- hace 6 semanas
Reparto: Fernando Esteso, Bárbara Rey, Mónica Randall, Conchita Goyanes, Josele Román
Director: Francisco Lara Polop
Orencio es un humilde joven que ayuda a su padre en un humilde negocio de un pueblecito castellano. Tiene novia, Angelita, y está muy enamorado de ella. Pero un día cae en manos de Vindemia, una joven algo ligera de cascos, que queda embarazada y que, posteriormente da a luz a cinco niños. Luego, Vindemia se casa con otro joven y se va a Suiza. Sin embargo, años después el superpotente de Orencio verá como la historia se repite de nuevo. Y esta vez no tiene muy claro si la siempre enamorada Angelita lo esperará.
Director: Francisco Lara Polop
Orencio es un humilde joven que ayuda a su padre en un humilde negocio de un pueblecito castellano. Tiene novia, Angelita, y está muy enamorado de ella. Pero un día cae en manos de Vindemia, una joven algo ligera de cascos, que queda embarazada y que, posteriormente da a luz a cinco niños. Luego, Vindemia se casa con otro joven y se va a Suiza. Sin embargo, años después el superpotente de Orencio verá como la historia se repite de nuevo. Y esta vez no tiene muy claro si la siempre enamorada Angelita lo esperará.
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CortometrajesTranscripción
00:00:00I don't know why, but all the great stories have started in small towns.
00:00:20In the villages things happen more slowly.
00:00:23Almost everything is left for tomorrow.
00:00:25Tomorrow.
00:00:26Tomorrow.
00:00:27The story you are about to see is completely made up.
00:00:31It is a story of a man, Orencio.
00:00:34A man like you or me, well, maybe shorter,
00:00:38that one unexpected day because of those things in stories,
00:00:42He was involved in a momentous event that in some third world countries would have cost him his life.
00:00:49Not here.
00:00:50In Spain these things are rewarded.
00:00:51And Orencio, from morning to night, became an absolutely popular figure.
00:00:58Tordesillas de los Infantes is the name of this Castilian corner where Orencio spent his first 21 years.
00:01:05Fantasy, and only fantasy, must be held responsible for this story.
00:01:09They are seeing the town.
00:01:10I don't know if you, Tordesillas de los Infantes, imagine it like this.
00:01:14If not, it doesn't matter.
00:01:15Close your eyes and build it however you like, just like we did as children with paper houses.
00:01:21Ah, although it is obvious to say what is not left out.
00:01:23Any resemblance to reality is purely coincidental.
00:01:26Any resemblance to reality is purely coincidental.
00:01:56Any resemblance to reality is purely coincidental.
00:01:59Good morning, Mr. Agapito.
00:02:00Hello, Orencio, good morning.
00:02:03What do you think?
00:02:04Beautiful device, huh?
00:02:06Finally it has been decided to turn on the TV.
00:02:07Man, when there's football on, I raise the price of my drink by a penny.
00:02:12Hey, apart from football, what is it good for?
00:02:14Well, for everything.
00:02:15For example, when it rains a man comes out and says it.
00:02:17Well, wouldn't it be better to take your hand out?
00:02:19No, that's what he's there for, he's called the weatherman.
00:02:22Come on, I'm going for the ice.
00:02:26Hello, Orencio.
00:02:32Hello, Angelita.
00:02:33You were ahead of your time this morning.
00:02:35I was so looking forward to seeing you, woman.
00:02:37What if we passed?
00:02:38Wait, is my dad inside?
00:02:40Yes, Angelita.
00:02:42Tell me, Orencio.
00:02:44What? Am I freezing?
00:02:45It's quite cold today.
00:02:47You don't tell me anything else.
00:02:48What am I still freezing for?
00:02:49I cut my hair.
00:02:51Do you like it better this way?
00:02:53I also bought wool to make a sweater.
00:02:55I hope you like the color.
00:02:57On the other hand, very happy.
00:03:00Orencio!
00:03:01Is that ice coming or not?
00:03:02There you go, Don Agapito.
00:03:04It's coming.
00:03:05The ice.
00:03:07Hello, Dad.
00:03:11Hey, Orencio.
00:03:13He's not ordering you a polo shirt, son.
00:03:14I'll teach you how to work with olives...
00:03:22...and you teach me about soda.
00:03:24So our marriage can't fail.
00:03:26You think?
00:03:27They said it on TV the other day.
00:03:29There are marriages abroad that do not understand each other.
00:03:32Abroad too?
00:03:33And the blame lies with the work that separates them.
00:03:36In ours it will be the other way around.
00:03:37Man, making soda isn't a bad business.
00:03:40Look at what the French have done with theirs.
00:03:43Because champagne, you tell me what it is.
00:03:46French soda, but in a fine way.
00:03:47You're going too far, Orencio.
00:03:49Well, go on, that thing about removing the anchovies from the olives...
00:03:52...and put them in the bone, no one can understand it.
00:03:55The locals want them on the bone.
00:03:56And since those are taken by the wholesalers...
00:03:58...you have to buy them from middlemen.
00:04:00And stuffed with anchovies...
00:04:02...they are cheaper than those filled with bone.
00:04:04Oh, and that's why the bones are sent from Germany.
00:04:09It's worth seeing the world, son.
00:04:10I don't care about that.
00:04:13I'm fine here, Father.
00:04:15But in the military they teach you useful things.
00:04:18You as soon as you arrive...
00:04:20...you say you know how to read and write.
00:04:22You'll see how much military service you'll put in.
00:04:25Tomasa's son has been here for six years...
00:04:28...and he's already a first corporal.
00:04:29That's who the infantry is shooting at.
00:04:31But this is what I'm all about, Father.
00:04:33And also, when I graduate I'm getting married.
00:04:36With Angelita, right?
00:04:37It stands to reason.
00:04:39Six years of relationship.
00:04:41If I leave her, she'll have to become a nun.
00:04:43She wins.
00:04:45The olive with pit has no future.
00:04:48You, over time...
00:04:49...you will be the owner of this important soda industry.
00:04:53That's it, father.
00:04:54You'll see, you'll see.
00:04:56With the ideas I have, we're going to be loaded...
00:04:58...to that short queue.
00:05:00Drink sparkling soda...
00:05:05...the bear.
00:05:07The tastiest.
00:05:09Hmm...
00:05:10...the one that smells like roses.
00:05:14Vindemia, tell him another phrase.
00:05:15Ah.
00:05:18United as brothers throughout the region...
00:05:21...let's drink some sparkling soda...
00:05:23...the bear.
00:05:25Good, very good.
00:05:27You liked it, huh?
00:05:28That's what my soda needs.
00:05:30Promotion.
00:05:31Or you can compare the bear to Coca-Cola.
00:05:34And the color?
00:05:34Where will it end?
00:05:35Your soda is much clearer.
00:05:37We're going to put them together, Vindemia.
00:05:39And you do the advertising.
00:05:40Hey, let's see what the priest is going to say.
00:05:42Try not to put those eyes on...
00:05:44...that seem like they're going to jump out.
00:05:46That's what is called intention.
00:05:48Everyone who drinks your soda...
00:05:49...you'll see me at the bottom of the cup.
00:05:51I bet censorship doesn't prohibit it.
00:05:52What's happening?
00:05:58Horencio!
00:05:59Horencio!
00:06:01Where are you?
00:06:02There she goes, the little angel.
00:06:04Well, yes, we are fine.
00:06:05We can never rehearse.
00:06:07Come back by yourself.
00:06:08We'll see each other tonight at the teleclub.
00:06:09Here I am, little angel.
00:06:11I'm here, I'm coming.
00:06:13Come on, come on.
00:06:14Runs.
00:06:16I don't know why my brothers say...
00:06:17...that she doesn't go mountaineering with a boy.
00:06:19Between football and television...
00:06:21...they are killing the fans.
00:06:23But what were you doing there?
00:06:25Thought.
00:06:26I have ideas.
00:06:27I'm preparing the launch of the soda.
00:06:30Tonight there's a teleclub after the movie.
00:06:32Will you go?
00:06:32Of course.
00:06:33The president told us...
00:06:34...that tonight is going to be very interesting.
00:06:36I'm so bored with Teleclub.
00:06:38Well, that's a reason to meet up, don't you think?
00:06:41Alone wouldn't be good.
00:06:43You are a man and a woman.
00:06:45But who thinks about that?
00:06:47First we got married...
00:06:48...and then we don't go to the teleclub anymore.
00:06:49Alright.
00:06:50I'll take you to the village.
00:06:52Rafael promises us forty dedicated photos...
00:07:16...and two pennants, six jerseys, four poles...
00:07:19...and a very large photograph of his wife and children.
00:07:24Silence.
00:07:26Silence.
00:07:27Masil sends us two photographs.
00:07:29One falling and one standing.
00:07:31As you can see, so well dedicated.
00:07:34Well, now let's move on to the aniceto...
00:07:36...with his weekly talk about cinema.
00:07:40Whenever you want.
00:07:41The roll begins.
00:07:42Today's talk is titled...
00:07:47...enough of consumer cinema.
00:07:49But what cinema do you have left if you're not in Perpignan?
00:07:52Before we begin, I'll tell you...
00:07:54...that there is less time left for this town...
00:07:56...has a film library.
00:07:58First there was tennis...
00:08:00...then the teleclub...
00:08:01...and finally the film library.
00:08:03Tordesillas de los Infantes joins the European cultural movement.
00:08:08Long live tennis!
00:08:09Long live Bertolucci!
00:08:10And long live Rodriguez de la Fuente!
00:08:14Everything you say is very interesting.
00:08:17He's a pain.
00:08:18He must be very clever...
00:08:19...because my father says he's left-wing.
00:08:21As we all know...
00:08:22If your father says so...
