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BRITCOM I
  • 2 months ago

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00:00All the clowns in the car. Is the door closed? It is. I think that means, ladies and gentlemen, that's 31.
00:07That's equal to the world record. Ladies and gentlemen, this is a historic moment never before, huh?
00:18Maybe we should check in on the welfare of the clown. I'm sure that'll be okay, though.
00:24That's late.
00:26Oh, boy, oh, boy.
00:29Please, um...
00:29Call an ambulance!
00:30We really want to check on the wealth of these clowns, guys. Is anyone coming, guys?
00:343D medics here. You can start moving. Can we...
00:37Okay, are you seeing this? This is the worst thing I've ever seen, and yet I can't look away.
00:44Oh, it's truly an unspeakable tragedy, and yet I also can't look away.
00:47Oh, I hate clowns. You know, I always seem to date them.
00:49I know. That is such a strange pattern that you have that all the men that you date quit their jobs in tech to go to clown school.
00:54It really is unusual. Oh, I can't look at this anymore.
00:56Oh, thank God we put Ian on that.
00:59It was really kind of us to do that.
01:00As we showed up, we've had a search for the market.
01:04Give him a investigation.
01:05Our market research shows that your culture loves comedy.
01:08So naturally, we thought the best way to launch our car would be clowns.
01:13Give him a investigation.
01:15Unfortunately, Chinese clowns are a different size.
01:18We miscalculated the girth of your western clowns.
01:22I see.
01:23Diana is not happy to talk to her, but we do not find this funny.
01:28This is devastating.
01:30Yes, yes.
01:31Okay, putting the clowns aside for the moment.
01:33Yes, let's do that.
01:33Today might be one of the busiest days slash nights of our lives.
01:36Totally.
01:36The Rayburn Ribbon Foundation Lodge.
01:37I'm so excited.
01:38Okay, so I've already said Bundy, he's standing against hatred together speech,
01:41and he should be practicing with Tatiana, the strategic girlfriend that we set him up with.
01:44All the while, we wait for Bobby to come in with our contracts, which should be a new day now.
01:47No, no, I can't think about that today.
01:48You're right, focus on today.
01:49Today, we focus on today, and the foundation that we set up to save a man's image.
01:53Mr. Randall, there is quite a lot of bad news about our car company.
02:00Yes, it was a particularly memeable moment, wasn't it?
02:04A dozen camera angles, probably the most recorded clown tragedy in history.
02:10There are actually a lot more of those than you'd think.
02:14Pretty degrading job, actually.
02:18Okay, so we've got Dion Kelly from our body magazine coming in first.
02:21To run through Bundy's picture selects for the...
02:22Ambassador presentation montage, exactly.
02:25Can I tell you, I have missed front-facing events so much.
02:28Same.
02:28Spiritually, I have needed the catharsis of externalising our success online.
02:32Nothing has been postable in a while, has it?
02:34Actually, it's been the opposite of postable.
02:36Although, I did take a picture of our giant shoe trophy after it was, um...
02:38Unimpaled from that worker, totally.
02:42Bundy?
02:42What are you doing here?
02:44Your call time is until much later this evening.
02:47Ah, yeah.
02:48Um, right.
02:49I just thought, um, maybe I could be here to help.
02:54Oh.
02:56That's thoughtful.
02:58Yeah.
02:59I mean, maybe you could work on the speech that you have tonight.
03:03Speech?
03:03Ah, yeah.
03:07The speech.
03:08Yeah.
03:09Ah.
03:10Um, what's it about again?
03:12Are you serious?
03:14It's the hate speech, Bundy.
03:16I mean, the stop hate speech that we wrote for you.
03:17We hate, hate here, obviously.
03:18We hate, hate.
03:19Ah, true.
03:20Yeah.
03:20I agree, Greta Goldman.
03:22So, Bundy, we've got a lot going on today.
03:23We're launching our new strategic agenda, and we're also proving ourselves to a variety
03:27of clients, so...
03:28Yeah, so you just, like, stay here, work on the speech.
03:30Ah, you'll just have to stay out of our way, and don't disturb us.
