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Transcript

00:00।

00:25It was very high-tech.

00:27First, the mics were not so good technically,

00:33so they were talking loud and loud,

00:36so there were wireless mics,

00:39so you couldn't hear more,

00:42you couldn't speak loud,

00:44so there was a great facility

00:46that you reached the audience to the dialogue,

00:48and you reached the audience to the audience.

00:50This is a great pleasure to see people.

00:54Another thing,

00:56because we did the theater after that,

00:58and some years later,

01:00we wanted to do the theater,

01:02so professionally,

01:04especially the people of the theater

01:06who were connected to the audience,

01:08they brought a lot of different things,

01:12such as rhyming,

01:14such as rhyming,

01:16such as rhyming,

01:18such as rhyming,

01:20such as rhyming,

01:22such as rhyming,

01:24so we kept that.

01:26We kept that in many places,

01:28and we also added some things,

01:30and we added some things,

01:32and we added dialogue formation,

01:34which is in the theater,

01:36so that they are more beautiful,

01:38and more beautiful.

01:40So that we had to tell you,

01:41and now we had to do the theater,

01:42and we had to do it in a long time,

01:43and that we had to do it all.

01:44So we had to do the theater in the theater,

01:46so we had to do it all.

01:47And then we had to do it all.

01:48So we had to take the theater.

01:50L.A.D. panels, which you want to put in size, how much you want to put in size.

01:55The director of Chandigarh Tagor and Theatre Abhishek Sharma himself

01:59came from his career to Ramlila.

02:03We had a chance to do Ramlila.

02:06We had a chance to do Ramlila.

02:08We had a chance to do Ramlila.

02:11We didn't have a chance to do Ramlila.

02:15We didn't know how to do Ramlila.

02:18We were preparing for the first, Ramlila.

02:21We were prepared to do this in the mind.

02:25We wanted to do this in our mind.

02:29You can also join our team.

02:31We have started our team.

02:33We did have a chance to do it.

02:37We wanted to do it.

02:40We wanted to do it.

02:43We wanted to do it.

02:45We wanted to do it.

02:47how to meet my brothers and father.

02:49We should be able to meet my brothers and father.

02:51We should be able to understand the message

02:53that we could have a lot of experience.

02:55We should have a chance to get a chance to get a chance.

02:57We should have worked on a way.

02:59And we should have worked on a good job.

03:01Because we know that these people are so many years

03:03from this time.

03:05Those who are the people who are doing a day

03:07or a job or a job,

03:09they should have worked on a day.

03:11After that, they should have done a job.

03:13They should have done a job.

03:15but it was very good for them

03:18so many of us inspired them

03:21we also thought that we should do it

03:22so when we started

03:24the Ramanila

03:25which is the Parsi Rangmanch

03:27when I studied in the theatre

03:29it was Parsi Rangmanch

03:31and it's a shelly

03:33which is performed in the dialogue

03:36it's a lay

03:37it's a song

03:38it's a song

03:39it's a song

03:40it's a song

03:42it's a song

03:43it's a song

03:44it's a song

03:45it's a song

03:46Abhishek Sharma's mother

03:48some of them

03:49started their own

03:50Ramanila's mind

03:51which is a song

03:53they made a documentary

03:55when they made a documentary

03:57we made a documentary

04:00because we also performed on stage

04:04and worked on stage

04:05we also knew

04:06what kind of problems

04:07of Ramanila's mind

04:09so I thought

04:10that the whole world

04:11there are a few of you

04:13what we care about

04:14hopefully

04:15this was very FRAMILA

04:17doesn't happen

04:19after all

04:24our Elaaaf

04:25we all feel

04:26we get born

04:27and our Daisci will also

04:29have a感じ

04:31of her

04:32in that

04:34too

04:35we all started

04:37doing

04:39foreign

05:09with the great actor

05:11Ashutosh Rana

05:12Ramla, Nwazuddin Siddhiki Ramla

05:16and there are also many lists

05:18which was the first man

05:20Ramla. When we filmed a documentary film

05:23we filmed a documentary film

05:24like Chandigarh, Punjab, Haryana, Himachal

05:27and Uttarakhand, Delhi

05:29and Kashi Banaras, Ramnagar

05:31and Ramla, we covered it

05:32and we filmed a documentary film

05:34and we filmed a film in the Philippines

05:36and the West Indies

05:37because the film Ramla

05:41we filmed a movie

05:41so we had known our culture

05:44and our culture

05:44we need to be able to be filled

05:45more than Ramla

05:46which has been filled with the memories

05:49about Ramla

05:50Abhishek Sharma's dream

05:51to go to Ramla's new P.D.