00:08:23...neoliberalism freed Italian cinema from conventions and formulas.
00:08:27The same way...
00:08:28...the generation of authors...
00:08:30...writers with something to say...
00:08:32...frees American cinema from commercial oppression and subjection...
00:08:35...and brings it to reality.
00:08:37Oma of Brasgo!
00:08:39But the cinema of this country is not liberated.
00:08:42He comes free!
00:08:43Until when will the image of the redneck wearing a beret remain on our screens...
00:08:48...that denigrates us...
00:08:49...and it doesn't give a true image of the Spanish people?
00:08:52He comes free!
00:08:56I insist...
00:08:57...the man of the people is not a hick.
00:09:01He is a human being...
00:09:03...an endemic entity immersed in the current circumstances...
00:09:06...victim of centralism...
00:09:08...and who misses Bertolucci.
00:09:11I see!
00:09:12And who is that?
00:09:14A Dutchman who has signed for Barcelona.
00:09:16In his latest film...
00:09:17Let's go, we can't stand this one!
00:09:20Bertolucci tells us the story of Europe!
00:09:22If Aniceto takes too long, we won't see the musical.
00:09:27Well, he's right in everything he says.
00:09:29Here what we like is football and classical ballet.
00:09:33Look at your cousin...
00:09:34...she's getting purple with Nicanor...
00:09:36...and he's short.
00:09:40They're giving a very good program today.
00:09:41Rafael and Serrat are coming.
00:09:43Well, if we don't shoot Aniceto...
00:09:45...I see myself watching tennis again.
00:09:46Hyacinth suits me today.
00:09:52Wow man...
00:09:53...this could last all night.
00:09:55Hey, if you want, I can dance something for you.
00:09:57Come on, Vindemia, it's very tasty.
00:09:59Well, I haven't said anything.
00:10:01Come on, Orencio, you're very good at that.
00:10:04No, leave it.
00:10:05I don't feel like it tonight.
00:10:07What a man.
00:10:07Orencio, it's not right to do so much at home.
00:10:10Come on.
00:10:10Alright.
00:10:12It's always my turn, man.
00:10:13Yeah, man.
00:10:16What I do?
00:10:24No, just one more.
00:10:26Okay, okay.
00:10:30Okay, fine.
00:10:32The miniskirt.
00:10:37I don't like it when they put the miniskirt on you at the bullfights.
00:10:40I don't like it when they put the miniskirt on you at the bullfights.
00:10:46People look up because they want to see your face and they want to see your knees.
00:10:53The brats I weigh can't stop staring at you.
00:10:57I rebel and I rebel.
00:10:59And I have to fight because I can't see the bulls.
00:11:02So you know, don't put on your miniskirt, because it's time for the bullfights this afternoon.
00:11:09I want to see them without fighting with anyone.
00:11:12What's up, Vorencio?
00:11:27Hello.
00:11:27Here.
00:11:48Hello, Vindenia.
00:11:49I bring new ideas about advertising.
00:11:51Yeah?
00:11:51Well, wait until my brothers leave.
00:11:54And then we talk.
00:11:54These have no sensitivity.
00:11:56How well do you live?
00:12:03There is a lot of good going on around here.
00:12:05There will be nothing between me and your lips because I'll break your liver.
00:12:08No no.
00:12:09Of course not.
00:12:11Can I help you with anything?
00:12:12Yes, go on.
00:12:13Take it from there.
00:12:20They're leaving now.
00:12:21They are a pain.
00:12:22What, are we going to rehearse?
00:12:23Yeah.
00:12:24You'll see what ideas I have.
00:12:26I have ideas too, Vorencio.
00:12:27But open ideas.
00:12:29What is this about openness?
00:12:33Come on, come, I'll explain it to you.
00:12:36Come on.
00:12:37Where?
00:12:42You'll see.
00:12:46We're going to get your sodas sold as far away as Denmark.
00:12:49Don't you dare take anything away, Vindemia.
00:12:52That your brothers can come.
00:12:54But hey, are you interested in Denmark, yes or no?
00:12:56Well, that's it.
00:13:09No.
00:13:09Yeah.
00:13:10No.
00:13:10No.
00:13:11No.
00:13:11No.
00:13:11No.
00:13:12No.
00:13:12No.
00:13:13No.
00:13:13No.
00:13:13No.
00:13:22How are things going with Angelita?
00:13:25That?
00:13:26Ah, well here we go.
00:13:28I've been told you're done.
00:13:33It will pass.
00:13:34She seems like a good girl.
00:13:36Of course, that's not all.
00:13:39Rumors reached her that she was dating Vindemia.
00:13:43The Vindemia?
00:13:44Clear.
00:13:45Not bad.
00:13:46He has cows and...
00:13:48Three brothers.
00:13:50Well, two and a half.
00:13:52Orencio.
00:13:54Orencio.
00:13:56I'll be right back, Father.
00:13:58Go.
00:13:59I'm going to get some fresh air.
00:14:06In this town they are gossips.
00:14:08Well, I love to get people talking.
00:14:10But we've seen each other too much since that day at the dairy.
00:14:13Oh, here we are again, huh?
00:14:15All you need to do is post an announcement to let everyone know.
00:14:18It's that I...
00:14:19Never...
00:14:20Since it's the first time...
00:14:22Well, let's take our little stroll down Main Street.
00:14:25I love that everyone knows this.
00:14:27You're no good, Vindemia.
00:14:28You're no good.
00:14:30Come on.
00:14:43Unfortunate.
00:15:01Come back!
00:15:03Gaining so much weight...
00:15:04Gaining so much weight...
00:15:05It wasn't logical.
00:15:06Isn't that going to be logical?
00:15:08So much dancing and so much television couldn't be good.
00:15:12Yours was coming.
00:15:13That you are very happy.
00:15:15That you like men more than eating with your fingers.
00:15:18Explain, have you been pregnant a lot, a little or quite a lot?
00:15:20You will have some slight idea of who the father may be.
00:15:22Are you sure?
00:15:23Or should it be drawn by lot among the young men of...
00:15:25No, not that.
00:15:27I'm sure.
00:15:29Father, there is only one.
00:15:30Come on, man!
00:15:31Tell us the name of that scoundrel.
00:15:32The name!
00:15:33The Lorencio.
00:15:34The one with the sodas.
00:15:36Well, my daughter...
00:15:37I don't know what you saw in him.
00:15:39Does that seem like little to you, mama?
00:15:40You'll be willing to fix that, won't you?
00:15:55What do you want?
00:16:00Talk to you.
00:16:01I'm sorry, but there's nothing to talk about between you and me.
00:16:03Are you going to pay attention to the gossip?
00:16:05Vindemia is not gossip.
00:16:08But how can I tell you that there is nothing between her and me?
00:16:10Nothing?
00:16:11I've already told you.
00:16:12I don't care about her.
00:16:13I only care about you.
00:16:14Will you be able to say all that in front of her tomorrow?
00:16:17From Vindemia?
00:16:18Naturally!
00:16:19But in front of my father, her and me?
00:16:22Of course.
00:16:23That would be nice.
00:16:24See you tomorrow, Angelita.
00:16:25Pitas, pitas, pitas, pitas, pitas, pitas.
00:16:34Oh, get out of the way, mutt, you'll eat it all!
00:16:36Pitas!
00:16:37Vindemia!
00:16:39I need to talk to you!
00:16:41Man, what a coincidence!
00:16:43Me too with you.
00:16:44Man, what!
00:16:46No.
00:16:57Pitas, pandemic, end of time.
00:16:57No.
00:16:57No.
00:16:58Vad,as.
00:16:58I want to ask you a favor.
00:17:00Hey, Orencio, don't you see me getting fatter?
00:17:02Bah, how chubby. You look great like this.
00:17:06Hey, what's up, guys?
00:17:08I came for a silly reason.
00:17:10This is a misunderstanding circulating in the town.
00:17:13People think there's something going on between Vindemia and me.
00:17:16And there isn't.
00:17:17You don't understand. Do they think you and I are dating?
00:17:19It's funny, isn't it?
00:17:20And of course, you're not dating.
00:17:22Boyfriends? How funny.
00:17:24Your brother and I are dating. What the hell, man!
00:17:26We just had a good time together and that's all.
00:17:28But since people are very bad...
00:17:29Orencio, I'm five months pregnant with you.
00:17:33And it's about her talking to...
00:17:37As?
00:17:53Lift your head, don't be ashamed.
00:17:55And now...
00:17:56Another lap around the square.
00:17:58And when is the wedding?
00:18:06In a week.
00:18:08Vindemia is preparing the paperwork.
00:18:10Are you determined to take such an important step, son?
00:18:13Yes, Father. There's no other way.
00:18:15If you could see the beastly faces the Vindemia brothers make me...
00:18:18Of course, if everyone were like that little guy...
00:18:21I don't like it. That shouldn't be the case.
00:18:22Nothing, father.
00:18:24What's done is done.
00:18:25Only a miracle could save me.
00:18:27Orencio, a certified cat.
00:18:40Father! The miracle!
00:18:41And you know, as soon as you swear allegiance, you tell us what's wrong with you and we'll get married.
00:18:48Of course, woman.
00:18:49And be careful what you do.
00:18:51Remember that you are not free.
00:18:53One mistake and we'll smash your head in.
00:18:56In nonsense.
00:18:57Goodbye, father.
00:18:58Son, take care.
00:19:00Take care of yourself.
00:19:03Vindemia.
00:19:03I'm not telling you anything.
00:19:05If you put the child...
00:19:05That, don't get involved in that.
00:19:07I was just saying it because it has a name.
00:19:10Last name, Orencio! Last name!
00:19:12That's what it has to be.
00:19:15One, two, one, two.
00:19:17Turn around!
00:19:19Arch!
