- 5 months ago
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In Singapore, a private detective and the British authorities are on the trail of a crime syndicate that kidnaps a nuclear physicist with the aim of selling him to the highest bidder.
www.dailymotion.com/ClassicFilms
Please don't forget to Click Follow, it helps the channel grow
In Singapore, a private detective and the British authorities are on the trail of a crime syndicate that kidnaps a nuclear physicist with the aim of selling him to the highest bidder.
www.dailymotion.com/ClassicFilms
Category
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Short filmTranscript
00:00:00The
00:00:30The End
00:01:00Here, here, the lucky numbers. Numbers are quite no favorites. Numbers like love and death. You're poor, they'll make you rich. You're rich, they'll make you richer. Take a chance. Take a chance.
00:01:14Luck with your mother's yes to your father. Your father's marriage to your mother. And you? Good evening, Mr. Callahan. And you? You are the luck of your father and mother. Your luck is here. Take a chance.
00:01:30Thanks, May Lee. Not now. Maybe tomorrow.
00:01:38Lottery. Lottery. Oh, well, that's the numbers.
00:01:41You're Johnny Chan, aren't you? That's right. Looking for me? What would you say?
00:02:01I'll take either one of you. Care to flip? Just so you get the whole picture, Mr. Callahan. Like to come along with us? Nice life? You can't make it rough if that's what you want.
00:02:17Your move. Where would we be going? Somewhere real quiet. We want to provide free transportation.
00:02:23For the biggest ranketeer in Singapore, Chan, you've really got a hoodlum's touch. Perhaps.
00:02:53You know a better way I could get you up here? Perhaps not. But I can't say much for the company you keep.
00:02:59Sorry. He stays. Well, I'm here. What do you want?
00:03:03I want information. And I want it straight. What are you and Julian March doing with a man named Leo Gusick?
00:03:09So you've heard of Gusick, too. I plan to hear more. Not from me.
00:03:15Listen, Callahan. I got nothing against you personal. But you and March and this other guy are getting in my hair.
00:03:21So how's about it? Do you talk? Or do we have to act real unfriendly?
00:03:25Where did you learn to talk at all?
00:03:29Now let's have it.
00:03:31I know of a little village in the jungle. It's like that Belgian village. The enemy killed every male inhabitant of the town.
00:03:42I was in the last company to leave before they arrived. Now the needers won't go back. They call it the village of death.
00:03:47I'm always interested in history.
00:03:50I'm in the rubber business. In a way. And I need a storing place where no one's going to come looking. This village is perfect.
00:03:58But a week ago, Gusick and Paderis showed up with some bandits and took the village over.
00:04:01There was nothing my men could do but get out. And then they were lucky.
00:04:05Gusick with Paderis?
00:04:06They're both strangers in town. But I don't think they're strangers to you. What's the operation? What do they want? They're getting in my hair.
00:04:14You're wasting your time with me.
00:04:16We've got all the time there is.
00:04:18You should have gone after Julian March, not me. Maybe he knows something.
00:04:22You or March, what's the difference? You worked together before. In Shanghai you were partners.
00:04:27Never partners. Just friends in Shanghai.
00:04:30How about now? He works on his own.
00:04:34But I've seen you together.
00:04:36For fun occasionally, but never for business. And never with what's his name? Gusick or Paderis.
00:04:43You could be on the level.
00:04:46Half of Singapore thinks you are.
00:04:49Maybe we could get the information out of March's wife down at the Golden Poppy.
00:04:53The one they call Frenessy.
00:04:55I don't think I'd go near that girl, Chan.
00:04:58Like that, is it?
00:04:59Interpret it any way you want, but don't go nearer. I think that's clear enough.
00:05:04And I think this whole conversation is getting a little too personal.
00:05:07Leave March and his wife alone and I'll try to bring you some information by morning.
00:05:11Agreed?
00:05:17Agreed.
00:05:20Do you provide transportation for free both ways or only one?
00:05:25Both ways.
00:05:25No hard feelings.
00:05:27And I bruise so easily.
00:05:42Hello there, Mike.
00:05:44What could possibly tear you away from the Fantine games this time of night?
00:05:47Have a busy day?
00:06:06Don't you know the place yet?
00:06:09Have a drink?
00:06:09Thanks, not without ice.
00:06:13Julian.
00:06:14What's on your mind, old boy?
00:06:16Why wasn't I supposed to see you looking at the map?
00:06:19I'm sorry, old man. You're way over my head.
00:06:21It was my own eyes that saw you tonight.
00:06:24You and a fellow named Guzik.
00:06:26Really? Whereabouts?
00:06:29Off Fuchow Road.
00:06:30Is there anything wrong with that?
00:06:39I don't want to sound like a Boy Scout, but once before I pulled you out of trouble.
00:06:45You're a big boy now.
00:06:47I'd hate to see you get in so deep again.
00:06:51Who are you really worrying about, Mike?
00:06:53Me or, uh, Frennessy?
00:06:55If you want to ruin a perfect friendship, it'll have to wait till the morning.
00:07:01Where would you be going now?
00:07:03Right this minute, for example?
00:07:05If you really want to know, I'm not quite sure.
00:07:07Maybe I'm going to meet a charming young lady named Willow Bossom.
00:07:10Or, if the fancy strikes me, I might keep an appointment with a young lady not so charming,
00:07:14but I hear considerably more talented.
00:07:17Perhaps you know her.
00:07:19Her name, Ming Toy, profession dancer, place of employment, the Golden Poppy.
00:07:23Satisfied?
00:07:24That's playing pretty close to home, isn't it?
00:07:27Look, Julian.
00:07:29Somewhere, someday, you're going to hurt Frennessy once too often.
00:07:33Since you're acting the part of the family advisor,
00:07:36has the possibility ever occurred to you that I might not want to hurt her?
00:07:40That I might want very much not to hurt her?
00:07:42That maybe I can't help the way I am sometimes?
00:07:46Besides, Mike, do you want to share all my girls?
00:07:49No.
00:07:50Not all of them.
00:07:52You shouldn't play Galahad.
00:07:53You're way out of character.
00:07:56Frennessy was never for you.
00:07:57Not after she got her first look at you, she wasn't.
00:08:02Look, Mike.
00:08:04I know by most people's standards I'm not what's considered a good husband.
00:08:08But in the strange sort of way I am.
00:08:12But I don't suppose you could understand that, could you?
00:08:15That's pretty tough for anybody to understand.
00:08:18Yeah, I guess you're right.
00:08:20Well, don't worry.
00:08:21I'll never really let her down, or you either.
00:08:23I owe you both too much.
00:08:24Maybe.
00:08:26But I think I'll be keeping my eye on you from time to time, Julian.
00:08:30I think I'll have to, just to protect myself.
00:08:33Like you said, I'm a big boy now.
00:08:36But I do wish you'd believe me.
00:08:38You coming?
00:08:39No.
00:08:40I think I'll stick around and wait for Lee Wong.
00:08:43You're really attached to that little camera character, aren't you?
00:08:46We've proven a friend.
00:08:47From time to time.
00:08:58Bye-bye, Mike.
00:09:00Make yourself at home.
00:09:01Sorry there's no ice for the whiskey.
00:09:17The causeway to the mainland.
00:09:35The airport road.
00:09:38That place where you will stop.
00:09:43That's enough for now.
00:09:47You've kept us waiting.
00:09:51Took longer than I anticipated to get here.
00:09:54In an endeavor such as ours, we must have discipline.
00:09:58You'd do well to remember that the orders here are mine.
00:10:02You will be paid only if you carry them out.
00:10:05Why were you late?
00:10:07Well, among other things, I had to make sure I wasn't being followed.
00:10:10What made you think that possibility even existed?
00:10:13Apparently I have been followed.
00:10:15And quite recently.
00:10:16By whom?
00:10:17Mike Callaghan.
00:10:20It's possible he's on to us.
00:10:22To what extent?
00:10:24He saw me tonight with him.
00:10:27If he were curious enough, he could...
00:10:29Perhaps his curiosity could be curved.
00:10:33Could be.
00:10:36You have a refreshingly detached attitude towards your friend.
00:10:41Our...
