- 3 months ago
From toxic marriages to manipulative partners, some cinematic relationships are better off dead! Join us as we count down the movie breakups that had us cheering instead of crying. Our list includes couples from "Titanic," "The Count of Monte Cristo," "Midsommar," "Gone With the Wind," and many more that prove sometimes the best happy ending is saying goodbye!
Category
🗞
NewsTranscript
00:00You're an idiot!
00:01You're a- you-
00:02You're- it's like a bad person!
00:06Welcome to Ms. Mojo, and today we're looking at movie breakups that left us more satisfied than heartbroken.
00:12We're leaving off Legally Blonde, as Elle and Warner were technically already broken up when she told him off.
00:18That's a spoiler, with more to come.
00:20But if I'm gonna be a partner in a law firm by the time I'm 30, I need a boyfriend who's not such a complete bonehead.
00:30Number 30. Fernand Mondego and Mercedes, the Count of Monte Cristo.
00:36In addition to being a neglectful husband and father, Fernand Mondego is an even worse friend.
00:42He framed Edmund Dantes, stealing his so-called best friend's life.
00:47This included Edmund's bride-to-be, Mercedes, and unborn child.
00:51I will not give up on Edmund yet.
00:54I will never forget your kindness.
00:57And I shall never cease to give it.
00:58Mercedes only married Fernand for her son's sake.
01:03When Edmund resurfaces as the Count of Monte Cristo, he strips Fernand of everything.
01:08Now go and find my son.
01:12He's not your son.
01:14I beg your pardon?
01:17Albert Mondego is the son of Edmund Dantes.
01:20Not only does Fernand lose his fortune, but Mercedes reveals that Edmund is truly the father of her son.
01:26Fernand sends Mercedes a look of disdain and defeat, fighting to hide his disappointment.
01:33Despite going to great lengths to take Mercedes away from Edmund, Fernand says that she only occasionally pleased him.
01:40That's still more pleasure than Mercedes ever got out of their relationship.
01:44Goodbye, Mercedes.
01:47You did please me some of the time.
01:53You never pleased me.
01:56Number 29.
01:57Ruben Pfeffer and Lisa Kramer.
02:00Along came Polly.
02:01There's a right and wrong kind of spontaneity.
02:04Polly's impulsive personality encourages Ruben to take the risks required for him to find true happiness.
02:10Lisa, meanwhile, surprises Ruben by sleeping with a scuba diving instructor on their honeymoon.
02:16This is not what it looks like.
02:18You're staying on the island with claws?
02:20I'm a little confused right now, Ruben.
02:22I think I need a little time just to figure things out.
02:24Although it's clear who he should be with, Ruben still considers getting back together with Lisa.
02:30Ruben eventually comes to his senses, realizing that the most familiar choice isn't necessarily the healthiest one.
02:36Lisa is so tone-deaf that she questions Ruben's rejection of her.
02:40Ruben rightfully tells her off, saying what we've been yelling at the screen.
02:44I mean, what kind of cold, heartless bitch would do that to someone they love?
02:50I'd have to be an idiot to get back together with you after that.
02:55Oh, and by the way, I destroyed all your little throw pillows.
02:58Yeah, because throw pillows suck.
03:00Lisa destroyed their relationship just as Ruben gutted her throw pillows.
03:04He thus goes back to Pauly in this most unusual crossover between Friends and Will and Grace.
03:11I don't want you to go away, Pauly.
03:14I'm not going to marry you, Ruben.
03:16I don't want to get married.
03:18I just want to take you to dinner.
03:21Number 28.
03:22Emily Myers and Luke Edmonds.
03:24Fair play.
03:25Initially, Emily and Luke look like a cute couple.
03:29After Emily is promoted over him, though, Luke shows his true colors.
03:33He sabotages his career, trying to drag Emily down with him.
03:38But we both can't keep working here.
03:40It's killing us.
03:41If it bothers you this much, you can leave.
03:43Are you serious?
03:44I'm the one with something to lose.
03:46And I'm not.
03:47Cutting your losses isn't the same as giving up.
03:50This is our only way out now, Luke.
03:51There are other firms that you can try and go to.
03:53I don't give a shit about other firms.
03:55I want this firm.
03:55While Emily salvages her job, Luke leaves her with physical and emotional bruises.
04:01Luke thinks he can casually end their relationship, acting as if he were just as much a victim.
04:07Emily won't let Luke leave until he takes accountability for jeopardizing her reputation
04:12and sexually assaulting her, prying out an apology with a knife.
04:17Say, I'm sorry I hurt you.
04:20I'm sorry I hurt you.
04:21Although Luke genuinely seems remorseful of his reprehensible actions, he's beyond forgiveness.
04:27The story began with Emily's blood on the floor, but it ends with her telling Luke to clean up his,
04:33leaving things with a mic drop.
04:35Now wipe the blood off my floor and get out.
