- 3 months ago
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00:00:00For some people, it was a big deal.
00:00:05For some others, it was the end of the canvas to create their own stories.
00:00:22I would like to invite the girl to get it on top, the tomato.
00:00:27It gives me a sense that the girl is a bit crazy.
00:00:30I don't agree with your opinion.
00:00:34I think it will be all the way out of the canvas.
00:00:36It's quite a bit of a doubt.
00:00:38It's a bit of a doubt.
00:00:39Yes.
00:00:40Yes.
00:00:41What a girl would like to wear this?
00:00:44It's a dream.
00:00:47For me, this is not a Thanasia.
00:00:49I don't like this.
00:00:51It's a very cute.
00:00:53What do you write about it?
00:00:54These are written in Russia from my favorite songs.
00:00:57She talks about love.
00:00:59She talks about love.
00:01:00She talks about all the men that I love.
00:01:03All my family is in Russia.
00:01:05My husband, my wife.
00:01:07What?
00:01:08What?
00:01:09What?
00:01:10What?
00:01:11What?
00:01:12What?
00:01:13What?
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00:01:26What?
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00:01:38What?
00:01:39What?
00:01:41What?
00:01:42What?
00:01:43It was not a bad thing, but it was just a bad thing.
00:01:48I had to wear a suit on the pants, that's why I had a suit.
00:01:53I had a suit on the pants, that's why I had a suit.
00:01:56I had a suit on the suit.
00:01:59The suit was not supposed to be in any case.
00:02:02There were clothes that were technically a map.
00:02:04I had a suit on the suit.
00:02:06You didn't lose any sense of the aesthetic, but technically.
00:02:10and I think that's what I want to do.
00:02:14You have another opportunity.
00:02:16You can pass the backstage.
00:02:18For another time,
00:02:20the P.I.A. should be in the place of the game
00:02:22who died.
00:02:24In the two of them,
00:02:26the P.I.A.,
00:02:28was the P.I.A.,
00:02:30and the Alexandros,
00:02:32or the Stelios?
00:02:34My hair...
00:02:36I don't care about it,
00:02:38but I didn't take it.
00:02:39ZOEY & LEONIDA,
00:02:41as you can understand,
00:02:43you've already had a lower weight.
00:02:45ZOEY, we have to leave.
00:02:49Thank you very much for all.
00:02:51Thank you very much for your experience.
00:02:53It is easy here.
00:02:55You will continue.
00:02:57I have to take it.
00:02:59I don't know.
00:03:01Within that time,
00:03:03you have to leave.
00:03:05It is easy to do.
00:03:07The life continues, and without the life.
00:03:10That's how they are.
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00:10:12Trans
00:10:33I have a plan now that I'm going to do with the DASO.
00:10:38It's going to be a mess.
00:10:40It's going to be a alphabet.
00:10:43Ah!
00:10:44Athanasia.
00:10:47It's going to work with Alexander.
00:10:50I'm fine.
00:10:51I'm fine.
00:10:52Are you ready?
00:10:53Yes.
00:10:54Ok.
00:10:57The Athanasia.
00:11:00Can I do the girl?
00:11:02I can't do anything better.
00:11:05That's right.
00:11:06Vaisaliki,
00:11:08you're going to work with him.
00:11:10Oh!
00:11:12I was very scared.
00:11:14Because I felt,
00:11:16it's been a person,
00:11:18I have a person I have.
00:11:20But I'm at the end of the room,
00:11:22I'm going to do some more.
00:11:24I'm going to get you.
00:11:25You, Dmitry,
00:11:27you're going to work
00:11:29with the June.
00:11:31It's important to be the best
00:11:34to be something that is not good.
00:11:37I mean, I don't even have to clear
00:11:41what I have for this.
00:11:43Léonida, will you be with the Margaret?
00:11:45Yes, I'm with the Dash.
00:11:47Maria, you will work with the Pana-Giota.
00:11:50Ah, it's cold.
00:11:53Now you're honest.
00:11:55I heard the Pana-Giota.
00:11:57I thought, I thought,
00:11:59I thought, now...
00:12:01we're going to take a look.
00:12:03Stelio, are you with the Dasho?
00:12:05I got the Pana-Giota.
00:12:07Don't get it.
00:12:09And Trifuna, you're going to work alone.
00:12:11Yes!
00:12:27What is the business office look?
00:12:39Probably glaube,
00:12:41the business office look is something
00:12:43somewhat a little bit more,
00:12:45a little bit more.
00:12:47We don't have to tell you how it could be.
00:12:49As a team,
00:12:51You need to make at least two parts, one on top and one on top.
00:12:56If you want and you want to make the third part, it's very nice to make it.
00:13:01You have 10 hours in your position and 120€.
00:13:09According to the results, maybe there is a duality.
00:13:14Maybe there is a duality.
00:13:17Is it a duality?
00:13:20I'm nervous.