00:19:19One, two, one, two, one, two, one, two, one, two, one, two, one, two, one, two, one, two, one, two.
00:19:26Turn around!
00:19:27Arch!
00:19:28One, two, one, two, one, two, one, two.
00:19:30Right!
00:19:31Arch!
00:19:31One, two, one ...
00:20:01Lorenzo! Lorenzo! You have a telegram!
00:20:27Lorencio has become a father.
00:20:28Well, it's not that bad.
00:20:29What do you mean, no? It says so here out of five children.
00:20:31Five creatures! Stop! Kisses! Nicaraguans!
00:20:34What a guy!
00:20:46Tordesillas is an adventurous town.
00:20:49The strange case of a first-time mother giving birth to five children has shocked the nation.
00:20:54Five children? It seems unbelievable, so little.
00:20:59Lorencio is my man, dad!
00:21:02Could it be the gas in soda?
00:21:05This company, which I am proud to lead, congratulates you.
00:21:08You don't deserve it, my captain.
00:21:10Also, I have some good news for you.
00:21:12The commander gives him a week's leave to...
00:21:14No, my captain, never.
00:21:15Please send me to the dungeon.
00:21:17But don't give me permission.
00:21:19Nothing, let's not talk about it anymore.
00:21:20One week and you can go to your village tomorrow.
00:21:22He has earned it.
00:21:23Dear Father, I am writing from the dungeon.
00:21:48I swear I was the first to be surprised by what happened.
00:21:51If one child is already a problem, imagine five.
00:21:54I have nothing to do with it.
00:21:56Well, you know a little bit.
00:21:58After this news, anyone would come back to the town.
00:22:01Without further ado, for the moment, this one, Orencio, says goodbye.
00:22:04Attention, stay still.
00:22:17Look here, a boy is going to come out.
00:22:18I mean, a little bird.
00:22:19What was I thinking?
00:22:20Stop throwing it and shoot.
00:22:24Sorry, Orencio, it all comes to an end.
00:22:26Courage, Orencio, you are now a civilian.
00:22:28Good luck, you're going to need it.
00:22:30And now to get married and with five mouths.
00:22:31You don't know how sorry I am.
00:22:33Thank you, thank you.
00:22:34Thank you very much.
00:22:34Courage, man, that can happen to anyone.
00:22:37Orencio, I'm so sorry.
00:22:39Really.
00:23:04What's it going to be?
00:23:23Don't always be a painter.
00:23:25For me, a whiskey with the same quality as the Black Label.
00:23:26Let's see, joke.
00:23:27Immediately.
00:23:35Hello, here I am.
00:23:38Orencio!
00:23:39Man!
00:23:40Who has arrived?
00:23:41Oh.
00:23:41The military service has done you good, you're much better.
00:23:45That?
00:23:45Don't you want to have a whiskey?
00:23:46We are all friends here.
00:23:48Nothing.
00:23:49There is no problem.
00:23:51He saved you, son.
00:23:52He saved you.
00:23:54And how was that, father?
00:23:55You know how the harvest is.
00:23:58As soon as she gave birth, well, the girl is very happy.
00:24:01Do you remember Liborio, the one from the bookbinding?
00:24:06Well, he went to Switzerland to work, as the typical thing.
00:24:12And he took the harvest.
00:24:14And the boys?
00:24:16Also.
00:24:17The boy is crazy about her.
00:24:19They have married and have given their last names to your children.
00:24:21So, the Vendemia brothers?
00:24:24They can't stop thinking about what you're going to do when you find out that your five children have been taken away from you.
00:24:28No, no, no, no, no, no, no, no.
00:24:59I've known him forever and the truth is...
00:25:00Someone who is capable of doing what he did is a genius.
00:25:03Well, I think he has a very fat head.
00:25:06Alan Delon is not a woman, but he has appeal.
00:25:09Oh yes, he does.
00:25:11This town should be proud to have a man like that.
00:25:14And us in particular.
00:25:16Do you think he'll come here?
00:25:17Sure.
00:25:18I warn you.
00:25:19If you set foot here, you're a dead man.
00:25:22Because that's my thing.
00:25:23As you are, pilgrim, you want it all.
00:25:25The ones here are already very seen.
00:25:27Oh, just back from the military! How wonderful!
00:25:43It wasn't my fault. Really?
00:25:46Have you finished your anise?
00:25:47Yes. Another one.
00:25:51Angelita, I've been thinking about you a lot.
00:25:54Nothing but me?
00:25:55And besides, I didn't care.
00:25:58Well, you had five responsibilities.
00:26:01You know well that circumstances...
00:26:04But for me there is no woman but you.
00:26:07Do customers bother you, daughter?
00:26:09No, Father. This man is leaving now.
00:26:12Here, when the TV stops, the establishment closes, young man.
00:26:17So, now you know.
00:26:20I've been told that they've opened a luxury boa.
00:26:23Shall I wait for you there?
00:26:24Yes. You're wasting your time. I'm not going.
00:26:30He looks cultured and fine.
00:26:32And a great personality.
00:26:38Sorry.
00:26:39Hello.
00:26:42Hello.
00:26:44But is it possible that you don't remember?
00:26:46Pilgrim.
00:26:48The one with the sack?
00:26:49Yeah.
00:26:51How are you feeling?
00:26:52Almost the years, Orencio.
00:26:54What you've done now.
00:26:56The military.
00:26:57Oh, how exciting!
00:26:58Tell me.
00:27:00Look, we better go there.
00:27:01We will be more comfortable.
00:27:02But there have only been five.
00:27:23Come on, don't downplay it.
00:27:26Five days of arrest during the entire military service.
00:27:39Come on, let's dance, it's slow.
00:27:40Do you know what I'm craving?
00:27:57Well, I don't know.
00:27:59Let's go, there are a lot of people here.
00:28:00But where are we going?
00:28:04There's nothing like a little fresh air.
00:28:07Yes, to catch pneumonia.
00:28:25Grab some beer, you're going to need it.
00:28:28Well.
00:28:30Come on, man, don't be afraid.
00:28:34Well, tell me.
00:28:36Who was responsible?
00:28:37Bindemia or you?
00:28:39I don't know what you mean.
00:28:41Yeah, man.
00:28:42The thing about the five children.
00:28:43Illa or you?
00:28:45It's a delicate matter.
00:28:47I don't like to talk about it.
00:28:49Know?
00:28:50If I were to get pregnant, I would like something like that.
00:28:53I don't understand you.
00:28:54Because?
00:28:55It must be to attract attention.
00:28:57A pregnant girl is no longer news.
00:28:58But if she gives birth to half a dozen.
00:29:05Hey, in these two years of girls, what?
00:29:08Don't even step on the street.
00:29:10I was afraid.
00:29:11In the barracks, at least, I felt safe.
00:29:13So, without two years, nothing at all?
00:29:17Nothing.
00:29:19Well, it's about time you didn't lose the habit.
00:29:23Pilgrim, come on, let's go.
00:29:24Orencio, you're going to recover the time your country has taken from you.
00:29:28Angelita, you have to listen to me.
00:29:55No, you are a pervert.
00:29:57He took me for a motorcycle ride.
00:29:59I know the pilgrim's motorcycle rides perfectly.
00:30:02I hadn't seen a woman for two years.
00:30:04And since you didn't pay attention to me,
00:30:07I swear to you that there is no other woman in my life than you.
00:30:10Cynical.
00:30:10Test me.
00:30:17Have you seen it yet?
00:30:18I haven't been the talk of the town in three months.
00:30:21I don't trust him.
00:30:22Angelita, I love you.
00:30:25Please believe me.
00:30:26There will be no more trouble.
00:30:28And I promise you that in town they will only talk about you and me.
00:30:31Not one more mess?
00:30:33Not one.
00:30:33And now what do we do?
00:30:43Have you seen how the girl is?
00:30:45Standing up.
00:30:46Standing and pregnant, Orencio.
00:30:48And that's up to you.
00:30:50If she says so?
00:30:51I knew.
00:30:53He took me to the laundry room after the dance.
00:30:55And he gave me cognac.
00:30:56Enough, daughter.
00:30:58Don't hurt yourself any more by remembering that terrible time.
00:31:01Orencio, you have to do your job like a man.
00:31:04Yes, father.
00:31:05That's what we're here for.
00:31:07AND...
00:31:07And I now pronounce you husband and wife.
00:31:2150 pesetas.
00:31:23Goodbye, Orencio.
00:31:24Bye bye.
00:31:24Bye bye.
00:31:25That?
00:31:26Do you like this job?
00:31:27Not bad.
00:31:29An adventurous life it is called.
00:31:31Sodas are nothing but air.
00:31:33But this has more to come.
00:31:35Good.
00:31:40I want a five-peseta stamp.
00:31:43Do you want it for a gift?
00:31:46I say this to take away the price.
00:31:51I'll wrap it up for you and tie a bow on it.
00:31:53Take.
00:31:55Since when do you sell a hard seal as if it were a refrigerator?
00:32:01You have to deal with the client with me.
00:32:03It pains me to have to tell you.
00:32:06But you have no vocation as a tobacconist.
00:32:08The tobacconist has to be serious.
00:32:10Grim.
00:32:12Inflexible.
00:32:13Irresponsible.
00:32:13Irresponsible.
00:32:14Yes sir.
00:32:16Are you feeling better?
00:32:18I feel worse and worse.
00:32:20There's not much left.
00:32:21Your due date is in a week.
00:32:23These are the most painful moments.
00:32:24And how do you know?
00:32:26Hang in there, woman.
00:32:27Hold on.
00:32:28If I had known this.
00:32:31At a good time I give you the...
00:32:33Oh!
00:32:33Brother in law!
00:32:34Pilgrim, calm down.
00:32:36Go on, take this.
00:32:37That will suit you very well.
