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SCRAT-TISSIME - SURPRISE - ICE AGE 4 - SCRAT GOT YOUR TONGUE ? - ENG
Scrat-tissime
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15 hours ago
SURPRISE WITH SCRAT
Category
😹
Fun
Transcript
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00:00
Scrat is like a really well-loved character.
00:21
People really relate to his simple goal.
00:23
You always know what he's thinking.
00:25
He has these little utterances that completely connect with us.
00:30
It's one of the things that makes him popular around the world, because it comes across completely without words.
00:40
One of the things I love about Scrat, he's got a very simple mindset in the world.
00:46
It's an acorn that he wants, and he is going to get himself into trouble every single time.
00:52
His storyline, even though it seems so insignificant, he's often the inciting incident that gets us all into this big commotion.
01:07
Scrat is able to just show pure yearning of frustration to get that nut.
01:12
And I think everybody, I don't care what age you are, can relate to wanting something so bad and not getting it.
01:18
Our job is to find new and inventive ways to punish a poor, made-up squirrel who never did anything to hurt any of us.
01:25
There's two ways to look at Scrat.
01:30
Either he never gets his way, and it's sort of sad what happens to him.
01:35
But I think it's, what keeps Scrat interesting is he never gives up.
01:40
And if you notice, in the Ice Age movies, he never ends up with an acorn, ever.
01:45
I think you can learn a little from Scrat.
01:51
If you've got an acorn, hang on to it.
01:55
Scrat came along as a character inside the process of our making the first one.
02:00
He was never written into a script.
02:02
So when we went in to make it, there was a point where we just said,
02:06
well, he should have a voice, he should be, you know, we need little squeaks and things.
02:10
You know, he's not going to talk, but he's going to have these little sounds.
02:13
So that's when I went in and just made little, like,
02:16
little sounds for him while he was moving around.
02:21
Little sounds for his footsteps.
02:25
And that was the beginning of Scrat.
02:28
If we want to show Scrat thinking, all he has to do is not move at all,
02:32
and then just, like, twitch his nose.
02:34
So we use Scrat's nose twitches, ear twitches, and, of course, his tail,
02:39
which is always kind of flicking.
02:41
Just through a simple flick of his ear, like,
02:44
and, like, a little whimper, you know he's in over his head, we'll say.
02:48
But if he's happy, everything's bright.
02:50
The ears flick up, the tail's getting happy.
02:52
You see his, like, his little chest, like, do-do-do-do-do.
02:57
It all just has to do with projecting gestures and emotions
03:01
from our human world onto this little animal.
03:05
You know, surprise or terror.
03:11
Chris Wedge has done every conceivable sound
03:14
for Scrat's voice over the years.
03:16
It's a very amazing talent he has.
03:23
Look, I don't want to give you a scholarly dissertation
03:27
on what makes the Scrat voice work
03:30
because they're just little squeaks that I make.
03:34
You know, I saw these twitchy little squirrels,
03:37
like, sitting outside our window, just, you know,
03:40
just really quickly moving from one pose to the next,
03:42
and I just thought about the...
03:44
Those little sounds that would go with it.
03:48
That just made them.
03:49
So it's like a little tiny sound
03:50
that happens in the back of your throat.
03:52
The best way to do it is to feel the pressure
03:59
and anxiety of his situation.
04:01
Everything about the Scrat is heightened.
04:03
So just don't...
04:05
It's that stuff.
04:10
I don't know how Chris does it,
04:11
because when you talk to him,
04:13
you kind of think,
04:13
how can those sounds come out of this guy?
04:15
But when you see him in front of a mic
04:17
and he's just going for it, it's so funny,
04:19
and I feel like it almost hurts him to do it
04:21
because he has to contort his voice so much
04:22
to get those sounds.
04:23
Oh, it's exhausting.
04:24
I'm telling you what I go through.
04:26
When I'm done with the Scrat,
04:28
I usually have, like, all this tension.
04:30
I feel like I did 100 push-ups
04:31
when I'm done with a session
04:33
because it's just all this little stuff.
04:36
We got him to do a few new ones for this movie, too,
04:39
because, you know, Scrat was underwater.
04:40
Scrat had to be more joyous
04:42
than we've ever seen him at the end of the movie,
04:44
which we didn't have a large library
04:45
for those kind of sounds
04:46
because the Scrat's never been that happy.
04:48
And so we brought Chris into the studio,
04:49
and he went for that next gear
04:52
in terms of pure joy
04:54
as he's running around
04:55
trying to grab every single nut
04:56
that he can get his hands on.
05:03
What you want to do,
05:05
if you want to do the Scrat,
05:07
is you just, you know,
05:08
make your shoulders tight
05:10
and you bring all your voice
05:12
up into your throat
05:13
and you just feel kind of nervous and tiny
05:16
and you just go,
05:18
you just make the tiniest little sounds
05:22
you can make.
05:23
That's the start.
05:25
Frightened Scrat.
05:31
That kind of stuff.
05:33
Ecstatic Scrat is just,
05:35
you know,
05:37
their hoots and...
05:38
that kind of stuff.
05:43
He can growl too when he's mad.
05:53
That's sad Scrat.
05:54
I mean, sometimes there wouldn't be
05:55
a sound at all,
05:57
but just...
05:58
that kind of thing.
06:02
Happy Scrat is just more,
06:04
like, there are squeals and yells.
06:05
And he cherishes the thing.
06:11
It's that kind of sound for happy Scrat.
06:13
That's one of his happy sounds, I guess.
06:15
Hyper Scrat?
06:16
Well, Hyper Scrat is just a lot of Scrat sounds.
06:19
It's once...
06:20
That kind of stuff.
06:27
Scrat's nonverbal voice
06:28
is very important to Ice Age
06:30
because some of the most emotional comedy
06:33
is silent.
06:34
Animation is best
06:36
when as much of the information as possible
06:38
is coming from
06:39
what you see.
06:41
It's something that
06:42
all of us can understand.
06:44
I have three kids,
06:45
and each one of them,
06:46
when they see him,
06:47
they know exactly
06:48
what he's thinking
06:49
and what he's feeling
06:50
and what he's trying to do.
06:51
He doesn't need to talk
06:52
for us to feel the connection with him.
06:54
This is the best thing about animation,
06:56
is when you can
06:57
just create a performance from scratch.
07:00
People get it,
07:00
and I think that we've connected
07:02
on a level that everyone relates to.
07:05
That's the best part.
07:06
Ha-ha-ha!
07:07
Ha-ha!
07:08
Ha-ha!
07:09
...
07:16
...
07:18
...
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