La chica del momento Capitulo 12 Full HD

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La chica del momento Capitulo 12 Full HD #movies #movie #film #films #cinema #indiefilm #filmlover #cinephile #moviebuff #moviereviews #películas #película #film #películas #cine #cineindie

Transcript

00:00Your sister? I didn't see her after the party.

00:02She's another crazy person. She only talks about the person she's writing to.

00:04I already told you, your sister is a doll.

00:06I just have to find a way to get close to her.

00:08Calm down, Mauro. I'll help you.

00:10Thank you very much for alerting me, Mauro.

00:12My sister may be being fooled by a jerk.

00:15Celeste confessed to me that she has exchanged letters with a young man she doesn't know.

00:20What did you say?

00:21The guy who was there, his childhood friend.

00:24Conceited, distrustful. He was watching me out of the corner of his eye.

00:27He loves me so much that he got me a job in the city so I could earn a fortune.

00:31Just to be near him.

00:33I didn't accept it.

00:40It's Basilio! Vasilio!

00:43You came to see me!

00:48Did you come to visit me?

00:49My Ebony Goddess.

00:52I came to stay.

00:53Are you staying?

01:00Yeah.

01:00In the city, you mean?

01:02Yes, that's right. I came to stay.

01:05But before explaining anything, could you introduce me to your friend?

01:08Clear.

01:09Glorita, this is Basilio.

01:11We grew up together in the orphanage.

01:13We grew up together, but we are not brothers.

01:16It's a pleasure.

01:17Basilio Oliveira, at your service.

01:18How are you, Gloria Regina?

01:20A pleasure.

01:21Basilio, are you going to tell me what this new thing is?

01:23Oh ok.

01:24Grandma Carmen was very worried that she was alone.

01:27And knowing that there is no one better than me, your best friend, your protector, to take care of your little one,

01:34I felt compelled to come.

01:35No.

01:36But what an idea if you start my head, Basilio.

01:39You have no obligation to me.

01:41Still, here I am.

01:42The security of your home that was missing so that everything would turn out well in this time of great changes in your life.

01:49So, shall we go for a walk?

01:52I want to get to know the city well.

01:55Gently, lovingly.

01:59Tell me, Clarice.

02:01Today I'll give you table etiquette lessons, Beatriz.

02:04And your sister bets she'll do very well.

02:07Elena, you look like a panda.

02:09Correct, correct that line.

02:11Celia.

02:12What canvases will you be teaching?

02:14With what cloth napkins, my love?

02:16If they are in the laundry room.

02:19Gee.

02:21I think I still have time to look for them before class.

02:24I don't know.

02:24Celia, will you do me a favor?

02:26Depends.

02:26The buyer of Bison's stole is about to arrive.

02:30Would you do business with her if you were me?

02:32Please.

02:34Alright.

02:34We settled on eighty thousand, which is the price I agreed upon with Raimundo for a campaign.

02:40Eighty thousand, sister?

02:42As the columnist says, rich people are a race.

02:46Go calmly to the laundry.

02:48I'll sort out the stole issue after all.

02:50What are sisters for?

02:53Thank you.

02:54Good afternoon to the audience of Alfredo Conectado on TV Olas del Mar.

02:59Another Alfredo Norio show begins, the best part of his day, the most fun part of his day.

03:05Hey, today is a very special program, an exciting program.

03:09You already know the love I feel for those at home, for my audience.

03:13And all that love brought me to this place where I am today in my career, considered one of the presenters,

03:19modesty aside, one of the most handsome, most charismatic and most fun.

03:26From Brazilian television.

03:32That, and in recognition of my courage, the Radio, Film and Television Critics Association,

03:40has decided to honor me with the golden microphone, ladies and gentlemen.

03:45And I kindly asked them to do this ceremony here in our studio, in front of my audience, whom I love so much and who moves me so much.

03:57I love you too, I love you all too.

04:10But for the happiness to be complete and for the program to begin, I will welcome here three people who were very important, are very important.

04:17In my life journey and in my artistic journey, first please welcome Sergio Amorín, my partner and director, here.

04:27How pretty! Is it pretty or not?

04:29And also, now it will be more exciting, I am now going to call to the stand my beloved wife Teresa and my daughter, the most beautiful thing in the world, Eugenia.

04:41Applause for both of them!

04:43Oh, my daughter! Look at her! My daughter isn't pretty!

04:58My love!

05:00The lipstick is dirty.

05:02And now for a super important moment, I'm going to call the president of the Radio, Film and Television Association to the podium, who will present me with the golden microphone.

05:12No, Mom!

05:12Let's get here!

05:13No, Mom! It's unhygienic!

05:15Pull yourself together, please!

05:16To welcome King Antonio Tornado, ladies and gentlemen!

05:24Hey, this microphone isn't gold, but it's all yours.

05:29Alfred Honorius!