00:32:38Faster.
00:32:46Faster.
00:32:47Hey, it's your grandmother.
00:32:51Will it be a boy or a girl?
00:32:53Whatever.
00:32:54But just one.
00:32:54For his father.
00:32:58There have been complications.
00:33:00You're the husband, aren't you?
00:33:02Yes sir.
00:33:03Server.
00:33:04Good.
00:33:05This is yours.
00:33:06Congratulations.
00:33:14Five, right?
00:33:15Five.
00:33:17And how is the mother after this?
00:33:29Cheer up, Horencio.
00:33:31Peregrina has finally rested.
00:33:33Who would she be?
00:33:36Two times five, ten.
00:33:43Now there are five.
00:33:44But there was another time.
00:33:47Isn't that true, Don Horencio?
00:33:49Yes sir.
00:33:50And what do you attribute this fertility of yours to?
00:33:53Well, I put a lot of enthusiasm into it, I say.
00:33:56Inheritance, perhaps?
00:33:58No, sir.
00:33:59I am an only child.
00:34:01You could say I came into the world by miracle.
00:34:03Seven months, you know?
00:34:05We know that you are a widower.
00:34:08My wife couldn't resist the emotion.
00:34:10Poor thing.
00:34:11With the excitement I had for these five children.
00:34:14Well, who's going to take care of your children now?
00:34:16In the village there is a girl named Angelita.
00:34:20She really likes children.
00:34:22Although I don't know if he wants to.
00:34:24The double whistle.
00:34:28The double whistle.
00:34:43Father, what joy!
00:34:46What happened, Angelita?
00:35:12Yesterday, poor Don Segundino.
00:35:14Without his daughter he was nothing.
00:35:16Now that he had five grandchildren.
00:35:19I heard you on TV.
00:35:21I don't know if I can help you with the kids.
00:35:24Would you do that for me?
00:35:25Not for you, for them.
00:35:27Intimacy in women's clothing should not be directly related to decency.
00:35:32On the contrary, we must educate the great masses of the Spanish people.
00:35:36so that the woman may be bold in her dress and seductive to her husband.
00:35:40Excuse me, tell me.
00:35:42Do you think that the ultra-retrograde man will look favorably on a woman wearing underwear,
00:35:48let's call it post-conciliar?
00:35:51That's where our work lies.
00:35:52There are many towns in Spain that, due to a lack of information or poorly targeted advertising,
00:35:58They hold erroneous theories about it.
00:36:01Excuse me, should a woman be comfortable or seductive?
00:36:06Both.
00:36:08We must banish the image of the prematurely aged woman from the map.
00:36:12Look at these two mannequins.
00:36:14In one there is Castilian lingerie and in this other the authentic one, the one that goes with our
00:36:22time, which will make life more pleasant for our men and thus little by little we will make sure that they do not
00:36:27want to go to Germany.
00:36:30Any more questions?
00:36:32What do you think of that photograph?
00:36:34It is the classic Hispanic mammal, full of atavisms and prone to suffering.
00:36:40You don't read the press, my dear.
00:36:42Here, see.
00:36:44What do you think?
00:36:48At first glance, it would seem that it is the result of an advertising campaign.
00:36:53Something against the pill or something, right?
00:36:56That's our man.
00:37:00I don't understand.
00:37:02What better advertising to demonstrate the excellence of our lingerie than this force of nature.
00:37:07Are you planning to hire him?
00:37:08Further.
00:37:09We don't have a house in the downtown area.
00:37:11We will put a pilot in that town, in Tordesillas de los Infantes.
00:37:17You will be in charge of convincing that man to run the plant.
00:37:21The idea is not bad.
00:37:22Orencio has not failed because our lingerie has helped him.
00:37:28Yes, it can be worth it.
00:37:30Offer him a fixed salary and commissions.
00:37:33You will move to the village and there you will establish the pilot house.
00:37:36With this man at the helm of the business, your job is going to be a breeze.
00:37:39Good.
00:37:40When do I start?
00:37:41Tomorrow itself.
00:37:58See you later, Orencio.
00:37:58Goodbye, Horacio.
00:37:59Orencio, is that you?
00:38:02No interviews.
00:38:04That happened and I have nothing to say.
00:38:06Yes, it can be worth it.
00:38:08Do you live here?
00:38:09Yes, up.
00:38:10But what's going on?
00:38:11This is not for sale.
00:38:12Here we will put the sample book and upstairs the workshop.
00:38:17Listen, but you can know.
00:38:18What are you doing?
00:38:29First of all, answer me this question.
00:38:32What do you think of this?
00:38:35Hey, it's some kind of contest.
00:38:38Do they give points?
00:38:39Please come closer.
00:38:42Look carefully.
00:38:44The bikini ends here, making the leg longer.
00:38:47No garter belt.
00:38:49Waist-high media.
00:38:51And the bra?
00:38:53What do you say about the bra?
00:38:55I can't speak.
00:38:56Do you like this or not?
00:38:58Don't follow.
00:39:00You have my vote.
00:39:01And I played?
00:39:01Touch the fabric.
00:39:04No, yes.
00:39:04It looks...
00:39:06pure virgin wool.
00:39:08Orencio!
00:39:17And how did they choose me?
00:39:28You are the right person.
00:39:30He is a popular person.
00:39:32Make up your mind.
00:39:34Your life can change just by signing here.
00:39:37But it's that...
00:39:39The tobacco shop belonged to my wife, may she rest in peace.
00:39:42She will be glad of this decision.
00:39:44Our advertising is aimed at married women.
00:39:47Don't forget it.
00:39:49Sign here.
00:39:54One-year contract?
00:39:5530,000 pesetas per month.
00:39:57Plus 10% commission on the sale of cars and vans.
00:40:01It's just that I have no experience.
00:40:03The initiation period is on my account.
00:40:06I will be by your side until you let go.
00:40:08I don't know.
00:40:10The locals are somewhat reluctant to wear this kind of lingerie.
00:40:14Do you believe...
00:40:15that this is not going to be liked in this region?
00:40:18Man,
00:40:19if you buy stamped paper,
00:40:20How could they not buy this?
00:40:26It's done.
00:40:27From now until I put in the last tango,
00:40:37we are one step away.
00:40:38I'm buying that nightgown tomorrow.
00:40:40What are we going to do?
00:40:42Eroticism is going to kill Orencio.
00:40:46I'm terrible, aren't I?
00:40:48Appropriate to the moment and the situation.
00:40:54A bracelet.
00:40:55Bracelet too.
00:40:57Hands are important in this business.
00:41:00The same as marketing and market selection.
00:41:03Before going to bed,
00:41:05make me a complete list
00:41:06of the most important towns in the surrounding area,
00:41:09taking into account its population and distance.
00:41:12I'm very tired tonight.
00:41:13That doesn't matter.
00:41:14You are already a man...
00:41:16programmed.
00:41:18Another thing.
00:41:19The hotel in this town is a mess.
00:41:21I'll sleep here.
00:41:23In this house?
00:41:24Yes, in his father-in-law's room.
00:41:26I've already brought the luggage.
00:41:29Ah, we'll practice tomorrow...
00:41:31the way of selling the goods.
00:41:34Good night.
00:41:38Good night.
00:41:39Good night.
00:41:48Good night.
00:41:50Good night.
00:42:02Good night.
00:42:02And yes, you're right, Horencio.
00:42:07This news has happened.
00:42:11Now what?
00:42:14Looking at it closely, it doesn't feel too bad at all.
00:42:28Opening Set.
00:42:30Very suitable for people who live from herding and agriculture.
00:42:34It can be worn with everything.
00:42:35And it gives whoever wears it the air of a worldly and liberated woman.
00:42:39I would wear this over my dress.
00:42:42My husband sees this and beats me up.
00:42:45Notice how light the garment is and how flattering it is on the face.
00:43:00There's nothing in Magic Crusader?
00:43:03We have real wonders.
00:43:05Take good note and then place your order.
00:43:08Hey, and you acted with those things?
00:43:12Naturally.
00:43:13That was my secret.
00:43:15All my previous wives wore modern femé underwear.
00:43:19Next we move on to nightgowns.
00:43:23Take a look at this delicate, exclusive model from Dormilón.
00:43:27Arabian Nights.
00:43:30Very useful for marriages of more than five years.
00:43:34It is worn with two drops of perfume and placed in the bathroom.
00:43:39The light must remain on and the figure upright.
00:43:42You should never sleep with him.
00:43:46So is this a nightgown or a trench coat?
00:43:56Business couldn't have gone better in just one month.
00:43:59Now we need to expand into the neighboring towns.
00:44:03Tordesillas has changed.
00:44:05They kick us out of these forever, we make people more...
00:44:08What do you call them?
00:44:10Progressives.
00:44:11It stands to reason.
00:44:12People must be introduced to today's world.
00:44:15Create their needs and then exploit them.
00:44:17Hey, not bad.
00:44:19Is that your idea?
00:44:20No, it is the theory of consumer society.
00:44:25Nati.
00:44:26Tell me.
00:44:27I wanted to ask you something.
00:44:29If I asked you to stay in the village forever, would you accept the idea?
00:44:33What a barbarity!
00:44:35By no means.
00:44:36I am here programmed.
00:44:38I have founded a production center in your town.
00:44:41When I have some sort of sixth development plan, I'll leave.
00:44:47Don't you care about anything else?
00:44:49Of course not.
00:44:53Let's see.
00:44:54The first town will be Andalerma.
00:44:55Yes, we are already arriving.
00:44:58A leap into today's world.
00:45:00War of ism and elism.
00:45:01But let's see.
00:45:01For into the night.
00:45:02Look, look at the models received from Europe that one sells.
00:45:05You know what you're up to.
00:45:06It is not known who.
00:45:07It is not known who.