04:42Number 27.
04:43Danny and Christian.
04:45Midsommar.
04:46Midsommar is a breakup movie unlike any other.
04:49Christian was prepared to end things with Danny until her entire family tragically died.
04:55Although Christian stays with Danny out of obligation, that doesn't mean he's there for her.
05:08The two only grow more distant on a vacation to a Swedish village where things aren't what they seem.
05:14The trip is nonetheless eye-opening for Dani, who witnesses Christian participating in a sexual ritual.
05:29Others might be pulling the strings, but when they bring out the couple's innermost desires,
05:34Christian wants to see other people. Dani wants companionship, which she won't find with Christian.
05:40As the newly-crowned May Queen, Dani is allowed to save Christian from a human sacrifice.
05:46Instead, she lets the remnants of their relationship burn.
05:59Number 26. Emma, Billie Dawn, and Harry Brock. Born Yesterday.
06:05Harry views his girlfriend, Billie, as an accessory, only wanting to marry her so she can't testify against him.
06:11Although she may seem like a stereotypical dumb blonde,
06:15Billie's tutor, Paul, helps her to realize that she's smarter than Harry gave her credit.
06:19The brutish Harry thinks he holds all the power of the relationship.
06:23I picked you up out of the gutter, I can throw you back there. You never had a decent meal until you met me.
06:27Yeah, but I had what happened with you. You eat terrible, you got no manners.
06:30Taking your shoes off all the time, that's another thing, and picking your teeth.
06:34You're just not couth.
06:37Yet, Billie not only comes into possession of Harry's assets,
06:41but also collects some damning evidence against him with Paul's assistance.
06:45Only you gotta behave.
06:47Because if you don't, I could let go on everything.
06:50For what you've done, even since I know you're only,
06:53I bet you could be put in jail for about 900 years.
06:56Billie agrees to gradually give Harry his property back on two conditions.
07:01That he grant Billie her freedom, and he stay out of trouble.
07:05Harry might not see the inside of a jail cell,
07:07but for the first time, Billie has backed him into a corner.
07:11Go ahead and go with him, but you don't stand a chance.
07:13If I ever seen anybody outsmart themselves, it's you.
07:15Goodbye, all.
07:16And you!
07:17Me?
07:17Yeah! You're fired.
07:19Sorry, Harry, I enjoyed working for you.
07:21Number 25.
07:23Captain Von Trapp and Baroness Elsa Von Schrader.
07:26The Sound of Music.
07:28As Maria brings music back into the Von Trapp household,
07:31she awakens something the captain hasn't experienced since his wife passed.
07:36Fraulein, did I not tell you that bedtime is to be strictly observed in this house?
07:40Well, the children were upset by the storm, so I thought that if I...
07:44You did, sir.
07:45And do you or do you not have difficulty remembering such simple instructions?
07:49Although the two resist declaring their feelings out loud,
07:52the Baroness can tell from how the captain looks at Maria.
07:55It's easy to loathe the Baroness as she attempts to keep the captain and Maria apart.
08:00In the end, though, you empathize with her as the captain comes clean.
08:05Deep down, the Baroness knew they weren't meant to be.
08:07It wasn't until he said the words that the Baroness could be honest with herself.
08:12You and I have been dishonest to both of us and utterly unfair to you.
08:22That doesn't mean the Baroness isn't heartbroken, keeping a straight face while holding back tears.
08:27Regardless, she ultimately wants what's best for the captain, pointing him in the right direction.
08:32And somewhere out there is a young lady who I think will never be a nun.
08:43Number 24. Douglas Quaid and Laurie.
08:47Total Recall.
08:48Emerging from the recall center, Douglas Quaid slowly realizes that his life is a lie.
08:54Or is it?
08:55There are a few different ways to interpret what is and isn't a dream in this film.
09:00Cuff him.
09:04Either way, Quaid finds himself being hunted by his wife, Laurie,
09:08who reveals that their marriage was among the false memories implanted in him.
09:12That doesn't stop Laurie from playing the marriage card when Quaid holds her at gunpoint.
09:19Before Laurie can retaliate,
09:21Quaid initiates the divorce proceedings, effectively terminating the marriage.
09:26Their marriage might have been based on a lie,
09:28but from Quaid's perspective, the two were still technically in a relationship.
09:33So this technically counts as a breakup, and a highly satisfying one at that.
09:38Consider that a divorce.
09:42Number 23. Barbara and Oliver Rose.
09:45The War of the Roses.
09:47Barbara and Oliver loved each other once,
09:49but over the years, the rose petals all fell, leaving nothing but thorns.
09:54When I see you asleep,
09:56when I look at you lately,
09:59I just want to smash your face in.
10:02While they agree to divorce,
10:03neither is willing to part with their dream home.
10:06The once shimmering mansion comes to resemble what their marriage has become,
10:10a war zone.
