00:00No, I'm just saying, if we go into this, we want to think about the design, we want to think about composition, we want to think about what we want where.
00:07We can throw, like, an image for the spine on the cover, so that the whole thing looks like it's the inside of an open.
00:13In this case, do we want to hand draw the rare bits on the cover, though?
00:16No. No.
00:17But we're gonna have the... No!
00:19Why don't we glue pencil out all together, jam-style, on one sheet of paper?
00:24Cohesive cover might be easier in the end, rather than trying to say, we're gonna put this part on digitally after the fact.
00:34Why?
00:37Comics, comics. Mini comics. Comics. The new comics, what's this? Comics, comics. Comics are all the current end of our indie comics. Comics. Comics, comics, comics.
00:46Graphic novels.
00:49Comics.
00:54It's like a high school. It's a competitive kind of vibe.
00:58I'm hoping I'm gonna turn the page and feel like a real cartoonist.
01:05Their dreams don't hinge on drawing Spider-Man. They have their own stories to tell.
01:11By day she's Rachel Levine, but by night she's chutzpah.
01:15Almost every visiting artist that comes through here, they talk about just the sheer amount of labor and drudgery.
01:21No, no, no, no, no, no.
01:24I didn't handle it as well as I should have.
01:27They call it a boot camp, and it is. Not everyone makes it.
01:30I have no idea what to expect.
01:33If their work isn't there, we're not doing them any favors by telling them they've passed.
01:39Art school is infamous for harsh critiques.
01:40Seems like there should be, you know, questions that are posed and a built-up of energy throughout the piece and a culmination, and it didn't have that.
01:49It's not like the great and sound career trust is like deciding to become a diva.
01:54We have to start with all the things she was going to be when she grows up.
01:59You know, the normal things like a teacher, a wife of a farmer.
02:03I look forward to having very plush middle-aged years.
02:07This is kind of what Andy Warhol and the factory were doing in the early 60s.
02:11I don't think there's a parent on earth to it.
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