Der erfahrene Kommissar Maigret, gespielt von Gérard Depardieu, untersucht den Mord an einer jungen Frau in Paris.
Die Ermittlungen führen ihn in eine Welt, die ihm zutiefst fremd ist, und enthüllen eine traurige und menschliche Geschichte. Maigret ist bekannt für seine unkonventionellen Methoden. Er vertieft sich in die Leben der Verdächtigen, um deren Beweggründe zu verstehen, anstatt sich nur auf forensische Beweise zu verlassen.
Der Film zeichnet ein stimmungsvolles Porträt des Paris der 1950er Jahre, untermalt von der melancholischen Musik von Bruno Coulais. Die Inszenierung ist bewusst langsam und ruhig gehalten, um dem Zuschauer die Möglichkeit zu geben, sich in die Atmosphäre und die psychologische Tiefe der Charaktere hineinzufühlen. Gérard Depardieu verkörpert den berühmten Kommissar mit einer beeindruckenden Mischung aus stoischer Ruhe und emotionaler Verletzlichkeit. Er ist kein Superheld, sondern ein gewöhnlicher Mann, der mit unermüdlicher Empathie und Beobachtungsgabe das Dunkelste in der menschlichen Natur beleuchtet.
Der Film „Maigret“ ist eine gelungene Neuinterpretation, die den Geist der Originalromane von Georges Simenon einfängt und eine fesselnde und nachdenkliche Kriminalgeschichte erzählt, die nicht nur durch ihren Fall, sondern vor allem durch ihre Charaktere besticht. Es ist eine Geschichte über Empathie, Einsamkeit und die tragische Wahrheit hinter dem Verbrechen.
#Maigret,
#GérardDepardieu,
#GeorgesSimenon,
#Krimi,
#Paris,
#Filmanpassung,
#Kommissar,
#50erJahre,
#französischerFilm,
#Kriminalroman,
#Verbrechen,
#PsychologischesDrama,
#Mordfall,
#Depardieu,
#Ermittlungen,
#Atmosphärisch,
#BrunoCoulais,
#Noir,
#FilmeKlassiker,
#Filmtipp,
Maigret,
Gérard Depardieu,
Georges Simenon,
Krimi,
Paris,
Filmanpassung,
Kommissar,
50er Jahre,
Französischer Film,
Kriminalroman,
Verbrechen,
Psychologisches Drama,
Mordfall,
Depardieu,
Ermittlungen,
Atmosphärisch,
Bruno Coulais,
Noir,
Filme Klassiker,
Filmtipp,
Maigret und die junge Tote
Facebook: http://www.facebook.com/tarifguard
Die Ermittlungen führen ihn in eine Welt, die ihm zutiefst fremd ist, und enthüllen eine traurige und menschliche Geschichte. Maigret ist bekannt für seine unkonventionellen Methoden. Er vertieft sich in die Leben der Verdächtigen, um deren Beweggründe zu verstehen, anstatt sich nur auf forensische Beweise zu verlassen.
Der Film zeichnet ein stimmungsvolles Porträt des Paris der 1950er Jahre, untermalt von der melancholischen Musik von Bruno Coulais. Die Inszenierung ist bewusst langsam und ruhig gehalten, um dem Zuschauer die Möglichkeit zu geben, sich in die Atmosphäre und die psychologische Tiefe der Charaktere hineinzufühlen. Gérard Depardieu verkörpert den berühmten Kommissar mit einer beeindruckenden Mischung aus stoischer Ruhe und emotionaler Verletzlichkeit. Er ist kein Superheld, sondern ein gewöhnlicher Mann, der mit unermüdlicher Empathie und Beobachtungsgabe das Dunkelste in der menschlichen Natur beleuchtet.
Der Film „Maigret“ ist eine gelungene Neuinterpretation, die den Geist der Originalromane von Georges Simenon einfängt und eine fesselnde und nachdenkliche Kriminalgeschichte erzählt, die nicht nur durch ihren Fall, sondern vor allem durch ihre Charaktere besticht. Es ist eine Geschichte über Empathie, Einsamkeit und die tragische Wahrheit hinter dem Verbrechen.
#Maigret,
#GérardDepardieu,
#GeorgesSimenon,
#Krimi,
#Paris,
#Filmanpassung,
#Kommissar,
#50erJahre,
#französischerFilm,
#Kriminalroman,
#Verbrechen,
#PsychologischesDrama,
#Mordfall,
#Depardieu,
#Ermittlungen,
#Atmosphärisch,
#BrunoCoulais,
#Noir,
#FilmeKlassiker,
#Filmtipp,
Maigret,
Gérard Depardieu,
Georges Simenon,
Krimi,
Paris,
Filmanpassung,
Kommissar,
50er Jahre,
Französischer Film,
Kriminalroman,
Verbrechen,
Psychologisches Drama,
Mordfall,
Depardieu,
Ermittlungen,
Atmosphärisch,
Bruno Coulais,
Noir,
Filme Klassiker,
Filmtipp,
Maigret und die junge Tote
Facebook: http://www.facebook.com/tarifguard
Category
🎥
Short filmTranscript
00:00:00Music
00:00:30Music
00:01:00Music
00:01:30Wait, I'll be right there
00:01:52Music
00:02:22Music
00:02:50Music
00:02:51This is better
00:02:52You need some accessories
00:02:58Music
00:02:59You can pull yourself
00:03:16This feeling of tiredness
00:03:19Do you have this often?
00:03:20Lately, yes
00:03:21Tiredness or exhaustion?
00:03:27Oh, shortness of breath?
00:03:28When I have exerted myself after running after a bus or climbing stairs
00:03:36Sleep well at night
00:03:38Do you sleep soundly at night?
00:03:42What do you mean?
00:03:44How is your appetite?
00:03:46I feed myself
00:03:48So you don’t feel like eating anymore?
00:03:50So no more desire to eat
00:03:52It's gone, yes
00:03:53Does this only apply to food?
00:03:56Don't go, no
00:03:58You should take a break
00:04:01Or retire early
00:04:04Yes
00:04:06Good
00:04:07Your blood pressure is slightly elevated
00:04:08But at your age
00:04:09Yes
00:04:10Your bronchi show slight abnormalities
00:04:13I am therefore sending you for an X-ray
00:04:15And until then
00:04:17I ask you to make a great sacrifice
00:04:21Stop smoking
00:04:45The three
00:04:57The three
00:04:58The three
00:04:59The three
00:05:00The three
00:05:01The three
00:05:03The three
00:05:04Come, I want to introduce you to someone
00:05:06Robert
00:05:09Highly researched
00:05:11Janine, we were just talking about you
00:05:13I didn't learn, I know you, Robert.
00:05:30It's you.
00:05:32I am glad that you are part of the team through this matter.
00:05:35You are fine.
00:05:35I would then do it for you.
00:05:43Yes, we stand.
00:06:05Where did you get this dress?
00:06:07I didn't invite you.
00:06:08You didn't come here to cause a scandal
00:06:10and mess up my engagement.
00:06:11Then why are you here?
00:06:13Why are you here?
00:06:14Is there anything to clarify?
00:06:15No longer.
00:06:15She wanted to leave anyway.
00:06:16Very good.