05:31What a pleasure!

05:32Be here.

05:33I say the same.

05:34I, as president of the Association of Film, Radio and Television Critics, come here to present you with the golden microphone.

05:41For heaven's sake!

05:43Yeah.

05:45In fact, it is a fitting tribute to a brilliant professional like you.

05:50So take the golden microphone.

05:54For God's sake!

05:54And do I deserve this? Do I really deserve it?

06:05Of course he deserves it!

06:07You can believe it, my friend!

06:09King Antonio Tornado, ladies and gentlemen!

06:11Good night.

06:12And please, dear, don't forget to take Route 3, which is faster.

06:15I won't forget it, baby.

06:18Thank you.

06:21Together, finally.

06:24More slips of paper!

06:25Love, of good, get up, my love.

06:33Get up, my love.

06:34The ground is more trampled than the grapes in a vineyard, my love.

06:36Don't do that, don't do that, no.

06:38Get up.

06:38No, no, no.

06:39Please no.

06:40He's going to bed.

06:41Dear Yenoka, only you will be able to find me in my sharp tower.

06:47I want to tell you my dreams, my joys.

06:50So my answer is yes.

06:57Sky blue!

06:58Let's get to know each other.

07:00I can know.

07:02What letter are you writing?

07:04Quick, girl, speak!

07:06You don't have to be like that.

07:10I only have correspondence with a young man.

07:12Apparently he's a great person, he likes the same books as me and he respects me.

07:17I didn't raise my daughter to have that kind of attitude.

07:21Where have you seen it, Celeste?

07:22How can you secretly have a boyfriend without telling me?

07:26You are a family girl.

07:29You can't be light.

07:32You must be like your mother to have no respect for anything and no limits.

07:37My mother died.

07:39Well, sometimes I too wish he had really died.

07:43You are forbidden to write letters to that...

07:47Yenoka!

07:49Let alone meet him.

07:52Do you understand, Celeste?

07:57Yenoka!

07:59Yenoka!

08:00He forbade me from writing to Yenoka.

08:13What will happen to my aura?

08:16Be patient, my girl.

08:20That for everything in this life there is a way.

08:24Life never ceases to amaze us.

08:28Your mother became your teacher.

08:31He stopped teaching you so many things when he left you.

08:34And now she's there, determined to make sure you don't look bad in front of high society.

08:38Yeah.

08:40Beatriz, do you really not remember me?

08:41You don't remember me, Basilio.

08:43Unless Clarice is the best actress in the world.

08:45I look straight into her eyes, searching for answers and...

08:51It feels like I'm looking at a sphinx.

08:55Today she touched me.

08:58It was part of an etiquette class.

09:02And there I saw that I'm scared to death of the future, Basilio.

09:06I'm scared to death...

09:07...of that relationship I'm building on lies and omissions.

09:12I don't know if I could bear to be abandoned by my mother again.

09:18Beatriz, listen to something I've told you since we were children.

09:21You will always have me.

09:24I left Petrópolis and came here to protect you.

09:27I'm here for whatever you need.

09:29But with what money, Basilio?

09:31Thank you for all your affection.

09:33You're like a brother to me.

09:35But life in the capital is very expensive.

09:40How are you going to manage?

09:41I will stay here because I have a job.

09:43But what about you?

09:44What are you going to live on, Basilio?

09:46I'm not afraid of living in a big city, Beatriz.

09:48The big city must be afraid of me.

09:53Besides, I've already managed to save some money there.

09:56I'll manage while I get a job.

09:58I'll be fine.

10:00I think I'm leaving now.

10:01Alright.

10:02I'm going to leave you inside.

10:04Since I came to be your bodyguard, your protector.

10:07I'll do what Grandma Carmen taught me.

10:08The right thing to do, like a gentleman.

10:11Come on?

10:12Come on.

10:14The boarding house is full of rules, but it's lively.

10:18Yeah.

10:18Doña Yolanda rules it with an iron fist.

10:21That's good, because it shows that he cares about the reputation of the girls who live here.

10:25Beto, what a surprise.

10:27I didn't know you were coming, my love.

10:28Yes, I was going to invite you for a walk, but apparently you were already strolling.

10:34Yeah.

10:35Basilio, right?

10:36It's right.

10:38How are you, friend?

10:39I arrived in the city today.

10:40I came to stay.

10:41I think we'll be seeing each other around here a lot.

10:46I was also surprised by Basilio's arrival.

10:48Yeah.

10:49He came to work here in the city.

10:51More than that, my Ebony Goddess.

10:54Don't be jealous.

10:55I've called her that since she was this size.

10:57Yeah.

10:58Clear.

10:59And so that he has a family member nearby.

11:01Family?

11:02Yeah.

11:03You are not related.

11:04It's like we were.

11:05Basilio and I were raised together.

11:08Basilio came because my grandmother was worried about me being alone here.