00:13:21I'm sure if there's something wrong from that, it will take me out of here.
00:13:25I think that for me, the two of us should be very few critics.
00:13:30To be so happy that they say that they don't want us to leave.
00:13:35You have 20 minutes every time for you to get together and to get together.
00:13:41Okay.
00:13:42Okay.
00:13:43The periodicals are here and they are waiting for you.
00:13:45The Madame Figueroa also.
00:13:46I wish you very good luck.
00:13:48Thank you very much.
00:13:49Thank you very much.
00:13:50Personal advice.
00:13:521.
00:13:531.
00:13:541.
00:13:551.
00:13:562.
00:13:571.
00:13:582.
00:13:592.
00:14:003.
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00:14:082.
00:14:093.
00:14:102.
00:14:111.
00:14:122.
00:14:132.
00:14:144.
00:14:15The schedule is the one that worries me a lot,
00:14:36because in a few minutes I have to put my thoughts on a chart.
00:14:40I am a very good job, because she is very, very hard at all.
00:15:02She doesn't have the technical part at all, I'm a very good job.
00:15:06I'm a very good job, I work very well and I'm very good.
00:15:10It will be like a pantelon.
00:15:20But I have to understand that if I don't understand, it won't be possible.
00:15:24Do you understand?
00:15:25From the moment that we started to design,
00:15:28we started a few difficulties.
00:15:31And after that, what will it be?
00:15:33It will be like a pantelon.
00:15:35It will be like a pantelon and a maxi.
00:15:38It will be like a pantelon.
00:15:40It will be like a pantelon.
00:15:43I don't understand.
00:15:45It will be like a pantelon.
00:15:47It will be like a pantelon.
00:15:49It will be like a pantelon.
00:15:51But I will not let it be.
00:15:53You have five more minutes.
00:16:08I thought that we should decide.
00:16:11He tried to design his figure.
00:16:17I thought, technically, how did you think about it and how did you think about it?
00:16:23You have one minute!
00:16:33The ideas begin and they continue to keep together.
00:16:36We are two very geometric people with very high-quality books,
00:16:41so it's like we are planning together for the same woman.
00:16:47We are the most popular one of the challenge,
00:16:53because from the beginning, we agree with you all.
00:17:03I think that the feeling of Stelio stops at a point
00:17:08and I don't see on the horizon pro-optical developments.
00:17:17And as he says,
00:17:19it's better than one who doesn't reach you.
00:17:2310,
00:17:249,
00:17:258,
00:17:267,
00:17:276,
00:17:285,
00:17:294,
00:17:303,
00:17:312,
00:17:321,
00:17:333,
00:17:343,
00:17:351,
00:17:363,
00:17:373,
00:17:383,
00:17:393,
00:17:403,
00:17:413,
00:17:423,
00:17:433,
00:17:443,
00:17:454,
00:17:463,
00:17:474,
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00:17:495,
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00:17:515,
00:17:525,
00:17:535,
00:17:545,
00:17:555,
00:17:566,
00:17:575,
00:17:586,
00:17:596,
00:18:006,
00:18:016,
00:18:027,
00:18:036,
00:18:047,
00:18:057,
00:18:068,
00:18:078,
00:18:089,
00:18:098,
00:18:107,
00:18:127,
00:18:1310,
00:18:149,
00:18:169,
00:18:179,
00:18:1810,
00:18:1911,
00:18:2011,
00:18:2211,
00:18:2311,
00:18:2612,
00:18:2812,
00:18:2911,
00:18:3012,
00:18:3112,
00:18:3213
00:18:3314,
00:18:3415,
00:18:3616,
00:18:3716,
00:18:38Let's go quickly, we have 15 minutes.
00:18:40Yes, we have 15 minutes.
00:18:42Let's do this, let's do this, let's do it.
00:18:44Let's do it and let's do it.
00:18:46It's an average for a woman.
00:18:49And of course, it's very exciting and exciting.
00:18:53It's a nice average,
00:18:55on top of a nice target.
00:18:57I help you very much today,
00:18:59because I want to show you nice things.
00:19:01You can see, you can see,
00:19:04you can see, you can see it.
00:19:06And you can see it.
00:19:08Do you see it?
00:19:10It's this?
00:19:11It's this?
00:19:12Don't forget!
00:19:13If you want to show it,
00:19:15it's a little bit better if you want to show it.
00:19:18I want to show it,
00:19:19I want you to show it.
00:19:21I'm very happy to tell you
00:19:23that you have 10 minutes.
00:19:25If you want to show it,
00:19:27that's a close one.
00:19:28You can imagine whether you want to show it.
00:19:30You can see it…
00:19:31If you don't,
00:19:32Hey!
00:19:33Hey!
00:19:34You can see it already…
00:19:35One, a minute!
00:19:36It's a black color…
00:19:37We're that black color…
00:19:38Go to the white color,
00:19:39you know…
00:19:40You have to look pretty on the white color…
00:19:41True, true, true.