00:10:42I should say,
00:10:43your undertaking is much more important to me than Callaghan.
00:10:46And yet I...
00:10:47I heard a story about a fight in Shanghai.
00:10:53I heard that you owe Callaghan your life.
00:10:56I didn't ask him for it.
00:10:57I also heard that before you married her,
00:11:00your wife was his...
00:11:01What does one say?
00:11:04His sweetheart.
00:11:05His light of love.
00:11:06His girl.
00:11:07She was his girl.
00:11:09She is my wife.
00:11:11Yet he...
00:11:12He still hangs around, huh?
00:11:14He's still your friend?
00:11:16Yes, but I didn't ask him for that either.
00:11:20You English are fascinating.
00:11:23Fascinating.
00:11:24But we've not got all night.
00:11:25See?
00:11:29We imagine him to be a vice-regal chauffeur.
00:11:32You be our technical advisor.
00:11:34You do.
00:11:37Now the question of your costume.
00:11:39Where is it?
00:11:40Is it?
00:11:42The regimental badges and buttons are correct.
00:11:45We had it made in Rangoon.
00:11:47After it was completed,
00:11:48the tailor, of course, had to be disposed of.
00:11:50The price of prudence comes high.
00:11:56How long is it since you've worn the king's...
00:11:58I beg your pardon, the queen's uniform?
00:12:00Six years.
00:12:03Well, tonight you will wear it for one hour.
00:12:05For one hour, you will be Major Ian Bone
00:12:06of the British Military Intelligence.
00:12:08The plane arrives in two hours and ten minutes.
00:12:13Those I'm not entitled to wear.
00:12:17And those?
00:12:18I have exact duplicates in the top drawer of my bureau.
00:12:24My own.
00:12:28Now what happens about your friend Callahan?
00:12:34Isn't it you, Mr. Bedaris, who gives the orders here?
00:12:48I've got a knife.
00:12:49You didn't altri部's brother.
00:12:49I've got an knife.
00:12:52It's my knife.
00:12:53It's my knife.
00:12:53I've got a knife.
00:12:54I've got a knife.
00:12:54It's my knife.
00:12:55I don't mind.
00:12:57I'm out.
00:12:59I've got a knife.
00:12:59It's my knife.
00:13:00And I've got a knife.
00:13:03Here we go.
00:13:04Any knife.
00:13:05Can you leave me, Mr. Bedaris?
00:13:07What do you have?
00:13:18Do you mean to tell me they've got television here already?
00:13:21Yes, Mr. Callahan.
00:13:37You wouldn't be knowing anything about Julian March's activities, would you, Wu?
00:14:03I know, Mr. March.
00:14:05You like to pay his bill?
00:14:07That's a possibility.
00:14:08If you wanted to discount it with a little information.
00:14:11So sorry.
00:14:12I'm not giving out information over this bar tonight.
00:14:16Look what I'm giving out over this bar tonight.
00:14:19I don't see so well, Mr. Callahan.
00:14:22It says five on it.
00:14:26What do you know?
00:14:28Here's one that says ten.
00:14:32Well, make up your mind, Wu.
00:14:34Where does March disappear to these nights?
00:14:37It is said there's a girl called Willow Blossom who leaves near the canal in a street of many moons.
00:14:43It is also said that a new dancer, Ming-Toy, occasionally calls him on phone.
00:14:49It's a lesson someone's been teaching you, Wu.
00:14:51Was it March or a lad called Goosie?
00:14:53I'm so sorry, not knowing any man called.
00:14:56Goosie.
00:15:01They're plum glasses.
00:15:02So whoever they are, they've got you scared too, huh?
00:15:20Too many wives, too many children.
00:15:23Only one, Wu.
00:15:26There's only one Wu.
00:15:28There's a joke there somewhere.
00:15:30Too soon to forget the love that was you.
00:15:48Too late to dream dreams no longer knew.
00:15:57Too soon to forget your lips in the night.
00:16:06Too late to dream dreams no longer knew.
00:16:07Too late for your life.
00:16:13Only time but hope that I...
00:16:16This is Wu.
00:16:17Callahan is here.
00:16:18You want to know about Goosie?
00:16:19Goosie.
00:16:20You forgot these.
00:16:41I know.
00:16:44Thanks for buying them for me.
00:16:46Forget it.
00:16:48Remember Shanghai.
00:16:50The day you took me out along Bubbling Well Road.
00:16:55Picnic in the orchard.
00:16:56Remember.
00:16:58What do you think I bought them for?
00:17:00Remember.
00:17:01Wasn't it the day after that they shipped me out?
00:17:04Almost makes me cry to think of it.
00:17:07You and a hundred others standing on a dock,
00:17:10waving lace handkerchiefs.
00:17:13And me and a hundred others on a ship,
00:17:14waving our dumb arms off.
00:17:17The next time I see you, you got a husband.
00:17:20Brother.
00:17:20I just fought the war for the wrong piece of real estate.
00:17:24The guys who fought it here had all the breaks.
00:17:25Have you done what I asked you?
00:17:31About Julian?
00:17:32Of course.
00:17:33Mike Callahan.
00:17:34Private eye.
00:17:35And you discovered?
00:17:35I discovered that your husband is very easily followed in the crowd
00:17:39because of his upright and military bearing.
00:17:41And that he saves the price of the morning papers by grabbing a free look in the reading room of the English Officers Club.
00:17:52And that he can't resist rubbernecking at that excavation for the new department store on Lau Yi Street.
00:17:57And, although I don't know how closely he's tied in with him, he at least has a speaking acquaintance with a character called Guzik.
00:18:05Guzik?
00:18:06A messenger boy, bodyguard and all-around assassin for one Alexis Pederis.
00:18:11And in case you don't know, one Alexis Pederis is the big operator.
00:18:16I know.
00:18:17I know.
00:18:18I know.
00:18:19But why did Guzik and Julian meet?
00:18:22What do they talk about?
00:18:23It's clumsiness, I admit.
00:18:25But I haven't been able to get close enough to overhear and still stay out of sight.
00:18:30That sounds as though it might be dangerous.
00:18:33You can say that again.
00:18:35Once I was watching him so close I didn't see where I was going and I almost fell down a manhole.
00:18:39And another time I got clobbered by a revolving door.
00:18:42Oh, stop it Mike, stop it.
00:18:45I mean for Julian.
00:18:47Well, it could be.
00:18:49Depends on how deep he's involved.
00:18:51What kind of a project they got on.
00:18:53For all I know, Guzik and he were just swapping bets on the dog races.
00:18:57That's what I want you to find out next, Mike.
00:18:59How he's involved with Guzik.
00:19:01Why he meets him.
00:19:02What they do talk about.
00:19:03No, thanks.
00:19:05This was my last day.
00:19:07I'm handing in my badge.
00:19:09Oh?
00:19:10You know.
00:19:13He keeps talking about how he can't keep living on my money.
00:19:18How he should be the one who supports us.
00:19:21I'm really afraid for him.
00:19:23Afraid of what he might do.
00:19:25Okay, suppose I do keep on his trail.
00:19:28And I find out that he's planning to knock over a bank.
00:19:31Or that he shills little children for a sausage factory.
00:19:35Or that he's selling military information.
00:19:37He's a spy.
00:19:38What do I do then?
00:19:39Gumshoe back here and spill it all to you?
00:19:41No, thanks.
00:19:53You see, going along the way we have been.
00:19:56I can always tell myself that I've got some second chance with you someday.
00:20:01But spying on a man through keyholes.
00:20:04And coming back and singing to his wife.
00:20:07He'd hate me and so would you.
00:20:10The car from Government House is overdue.
00:20:24And our Major Bone.
00:20:26I'll take care of Bone.
00:20:27He just seated Dr. O'Connor.
00:20:29Oh, thanks, old boy.
00:20:30But I've been briefed too, remember?
00:20:32Get set.
00:20:35Car coming.
00:20:39Two flags and a crown.
00:20:40That's it. Let's go.
00:20:47There's no hurry.
00:20:48We're a few minutes early.
00:20:49And I don't want to be seen hanging about the airdrome before O'Connor's plane gets in.
00:20:53Very good, sir.
00:20:54But once O'Connor's in the car, drive as fast as possible.
