00:01The enthusiasm is infectious.
00:04So much of this process is about problem solving and making breakthroughs.
00:08Everyone is coming with their own experiences to a galaxy that can support it.
00:13And then also have a group of filmmakers who were not afraid to jump in.
00:20It's hard to believe all these years later there's such energy around new stories in this world.
00:27The volume put me back in a set as if it was built.
00:33The outside is all video walls and the top is a video wall.
00:38That was for me one of the most rewarding experiences of someone who just loves Star Wars.
00:46It was like one of the weirdest and best things that ever happened with Werner.
00:49He was acting against the baby and he started directing the baby directly.
00:53I'm trying to direct Werner who's now directing the puppet.
00:56He was telling us we needed to commit to the magic, make them use the puppet.
01:03IG-11 was like IG-88.
01:05They built him out of parts of the old cantina set from a new hub.
01:08We as children like that's the coolest assassin robot.
01:11It was bolted to the floor.
01:13We're trying to draw from all over Star Wars.
01:19Action.
01:20Sometimes I think it's just like anything in any different scene.
01:25You just have energy and you can see that in the physicality.
01:28You can see that in the acting.
01:33George reiterated, remember to make these stories hopeful.
01:36To give that to kids because they really need it.
01:38It's important to the foundation of Star Wars.
01:41But we don't just want action.
01:43We want to feel uplifted.
01:44And Star Wars ultimately is about family.
01:46It is really saying there is a lot of hope out there.
01:48The Star Wars are a human.
01:49And I think there is a lot of hope out there.
01:50The Star Wars
01:56The Star Wars
01:58The Star Wars
01:59But we're telling you one thing.
02:00There is a lot of hope out there.
02:01You
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