11:11But he's also going to take care of his life and get a job, right, Basilio?

11:16It's true.

11:17Well, it's getting late.

11:19I'm leaving now.

11:21But since I see that you will be alone, if you want I will stay so you can talk in peace.

11:26What do you say?

11:27No.

11:28No, we are not alone.

11:30This is Doña Yolanda, thank you.

11:32Good.

11:32So, see you tomorrow, my Ebony Goddess.

11:38Beto.

11:39Beto.

11:40Beto.

11:41It's Beto.

11:47Tell me, honey.

11:48Did you like Basilio?

11:50Your friend's arrival is very strange, isn't it?

11:54Out of nowhere.

11:56Saying he came to stay.

11:57Basilio and I are like brothers.

12:00I already told you.

12:00You don't have to feel jealous.

12:02I'm jealous.

12:03Are you jealous?

12:04Yes, I confess that I don't like it when he calls you by affectionate nicknames.

12:08I know he likes you.

12:10He wants you for himself.

12:12I'm not stupid.

12:13Basilio is like that.

12:15Please, Beto, don't look for trouble where there isn't any.

12:19Very soon you will know the whole city.

12:22And he will forget about my existence and he will forget about my existence.

12:25Do you want to bet?

12:29Trust in our love, Beto.

12:32I trust.

12:32It's a lot of emotion for one heart.

12:37But while I recover, I'm going to call a gem to talk about another one.

12:43My wife, please.

12:46A few words here on the golden phone.

12:48Please come.

12:48Please.

12:50To the golden phone.

12:52Please.

12:52Now you have no way to escape.

12:55Did you disinfect that device, Alfredo?

12:56Oh my God.

12:57A rag, a rag, a rag.

13:00Teresa.

13:02A rag doesn't cost anything, right?

13:04Make sure it is clean.

13:07It's very...

13:07Careful, careful, careful.

13:08Please.

13:09Alright?

13:10Teresa, ladies and gentlemen.

13:14Good afternoon!

13:18They took him by surprise!

13:20Let me think about what I can say to you!

13:26The stands are not aligned correctly.

13:31And there's a cobweb on the reflector?

13:33Bust!

13:34Hey!

13:34And that lady in red threw a bag of rosettes on the ground.

13:39I saw her fall back there.

13:40Yeah.

13:40Call the cleaning staff.

13:42And the young girl in yellow over there?

13:44He took the chewing gum out of his mouth.

13:47And then he put it on the stands.

13:49Disgusting!

13:50That they were not educated at home.

13:51The phone is now back with me.

13:54No, no, let's move on.

13:55Now I'm going to talk, yes.

13:56Do you guys take a bath every day?

13:59Do you wash your hands after going to the bathroom?

14:02Have you heard of bacteria?

14:04Or do they worship the filthy?

14:06Right now, right now there could be a very nasty virus out there.

14:11There in the stands!

14:11Ah!

14:12What do they do?

14:13No, listen, wait.

14:14What do you do?

14:16What is this?

14:16Oh!

14:18Teresa.

14:19Teresa is a fool, friends.

14:21He's joking, he's joking.

14:22Do you think this is funny?

14:24Everyone shouting without putting their hand in front of their mouth.

14:26The amount of saliva, of germs throughout the study.

14:29Imagine the amount, the amount of diseases in the environment.

14:32For God's sake, for God's sake!

14:36For God's sake!

14:38My love, they're going to take a picture of us.

14:41Commercials!

14:42Today our class is about table etiquette.

14:45Please.

14:47Permission.

14:49Very good.

14:54Gosh, are all these cutlery for a banquet?

14:59Don't worry, I know it seems like a lot of cutlery,

15:02but each one has a different function that I will explain to you later.

15:07First, let's correct our posture at the table.

15:11Permission.

15:12Elbows, never on the table.

15:16Closed close to the body.

15:19The spine is always straight.

15:21Very good.

15:22The hands, delicate.

15:25And when you support them, just barely.

15:28At times when you need it, and if you are tired.

15:32Let me see.

15:34Perfect.

15:35That is.

15:37You have a natural gift, you know?

15:39Yeah.

15:40So you did find the cloth napkins.

15:43Good afternoon, Beatriz.

15:45Good afternoon, Celia.

15:46Excuse me, Beatriz.

15:47Excuse me, Beatriz.

15:48Clarice, how did it go with the stole buyer?

15:52Yes, he liked it, but he said he expected something of higher quality.

15:57Less deteriorated.

15:59He ended up offering only 50 thousand.

16:02And I accepted.

16:03Clarice, it's not always that someone wants to buy an item as expensive as that.

16:06Yeah.

16:07But 50 thousand?

16:09Yeah.

16:10Wow, but it's a lot less than we had agreed on.

16:13Yeah.

16:14Oh my God.