05:52Bharatya Sanskriti

05:54and Bhagawan Ram

05:55from Ram

05:56from Ram

05:57There are many

05:58big budgets

05:59for the city

06:00which is 50,000,000,000

06:02and a crore

06:02for the budget

06:02from Ramla

06:03we saw

06:04such as

06:06ुपिशारे कम बजट में भी एक लाग दो लाग रुपे में भी पूरा मंचन कर देते हैं

06:10लेकिन दर्शकों की कमी कहीं नहीं हमें लगी

06:13आज पहले क्या होता था पंडाल भरे होते थे

06:16नब्य की दशक में चन्डिगड सेक्टर 29 थित ओर्डिनन्स फेक्टरी का सांस्क्रितिक मंच शहर का पहला रेवाल्विंग स्टेज बना

06:23जहां रामलिला की अनोखी प्रस्तुती ने दर्शकों को आकर्शित किया

06:27यहां आज भी दर्शकों की भीड में कोई कमी नहीं होती

06:30हम और्डिनन्स फेक्टरी सांस्क्रितिक मंच सेक्टर 29 में उस जगा पर पहुंच चुके हैं

06:36जहां पर आपको अभी हमने बताया कि हम आपको वो मंच दिखाएंगे वो स्टेज दिखाएंगे

06:40जो चंडीगड में कभी आकरशन का केंदर रही थी और पूरा चंडीगड यूं कहे के

06:43इस जगा पर मौजूद होता था राम लिला देखने के लिए

06:46उसका कारण है यहां की रिवाल्विंग स्टेज आप मेरे पीछे देख रहे हैं जो मंच

06:50यह रिवाल्विंग स्टेज है जो है चारों तरफ घुमता है जब कभी एक दरिश्य पूरा होता है तो दूसरा दरिश्य शुरू होता है

06:56दूसरी तरफ के कलाकार परदे के सामने आ जाते हैं और पहले वाले कलाकार जो है पीछे चले जाते हैं

07:01in this way, the same way was full of the ends, as we saw the days,

07:04because this morning, there was only 22 people after the end of us,

07:08we saw the immediate group of people,

07:14during the evening we saw the whole stage,

07:16people left the close to the start of the end,

07:18they have seen a revolving stage as well,

07:20when people to see how we have seen the point of time,

07:23they have measured the way,

07:25while the environment now is more light,

07:27is the selection of the lower levels,

07:29foreign

07:57Ramlila is made by Ramlila.

08:00Plus, the technical team is very much working on special effects.

08:07We are working on new scenes to prepare for this,

08:10and this is the same thing.

08:14It is very easy.

08:16Maadalti daur me Rala La Manch Shradha kye sath sath,

08:19nye kala kaaro kye liye siknete,

08:21aur khud ko sabit karene ka manch bana hua hai.

08:24Jise dekhen kaye liye,

08:25aaj bhi daishvar se bhaari bheer umerti hai.

08:28Bhalehi sameh badal raha ho,

08:29lekiin aaj bhi Rala ka kreij logo mei berkuraar hai.

08:33Satt ko saamphalna, sahejna,

08:34aur aaghe nirantar,

08:36usko safal taakye sath aaghe badaathe rana,

08:38yye har kisika daaitave hoota hai,

08:40Voh kisii bhi kshetra mein kuyuna ho,

08:42Rammli Lila is a manch, a manch, a manch, a manch, where you can see a lot of people.

08:47People are both doing the same and the same.

08:51I would like to see you as a person, as a person, as a person, as a person.

08:56I am Vina Sharma, cameraman Kishan, ETV Bharat, Chandigar.

बदलते दौर में हाईटेक हुई रामलीला, परंपरा से तकनीक तक का अद्भुत सफर, जानें समय के साथ क्या-क्या हुआ बदलाव

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