10:11As they say,
10:12there are no winners in war,
10:14only losers.
10:15As Oliver and Barbara dangle from a chandelier,
10:18it's evident that these bitter people deserve each other.
10:21I always loved you.
10:25I know.
10:30And through all this,
10:32you loved me too, didn't you?
10:34That doesn't mean they can live together,
10:40but they die side by side as the chandelier crashes down.
10:44During their final moments,
10:57it appears the two might reach some form of reconciliation.
11:01Barbara rejects Oliver's olive branch,
11:03using her last ounce of strength to push his hand aside.
11:08Number 22.
11:08Number 22.
11:09Celie Harris and Albert Mr. Johnson.
11:12The color purple.
11:14The fact that Celie calls her husband Mr.
11:16says everything.
11:17She was never more than a servant to him.
11:20Having been abused most of her life,
11:22Celie submissively keeps her head down.
11:24What you doing?
11:31Nothing.
11:34Don't look like that to me.
11:35Through her friendships with other women,
11:37especially Suge Avery,
11:39Celie finds the strength to finally leave Mr.
11:42He isn't willing to let her go without a fight,
11:44but to Mr's surprise,
11:46Celie is ready to fight back.
11:49Celie, no!
11:49Until you do right by me,
11:54everything you think about is gonna crumble.
11:57Don't do it, Miss Celie.
11:59Don't trade places with what I've been through.
12:02Celie has others in her corner,
12:04not just Suge,
12:05but also Squeak,
12:07who's inspired by Celie's words
12:08to leave Mr's son, Harpo.
12:11Celie resists the temptation
12:13to inflict the same physical pain
12:15that her husband has caused her,
12:16although she doesn't let him off easily,
12:18cursing Mr. until he atones.
12:21You do right by me.
12:23Everything you even think about gonna fail.
12:26Number 21.
12:28Tina and Ike Turner.
12:29What's love got to do with it?
12:31After an especially violent encounter,
12:34Tina Turner takes the first steps
12:36towards reclaiming her voice,
12:37leaving Ike in the middle of the night.
12:39The next time we see them together
12:50is in divorce court,
12:51where Tina only wants one thing from Ike,
12:53her stage name.
12:55Despite Ike's objections,
12:57the judge grants Tina's request.
12:59Mrs. Turner will retain the use of her stage name.
13:02It may seem like Ike came out on top,
13:05holding onto the money and publishing rights.
13:07As Tina shows Ike over the following years, though,
13:10he didn't make her.
13:12Whatever he might have done to further her career,
13:14Tina is capable of doing for herself.
13:17She may be starting from scratch again,
13:19but over time,
13:20more people come to associate the Turner name
13:23with Tina than Ike.
13:24What's love got to do with it?
13:29What's love but a second-hand emotion?
13:34Number 20.
13:35Sarah Marshall and Aldous Snow
13:36Forgetting Sarah Marshall
13:38Given that the movie starts with Sarah Marshall
13:41initiating one of the most awkward breakups
13:43in movie history,
13:44it's hard to feel bad when she gets dumped
13:46by her new boyfriend, Aldous Snow, later on.
13:49I've made a mistake coming here with you.
13:51It comes out later that she was actually cheating
13:53with rock star Aldous for a year
13:55before she broke things off with her ex, Peter.
13:58I get it, okay?
13:59I just, I need to understand what I did to make you cheat.
14:03But Aldous realizes she's still not over Peter,
14:06and he gives her a taste of her own medicine.
14:08Her controlling nature
14:09isn't what the free-spirited rock star had in mind.
14:12It serves as just another reminder
14:14that she may have done her ex, Peter, a favor
14:16by dumping him in the first scene.
14:18How you served five years under her,
14:21I don't know, you deserve a medal or a holiday
14:24or at least a cuddle from somebody.
14:26Number 19.
14:27Amber Von Tussle and Link Larkin
14:30Hairspray
14:31It's one thing to be dumped on national TV.
14:34It's another thing to deserve it.
14:35You Can't Stop the Beat
14:37is one of the most joyous closing numbers in any musical.
14:40But Amber Von Tussle spends most of it
14:42getting absolutely humiliated.
14:44You Can't Stop the River
14:46Not Too Hard
14:47So you love to stay
14:48You Can't Stop the Beat
14:51From being her racist mother's accomplice
14:54to body-shaming Tracy Turnblad
14:56every chance she gets,
14:58she's spent the whole movie
14:59being the nastiest kid in town.
15:02She finally gets her comeuppance.
15:03To announce that Amber Von Tussle
15:05is about to get out danced.
15:09Tracy Turnblad!
15:10Her reluctant boyfriend,
15:14pretty boy Link Larkin,
15:16basically dumps her on air
15:17when he chooses to join Tracy in a dance.
15:20He doesn't even dignify their breakup with a speech.