00:20:57And remember, stop for nothing.
00:21:02Someone's in an awful hurry.
00:21:05Someone's in an awful hurry.
00:21:32That's it.
00:21:33SPEAKER 1
00:21:34Hello.
00:21:35What's this?
00:21:38Hop out and give those chaps a hand.
00:21:39Get them out of the way.
00:21:41Very good, sir.
00:21:49What's going on here?
00:21:51Come on, let's get it out of the way.
00:21:53Come on.
00:21:54Come on.
00:21:55Let's move it, let's move it.
00:21:56Come on. Come on. Let's move it. Let's move it.
00:22:00What are they doing?
00:22:03Come on. Come on.
00:22:06Get out of the way. We can't wait here forever.
00:22:12Mads!
00:22:18Hurry up. There's a car coming.
00:22:21He's going off the ground.
00:22:34Hurry!
00:22:51There's something on the ground.
00:22:55Oh wow!
00:22:57Lieutenant, please.
00:22:58Attention all disembarking passengers.
00:23:01Will Professor Shawn O'Connor please come to the information desk?
00:23:05You see the dial version?
00:23:13Attention, please.
00:23:15Attention, all disembarking passengers.
00:23:18Will Professor Sean O'Connor please come to the information desk?
00:23:22Professor O'Connor.
00:23:27Professor Sean O'Connor?
00:23:30You are Professor O'Connor.
00:23:32My name is Hayden, Robert Hayden.
00:23:34Yes, of course, sir, but that was just for the flight from Colombo.
00:23:37My name is Bone. I'm attached to the staff of the Governor, Sir Charles Coots.
00:23:43I guess it's all right, Major.
00:23:45Very good of you to meet me.
00:23:47I must say, it was a bit of a surprise to hear my name over the public address, isn't it?
00:23:51I'm sure it was.
00:23:52I have a car waiting. Your luggage is being taken care of.
00:23:55If you're ready, we can leave at once.
00:23:59I'm sorry, Major. I'll have to see your permission to enter this area.
00:24:01Major Ian Bone.
00:24:02The airdrome has been off-limits to all unauthorized military personnel since 6 this evening.
00:24:07I'm under special orders from the Governor, so no pass will be necessary.
00:24:11But, uh, allow me to congratulate you, Corporal, on your alertness.
00:24:15I'm sorry, Major. I'll have to have your name and regiment.
00:24:18Freighter shall have to put you on report for being off-limits.
00:24:21Major Ian Bone, 106 Queens Highlanders.
00:24:23Major Ian.
00:24:24And allow me to congratulate you again, Corporal, on your alertness.
00:24:27It may interest you to know that all off-limits reports have to cross my desk.
00:24:31You won't mind if I take my name off the list, will you?
00:24:34Not at all, sir.
00:24:35They never said stay out of it, Callaghan.
00:24:38And stay away from Juliet Marge.
00:24:55Next time, it'll be worse.
00:24:59Quick, quick, more.
00:25:01I used to teach quantum mechanics at Cambridge ten years ago.
00:25:30It didn't matter two pins where I went or when.
00:25:36Now, as a nuclear physicist, I dare and cross the street without having some intelligence chap breathing down the back of my neck.
00:25:43That's what you are. Military intelligence, isn't it?
00:25:48As a matter of fact, yes, sir.
00:25:50I thought so. The Weistriegel limousine and so on.
00:25:57I don't seem to recognize this area.
00:26:00Mind if I do.
00:26:12Either my memory is very much at fault or we are not heading for a government house.
00:26:17We're taking a rather roundabout route, sir.
00:26:19In heaven's name, why can't we drive directly there?
00:26:22You're a security risk. This particular route is guarded every inch of the way.
00:26:27Oh, really?
00:26:30I haven't seen any sign of guards.
00:26:35Quite a coincidence.
00:26:37What's that?
00:26:38It's a command car. Don't turn here. Drive straight on.
00:26:42We should be there in about ten minutes, sir.
00:26:44Sir Charles is expecting us about midnight.
00:26:46I can't for the life of me understand why we dodge about all these back streets.
00:26:51Take your picture, mister. Very clear. Very sharp.
00:26:56Five shillings, please.
00:26:57Twelve o'clock tomorrow. We'll be right here.
00:26:59Very clear pictures. Very sharp.
00:27:05Would you like to take my picture, Lee Wong?
00:27:08Now look here, Major. Where are we?
00:27:10We're almost there, sir.
00:27:11We're in Fuchow Road.
00:27:13That's down near the waterfront.
00:27:15How do you want me to pose?
00:27:17Well, are you going to take my picture?
00:27:18You already have your lucky ticket.
00:27:20Julie and the March.
00:27:21And I just don't like it at all.
00:27:25For two pins, I'd get out and take a cab.
00:27:28I'm afraid I couldn't let you do that, sir.
00:27:30I certainly don't see why not.
00:27:37Please, sir.
00:27:38Get out of here.
00:27:43Speed it up.
00:27:44Major Bone, what is going on?
00:27:48Head for the alley and stay off Fuchow Road.
00:27:51Mr. Callahan.
00:27:56Mr. Callahan, you there?
00:27:57Who did this to you?
00:28:23Guzik.
00:28:23Whoever he is, they're not playing for bottle tops.
00:28:29Wait till I show you.
00:28:31You got something?
00:28:32Got plenty, I think.
00:28:33Very clear, very sharp.
00:28:37My good friend Julian March.
00:28:41But who's the other one?
00:28:43I do not know.
00:28:44But they were in the vice regal car.
00:28:48Where's the negative?
00:28:49In my dark room.
00:28:50Is this the only print?
00:28:53I did not take time to print more.
00:28:54This is an enlargement.
00:28:56Taken down on Fuchow Road.
00:28:59Listen, Ma'am.
00:29:01I want you to print a couple of more of these
00:29:03and bring them back here with the negative.
00:29:06You got that?
00:29:07Will you be here?
00:29:09Well, you may have to wait.
00:29:11This I'm showing to someone.
00:29:13I might have to wait a long time.
00:29:16Look what they do already.
00:29:20That's a good point you're bringing up.
00:29:22If I'm not here an hour from now,
00:29:25take your pictures to Inspector McCollum
00:29:27Police Headquarters, Gloucester Road.
00:29:30Now, beat it and watch yourself.
00:29:34You need help, Mr. Callahan.
00:29:36Any kind of help, you know where to come.
00:29:39You know Lee Wong is your friend.
00:29:41I know Wong, yes.
00:29:43Thanks.
00:29:45Now, on your way.
00:29:48The loan was to be left then.
00:29:49With the approaching car,
00:29:51there could be no shooting.
00:29:52But you march.
00:29:53Mr. Bedaris, listen to me.
00:29:55I'm just a little bored with listening to you.
00:29:57But I tell you there was nothing else I could do.
00:29:59You were instructed to transfer Professor O'Connor
00:30:01into another of our cars
00:30:03in the alley next to Cathay Street.
00:30:04But there was a command car
00:30:06parked not ten yards from the alley.
00:30:07We had to go on.
00:30:08But not into Foo Chow Road, you idiot.
00:30:10The one street in Singapore
00:30:12where you're best known.
00:30:14I've learned many things in life, Mr. March,
00:30:16but never to suffer fools gladly.
00:30:18Professor O'Connor is already in the mainland
00:30:20before they could blockade the causeway.
00:30:23But your bungling could have led them directly to us,
00:30:25or to be more to the point, to me.
00:30:28But you don't know this fellow took it.
00:30:29You're not sure.
00:30:31If he did,
00:30:33and it fell into the wrong hands, huh?
00:30:35You see, Mr. March,
00:30:36you'd be arrested at once.
00:30:38And with the future of a man
00:30:40like Professor O'Connor at stake,
00:30:41even the British would forget their cricket for a while.
00:30:44And forgive me for saying so.
00:30:46But I don't think you're the type of man
00:30:48who can stand up to a ruthless questioning.
00:30:50But you don't even know if there is a picture.
00:30:52You're not sure.
00:30:53If there were one chance in a million,
00:30:55I couldn't accept it.
00:30:56And besides,
00:30:57you know where we're taking the professor.
