00:00I don't know a little bit about it, sir.
00:03When I came to the program, it was a little bit about it.
00:08When I started pre-production,
00:13I was able to talk about Noble.
00:15I was able to work this script for Noble.
00:19I was able to share this idea.
00:22I was able to share the details.
00:26I was able to direct Noble.
00:29It was a set of plans.
00:32I was able to get out of the contract to go to the contract.
00:36He was a set of producers and a team.
00:39I was able to find him.
00:41He was able to reach out a time.
00:46He was able to take the account and take their family.
00:51I'm able to find out the director for that.
00:55I went that way.
00:57No, not only in this cinema, but I've learned things like that.
01:03I've been directed all the cinema in the theater.
01:07I've been doing all the cinema in the theater.
01:13I've been doing all the positive responses to the theater.
01:19I think the story is about learning,
01:24or not in the theatre,
01:26or in the theatre,
01:28and in the theatre,
01:29helps me to do all the cinema.
01:31When I came to the director,
01:33I was able to do a director
01:37and not do that,
01:40so I could do a director.
01:43There was a lot of connection between the camera and the camera.
01:50Even in the shooting, there was a lot of camera handling.
01:58There was a lot of camera handling.
02:03There was a lot of film making.
02:06But in the end, I was able to get a wider audience.
02:13But we had to get the film by the camera.
02:15We were able to get the film by the camera.
02:20I was able to get the film by the camera.
02:25There were a lot of things in the screenplay.
02:29We were able to get the film to the camera.
02:35I will tell you about the result of the film.
02:39In this film, we have to take a look at the film.
02:44We have to take a look at the publicity scene.
02:52We have to take a look at the trailer.
02:57We have to take a look at the shoot.
03:00I have to take a look at the camera.
03:04One person at this time is being instructed each other than the crew.
03:07One photo.
03:10Even we have stills and released.
03:16From this point in time, it is very improvised.
03:21We have to take a look at the shoot.
03:23We have to take a look at the ideas.
03:25Every show is one of us.
03:28No, no, no, do not work.
03:31We could think of any requirements for the camera.
03:37The indoor camera, we could not have to go to the online store and make sure the opportunity –
03:42but we could not have not permission.
03:45For a filmmaker, we could not have the flexibility on this day.
03:51I want to invest in a production, and I want to invest on that.
03:56They will teach how to invest.
04:00They will teach the quality.
04:06We need to teach the quality.
04:12We need to teach the quality.
04:16We need to teach the quality.
04:18This is not a great story.
04:21I have a lot of people who are comfortable with it and are comfortable with it and I don't have a lot of people.
04:33I have to pay my responsibility.
04:39I have to pay them.
04:43Ok, I think that's a great deal.
04:44That's true.
04:45I was talking about a lot of this from this film,
04:48but I think we could not have a Korean actor,
04:50and I think this was a Korean actor.
04:53So I don't have to say anything.
04:55I think it's like a Korean actor.
04:57And I think it's the first experience that I can go to Dubai.
05:02I think it's the first experience that we have to do in Dubai.
05:07But I think that's the first experience that we have to do in Dubai.
05:11I'm going to get to the top of the head and get to the top of the head.
05:16I got to the top of the head and I didn't even get to the top of the head.
05:22I was told that he was the first part.
05:27And I was the third part of that.
05:30And then the other part of the head was the third part.
05:34I was a kid, and I had some advice on my own, and I had some advice on my own.
05:42I was a kid, I had a kid, and I was a kid, and I was a kid.
05:52I don't have a kid I'm a kid, and I was a kid, and I was a kid.
06:03you write the title of the title of the title of the title of the title to you.
06:07You're in the title of the title of the title title of the title title of the title of it.
06:11Why don't you surprise me if I can't see you.
06:15I'm a dancer that knows me.
06:17But all this is what I'm saying.
06:20So I'm like, let's see what I'm saying.
06:24I'm sorry, Ashana is coming.
06:26Ashana becomes a new character,
06:27but, I am from one of these.
06:29I was thinking about the fact that I was a kid.
06:35But this is not an action film.
06:40This is a thriller film.
06:42I was thinking about action here.
06:45So, there is a pattern,
06:50there is a stylized action.
06:54One thing that we have to do is try to do the action that we have to do.
07:06We use the stand doubles and rope.
07:14We don't have to do that.
07:16There is an action in there.
07:21You don't have to say anything.
07:25That's why I do it.
07:30I don't have to say anything about it.
07:33I don't have to say anything about it.
07:36I don't have to say anything about it.
07:40I'm not having to say anything about it.
07:50A lot of actions are minimal.
07:52I'm not having to say anything about it.
07:58I've done it during the mass commercial, cinema, or action format,
08:00and then I'm having to say anything.
08:04In the case of Jomo, we are getting to the commitments of Jomo.
08:09We are not going to shoot this.
08:13Because the VISA issues are going to be in the Giorgi.
08:20I am going to go to the embassy.
08:24I am not going to reject the VISA.
08:28I am going to get to the Jomo immediately.
08:31Joe was a little bit of a chance to get him out of the game.
08:35And he immediately came to the show and he was like,
08:37I'm going to shoot him out of the cinema.
08:39I don't know if he was going to shoot him out of the game.
08:41I don't know if he was going to shoot him out of the game.
08:46But Joe was ready to get him out of the game.
08:52He was not in the shooting of a game.
08:55After that, a schedule was finished and the boss was shot by Joe.
09:02So when Joe came back, he waited for me to shoot.
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