00:06:17Hey, get out of here.
00:06:19What do you want?
00:06:21Do you want money?
00:06:22Is that it?
00:06:24You want more?
00:06:25Yes?
00:06:26Take this.
00:06:28And then waste it!
00:06:36Yes, please.
00:06:38He is still silent.
00:06:39Lapuan is trying to get him to talk.
00:06:41This could take a long time, perhaps until midnight.
00:06:46I'll get us some beer and sandwiches.
00:06:49Go ahead, but I'm going home.
00:06:52And what if he confesses, boss?
00:06:54Then you just arrest him.
00:06:56Emergency call center?
00:07:13Hello?
00:07:15Hello?
00:07:20Hello?
00:07:21Hello?
00:07:23Close her eyes.
00:07:48Nothing that indicates her identity.
00:07:51She has multiple stab wounds.
00:07:54There is no trace of the murder weapon.
00:07:55Let’s leave the work to the specialists.
00:08:01Who made the call back?
00:08:03We don't know.
00:08:04He or she broke the glass but said nothing.
00:08:09Let's start by interviewing the neighbors.
00:08:11Have you already notified the prosecutor?
00:08:13I'll take care of it.
00:08:20Have you eaten anything today?
00:08:22I don't know at all.
00:08:23I continue sleeping.
00:08:27Sleep well.
00:08:29You on the back.
00:08:30I have breakfast on the go.
00:08:56Are you all right?
00:08:58Yes.
00:09:10You will definitely recognize yourself.
00:09:11No, I'm quite warm.
00:09:13I'll be careful.
00:09:14Inspector Maigret?
00:09:16Inspector Maigret?
00:09:17Inspector Maigret?
00:09:21Inspector Maigret, I'm a local resident. The inspector said you were here.
00:09:43I live right across the street in house number 5. Around midnight, more after than before. I had just gone to bed. When suddenly a car pulled up in front of the square. One with a lot of horsepower. Two doors opened and closed, and then the trunk. Then it drove off again after maybe five or ten minutes.
00:10:13Exactly. The poor woman. She was still so young.
00:10:22The unidentified victim, a white female, was a minor, no more than 20 years old. She was healthy but malnourished.
00:10:29There are five stab wounds in the chest and abdomen, caused by a sharp object. Given the depth of the wounds, it is likely a carving or kitchen knife.
00:10:39The angle of entry of the blade suggests that the perpetrator is left-handed. The stab wounds were made at close range and presumably resulted in death.
00:10:49Allegedly?
00:10:50Her neck is broken, and both lungs are damaged. I will perform a full autopsy. There are no external signs of violence on her body.
00:11:01When was the time of death?
00:11:03Hard to say. Her stomach was almost empty. Maybe between 10 p.m. and midnight. Definitely before midnight.
00:11:11A passerby, possibly even the murderer himself, informed the police at 12:33 a.m.
00:11:20That doesn't mean the location where the body was found has to be the crime scene, right? The discoloration doesn't match the body's position.
00:11:26So she was transported and moved after she was already dead.
00:11:31That's exactly how it was. You started studying medicine and then dropped out. Why?
00:11:38I had to earn money.
00:11:39At the police station?
00:11:43There or somewhere else. Pure coincidence.
00:11:46I also found the fiber of a white fabric under one of her fingernails.
00:11:51From a sheet or a tablecloth the body was wrapped in. And there's something else.
00:11:56She had consumed a large amount of alcohol. She must have been quite drunk.
00:12:02There are many indications that she was an entertainer.
00:12:06But they don't drink that much, I know. They only make the men drink.
00:12:10And sleep with them?
00:12:13It can happen, yes.
00:12:16She was no longer a virgin. But one thing is certain: She had no sexual intercourse before her death. Neither forced nor voluntary.
00:12:23I want to take a look at it.
00:12:27But I have to warn you. It's still open.
00:12:29You no longer smoke a pipe. How do you feel about that?
00:12:53Pretty naked.
00:12:56Are you getting knives again?
00:13:03That smell? It's the same every time.
00:13:06You get used to it.
00:13:07I was with Janvier. No woman was reported missing at any of the precincts. Not even in the newspapers.
00:13:14Lucas asks around in the surrounding dance clubs and bars.
00:13:17Focus on the taxi drivers who were out that night.
00:13:22Where are we going?
00:13:23To Kay. What about the Murder Harbor?
00:13:26It hasn't been found yet.
00:13:28Be careful. The wood goes to a two.
00:13:30I had to think of something.
00:13:35Do you remember the female murderer near Monceau Park, Aktiva?
00:13:39Yes and?
00:13:40We never caught him.
00:13:41The Monceau is not far from Batignol.
00:13:45And how did he kill his victims?
00:13:47He strangled her with a wire.
00:13:49And then?
00:13:50Well, that was it.
00:13:52Maybe he just changed his approach.
00:13:55There is nothing to evaluate.
00:14:13No traces, no prints.
00:14:14Nothing that gets us anywhere.
00:14:16Her handbag was almost empty.
00:14:18A tissue, a cheap lipstick.
00:14:20Her underwear was also of inferior quality.
00:14:23Bargain table or something like that.
00:14:24Earrings with fake pearls.
00:14:26Her shoes are better made, but worn.
00:14:29None of this matches the evening dress.
00:14:31Why not?
00:14:33It's a different category.
00:14:35The name of a famous brand.
00:14:37Something like that costs a small fortune.
00:14:46Indeed a creation of our house.
00:14:49A dream for one night.
00:14:51A pre-war model.
00:14:53From the 1937 winter collection.
00:14:561937.
00:14:58It's unfortunate what condition it's in.
00:15:00If only it were this dress.
00:15:02Can you tell me who bought it?
00:15:05It sold very well.
00:15:07It is impossible for me to name all of my customers.
00:15:10But since they are custom-made,
00:15:12The seamstress at the time might have been able to help you.
00:15:15I would like to speak to you.
00:15:16That doesn't work.
00:15:17She is dead.
00:15:18She died a month after she retired.
00:15:20How terrible.
00:15:20You can look inside, but you won't be disappointed.
00:15:36Why does a 20-year-old woman wear a dress
00:15:39that could have belonged to her mother?
00:15:41Which woman?
00:15:42If I knew.
00:15:44I don't know anything about her.
00:15:45Not just their names.
00:15:50I made spit-roast veal.
00:15:52Do you like?
00:15:53I'm actually not hungry.
00:15:56Do you remember our first meeting?
00:15:58At that dance event?
00:15:59Evening wear required.
00:16:03That's why I was wearing my best shoes.
00:16:05And suddenly I saw you in the corner with a gray suit and a crooked tie.
00:16:10And I thought to myself, there is someone who belongs here even less than I do.
00:16:15I borrowed the blue dress.
00:16:17For money.
00:16:19There are shops where you can also rent tuxedos.
00:16:21Yes, but what was your reason for doing so?
00:16:25Find out, Commissioner.
00:16:40How terrible.
00:16:44Your inspector didn't mention anything about that.
00:16:47You can't describe something like that over the phone.
00:16:50What was the girl's name again?
00:16:51I was hoping you would know that.
00:16:52I forgot to ask you about that.