00:30:59Well, that's not really fair.
00:31:01I did my part.
00:31:02Without me, you couldn't have got O'Connor.
00:31:03Without you, we're sure of keeping him.
00:31:07You mean just because
00:31:08there might be a picture in existence?
00:31:10Can you say that there is not a picture in existence?
00:31:12Well, we could find out.
00:31:15Music has to be across the street by dawn.
00:31:17Well, there's still time.
00:31:20This fellow who took it,
00:31:21I might know where you could find him.
00:31:23Would it conflict with your
00:31:24rather perverted sense of honor
00:31:26if you told me exactly where we can find him?
00:31:29Since you understand that it may allow you
00:31:31to live for a little longer,
00:31:32his name's Wong.
00:31:35Lee Wong.
00:31:37He has a shop over on him.
00:31:38Truly lucky they threw me in the water,
00:31:40I suppose.
00:31:41But General Brown should have done
00:31:42what I suggested, Sir Charles.
00:31:44Brought him in under escort.
00:31:45Well, I'm only the governor here.
00:31:47I don't make the arrangements.
00:31:49The other passengers were screened,
00:31:50but O'Connor had a bogus passport.
00:31:53We never dreamt that anybody could pull it off.
00:31:55Is it as bad as that, sir?
00:31:56Well, make no mistake about it, McCollum.
00:31:58We're on the verge of the gravest possible
00:32:00kind of international crisis.
00:32:02First of all, there was the race for the atom bond.
00:32:05Now it's this new kind of horror,
00:32:07and thereafter our top brains again.
00:32:09Professor O'Connor is one of the four men
00:32:11in the whole world
00:32:11who know how to detonate the H-bomb.
00:32:14That's what he was on his way to Australia to do.
00:32:15You mean then there is things...
00:32:17Well, who else?
00:32:17Well, we're searching the city thoroughly.
00:32:19I've called every man available on the force
00:32:21for active duty.
00:32:22I'm rounding up all of the planters
00:32:24and every responsible man I can lay the hands on.
00:32:26Well, did you tell them why they're being called?
00:32:27No, not in detail.
00:32:28Just search.
00:32:29National emergency.
00:32:30First thing we have to do is find your car, sir.
00:32:32Well, what about the causeway to the mainland?
00:32:34The road's blocked.
00:32:35Shut down tight.
00:32:36Bone,
00:32:37what do you think our chances are?
00:32:39Not good.
00:32:45Who is it?
00:32:58Mike.
00:33:03Is Julian here?
00:33:05No.
00:33:08What are you looking for?
00:33:10A uniform.
00:33:12Yeah.
00:33:13Try and make sure he's going to be okay.
00:33:15Well, this is it.
00:33:17Now what?
00:33:20Stay away from Julian March.
00:33:22That's what they said when they finished chopping on me.
00:33:25And if that doesn't sound suspicious enough,
00:33:27take a look at this.
00:33:32When was this taken?
00:33:33Tonight.
00:33:35What does it mean?
00:33:37Whatever it means, it can't be good.
00:33:40We must find him.
00:33:42We've got to help him.
00:33:45Poor Mike.
00:33:48We've got to find him, Mike.
00:33:50We've got to find him and help him.
00:33:53He's not as wise as you are.
00:33:57He can't always take care of himself.
00:33:59You'd defend him whatever he did, wouldn't you?
00:34:04I...
00:34:04I suppose I would.
00:34:07He's my husband.
00:34:09And you picked him, didn't you?
00:34:11What a Lulu.
00:34:13That car's probably stolen, you know.
00:34:15And he's impersonating an officer.
00:34:18Yes, sir.
00:34:19You sure picked yourself a husband.
00:34:21A regular first-class chromium-plated prize winner.
00:34:25Shut up, Mike.
00:34:28Shut up.
00:34:30I can't walk out on him now, can I?
00:34:32Now when he's probably in deeper than he's ever been.
00:34:36You wouldn't think much of me if I did that, would you?
00:34:39No.
00:34:40You couldn't, I guess.
00:34:42I know you.
00:34:43You wouldn't walk out on anybody you...
00:34:47Anybody you loved.
00:34:50Let's say...
00:34:53For my husband and I...
00:34:55Liked.
00:34:56Liked?
00:35:00Liked.
00:35:08Are you telling me...
00:35:09That Julian's my husband.
00:35:11After you left Shanghai, Mike...
00:35:14I met Julian and he was sweet to me and nice.
00:35:17And I didn't even know if you'd come back.
00:35:19And I was so lonesome for you.
00:35:21Just you, Mike.
00:35:23Frenessy.
00:35:24Are you really saying I've got a chance?
00:35:28More than that.
00:35:30Then what's stopping us?
00:35:31Julian's stopping us.
00:35:34We can't run out on him when he's in trouble, can we?
00:35:37You can't, I guess.
00:35:39No.
00:35:41Okay.
00:35:44Can you find out where he is?
00:35:45I know I can.
00:35:46Then I'll try to pull him out of it.
00:35:49And then just the two of us.
00:35:51You and me.
00:35:53Perhaps even tomorrow.
00:35:57But how do I know?
00:35:58Well...
00:35:58It's so simple.
00:36:08It must be a matter of practice.
00:36:23Where's the negative?
00:36:24There's the print.
00:36:25The negative is over there.
00:36:26Could there be more prints?
00:36:27No.
00:36:29This is a new life for Julian March.
00:36:31Do you have the knife from his desk?
00:36:32Yes.
00:36:33Fadera says this will secure March's allegiance to us.
00:36:37It's too bad.
00:36:38But he is not yet dead.
00:36:38Only choked a little.
00:36:40Better finish.
00:36:46Hey, then.
00:36:47We know the car came along here.
00:36:49But not even one of them saw it.
00:36:51Now they all saw it.
00:36:52What are we up against, Inspector?
00:36:54Tell me.
00:36:55What can keep a whole street quiet?
00:36:57Nobody loves us at this end of the town, Major.
00:36:59We must have asked at least 50 people.
00:37:01You didn't ask me.
00:37:04What did you say?
00:37:05I said, you didn't ask me, Inspector.
00:37:08Well?
00:37:09Now, you wouldn't want an informer to go unrewarded, would you, Inspector?
00:37:20Already you're very lucky, Inspector.
00:37:22I saw the car.
00:37:24I even saw Lee Wong take a picture of it.
00:37:26Lee Wong?
00:37:27That's right, Inspector.
00:37:31The trap has sprung.
00:37:55You sure you don't want me to come into the room, too, Inspector?
00:37:57No, you wait outside on the corridor.
00:37:59We'll follow Bones' instructions to the letter.
00:38:01Yes, sir.
00:38:01But watch him, sir.
00:38:26Callahan.
00:38:26Callahan.
00:38:31It's an odd time you're choosing to call, Inspector.
00:38:35Who are you expecting?
00:38:36Why, Inspector, how indiscreet.
00:38:39Actually, I was expecting a lad who sat for his portrait tonight,
00:38:42and maybe one or two of his friends.
00:38:49If you're looking for something in particular, maybe I can help.
00:38:51I'm looking for your friend, Julian March.
00:38:54Oh, what a pity.
00:38:56And him so elusive and all.
00:38:59You've had a good run in Singapore, Callahan, but this time I think you're at the end of your rope.
00:39:03Where's March?
00:39:04That's something I'd like to know, too.
00:39:06Well, never mind.
00:39:09We'll pick him up.
00:39:09When we do, we'll have the boat with you.
00:39:11For what?
00:39:13Tonight, an officer of the military intelligence was struck down on the way to the airdrome.
00:39:17Someone took his place and kidnapped an atomic scientist by the name of Sean O'Connor.
00:39:22Very few officers in Singapore could impersonate that man.
00:39:26March is one of them.
00:39:27I've heard of Sean O'Connor.
00:39:29Did you ever hear of a girl called Mei Ling?
00:39:31She saw a picture taken of the vice-regal car on Fuchal Road.
00:39:36I went to see the man that took that picture.
00:39:38I'm arresting you for murder, Callahan.
00:39:41Who's murder?
00:39:42Lee Wong.
00:39:44You and March were in this thing together.