15:22I'm a drunk and I found my way
15:25Cause you can't stop the beat
15:27Ever since this whole world began
15:29A woman found out if she sure
15:31she could shake up a man
15:32Number 18.
15:34Jenna and Earl Hunterson
15:35Waitress
15:36Carrie Russell stars in this rom-com
15:39that treads some pretty dark waters.
15:41She plays Jenna,
15:42a waitress and pie maker
15:44in an abusive relationship with Earl.
15:46When she becomes pregnant,
15:48it finally gives her the courage to leave him.
15:50It's the moment we've been waiting for.
15:52I don't love you, Earl.
15:54I haven't loved you for years.
15:55I want a divorce.
15:57Well, that's not a funny joke.
16:00We got this new baby here.
16:01Obviously, any abusive loser
16:03is going to have a tantrum when he's dumped.
16:05In Waitress,
16:07the soundtrack completely drowns Earl out.
16:10What he has to say is so unimportant
16:12we don't even need to hear it.
16:19He's carried out kicking and screaming like an infant
16:23while Jenna gets her first precious moments
16:25with her new daughter.
16:30Number 17.
16:32Linda and Robbie Hart
16:34The Wedding Singer
16:35Adam Sandler plays Robbie,
16:37a wedding singer
16:38whose obsession with getting married
16:40led him to being left at the altar
16:41by the cold, immature Linda.
16:44She's probably got a makeup problem
16:46or her dress or something.
16:47I know where she likes to look her best.
16:48It'll be okay.
16:49Of course, she comes back just in time
16:51to mess things up with Julia,
16:53the woman he's supposed to end up with.
16:55It's almost chilling
16:57how she tries to play up her innocence
16:58when Robbie doesn't want to get back together.
17:01Luckily, he sees through it.
17:02Maybe we should talk about this
17:04when you're feeling better.
17:06Hey, psycho.
17:08I'm not gonna feel better about this.
17:09It's over.
17:10The scene includes a fun joke for music lovers.
17:13Robbie remarks that Linda shouldn't wear
17:15his Van Halen shirt
17:16as it might jinx the band.
17:18Please get out of my Van Halen t-shirt
17:20before you jinx the band
17:21and they break up.
17:22The movie's set in 1985
17:24and lead singer David Lee Roth
17:26would actually leave the band that year.
17:28Thanks a lot, Linda.
17:29Number 16, Muriel Heslop and David Van Arkel,
17:34Muriel's Wedding.
17:36This Australian dark comedy stars Toni Collette
17:38as social outcast Muriel Heslop,
17:41whose self-esteem is completely tied up
17:43in getting married.
17:44She finally does have her ABBA-themed fantasy wedding,
17:47but it's to a man who doesn't love her.
17:49You promise to be true to him
17:50in good times and in bad,
17:52in sickness and in health,
17:53through love and honor him
17:54all the days of your life.
17:56I do.
17:57David is not attracted to Muriel.
17:59He's just a professional athlete
18:00who needs a visa.
18:02However, once he gets to know her,
18:04he admits he could learn
18:05to like being married to her.
18:07And that's about as sweet
18:08as he's been the whole movie.
18:10I don't love you either,
18:11but I don't know.
18:15I think I could like having you around.
18:18This comes only after Muriel
18:20has gained enough self-confidence
18:22to stop pretending.
18:23David may be handsome,
18:25but she realizes she deserves better.
18:26And we applaud her decision to leave him.
18:30Good luck in the games.
18:34You too.
18:40Number 15.
18:42Bernadine, Bernie, and John Harris.
18:45Waiting to Exhale.
18:46Bernadine Harris left her own dreams behind
18:49to be a full-time wife and mother,
18:52while her husband John
18:53became a successful businessman.
18:55I gotta pick up the babysitter,
18:56pick up my gown,
18:57stop and get John's tux.
18:59Ooh, I'd clone myself.
19:02But I wouldn't have time for the surgery.
19:04When he announces he's leaving her
19:05for a colleague,
19:06he sets their whole life on fire.
19:09So she decides to pay him back in kind.
19:11She furiously monologues to herself
19:14while she piles his clothes,
19:15expensive shoes,
19:16and every material thing he cares about
19:18into his car.
19:19You're probably the only one
19:21who'll tolerate your smug ass.
19:24Yeah, if I was your white woman
19:25for 11 years,
19:27you couldn't have started
19:28that damn company without me.
19:30Hell, I want my ass off.
19:32Then she soaks it with lighter fluid
19:34and lights the match.
19:36It's an already epic scene
19:37of rage and revenge,
19:39but what makes it even more impactful
19:41is the powerhouse acting
19:42by the unmatchable Angela Bassett.
19:44Number 14, Mia Thermopolis and Andrew Jacoby.
19:56The Princess Diaries 2, Royal Engagement.