00:16:55She had little time.
00:16:57She needed an evening dress as if her life were in danger.
00:17:00I'm sorry.
00:17:02In this area, my clients are usually girls looking for suitors.
00:17:08Was it like that with her?
00:17:09With her?
00:17:09No, not with her.
00:17:12She was as delicate and fragile as a bird.
00:17:16What did she use the dress for?
00:17:17She wanted to pay someone a visit.
00:17:22Did she say that?
00:17:22Someone who could help her.
00:17:25At least when it comes to money.
00:17:27She didn't even have enough for the rental fee.
00:17:31She left her things with me to redeem when she returned the dress.
00:17:36I was expecting her the next day, but...
00:17:39You were one of the last people to speak to her.
00:17:43I would have preferred to see her alive again.
00:17:45What was she like?
00:17:46She was beautiful.
00:17:47Extremely beautiful.
00:17:48She was quite pale, brunette, with bangs.
00:17:51That's not what I meant.
00:17:53What kind of person was she?
00:17:55She seemed lost to me.
00:17:56Absent.
00:17:58A girl from nowhere.
00:17:59One notable habit she had was constantly twisting her hair.
00:18:03Like a child who is afraid of being scolded.
00:18:07These girls come from the provinces.
00:18:11They dream of a career as an artist or a good match.
00:18:14And end up as maids.
00:18:17If not even in certain establishments.
00:18:19Or on the street.
00:18:20Procadero 0840?
00:18:38Madame Bonjour.
00:18:40Mademoiselle Pater.
00:18:42Would you kindly tell me your name?
00:18:44I called you, I know.
00:18:46I will do that immediately, but first...
00:18:49Hello?
00:18:50Hello?
00:19:19Hello?
00:19:19Subtitling by ZDF, 2020
00:19:49Very tasty. I was very hungry. And you're not eating anything?
00:19:57Not for a glass of wine. How about a Pouilly?
00:20:01Sounds good.
00:20:05Cheers. Betty, an unusual name.
00:20:08A real Astmarie. I wanted a new one.
00:20:12Where do you come from?
00:20:14Romance de Rézère.
00:20:15I know.
00:20:16Really?
00:20:18The area of shoes.
00:20:20Yes, that's right. My parents work in one of the factories.
00:20:23That would have been my fate too.
00:20:25But making shoes for a lifetime?
00:20:26No, not for me.
00:20:28I only wanted one thing: to get away to Paris.
00:20:30My father said, not if you're still a minor.
00:20:33I didn't care.
00:20:35I'm leaving on my 21st birthday.
00:20:37And you didn't tell anyone?
00:20:39Not my parents. Not anyone.
00:20:40If I were your father, I would wonder where you are, what you are doing, who you are with.
00:20:48Why you don't get in touch.
00:20:50You would ask yourself, yes?
00:20:52It's a professional habit.
00:20:54What do you hope to achieve, life from Paris?
00:21:00To be free, what else?
00:21:02To be able to do what I want to do.
00:21:03Meet interesting people, go to the museum.
00:21:06And become a thief?
00:21:07Why is someone like you interested in my life?
00:21:11It helps me a little to understand.
00:21:13To understand what?
00:21:15A girl like you?
00:21:18There are tons of girls like me, Paris.
00:21:21Such poor souls like me.
00:21:23Lonely and confused.
00:21:24Visible from afar.
00:21:26One more dessert for me, please.
00:21:28The Tarte Tartin is highly recommended.
00:21:30Shall we share a portion?
00:21:32No, I don't like anything sweet.
00:21:35The young woman takes the Tarte Tartin.
00:21:37And still nothing for you?
00:21:39No, thank you, Arlette.
00:21:40Think about it again, Commissioner.
00:21:45Commissioner?
00:21:47Are you a police officer?
00:21:49Inspector Maigret, detective inspector of the Quai des Ofevres.
00:22:07Someone wanted to make the nameless girl disappear.
00:22:30However, it has inevitably left its mark.
00:22:35Spread across half the city.
00:22:38Like little lamps that shine.
00:22:40Crime is always present, at any time of day or night.
00:22:44Be alert and under no circumstances indifferent.
00:22:47But keep a certain distance to be able to understand.
00:22:51In the long run, you are forced to put on a shell.
00:22:54But at some point something quite banal happens.
00:22:57You don't know why or when.
00:22:59And a detail touches you.
00:23:01The pattern on a wallpaper.
00:23:03One substance, one word.
00:23:05A look, a strange face.
00:23:08Suddenly your protective shield simply collapses.
00:23:11And you become a child who is afraid of the dark.
00:23:24Here are the interrogation records that still need to be signed.
00:23:27The prosecutor is waiting to file charges.
00:23:32Ah, you've located the pharmacy.
00:23:35The bottle in the unknown woman's handbag.
00:23:38Lapuan will go there and report to you.
00:23:39No, it was me.
00:23:44I didn't write down your name.
00:23:47She did not have a prescription and paid in cash.
00:23:49It is an opium preparation, a very powerful drug.
00:23:53And did you still give it to her?
00:23:54I've seen her here often.
00:23:56She always looked, well, how should I say it...
00:23:59Lost out?
00:24:00Lost, yes.
00:24:02One evening she appeared here completely distraught.
00:24:04She must have suffered.
00:24:05What?
00:24:06Anxiety, insomnia, nervousness.
00:24:07She came again to refill the bottle.
00:24:11Never again since then.
00:24:12She seems to be feeling better now.
00:24:14If you will.
00:24:15Is this medication compatible with alcohol?
00:24:18On the contrary, it increases the side effects after ingestion,
00:24:21such as balance disorders and fatigue.
00:24:23And did you tell her that they don't mix?
00:24:26I assumed that at that age it was unnecessary.
00:24:28Hopefully she hasn't done anything bad.
00:24:30You... No, no.
00:24:32And she lived in this neighborhood?
00:24:36Good.
00:24:37Thank you.
00:24:38Of course, please.
00:24:46These young things.
00:24:47There's plenty of that.
00:24:48I take care of three apartments each on five floors.
00:24:51Plus the attics.
00:24:52She sleeps restlessly and probably gets up late.
00:24:55She hardly eats anything.
00:24:57She only leaves the house to run errands.
00:25:00She seems sad.
00:25:02Someone who immediately catches your attention.
00:25:05She probably lives alone.
00:25:08She has the habit of
00:25:09to wrap the hair around the finger.
00:25:12This could, wait,
00:25:14be the girl from the sixth.
00:25:16I don't even know her name.
00:25:17But that surprises me.
00:25:18My goodness, so what?
00:25:19They had received the mail.
00:25:21She also has the room
00:25:22initially not rented by myself.
00:25:24It should actually be up there.
00:25:26If not, do you have a spare key?
00:25:29Uh, yeah.
00:25:35But I can't remember it anymore.
00:25:36I have it in my back.
00:25:38Not necessary.
00:25:38I don't need you for that.
00:25:39I am the back.
00:26:05That's it.
00:26:35That's it.
00:27:05That's it.
00:27:35That's it.
00:28:05That's it.
00:28:08You didn't even say what you wanted from me.
00:28:11No, I didn't. She's dead. She was murdered.