00:39:46You killed Wong to get that picture, the negative of which we've been unable to discover.
00:39:51It was me who sent him back there to be killed.
00:39:55With this inscribed paper knife taken from March's desk.
00:39:59My laboratory tells me that his fingerprints were on it.
00:40:02And yours too.
00:40:04Now everything's very clear.
00:40:07Very sharp.
00:40:09Shall we go?
00:40:11It's not me you want, Inspector.
00:40:13This is the first I've heard about Wong.
00:40:15Or O'Connor.
00:40:18Then perhaps you could explain this.
00:40:26Come on, let's go, Callahan.
00:40:28Sergeant Forbes is waiting for you in the hall.
00:40:30Well, it worked.
00:40:50Are you all right, sir?
00:40:51Yes, I'm all right.
00:40:53He'll lead us to O'Connor or March.
00:40:55And then we can hang him.
00:40:57Major Bowen and the others had better not lose him, sir.
00:40:58Come on.
00:41:10Come on.
00:41:10Give me any a night.
00:41:13ver INCENT.
00:41:14On him.
00:41:17Well, we're doing that first.
00:41:19Let's get to him.
00:41:20Let's try and bring him.
00:41:22Come on.
00:41:22We'll back in the hall, now.
00:41:24Come on.
00:41:25Take that.
00:41:56Sorry, lad.
00:42:26Pardon this entire area.
00:42:35He's in here somewhere.
00:42:36Deploy your men.
00:42:37Seal him up.
00:42:56Who's that?
00:43:17What do you want, Callaghan?
00:43:19Most of all, a shirt.
00:43:21You take a pretty big risk just to get yourself a shirt.
00:43:24You haven't heard anything yet.
00:43:25I'm listening.
00:43:27This time it's me that's wanting information, Johnny.
00:43:29And I want it so bad I'll kill you if I don't get it.
00:43:32So? Mind if I get up?
00:43:35Let's have the pitch.
00:43:37That hiding place in the jungle where you wanted to store your hijacked rubber.
00:43:40The village of death.
00:43:41Where your boys saw Guzik and Pederis.
00:43:43Where is it?
00:43:44I was kind of keeping that information for myself.
00:43:46Not anymore, you're not.
00:43:48You'd have to have an angle.
00:43:49I have. My neck.
00:43:51If you're on the run, you don't have many cards left to play, do you?
00:43:54Only this.
00:43:55You wouldn't use it.
00:43:56It's too early in the morning to take you seriously.
00:43:58Where?
00:43:59Where did your boys see Guzik and Pederis?
00:44:01No dice.
00:44:02Better be on your way.
00:44:04You were going to bring me some information, remember?
00:44:08I'll rake it.
00:44:09Why?
00:44:09For what?
00:44:10For information, that's for what.
00:44:11Where is it?
00:44:11Okay, okay.
00:44:12Where?
00:44:13120 miles northwest of here near Ipul.
00:44:15Tell me more.
00:44:17Let me out of this.
00:44:17I'll talk.
00:44:41Let me out of this.
00:44:47Please.
00:44:56Please.
00:44:57Uh-huh.
00:44:57Let me out of it.
00:45:04Hello?
00:45:05Hello?
00:45:05Hello?
00:45:06To me?
00:45:06We'll be back.
00:45:07To me?
00:45:07Hello?
00:45:08He's okay.
00:45:08Julian?
00:45:15No, Mike.
00:45:18Mike, what is it?
00:45:21Hold it.
00:45:35Why did you think it might be Julian?
00:45:37He was here earlier.
00:45:38To say goodbye.
00:45:40Julian was here?
00:45:41He changed clothes.
00:45:43Well, didn't you try to stop him?
00:45:44Of course, but I couldn't.
00:45:49How did he explain this, Ann Wong's picture?
00:45:52He said he was smuggling gold.
00:45:54Said he'd be in the jungle for three days,
00:45:56and I was to meet him a week from now in Rangoon.
00:45:59Who are you hiding from?
00:46:00From McCollum's boys, and another fellow.
00:46:03Were you followed?
00:46:04Yes, but not here.
00:46:05But they could be looking for me here if they thought of you.
00:46:07Suppose the police do find you with me.
00:46:10Well, they'll be wanting to hang the both of us.
00:46:12You too.
00:46:13You can joke.
00:46:14Tears won't help.
00:46:15They might.
00:46:16We'd better get rid of this uniform, or they will hang us.
00:46:21Wait till you hear the real story, Frennessy.
00:46:24Quite a man.
00:46:26This husband of yours.
00:46:27If there was a war on, I could have a shot.
00:46:29When there was a war on, Sir Charles, I was.
00:46:32You had the entire outcome of this affair resting on this chap Cullinan.
00:46:36You let him slip through your fingers on the off chance that he might lead you somewhere.
00:46:41Were you out of your mind?
00:46:42I must take my share of the responsibility, sir.
00:46:44I went along completely with the idea.
00:46:46No, no, no, no.
00:46:47This was Major Bone's affair.
00:46:49You know, General Brown will probably have you hide for this.
00:46:52Let's hear from you, Bone.
00:46:54What possibly could have possessed you?
00:46:57Callaghan, sir.
00:46:58I'm not sure we're right about Callaghan.
00:47:00Why?
00:47:01The fellow's an out-and-out blackguard.
00:47:04Not according to what I turned up.
00:47:06His name's not Callaghan to start with.
00:47:08It's Corrigan.
00:47:09And when the enemy was here, he gave a very good account of himself.
00:47:13Yes, well, it's now that I'm interested in him, whatever his name is.
00:47:16On his record, he wouldn't commit murder.
00:47:19And he wouldn't act anything like the Sean O'Connor business with...
00:47:22Cullinan, what is his record?
00:47:25Well, Callaghan is a combination of beachcomber and soldier of fortune.
00:47:28I've been trying for two years to put my hands on him.
00:47:31He knows the China coast like the back of his hand.
00:47:33He's wanted everywhere, from Batavia to Bias Bay.
00:47:36What for?
00:47:36False pretences in Shanghai, smuggling in Hong Kong,
00:47:40illegal entry in Canton, and fraud in McHale.
00:47:44Why don't they extradite him?
00:47:45Not enough evidence.
00:47:47What you mean is they really haven't got anything on him at all.
00:47:51That's hardly the record of a murderous traitor.
00:47:54Excuse me, sir.
00:47:55You gentlemen will stop bellowing at each other for a moment.
00:47:57I think we've a visitor.
00:47:58Oh? Who is it?
00:47:59I don't know, sir.
00:48:00A strange-looking customer.
00:48:02There's only one chap that I want to see or talk to now.
00:48:05That's General Brown.
00:48:06Look at the time, gentlemen.
00:48:08Two companies of troops out and two squadrons of aircraft.
00:48:11And neither hair nor hide of Mr. Abbeconner have they found.
00:48:15There's not a sign of him between here and Penang.
00:48:18I tell you, gentlemen, every one of you, we must have action.
00:48:22Yes, yes.
00:48:23Mr. Alexis Pederis to see you, Your Excellency.
00:48:26I told the man-servant to keep him in the ante-room.
00:48:28My apologies to Mr. Alexis Pederis and tell him I will see no one.
00:48:31I believe you'll see me, Sir Charles.
00:48:34How do you do, gentlemen?
00:48:35Uh, permit me.
00:48:38Alexis Pederis.
00:48:39That's your service.
00:48:40Well, what is the meaning of this, sir?
00:48:41Well, you cry for action, Sir Charles.
00:48:45And I've come to supply it.
00:48:48I'm here to discuss the fate of Professor O'Connor.
00:48:52Bone.
00:48:57Now then.
00:48:58I shall be brief.
00:49:00Professor O'Connor is my, uh, guest.
00:49:03I'm keeping him in safe custody.
00:49:05Well, where is he?
00:49:07Where you won't find him, if you were to search for a month.
00:49:12He's for sale, gentlemen.
00:49:14To the Western powers or to the Communists.
00:49:17Are you unhindered, sir?
00:49:19I've been planning this coup for some time.
00:49:21My problem has been, of course,
00:49:23to get my man within geographical reach of both the Allies and, uh,
00:49:27those other possible purchasers at the same time.
