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  • 3 months ago
Set in past, present, and future South Africa. An invitation into a poetic, memory-driven exploration of love, intimacy, | dG1fV1RtMUFTQkFBTmc
Transcript
00:00I prefer the night, yeah, it's the quiet I think that draws ideas nearer to the surface
00:20where I can hear them in their many voices when they choose to come.
00:30I've always written, I come from writers and poets and singers and decorators, so I kind
00:41of had no defences against art and its instructions.
00:49There was a library at home and films and a whole lot of not being allowed to go out.
00:56And we'd watch seven films a week from video land.
01:06My morning ritual usually involves me mourning the night, trying so hard to remember my dreams.
01:16In fact, over the last eight years this film was very much negotiated in dreams, with ancestors
01:23both old and coming.
01:26Who worked with me and my team.
01:29In many ways, I wasn't directing alone.
01:32Like, like if there's any love that my film tries to make sense of.
01:45It's not necessarily my love, but a love that must be expressed as a fact of existence.
01:55It's also a huge part of my artistic practice.
01:59What's that Tarkovsky quote?
02:02An artist with no faith is like a painter who was born blind.
02:07So, my name is Melissa Tando Pongela.
02:15Umlala hasumuelasu kigili.
02:17Ilene, kahazu nguenyu, uhbangezitu ngukela.
02:21Usvuunda mati igomo.
02:22Mbundi zunanazlinganukusuza.
02:25Umlalapwekazu ngele ngele.
02:26Go get a casa, you have to go na kele.
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