19:59Though born a commoner,
20:01Princess Mia Thermopolis of Genovia
20:03has fully accepted her place as a royal.
20:05Now comes the time to secure the throne
20:07for the next generation.
20:09Her initial choice is Andrew,
20:11Duke of Kenilworth.
20:13Unfortunately, while Andrew
20:14is handsome,
20:15there's no spark between them.
20:17There's no spark.
20:20Me too.
20:23Really?
20:24Really.
20:25I mean, it was pleasurable.
20:27Very.
20:27Very pleasurable,
20:28but no fireworks.
20:29None.
20:30It doesn't help that she's in love
20:31with the handsome Nicholas.
20:35Oh.
20:36How did that feel?
20:40Wonderful.
20:41Andrew is the more politically
20:42advantageous marriage,
20:44so they mutually decide to buck up
20:46and get married anyway.
20:48They almost go through
20:49with the extravagant wedding,
20:50but rather than be unhappy,
20:52Mia freezes mid-walk down the aisle
20:54and flees.
20:57I'm going to need a minute or two.
20:59Maybe it's not the nicest way
21:01to leave someone,
21:02but it's hard to argue with the results.
21:04Number 13,
21:06Viola Hastings and Justin Drayton.
21:08She's the man.
21:09In this update of Shakespeare's Twelfth Night,
21:12Amanda Bynes plays a soccer player
21:14whose boyfriend Justin is a tool.
21:16When the girl's soccer team is disbanded,
21:19she tries to join her boyfriend's team,
21:21and he sides against her
21:22despite her talent at the sport.
21:24What do you think about it?
21:27I think the coach said it all.
21:29Yesterday you told me that I was better
21:31than half the guys on your team.
21:32He tries to assert dominance
21:34over his girlfriend
21:35in front of his buddies,
21:36and ends up getting a taste
21:37of his own medicine.
21:39End of discussion.
21:40Yeah, tell her, man.
21:42Fine.
21:43End of relationship.
21:44Oh!
21:46We love a breakup
21:48that comes with an epic comeback.
21:50From the jump,
21:51we know exactly what Viola is about.
21:53She's not going to make herself small
21:54for any man,
21:56even when she's dating.
21:57We are so full of...
21:59Back to practice.
22:02Number 12,
22:03Veronica Sawyer
22:04and Jason J.D. Dean.
22:06Heathers.
22:07At first,
22:08Veronica Sawyer's disillusionment
22:10with being popular
22:10makes Jason Dean's brooding soulfulness
22:13seem attractive.
22:14Come on, Veronica.
22:18Later.
22:20Definitely.
22:21But it turns out
22:22he's just a sociopath.
22:24That cool demeanor
22:25is really just the callousness
22:27of a cold-blooded predator.
22:29Chaos is great.
22:31Chaos is what killed
22:32the dinosaurs, darling.
22:34There are a lot of red flags here,
22:36but the moment that Veronica
22:37finally ends the relationship
22:38just makes you want to grab
22:40a celebratory slushie.
22:42The ultimatum she gives him
22:43is pretty brave,
22:44considering he's a literal murderer.
22:46But anyone who tells a guy
22:48not to mess with her
22:49while she's the one
22:49holding a firearm
22:50is our kind of heroine.
22:52And to think there was a time
22:53when I actually thought
22:54you were cool.
22:56Number 11,
22:57Annie McDougain-Parody
22:59and Aaron Parody.
23:00The First Wives Club.
23:02Annie's been holding out hope
23:03that her handsome
23:04but emotionally stunted husband,
23:06from whom she is separated,
23:08will finally come back
23:09to his senses
23:09and come home.
23:11When he invites her out one night
23:12and they sleep together,
23:14she thinks he's finally ready.
23:15Then he drops the bomb on her.
23:17Annie, don't be childish.
23:19You know how you manipulate me.
23:20What?
23:21Not only does he want a divorce,
23:23but he's also in love
23:24with their shared therapist.
23:25Oh my God.
23:27Oh my God.
23:28Oh my God.
23:29This is very awkward.
23:31No, no, no, no.
23:31Annie was just leaving.
23:32What?
23:33You told her?
23:34Annie, who generally has problems
23:35expressing her anger,
23:37is tired of being pushed around
23:39and gaslit.
23:40She's overdue for a blow-up.
23:42It's a cathartic moment for her
23:44and for anyone
23:45who's ever been with someone
23:46who made them question
23:47how they're being treated.
23:49I am very sorry I ever met you
23:51and I am sorry that I allowed myself
23:54to love you for all those years.
23:56I'm sorry I did nothing
23:57but be there for you
23:59every minute of every day.
24:01Number 10.
24:02Hannah, Nana Weaver, and Richard.
24:04Crazy, stupid love.
24:06After the only person
24:07he's ever slept with
24:08asks for a divorce,
24:10middle-aged Cal Weaver
24:11befriends Jacob,
24:12a womanizer who teaches him
24:14how to pick up the ladies.