00:49:32Now it's possible here in Malaya.
00:49:33And it's possible along the Iron Curtain itself.
00:49:36And no other place.
00:49:38Why shouldn't you be taken into custody as a maniac, sir?
00:49:43Enough of that, Sir Charles.
00:49:44You have little right to say who is or who is not insane.
00:49:48Uh, to convince you of my authenticity,
00:49:52I, uh, persuaded Professor O'Connor to send you this.
00:49:56He was stubborn, of course, but later on he relented.
00:49:59First-class chess player, O'Connor.
00:50:02I'm in the hands of Alexis Paderes.
00:50:04O'Connor.
00:50:06You see, gentlemen, in the old days they kidnapped emperors.
00:50:09Then more recently it's been the custom to hold the children of rich for ransom.
00:50:14Look what I have.
00:50:15The prize of nations.
00:50:17One of the few men on Earth with the secret of the hydrogen bomb.
00:50:21A secret that others would give so very much to learn.
00:50:25I give you 24 hours to get an answer to my terms.
00:50:2824 hours, no longer.
00:50:31And, uh, what are your terms?
00:50:34Five million dollars in gold.
00:50:36Payable to me at the Swiss International Bank in Tangiers.
00:50:40Ten days after I receive payment that I have left Tangiers,
00:50:43you will learn where to find Professor O'Connor.
00:50:46He will be alive and well.
00:50:47Five million dollars in gold.
00:50:51Precisely.
00:50:52The price, gentlemen, of one day's atomic research.
00:50:56The price of five minutes of atomic war.
00:51:00Um.
00:51:02Please see that I am not intruded upon for the next 24 hours.
00:51:06I can sell O'Connor so easily elsewhere.
00:51:09My staff work is a great deal better than General Bryant's.
00:51:14You'll find me at Raffles Hotel.
00:51:16Well, uh, I...
00:51:18I'm in the colonial suite.
00:51:22That's ironic, isn't it?
00:51:26All right, Bert.
00:51:27All right.
00:51:30Good day to you, Sir Charles.
00:51:31He gives us 24 hours.
00:51:43Things never clear up.
00:51:45They've got to be cleared up.
00:51:46And I'm on the hook but good.
00:51:48Three ways.
00:51:50I was with Wong last night.
00:51:52That knife had my prints on it.
00:51:53And I had the picture.
00:51:56Then what can you do?
00:51:57There's only one thing.
00:52:00Get to that village.
00:52:02How?
00:52:03I'm clear in that.
00:52:05And when you do?
00:52:07If you do?
00:52:09Coax the truth out of one of those boys?
00:52:10Yes.
00:52:13Suppose...
00:52:14Suppose it turned out that...
00:52:18That it was Julian who killed Wong.
00:52:21Well, then that's the way it'd have to turn out.
00:52:25That's a chance we'd have to take.
00:52:27But I don't really think it's that way.
00:52:29I don't think Julian's a murderer.
00:52:32And no matter what else he's done...
00:52:34If he hasn't done that...
00:52:36I'm bringing him back.
00:52:38Safe.
00:52:39But once he's back...
00:52:40He has to face those charges.
00:52:43Well...
00:52:44It's my opinion that when Wong took that picture...
00:52:48Everything fell to pieces for Julian.
00:52:50No.
00:52:51I mean...
00:52:53Those charges.
00:52:55I know somebody who might fix them if that's all they are.
00:52:57Okay.
00:52:59Let's hope so.
00:53:00I know how you feel about having him safe.
00:53:04And our deal still goes.
00:53:06All the way.
00:53:07I'll slug it out for Julian...
00:53:09Just like I'd slug it out for myself.
00:53:12Because it wouldn't be good for either of us...
00:53:14If we gave him a bad deal.
00:53:21You sold me on that fantasy.
00:53:26You sold me real good.
00:53:30What's wrong?
00:53:33Change your mind?
00:53:35Oh, Mike.
00:53:37Please.
00:53:39I'm worried.
00:53:41It's the first time you say it.
00:53:44It seemed I could lose both of you.
00:53:46Take it easy, honey.
00:53:48Both of us you won't lose.
00:53:50And what can we do?
00:53:53As long as it's day, I can't do a thing.
00:53:58But you can.
00:54:01Go to another telephone...
00:54:03And call a gas station on the mainland...
00:54:05Near Hopang Landing.
00:54:06I'll give you the number.
00:54:08We had him bottled up here.
00:54:09In this area, bounded by these four streets.
00:54:12Well, it's too late in the day to worry about Callaghan.
00:54:14We're moving heaven and earth.
00:54:16But we have to keep checking on O'Connor...
00:54:18And checking on Paderos.
00:54:19Nothing new on Paderos, huh?
00:54:20No, except that he came here from Rome.
00:54:22Then, at the Raffles Hotel, about four months...
00:54:24His papers say that he's an investor.
00:54:26Meaning anything and nothing.
00:54:28McCullum here.
00:54:33Oh, yes, sir.
00:54:35Yes, sir, at nine o'clock.
00:54:38Yes, he's here with me now.
00:54:40Very good, sir.
00:54:42Well, there's a conference at Government House tonight.
00:54:45The military force, civil service, you and I.
00:54:48They're sealing the peninsula, the border, the coast, the air, everything.
00:54:52If I'm not there...
00:54:55You might make my excuses when I call the roll, will you?
00:54:57Well, where'll you be?
00:54:58Oh, I really botched things up, letting Callaghan get away and all.
00:55:01I sort of feel like Clyde have put things back in order.
00:55:04Oh, nonsense.
00:55:05Callaghan couldn't have gone through us or over us.
00:55:09So, somewhere in here...
00:55:11He must have gone under us.
00:55:27The boat will be waiting at the foot of the steps by the fishing water.
00:55:52If you're stopped by an MTB on the way across, Wings said to go over the side and stay underwater.
00:55:56For how long?
00:55:58What about the car?
00:55:59One of Hussain's men will be in the palm grove with it near the landing.
00:56:02There's something else I'll be needing.
00:56:03A gun.
00:56:04I should have remembered.
00:56:06I can't go back to my place.
00:56:08They'll have it covered for sure.
00:56:13Julian gave it to me.
00:56:15Long ago.
00:56:17I...
00:56:17Taught me to use it, too.
00:56:18Well, good for Julian.
00:56:21How will you get to the waterfront?
00:56:22The same way I baffled McCullum and his boys in getting here.
00:56:26Well, time to say goodbye.
00:56:29Yes.
00:56:31Come back to me soon.
00:56:34Bring Julian.
00:56:36I'll come back.
00:56:38He'll be with me.
00:56:43Frenessy.
00:56:44There were other girls.
00:56:46Lots of them.
00:56:50But for me, you were the only one who was way up there on that hill.
00:56:54The only one who was straight.
00:56:56From beginning to end.
00:56:58Mike.
00:56:59Come on.
00:56:59I'll be with you.
00:57:00I'll be with you.
00:57:00I'll be with you.
00:57:01I'll be with you.
00:57:01I'll be with you.
00:57:02I'll be with you.
00:57:02I'll be with you.
00:57:03I'll be with you.
00:57:04I'll be with you.
00:57:04I'll be with you.
00:57:04I'll be with you.
00:57:05I'll be with you.
00:57:05I'll be with you.
00:57:06I'll be with you.
00:57:06I'll be with you.
00:57:07I'll be with you.
00:57:07I'll be with you.
00:57:07I'll be with you.
00:57:08I'll be with you.
00:57:08I'll be with you.
00:57:09I'll be with you.
00:57:09I'll be with you.
00:57:10I'll be with you.
00:57:10I'll be with you.
00:57:11I'll be with you.
00:57:11I'll be with you.
00:57:12I'll be with you.
00:57:13Let's go.
00:57:43Let's go.
00:57:44Callahan?
00:57:45That's me.
00:57:46Must hurry to catch tide at Hoping Landing.
00:57:47Thanks.
00:57:48Hoping Landing.
00:57:50Hoping Landing.
00:57:51Well, I'll be there for you.
00:57:57Hoping Landing, huh?
00:57:58Well, I'll be there for you.