00:28:15Oh dear, how terrible. Up there?
00:28:17No, not here. Did she have an affair with someone who also lives here?
00:28:22The little one? Not her. Absolutely not. She lived a secluded life.
00:28:28Who previously occupied the room?
00:28:30That was another one, Janine. She went out often. She always stank of the perfume she was given, if you know what I mean.
00:28:37She partied all day and night. But she left and left the other one here. Then she stopped paying her rent. The dead one, I mean. I wanted to throw her out.
00:28:46What's been resolved? Did the previous tenant, Janine, come back here?
00:28:52She still picks up her mail from time to time.
00:28:54Boss, it's me. Janvier. I found out who the person with the 0840 number Drucker belongs to. It's Janine Arminieu. She seems to be starring in a film at the Biancourt Studios.
00:29:24This is a waste of time. Everything here is just a backdrop.
00:29:39Do we have a date?
00:29:42Janine Arminieu?
00:29:44Here I am, Nadine Darcy. Sorry, I had to go to a fitting for a new film.
00:29:48You play the main role?
00:29:49Oh no. I'm just an extra, as they say. The secretary who types a letter and sometimes does it with the boss. The maid who opens the door.
00:29:58The wrong door.
00:30:01Do you sometimes go to the cinema, Inspector?
00:30:03Every now and then, to get my mind off things.
00:30:06You probably prefer crime novels.
00:30:09Those car chases or suspects beating an inspector with a phone book? No, no, that's not true at all.
00:30:16How do you get suspects to talk?
00:30:21Nothing. I'm just listening to you.
00:30:26Come on, it's quieter back there.
00:30:37It's all just a dummy. As in the movies, so in life.
00:30:41In life too?
00:30:42Yes. Why did you want to speak to me?
00:30:45Are you currently living at Squad de Labonnie number 3?
00:30:50Yes, that's why.
00:30:52And where did you live before?
00:30:54At 71 Rue Cruebellier, in the 17th district.
00:30:58Alone?
00:30:59Yes, although. No, together with a friend.
00:31:03Is she also an actress?
00:31:05No, I met her on the train to Paris. She had nowhere to stay. So I helped her.
00:31:12And what is her name?
00:31:13Her name was Louise. Louise Louviere.
00:31:16Louise Louvière. Why did you say her name was?
00:31:22Because she... She disappeared without a trace and I don't know where she is.
00:31:26She was found dead Saturday night at the Batignonne Squad.
00:31:33Oh my God.
00:31:40Excuse me, this is for me.
00:31:45How did she die?
00:31:47At least not naturally.
00:31:50Do you know how old she was?
00:31:51No, I don't know. Around 20.
00:31:55Did she have any papers with her?
00:31:58I don't know. She once mentioned that she was wise.
00:32:00I think she wanted to find out who her father was.
00:32:04Your name? Louvière.
00:32:06That was her mother's name. She died quite early.
00:32:09She grew up with nuns and was hired as a maid.
00:32:12She was mistreated there. She ran away.
00:32:14And so we met on the train.
00:32:15What did she want in Paris?
00:32:18I was wondering that too.
00:32:19She was alone in the room most of the time.
00:32:23As if she were afraid of strangers.
00:32:26Poor Louise.
00:32:28I had found her a job here in the studio.
00:32:30It was nothing exciting.
00:32:32You don't use actors to set up the lighting for the camera.
00:32:35Someone who looks like him is enough.
00:32:37And she played in a scene from
00:32:38May I ask, Mademoiselle, to come with me.
00:32:40A true masterpiece of cinema.
00:32:43What do you want in Paris?
00:32:45I?
00:32:46Yes.
00:32:47Become famous.
00:32:48Did she have other friends or just her?
00:32:51As far as I know, only myself.
00:32:52A friend perhaps?
00:32:53Absolutely not.
00:32:55Does the name Kaplan mean anything to you?
00:32:57No, nothing at all.
00:32:59And anyway, we weren't really friends, as different as we were.
00:33:02This girl was depressed, which began to affect me.
00:33:05So I moved away and gave her the room.
00:33:06When was that?
00:33:07About three months ago.
00:33:09Since then, she has called me two or three times.
00:33:11Last time she just complained.
00:33:13I would have left her.
00:33:14I am her only friend.
00:33:15She threw herself from the roof.
00:33:16I just hung up.
00:33:17You do that quite often, huh?
00:33:21Trocadero 0840.
00:33:25I didn't know who was on the phone.
00:33:27Mhm.
00:33:28Mhm.
00:33:28Amen.
00:33:58There is a convicted child murderer of the same name, but that was in 1892.
00:34:27And Arminieu, Janine?
00:34:29As far as she's concerned, there's something. She was recently warned.
00:34:34For allegedly disturbing the peace in front of Calavadus, a nightclub.
00:34:39Something, at least.
00:34:57My papers are in order, Inspector.
00:35:23That's not why I'm here. Let's talk about a girl instead.
00:35:27Which girl?
00:35:28Louise. Louise Louvier.
00:35:31She's disappeared, right?
00:35:33Did you know the girl?
00:35:35Naturally.
00:35:35When I tried to report my disappearance to the police, they simply said that a missing person cannot report anyone else as missing.
00:35:44So I placed an ad.
00:35:47Young woman missing.
00:35:49Characteristics: brown coat, blue sweater, Rockbees colors, black shoes.
00:35:55This young woman you are looking for, what was her name?
00:35:57Louise Louvier.
00:36:03Louise Louvier.
00:36:06Louise?
00:36:08Lulu.
00:36:10Close little girl in a small town.
00:36:15I named her Ida.
00:36:17Like little Ida, the one my grandmother always told me about.
00:36:21Back then in Vilnius.
00:36:24Do you know Vilnius, Commissioner?
00:36:26I don't know, sorry.
00:36:28No wonder the city has changed its name many times.
00:36:31Vilnius, Vilna, Vilnia.
00:36:35All the people I once knew there are gone.
00:36:37No one is left, only the ghosts among the ruins.
00:36:41A very beautiful name.
00:36:43That doesn't matter anymore.
00:36:46Was Louise Louvier part of your family?
00:36:48To my family?
00:36:51Everyone disappeared, no one left.
00:36:53No one anymore.
00:36:54I am the only survivor.
00:36:58Would you like to see my papers, Inspector?
00:37:00No.
00:37:01Was she here to see them?
00:37:04Who?
00:37:06Louise.
00:37:07When was that?
00:37:09Recently, I think.
00:37:11Oh, no, no, no.
00:37:13I've been waiting for her to show up at the door for ages.
00:37:16One evening during curfew she was gone.
00:37:18And tense forever.
00:37:19We're probably not talking about the same person.
00:37:26No.
00:37:28We apologize for the inconvenience.
00:37:31When you lose your child, you lose everything in the world.
00:37:33There is nothing left.
00:37:35Everything gone.
00:37:36Just one more night.
00:37:38I know, Mr. Kaplan.
00:37:39It's me.
00:38:07Don't wait for me to eat and go to sleep.
00:38:11It depends.
00:38:13I do not know yet.
00:38:14It's me.
00:38:44It's me.
00:39:14It's me.
00:39:16It's me.
00:39:16It's me.