16:16Do you think Raimundo will give us that discount?

16:17I don't know, but I'm not selling my stole.

16:21Don't worry.

16:23Patience.

16:26I'll have to talk to Julia.

16:29Perfect.

16:31Oh, Celia.

16:32That spoon is there.

16:33Oh, love.

16:34Good class for both.

16:36See you later, Beatriz.

16:37See you later, Celia.

16:40Did you cover the train accident in Santa Cruz?

16:43A friend who was on duty wrote the article.

16:45But I'll try to speak to the prefect today.

16:48That accident only happened because the track was damaged.

16:51Yeah.

16:51And the ones who suffer the most are the poor, right?

16:53Transport companies just want to make a profit and nothing else.

16:56That's what I'm going to ask the prefect.

16:58What are you going to do to regulate the roads?

17:00But that annoyed expression isn't just because of that, is it?

17:03No.

17:05Remember that guy?

17:06Beatriz's childhood friend that I told you about.

17:08Basilio's?

17:09What's wrong with it?

17:10He appeared at Doña Yolanda's boarding house.

17:11He said he came to stay in the city.

17:13I don't like your story, Ulysses.

17:15Jealousy of man?

17:16Also, also.

17:17But I don't like that guy.

17:18My instinct tells me it's going to bring trouble.

17:22My friend, if your gut is telling you, you better pay attention.

17:27Carlitos, son, I'm here.

17:29I want to know how your first day at work went.

17:34And now?

17:36Isn't Carlitos home?

17:43Perfect, doll.

17:44Nobody needs to know you're not mine, right?

17:48Now, let's go for a walk.

17:51Did you miss me, handsome?

18:03Celia.

18:04The secretary.

18:06He's already gone.

18:07Do you think I'm stupid?

18:09Now come.

18:12Come kiss me.

18:13I miss your warm lips.

18:16On my lips.

18:18What is this?

18:42It is the receipt for the sale of a stole for the amount of eighty thousand.

18:48Clarice said you sold it for fifty.

18:50It's that those thirty thousand...

18:53Was it my commission?

19:00You cheated on Clarice.

19:02That money was to pay for Magnifique's campaign.

19:05But you hadn't exactly offered to pay for the campaign.

19:09All settled.

19:11Now just put the rest.

19:13Just a little.

19:14Or we can pretend you gave me the bracelet.

19:18And so I will be forced to return your affection.

19:24You lied to Clarice.

19:26And you earned thirty thousand by selling the stole?

19:28I'm not understanding your tone.

19:32Julian Alencar.

19:33Thirty thousand is a paltry amount for you, my love.

19:37Well, I'm not going to give that amount to Raimundo, no.

19:41You'll see what you do to get that money.

19:44The money missing to pay for the campaign.

19:49Even for you I think it's too low.

19:52Cheating on someone who considers you a sister.

19:56Celia, go away, Celia.

19:59Go away, I'm fed up with you.

20:03If you think you can mistreat me, you are very wrong.

20:15Seriously, Celia.

20:17Good morning everyone.

20:18Good.

20:19Good day.

20:20Celia.

20:21For a change, come and enjoy our breakfast.

20:24It was many years away from my sister.

20:27Clarice there in the United States and me here.

20:30Life is too short to be away from those you love.

20:34I love you too, sister.

20:37And he was telling Celia funny stories from his childhood.

20:40Hey, even though I don't remember it, I laughed a lot.

20:44Mommy is so cheerful, without a headache, like I haven't seen her in a long time.

20:49Yes it's true.

20:51I think it's because I didn't take my medicine today.

20:54I'm feeling better.

20:56But it's important that you take the medications that Dr. Pimienta prescribed.

21:01Yes, but it was Celia's advice.

21:03No, sister?

21:04He read in a foreign magazine that headaches can be caused by certain chemicals present in medicines.

21:12Fairly.

21:12I didn't know you spoke another language, Celia.

21:16There are many other things you don't know about me, dear brother-in-law.

21:28And what other things don't I know about you, besides that you trained in medicine?

21:31You shouldn't be carried away by the nonsense they write in magazines.

21:37Your doctor is the best in the country.

21:40If there was a scientific update, he would certainly know.

21:44Yes, exactly.

21:45It can only be a coincidence that you are not feeling a headache today.

21:49Good.

21:50What matters is that my sister is perfect.

21:53Yeah.

21:53I'm on my way out, I'm going to Magnifique, I'm going to open the school, my lovely niece.

21:58Bye bye.

21:58Take care, sister.

22:00Everyone else have a great day.

22:04See you later.

22:05Bye bye.

22:05Are you trying to be annoying, Celia?

22:13What do you say?

22:15What are you saying?

22:15What kind of clown is telling Clarice not to take her meds?

22:18Julian, my love, I told you not to provoke me.

22:22If you don't like clowns, don't go to the circus.

