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  • 1 year ago
मुजीब खान कहते हैं कि मैं कहानियों की भावनाओं को समझता हूं...भाषा भले ही ना आए लेकिन भाव से कलाकारों को बेहतर करना सीखाता हूं.

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00:00It is a good thing I've said to you,
00:02but I've been told you that you've been told to do this.
00:07You know, you've got to go to a car,
00:10where are you going?
00:12I'll tell you later.
00:14You're not going to go.
00:16I am going to go out the window.
00:18I'm going to go out the window.
00:21I think that I am going to wait for you.
00:24I'm going to go out the window from here.
00:26This is the first time when it is one person who is one artist and the person who is one artist and has a lot of artists who publish his speech.
00:39His name is Mujib Khan Ji, their team is also a great leader who is the one who is the one who has written a poem.
00:48foreign
01:18ॐ ॐ ॐ ॐ ॐ
01:48ॐ ॐ ॐ ॐ
02:18ॐ ॐ ॐ ॐ
02:48ॐ ॐ ॐ
03:18ॐ ॐ ॐ ॐ ॐ
03:48ॐ ॐ ॐ
04:18ॐ ॐ
04:48ॐ ॐ ॐ ॐ
05:18ॐ ॐ ॐ
05:48ॐ ॐ ॐ
06:18ॐ ॐ ॐ ॐ ॐ
06:48ॐ ॐ ॐ
06:50every year
06:53six months
06:54we're going to work
06:556 months
06:56after this festival
06:58we're going to work
06:58now we're going to work
07:00after that
07:02January
07:03January
07:03January
07:04January
07:05March
07:06April
07:06May
07:07June
07:07July
07:08now
07:09we're going to add
07:10to this
07:11more
07:11add
07:12to this
07:12which is
07:1323
07:14we're going to
07:16think
07:16that
07:16India
07:1736
07:18we're going to
07:1924
07:2025
07:2025
07:21we're going to
07:21to
07:22make
07:22a
07:22word
07:23that
07:24we're going to
07:25do
07:26that
07:26we're going to
07:27internationally
07:28we're going to
07:29be
07:30to
07:30come in
07:32Indian
07:32language
07:32we're going to
07:33think
07:34that
07:34we're going to
07:36in Japanese
07:37we're going to
07:38Chinese
07:38we're going to
07:39say it
07:40that
07:41South
07:42Korean
07:42language
07:43we're going to
07:44print
07:45so
07:46people
07:47like
07:49Thank you so much.
08:19We use the name of the drama of Primchanji.
08:22If you watch the drama, it's Primchanji's name.
08:25My name is not.
08:26Yes, absolutely.
08:27If I talk about the film world and OTT platforms,
08:32you can see that Natak has made its own way.
08:36What do you think about it?
08:38I would say that the people who are doing it,
08:42are a lot of young people.
08:46Today, Natak is so difficult and difficult.
08:50Theatr's rent is so difficult.
08:51In this Delhi city, there is a lot of rent.
08:55Now, tell me how to do theatr's rent.
08:58You will have a lot of rent.
08:59How many tickets you will buy?
09:02Those who are doing in the OTT,
09:05in the film, in the television,
09:09in the film, in the film,
09:10they are working very well.
09:12Yes, absolutely.
09:12If you talk about Natak,
09:14lighting and sound, it's very important.
09:16How do you manage it?
09:18Because one day,
09:19we have different things in the film.
09:20See, we have basic light design,
09:24we have basic light design.
09:26And when we design it,
09:27when we design it,
09:29if we use Natak to this area,
09:32then we have all the same lighting.
09:3422 Natak to this lighting.
09:36But in particular Natak,
09:40we use the light to this particular light,
09:41which we have designed before us.
09:44And set, we have a lot of attention to this.
09:46The sound, of course,
09:48in LTEG, is very good.
09:49The sound is very good.
09:51I will tell you that,
09:53the people who listen and listen to this,
09:55there will be a golden golden moment
09:57that they will not get back.
09:59This will be great.
10:01But in one place,
10:03there are 22 languages,
10:04there are 22 languages,
10:05there are one day,
10:06in one day,
10:07there's no way.
10:10Yes, exactly.
10:10Natak,
10:11now, you have a good
10:12time.
10:13Do you see,
10:14समाज में इस समय जो कुरीतियां बढ़ रही है या कहें डिजिटल की माधियम से जो छोशर हो रहा ही चीजे बढ़ते जारी इस पर
10:22मैं आप एक बात कहूँ मुशी प्रेमचंद की कहानिया कल भी उतनी ही जरूरी थी जितनी आज है क्या आपको लगता नहीं कि बड़े घर की बेटी होनी चाहिए क्या आप सोचते नहीं कि कफन के घिसू मादों कहीं खूम रहे हैं क्या आपको लगता नहीं कि सवासेर गेहों
10:52मैं आपको एक दो कहानी के बारे में जरूर कहूंगा एक कहानी मिस्स पद्बा 1911 की कहानी है एक औरत एक आदमी के साथ बिना किसी रिष्टे के रह सकती है लेविन रिशन्शिप पे प्रेमचंद जी ने उसको कहानी रिखी है 1915 में एक कहानी रिखी उसका नहीं जौला म�
11:221882 में फिल्म बनी है इविल डड़ हमारे प्रेमचंद जी 1915 में लिख चुके थे चुके हमारे लोगों ने प्रेमचंद नहीं पढ़ा हम रहे गए कफन में सवासेर गेहों में बड़े घर की बेटी में बड़े भाई साहब में ठाकुर का कुवा में हमसे लोग कहा गया ट
11:52तो हमने तो सारी कहानिया की हैं इसलिए मैं कह सकता हूँ दावे के साथ कि अगो वर्ल्ड की टेंट टॉप कहाणिया ली जाए तो उस पें प्रेमचंद की तीन कहानिया लोग टॉप पर होंगी दावे। realizing I happen स्वाब Supply cha जब हमारे हां जिन पर भूट पर और गुड्यों �
12:22I am a
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