00:45:08Don't really accuse your husband.
00:45:09You are the one to blame.
00:45:12Bras, combinations in bright colors for the groom, for the husband and for the bust.
00:45:17It's the one with the five children, when he says so.
00:45:21Let's see if my Juanjo leaves the mus at night.
00:45:22Come in.
00:45:23Come inside the vans and try them on.
00:45:27These models directly from Europe are guaranteed.
00:45:31If after three uses your husband is still the same, we will give you your money back.
00:45:36Thug!
00:46:02Goal!
00:46:04This other anonymous person says...
00:46:05Next time we'll plant a bomb.
00:46:07A friend.
00:46:08Wow with the friend!
00:46:10And this one says...
00:46:11Out with modernisms.
00:46:13And give Gibraltar back to us.
00:46:15I don't understand.
00:46:16Well, this one...
00:46:17Don't mix the magic crusader with Mao.
00:46:20What does Mao Setung have to do with the magic crusader?
00:46:23Convince him, Don Grato.
00:46:25His son wants to close the boutique.
00:46:27He passed me groceries.
00:46:28A ham shop.
00:46:29The opinions of a few do not reflect what everyone in the town thinks.
00:46:34Look, miss.
00:46:35When my son was working at the soda factory, he already wanted to kill Coca-Cola.
00:46:40He always wants more than he has.
00:46:44I knew that the two accidents I had in the village...
00:46:48They would not benefit him at all.
00:46:50But what does it have to do with it, father?
00:46:52Goodbye to my place?
00:46:54There is nothing to do.
00:46:55You have to pass without attracting attention.
00:46:57Modernism...
00:46:59It's not for us, son.
00:47:00We will have to wait for the reaction of all those who have bought our products.
00:47:03They will make us open our store with even more advanced lingerie.
00:47:09Don't you know the people from this town?
00:47:11Well, I'm going to try.
00:47:13I know how to speak.
00:47:14In Madrid, he worked as a monitor for the saleswomen.
00:47:17Here I will do the same, but in progress.
00:47:20Do you agree that women should evolve?
00:47:24Lingerie is the path to progress.
00:47:27Considering the perspective of the current moment...
00:47:29...I would ask for evolution in men's underwear.
00:47:32Who forbids us from wearing the Dutch bikini?
00:47:34Don't go too far, Tony.
00:47:36I'll take it with Hortensia's daughter, she's fit as a fiddle.
00:47:38That's enough for me.
00:47:39Equality.
00:47:40Freedom of movement.
00:47:41Yes, but within a certain order.
00:47:44Attention, ladies and gentlemen.
00:47:47Let's see if the first point is approved.
00:47:49Do you agree that it should not disappear...
00:47:52...the La Femme d'Air boutique?
00:47:54Yes, we agree.
00:47:56And when are we going to talk about associations?
00:47:58Don't be rude, you're always giving the vulgar note.
00:48:02Let's continue with the lingerie, that's the good stuff.
00:48:04Silence.
00:48:05I propose that if the boutique is attacked again...
00:48:09...let's all go out on the street in bikinis.
00:48:11Good!
00:48:22Farencio?
00:48:25Yeah.
00:48:25The one from the boutique?
00:48:27What do you want?
00:48:28Not a word.
00:48:28It's a kidnapping.
00:48:29As?
00:48:30Let's go without attracting attention.
00:48:32And be careful not to cause a fuss.
00:48:33But you're crazy.
00:48:34Where are we going?
00:48:35You'll see.
00:48:36Above.
00:48:38The oik starts.
00:48:39If this had to end like this, to the slaughterhouse, not to you, not to you, because I would listen to you.
00:49:09What are they going to do to me?
00:49:27You'll see.
00:49:28You must have dinner and sleep first.
00:49:39My name is Sofia.
00:49:51Your breakfast.
00:49:52Delighted.
00:49:53What are they going to do to me?
00:49:54You'll find out in due time.
00:49:58Eat a lot.
00:50:00You're going to miss it.
00:50:09Please tell me.
00:50:16You are Lorencio, from Torrencillas de los Infantes, right?
00:50:18The one with the five and five, right?
00:50:20You see, the matter is a bit delicate.
00:50:26Have you seen Sofia?
00:50:27Loren?
00:50:28No, to the woman who brought you the food.
00:50:30Ah, yes.
00:50:31Is that Sofia?
00:50:32Yeah.
00:50:32Clear.
00:50:33Well, she's my wife.
00:50:35I share your feelings.
00:50:36And my sister?
00:50:37I'm wondering the same.
00:50:38Thank you so much.
00:50:40My sister wants to have children.
00:50:42That seems very good to me.
00:50:44Yeah.
00:50:44It's that I...
00:50:46I don't know what's wrong with me.
00:50:48That's why we thought we'd bring you here.
00:50:51Your fame is very great.
00:50:53I don't understand anything.
00:50:57Do you mean that you have thought of me to expand your family?
00:51:01But numerous, because that now has many advantages.
00:51:05Sofia has to be a mother.
00:51:08Are you leaving now?
00:51:18Yes, they have already fallen asleep.
00:51:19Do you know anything about Orencio?
00:51:22Well no.
00:51:22You were Orencio's girlfriend, right?
00:51:26Well, I've been the eternal girlfriend.
00:51:29But that's already happened.
00:51:30Now you see.
00:51:32Orencio is a famous man.
00:51:34Everyone is talking about him.
00:51:35It even appears in magazines and on TV.
00:51:38Why don't you marry him?
00:51:40Orencio likes other kinds of women.
00:51:42And why aren't you the kind of woman Orencio likes?
00:51:47I don't know if it would work.
00:51:48Why don't we try it?
00:51:49Yeah.
00:51:50As?
00:51:51Come on, try this on.
00:51:53I don't know, really...
00:51:54Listen to me.
00:51:55It's an order.
00:51:59Do you want wine?
00:52:00And more food?
00:52:00No, thank you very much.
00:52:02I'm fine.
00:52:03Well, tomorrow morning we'll see what happened.
00:52:05I want five.
00:52:06We are?
00:52:07And I want them strong and hardworking like me.
00:52:10Yes sir.
00:52:11Whatever you command.
00:52:12Come on, Eloy.
00:52:20Wait, madam.
00:52:21I...
00:52:22There is a lot of talk.
00:52:24You shouldn't believe what they say about me.
00:52:26Never mind.
00:52:27He's a beast.
00:52:28Look how many times I told him.
00:52:29That's not how it's done.
00:52:30That you cannot be rented out like a stallion.
00:52:33I'm glad you think so.
00:52:35He's crazy.
00:52:37He wants to have five children.
00:52:38Come on, you are more to him than that Cruyff.
00:52:40He admires him.
00:52:41Since he came out on TV, he hasn't been living with that idea in his head.
00:52:46And what are we going to do?
00:52:47My husband and my beast of a brother have a very particular idea about this love thing.
00:52:53They are listening.
00:52:55We must make them believe that...
00:52:57Do you understand me?
00:52:58I think so.
00:53:00Well, no.
00:53:01Come on, move the bed.
00:53:04And now what?
00:53:05Now I must scream.
00:53:06They understand it that way.
00:53:07Well, nothing, I shouted.
00:53:09Oh!
00:53:10Oh my life!
00:53:11Oh, brute!
00:53:12Little brute!
00:53:14Come on, say something.
00:53:15And what do I say?
00:53:16Something loving, with passion.
00:53:19My life!
00:53:22Milk, but labor.
00:53:23Yes, I do it sometimes.
00:53:25Male.
00:53:26OK that's fine.
00:53:27Oh my life!
00:53:28Oh my life!
00:53:29Oh, why, damn it!
00:53:30How stupid you are!
00:53:31Oh!
00:53:33This is going smoothly.
00:53:36Oh, how wonderful it turned out!
00:53:38What a man!
00:53:40And are you having a great time?
00:53:42How rude!
00:53:43Mother, I'm going to stop it!
00:53:44What do you think?
00:53:50I don't know.
00:53:51Do you think Orencio will like me?
00:53:52I'm sure.
00:53:54You have more experience than me.
00:53:56Don't you think I'll seem like an easy woman to him?
00:53:59Don't worry.
00:54:00That's what they really like.
00:54:02And what else should I do?
00:54:03Ignore him.
00:54:05Ignore him.
00:54:06You'll see how you drive him crazy.
00:54:07But only like this?
00:54:09No, woman.
00:54:10And also with underwear.
00:54:13Let him see you.
00:54:14Let him realize how you can be.
00:54:16It is clear that the naive village girl does not say anything to him.
00:54:20I'm scared of it.
00:54:21And aren't you afraid that someone else will come and take it away?
00:54:24Never.
00:54:25Let's go with the underwear.
00:54:28Do you think it's pretty?
00:54:35The fact that?
00:54:36This, what you did tonight.
00:54:37You wanted it.
00:54:38It was your idea.
00:54:39Now don't come to me with...
00:54:39Have you cheated on me or not?
00:54:41Don't bother me.
00:54:42No one can stand you.
00:54:43And you had a great time with that one too.
00:54:46Yes, what's up?
00:54:47You should have behaved like a real husband.
00:54:48instead of looking around for rented lovers.
00:54:50Shame on you!
00:54:51But have you cheated on me or not?
00:54:53And what did you want me to do?
00:54:54Well now you're going to know what a real husband is.
00:54:58How rude!
00:54:59You're going to finish me off!
00:55:02Oh, son!
00:55:03What a hard time it has been!
00:55:10Are you leaving like this?
00:55:11I don't know what I'm going to say to him when he gets back.
00:55:13You don't need to tell him anything.
00:55:15My work in this town is done.
00:55:17Business is up and running.
00:55:19And the address is asking me.
00:55:20And who's going to take care of all this?