00:39:37Boss?
00:39:38Can you hear me?
00:39:40Hey, boss.
00:39:41It's because of Louise.
00:39:46There is news.
00:39:47She ran into me on Rue Blanche.
00:39:49She almost ran.
00:39:51meandering line.
00:39:52She was dressed like a princess.
00:39:55My eyes were blinded.
00:39:58At some point she finally raised her arm.
00:40:00She really wanted to sit in the front with me.
00:40:02They had interacted with each other before.
00:40:04We've had dealings with each other before.
00:40:06Do you remember?
00:40:07They had just convicted the lady who had killed her husband in La Mouette.
00:40:15I was surprised that someone like you would take a taxi and not have a driver's license.
00:40:18Tell us about her.
00:40:20Well, there isn't much left.
00:40:23She was quite quiet.
00:40:26She seemed very nervous.
00:40:28Rather worried.
00:40:30As if she were afraid of something.
00:40:32I didn't charge her for the ride.
00:40:34She had no money anyway.
00:40:36I waited until she was in the house and then drove off.
00:41:02I waited until she was in the house.
00:41:32A young woman, brunette, in a pale-colored evening dress.
00:41:43She must have shown up here around half past ten.
00:41:45Sorry, I've been really busy.
00:41:47I didn't notice anything.
00:41:49Was there by any chance a white tablecloth missing after the celebration?
00:41:53Not that I know of.
00:41:55But silverware, definitely.
00:41:57We experience this very often.
00:41:59Thank you.
00:42:00I've been here the whole time.
00:42:03I can't remember.
00:42:05I had a lot to do.
00:42:06I don't pay attention to things like that.
00:42:08Commissioner.
00:42:09Yes?
00:42:10The invitation to the celebration.
00:42:12Thank you.
00:42:14Please do us the honor to invite you to the ceremony
00:42:16on the occasion of the engagement of the two children,
00:42:18Laurent and Janine, to invite.
00:42:20Let's go.
00:42:27Let's go.
00:42:30He is sweet after all.
00:42:33Come on.
00:42:33Listen.
00:42:35Can you do yourself the honor.
00:42:37Let's go.
00:42:37Good evening
00:42:47The car belongs to my fiancé
00:42:49He got me the job here
00:42:52He is a businessman
00:42:53I am too
00:42:54A different kind of business
00:42:55Did we have an appointment, Inspector?
00:42:59Do you actually know where our friend Louise was on the night of her murder?
00:43:04No, where from?
00:43:05She went to her engagement party that evening
00:43:08Why did you not mention this during our last conversation?
00:43:15If she was there, there was no reason at all
00:43:17That's why
00:43:18But you have it, why?
00:43:22I last saw you three months ago and I don't know any more
00:43:25May I ask you to come here and claim something
00:43:32Louise came to the engagement even though she was not invited
00:43:34You didn't announce the engagement?
00:43:37Yes, you might have heard about it from the newspaper, but then just
00:43:40We have someone who can testify that she arrived by taxi
00:43:43By taxi?
00:43:46Well, she was very frugal
00:43:48Damn, a run
00:43:51She must have stayed outside
00:43:54Out of, I don't know, shame or inhibition
00:43:56She probably went straight back home
00:43:59Alone
00:44:00And met her murderer
00:44:02Thank you, Mademoiselle
00:44:04You can drive off
00:44:06Uh, something else
00:44:07I must ask you to come to the morgue, Mademoiselle
00:44:12For what reason?
00:44:12Pure formality, nothing more
00:44:15There is no one else who can identify you
00:44:18To bury you
00:44:20To bury them?
00:44:22She has a right to a burial
00:44:23Yes, but why are you asking me?
00:44:27She had neither family nor friends in Paris
00:44:29She only had you
00:44:30What are you doing here?
00:44:56Stand up!
00:44:57Rejected by him!
00:44:58Get rid of me!
00:44:59Come along!
00:44:59I didn't do anything
00:45:00Get rid of me!
00:45:01Police, assholes!
00:45:02The police must!
00:45:02I'm not here!
00:45:04Why were you there?
00:45:06Don't you have a place to stay?
00:45:08Last time you ran away because I'm a cop
00:45:11And now that you're in a bind
00:45:13Do you suddenly remember me?
00:45:15Do you write that in your report?
00:45:18Dangerous, perverse, devilish
00:45:19You will be taken into custody
00:45:22Fingerprints, front photo, profile photo
00:45:25Then the interrogations
00:45:27All before you are locked in a lice-infested cell
00:45:31To the many rats
00:45:32Why would the police drop a burglary charge against you?
00:45:37What do I know?
00:45:39I can be really nice
00:45:42You would like that, wouldn't you?
00:45:52Chief, the investigating judge would like to speak to you
00:45:54Later
00:45:55Who lives here?
00:46:05She is gone
00:46:06And if she comes back?
00:46:09That won't happen
00:46:10I'll leave you the key here
00:46:12If anyone asks about her, let me know
00:46:14You want to leave already?
00:46:17Yes
00:46:17Why are you doing this for me?
00:46:20I'm not doing this for you
00:46:24Here
00:46:31The rent in advance
00:46:34Thanks
00:46:35I ask you for utmost discretion, Madame
00:46:38But yes
00:46:39Thanks
00:46:39I'll keep an eye on you
00:46:41Did I ask you to?
00:47:04Sir?
00:47:05Inspector Maigret
00:47:06Monsieur Laurent is waiting for me
00:47:08Laurent Clément Valois
00:47:09Odile, have you seen my bag?
00:47:23No, Mr. Laurent
00:47:24Mother, I can't find my bag
00:47:28She is in her usual place, Monsherry
00:47:31She puts them somewhere different every time
00:47:33As if she didn't want me to go to the office
00:47:35She used to hide my satchel
00:47:39And then called the school principal to report sick
00:47:42Louise Louvier was a friend of her fiancée
00:47:45We don't have the same circle of friends
00:47:47She comes from another world, if you understand
00:47:49Still, you want to marry her?
00:47:52Janine has other qualities
00:47:54Definitely, yes
00:47:56How did you meet?
00:47:58Why do you ask?
00:48:00In a dance hall
00:48:01This friend of her fiancée
00:48:05Louise Louvier
00:48:07Did you know who you were among the many people present that evening?
00:48:11How? I've never met her before
00:48:13Naturally
00:48:14And she wasn't introduced to Louise?
00:48:18No, don't you want to finally tell me what this is about
00:48:20Instead of beating around the bush all the time?
00:48:22Your fiancée hasn't told you anything?
00:48:24Didn't tell me anything
00:48:25I have to go
00:48:32I have to go to the board meeting
00:48:52May I escort you out?
00:48:53I would like to stay a moment longer
00:48:55Always under pressure, like his father
00:49:10So you live with your son, Madame?