03:33Ah, yeah, cool.
03:38Don't go in there.
03:39Yep.
03:39Don't go in there, Bundy.
03:40War room, war room.
03:41Hey, come on.
03:42Good evening, ladies and gentlemen, and the others.
03:47Welcome to the lunch launch of the Rainbow Ribbon Foundation.
03:53The Rainbow Ribbon Foundation is more than a charity.
03:58It's a bacon of light dedicated to addressing some of the most pressing issues of our time.
04:04Okay, uh, Dion Kelly from our body magazine is here, so...
04:07Okay, um, Bundy, just keep going with that.
04:09Really great.
04:10We stand.
04:12You know, fuck you.
04:14Oh, my God, these are amazing.
04:16Oh, absolutely.
04:16I can't wait to launch these tonight.
04:18He looks like masculine yet wholesome.
04:19A bad boy who's been...
04:20Saved by a woman's love.
04:21I know, okay.
04:23Skip, just ignore these.
04:24We just included them to show that the sitting doesn't work.
04:26I think it's the size of his calves or something that doesn't allow him to sit.
04:31Oh, he is so handsome.
04:34Okay, let's go with the blue.
04:35I'm thinking blue shirt.
04:37Really?
04:38I really love the check.
04:40Okay, let me just scroll back to where his arm's a little less weird.
04:44See?
04:45Look, it just might sell you.
04:47I mean, I'm not really being sold, Nicole.
04:49No, like I said, to me, it's giving face down in the mud at Melbourne Cup aftermath footage.
04:53You did say that.
04:53I said it.
04:55Okay.
04:56Blue shirt it is.
04:59Is he...
05:00Is he single?
05:02Oh, no, babe.
05:03He's dating an influencer called Tariana Lodros, but if he was single, he'd be sitting firmly
05:07in my niche, which is AFL player that's played less than 30 games and now makes a public comment
05:10on masculinity.
05:11So, yeah, I'll hold it up.
05:13In China, we would go to the government to get rid of the footage.
05:16Yes, well, that's not the way things work in our country.
05:20The government won't just get rid of the footage.
05:23If they can't.
05:26But we can.
05:28You can control the media.
05:31Yes, that's our whole business.
05:33For private profit.
05:34Yes.
05:37We find this very unethical, but in this instance, very helpful.
05:42I haven't met her, but apparently she's just like divine.
05:51Well, we have zero time to babysit bunnies.
05:52Hi.
05:54Watch out, ladies.
05:55These are heavier than they look, and I've got six more trays in my hatchback.
05:58Fantastic.
05:59Oh, my God.
05:59Thank you so much.
05:59So, are these really for Nicole Kidman?
06:01I am such a massive freaking fan.
06:03It's a different Nicole Kidman, and anyway, this one is quite influential in our own way.
06:07Just a question, Cherie.
06:08Yes, doll.
06:09Yeah, what happens when the end gets eaten?
06:11Sorry?
06:12You're just left with violence, aren't you?
06:14You eat my end, and you're left with violence, and everything else that our foundation stands
06:17firmly against.
06:18Sorry, I just want to know, Cherie, what you were thinking when you made a cupcake that
06:21said genocide.
06:23To be honest, I did think it was a bit weird.
06:25Oh, did you?
06:26Yeah, did you?
06:27Well, maybe next time trust that intuition, because this is insane.
06:29They were supposed to be on the same cupcake.
06:31No, this is fine.
06:32This is great.
06:32Why don't you just go get the rest of the trays, and we will figure something out.
06:35Go grab misogyny.
06:36Got it in the car.
06:38Great.
06:38Go get the misogyny.
06:40Misogyny's in the car.
06:41Yeah.
06:42Prostate cancer.
06:43Yeah, that's great.
06:43There as well.
06:44Oh, great.
06:44Now we have lunch with Anna.
06:45What?
06:46You're joking.
06:46That is just perfect timing.
06:48Bundy, no, these are tonight.
06:49No, no, no, no, no.
06:50No, no, no.
06:50Bundy, let's just get you back into the war room, practicing your speech, okay?