00:55:24You, my dear.
00:55:25I?
00:55:25I'd rather die.
00:55:26It wouldn't work.
00:55:27You bet.
00:55:30And don't forget the advice I've given you.
00:55:32But I'd be safer if you didn't leave.
00:55:35You don't need me.
00:55:36Not even to Orencio.
00:55:37I continue on my way.
00:55:38I am a programmed woman
00:55:39and I owe myself entirely to the consumer society.
00:55:42Not you.
00:55:43You owe it to this and to Orencio.
00:55:47Don't let him get away.
00:55:48I will try.
00:55:50Bye.
00:55:51And write to me.
00:55:55Sorry.
00:55:56I would like something daring.
00:55:58To seduce the husband?
00:55:59No, I am a widow.
00:56:00I rented the room to the new vet and...
00:56:02Come in.
00:56:03I think I have what you need.
00:56:11All models are guaranteed to be worn for the first three times.
00:56:14Go try this one on.
00:56:21Of relief, of mourning, will it have nothing?
00:56:24Of course.
00:56:25In purple.
00:56:26Well.
00:56:28Angelita.
00:56:30But what do you do?
00:56:32Nati left a while ago
00:56:33and since you disappeared, he left me with my manager.
00:56:36But this is not about you.
00:56:38And why not?
00:56:38Hello good morning.
00:56:39And now, ladies, that Horencio has arrived,
00:56:42We're going to give you next season's nightgowns.
00:56:44And who's going to pass the nightgowns?
00:56:47Well, me.
00:56:48Who's it going to be?
00:56:49You.
00:56:49No way.
00:56:50Do you hear it?
00:56:51You at home, take care of the children.
00:56:53But what's this about passing nightgowns?
00:56:54Well, I mean, it's just that...
00:56:56Since it's not professional...
00:56:57We don't care.
00:56:58What things come to mind?
00:56:59The woman must be pure, very pure.
00:57:10And heard this litany that goes like this.
00:57:15A woman must be purer than a hen.
00:57:27My profession has four letters.
00:57:32The E, the U, the, I don't know which one it is, and the A.
00:57:41Clients, we are clients of an old situation.
00:57:49It is an operation in which we are aware.
00:57:53It is not a Spanish problem.
00:57:55It will be in the pulp.
00:57:57Looks great in octopus and in essential clothing.
00:58:00A woman and a stick.
00:58:03In Paris, everything is octopus.
00:58:06What is the Episcopalian?
00:58:11Gentlemen, be patient.
00:58:20That is there to help them
00:58:24The emergency lady.
00:58:31Consumer society,
00:58:35women's solution.
00:58:38Source of needs
00:58:41You have created the consumer.
00:58:45Nobody talks about Cupid
00:58:48And the repressed rule.
00:58:52In love the woman
00:58:54He will always, always be faithful.
00:58:59Repressed, repressed
00:59:02We are similar beings
00:59:05Past in repression
00:59:08They find a solution
00:59:12In a brief association
00:59:15This is the question
00:59:24From my profession
00:59:28And to know about me
00:59:33Go up in the extension
00:59:41And wait at the end
00:59:45How beautiful my girl is
01:00:01Beautiful little one
01:00:02That nobody pays attention to him
01:00:05Poor thing, poor thing
01:00:07Don't you think it's too much affection?
01:00:09For these disgusting dogs?
01:00:11You worry about my contracts
01:00:13And the illuminated signs
01:00:14Which by the way
01:00:15Yesterday there was a burned out light bulb
01:00:17The businessman brought me
01:00:22The new contract
01:00:23Well, I'll take a look at it.
01:00:24No, I've already signed it.
01:00:25The one you signed?
01:00:27Well, what's it going to be?
01:00:28The extension?
01:00:29Until when?
01:00:30Eight months
01:00:31This work is going very well
01:00:32Eight months?
01:00:34You are crazy
01:00:35Where is that contract?
01:00:37I'll kill you
01:00:37I kill you!
01:00:39Take it
01:00:40So you can see that I know how to do things well
01:00:42I'm going to have a heart attack
01:00:48I want to die
01:00:50This woman is crazy
01:00:52Crazy!
01:00:53Doro
01:00:53But we are as always
01:00:55What's wrong with you?
01:00:57In five months
01:00:58You have signed to vote
01:00:59On the Barcelona scale
01:00:59You just don't remember
01:01:01Well, we return the advance payment.
01:01:03And that's it
01:01:04But what advance?
01:01:05They will sue us
01:01:06They will put us in jail
01:01:07But you don't realize
01:01:08That you signed the contracts at the same time
01:01:09And that's not right?
01:01:12We can't say no, Orencio
01:01:19It is Tordesillas de los Infantes
01:01:20The one who will benefit from your fame
01:01:22But I have the business here, Mr. Mayor.
01:01:24And the mother now?
01:01:26This is Don Juan Mejías
01:01:27Apparently he is an eminent sessologist.
01:01:29And what is that?
01:01:31Its name itself says it all.
01:01:32Well that's it.
01:01:33In which you are a world figure
01:01:34I don't know why
01:01:36You have to be in Madrid for a few days, Orencio
01:01:39It says so here
01:01:40You are needed at some conferences
01:01:42What is erotic potency for a man?
01:01:45Here is the statement of today's conference
01:01:48How do you recognize a man as powerful?
01:01:51Of course
01:01:51Not lifting stones
01:01:53Not even cutting logs with an axe
01:01:55Not even throwing punches in a ring
01:01:57Man is powerful
01:01:59When determining
01:02:00The complete erotic satisfaction of his partner
01:02:04I like this man more than a fool likes a pencil.
01:02:09And the things he says
01:02:10Contrary to what most men believe
01:02:13And also many women
01:02:15The power of a man
01:02:17It is not measured only by frequency
01:02:19Or the ardor of his embraces
01:02:21Not even close to the number of his conquests.
01:02:24The power
01:02:25I repeat
01:02:26It is to look after every woman
01:02:29The delight
01:02:31That she deserves
01:02:33Please give me a hug
01:02:41Thank you
01:02:43And me too, doctor.
01:02:44Please
01:02:46Thank you
01:02:56What a day!
01:03:02My head is going to explode
01:03:06You've been saying the same old nonsense, haven't you?
01:03:09It would be better if you talked less and acted more.
01:03:11What do you want?
01:03:13I've been taking jerovital for a year now.
01:03:15All your strength goes through your mouth
01:03:16Know?
01:03:17I've done something else
01:03:18I have written to Aurencio
01:03:19That guy we saw on TV
01:03:22Which one? I don't remember.
01:03:22Yes, woman
01:03:23The one who had five children
01:03:24And then another five
01:03:26That's a lie
01:03:28It will be an advertisement for some product
01:03:29We will soon know that.
01:03:31Because I invited him to my course at the university
01:03:33It is a phenomenon worthy of being studied
01:03:35And by the way, when you study it
01:03:37See if you can apply some of it to yourself.
01:03:39You already understand me
01:03:41In the blacksmith's house, a wooden knife
01:03:43Leave it, Doro
01:03:52I can't, I can't
01:03:55I've been thinking about what you said
01:03:57Do you think we'll have problems?
01:04:00Issues?
01:04:01The jail, the jail
01:04:03It won't be that bad
01:04:05Besides, what am I going to do in jail?
01:04:18Without my puppies
01:04:19Duplicate contract!
01:04:23I mean
01:04:23That at the same time you have to be in two places at once
01:04:27And you don't have the gift of being everywhere
01:04:30All contracts have something
01:04:32You already understand me
01:04:34But they cannot be broken except in case of illness
01:04:36Can you fake it?
01:04:38But there are the doctors, Tilba
01:04:39How could you come up with something like that?
01:04:41You have to do something
01:04:42Only in case of death or pregnancy
01:04:45Die?
01:04:47How awful!
01:04:49What else did you say, Doro?
01:04:51Pregnancy
01:04:52Oh, how beautiful that would be, Doro!
01:04:57A son of yours and mine
01:04:58Tilba!
01:04:59But what are you thinking?
01:05:02You know that my dream is to have a child
01:05:03Many children
01:05:05The more the merrier
01:05:06That's why I have puppies
01:05:08Because you don't listen to me
01:05:09And why do I have to listen to you?
01:05:11Are there no more men in the world than me?
01:05:13It would be great
01:05:14My representative
01:05:16The father of Tilba's children
01:05:18How awful!
01:05:21It makes me cringe to think about it.
01:05:22Well, I don't see any other solution, Doro.
01:05:24So get the idea going
01:05:25That I got pregnant
01:05:27Or we will have to pay compensation
01:05:28The prison before
01:05:30Do you understand?
01:05:31Oh!
01:05:34But
01:05:35It's that you don't like me
01:05:37Not even a little bit
01:05:39Oh!
01:05:39I can't imagine being a man.
01:05:41What do you want?
01:05:43Lack of custom
01:05:44The essential characteristic of erotic potency
01:05:48It is then
01:05:49For man
01:05:50Self-control
01:05:51Owner of his reflexes
01:05:52The powerful man
01:05:53He is the owner of feminine pleasure
01:05:54For which the woman will owe him
01:05:56Your delight
01:05:57Your happiness
01:05:58Making of it
01:06:00Its owner and lord
01:06:01What did you think?
01:06:04Corny
01:06:05How cheesy?
01:06:07This is a scientific conference
01:06:08Corny
01:06:10Well, that seems corny to you.
01:06:11Makes thousands of women sigh
01:06:13And do you know why?
01:06:15Because they don't know you like I do.
01:06:16And for a sexual deformation
01:06:18Based on bad education
01:06:20Good night, my life
01:06:23Good night
01:06:24Goodbye, my love
01:06:27Is it me?
01:06:31No, to the cat
01:06:31Does Dr. Mejías live here?