22:24Oh, it's obvious you're hiding some secret about Clarice's past that you don't want me to know.

22:34Not even if she finds out.

22:36What is it?

22:36Tell me.

22:37What thing?

22:37What is it?

22:38What thing?

22:38That?

22:39I don't know what you're talking about.

22:40I'm talking about all the lies.

22:41Oh, Julian, please.

22:43A made-up sister.

22:45A made-up story.

22:46A past.

22:47There's a cat in the bag.

22:48There is no hidden agenda.

22:49Leave it alone.

22:50I'm going to explain something to you and it will be now.

22:52Come here.

22:52There is no hidden agenda.

22:56Clarice suffered an accident and lost her memory.

22:59I didn't want him to suffer any longer with the emptiness in his mind.

23:03And that's why we asked you to pretend to be her sister.

23:08And Via.

23:10And the remedies?

23:11Via is his daughter, the last memory he had, the only one.

23:15I was staying at a lady's house and I had her brought.

23:18As soon as Clarice came out of the coma and the remedies, the remedies help with the after-effects.

23:23Dr. Pimienta is an excellent doctor.

23:25For now I'm going to pretend I believe it.

23:27But don't think that you and your mother have me under control.

23:30Now enough with the conspiracy theories.

23:39And there is another matter I also want to discuss with you.

23:41It's about the stole.

23:44I thought about it, I thought about it better and...

23:47Clarice was pleased with the value and thought it was okay to keep the fifty thousand.

23:52Then I give it to Raimundo.

23:54That matter is closed.

23:59Now the one who doesn't want to close the matter is me.

24:01I think the bracelet I bought is too lonely on my arm.

24:05The ring from the same set could very well be the company.

24:09Do you want to give me this treat?

24:11You have no limits.

24:18No, you don't have them.

24:19You have no limits.

24:20What has limits is the list of doctors I prepared to suggest to Clarice for a second opinion.

24:27Maybe I should go back and give it to you.

24:31How much does the blessed ring cost?

24:33Only thirteen thousand.

24:34A trifle.

24:36If it were the necklace it would be much more expensive.

24:39Go away, go away.

24:57Good morning, Vera.

24:58Good morning, son.

25:00True.

25:00Yeah?

25:01Did you know that Celeste exchanged letters with a stranger?

25:05No, no, she didn't know.

25:06I knew, yes.

25:07Yes, even the idea was mine.

25:10I thought it would be a good way to meet a good boy.

25:14By letters?

25:15Did you hit your head?

25:16I always made sure that Celeste wasn't fooled by any subject.

25:21I even opened a PO box just for that.

25:24And I always carried and looked for the letters.

25:26Celeste is still a child.

25:28And if she were to take, if she were to take a wrong step because of this guy and they were to speak ill of her.

25:35Don't ever make something like that up again, I forbid you.

25:39We have an early date with Julian and the gastrite is already attacking me.

25:43I'm not going to have breakfast!

25:44Rolando, I'll wait for you downstairs!

25:46Clear.

25:48Sorry, Vera, I didn't mean to cause you any trouble.

25:50No, my girl, it's fine.

25:52It's not your fault.

26:08Sky blue,

26:10I

26:11I'm so sorry Dad's already figured out about the cards.

26:17Sometimes it's very square, isn't it?

26:20Yeah.

26:22But I'll help you talk to this Yenoka.

26:26I will be your messenger.

26:30Oh really?

26:30Yeah.

26:32But it will be a secret only ours.

26:35My Vera can know so that Dad doesn't get upset again.

26:39Just promise me that if this relationship gets serious, you'll bring the young man over to meet him.

26:46Thank you.

26:47Thank you.

26:52I'm quite disappointed in Vera, Sebastian.

26:55She shouldn't have helped Celeste with that absurd plan to get a boyfriend through a newspaper ad.

27:00Vera didn't mean any harm, sir.

27:02Celeste is like a daughter to her.

27:04I would never have left the girl at the mercy of some bandit.

27:07But how could I know if that smooth-talking guy is good or a bandit?

27:12The world is not as simple as the romances Celeste reads.

27:15It's true that there are many young people out there who are wolves in sheep's clothing.

27:19Sir, good morning.

27:20Sebastian.

27:21Good morning.

27:22Donaldo.

27:23Let's go in together.

27:24Come on.

27:24I'm done with the silk stockings campaign.

27:26I wanted to know your opinion.

27:28Perfect.

27:30That's a good match.

27:34Thank you.

27:34I can help you.

27:44I know there is a glass, a napkin.

27:45Can I help you?

27:46Is it a nightmare?

27:46That?

27:47What are you doing in my bed, Yadira?

27:49Doña Teresa, this is the last place I want to be in my life, okay?

27:52Believe me.

27:53But yesterday there was a short circuit.

27:55Mr. Alfredo went to help.

