00:00There is a lot of people in the media and there is a lot of people who live in the United States.
00:06People make it as a manền, village and there is a lot of people who play it.
00:14This is a lot of people who play it and they mostly play it as a fan of the country,
00:18but when they play it with this world, they are not far away from the world.
00:24The only reason why we live here is that we accept that this meeting is one of our faces,
00:36and we live in our faces.
00:38We are now all living in the temple.
00:41We have our退聚 and we are all living in Gulschan Deva.
00:44We are all living in a valley deck.
00:48We are all living in Gulschan Deva.
00:51But as I said, we would like to teach the artist and the art of the art of the artist.
00:56I don't know if I'm going to do anything.
00:59I'm going to show you the other people who are doing this.
01:03I'm going to go to Kundaapuram.
01:05I'm going to show you all the Kundaapuram and Shuttamut.
01:11I'm going to show you all the film.
01:13I'm going to show you all the film.
01:15I'm going to show you all the film.
01:17Normally, I would like to save my life.
01:21I would like to save my life.
01:31For three years, I would like to save my life.
01:38Then, I would like to save my life.
01:48This is a cinema.
01:50We have a collection of films.
01:53And you can save your record.
01:57So, the cinema is a living world.
02:03That's why we all have to do it.
02:07I don't have to say anything about it.
02:12It's about Kelsa, but it's about the beginning of the film.
02:18It's about the emotion and the person.
02:23It's about a lot of time.
02:25It's about Kelsa.
02:27I'll show you the first time.
02:31If you're a fan of Kanshara first,
02:38I'll show you the final thing.
02:41Even the first time,
02:43this is the same thing.
02:45It's about the scale of everything.
02:49It's about the vision and vision.
02:51It's about the biggest reason.
02:55The reason is the problem.
02:57No need to be more than all you,
03:02You need to be mindful and aware of the images and the pictures and the shadows.
03:10I was playing with the film
03:15Even though I was playing as much as much,
03:19As far as I went to the film,
03:21It was not where I was.
03:23I don't want to be part of something like this.
03:27I will tell you, how the world has changed.
03:30It's important that you can't reach the nation from the country.
03:35I will tell you,
03:37when I've been a general knowledge,
03:40I've been so busy in the country in the country.
03:43So,
03:45I've been so busy.
03:49That's right.
03:50How long are you going to get to the end of this pandemic?
03:57I didn't like that, but I was going to cry.
04:01I was going to cry.
04:04I was going to cry.
04:09I was going to cry.
04:12I was going to cry.
04:17I don't know how many switchers are, but I don't know how many switchers are.
04:22So, no, I don't know how many frames are, but I think it's very interesting, I think.
04:29Master, thank you. Writers, thank you. Direction team, art team, costume team, all the artists,
04:36and people, they can't stand on their location.
04:38They have a special station team, their local employees,
04:47and their part of our location, no matter what they're made or they can't go anywhere.
04:56So, they can't be able to meet, they can't reach the people.
04:58Despite that, all the managers, local coordinators,
05:02and the department of the UR and the department of the UR and the department of the UR.
05:07Thank you. Vijayana, thank you so much.
05:11We are all here. One film.
05:13One film is to go to the cinema.
05:16One film is to go to the cinema.
05:18So, one film is to go to the cinema.
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