00:49:14Oh no, no, no, he lives with me
00:49:16In the house where he was born
00:49:18And from which he will soon move out
00:49:20His chosen one is very beautiful
00:49:22Would you say
00:49:23But also quite ordinary
00:49:26In the past, one could not confuse ladies and dancers
00:49:30My husband had certain trades for women
00:49:33Let's say a kind of preference
00:49:35for 25 years
00:49:37They slept separately, I assume
00:49:40Madame, I am not your enemy
00:49:45My job is to find out the truth
00:49:48And I hope to find out
00:49:50Without breaking much porcelain
00:49:52We never really loved each other from the beginning
00:49:56But divorce was out of the question
00:50:00I wanted to remain Madame Arnaud Clermont-Valois
00:50:03And I am still after his death
00:50:06At the engagement party, I mentioned what a wonderful husband he was
00:50:10What a good father
00:50:12How loving he was
00:50:14Sorry Madame, Maitre Dulenay on the phone
00:50:19Hello?
00:50:21But yes
00:50:22No, I don't know why
00:50:25We'll discuss that later, okay?
00:50:28They are gorgeous
00:50:30Me too
00:50:30Until tonight
00:50:31Where were we?
00:50:36With the dancers
00:50:37Does your son take after his father more?
00:50:40Um, Laurent, no, absolutely not
00:50:44He is a bit difficult, but not a womanizer
00:50:47He couldn't kill anyone
00:50:51Oh, you know
00:50:53Even a crime writer thinks he can’t kill anyone
00:50:56Suddenly, however, he feels the desire to prove that he exists
00:51:00And to prove this, he kills a stranger
00:51:04You seem to know what happened to the young woman
00:51:10In contrast to her son, as he at least claims
00:51:13The chauffeur did not work that evening
00:51:19He had the whole day off because of the engagement
00:51:21So who was driving the car?
00:51:24The fiancé himself
00:51:25I took the liberty of questioning the maid
00:51:28The suit the fiancé wore was taken to the dry cleaners
00:51:32I couldn't find out more
00:51:34And you?
00:51:36Not much either, so what
00:51:37Clement Valois, Laurent Arnaud Charle
00:51:40Report of immoral conduct
00:51:42He had approached one of the maids inappropriately
00:51:45It was still a minor
00:51:47And later, deviant behavior in front of two secretaries
00:51:50Different?
00:51:51It will not be discussed in detail
00:51:53The advertisement was withdrawn
00:51:55Madame compensated both women
00:51:57Boss, what is it?
00:51:58The judge asks you to speak
00:52:00Again?
00:52:01How far are you and your guests from the party?
00:52:03I call everyone, but no one remembers you
00:52:06Well, thanks
00:52:07The red discus fish
00:52:13He builds his own cave
00:52:16I just recently acquired it
00:52:18A true treasure
00:52:22He lives off an archipelago in the Sea of Japan
00:52:24But now he splashes in the murky water
00:52:28Just like us
00:52:31Hopefully he will get used to it
00:52:33Provided the others let him live
00:52:35Do you have animals at home, Migraine?
00:52:38Only on the plate
00:52:39If I am to take up the matter, proof is required
00:52:42Which I don't have yet
00:52:44Those who knew the victim did not notice you at the engagement party
00:52:48Or pretend that this is the case
00:52:49Give me some more time
00:52:51You should have told me that the boy Clermont Valois was involved in the matter
00:52:55But I didn't know
00:52:57This is a very sensitive person
00:52:59No
00:53:00What no?
00:53:03This young man is by no means sensitive
00:53:05It rather conveys the opposite
00:53:07Just between us
00:53:09Do you really think Clermont Valois killed the girl?
00:53:12Well, to be honest, I don't believe anything when it comes to death
00:53:16And even less in the case of murder
00:53:18And why not?
00:53:20I just trust the evidence
00:53:22No, no, no pipe, no cigar in my office
00:53:26My fish can't stand the smoke
00:53:28I know
00:53:30But this is not a pipe at all
00:53:33A dummy
00:53:35For a cozy atmosphere
00:53:38You will be the first to see
00:53:42The prints are still very fresh
00:53:44So, what are you looking for?
00:53:47To here
00:53:50Do you have a magnifying glass?
00:54:07Yes
00:54:07Thanks
00:54:11Are they in the correct order?
00:54:16In the chronological order of the evening, yes
00:54:18Yes
00:54:19Angrade
00:54:20Anbad
00:54:20To 은rchen
00:54:21To Lorenz
00:54:22An lovely
00:54:23To dare
00:54:23To
00:54:24To
00:54:39To
00:54:40To
00:54:40To
00:54:41To
00:54:41To
00:54:41To
00:54:42To
00:54:42To
00:54:42To
00:54:43To
00:54:43To
00:54:43To
00:54:44To
00:54:45To
00:54:45Ah, you're still here.
00:54:56But you are certainly not religious.
00:54:58No why?
00:55:00In this respect you are very similar to her.
00:55:02I don't understand.
00:55:03The one you lived in before.
00:55:05She was murdered.
00:55:07Didn't your friend, the Commissioner, tell you that?
00:55:15I'm currently cleaning up the small room.
00:55:23So much stuff has accumulated over the years.
00:55:26Do you still need the old newspapers?
00:55:31We could go out for a nice night again tonight.
00:55:34What do you think?
00:55:35Please don't be mad at me.
00:55:37I don't want to.
00:55:38Well, then not.
00:55:40What do you feel like doing?
00:55:43Nothing at all.
00:55:44Not even for smoking a pipe.
00:55:47That sounds almost melancholy.
00:55:49What makes you think that?
00:55:51You sound like you're not yourself.
00:55:53Who else?
00:55:56Doesn't anyone else know.
00:56:14That's that.
00:56:19She is that.
00:56:19Can we drop them off somewhere?
00:56:48Yes, wherever they want.
00:57:06I didn't expect her.
00:57:08I was just nearby.
00:57:11They look like they're upset.
00:57:13Occurs occasionally.
00:57:16What are you doing to this dress?
00:57:17She was my size.
00:57:19Now they don't make it a thing of the past.
00:57:21Check this out immediately.
00:57:28Should I take off more clothes?
00:57:32Are they always so aloof?
00:57:36You've put Toti up there, haven't you?
00:57:39You loved her, but then she left you, right?
00:57:41Wouldn't a beer be better with a ham sandwich?
00:57:57Yes, but when I'm in the dark, I always drink wine.
00:58:03There are cases where wine is needed, and in others where beer is needed.
00:58:07And this one requires wine.
00:58:10Do you want a tooth?
00:58:11No thanks.
00:58:12I eat more than enough of those while I'm working my legs up.
00:58:17All right, I'm listening.
00:58:18He spends the whole day in his office and only goes out to eat.
00:58:23She is shooting a film at the Biancourt studios.
00:58:25They see each other in the evening, usually very late.
00:58:27Go to restaurants, bars, have a last drink with her at the Squad de la Bonie, meet up with friends.
00:58:32And suddenly Monsieur says good night and goes to Maman.
00:58:34Were you also in her apartment?
00:58:36Yes, she let me in for a moment, yes.
00:58:39Did you tell her you sell vacuum cleaners?
00:58:41No, no, policies, insurance.
00:58:42Of course policies, stupid question.
00:58:46So, he rented an apartment for her.
00:58:48But it's half empty, no furniture.
00:58:50The blinds are closed almost all day, not just at night.
00:58:53Then we have something.
00:58:54This is the connection to Louise.
00:58:57I can also forward the mail.
00:58:59Not until I move.
00:59:00With my future husband.