27:56I went to help him and I was immobilized.

27:59Not a single finger, not a single little finger was spared.

28:01I need help.

28:02Is it a nightmare?

28:03Ready, a hearty breakfast for both of us.

28:07Here, of course.

28:08Alfred.

28:09Alfredo, come here.

28:10Alfred.

28:11May I know where you slept last night and why you left Yadira as a substitute in our bed?

28:15Hey, I know I look like a superhero, but I don't have his strength, my love.

28:19So I left them on the bed and went to bed with the phone on the sofa.

28:23It was our first night together.

28:25Okay, I'll let you guys have breakfast alone.

28:28Oh!

28:29What happened to you?

28:30I can't, I can't.

28:31No, no, don't do anything.

28:32Please don't worry, we've already called the family doctor.

28:35Shall we call?

28:36Yes, he'll take care of you while you rest, otherwise you'll never get better.

28:40But, for God's sake, what will become of this house without Yadira?

28:43I, I, I, I, I don't even know where to start.

28:45For starters, have a good breakfast because work is hard, okay?

28:48All the silver in the house needs to be polished, after the living room twice it's a bit heavy.

28:54If you don't clean the house properly, there will be dust from floor to ceiling.

28:58My love, I'm so happy that you're coming to take my classes.

29:06Your class is very good, love.

29:07Yeah.

29:09Oh, I wish we never fought again.

29:13Oh, me too.

29:15But hey, a mother and daughter who don't fight have not yet been born.

29:19It's so normal.

29:21And listen, if I'm harsh on you sometimes, it's because I want to raise you to be a fair, honest, and dignified woman.

29:27I love you so much, my little star.

29:30I love you, love.

29:31A lot, my love.

29:35Come on?

29:35Come on.

29:36There's my goose that lays the golden eggs.

29:41And with her, the other Beatriz, Roberto's girlfriend.

29:47And there I will take advantage.

29:54Do these clothes look good?

29:56Today is the first campaign meeting where I have decision-making power.

30:02I even feel cold in my stomach.

30:05You look very pretty.

30:07And you're going to make a splash.

30:09Don't let them intimidate you, okay?

30:12No.

30:12And that friend Basilio, will he go with you?

30:15No.

30:16I'm going with Beto.

30:18Can you believe that Beto feels a little jealous of Basilio?

30:23It's natural.

30:23Basilio looks at you in a way that Beto better pay attention to.

30:27Glorita, don't talk nonsense.

30:29Sometimes Basilio confuses things with me, but we are friends, very good friends, brotherly friends.

30:35And he really has no one in the world?

30:37No.

30:38He is alone in the world, without family.

30:40He was raised in an orphanage, as many children were raised, but he worked as a shoeshine boy in front of the Imperial Museum.

30:48I didn't know that being a shoeshine boy makes enough money for someone to live like that in Copacabana without struggling.

30:56Tourists always tip big.

30:59And Basilio is nice, he knows how to talk.

31:02He came home with expensive gifts that clients gave him.

31:06He has the talent for the good life, he just doesn't have the money.

31:11Yes, I know that Basilio exaggerates his protection of me.

31:16But my grandmother asked me to be a little patient because he came to the city with good will.

31:22To support me, to help me.

31:24I want you to get to know each other better.

31:26You'll like Basilio, you'll become great friends.

31:29Basilio is wonderful.

31:32If Beatriz complains about the new campaign, I'll change professions.

31:37This is our third attempt.

31:39I don't have time to look for another advertising agency.

31:43If you decide to open a bakery or a store of whatever you want, Raimundo,

31:48It is essential that Beatriz approves the material you will present.

31:51And your son is essential to convince her.

31:56Don't forget that Beto loves to criticize my work.

31:59That boy, Julián Beto, is like an open wound.

32:03Yeah.

32:06I want to ask you a favor.

32:08Do you remember the sum you agreed upon with Clarice to do the Magnifique campaign?

32:1380 thousand.

32:15Yeah.

32:15What's up? Will you ask for a discount, Julián?

32:17No.

32:18She only has 50 thousand to offer you.

32:20And you're going to say yes?

32:23I?

32:24Yeah.

32:25Because I'll give you the other 30.

32:27Without her knowing.

32:30It will be our secret.

32:33Forward!

32:34Mr. Raimundo, young Beatriz and Mr. Roberto arrived for the meeting.

32:39I want Ronaldo and Mauro in my office too.

32:41And then you let them in.

32:42I can't be the only one who can't stand bowling every day after school.

32:47Every day the same, the same people, the same conversation, the same smoothie.

32:51Can't stand the gigs anymore or don't want to see Guto because he shook your heart with that fleeting relationship?

32:55Come on!

32:57You were begging to go bowling, Eugenia.

33:00You're suffering, aren't you, cousin?

33:02I offer you my shoulder.

33:03Let's suffer for love together.