00:19:42True, true, true.
00:19:43You can see…
00:19:44I had given it,
00:19:45unyorsunuz with the white color…
00:19:46I had to show it…
00:19:47He's been into the white color…
00:19:49I tried…
00:19:50So, that's it…
00:19:51I had not seen.
00:19:52I had to show it…
00:19:53With the white color…
00:19:54but you have only 5 seconds left and time is here.
00:20:00Let's go.
00:20:02This one is very hot.
00:20:04This one is very hot.
00:20:06This one is very hot.
00:20:08There is a lot of fun.
00:20:10We have decided to make sure what we are going to do.
00:20:16This one is very hot.
00:20:18This one is very hot.
00:20:20This one is very hot.
00:20:22This one is very hot.
00:20:2430 seconds left.
00:20:324, 3, 2, 1.
00:20:36Let's go.
00:20:38Do you want me to do this and this one?
00:20:40Do you want me to do it?
00:20:42Do you want me to do it?
00:20:44Thank you very much, Trefone.
00:20:46You have an amazing idea with your model.
00:20:48What is your plan?
00:20:50All right, good.
00:20:52You have to put a blue hat on top.
00:20:54Do you want to do it?
00:20:56Do you want to do it?
00:20:58Do you want to do it on top?
00:21:00Do you want to do it?
00:21:02Not at all, Apóstolet.
00:21:04Do you want to throw any vitality?
00:21:06Do you want to do it?
00:21:08Do you want to do it?
00:21:10Do you want to do it?
00:21:12I don't want to do it.
00:21:14We want you to do it too.
00:21:16ringsắp Porque?
00:21:16Do you want to do it that way?
00:21:18Do you want to buy es тот Compostito.
00:21:20Watch out the place and what we are here?
00:21:22Of course.
00:21:24And so I don't understand why you put it in from the ônus.
00:21:28Do you need to do diferenjal vender semester?
00:21:30Maybe something like that.
00:21:32Do you want to do it before she's buying the painting?
00:21:34It's not that it is.
00:21:36It's for a very strong, strong,
00:21:40a very strong...
00:21:42...sakak.
00:21:44It's a good thing.
00:21:46Promising.
00:21:48Promising, but tailoring.
00:21:50Because if you don't do this well, it's a good thing.
00:21:52Yes.
00:21:54I believe that the Apostolos is going to be a little bit.
00:21:56But I'm sure that at the end of the day
00:21:58we'll get our attention to our audience.
00:22:00It's a block.
00:22:02It's a block.
00:22:04It's a block.
00:22:06It's a block.
00:22:08It's a block.
00:22:10It's a block.
00:22:12It's a block.
00:22:14It's a block.
00:22:16It's a block.
00:22:18It's a block.
00:22:20It's a block.
00:22:22It's a block.
00:22:24It's a block.
00:22:26It's a block.
00:22:28It's a block.
00:22:30It's a block.
00:22:32It's a block.
00:22:34Do you need to be a coach?
00:22:42Is this a coach?
00:22:44Yes.
00:22:45I'm very sure about what we do with the Vasiliki
00:22:47and I believe that he will be grateful for our work.
00:22:51It's not something that's second.
00:22:55It's not something.
00:22:58It's something.
00:22:59It's something.
00:23:01It's something.
00:23:03I don't feel into it.
00:23:06I don't know if it's a coach.
00:23:08I don't know if it's a coach.
00:23:10It's something.
00:23:16You're comunist.
00:23:18I'm sorry.
00:23:19You're a bad guy.
00:23:21I must be grateful to you.
00:23:23I don't care.
00:23:24It's a moment he came to eat.
00:23:25Aren't you that way?
00:23:27I can't see you.
00:23:28I had to find you.
00:23:29We're pretty happy.
00:23:30We have to find it and we are very grateful.
00:23:32What's this?
00:23:33It's a design.
00:23:34It's a design.
00:23:35The design is this.
00:23:36It's a piece of paper.
00:23:38It's a piece of paper.
00:23:40It's not this piece of paper.
00:23:42We have to find it.
00:23:44Yes, it's a piece of paper.
00:23:46We'll find it.
00:23:50The Athanasia is sad that she's a bit angry.
00:23:54She was a little.
00:23:56She's a little.
00:23:58I don't know what's going on.
00:24:00I have a picture of a girl who works.
00:24:02It's a dream.
00:24:09I can't understand what you've understood.
00:24:13It's a dress for a girl who works.
00:24:18We don't want to look at a dress that will be used in Disneyland.
00:24:24It's something that will make a girl difficult for a girl...
00:24:28in the car, in the car, or in the car,
00:24:30or in the car, where she'll go to work with her friends.
00:24:34I was very happy about this story that I heard.
00:24:37And I wanted to speak and say,
00:24:39don't be afraid of those who are afraid of them.
00:24:44I know I'm sure that the Chionati doesn't represent our own plan.
