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  • há 7 semanas
Tive que ir a pé em boa parte porque a cidade tem aquelas pedras pé-de-moleque e que dificultam e muito o movimento. Mas que cidade gostosa, parece que estamos no século XVIII

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00:00Hello everyone, so today we are back in Sabará City, the beautiful and charming city.
00:10Historic Sabará is beautiful, congratulations, city merchants, mayor, be careful
00:20well of the city, it seems that the center here is very revitalized, very beautiful but
00:26I'm going to do the following: I'm going to go down and get the few little pieces there on foot because
00:34last time the video was very shaky, right?
00:38Then I'll come back here and we'll go out, let's see if this time there's a sequence of photos there
00:46It's cool, let's go, look at that cool lion up there
00:53We want that building on the corner and look at its different look at the French hand
01:03It's very nicely curved, come on, come with me, let's get off here
01:10Hello, thank you, some structures are curious, they seem to be made in that time outside of time.
01:22and look at this one here whose tip of the house is circular
01:35in front of Melo Viado Square
01:39And since I'm here, let's go through this nook
01:45Oh, the best thing is to walk well, right?
01:49and discover the hidden things of the city
01:57Good afternoon everyone, how are you?
02:07and look
02:32the streets call for a fan
02:35The walls, sometimes with these old Venetian tiles, sometimes with the ends covered with sticks, like here, and the story continues.
02:58The cool thing is that every corner you turn, you come across more history, look at the building, Nicolau Munayé.
03:14The street, I was on this little street that I was on, Amélia Munayé, and this one here, I know I knew her name, I forgot, Comendador Viana.
03:32Look there.
03:34Very interesting, you walk, and this style of house with a window and door to the street, you look inside one, it's a bar.
04:04Look inside the other one, it's a big bag.
04:11And this one here, a clothing store.
04:15Cool.
04:15From here on, we can already see the newer features, the more recent buildings in the city.
04:33And we're back here, in one of the main squares.
04:45Alright, that's the end of our quick walking tour, with a few little bits of the city.
04:57We'll go here now then.
04:58I'll take it here, with some small pieces, going up.
05:05I'm going out, this time I think my camera is a little better, it will give more stability.
05:13But the street is a mess.
05:15And with that, it shakes a lot, so I'm going to put some photos together there, to end the video.
05:31While I try to go as slowly as possible here.
05:35Forgetting that in the modern world it is different, everyone is impatient, I can't hold on to the principle.
05:46There's the square walking.
05:54Main square of the city.
05:56And now we're going to take this street here, this is already the exit, right?
06:20The square dying brandão.
06:25A very old church back there, don't try to pass an old woman from the church.
06:30I made a little piece here, I made a...
06:32I made a short of it here, right?
06:39Go up here, I didn't film it.
06:43Princess Isabel Street.
06:46This little block here.
06:51Look, what is this?
06:53A hotel, a bunch of apartments.
06:55What is that?
06:55Let's see here.
07:04OK.
07:04OK.
07:06I'll have gone through the corner here.
07:09If I avoided the main road there,
07:13we can go a lot,
07:16with peace of mind here.
07:18and here we already have very modern notions, right?
07:22Very modern.
07:27Here is another beautiful church.
07:29Cultural Center, look at the mountains there in Celara.
07:44And here now?
07:50Passing by the church.
07:55Boy, I think that was where TV Mundo was.
08:00Does this guy still have it?
08:02The smallest TV network in the world was here in Celara.
08:15And now we start coming here.
08:17Going out to the center of Celara.
08:26Let's go down here, I hope you come up.
08:30In the middle of the street here to have an exit.
08:34Because there are some corners here,
08:35even close to the center,
08:38there is no way out.
08:39You're facing a mountain in the background.
08:41But here it is.
08:48Boy, I think my bed is fogged up.
08:55It really did seem that way.
08:58I adore.
08:59Well, there's no way around it, the street is over.
09:02Let's get back to the main thing here.
09:05Which is also the exit street from the center.
09:09This cockroach basically has two connections here.
09:15It's one for Belo Horizonte.
09:18There are others inside here,
09:20but of course, within neighborhoods it is not in conversion.
09:23Then we leave at the end of the historic center here.
09:26I avoided that main one.
09:31Let's go out here to the banks of the Rio das Velhas.
09:35So, on the banks of the Rio das Velhas here.
09:39To the right, we go to Belo Horizonte.
09:44Which is the MG 262.
09:47And if I take the left,
09:50I take the direction of Caetê.
09:56There's this beautiful bridge here too.
09:59Their loot is there in the water of the Rio das Velhas.
10:04And then yes.
10:10Let's get out of this abará.
10:20Thanks, guys.
10:21I hope you guys enjoy it.
10:24And if you can, visit this cockroach.
10:30The little hotels, with usage,
10:32and that of mochigantes.
10:34Oh, and like I said,
10:36has the...
10:36There is the abuticaba fight,
10:38there is the abuticaba fight,
10:41and this cockroach.
10:42It's a good choice.
10:46And another detail,
10:47This cockroach is very close to ours.
10:51Very close.
10:54Step.
10:56To stay in BH and come and meet this cockroach, for example.
10:59That's it, thanks.
11:04Let's leave the city here.
11:08Pass by here,
11:09to get out here at the tip,
11:10at the very top of the list.
11:16And it is.
11:20One of the best choices,
11:21not an old house either,
11:23since it is strong here.
11:26That cockroach.
11:27is historicity,
11:29nothing bigger.
11:31Very good.
11:33Here we have BH.
11:35Hug.
11:37Uh.
11:39Please leave your like.
11:41Comment.
11:42Subscribe to our channel.
11:44It cost.
11:44It cost.
11:57And there
11:58And there
12:13And there
12:15And there
12:19And there
12:22And there
12:22Transcription and Subtitles Pedro Negri
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