06:53What's the food situation then?
06:54All right.
06:55Let's go, Bundy.
06:56To her head.
06:56Let's go back in the war room.
06:59Mr. Wu, if a tree falls in a forest, and nobody hears it, does it really fall?
07:05Yes.
07:06Well, there's actually a debate about that.
07:08The debate is about the sound.
07:09The tree still falls.
07:12Well, put it this way.
07:13If a clown gets crushed in a car, and no one can tell whether the footage is real or fake,
07:19does he really get crushed?
07:20If he's in a coma, yes.
07:22This is very serious.
07:23Yeah, obviously, we know that, but nobody else does.
07:27Actually, on that clothing, we've got NDAs from all the conscious clowns.
07:31Go to the hospital and get an NDA from the crushed coma clown the moment he wakes up.
07:36Okay?
07:36Yeah.
07:41What do you feel like?
07:43Anything vegan, I guess.
07:45We're still doing that cruelty-free challenge for Rainbow Ribbon, yeah?
07:47Yes, that is correct.
07:49We can find you a deliverable vegan option.
07:51Just get back to the speech, Bundy.
07:52And have you messaged Tatiana?
07:54Bundy.
07:59That stupid lectern is distracting me!
08:04Bundy, we don't do that.
08:06We don't kick the lectern.
08:07Uh, you know what, Nicole?
08:10We have to go to lunch with Anna, like, right now, so.
08:14Just stay in here, Bundy, Anna.
08:16Yeah, okay.
08:17I'll stay here.
08:18With this lectern!
08:19Um, what the hell was that?
08:21That was so weird.
08:22No, I know.
08:22What is going on with him?
08:23I don't know.
08:23Maybe he's just, like, really hungover or something.
08:25Okay, well, you just need to leave him in there,
08:26and I just need to get on with my dad.
08:27We need to compartmentalise all of this.
08:28I can't.
08:29I hated that kicking.
08:34Hey, you got to be there.
08:35You got to be there.
08:36Excuse me.
08:36Can we help you, buddy?
08:52Um, oh, well, I'm just a friend.
08:55Wanted to be here and really, uh, support him,
08:59uh, and be here when he wakes up, you know?
09:02Well, we haven't seen you before, mate.
09:04Yeah, how do you know Mick?
09:06Oh, well, I'm also a clown, you know?
09:09Yeah.
09:10New to the game.
09:11New clown on the block.
09:12You a Nika guy?
09:14Oh, what's Nika?
09:16National Institute of Circus Arts.
09:19You haven't heard of Nika?
09:21Mick taught at Nika.
09:22Mick is Nika.
09:23Oh, no, no, no, yeah, yeah, yeah, of course, of course.
09:26No, no, I'm just breaking in myself, you know, with Mick's help.
09:31Well, not now, obviously.
09:36Oh, that's right.
09:40Oh, yeah, I have a gig.
09:41Yeah, birthday party.
09:42You know what it's like.
09:43I'll catch you soon.
09:44I have done this whole mini to death, but I always return to the tuna sashimi.
09:55I mean, this is the only place I find comparable with the fish markets.
09:58Okay, Ian told us about your extraction techniques, Anna, including the small talk ease in.
10:01Yeah, why are we here, Anna?
10:05What do you actually know about Frank Fritz?
10:09Fritz.
10:09Fritz?
10:10What, are you just fishing, Anna?
10:11We don't have time to do your job for you today.
10:18It's a pause technique.
10:19Yeah.
10:19Okay, Ian also told us about the pause technique.
10:22Yeah.
10:22Yeah.
10:26We're not going to feel silence with information, Anna.
10:28No.
10:31Because you don't know anything about Fritz.
10:34Yeah, because he was a cadaver the whole time we worked there.
10:35Yeah, and then he died an hour here, so...
10:37Oh, come on.
10:37There was no information in that information.
10:39What, so that's confirmed some sort of theory for you, has it?
10:41Actually, it does.
10:42What does it tell you that everyone that I've spoken to knows more about Fritz and Randall than both of you?