00:24:48I hope some of you have to make changes in your plan
00:24:52and you'll be interested in the critics,
00:24:54you'll be interested in them
00:24:56and you'll be interested in this proposal.
00:24:58All the studies that he did,
00:25:00I think that they don't agree with our own work and our own plan.
00:25:05So, Tassio, you know what you should do.
00:25:07You'll come next to me to choose the model with which you'll be working
00:25:12and then you'll see the models to the rest of the players.
00:25:24With whom you'll be working?
00:25:25Ego, with the Stelio, we'll take the Elina.
00:25:33The Iulia.
00:25:35The Iulia and the Dmitry.
00:25:39Tết!
00:25:40The Xena vrta with the Yulia.
00:25:42Oh!
00:25:43Because you'll give her a special model.
00:25:45So why are you asking me to be a model?
00:25:46Thank you, Tassos!
00:25:48Although she is a player with whom we don't have any relationship,
00:25:51when she had a house and had a model, she was very lucky.
00:25:55So I thought that I have a chance to do...
00:25:58Yes, I am too lucky.
00:25:59In fact, the truth is that the model gave her to Dmitry.
00:26:03Not me.
00:26:04Elizabeth,
00:26:06from Athanasia and Alexander.
00:26:11Thank you very much.
00:26:13No one has any relationship.
00:26:15She is very lucky with Elizabeth.
00:26:18Very lucky.
00:26:19She is a hero.
00:26:20Hannah,
00:26:21and Maria.
00:26:25We are all happy.
00:26:27We are all happy.
00:26:29It is very exciting.
00:26:31I would like to choose a model for these?
00:26:33It is beautiful.
00:26:34It is a fantastic business woman.
00:26:39Can someone tell me what it means?
00:26:43Ready to wear.
00:26:44Ready to wear.
00:26:45It means to be flexible.
00:26:47Some of those that I saw on your schedule
00:26:50do not have any relationship with Pret-a-Porter.
00:26:53It is a clothes for photography
00:26:56or show.
00:26:57It is a cabana for those who don't do Pret-a-Porter.
00:27:02All right.
00:27:03There will be things you need.
00:27:04Yeah.
00:27:05One thing we need is to do is to make you feel a while.
00:27:08Yes,
00:27:09You know,
00:27:10but not to forget Snowy's kit.
00:27:11Yes,
00:27:12Yes.
00:27:13And two machines.
00:27:14Of course,
00:27:15you have ten minutes.
00:27:17You have ten minutes.
00:27:18And the time starts now.
00:27:21It's time for now.
00:27:35I have a feeling that this is cheap.
00:27:38Did you say that it was cheap?
00:27:40I'm afraid to say that it's very simple and very daily.
00:27:43I want to say something.
00:27:45You want to make strong.
00:27:47That's what you feel like.
00:27:49You have your own style.
00:27:51We are two geometrical freaks.
00:27:53I'm a futuristic freak.
00:27:55Yes, but how do you feel?
00:27:57How do you feel?
00:27:59We have pictures, pictures, things that we haven't seen.
00:28:05I think we'll be happy.
00:28:07I think we'll have a pleasure.
00:28:11Let's go now.
00:28:13Let's go.
00:28:17Let's go now.
00:28:19Do you want to go now?
00:28:21Do you want to go now?
00:28:22Do you want to go now?
00:28:23Do you want to go now?
00:28:24No.
00:28:25No.
00:28:27I think that the biggest emotion of Alexander is that he doesn't hear.
00:28:32Let's go to the panelloni.
00:28:34Let's go to the panelloni.
00:28:36Let's go to the panelloni.
00:28:38Yes.
00:28:39This...
00:28:40Here.
00:28:41It's going to give me a mess.
00:28:43Let's go now.
00:28:44If you put it on the panelloni.
00:28:45If you put it on the panelloni, then you can put it on the panelloni.
00:28:49What is this?
00:28:50We got to go.
00:28:51Come on.
00:28:52We got to get a message.
00:28:54Yes.
00:28:55We got to go.
00:28:57We got to go.
00:28:58We got to go.
00:28:59We got to go.
00:29:00That's a panelloni.
00:29:01Yes, that's the end of the day.
00:29:16Yes.
00:29:17What's that?
00:29:18It's very good.
00:29:19Let's do it.
00:29:20Let's do it.
00:29:23Let's do it again.
00:29:25Let's do it again.
00:29:29I have to tell you that it's the first time I'm going to do it.
00:29:32And I'm the first time I'm going to do it.
00:29:35Perfect.
00:29:36And when I'm going to do it again?
00:29:38And when I'm going to do it again?
00:29:40Yes.
00:29:41The first time you're going to do it, the first time you're going to do it.
00:29:44The God's going to do it.
00:29:46Let's do it again.
00:29:47Let's do it again.
00:29:48Let's do it again.
00:29:49Let's do it again.