24:15You seem like a nice guy.
24:17I want to help you.
24:19I'm going to help you
24:20rediscover your manhood.
24:21Emma Stone plays Hannah,
24:23Weaver's daughter,
24:24and a recent law school grad
24:26that thinks her boyfriend
24:27is about to propose.
24:28Unfortunately,
24:29she couldn't be more wrong.
24:31When her boyfriend Richard
24:32invites her and some friends
24:33out to dinner,
24:34she believes he's going
24:35to pop the question,
24:36but instead he offers her
24:38a job at his law firm.
24:39I would like
24:40to formally ask you
24:44in front of all our friends
24:46and colleagues,
24:47if you would like
24:49to become
24:50a permanent lawyer
24:53at the firm
24:54of Watkins,
24:54Goldberg, and Schmidt.
24:55Huh?
24:55How about that?
24:56Stunned,
24:57Hannah chugs
24:58a very large glass of gin
25:00and rightfully
25:00walks out the door.
25:02You go, girl.
25:03I hate gin.
25:05Wow.
25:06You know what?
25:07Thank you, Richard.
25:08Honestly,
25:08thank you very much
25:09for your job offer.
25:10I will consider it.
25:12Get a banana.
25:14Banana.
25:16Banana.
25:16Number 9.
25:18Diana Christensen
25:19and Max Schumacher.
25:21Network.
25:22A film that should be
25:22on everyone's list
25:24of 1,000 movies
25:25to watch before you die,
25:26Network is an Academy
25:27Award winning film
25:28that satirizes
25:29the television industry
25:30in a way that hasn't
25:31been seen since.
25:33Television is not the truth.
25:35Television is a
25:36goddamn amusement park.
25:38While the film has
25:39no shortage of iconic moments,
25:41few can compare
25:42to this scene
25:42between William Holt
25:43and Faye Dunaway.
25:45After their affair
25:46begins to sour,
25:48Max decides to return
25:49to his wife,
25:50but not before unleashing
25:51one of the most brutal
25:52and eloquently strung together
25:54breakup monologues
25:55in cinematic history.
25:56I love you!
25:58And that painful,
26:00decaying love
26:00is the only thing
26:02between you
26:02and the shrieking nothingness
26:04you live the rest of the day.
26:05He rips into Dunaway's
26:07Diana without mercy,
26:08ultimately leaving her
26:09sitting alone
26:10in her apartment
26:10trying to comprehend
26:12what just happened.
26:13And here are a few scenes
26:15from next week's show.
26:23Number 8.
26:24Meredith Blake
26:25and Nicholas Nick Parker
26:27The Parent Trap
26:28In this Disney classic,
26:30identical twins
26:31Annie and Hallie
26:32are separated at birth
26:33only to later reunite
26:35in an attempt
26:35to bring their parents
26:36back together.
26:37There's just one problem.
26:39Their father is engaged
26:40to another woman.
26:41I think she's a little
26:42sensitive about you
26:44right now.
26:45That's why I need to do it.
26:47We've got to break
26:48the ice sometime.
26:49When the four of them
26:50head out on a camping trip,
26:51Annie and Hallie
26:52do everything in their power
26:53to dissuade Meredith
26:54from marrying Nick.
26:56However,
26:56the final straws
26:57when they push her
26:58into the middle of the lake
26:59while she's asleep.
27:00Sweet dreams,
27:06mommy dear.
27:07When a soaked Meredith
27:08runs to shore,
27:10she gives Nick
27:10an ultimatum.
27:12Them or me.
27:13Let's just say
27:14that when you ask
27:14a father to choose
27:15between a woman
27:16and his kids,
27:17the latter will win
27:18every time.
27:19It's me
27:20or them.
27:22Take your pick.
27:25Them.
27:27Excuse me?
27:28T-H-E-M
27:31Them.
27:33Get the picture?
27:35Number 7.
27:36Iris Simpkins
27:37and Jasper Bloom.
27:38The Holiday.
27:39The Holiday opens
27:40with one of the most
27:41cringeworthy moments
27:42of all time,
27:43as lovelorn Iris
27:44is forced to watch
27:45as Jasper,
27:46the love of her life,
27:48is congratulated
27:49on his engagement
27:49to another woman.
27:51May I introduce
27:52the newly engaged
27:53Sarah Smith Alcott
27:55and Jasper Bloom.
27:58It doesn't get
28:00much better from there,
28:01as Jasper continues
28:02to treat her
28:03like a doormat
28:04for the rest of the film.
28:05However,
28:06after a newfound friend
28:07convinces her
28:08to unlock
28:08her inner courage,
28:09Iris is finally ready
28:11to tell Jasper
28:11it's over.
28:13And boy,
28:13does she ever
28:14give it to him.