33:06I felt terrible.

33:07My father found out that Yenoka and I were writing to each other.

33:10He yelled at me like I was being offered.

33:13Let's go bowling, please, please.

33:16Oh, Celeste, but you too, right?

33:18You looked for it.

33:19It was obvious that your father would be furious if he found out you were dating that boy.

33:24You didn't even hide the letters.

33:26Sometimes I wonder what world you two live in.

33:28I live in a world where you help those who suffer.

33:31That's called friendship via.

33:32That's what we do when you spend hours talking about Beto.

33:36Or better yet, speaking exclusively about you.

33:38Beto is completely different.

33:41Hey, we've known each other for years.

33:43We were boyfriend and girlfriend for six months.

33:44I'm in love with him and he's crazy about me.

33:47We're only separated because that woman seduced my boyfriend.

33:52I'd like three ice creams, please.

33:55Our life is too bitter.

33:57Oh, my life will only be sweet again when Beto breaks up with Beatriz.

34:01But how do I do it?

34:02She didn't even accept the money my grandmother offered her.

34:05And that is why Doña María Estela has to figure out how to be convincing.

34:10Convincing, I know how to do it too.

34:11I can't wait to meet Doña María Estela.

34:17It is with great pride that we present to you the campaign proposal

34:20for the new launch of the Rio perfumery.

34:23And we are sure it will be a sales success.

34:26Okay, so stop beating around the bush and present that idea right now.

34:29Clear.

34:32With perfumery from Rio, your husband will always arrive on time.

34:36The idea is that the consumer believes that by using the soap from the Rio perfumery,

34:41her husband will never make excuses for coming home late.

34:44In the end, a perfumed woman will not be fooled.

34:48So what do they say?

34:52I've never seen anything more sexist in my life.

34:54Ah! Sexist!

34:56Sexist!

34:58We are highlighting the power of a woman to keep her husband happy.

35:02And why do you think a woman's happiness depends on that?

35:06Have you ever thought that maybe she wants to feel clean and fragrant for herself?

35:12And not for a man?

35:13Beatriz is right.

35:15They reduce a woman's life to please her husband.

35:18A very common view, but one that we shouldn't reinforce, don't you think?

35:21Pure machismo, I agree.

35:23There is nothing, nothing that that young woman likes.

35:26And your son doesn't help at all.

35:28I could, but it just gets in the way.

35:29Beto, if the idea isn't good enough for you.

35:33Try to propose a better one.

35:35Propose a better one? How? Working for you?

35:37Of course, you only know how to criticize.

35:38You think you know more than me.

35:40Then come and show me how it's done.

35:43Roberto doesn't understand anything about advertising, Dad.

35:45What a crazy idea!

35:47Well, I liked it.

35:49Because I think there must be someone inside the agency

35:52that Beatriz's head understands.

35:55And the most suitable person to do that.

35:58It's Roberto.

36:00Thank you for what I'm concerned.

36:01Dad, advertising is not my area.

36:03I am a reporter and I write to show people the reality of life.

36:07I don't sell dreams.

36:08Let's go, Beatriz.

36:10Come on.

36:11One day they will achieve it.

36:13Excuse me.

36:16Excuse me.

36:16Hells.

36:22What a mess!

36:24This is a huge waste of time and money.

36:27Because that young woman doesn't like it at all.

36:30He just supports her.

36:31And you three are in here banging your heads,

36:35while my company only has huge losses.

36:38That idea was... it was very good.

36:39I think they didn't understand her.

36:40And they didn't let me explain it either.

36:42If it has to be explained, it's why it's not that good.

36:44Also, at the beginning I...

36:47I thought it was half square.

36:48You know?

36:49But what a senseless idea.

36:57It seems my father doesn't know me.

37:02What happened?

37:05Are you sad about the campaign theme?

37:07Are you quiet?

37:08Yes I am, but it's not because of that.

37:12I think your father had a good idea inviting you to work with him on the campaign.

37:15Oh, Beatriz.

37:16Beto, you manage to understand me like no one else has been able to.

37:19and you have sensitivity to understand the world, people.

37:22Working with my father is impossible.

37:24No, no, no.

37:25That would never work.

37:26We even fought to choose a radio station.

37:29And Ronaldo wouldn't be happy either.

37:32My grandmother always says that in the presence of the enemy,

37:35cotton blooms.

37:40No, but my dad and Ronaldo are not my enemies.

37:42Of course not, but their worldview is.

37:46Sorry.

37:49Sorry if I sound selfish.

37:50Excuse me, my love.

37:51It's okay, Beatriz.

37:52Forget what I asked for.

37:53You have your profession, right?

37:55One unhappy person is enough in this story.

37:57Forget it.

38:01Yeah.

38:03Exactly.

38:04The ring with the largest stone.

38:06Perfect.

38:07And don't worry about the sum.