00:57:59Hoping Landing, huh?
00:58:00Well, I'll be there for you.
00:58:06Hoping Landing, huh?
00:58:07Well, I'll be there for you.
00:58:08Hoping Landing, huh?
00:58:13Well, I'll be there for you.
00:58:16I'll be there for you.
00:58:17I'm sorry.
00:58:18Oh!
00:58:19I'll be there for you.
00:58:20Oh.
00:58:21Ah.
00:58:22Oh, my God.
00:58:24Oh, my God.
00:58:25Oh, my God.
00:58:26Oh, my God.
00:58:27Oh, my God.
00:58:29Oh.
00:58:31Car coming, George.
00:58:47Who's in command here?
00:59:01I am, sir.
00:59:02I'm Major Bone, military intelligence.
00:59:04Yes, sir.
00:59:05I've just come from Hope Payne Landing.
00:59:07Has a fellow passed through here in the last ten minutes driving an old, open car?
00:59:10No, sir.
00:59:11Oh, I took the wrong fork.
00:59:13He has to be on the coast road.
00:59:14Look, Sergeant.
00:59:15Get on the wireless.
00:59:15There's a roadblock on the coast road between Amgong and Kota Lumpur.
00:59:20Tell them I'm on my way.
00:59:21Tell them that the man driving the car, S-32659, has to be let through.
00:59:27Have you got that?
00:59:28S-32659.
00:59:29Yes, sir.
00:59:30Where's the nearest track through to the coast?
00:59:31About two miles north from the right, sir.
00:59:33All right, Tommy.
00:59:41Here he comes.
00:59:45What's the travel?
00:59:52No travel.
00:59:53Everything's in order.
00:59:55Just a routine check.
00:59:56What's your destination?
00:59:57Van D'Yong.
00:59:59Everything's in order.
01:00:00Any more roadblocks?
01:00:01Not standing.
01:00:02You might strike a patrol.
01:00:04Go ahead.
01:00:04That was the man, all right.
01:00:12I hope Major Boll knows what he's doing.
01:00:25You're ten minutes behind him, Major.
01:00:27Radio ahead.
01:00:28It's all near the road.
01:00:29Tell them to be on the lookout for him.
01:00:30There's a squad near Van D'Yong and another one about ten miles south of Ipoo.
01:00:34See that they're warm.
01:00:35If he leaves the road before I catch him, I want to know about it.
01:00:38Yes, sir.
01:00:38That was him, Harry.
01:00:55Bandy on patrol to Major Bone.
01:00:57Bandy on patrol to Major Bone.
01:00:58Over.
01:01:00Getting you.
01:01:01Over.
01:01:02He's just past us now, Major.
01:01:03As odd as he could go.
01:01:04Over.
01:01:05Watch for me, soldier.
01:01:07I want to know how far he is ahead.
01:01:09Over.
01:01:10You're coming up on us now.
01:01:12He's about a minute in front of you.
01:01:14Over.
01:01:14Good.
01:01:15Out.
01:01:17Heading for Ipoo.
01:01:18margin.
01:01:29Gun?
01:01:31Ipoo.
01:01:31Ipoo.
01:01:32minusc e Иio秘
01:01:36Ipoo.
01:01:37g2
01:01:40It's a question.
01:01:41Thankslerinesh,私.
01:01:42Ipoo.
01:01:43Ipoo.
01:01:44Plusc eYepoo.
01:01:45It's a question.
01:01:47Oh, my God.
01:02:17Oh, my God.
01:02:47Bone to Ipru Patrol. Over.
01:02:52Ipru Patrol. Come in.
01:02:55Bone to Ipru Patrol. Over.
01:02:57Looking for someone?
01:03:15I wouldn't move, Mac.
01:03:18The name's Bone. Major Ian Bone.
01:03:21Yeah, I know you. You're the character that organized that hunt from Foochow Road last night.
01:03:25You're a long way from Foochow Road, aren't you?
01:03:26But you caught up. At last.
01:03:28Don't you think it's about time?
01:03:29You can say that again. Now, Major, you're not taking me back, you know. Not yet, anyway.
01:03:34If I knew just what to make of you, perhaps I wouldn't want to. Or even have to.
01:03:39Whatever you're making me, Major, I'm going in after a fellow called Guzik.
01:03:44Well, where do you stand?
01:03:46Right where you do. On very thin ice.
01:03:49You know, I was supposed to bring you in, not follow you.
01:03:51Well, is O'Connor in the village?
01:03:54I think so.
01:03:56Probably an old shack at the other end of town.
01:03:58What made you think you could take them alone?
01:04:01It's a little pistol practice I'm needing.
01:04:04Should we go, Major?
01:04:06Why, certainly.
01:04:07After you.
01:04:08Uh, this way.
01:04:16All right, men. Fall out.
01:04:18If I made your bone again.
01:04:19Ifu patrol calling bone.
01:04:23Ifu patrol calling bone.
01:04:25Over.
01:04:28It's no use, sir. We're running out of juice.
01:04:30Are you sure you're all right?
01:04:32I can get everything.
01:04:33It's Major Bowen's set that's no use.
01:04:35I don't like this much.
01:04:37He was heading this way when he turned off the Ifu road.
01:04:40All right, men. Let's move.
01:04:49You can follow me now, Major.
01:04:52Quite a problem, isn't it?
01:05:21There's the lad up there on the roof that hasn't eaten their food.
01:05:31By the way, I'll never get any credit for it, you know.
01:05:36But I told McCollum he didn't understand the Irish.
01:05:40Should we go in after a corner together?
01:05:43Right.
01:05:51The lad on the roof is mine.
01:06:01You get him, I'll take the sentry.
01:06:03I'll take the sentry.
01:06:15I'll take the sentry.
01:06:21I'll take the sentry.
01:06:35The four more in the hut on the left.
01:06:36Cover me.
01:06:37I'll take the sentry.
01:06:49Right.
01:06:53I'll take the sentry.
01:07:05I'll take the sentry.
01:07:09I'll take the sentry.
01:07:13I'll take the sentry.
01:07:31I'll take the sentry.
01:07:52It's time we heard from Baderis.
01:07:54Take it easy. We'll hear from him.
01:07:56I can't stand this waiting.
01:07:58If Wong hadn't taken that picture.
01:08:00We paid him off in full.
01:08:02But if anything goes wrong, I'll hang too.
01:08:04I was hired to get O'Connor from the airport.
01:08:06Not to hang.
01:08:22Hold it.
01:08:38That yell, what was it?
01:08:40You're kind of nervous.
01:08:41What was it?
01:08:42A leopard eating a monkey.
01:08:52Mucho.
01:08:54Understand?
01:08:56You think they might have heard that yell in the shack?
01:08:58It's going to be a little sticky if they did.
01:09:00Hey, what do you got there?
01:09:02Grenades.
01:09:04Oh, fused?
01:09:06Uh-huh.
01:09:08Where did you learn to handle grenades?
01:09:10Well, my father was a jailer.
01:09:12He was a jailer.
01:09:14He was a jailer.
01:09:16He was a jailer.
01:09:18He was a jailer.
01:09:20He was a jailer.
01:09:21Well, my father was a general in the Irish Republican Army.
01:09:23My father was a colonel in the black and tan.
01:09:25Well, as they say, rank is everything in life.
01:09:27Next stop, the shack.
01:09:28Next stop, Sean O'Connor.
01:09:29You work this side.
01:09:30I'll take the other.
01:09:31Let's go.
01:09:48That was no monkey.
01:09:49Take your position.
01:09:50Shoot anything and see a wolf.
01:09:58I'll get you fixed up there.
01:10:00I would in trouble.
01:10:01I should have seen him.
01:10:02We both should have seen him.
01:10:04There are two of them coming out from behind the jeep.
01:10:16Get him!
01:10:17Get him!
01:10:18You're on your own, Mouse.
01:10:32Good luck, soldier.
01:10:33I can't leave you like this.
01:10:35You can't do anything else but leave me.
01:10:38I'll wait here for you.
01:10:40I'll be back to get you.
01:10:41One way or another.
01:10:42I won't move.
01:10:44I'll be right here when you get back.
01:10:46Yeah.