00:29:50Let's do it again.
00:29:51Let's do it again.
00:29:52Let's do it again.
00:29:53Let's do it again.
00:29:54Let's do it again.
00:29:55Let's do it again.
00:29:56Let's do it again.
00:29:57Let's do it again.
00:29:58Let's do it again.
00:29:59Let's do it again.
00:30:00Let's do it again.
00:30:01Let's do it again.
00:30:02Let's do it again.
00:30:03Let's do it again.
00:30:04Let's do it again.
00:30:05Let's do it again.
00:30:06Let's do it again.
00:30:07Let's do it again.
00:30:08Let's do it again.
00:30:09Let's do it again.
00:30:10Let's do it again.
00:30:11Let's do it again.
00:30:12Let's do it again.
00:30:13Let's do it again.
00:30:16What's going on, Giorgio?
00:30:18What's going on, Giorgio?
00:30:20What's going on here?
00:30:22I'm going to get the clothes.
00:30:24Why do we have so many clothes on the clothes?
00:30:28What do you mean?
00:30:30What do you mean?
00:30:32What do you mean?
00:30:34It must be a result of this,
00:30:36it must be a result of this 100%.
00:30:38It must be a result of this.
00:30:40It must be a result of this, Giorgio.
00:30:42Okay.
00:30:44When I work, I don't get angry.
00:30:48I don't get angry.
00:30:50I don't get angry.
00:30:52I have done all of them.
00:30:54Did you do that?
00:30:56I did it.
00:30:58It's my head.
00:31:00It's my head.
00:31:02It's my head.
00:31:04It's my head.
00:31:06It's my head.
00:31:08It's my head.
00:31:10I don't know.
00:31:12I always talk about it.
00:31:14I don't know.
00:31:16I don't know.
00:31:18I'm very sure about the schedule.
00:31:20So I said I should say something.
00:31:22You are my husband.
00:31:23You have to tell me that you are so difficult.
00:31:25I don't know if I did it.
00:31:27I don't know if I did it.
00:31:29It's my head.
00:31:30It's my head.
00:31:31I don't want to have a problem.
00:31:33I don't know if I have a problem.
00:31:35How are we?
00:31:37How are we?
00:31:39How are we?
00:31:45No problem?
00:31:47Do you have a problem?
00:31:49Good.
00:31:50I'm going to go.
00:31:51I'm going to go.
00:31:53I'm going to do this.
00:31:55I'm going to do this.
00:31:57I'm going to do this.
00:31:59I've cut all my pieces.
00:32:01I'm going to do this.
00:32:03I'm going to do something.
00:32:05This woman will put it in the description.
00:32:07Yes.
00:32:08You have to imagine what she's doing?
00:32:09She's doing this.
00:32:10She's doing this.
00:32:11She's doing this.
00:32:12She's doing this.
00:32:13What I'm doing is to put it in the same way.
00:32:15What I'm doing is if someone is a friend,
00:32:17who is?
00:32:18This one?
00:32:19Or me?
00:32:22The hair is pretty nice.
00:32:24Do you want this to be done?
00:32:26It will be open.
00:32:28It will be open.
00:32:29And it will be open.
00:32:30Yes.
00:32:31It will be open.
00:32:32It will be open.
00:32:33It will be open.
00:32:34It will be open.
00:32:35It will be open.
00:32:36It will be open.
00:32:37I'm alone.
00:32:38I will try to get it.
00:32:39It will be open.
00:32:40It will be open.
00:32:41It will be open.
00:32:42It will be open.
00:32:44It will be open.
00:32:51You know what I have been worried about you?
00:32:52Yes.
00:32:53I'm wondering if I am a man who is a teacher.
00:32:55Cause I can't be a man who is a teacher.
00:32:57Yes.
00:32:58To be a teacher.
00:33:00Yes.
00:33:01If I don't think I'm a avant-garde, I hope that Apostol is not afraid to be very afraid and to give us the right direction for us to not leave.
00:33:11Do you know that this is not so easy that you hear this work?
00:33:14Yes, of course.
00:33:15I try to try to try to try this weekend.
00:33:21But I think it's good to go as an architect and a mentor.
00:33:26This is a great time.
00:33:28Maria, what you are doing?
00:33:30Hello, Apostol.
00:33:31How are you working with your mother?
00:33:35Your mother does the same thing.
00:33:37I do the same thing.
00:33:38I do the same thing.
00:33:39What does her do the same thing?
00:33:41It's a white object.
00:33:45It's black, Apostol.
00:33:47Maybe it's white, but it's white, but it's a nice place.
00:33:51But this is white.
00:33:55I do it.
00:33:57I do it with a cup.
00:33:59I've got to clean it.
00:34:01So it's the food.
00:34:03And you're doing it with this.
00:34:05Yes, exactly.
00:34:07If you see a woman, she'll come to bed.
00:34:09It's a good thing.
00:34:11Oh, yes.