28:15Kate Winslet knocks
28:25this scene out
28:25of the park,
28:26giving viewers
28:27a satisfying moment
28:28of revenge
28:29that's highlighted
28:29by slamming a door
28:30right in Jasper's face.
28:32Now,
28:33that's gumption.
28:34But I think
28:35what I've got
28:36is something
28:36slightly resembling
28:37gumption.
28:46Number 6.
28:47Melissa and Dr. Stuart
28:49Stu Price
28:50The Hangover
28:51In a film
28:52noted for its
28:53gross-out humor
28:54and crass dialogue,
28:55perhaps no character
28:56is as overtly
28:57unlikable as Melissa,
28:59Stu's bossy girlfriend.
29:01Rogaine,
29:02check.
29:04And don't forget
29:04to use it.
29:06I can totally tell
29:07when you forget
29:08your hair just looks thinner.
29:09While she's only
29:10in the film
29:11for a couple of scenes,
29:12they are more than enough
29:13to convince us
29:14that she's a total nightmare.
29:16Have a good weekend.
29:17I miss you.
29:21Thankfully,
29:22after making it
29:22through the worst
29:23hangover of his life
29:24and finding a little
29:25self-respect
29:26in the process,
29:27Stu is ready
29:28to tell Melissa
29:28it's over.
29:29In front of friends
29:30and family,
29:31Stu announces
29:32with conviction
29:33that he is done
29:34with her,
29:34but not before
29:35informing everyone
29:36that Melissa
29:37cheated on him.
29:38Attaboy, Stu.
29:39Oh, really?
29:40Yeah.
29:40Since when?
29:42Since you
29:42f***ed that waiter
29:44on your cruise
29:44last June.
29:46Boom!
29:49Tell me it was
29:50a bartender.
29:51Oh, you're right.
29:52I stand corrected.
29:53It was a bartender.
29:54Number 5.
29:55Torrance Shipman
29:56and Aaron
29:57Bring It On
29:58Man,
29:59some on-screen
30:00boyfriends
30:00are almost
30:01too much
30:01to bear.
30:02Maybe
30:03you're just
30:05not Captain
30:06Material
30:06and there's
30:07nothing wrong
30:08with that.
30:09Bring It On
30:09follows high school
30:10cheerleader
30:10Torrance Shipman
30:11as she attempts
30:12to guide her cheer
30:13squad to a
30:14sixth consecutive
30:15national title.
30:17However,
30:17along the way,
30:18her philandering
30:18and unsupportive
30:19boyfriend Aaron
30:20continuously causes
30:22her emotional grief.
30:23To call him
30:30a dude boyfriend
30:31would be a
30:32gross understatement
30:33as Aaron thinks
30:34of no one
30:35but himself
30:35and is constantly
30:37telling Torrance
30:37she's no good.
30:39Thankfully,
30:40Torrance comes
30:40to her senses
30:41and dumps his ass.
30:43Ultimately ending
30:43up with Cliff,
30:44Aaron's polar opposite
30:45in almost every
30:46imaginable way.
30:48You're a great
30:48cheerleader Aaron.
30:50It's just that
30:51maybe you're not
30:53exactly boyfriend
30:54material.
30:56Bye bye.
30:58Number 4
30:59Erica Albright
31:00and Mark Zuckerberg
31:01The Social Network
31:03The Social Network
31:04makes no attempt
31:05to hide the fact
31:06that its protagonist
31:06is more than
31:07a little self-centered.
31:09Nowhere is this
31:10more apparent
31:10than in the film's
31:11opening scene
31:12as for the better
31:13part of 5 minutes
31:14Zuckerberg appears
31:15to be talking
31:16to himself
31:17instead of
31:17to his girlfriend
31:18Erica
31:18who is seated
31:20directly across
31:21from him.
31:21I didn't know
31:22they take SATs
31:23in China.
31:23They don't.
31:23I wasn't talking
31:24about China anymore.
31:25I was talking
31:25about me.
31:26As she struggles
31:26to keep up
31:27you can't help
31:28but get the feeling
31:28that this scene
31:29is hurtling
31:29to a dramatic
31:30conclusion
31:31and boy
31:32does it ever.
31:33Well why don't
31:34you just concentrate
31:34on being the best
31:36you you can be?
31:37Did you really
31:38just say that?
31:38I was kidding.