00:59:02Oh, well.
00:59:03Congratulations.
00:59:04Thank you.
00:59:06May I buy you a coffee?
00:59:14I'd be happy to.
00:59:17I had a friend like you.
00:59:19Like me?
00:59:20From your business.
00:59:21What do you mean?
00:59:23Positive or negative?
00:59:27Fancy a cigarette?
00:59:29No, thank you very much.
00:59:31What's up? Are you looking for work?
00:59:36Still angry, Commissioner?
00:59:51No?
00:59:52I'm glad you're no longer upset.
01:00:02I don't know anyone else in Paris.
01:00:04You believe me, right?
01:00:05You are an adult and can do what you want.
01:00:08I had my first case over there.
01:00:14A naked woman about whom nothing was known.
01:00:17In the newspapers she was the unknown woman from the Seine.
01:00:20Sounds nice.
01:00:20Oh no, beautiful is the wrong word.
01:00:23After a few weeks in the water, believe me.
01:00:25I kept thinking about you.
01:00:28Even in my dreams, or rather nightmares.
01:00:31Like Odysseus.
01:00:34In the Odyssey.
01:00:35The sirens enchant him with their song.
01:00:37But he resists.
01:00:38As soon as I find a new place to stay,
01:00:43they get their money back.
01:00:44A woman wants to set me up with someone,
01:00:47who has her fiancé work for me.
01:00:50She knew the girl who lived in the room before me.
01:00:54Your name is...
01:00:55Janine?
01:00:57No, Nadine.
01:00:58This is her, the same woman.
01:01:01Did you talk about me?
01:01:02Why should we?
01:01:03Did she mention me?
01:01:05Not at all.
01:01:05Where will you meet?
01:01:08With her.
01:01:09She's coming to pick me up by car.
01:01:11I don't know if I'll go.
01:01:13And why not?
01:01:15It is very late.
01:01:16I have such a strange feeling.
01:01:17You have to go, it's important.
01:01:19For whom?
01:01:20For me.
01:01:21Then go there yourself.
01:01:22No, and think of something about picking it up.
01:01:25I'll drive you there.
01:01:25Why should I do what you say?
01:01:27Because you're a police officer?
01:01:28Precisely because of that.
01:01:30Because I'm a police officer.
01:01:32Say yes and don't make that face.
01:01:34It's my face?
01:01:38And what do I get in return?
01:01:41Nothing at all.
01:01:44You're doing this because of the dead girl, aren't you?
01:01:58Why?
01:01:59She's already dead.
01:01:59And one more thing.
01:02:08If anything bothers you or makes you feel uneasy, leave the apartment immediately.
01:02:13What could this be?
01:02:14I don't know.
01:02:16They throw me to the litter to be eaten.
01:02:20If I knew.
01:02:21I hope not.
01:02:22I hope not.
01:02:52What happened?
01:03:07I should drink something, then I had to do things.
01:03:16She and I were sitting on the divan.
01:03:20He didn't touch me.
01:03:21He just watched.
01:03:23And, and, as he watched the two of us, he played with himself.
01:03:28She did what he asked.
01:03:30She gave me 5,000 for it, which I then forgot as I left.
01:03:34I idiot.
01:03:35Why didn't you leave earlier?
01:03:38Why not?
01:03:41Well, I don't know.
01:03:45Maybe because I liked it.
01:03:46How are things going here?
01:04:08She sleeps.
01:04:09I stole one night from her.
01:04:11I couldn't bring myself to do it.
01:04:12You did what you had to do.
01:04:14This is what I found in her arms.
01:04:15No, put it back.
01:04:16She didn't steal the money.
01:04:18You have to...
01:04:18I know it.
01:04:20No, you don't know.
01:04:22She needs some sleep first.
01:04:24With milk and sugar?
01:04:26No thanks.
01:04:27A piece of tartin with mirabelle jam.
01:04:30It was made by my sister.
01:04:32No thanks.
01:04:33Something like that sits too heavily on my stomach.
01:04:35Please excuse the mess in the room.
01:04:37I didn't even notice.
01:04:38It is used for many things.
01:04:39Just not for sleeping.
01:04:42Oh yes, if you want to stay here for a day or two.
01:04:44That's really very sweet.
01:04:45Thanks, but I already have something.
01:04:48We don't have visitors often.
01:04:50Don't you have any children?
01:04:53But.
01:04:53A daughter.
01:04:55Where do you keep this?
01:05:05I'm not being honest, that's so happy.
01:05:08Oh, I'll be honest, so far.
01:05:09I said, oh, hold that there.
01:05:12I think you have to play this, but I'm not taking it.
01:05:15And I have.
01:05:16They are here, but not with me.
01:05:17Yes, it didn't turn out that way.
01:05:18I can say that this is really beautiful.
01:05:20But that's all very nice.
01:05:22Thanks.
01:05:22Thanks.
01:05:22Thanks.
01:05:23Thanks.
01:05:25The final autopsy report in the Louise Louvière case is now available.
01:05:29The results are quite surprising.
01:05:32After her vertebra was broken, she suffered from acute respiratory distress, which is why the
01:05:36showed the usual characteristics of first aid.
01:05:38Here you can see it.
01:05:39The fracture of the second cervical vertebra and the injury to the phrenic nerve.
01:05:42Presumably due to a fall in the early evening.
01:05:45Surely somewhere else.
01:05:47With your alcohol level in combination with the sleeping pill mentioned, an accidental
01:05:53Loss of balance possible.
01:05:54There is something troubling you, my friend.
01:06:01I have here the x-rays of the lungs, your lungs.
01:06:04Although they smoke like a chimney, there are no abnormalities.
01:06:08Immaculate as in First Communion.
01:06:11Looking at you like that, one might think I had told you your end.
01:06:14Come on, let's go.
01:06:15To celebrate the day, I share my blood duck with you at the Quai de la Tournelle and
01:06:19I'll treat us to a jar of pomade.
01:06:21That's really nice, but I have to...
01:06:22No, I beg you.
01:06:23The duck is killed by strangulation and its blood remains in the body.
01:06:27That's the clever thing about it.
01:06:28It allows you to drain the blood from the duck to the last drop and to mix it with
01:06:33to thicken the sauce.
01:06:34Jean-Pierre told me you were here.
01:06:52Monsieur.
01:06:54Can we continue?
01:06:55Yes.
01:07:04It's been a long time since I was here.
01:07:09Will you accompany me?
01:07:11Naturally.
01:07:14She would have turned 20 now too.
01:07:1720.
01:07:34Commissioner, we are getting married.
01:07:36We have decided to postpone the appointment.
01:07:39Yes why not?
01:07:40When you love each other?
01:07:42I'm here to clear up a few remaining questions.
01:07:46In connection with Louise Louviers appear at her engagement party.
01:07:51We have already answered all your questions twice.
01:07:54It is conceivable that Louise was at the party.
01:07:57But you didn't see them there.
01:07:59So she must have left the party again.
01:08:01Maybe with some man who takes you to a bar.
01:08:05Not a girl like you.
01:08:07As shy as you were.
01:08:09You'd think you knew them.
01:08:11The autopsy shows that the previously assumed cause of death was not the one that led to it.