38:09Precisely, the payment will be made by Mr. Julián,

38:13an old and regular client of yours.

38:17Yes, yes.

38:18Just send the invoice to the address of the Rio perfumery.

38:24Yeah.

38:25That is.

38:26That's all.

38:27Thank you.

38:28See you later.

38:28Mrs. Marlene.

38:48Mrs. Marlene.

38:49Hello, sir.

38:51What is this envelope doing here on my desk?

38:52A messenger delivered it recently.

38:54I asked where he was from

38:55and said it was confidential

38:57and that you were waiting for him.

38:59OK.

39:00You can go.

39:01Excuse me.

39:10That scoundrel actually bought the ring

39:12and sent me the bill.

39:17How angry.

39:24Hello, mother.

39:29A diamond ring?

39:33She's a scoundrel.

39:35No, rather I am a fool.

39:37King in the hands of a blackmailer

39:38who knows our secret.

39:40Part of our secret.

39:42One way or the other.

39:43She has me in her hands

39:44and I feel insecure.

39:46I'll talk to her.

39:47I will remind her that she is an accomplice

39:49and the rope bursts on both sides.

39:51I'm calling you

39:54because Clarice

39:57you must take your medication.

40:02Relax, Julian.

40:04I know how to solve it.

40:07The rules for taking tea

40:09They are simple, Beatriz.

40:11You must take the cup

40:14with one of your hands

40:16thus in the form of a clamp.

40:17That.

40:21And on the table

40:22never remove the plate.

40:24The little finger down.

40:26Never lifted.

40:27Always hidden here.

40:28It even helps.

40:30Perfect.

40:36Very good.

40:38Very good.

40:40Perfect.

40:41Now tell me

40:41how was the meeting

40:43for the campaign.

40:44Julian told me

40:45that Raimundo

40:46I was going to present an idea today.

40:48Well,

40:49I didn't like it very much.

40:50The idea was to introduce myself

40:51dressed in a bathrobe,

40:54with a man in a suit at his side

40:55and soap in your hands.

40:57And they would say something like

40:58with Carioca perfumery

41:00your husband will always arrive on time.

41:02But that is absurd.

41:04That's pure machismo.

41:05That's what I told them.

41:06That's what I said.

41:06Thank you.

41:07Good afternoon, Clarice.

41:08Good afternoon, Maria Estela.

41:10Oh, Beatriz.

41:11Are you here?

41:12How are you?

41:16Aren't you going to answer?

41:19I thought you were learning

41:20Clarice's good manners.

41:24If it is for the proposal

41:25that I made you a few days ago,

41:28My apologies.

41:32You proved that you are

41:32a respectable girl.

41:35Do you accept my apologies?

41:38I accept.

41:39Perfect.

41:40Is there a cup of tea for me?

41:44Yes, Maria Estela,

41:46but...

41:47and the reason

41:48of this visit

41:49so sudden and unexpected?

41:51I was on my way

41:52to Odette Paeva's house.

41:55We organized a play.

41:56I passed by in front

41:57and I thought

41:58in giving you a kiss

41:59and know how you are.

42:00Did it improve?

42:01your headache?

42:03It got better.

42:03It improved a lot.

42:05I'm feeling perfect.

42:06Excellent.

42:07I'm going to look for

42:09a cup.

42:11Excuse me.

42:25Oh, Beatriz,

42:26Does it bother you to open

42:27that window for me?

42:28It's hot here.

42:31AND...

42:31Oh...

42:32Oh!

42:58Mrs. María Estela Alencar?

43:17Oh my God, it's a robbery!

43:18What do you say, madame?

43:20But who do you take me for?

43:21Who are you?

43:22Dilla, what do you want with me?

43:23Oh!

43:24If I don't scream, do you doubt it?

43:25No, no, no, no.

43:25I do not doubt the attitude of a determined woman.

43:29My name is Basilio.

43:31I am a childhood friend of Beatriz.

43:33I came to make you a proposal.

43:35What if we join forces to separate her from Beto?

43:43And what will you gain, besides the maiden's heart?

43:50The amount of 50 thousand.

43:54It was the sum he offered Beatriz and she rejected.

43:58No?

44:00So we're done for?

44:10I thought a lot, Dad.

44:11What if I work with you on the Rio perfumery campaign?

44:19Don't be silly.

44:20Enough, I don't want to!

44:21I'm going now!

44:21What did I do!

44:27Look at what an ugly thing!

44:31Did you switch arms with the coconut?

44:34Take back what you said now!

44:35Now I understand why you didn't want to come here.

44:51Sometimes you have to see it for yourself to understand, right?

44:56Thank you!

44:57Thank you!

44:58Thank you!

44:59Thank you!

45:00Thank you!

45:01Thank you!

45:02Thank you!

45:03Thank you!

45:04Thank you!

45:05Thank you!

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