00:34:13Is it so much?
00:34:15Is it a little brad?
00:34:17Is it really nice?
00:34:19I'm doing it with a promovro,
00:34:21but I'm doing it with the concept.
00:34:23Because he's a nurse, so he's a nurse, so he's a nurse.
00:34:30You're afraid of me, but you're afraid of me.
00:34:32But with that, how do you think I'm going to see you?
00:34:34I would like to see you in the morning.
00:34:36But I'm going to put it in the morning.
00:34:39I don't have to work in a company, I don't know.
00:34:41Are you going to pay attention to me?
00:34:43Are you going to pay attention?
00:34:44I'm going to pay attention to you.
00:34:45I'm going to pay attention to you, because I don't have to pay attention to you.
00:34:50As I have said, I'm going to pay attention to you in the chair.
00:34:54What are you doing? I'm going to pay attention to you.
00:34:56I'm going to pay attention to you.
00:34:57I'm going to pay attention to you, because I'm going to pay attention to you.
00:35:00Having the experience of this year,
00:35:04the men who are high-level,
00:35:07they always become very professional and very monochrome.
00:35:20and that's what you are going to pay attention to you.
00:35:27Think of that, because she's being home.
00:35:29I'm going to pay attention to you.
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01:03:29The concept that we gave you was very specific.
01:03:34Some of you have to leave a little.
01:03:37Do whatever you can, not for me, but for you and for the critics.
01:03:42Do you want to do the same thing?
01:03:44Or do you want to do this?
01:03:46Do you want to do it like this?
01:03:48Do you want to do what you think?
01:03:50Do you want to do it?
01:03:51Do you want to do it?
01:03:52Do you want to do it?
01:03:53Do you want to do it again?
01:03:55By the end of your time, you must have to be worn out of the model
01:04:00and be ready for the runway.
01:04:02You can whisper or you can shout.
01:04:06My desire for you is in no doubt.
01:04:10My mind can't swim when tears fall out.
01:04:14But I am here for you.
01:04:18You can whisper or you can shout.
01:04:21Στο πολύ γρήγορο.
01:04:23Όχι εσύ, εμείς στο πολύ γρήγορο,
01:04:25γιατί έχουμε αρκετά να κάνουμε.
01:04:27Η εργαζόμενη γυναίκα δεν πάει ποτέ στη δουλειά της αμακιγιάριστη.
01:04:31Έχετε στη διάθεσή σας τη σειρά make-up της εφοράς collection.
01:04:40Αλεξάνδρα.
01:04:41Καλησπέρα.
01:04:42Καλησπέρα.
01:04:43Λεωνίδα, καλησπέρα.
01:04:44Συμφωνήσαμε με τον Λεωνίδα.
01:04:45Ότι θέλουμε ένα φρέσκο και απλό καθημερινό.
01:04:49Τι πουάβα.
01:04:50Πολύ φρέσκο.
01:04:51Ναι.
01:04:52Φυσικό.
01:04:53Απλά θα πρέπει να έχει διάρκεια.
01:04:55Επειδή όμως χρησιμοποίησαμε και αδιάδογο,
01:04:57θέλουμε και διάβροχα προϊόντα για να κάνουμε σωστό σετάρισμα.
01:05:00Εννοείται.
01:05:02Ξεκινήσω με τη βάση.
01:05:03Θα χρησιμοποιήσω το Matte Perfection Foundation από Sephora Collection.
01:05:25Στη συνέχεια θα πάρω 2Baletta Contouring.
01:05:28Τι εδώ.
01:05:29Βλέπετε που μου έχει δύο φωτεινά χρώματα και δύο σκούρα.
01:05:32Θα πάρω τα φωτεινά πρώτα και θα τις βάλω λίγο κάτω από τα μάτια.
01:05:35Εκεί να μου πάνω.
01:05:42Πώς σας φαίνεται.
01:05:43Αλεξάνδρα, τέλεια.
01:05:44Τέλεια.
01:05:45Εγώ ξέρεις τι θα ήθελα να δοκιμάσουμε το Glow to Foundation.
01:05:48Τέλεια.
01:05:49Το έχεις.
01:05:50Εννοείται.
01:05:51Τέλεια.
01:06:06Ευχαριστούμε.
01:06:07Ευχαριστούμε Αλεξάνδρα.
01:06:08Ευχαριστούμε πάρα πολύ.
01:06:09Ευχαριστούμε και εγώ.
01:06:10Σας αρέσει.
01:06:11Σας αρέσει.
01:06:12Σας αρέσει πολύ.
01:06:14Δε στεκει ωραία αν δεν είναι κλειστό, το ξέρεις.
01:06:18Περίμενα.
01:06:19Αν δεν είναι κλειστό.
01:06:21Το μπροστά.
01:06:22Λοιπόν.
01:06:23Δεν γίνεται.
01:06:24Πώς να το κάνω πιο κάτω.