31:39The final straw
31:40comes when Zuckerberg
31:41condescendingly
31:42tells Erica
31:43he'll introduce
31:44her to people
31:44she quote
31:45wouldn't normally
31:46get to meet
31:47Yikes
31:48Not to worry
31:49Erica gets the
31:50last laugh
31:50with one hell
31:51of a closing line
31:52You're gonna go
31:53through life
31:53thinking that
31:54girls don't like
31:55you because
31:55you're a nerd
31:56and I want you
31:58to know from
31:58the bottom
31:59of my heart
31:59that that won't
32:00be true
32:00It'll be because
32:03you're an asshole
32:04Number 3
32:06Bridget Jones
32:07and Daniel Cleaver
32:08Bridget Jones's
32:09Diary
32:09Single, awkward
32:11and insecure
32:12about her weight
32:13Bridget Jones
32:14wants nothing more
32:15than to find
32:15her Mr. Right
32:16She's soon presented
32:18with two options
32:19Mark Darcy
32:20a family friend
32:21who despises her
32:22and Daniel Cleaver
32:23her womanizing boss
32:25Why don't you have
32:26some more wine
32:26and tell me more
32:28about practicing
32:28French kissing
32:29with the other girls
32:29at school
32:30because that's
32:30a very good story
32:31For a while
32:32she settles on the latter
32:33but things don't
32:34quite work out
32:35the way she hoped
32:36Their relationship
32:37culminates in one
32:38of the film's
32:38most memorable scenes
32:40as Mark and Daniel
32:41come to blows
32:42in the middle
32:42of the street
32:43After Daniel
32:46is knocked unconscious
32:47Bridget rushes
32:49to his side
32:49but when he comes
32:51too
32:51he doesn't exactly
32:52win her over
32:52with his comments
32:53so she satisfyingly
32:55dumps him
32:56like he's another
32:57one of her bad habits
32:58That's not a good
32:59enough offer
33:00for me
33:00I'm not willing
33:03to gamble
33:04my whole life
33:04on someone
33:05who's
33:05well not
33:07quite sure
33:09Number 2
33:10Scarlett O'Hara
33:11and Rhett Butler
33:12Gone with the Wind
33:14Set in Georgia
33:15during and after
33:16the American Civil War
33:18Gone with the Wind
33:18traces the life
33:19of Scarlett O'Hara
33:20as she struggles
33:21to maintain
33:22her marriage
33:22to Rhett Butler
33:23while being openly
33:24in love
33:25with another man
33:26Isn't it enough
33:26that you gathered
33:27every other man's
33:28heart today?
33:29You've always had mine
33:30You've got your teeth
33:31on it
33:31Oh, don't tease me now
33:32Have I your heart
33:34my darling
33:35I love you
33:35I love you
33:36I mustn't say such things
33:37The film is wrought
33:38with moments
33:39of flared tempers
33:40and unbridled emotions
33:41but few can compare
33:43to the final scene
33:44when Rhett
33:45scorned by his years
33:46in a loveless marriage
33:47decides to leave
33:48his wife
33:49What are you doing?
33:51I'm leaving you
33:52my dear
33:52All you need now
33:54is a divorce
33:54and your dreams
33:55of Ashley
33:56can come true
33:56But not before
33:57he delivers
33:58one of the most
33:59iconic lines
33:59in cinematic history
34:00It's a fitting end
34:02to Scarlett
34:02and Rhett's
34:03sham of a marriage
34:04Where shall I go?
34:05What shall I do?
34:07Frankly, my dear
34:08I don't give a damn
34:10Before we continue
34:15be sure to subscribe
34:16to our channel
34:17and ring the bell
34:18to get notified
34:19about our latest videos
34:20You have the option
34:21to be notified
34:22for occasional videos
34:23or all of them
34:24If you're on your phone
34:25make sure you go
34:26into your settings
34:27and switch on notifications
34:28Number 1
34:31Rose DeWitt Bucater
34:32and Kaladin Nathan
34:34Cal Hockley
34:35Titanic
34:36Cal Hockley
34:37is a pompous ass
34:38There, we said it
34:40That's amazing
34:42You could almost
34:43pass for a gentleman
34:44Almost
34:46The man has little
34:48to no redeeming qualities
34:49Regularly talks down
34:51to people he considers
34:52beneath him
34:52and only pays Rose
34:54any attention
34:55because she's a beautiful
34:56woman from a respectable
34:57family
34:57So one can't help
34:59but let out a joyous
35:00cheer when Rose
35:01finally summons the courage
35:02to stand up to him
35:03in the film's third act
35:04After he calls her a whore
35:06for attempting to reunite
35:07with Jack
35:07Rose rightfully quips
35:09I'd rather be his whore
35:11than your wife
35:11She follows that up
35:13by spitting directly
35:14in Cal's face
35:15further cementing
35:16the fact that
35:16their relationship
35:17is over
35:18Rose!
35:21Please stop!
35:22Which movie couples
35:23are you glad broke up?
35:25Let us know
35:25in the comments
35:26Red, please don't say that
35:28I'm so sorry
35:29I'm so sorry
35:31for everything
35:32My darling
35:34you're such a child
35:35I'm so sorry
35:36I'm so sorry
35:37may not be able to
35:38need a chance
35:38like a____
35:53Do you know
35:54every song
35:55do you know
35:55�neim
35:56will be
35:57after his
35:58view
Be the first to comment