01:10:50Yeah, sure you will.
01:10:51See anything move?
01:10:57No.
01:10:58Go out and see what's happening.
01:11:00I'm not going through that door.
01:11:01I give the orders.
01:11:02No.
01:11:03If I leave this shack, I'm heading straight for the jungle.
01:11:05See anything move.
01:11:06Shoot.
01:11:09Getting through?
01:11:10Yes, sir.
01:11:11IFO patrol to brigade.
01:11:12IFO patrol to brigade.
01:11:13IFO patrol to brigade.
01:11:14Over.
01:11:15Mandy on patrol.
01:11:16Over.
01:11:17IFO patrol moving north to investigate shooting.
01:11:20Estimated one mile, 168 degrees from grid reference 224-227.
01:11:28Over.
01:11:29Somebody grind toward us.
01:11:30Just one man.
01:11:31Get him!
01:11:32Get him!
01:11:41Get him!
01:11:53Whoever it is, we can't see him now.
01:11:54He's too close to the wall.
01:11:55Are there others?
01:11:56Can you see any others?
01:12:05Where is he?
01:12:06Where can he be?
01:12:11Where is he?
01:12:12Where is he?
01:12:13Where is he?
01:12:14Where is he here?
01:12:16Where is he?
01:12:17Where is he?
01:12:27Where is he?
01:12:28That's what he is.
01:12:29That's what I need.
01:12:30I'm not a man.
01:12:31I'm not a man.
01:12:32You know what?
01:12:33That's what he's done.
01:12:34No one, no one, no one.
01:12:35It's what he's done.
01:12:36How do you feel?
01:12:37No one, no one.
01:13:40Be careful with those guns, gentlemen.
01:13:44What's the matter, Guzik?
01:13:47Is it the shock of your life I'm giving you?
01:13:50Raise your hands.
01:13:52It'd be a pleasure.
01:13:54The pins are out.
01:13:56They only have to fall out of my hands.
01:14:00Anyone care to let fly?
01:14:02Guzik!
01:14:04He has the right idea.
01:14:06If I drop these things, they'll blow the four of you to kingdom come.
01:14:09And you too.
01:14:11I'm willing.
01:14:12Are you?
01:14:14Where is Sean O'Connor?
01:14:21I'm gonna drop him.
01:14:23He's in there!
01:14:24O'Connor?
01:14:27I mean here.
01:14:28So you know he's still alive.
01:14:30O'Connor's gonna walk out of this place.
01:14:33Through the village, through the jungle, to my car.
01:14:36You can guess the rest, can't you?
01:14:38We wait here until he sends someone back with troops.
01:14:41The terrorist would pay.
01:14:43He would make you rich for life.
01:14:45What's in it for you, Mike?
01:14:46O'Connor's life doesn't mean anything to you.
01:14:48Maybe.
01:14:49But Frenessy's life and the way she lives means a lot to me.
01:14:53And right now she wants you out of this.
01:14:55Safely out.
01:14:57Throw those grenades out of the window and we can all get out of this.
01:15:00Not until I find out who killed Wang.
01:15:04Guzik did it.
01:15:05And you too?
01:15:06No, I didn't know they were gonna kill Wang.
01:15:08But you know where they could find him.
01:15:10Guzik knifed him.
01:15:12Mr. Marsh, you talk too much.
01:15:14Let him talk.
01:15:15What difference does it make?
01:15:16The show is over.
01:15:18There's only one way out.
01:15:20Only one way out, Julian.
01:15:22Only O'Connor could save your neck now.
01:15:25Guzik, go get O'Connor.
01:15:28But he'll kill him.
01:15:29Bring O'Connor out here.
01:15:31But he'll kill him, I tell you.
01:15:32Only if you let him.
01:15:34Get moving, Guzik.
01:15:35Now.
01:15:36But he's a complete fanatic.
01:15:38He'll never let you get O'Connor alive.
01:15:40This is your chance, Julian.
01:15:42You're one way out.
01:15:43Stop Guzik or hang.
01:15:45Take the chance, Julian.
01:15:53Now you, Mike.
01:15:54They won't hang me because you'll be dead.
01:15:56I'll be the rescuer of O'Connor.
01:15:57I'll be a national hero.
01:15:59Stand back, Julian.
01:16:00After you, there won't be any more.
01:16:02And Frennessy will never know.
01:16:03Frennessy knows you can't be a hero.
01:16:12On the double.
01:16:19Open up.
01:16:20Open up in there.
01:16:22All right, Ben.
01:16:23Get that block.
01:16:30O'Connor?
01:16:39That sounds as though you'd be in good hands.
01:16:41They'll bring you too.
01:16:44And I wouldn't be making a good hero either.
01:16:51So long, Julian.
01:17:15Mike.
01:17:16Oh, Mike.
01:17:17They told me you were back.
01:17:19I just came from someone close to the Governor General.
01:17:21They promised to fix it so Julian will only be charged with impersonating an officer.
01:17:25You see, I knew you'd bring him back safe.
01:17:30I have to talk fast before Julian gets here, don't I?
01:17:35In Shanghai, after you left,
01:17:39I had a little problem of earning a living.
01:17:43Finally, I discovered
01:17:45that for a girl who had no parents,
01:17:49no profession or training,
01:17:53there were certain problems.
01:17:57I solved those problems in the only way I could.
01:18:03Julian, when he came along, knew about that.
01:18:06Yet he...
01:18:08he said he loved me and he asked me to marry.
01:18:11Oh, Mike.
01:18:13Our orchard, our plum blossoms, they were nice.
01:18:17But imagine, Mike, if I'd waited for you and then I told you.
01:18:20How you'd have detested me for not being as you remembered.
01:18:23How I eventually would have detested you.
01:18:27That's why I lied to you the other night.
01:18:31That's why I love Julian.
01:18:33Because he... he loves me as I really am.
01:18:37When will he be here?
01:18:39He won't be here.
01:18:41How did he die?
01:18:43Quickly.
01:18:45You killed him.
01:18:47He really killed himself.
01:18:50I could have pulled him through.
01:18:52I would have stood up for him.
01:18:54Lied for him.
01:18:55Covered him.
01:18:57You killed him.
01:18:59I only did what I had to.
01:19:01You killed him.
01:19:03He really killed himself.
01:19:05I could have pulled him through.
01:19:07I would have stood up for him.
01:19:09Lied for him.
01:19:11Covered him.
01:19:13You killed him.
01:19:15I only did what I had to.
01:19:18You murdered him.
01:19:20He could make you love him.
01:19:22But when it came to the showdown, he turned traitor.
01:19:25He tried to kill me.
01:19:27He tried to...
01:19:28You...
01:19:30You don't breathe a word against him.
01:19:33Picnics.
01:19:35Plum blossom.
01:19:37Way up on a hill am I.
01:19:39Looking at me as if I was a saint.
01:19:42Couldn't you see?
01:19:44The way I looked.
01:19:45The way I sang what I was.
01:19:47No.
01:19:49That gun I gave him.
01:19:52You didn't think I learned to keep that under my pillow before I ever met Julian?
01:19:55How do you think I could be so friendly with someone close to the governor?
01:20:01You...
01:20:03You weren't in love with me.
01:20:06You were in love with some goofy 18 year old.
01:20:10A lily white doll in your own mind.
01:20:12Well, Julian loved me.
01:20:13Well, Julian loved me.
01:20:21He's coming.
01:20:26Until I die, I'll love him.
01:20:30You...
01:20:33You murdered him for me.
01:20:35Well, this is all you'll ever get him to be.
01:20:38Murder him! Murder him! Murder him!
01:20:39Murder him! Get out! Get out!
01:20:42Get out!
01:20:47Yes!
01:21:09Good evening, Mr. Callahan.
01:21:11It is said you are in need of a friend.
01:21:14Do not worry.
01:21:15You are the luck of your father and mother.
01:21:18Your luck is here.
01:21:19Take a chance, Mr. Callahan.
01:21:21Thanks, Mei-Ling.
01:21:22Not now.
01:21:24Maybe tomorrow.
01:21:29Love is a white bird.
01:21:31Yet you cannot buy her.
01:21:39Love is a white bird.
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