01:06:25Να το κάνω πιο κάτω λες, ε.
01:06:26Περίμενα ένα λεπτό να το δω.
01:06:28Βασιλική μου, αν πάω να γαζώσω τώρα τη σήμα που λες πάνω κάτω θα βγει ή θα μου τα σπάσει όλα εκεί πέρα που να βάλω πλαστικά.
01:06:35Πόδια.
01:06:37Δεν ξέρω.
01:06:38Θέλεις να το αφήσεις να το κάνω εγώ.
01:06:40Με τι τρόπο θα το δουλέψεις.
01:06:43Τι θες να κάνω εγώ.
01:06:44Έχω να κάνω και τα στριφώματα στο ρούχο μου.
01:06:46Να κάνεις τα στριφώματα στο ρούχο σου ένα.
01:06:48Κάτσε να προσπαθήσω μία.
01:06:50Κάτσε να προσπαθήσω μία.
01:06:51Έχετε άλλα 30 λεπτά.
01:06:54Επίσης δεν έχετε καμία δικαιολογία να μου πείτε ότι δεν προλάβατε να τελειώσετε το ρούχο, διότι είχατε 10 ώρες στη διάθεσή σας.
01:07:10Υπότιτλοι AUTHORWAVE
01:07:20Η Παναγιώτα πάλευε με το φερμουάρ και εγώ ήμουν στο σίδερο.
01:07:24Και όση ώρα σίδερωνα το ρούχο σκεφτόμουν ότι κάνει η Παναγιώτα με το φερμουάρ.
01:07:28Θα το βάλει το φερμουάρ, δε θα το βάλει το φερμουάρ.
01:07:30Δεν ξέρω.
01:07:31Η Παναγιώτα τι λέει.
01:07:33Είναι πολύ ευχαριστημένη.
01:07:35Τώρα δηλαδή που τα πήγατε καλά με την Αθανασία, θα μπήκε αυτή στην κλίκα σου που έχεις κάνει με τους άλλους.
01:07:41Δεν υπάρχει κλίκα.
01:07:43Δεν υπάρχει.
01:07:44Για μένα δεν υπάρχουν αυτά.
01:07:45Το παρεάκι που ήσαστε και γελάγατε την προηγούμενη εβδομάδα που σας μίλαγα και σας έπιασα.
01:07:49Εντάξει, φυσικά υπάρχουν συμπάθειες αλλά δεν υπάρχει κλίκα, δεν την έχω διόξει.
01:07:53Θα πει όμως θα μπει.
01:07:54Έχει μπή.
01:07:55Κάνουμε αρκετική παρέα.
01:08:07Η Βασιλική πιστεύεις ότι το έχει τελειώσει το ρούχο.
01:08:09Πρέπει να το δω.
01:08:11Γιατί η αλήθεια είναι ότι έχουμε μικρή επαφή με τη Βασιλική τώρα στο τέλος και θέλω να το δω τι έχει κάνει.
01:08:15Πολύ ωραία συνεργασία. Χαίρομαι.
01:08:17Επειδή είχαμε πολλά φιλόδοξα σχέδια και εγώ και η Βασιλική,
01:08:21καταλήξαμε να μην έχουμε σχεδόν καθόλου επαφή κατά τη διάρκεια όταν εκτελούσαμε το ρούχο μας.
01:08:33Στα 15 λεπτά η πίεση έχει χτυπήσει το κόκκινο.
01:08:36Μου μένουν κάποια πράγματα μεταξύ 15 με 20 λεπτά.
01:08:40Είναι κυριολεκτικά ωριακά αν θα προλάβω.
01:08:43Περνάω τις μαντσέτες. Την περνάω ότι μία λάθος πρέπει να ξυλώσω ξανά. Ανεβαίνει λίγο επίσης το κεφάλι.
01:08:56Έχετε πέντε λεπτά.
01:08:58Δεν έχει κι άλλη.
01:09:00Ναι, αλλά ξέρεις τι έχει τσέπες. Φασιλική, μήπως είναι too much.
01:09:03Info.
01:09:04Όχι, είναι πάλι στη δουλειά της. Τι τσέπεται.
01:09:06Βάλε τα χεράκια μέσα στις τσέπες να σιώσουνε.
01:09:17Συνειδοποιώ ότι έχω πολύ δουλειά ακόμη να κάνω.
01:09:21Πραγματικά ελπίζω να μου φτάσει ο χρόνος και να τελειώσω στην ώρα μου.
01:09:27Είναι δύσκολο τελικά να δουλεύεις μόνος σου και θα το δουν οι συμπαίχτες μου αυτό.
01:09:31Τι λέγεις Δημήτρη.
01:09:33Τι να πω ρε παιδιά.
01:09:34Εδώ τι γίνεται με αυτό το look.
01:09:36Τίποτα. Όπως είναι τα αφήντα είναι τέλειο.
01:09:38Είναι πάρα πολύ καλή.