01:07:01Yes, yes, but it is not
01:07:02Do you know where I could find him?
01:07:05Yes, it is very urgent
01:07:05Go to medical school
01:07:07Urgent?
01:07:07Don't know
01:07:08He sent me a letter to the town
01:07:09Well, not me.
01:07:11To the mayor
01:07:12You are Cursencio, aren't you?
01:07:15No, ma'am
01:07:15Orencio
01:07:16The one with the five children?
01:07:18Yes, ma'am
01:07:19Himself
01:07:20Wait, I'll go with you.
01:07:21He doesn't know how much he wants
01:07:22That I had to know him
01:07:23A pass that changed me in an instant
01:07:25How do you do it?
01:07:34They always ask me the same thing
01:07:35Well, I don't know.
01:07:37I put interest and nothing more
01:07:39But much interest?
01:07:42I don't know
01:07:43I think like everyone else
01:07:45Well, your husband knows about this more than anyone.
01:07:47Surely he will explain it to us.
01:07:49Yes indeed
01:07:50He is not short of words
01:07:52He has been dealing with this issue all his life.
01:07:54But children do not come into the world with words.
01:07:57At first glance it seems normal
01:08:06Don't trust it
01:08:07These things are not detected by the screen
01:08:10In case it's worth it
01:08:11As a child I had measles and whooping cough.
01:08:14Upon receiving the download
01:08:18You will notice some vibrations
01:08:20Like in the electric chair?
01:08:22More like a tickle
01:08:23You relax and think about your mother
01:08:26Already
01:08:27I didn't understand it very well.
01:08:31In my mother?
01:08:33Or in yours?
01:08:35But what is the relationship between potency and fertility?
01:08:38None
01:08:39A very powerful man can be
01:08:41Why not?
01:08:42Sterile
01:08:44Completely sterile
01:08:50Today I have the pleasure of introducing you
01:08:53An extraordinary case
01:08:55A man like any of you
01:08:57Or like me
01:08:58Well
01:09:00In the physical aspect I mean, of course
01:09:03This is the man
01:09:05A true superpower in every sense
01:09:09In which we pointed out yesterday
01:09:10Of the erotic satisfaction of the partner
01:09:13And in that of fertility
01:09:15Sirs
01:09:16I present to you
01:09:18To Orencio
01:09:19Nice to meet you
01:09:22A vulgar man
01:09:27And like all the great men in history
01:09:31It is adorned by the other virtues
01:09:33Simplicity
01:09:35Humility
01:09:37But let it be known
01:09:39He has acted twice
01:09:41And five children each time
01:09:44Applause!
01:09:50Applause!
01:09:51Applause!
01:09:53Applause!
01:09:55Orencio!
01:10:21Come on, get in.
01:10:23But we didn't wait for the doctor.
01:10:25He invited me to lunch.
01:10:26Don't worry, come on in.
01:10:44My husband's strength goes through his mouth.
01:10:47I don't understand.
01:10:47He speaks very well.
01:10:49But the rest is a paralytic.
01:10:51The opposite of you...
01:10:52Lady.
01:10:52I want to be a mother.
01:10:54Ma'am, please.
01:10:55What can my people see?
01:10:56It's a large family.
01:10:57This is not right.
01:10:58Lady.
01:10:58This man's case is not common, but it can happen.
01:11:01An excess of power, of virility.
01:11:04Life is very unevenly distributed.
01:11:05Look, there's my wife's car.
01:11:07She will take us.
01:11:09Likewise, this butá of nature can come as it can go.
01:11:13Professor Von Hendrus, in his treatise on rural sex, already explains how one day the effect of nature disappears.
01:11:20And he can remain impotent as normal.
01:11:23As normal.
01:11:24Well, like me.
01:11:27Or like you.
01:11:33Come on, Ramirez.
01:11:34But what is this?
01:11:36You see, following your advice.
01:11:40Sorry.
01:11:41He said that between me and the cat, I don't know what he meant.
01:11:45So your wife practices your theories.
01:11:48Yes, yes.
01:11:50You see.
01:11:52If you have five children, I'll shoot you.
01:11:55What a man.
01:11:56How wonderful.
01:11:58Just one like this is what we need to fix our problems.
01:12:02No, I'm not referring to the phenomenon.
01:12:04The one I like is Dr. Mejía.
01:12:07What a man.
01:12:08I imagine him strong and virile.
01:12:11Well, you think what you want, but quickly.
01:12:13If not, you know, your professional career is over.
01:12:14What I would give to be a mother.
01:12:18And this is, in short, the extraordinary case of Orencio.
01:12:22To whom, on behalf of all my colleagues,
01:12:24I will have the honor of hanging the medal of the super powerful on his chest.
01:12:29Orencio, please.
01:12:31Accept it as a small recognition for so many merits acquired.
01:12:36A superpower, not only in terms of sperm generation,
01:12:52but in terms of their vitality.
01:12:54And will that ability always be constant or could it be varied by some circumstance?
01:12:57Unfortunately, yes.
01:13:00It would be enough to unbalance the temperature of your body, now optimal,
01:13:05to vary its power.
01:13:06This is the case of cryptorchids.
01:13:08You couldn't go to the town without seeing some typical place.
01:13:12The sea and the cloud, for example.
01:13:14These business dinners are a pain.
01:13:16His wife would have liked to accompany us.
01:13:17My wife has no business being where I'm taking you.
01:13:20That's why I left her at home.
01:13:23I would like to tell you that this morning in your car
01:13:26nothing happened between his wife and me.
01:13:28I know, man, I know.
01:13:30My wife is like that.
01:13:32And he is not wrong.
01:13:33Well, we have to take care of it.
01:13:35It must be because I've gotten used to it already.
01:13:38Or because my wife lacks what they call the leitmotif in movies.
01:13:42You understand me?
01:13:47The truth must be told in the most natural way.
01:13:55and sing the reality of family life.
01:14:00And why does it matter to anyone that the truth is told?
01:14:06In life, no one listens when something is going well for you.
01:14:11The opposite of what happens when something goes wrong.
01:14:15It is better to lie, smile, invent...
01:14:22Passion is something that floods us, disturbs us, overwhelms us.
01:14:25But love...
01:14:27Ah, love...
01:14:29It does not annihilate us, but gives us our authentic way of being.
01:14:33He who tells the truth should be punished.
01:14:37It is an outdated vice and a desire to annoy.
01:14:42Lying, how nice it is to deceive.
01:14:46Feeling fulfilled in the conversation.
01:14:50It is not telling the truth, a sign of imagination.
01:14:54It is not telling the truth far from reality.
01:14:58The song is bitter at heart.
01:15:05She must be heartbroken.
01:15:08Well, not so much.
01:15:10In life, no one listens when something is going well for you.
01:15:13The opposite of what happens when something goes wrong.
01:15:19It is better to lie, smile, invent...
01:15:27A world of happiness.
01:15:29A world of happiness.
01:15:32A world...
01:15:34Of happiness.
01:15:36What a man!
01:15:44It's wonderful.
01:15:46It looked uglier on TV.
01:15:48And five children.
01:15:50This is what I needed...
01:15:51Have you seen the one on TV?
01:15:53Yeah.
01:15:53And he comes with the doctor.
01:15:55Oh, how handsome he is!
01:15:57Show them to my dressing room.
01:15:59I have a quarter of an hour.
01:16:01Tell them I want to say hello.
01:16:02I'm a fan of yours!
01:16:03Here it is.
01:16:18She is waiting for them.
01:16:20Tilba!
01:16:21Can?
01:16:24Is that possible, Tilba?
01:16:28Forward!
01:16:30Tilba!
01:16:30This is Orencio, the phenomenon everyone is talking about.
01:16:35And you are Dr. Mejía, right?
01:16:38Enchanted!
01:16:39Madam, it's a pleasure.
01:16:40Tilba!
01:16:41He's here, Orencio!
01:16:42Take him to see the girls.
01:16:44They're all dying to meet him.
01:16:46Oh, Tilba!
01:16:47I see a sparkle in your eyes that I really like.
01:16:51I think I have the contract sorted out.
01:16:53Right, doctor?
01:16:55Whatever you say.
01:16:57Let's go see the girls, we're in the way here.
01:16:59Yes, it will be the best.
01:17:01Come on, come on!
01:17:02Get out!
01:17:03To the girls?
01:17:05I have a problem, doctor.
01:17:12Juan.
01:17:13Tilba.
01:17:18Ganiel!
01:17:20As?
01:17:20There will be many invitations.
01:17:22I am very popular in the town.
01:17:23Imitate Pérez, go on.
01:17:25Let's imitate Perez.
01:17:26What a sound, Javier!
01:17:29Sing to life, if you want to sing.
01:17:34Joy of living, to enjoy singing.
01:17:38Sing and be happy, sing with me so I can sing.
01:17:42Joy of living, to enjoy singing.
01:17:46Sing and be happy, sing and be happy, sing and be happy.
01:17:50Sing and sing.
01:17:55Don Doro, is this Tilba's number?
01:17:57I'm knocking on his dressing room and all I hear is sighs.
01:17:59What I do?
01:18:00Oh, damn my stamp, I'll scratch it!
01:18:03Oh yeah, I scratched it!
01:18:04Meow!
01:18:08Tilba, that's your number!
01:18:10Tilba, you have to get out!
01:18:11Oh, what do we do!
01:18:13You're going to kill me!
01:18:14Tilba, answer me!
01:18:16Hey, leave me alone, Doro!
01:18:18For once I'm taking the stage!
01:18:21How do you feel, my love?
01:18:23Happy.
01:18:24At last my Oedipal conflict, with diffuse phobic features,
01:18:28along with a floating anguish that depressed me,
01:18:31is cured.
01:18:32You'll pay for this!