10:50I know about the yacht.
10:53The question is, do you know about the yacht?
10:57So, Fritz had a yacht?
10:59So what?
11:00What about it?
11:00You're right.
11:01Lots of men like Fritz had a yacht.
11:03Except this is different.
11:05Never in my life have I seen something hidden from public record as well as this particular yacht.
11:11And it makes you wonder why.
11:13Why is my source urging me to look into it?
11:17Okay, there could be a million reasons why that's the case.
11:19Fritz...
11:20Yes, but you would think that as people poised to take over the company, that you would know all about the practices of said company yacht and what went on there.
11:28Why don't you just say what you want to say to us, Anna?
11:32Look, girls, this is not a small fish.
11:36Now, I'm sure there's a part of you deep down that knows your new position isn't really Bobby Biles' attempt at feminism.
11:42You've been brought on to take the shrapnel when Fritz's legacy inevitably explodes.
11:49Yes, and it will explode.
11:52Well, thank you for that, Anna.
11:59We'll just have to see how it plays out.
12:01Okay, what was that?
12:12Of course, Anna picks the busiest day of the year to tell us that Fritz was basically a sex-trafficking pervert paedophile.
12:16We don't know that, and Anna doesn't know that.
12:18We don't know what she knows, but it doesn't matter.
12:19Finding out whether Fritz was a peep or not is not a today problem.
12:22You're right.
12:22You're right.
12:22Bundy and Tatiana, that's a today problem.
12:24Yes, hiding chenna's side cupcakes, that's a today problem, apparently.
12:26Yeah, okay.
12:27Starting a foundation and then ending hate speech forever, that's a today problem.
12:30But can we just maybe find out what Ian knows about this yacht?
12:33What Ian knows?
12:34Ian.
12:34Ian.
12:35Ian.
12:35Ian.
12:36Ian.
12:36Ian.
12:36Ian.
12:36I mean, frankly, AI is just revolutionary.
12:40You would be astounded by how much we've done with AI over the last few months.
12:44And that's why I think...
12:46Sorry, excuse me.
12:51May I remind you, this is my client.
12:53You got the whole of the pampers.
12:54Here we know.
12:55We continue to be happy for you to handle the comms on the clown crash car, Ian.
12:58Are you in your office?
12:59Uh, uh, about in.
13:00Uh, five minutes.
13:04Okay, well, what is it?
13:06Ian, we spoke to Anna.
13:07She told us about the yacht.
13:09What?
13:10Do you know about Fritz's yacht?
13:13Yeah, yeah, I don't know about the yacht, yeah.
13:16Um, yeah, we all knew about the yacht.
13:18Uh, I knew.
13:20Uh, Fritz knew.
13:22Uh, well, because it was his yacht and he knew about it.
13:25Well, we didn't know about the yacht, and it would have been great to know if we found
13:28out from Anna.
13:28Well, isn't it your job to know about these things?
13:31I mean, you run the company, don't you?
13:33Well, we haven't signed our contracts yet.
13:35And we're not sure that we should.
13:36Ian, what happened on the yacht?
13:42Well, I'll tell you, but it's not pretty.
13:45I think that's why it was so secret.
13:46But, non-stop debauchery.
13:50All sorts of sexual things.
13:52Not just missionary position, but like, from behind, woman on top.
13:57Whatever a client wanted, they'd get.
14:00Right?
14:00We're talking Epstein levels of debauchery there.
14:04Or worse, like Harold Shipman.
14:07Or Ivan Milat.
14:09You know, and they're going to be starting on the drug stuff.
14:11You know, we'd be all there sniffing on our joints, and then, you know, somebody'd bring
14:16out the cocaine, nose candy, we used to call it.
14:20Yeah.
14:21Pretty addictive, actually.
14:23Wow.
14:24Yeah.
14:24So that all happened?
14:25Yeah.
14:26If anyone ever finds out about it, whoever's in charge will go down with it.
14:32Oh, my God.
14:33Actually, do you think that's why Bobby put you in charge of the company?
14:37You know, to be his patsies?
14:39Oh, my God.