01:09:39Πάλι με δυσκολεύει πάρα πολύ το ρούχο της βασιλικής.
01:09:42Δεν το καταλαβαίνω καθόλου. Ισητική είναι...
01:09:46Δεν, δεν, δεν μπορώ να το καταλάβω.
01:09:48Και νομίζω ότι δεν ταιριάζει και στην δοκιμασία που μας έβαλαν.
01:09:52Εγώ το θέρω λίγο μεγάλο.
01:09:54Το θέρω λίγο πιο μεγάλο.
01:09:56Ναι.
01:09:57Λίγο, λίγο.
01:09:58Και να... Τι δηλαδή και να με προβληματί...
01:10:00Όχι, δεν με προβλημάτισε.
01:10:02Με...
01:10:04Ήταν αργά για να με προβληματίσει.
01:10:06Αυτό πρέπει να περάσει πολλές φορές γύρω-γύρω
01:10:08για να είστε θεραπηθεί.
01:10:09Μπορεί, μια σουστα θέλω να βάλω, γιατί ανοίγει.
01:10:11Δεν πειράζει, πάντα το με το τέτοιο.
01:10:14Έλα.
01:10:15Με το σίδερο.
01:10:17Σου περνάω και άλλη.
01:10:19Όχι.
01:10:20Έχω ότι με βριστεί πάρα πολύ, γιατί αν έχουμε τελειώσει το outfit
01:10:23και λέμε ότι επιτέλους είναι όλα τέλεια,
01:10:25της την καρφώνει να βάλει μια σουστα.
01:10:28Πάνω να κλείσει καλύτερα το λαιμό.
01:10:30Και εγώ δεν μπορώ τελευταία στιγμή.
01:10:32Αν χώνομαι, τρέμουν τα χέρια μου, δεν μπορώ να περάσω τις καρφίτσες.
01:10:35Ήμουν, είχα το ψαλίδι, αλλά της φύγει και το μαλλί μαζί από πίσω.
01:10:38Σε ένα λεπτό πρέπει να έχουμε φύγει για runway.
01:10:41Τα μοντέλα σας πρέπει να είναι έτοιμα.
01:10:43Είναι!
01:10:44Είναι!
01:10:45Ναι!
01:10:48Και εσύ είσαι στη μηχανή!
01:11:03Εννοείται ότι έχω γωνία που το ρούχα μας θα βγει στην μπασαρέλα.
01:11:06Από εκεί και πέρα δεν μπορώ να παραβλέψω ότι έχω ασυλία.
01:11:19Άλεξ, ξέρεις ότι πρέπει να τις στοφορήσουμε.
01:11:22Λίγιο χρόνος. Έλα, έλα! Λίγιο χρόνος.
01:11:37Πέντε στο κόπις που γίνεται.
01:11:39Πέντε, τέσσερα, τρία, δύο, ένα, τέλος χρόνου.
01:11:46Πάντα παρουσιάζω κάτι που είναι 100% εγώ.
01:11:58Και αυτή τη φορά που ήμασταν ομάδα με τον Λεωνίδα,
01:12:02νομίζω εκπροσωπούμε και οι δύο το 100% μας.
01:12:05Πιστεύω ότι θα πρέπει να φύγει του Λεωνίδα και της Μαργαρίτας.
01:12:09Είναι η πρώτη φορά που βλέπω από τη Μαργαρίτα και τον Λεωνίδα
01:12:13τίδιο πράγμα. Δεν μ' αρέσει.
01:12:16Έχω φοβερό άγχος να δω πώς θα ανταποκριθούν οι κριτές στο ρούχο μας.
01:12:19Αν τα λόγια του Απόστολου ισχύουν, την έχουμε βάψει άσχημα.
01:12:23Με προβληματίζει η διπλή αποχώρηση.
01:12:25Μην τυχόν και με πάρει στο λαιμό του Αλέξανδρος.
01:12:29Δεν πρέπει να φύγω από το παιχνίδι, γιατί δεν ήρθα για να φύγω.
01:12:32Ήρθα για να μείνω και να φτάσω στο τελικό.
01:12:34Και από το τελικό να φτάσω στη νίκη.
01:12:36Θεωρώ το ρούχο μου ότι είναι ένα τρελό κομμάτι
01:12:41για μια καρταρόμπα μιας δυναμικής γυναίκας.
01:12:44Και τρελαίνομαι για να μου δώσουν την ασυλία.
01:12:47Την κυνηγάω σαν τρελή αυτή την ασυλία.
01:12:50Έφτασα τόσο κοντά στην προηγούμενη, τουλάχιστον να σμοκάτσει αυτή.
01:12:54Τι θέλω αυτή την ασυλία και για μένα και για τον εγωρισμό μου
01:12:58και για να ανέβει η αυτοπευθυσσή μου εννοείται.
01:13:28Ευχαριστώ.
01:13:58Υπότιτλοι AUTHORWAVE
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