01:18:39Don Doro, what do we do, Don Doro?
01:18:42An idea occurs to me.
01:18:44Don't stop the show.
01:18:46We're going to have an unscheduled performance.
01:18:53Ladies and gentlemen,
01:18:55I am pleased to offer you some great news.
01:18:58Before you,
01:19:00Orencio,
01:19:01the man of the day,
01:19:03and that in addition to the great qualities
01:19:04that I think you all know,
01:19:07He is a brilliant star impersonator
01:19:08and he will kindly offer us a song by Rafael.
01:19:14Whenever you want, Oren.
01:19:15Love,
01:19:31bye bye,
01:19:33cannot continue,
01:19:39the magic is over,
01:19:42and now I have to go,
01:19:48more will be better
01:19:51follow our loneliness.
01:19:58If the sky was overcast today,
01:20:02maybe tomorrow the sun will shine,
01:20:05don't suffer anymore,
01:20:12Perhaps tomorrow our crying will be left behind,
01:20:16and if you tell me that your love will wait for me,
01:20:21I will tend the light that will illuminate my path,
01:20:25and I will return.
01:20:27And I will return,
01:20:31with a bird returning to its unit,
01:20:35You will see that I will soon return and stay,
01:20:40for this love that you always, always give me,
01:20:45and I will return,
01:20:49I swear,
01:20:51that I will return.
01:20:53and I will return,
01:20:55and I will return,
01:21:05and I will return,
01:21:07and with a bird that returns to its unity,
01:21:13You will see that I will soon return and stay,
01:21:18for this love that you always, always give me,
01:21:23and I will return,
01:21:25and I will return,
01:21:27Yes, I swear,
01:21:29that I will return.
01:21:41Go with Angelita,
01:21:43she looks prettier every day.
01:21:45How have the children behaved?
01:21:53Very well, sir,
01:21:55Miss Angelita has helped me a lot.
01:21:57Yeah,
01:21:58see you later,
01:21:59See you later, sir.
01:22:05You're right, son.
01:22:07This is not for you anymore,
01:22:09times have changed,
01:22:11and poor,
01:22:12He who does not change with them,
01:22:14Coca-Cola has defeated us,
01:22:17This business has become a get-by,
01:22:20yours is,
01:22:22lingerie.
01:22:24The problem is Angelita Sr.
01:22:26Because?
01:22:27That girl loves you,
01:22:28she has evolved,
01:22:30of the olive,
01:22:32to the Paris bra,
01:22:34and he would become a firefighter,
01:22:35if you asked him.
01:22:36So,
01:22:37I'm getting married, father.
01:22:38I wouldn't hesitate, son.
01:22:40And every time,
01:22:42five children father,
01:22:43I can't do it to Angelita,
01:22:45remember Vindemia,
01:22:46she died a pilgrim,
01:22:48Not all women can survive such a birth.
01:22:50I understand your fears,
01:22:52but,
01:22:53she knows it.
01:22:55That's it,
01:22:56I already know what I'm going to do,
01:22:58I think I've found the solution.
01:23:06Here are all the accounts,
01:23:08closed the balance sheet until this afternoon.
01:23:10As you will see,
01:23:11business couldn't be better.
01:23:12I would like to talk to you.
01:23:13Sit down,
01:23:14missing to record sales,
01:23:15from the neighboring towns,
01:23:16If you like, I'll do it tomorrow.
01:23:18I didn't think you'd be in Madrid for such a short time.
01:23:20And all this?
01:23:21Nati taught me.
01:23:24Angelita,
01:23:25I want to marry you,
01:23:27but don't say anything,
01:23:28You know very well the risk you run,
01:23:30and for that I have found the solution.
01:23:32I don't care about anything,
01:23:33I love you and your children,
01:23:35the rest is unimportant.
01:23:37If you like,
01:23:38we won't make love,
01:23:40and so there will be no danger.
01:23:44What you want will be done.
01:23:46And the bad thing is that now,
01:23:48If I like you so much dressed,
01:23:49I don't know what was worse,
01:23:51whether this or that.
01:23:52In the end,
01:23:53you have the floor.
01:23:55What do we do?
01:23:56Because I'm a mess.
01:24:05And you know,
01:24:06nor honeymoon,
01:24:07not one of me.
01:24:08This afternoon we will continue working as if nothing had happened.
01:24:11You understand me?
01:24:12For God's sake, Orencio,
01:24:13that everyone is going to find out.
01:24:15And you know,
01:24:16that everyone is going to find out.
01:24:17And you know,
01:24:18that everyone is going to find out.
01:24:19And you know.
01:24:20That everyone is going to find out.
01:24:50He has already fallen asleep.
01:25:00The poor guy is teething.
01:25:02No,
01:25:03the nightgown no.
01:25:04I already told you,
01:25:05take it off.
01:25:06Whatever you want.
01:25:07No,
01:25:08not here in front of me.
01:25:09But what do you want?
01:25:10Let me go sleep on a bench in the square.
01:25:11Don't you like it?
01:25:12What do you mean I don't like it?
01:25:13You drive me crazy.
01:25:14But,
01:25:15Don't you understand that if before there were five without interest,
01:25:17what would happen now?
01:25:19Alright.
01:25:20Whatever you want.
01:25:21Don't come any closer.
01:25:22Tell me goodnight from there.
01:25:23As if you were calling a taxi like that.
01:25:24Bye bye.
01:25:25Take a rest.
01:25:28How unfortunate I am.
01:25:29Why would this happen to me?
01:25:35Again!
01:25:37I have to cross to go to the bedroom.
01:25:41Can I drink water?
01:25:43Because of your father, who turns on the loudest television in town.
01:25:46Don't do it again.
01:25:47What, honey?
01:25:48Put that on!
01:25:49If you want, take it off me.
01:25:51You're going to kill me!
01:25:55Miss,
01:25:56give me Madrid.
01:25:58Two forty-eight sixteen zero zero.
01:26:01Don't you realize?
01:26:02That this cannot continue like this.
01:26:03I am not made of stone.
01:26:05And I like you a lot.
01:26:06A lot.
01:26:08Please.
01:26:09Dr. Mejias.
01:26:11From Orencio.
01:26:12Sorry to call you at this hour.
01:26:16No.
01:26:17Nothing serious.
01:26:18It's just that I remember what he said in his lecture.
01:26:21Yeah.
01:26:22That it was possible that my effect was temporary.
01:26:25As?
01:26:26The tests say I'm normal?
01:26:28Are you sure, doctor?
01:26:29Almost sterile!
01:26:31Of course, I have given a lot and energy.
01:26:32Thank you.
01:26:33Thank you, doctor.
01:26:34What a joy!
01:26:35No.
01:26:36It's my thing.
01:26:37Good night.
01:26:38Greetings to your wife.
01:26:39Little angel!
01:26:40I'm sterile!
01:26:41Hahaha!
01:27:02Nothing.
01:27:03Powerless.
01:27:06You don't know what a weight has been lifted off my shoulders.
01:27:08Well, I don't know how you can be happy about something like that.
01:27:11Man, you used to be a figure here.
01:27:14Stop messing around.
01:27:15I am sterile, which is good.
01:27:17She's fine with five children.
01:27:18More than three months since I got married and here I am.
01:27:21So rigidly.
01:27:24No problem.
01:27:26That?
01:27:27Another drink?
01:27:28Well.
01:27:31Young gentleman.
01:27:32What's up, Josefa?
01:27:33The lady.
01:27:34What's going on?
01:27:35He fainted in church.
01:27:36He saw her at the doctor's and said she was pregnant.
01:27:38Pregnant what?
01:27:39Did he do the frog thing to you?
01:27:40Yeah.
01:27:41No doubt.
01:27:42She is pregnant.
01:27:43Yeah.
01:27:44I am sterile.
01:27:45Well.
01:27:46Almost sterile.
01:27:47Dr. Mejías told me.
01:27:48Do you distrust Angelita?
01:27:49No.
01:27:50Not from her.
01:27:51But...
01:27:52...the frog could be fake.
01:27:53Whatever you want.
01:27:54But get the idea.
01:27:55In five months you will be a father.
01:27:57No way!
01:27:58I'll do whatever it takes first.
01:28:06You have to take it off.
01:28:07Red.
01:28:08And how do you come up with something like that?
01:28:11If it's for your own good.
01:28:12You don't understand.
01:28:13It's dangerous.
01:28:14Let me.
01:28:15Do not touch me.
01:28:16Propose something like that to me.
01:28:18With the excitement that being a mother gives me.
01:28:20Alright.
01:28:21Then don't complain.
01:28:23We will have five each year.
01:28:24You'll see.
01:28:25Already.
01:28:26And instead of sending a son to the military,
01:28:27we will send a company.
01:28:29But I don't say anything.
01:28:30You must have wanted it.
01:28:34Killer.
01:28:35Communist.
01:28:36No.
01:28:37My father already told me so.
01:28:42I didn't understand myself.
01:28:46I was only thinking about her.
01:28:48You will be my destiny.
01:28:50These are seen.
01:28:51Added by the voices.
01:28:52All attendees.
01:28:53And they are.
01:28:56And a lot.
01:28:58These are the guards.
01:29:03These are the penaffinas.
01:29:05All the best od volunteers.
01:29:07Customists.
01:29:08These are the desires.
01:29:09These are the measures to allocate to this nevivido.
01:29:11That's it.
01:29:15But in theory.
01:29:16These are the punished ones.
01:29:19Doctor.
01:29:24Yes, Orencio.
01:29:25How is she?
01:29:27The mother is perfectly fine.
01:29:29And how many?
01:29:31Five, right?
01:29:33No, this time there weren't five.
01:29:36You're improving, Orencio.
01:29:38This time there were seven.
01:29:40Seven?
01:29:42I soften.
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