14:40I mean, that could be it, Ian.
14:42That's it.
14:43Yes.
14:44Well, thank you so much for wanting us, Ian.
14:46Not a problem.
14:47I'm there for you.
14:49Yeah.
14:49Now, I should get back to the clown crush, because, you know, those clowns don't crush themselves.
14:53Oh, thank you, Ian.
14:54That's great.
14:57Well, he has no idea about the op.
14:59Not at all.
14:59We need to talk to Bobby.
15:00Yeah.
15:09Fellas.
15:11And any updates?
15:13No.
15:14Nothing yet.
15:14Oh.
15:16How was the party?
15:18Oh, you know how it is.
15:19You know, 17 four-year-olds.
15:21Oh, yeah.
15:22Yeah.
15:22And they want to do one thing.
15:23Mm-hmm.
15:24Suck on your playing cards.
15:26Oh, that's right.
15:27Yeah.
15:27Yes.
15:28Yes.
15:28Yes.
15:29Oh, no.
15:30Listen, um, I've been meaning to, uh, apologise for the way I behaved earlier.
15:36I just, Mick was, um, he's one of us.
15:40Of course.
15:41Yeah.
15:41Of course.
15:42Totally.
15:42I understand.
15:42I just know that Mick is smiling at us right now.
15:46Yeah.
15:47Yeah.
15:47It's a nice thought.
15:48Yeah.
15:49Love you, Mick.
15:53Bundy, you're still here.
15:55Of course you are.
15:56How are you?
15:57Uh, okay, to be honest, I don't know if I'm that keen for this speech tonight.
16:01I'm just, like, not vibing it.
16:03And, like, all the talk about violence is, like, really heavy.
16:06Okay, well, you have to do the speech tonight, Bundy.
16:08Yeah, uh, what if we made it more of a double act?
16:12Tatiana gets up there, she says a few words with you as well.
16:14Nah, nah, nah, Tatiana's not coming tonight.
16:17What do you mean she's not coming tonight?
16:18I don't know, she's just being, like, real difficult.
16:21Okay, Bundy, she has to come tonight.
16:23We spoke about this.
16:25Well, I don't know if I want her there, to be honest.
16:27We had an argument last night, and I don't really rate her energy.
16:32Do you have any cordial?
16:34Thanks to AI, this is a video of our hashtag clown crush,
16:38but it's now happening in your competitor's car.
16:41Every time somebody posts the real video,
16:44our bot farm will post this video underneath.
16:47This is impressive technology, Mr. Randall,
16:48but there were dozens of people filming the incident.
16:51Which is why we've created dozens of these videos,
16:54all with different brands of car.
16:55They were live witnesses.
16:57They'll say that it was our brand of car.
16:59They already are.
17:02So your plan is foiled?
17:04Nah, we've got a troll farm in Estonia on it.
17:07Just wait for it.
17:10See, there you go.
17:11Thanks to AI, just because something happened
17:14doesn't mean anyone needs to believe it's true.
17:16Mr. Randall, we believe you are very evil.
17:23Evil?
17:23No, I think your translation might be a bit wavy on that one.
17:26He is very confident that you are evil.
17:32Right.
17:35Evil, thanks.
17:36Try Goshu.
17:41Yeah.
17:42No?
17:42No.
17:43No, Goshu's a word.
17:44No.
17:44Yes, it is.
17:45Oh.
17:45It is Goshu.
17:47I'm, you know, so that's so Goshu.
17:50Definitely not.
17:50Check again.
17:52So Fritz never mentioned a yacht to you?
17:55No, no, me neither.
17:57But that's the executor of his will, I need to find out.
18:00For administrative reasons.
18:03Okay.
18:08Which PM I mean?
18:11One, two, three, six, three.
18:16Ah, try Goshu.
18:22Huh?
18:23Hmm.
18:25Meredith, Meredith, Meredith, you inquisitive little minx.
18:30Do I have to call Tatiana to get her to come tonight?
18:32I don't really feel like being relationship counsellor.
18:34Well, yeah, we need her at the event, so you have to.
