00:00I was very happy with my role. I think it's one of the, a truly liberal woman that I've portrayed, a truly liberal woman.
00:09People normally understand or people talk about women's liberation and feminism in a very superficial sense.
00:33Here is a woman who's dressed in a settimund all the time, who's dressed in a very simple cotton saree all the time.
01:03I think it's one example where cinema as a mass media is so powerful and I think we can, it can be a catalyst to society's progress.
01:17So I feel this doesn't come very often. I would definitely like to say that these kind of roles don't come very often.
01:24And I would, I would also like to speak not just about my role, but all the women in this film, I think that's what a great director is about.
01:32They're all very well edged out. They all have a strong mind of their own. They have their own quirks and their own opinions, but they have their own mind.
01:42She's my actress who give me enough blood and shades to my character, which I thought in my mind.
01:50Right. So I had suffered for her.
01:53I was actually itching to dance, but on the other side, I'm breaking a lot of stereotypes for myself because when they say Lakshmi, it's like Lakshmi the dancer, but here it's only the actor.
02:02Very often, I felt, sir, could be my dance teacher. And if there was a passage, he would say, I want anger here.
02:09I want it to turn into sadness in these two lines. And then I want it to turn to, you know, resignation.
02:15He would have worked out the emotion line by line very much like a lyrics that I'm dancing to, you know, so I really felt I was under some great.
02:23Yeah, here kind of a director acting guru, but it was really that was the feeling I got every time I was working with.
02:33So, why are you, why are you so sad? Is it because you're waiting to be with him or that you're in front of him? Why?
02:53You're beautiful. You're like quickly in motion.
02:56Okay, okay.
02:57You're beautiful. You're like quietly in motion.
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