00:00We know how Japan is a technology that has been in many countries and has made a lot of people's lives.
00:09Now, a technology is called AI, which is called Artificial Intelligence, which is called in Hindi, which is called the Kritrim Budhimata.
00:21Um, it has been called the Kritrim Budhimat.
00:51Jharkhand's film is called Biju Tupo. We talk about this film. First of all, Biju Tupo
00:59sahab, the first question is that Humans in the Loop. What do you mean by the meaning of
01:05the film?
01:08Yes, Bhanko Johar. The film is Humans in the Loop. The name is the name of Manuita
01:19Kodha. In this film, there is a story of an Adivasi Mahila, which is about their life.
01:27In this film, there is a work in an AI center and there is a work of data leveling.
01:37This is a story of an Adivasi Mahila, but in this film, what is Adivasi Darshan?
01:48What is Adivasi knowledge system? What is Adivasi knowledge system? What is Adivasi?
01:53What is Adivasi Mahila, which is called Sahajivita, which is related to nature,
01:57which is related to others. These are all things in this film.
02:01It is very good. It is very good. These are all things in this film.
02:04These are all things in this film.
02:06There are a lot of things in this film, which is one way to tell you that you can't do everything
02:11with AI. There is also an intelligence. The human being is better. Anyway, there is another thing in this film.
02:19There is also another thing. Ameer Khan's wife, Kiran Rao, who is also associated with this film.
02:26I have seen some clips of her and watched a video. What is Kiran Rao's work in this film?
02:33He is also an executive producer, who is a film. And the promotion of her work is a lot of work.
02:42He is also doing a lot of work in the country, and he is doing a lot of work in the country.
02:47He is doing a lot of work in the country, and he is doing a lot of work.
02:49He is also doing a lot of work in the country.
02:51We have been doing a lot of work in Delhi, so we have worked for 3 days in Delhi.
02:53There was a Jagran Film Festival, and there was a screening in the UNICEF house.
02:57There was a screening in the UNICEF house, so we have been working for everyone.
03:02We are working on all the time, and you are working on the future, and working on the film
03:05as well as the film.
03:07You have been doing a lot of work in September of the 19th of September,
03:11but this is the last place. You are doing a lot of work in other places.
03:15You are doing a lot of work in the back of September.
03:18kya bikini ke Lord
03:23kya batana chata
03:23kya is film ke jariye
03:25sarakar se koji aap logon kaa request
03:27kyoji kisita raka demand hai
03:29kiske promotion me sarakar bhaagidari
03:31tu dhisi ni bhai
03:31si sarakar se to demand
03:34kya jayi kya film beni hai
03:37toh hum chahatayon ki jharakand ke
03:39sabhi log dhekhai
03:40jharakand ke nakhir
03:40adivasi bahaul
03:4236 между
03:4436 gharbi
03:45oorisa bhi
03:45It is a film that is different from the audience, because this is a film that is different from the audience, so we talk about parallel cinema, which we talk about in the original cinema.
03:56So, we want to see more and more. If people like it, then it will be thought of it.
04:03At the same time, there is no demand for the government, but when they live in the government, it will be a problem.
04:10In direct way, it is not direct, but when it comes to tribal philosophy, that it is modern, that it is changing, it is a tribal state.
04:27One question, when was this film ready and where was the shooting in the Jharkhand?
04:34The shooting of this film is in Jonhap Hall. It is in the interior of the village, the jungle, the nature, it is in the middle of the village.
04:46Last year, it was completed. It was completed in the Mami's first release.
04:56Then, after that, there are many festivals, and wherever it is, there is the best film award.
05:03So, step by step, we are releasing it.
05:07Now, in Bara Tariq, in Mumbai, in Delhi, in Kerala Trivindra, in Bangalore, such as.
05:13Then, in second step, there is Jharkhand, in Hyderabad, from all the lines.
05:19Yes.
05:20In a series, you are growing up in this series.
05:22There is a matter of acting.
05:24One is Aranya Sahai, which I have seen, which I have seen, which is Nirmata Nirdeshan.
05:30So, who is Aranya Sahai? Number one.
05:34Yes.
05:35Yes.
05:36And the film is there, is the film that was released as a film, that is the film that was about
05:39the film.
05:40Yes.
05:41And the film is the film that was only associated at the time.
05:43Yes, no.
05:44It is.
05:45Aranya Sahai, basically, its house is also in Delhi, but in Bombay.
05:50They also have the film institute in FTI, which is passed out.
05:55and the first film should be a feature film because it is a diploma film.
06:02There is also a location in the Jharkhand.
06:06In the Jharkhand, there is also a location in the main director, like Anurag Lugun.
06:10They are in the Jharkhand.
06:11There is a girl in the beach.
06:13The girl is in the character of Sonal, she is outside.
06:17And the children are all here.
06:19And in the data labelling center, the girls are also in the local town.
06:24There are no actors or actresses.
06:26There are children in the normal town.
06:29You are watching the film, because you have made yourself.
06:34I saw a clip where there is a tree on a tree.
06:42And there is a girl in the data center.
06:47But she is saying that she is saying that she is doing it.
06:52This tree is good for this tree.
06:54What is this tree?
06:56What is interesting?
06:58First I said that this tree is a tree.
07:00This tree is a tree.
07:02This tree is a tree.
07:04This tree is a tree.
07:06And the tree is a tree.
07:08It is a tree.
07:09That leaves it.
07:10It is not the tree.
07:11The tree leaves the trees.
07:15But the AI is doing it that you are wrong.
07:16You are wrong.
07:19You are wrong.
07:20You are wrong.
07:21You are wrong.
07:22This is the grasshopper.
07:23It is a tree.
07:24The teacher is on the side.
07:25because the first thing is that AI works as a child, but then it gets caught in a trap that it doesn't have a child.
07:35This is also one thing, but in this case, the philosophy of this philosophy,
07:40the small and small things are also connected to the child.
07:45And the girl is connected to that.
07:49and that's what I want to say
07:51that this plant is a good plant
07:54but it doesn't have a good plant
07:57meaning that tribal philosophy
07:59tribal darshan
08:01and today's generation
08:03we talk about AI
08:05we are dependent on AI
08:07AI
08:09is also made by human
08:11who can't behave
08:13so our philosophy
08:15our philosophy
08:17is more advanced
08:19but you want to say that
08:21right
08:23because in the film
08:25we have seen
08:27and she tells her
08:29that she can't get out
08:31and put it in our
08:33interior of the village
08:35we do
08:37we do
08:39and the main part of the village
08:41will put it back
08:43so that it will be
08:45to be transferred to the next
08:47next year
08:49but no one will go
08:51out of the village
08:53so in this way
08:55what we are giving to the next
08:57and in this film
08:59also is that nature
09:01is giving us
09:03so in all
09:05we see that nature
09:07we will save us
09:09so in the future
09:11we will save us
09:13so in the future
09:15we will save us
09:17so in the future
09:19we will save us
09:21so in the future
09:23we will save us
09:25so in the future
09:27we will save us
09:29so in the future
09:31the young people
09:33who are
09:35who are
09:37who are
09:39who are
09:41who are
09:43who are
09:45who are
09:47who are
09:49who are
09:51who are
09:53who are
09:55who are
09:57who are
09:59who are
10:01who are
10:03who are
10:05I am going to go ahead and get your thoughts on your thoughts.
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