18:36What are we going to do about Fritz's yacht?
18:37I don't know.
18:39You must be Greta Goldman and Nicole Kidman.
18:41Just Nicole.
18:42We are very impressed with your ageing subordinate.
18:45Oh.
18:46While there is nothing funny about one clown in a coma,
18:49we understand that there is something bigger than 33 injured clowns.
18:53Without you, we would have had to put thousands out of work in our factories.
18:57So the work you do, it is so very important.
19:02Oh.
19:04Goodbye.
19:06Girls, I'm going to have to leave early this afternoon for personal reasons.
19:10Uh, uh, Meredith, uh, you were really close to Fritz, weren't you?
19:17Well, I worked for him for a long time, yes.
19:19So, do you know about his yacht?
19:24Yes, I do.
19:35Hey!
19:37I feel so much better now.
19:39Sorry about before.
19:40Yeah, that's all good, Bundy.
19:41We might just have to get you ready for the event tonight.
19:43Yeah, mad.
19:44Also, is there going to be a lectern there tonight?
19:45Because that's really going to piss me off.
19:46We'll figure that out when we get there.
19:48If you just want to make your way to the venue.
19:50You can bring your coconut if you want.
19:53She's here.
19:54She's here.
19:55She's here.
19:58Hi, it's Cody.
19:58Leave a message.
19:59Cody, all clear on our end.
20:01Uh, let me know how you go with that, uh, NDA.
20:04But, uh, total triumph on the Coma Clan car crush.
20:07Uh, anyway, when you get back here, uh, drinks all round.
20:11The girls have cracked.
20:14So I'll be, uh, I'll be kicking back in Fritz's office, uh, awaiting Bobby's call when you get here.
20:20So, yeah.
20:26Okay, Greta, I'm feeling very overwhelmed.
20:28Okay, I hear you, but it's about to get worse.
20:30What?
20:30Because Bobby is coming in this afternoon with our contracts.
20:33God.
20:33Yeah.
20:33This is supposed to be a moment of celebration, Nicole, and instead we're dealing with...
20:35What exactly?
20:36Cupcakes that are riddled with prostate cancer and Bunnies kicking lecterns, and Tatiana's not getting back to any of my messages.
20:40Okay, not to mention our dead boss is with sex legacy, and there's a clown somewhere in a coma.
20:44Okay, I'm just gonna say this once, but, um, do we want these jobs?
20:50What are you talking about, Nicole?
20:52Okay, you are clearly stressed and very delusional, even though you look great.
20:56But we have not been killing ourselves at this firm for nine months to not deserve these positions.
21:01Okay?
21:01This is all we've ever wanted, and I don't know who deserves this more than us.
21:04Okay?
21:05You're right.
21:05I know I'm right.
21:06Okay.
21:07Okay, here's what we're gonna do.
21:08Yeah.
21:08We're gonna wait for Bobby to arrive, uh, see what he puts on the table.
21:11We're gonna get a hold of Tatiana, and then just continue with what is essentially a very challenging day in our lives.
21:15Well, nobody is having a more challenging day than us.
21:17Nobody.
21:18Me?
21:19What is that?
21:19Hey, what's that noise?
21:20There's beeping.
21:21Do you know what that...
21:21Did you...
21:22What does that mean to touch him?
21:23Hey, what's happening?
21:25Hey, what's happening?
21:26What's happening?
21:27Leave some space.
21:27Guys, excuse me.
21:28Let go, let go, let go.
21:30Doctor, doctor.
21:31How many were all these clowns now?
21:32Guys, give us some space.
21:33Please.
21:34Can you just tell us what's going on?
21:35We'll tell you in a minute.
21:35You can't leave, you can tell us what's going on.
21:37It's okay. It's okay. It's okay.
21:40It's okay. It's okay. It's okay.
21:42It's okay.
21:53Ian, yeah, Mick, I mean the clown passed, so no NDA needed.
22:00I think I'm going to be a bit late coming back to the office, though.
22:07In order to access the space, I had to create a rich and textured character.
22:15Now, I think I need to see that through.