01:08:16Louise Louviers did not die from the wounds inflicted on her chest and abdomen.
01:08:23Is it necessary to confront us with the details?
01:08:26I had accepted, Madame, that you were present.
01:08:28Please, let me finish.
01:08:31She did not die where she was found, but much earlier.
01:08:38She died from a fracture of a cervical vertebra, the result of whiplash.
01:08:43She suffered this as a result of a fall, perhaps unintentionally.
01:08:46Her body was then moved, then transported and only later attacked several times from the front with a knife.
01:08:56Which suggests that an accident was disguised as a murder.
01:09:00Normally it's the other way around.
01:09:04I don't understand what you're getting at.
01:09:06I feel the same way, to be honest.
01:09:10I'm still in the dark.
01:09:19Monsieur, you left the party for a short time, around midnight.
01:09:24That's true. I wasn't feeling well then.
01:09:30Why?
01:09:32I had the shit! Let me go!
01:09:35I also left for a moment.
01:09:38I wanted to see if my son was feeling better now.
01:09:41Mothers are often worried.
01:09:42I understand.
01:09:44You had an affair with Louis Louvier.
01:09:47A relationship of an intimate nature.
01:09:51Something like a love triangle.
01:09:54How did you come up with something like that?
01:09:55Let us assume that we are in an apartment at the Squad de Labonis,
01:09:59where certain evenings take place with naive, inexperienced girls,
01:10:03who are lured by a woman.
01:10:06Such evenings are not prohibited by law.
01:10:08Not even morality.
01:10:10At least not mine.
01:10:11But some of the prey animals do not agree with this.
01:10:15For example, Louis, especially since the girl was still a minor.
01:10:20And that's where it becomes criminal.
01:10:22These certain evenings, Monsieur Migré.
01:10:25It is difficult to imagine something like this.
01:10:27Louis Louvier can no longer testify to it, but perhaps someone else can.
01:10:31Someone who was there before or after her.
01:10:34A young thing like a certain Betty.
01:10:36This makes me wonder why you want to get married if you don't like vouching for a woman's body.
01:10:44But now it’s enough.
01:10:46Come on, let's go.
01:10:48Maitre Delonais, the family lawyer.
01:10:52Naturally.
01:10:53I remember the Lachoum case.
01:10:54Hmm, it's been ages.
01:10:56A difficult case.
01:10:57Commissioner, if you wish to continue the questioning, I must ask you to ask only relevant questions.
01:11:02Of course, sir.
01:11:04Madam.
01:11:05Maitre.
01:11:06Are you left-handed?
01:11:16Yes, why do you ask?
01:11:24For such people, the wall of silence usually lasts a lifetime.
01:11:27They have thought of everything, down to the smallest detail.
01:11:30And what now?
01:11:31Shall we close the case?
01:11:32No, no, no, you're pulling the pipe too fast, you can hear it from the sound.
01:11:37But the right thing to do would be, give it a try.
01:11:42Slower.
01:11:44Give it here.
01:11:48It's quite simple, just listen.
01:11:54That's how it works.
01:11:56What a sound.
01:11:57Yes.
01:12:02Please.
01:12:17Easy.
01:12:17Walk a little slower.
01:12:44More humble, more humble.
01:12:48Or something baked.
01:12:50Like you're about to fall.
01:12:52Very good.
01:12:54Now back again.
01:12:58Don't look ahead.
01:13:00Direct the path downwards.
01:13:02Exactly, that's good.
01:13:06Very good, very good.
01:13:10May I ask you something?
01:13:13Go ahead, ask me.
01:13:15The stockings are made of silk.
01:13:17Can I keep you after that?
01:13:21Let's see.
01:13:23Mösser, Madame.
01:13:33The stockings are made of silk.
01:13:43The stockings are made of silk.
01:13:45The stockings are made of silk.
01:13:47The stockings are made of silk.
01:13:49The stockings are made of silk.
01:13:51The stockings are made of silk.
01:13:53The stockings are made of silk.
01:13:57The stockings are made of silk.
01:13:59The stockings are made of silk.
01:14:04Subtitling by ZDF for funk, 2017
01:14:34Let me!
01:14:55Did Louis fall at this spot?
01:15:00Hopefully your wife didn't hurt herself.
01:15:02Won't you finally talk to me, Madame Clermont-Vollois?
01:15:05For a moment, I too was fooled by her charade.
01:15:24The return of a phantom, Cinderella in a ball gown.
01:15:29She came to seek comfort.
01:15:31Maybe to feel loved.
01:15:33Janine and Laurent believed she wanted money for her silence.
01:15:38My son pushed the girl outside.
01:15:41He wanted to force her to leave.
01:15:43She fell backward, broke her neck and died.
01:15:47I found Laurent bent over the corpse, unable to do anything.
01:15:52He wanted to call the police.
01:15:54But not you.
01:15:55He was not aware of the consequences.
01:15:58He would have been asked uncomfortable questions.
01:16:01We meet this evening at the Squad de Laboni?
01:16:03Among other things.
01:16:04I dictated to him what he had to do.
01:16:15Take the body to the car and drive it to a secluded place immediately, without hesitation.
01:16:20And that's how we did it.
01:16:22Not just that, Madame.
01:16:24No, not just that, sir.
01:16:25My son went back to the house.
01:16:30He didn't know that I had brought a knife with me and stabbed her with it.
01:16:35And that five times?
01:16:36Might be.
01:16:37She was already dead.
01:16:39What was the purpose?
01:16:42So that you would think that many things happen unconsciously.
01:16:47I'm just asking this out of routine.
01:16:51Where is the knife now?
01:16:53I threw it into the Seine.
01:16:55I'm still wondering something.
01:16:57Why is the wedding celebration taking place in a place like this?
01:17:01After what happened here.
01:17:03Nothing happened here.
01:17:04It was a tragic accident.
01:17:06My son was just following my instructions.
01:17:08He was the one who wanted to call the police.
01:17:11From the beginning.
01:17:13A murderer calling the police is not uncommon.
01:17:16If you stab a dead person, does that make you a murderer?
01:17:19You have to ask your lawyer about that.
01:17:21I already have that.
01:17:22I suspected that.
01:17:25If anyone is to be judged here, it is me.
01:17:29But that's not my decision, Madame.
01:17:32We will meet in my office, where we will record your statement.
01:17:36But first you can go home.
01:17:40Newlyweds will, of course, have to postpone their honeymoon until further notice.
01:17:44Without the girl's unfortunate death, the wedding would certainly never have taken place.
01:17:49When will you arrive?
01:18:12At night.
01:18:13Believe me, your parents will be surprised.
01:18:17Yes, you won't recognize me like this.
01:18:19Looks pretty.
01:18:20Maybe I'll leave it like that.
01:18:22As a souvenir.
01:18:25You were perfect.
01:18:27I have that to thank, I mean.
01:18:30Thank you.
01:18:32Thanks for what?
01:18:33For nothing.
01:18:37For everything.
01:18:39You seem to like me after all.
01:18:42But yes.
01:18:45Sounds good.
01:18:47Become happy.
01:18:49Good luck to you too.
01:18:50Thanks.
01:18:51Thanks.
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01:20:32Music
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