22:18Yes, yes, that's fine, Cody.
22:30Sorry, guys.
22:36Bobby, mate.
22:38Hello, Ian, my second favourite middle-aged white man.
22:41I just need to talk to you about the girls.
22:44Ever wondered how men talk when they think you can't hear them?
22:48I just spent the whole day helping Greta and Nicole work through the moral dilemmas
22:53of whether this business is ethical enough for them.
22:57Yeah, go on, Ian. Claws out.
22:59I love it.
23:00I just think from a risk perspective, you're going to have to go into this eyes wide open.
23:04I mean, do you really want to be putting this firm in the hands of two girls
23:08who frankly can't make an omelette out of their own eggs?
23:12Ian, your metaphor appalls me, but point taken.
23:15I mean, they still haven't signed their contracts, have they?
23:18Ian, Ian, Ian.
23:20I'm afraid I have to go unless there's anything else you'd like to say about Greta and Nicole.
23:23How long have you got?
23:32Such a misogynist downer on such a fabulous occasion.
23:35Sorry. Contracts.
23:39I mean, come on, the first female CEOs of Fritz and Randall?
23:42The board were very surprised to discover that we are living in the 21st century.
23:45You should have seen their faces.
23:50I'm joking.
23:54Ladies, I'm kidding.
23:57Um, Bobby, we spoke to Anna today.
24:00Anna, Anna, Anna, Anna.
24:02Anna McDowell, the investigative journalist.
24:04Oh, yes. Yuck.
24:06She knows about Fritz's yacht.
24:08Yes. Okay, yeah. Uh, no, that was a different time.
24:11It was three weeks ago.
24:12Bobby, why would we sign contracts to be instated as the heads of a company if we don't have all the information about how the company actually operates?
24:21That makes us feel, and it certainly makes Anna feel, like we've been set up to fail.
24:26Yeah, no, I appreciate that feedback.
24:28Um, and this is what I love, an exchange like this.
24:31Um...
24:33Okay, so, uh, let me get this straight.
24:35There's a reporter that's writing a story about, uh, an old man that has a secret yacht.
24:40Um, probably did some bad things on that secret yacht, hence the secrecy of the yacht.
24:44Yeah, but he is the kicker.
24:45Those secret bad things have stopped happening because that old man is dead.
24:49So, hold the front page.
24:53Seriously, Dodd, make sure that doesn't come out.
24:55Okay, but what did Fritz do on the yacht, Bobby?
24:58Ooh, I have no idea.
25:00Um, probably something disgusting, like have Atlantis parties with, um, perverted old men and beautiful naked women.
25:06I mean, personally, uh, I despise that. I don't know.
25:10Um, but let me tell you why I think you should sign these contracts.
25:14I mean, you don't have to, but let me tell you why Fritz and Randall is my absolute favourite of all of my scattered subsidiaries.
25:22Because when you walk into a room of the most powerful people on the planet, knowing the secrets that could end them.
25:28Ooh, ladies, that's the best feeling in the world.
25:31They know your power, you know your power, and they have everything to lose, and they will do any kind of dance that you want them to.
25:39Personally, I'd love to see that kind of power in your hands.
25:43So, come with me. Let's take Fritz and Randall in a different direction, eh?
25:47You'll be in charge. No more yacht parties ever again.
25:51So...
25:55What do we think, ladies?
25:58I'm showing you, showing you.
26:01Who should I go and talk to Ann?
26:06It's a reflection.
26:07What do we think?
26:08It's a reflection.
26:09That's a reflection.
26:10God.
26:12It's a reflection.
26:13That's a reflection.
26:18It's a reflection.
26:19I'm sorry.
26:49It's Tatiana.
27:05Finally, tell her she has to come tonight.
27:07Sorry, I have to dance.
27:09What's going on?
27:11Tatiana, where are you?
27:12If you leave now, you can still make it, because Monty's just left.
27:16Wait, wait.
27:18Just stop.
27:19Just slip.
27:20He did what?
27:48No.
27:49No.
27:50No.
27:51No.
27:52No.
27:53No.
27:54No.
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